WEBVTT

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Imagine being like the most terrifying, just

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utterly dominant athlete in your entire sport.

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Right. You are striking out legends, you're breaking

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long -standing records, and throwing the baseball

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with such violent force that you are literally

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tearing your own arm apart just to entertain

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the crowds. Yeah, just completely redlining your

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body. Exactly. You are a god on the diamond.

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And then out of nowhere, your entire career is

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erased because you slipped on some wet grass

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picking up a... rolling baseball. It sounds like

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a cruel joke, honestly, but it's the reality

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of how incredibly fragile peak human performance

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actually is. It really is. Welcome to today's

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Deep Dive. We've got a fascinating set of notes

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and biographical excerpts today about a nearly

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forgotten sports legend from the early 20th century,

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a guy named Smokey Joe Wood. Yeah. And for you

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listening, we want to be clear right out of gate

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here. This is not just some dusty, nostalgic

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sports history recap. Far from it. This is a

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study in what happens when the one thing that

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defines your entire identity is suddenly just

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tripped away. Right. We are going to explore

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the anatomy of a spectacular professional peak,

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a devastating freak setback, and an unprecedented

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reinvention. It is an absolute master class in

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adaptability. It really is. Because this man

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suffered a career ending injury, right? And then

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miraculously returned to conquer the exact same

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sport, doing something completely different.

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Which is almost impossible to comprehend. It's

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insane. Oh. But to understand the magnitude of

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that comeback, we have to look at the sheer unfiltered

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force of what he started with. Joe Wood's entry

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into professional sports was highly unconventional.

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Weary. He started out playing amateur ball in

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O 'Rea, Colorado. But his real debut came with

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a team called the Bloomer Girls. Which is just

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a brilliant, bizarre piece of Americana. The

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Bloomer Girls were a barnstorming exhibition

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team. They traveled the country setting up games

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wherever they could, and they were a mostly female

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roster playing against local men's teams. Wow.

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But to keep the games competitive and to draw

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crowds, these teams would usually feature at

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least one or two male players on the roster.

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And Wood was one of those guys. But he wasn't

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just playing on the team. He was in disguise.

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Ted Williams told this incredible story on a

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radio program back in 1950, explaining that when

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the Boston Red Sox originally scouted and signed

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Joe Wood in 1908 as an 18 -year -old, mind you,

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Wood was actively posing as a girl to pitch for

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this exhibition team. I mean, picture that. The

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Red Sox Scouts looked past the novelty act of

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a teenager in a wig and saw an arm that frankly,

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defied the logic of the era. It totally did.

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By his 1911 breakthrough season at just 21 years

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old, Wood is putting up numbers that look like

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typos. Seriously. 23 wins, a no -hitter, and

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a 15 strikeout game. He even struck out 23 batters

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in an exhibition game. Which is just absurd.

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And his ERA, his earned run average, was 2 .02,

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meaning he was giving up barely two runs over

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the course of an entire game. This is where the

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smoky nickname is born. Right, because his fastball

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was just a terrifying blur of smoke. Exactly.

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Wood himself later said in a 1966 book, quote,

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I threw so hard I thought my arm would fly right

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off my body. OK, let's unpack this. Because watching

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him pitch must have been like watching a high

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-performance sports car engine being constantly

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run in the red line. That's a great way to put

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it. Right. Like, it is spectacular to watch.

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The noise and the power are intoxicating. But

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mechanically, you know it's doomed to snap. Yeah.

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Let's break down the mechanics of why that engine

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was doomed. Because you have to remember the

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context of the sport at that time. This was the

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dead ball era. Right. The physical baseballs

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they used were soft, mushy, and honestly overused.

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They didn't travel far when hit. So it changed

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how everyone played. Exactly. Because of that,

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pitchers usually focused on pacing themselves.

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They used strategy, placement, and trick pitches

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like the spitball to get batters out. They were

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trying to conserve energy. Right. Throwing with

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maximum violent velocity on every single pitch

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was incredibly anomalous. It was a physical shock

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to the system for anyone watching. He wasn't

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just throwing a ball. He was weaponizing his

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own anatomy. He really was, and the human shoulder

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and elbow are simply not designed to act as a

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catapult firing at maximum tension over and over

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again. Generating that kind of torque, especially

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back then, without modern sports medicine or

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ice baths or surgical reconstruction, it took

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a devastating physical toll. Every time he wound

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up and threw that fastball, he was borrowing

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time from his future to fuel the present. And

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that terrifying velocity is exactly what set

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him on a collision course with the only other

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man on the planet who threw like he did. Which

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leads us into the mythical season of 1912. Oh,

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man 1912 woods numbers that you're almost incomprehensible

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today a record of 34 wins and only five losses

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Just just to put 34 wins in perspective for a

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modern listener today Starting pitchers usually

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only play in about 30 to 33 games an entire season

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Yeah would one 34 of them since the year 1900

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only 13 pitchers have ever won 30 or more games

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in a single year Woods 34 victories remain the

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sixth highest total in modern baseball history.

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That is wild. He threw an ERA of 1 .91 and struck

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out 258 batters. He also tied the consecutive

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win record, winning 16 straight games. And that

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unbelievable streak sets up the ultimate rivalry

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with the legendary Walter Johnson. Oh, this is

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the best part. Right. Now, Johnson was scientifically

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tested at a munitions plant, of all places, to

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throw 6 .1 miles per hour faster than anyone

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else of his era. Yeah, they actually measured

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it. And yet Johnson famously told a reporter,

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quote, Listen, my friend, there's no man alive

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can throw harder than Smokey Joe Wood. What a

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compliment. Seriously. Wood humbly deflected

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the praise back to Johnson, but the media smelled

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blood in the water. They couldn't get enough

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of it. September 6, 1912. The Washington Senators

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come to Boston, and the Senators actively challenge

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the Red Sox to alter their pitching rotation,

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just to force a Wood versus Johnson duel. The

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papers hyped it up like a heavyweight prize fight.

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Fenway Park was packed to the gills with a standing

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room -only crowd of 29 ,000 fans, all desperate

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to see these two physical anomalies go head -to

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-head. And Wood out -dueled him. It was a scoreless

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tie until the sixth inning, when Triss Beaker

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and Duffy Lewis knocked in a run. Wood gave up

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no runs, only two hits, and won the game 1 -0.

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Incredible. But wait a minute, though. Are you

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saying the Red Sox actively disrupted their own

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team's strategy and rotation just to feed into

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the media hype of a one -on -one duel? They absolutely

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did. Did the pressure of these artificially hyped

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prize fights like, forcing Wood to throw harder

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and harder to match Johnson? Did that actually

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cause the strain on his arm? Well, what's fascinating

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here is how Walter Johnson himself analyzed Wood's

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mechanics. Johnson was known for being very straightforward,

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and he noted that Wood could throw as hard as

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humanly possible, but only safely for two or

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three innings. Wait, really? Just two or three?

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Yeah. Wood's specific delivery put an unnatural,

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violent strain on his arm. So when you take a

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pitcher with those volatile mechanics and throw

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him into a heavily hyped winner -take -all spectacle

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where his pride is on the line against his biggest

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rival. Oh man. He is going to push way past that

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two to three innings safety threshold. He's gonna

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redline the engine for all nine innings. He has

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no choice. The team, the fans, and Wood himself

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were all cashing in on a physical asset that

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was rapidly depreciating. Yeah. It highlights

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the profound danger, in any profession, really,

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of prioritizing short -term spectacle over long

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-term sustainability. And the climax of that

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short -term spectacle arrived a month later on

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the biggest stage imaginable, the 1912 World

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Series. Right. Against John McGrath's New York

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Giants and the great Christy Matthewson. This

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series goes to a deciding game eight at Fenway.

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It's a game filled with incredible chaotic drama.

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It goes into extra innings. The Giants actually

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take the lead in the top of the 10th. It looked

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like it was over. It did. But in the bottom of

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the 10th, there's the infamous Snodgrass Muff.

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Oh, right. Yeah. A dropped, incredibly easy fly

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ball by Giants center fielder Fred Snodgrass

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that gives the Red Sox completely unexpected

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new life. Boston capitalizes on the error. They

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scored two runs. And Smokey Joe Wood gets the

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win, 3 -2. He pitched the final three innings

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of that game. He secured his third win of the

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series. He became the first pitcher ever to strike

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out 11 batters in a single -world series game.

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It's just legendary stuff. He is sitting on top

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of the world. The absolute zenith of a career.

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And then the fall. The fall is rarely the heroic

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on -the -mound explosion of a shoulder we might

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imagine. No. It's 1913. He's fielding a simple

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routine bunt against the Detroit Tigers. He slips

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on the wet grass, falls awkwardly, and breaks

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his thumb. That's it? That's it. A broken thumb

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from a routine bunt ruining the era's greatest

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pitching arm is like, I don't know, a real class

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concert pianist ending their career by slipping

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while chopping an onion in the kitchen. Yeah,

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that's exactly what it's like. It's the completely

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mundane destroying the extraordinary. Think about

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why a thumb matters so much to a pitcher. The

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thumb is the anchor. It dictates the grip, the

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spin, the release point, and the stability of

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the ball as it leaves the hand at maximum velocity.

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When that anchor is broken, the arm compensates.

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Oh, I see. The mechanics change. And when you

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are already pitching at the absolute razor's

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edge of physical capability, even a millimeter

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of mechanical compensation tears the shoulder

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and elbow apart. In the text notes he pitched

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in agony. for three straight seasons after that

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broken thumb. Three years. He was unable to recover.

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His appearance is dwindling year by year. He

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sits out almost entirely in 1916 and 1917. His

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pitching career is effectively dead. And you

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know, the psychological devastation of that fall

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is arguably worse than the physical pain. I can't

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even imagine. When your entire identity, your

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nickname, your fame and your livelihood are entirely

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built on a single, irreplicable physical trait,

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the Smokey Fastball. Losing it to a freak accident

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doesn't just end your job. It shatters your sense

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of self. Usually for athletes in this position,

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that means the end of the story. They fade into

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obscurity, becoming ghosts, haunting their own

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profession. But not Wood. Late in 1917, he is

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sold to the Cleveland Indians, where he reunites

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with his former teammate, Driss Beaker. And instead

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of fading into obscurity, Wood decides he is

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going to become an outfielder. Right. I'm trying

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to wrap my head around the ego check this requires.

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If I lose the one thing that makes me world class,

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my instinct is to pivot to coaching or broadcasting

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or management. Sure, take the safe route. Not

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to start over as a struggling rookie in a totally

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different position in the exact same field, here's

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where it gets really interesting. How many elite

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professionals completely lose their primary skill

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and instead of retiring, just switch to a completely

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different, equally difficult skill and achieve

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top 10 status again? How on earth did he mentally

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survive that? Well, if we connect this to the

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bigger picture, he essentially took the mental

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software that made him an elite pitcher and successfully

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ported it into the hardware of an outfielder.

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Wow, okay. Think about what a hitter actually

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has to do. They have to process information in

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fractions of a second. They have to read the

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spin of the ball and understand the psychology

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of the man on the mound. Ah, right. Wood survived

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the ego check because he realized his underlying

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genius wasn't just in his shoulder, it was in

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his processing speed. He knew exactly what pitchers

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were trying to do to batters because he used

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to be the ultimate predator on the mound. He

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knew their secrets. Exactly. He just had to reverse

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engineer that knowledge from the batter's box.

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Still, it was a brutal struggle early on in 1918.

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He had to grind just to stay on the roster. But

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the turning point is like something out of a

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movie script. May 24, 1918. The Indians are playing

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a grueling marathon 19 inning game against the

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Yankees at the Polo grounds. 19 innings. Just

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exhausting. Wood hits two home runs in that game,

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including the game winner of the 19th inning.

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And his quote afterward is just dripping with

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the exhaustion of a man who's been fighting for

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his life. He said, quote, The worst was finally

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over. That is the moment he finally crossed the

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psychological threshold from former injured pitcher

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to legitimate everyday position player. The ghost

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was gone. He was a new athlete. And. He didn't

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just survive as a hitter, he achieved top -tier

00:12:31.690 --> 00:12:34.909
status again. He finished in the top 10 in the

00:12:34.909 --> 00:12:38.210
American League in RBIs twice, meaning he was

00:12:38.210 --> 00:12:40.129
one of the best in the league at getting hits

00:12:40.129 --> 00:12:42.490
that drove his teammates across home plate to

00:12:42.490 --> 00:12:45.649
score. Yeah, real clutch hitting. In 1918, he

00:12:45.649 --> 00:12:47.710
was top 10 in home runs, doubles, and batting

00:12:47.710 --> 00:12:51.090
average. By his final season in 1922, he hit

00:12:51.090 --> 00:12:56.470
.283 with 150 hits and 92 RBIs. He even played

00:12:56.470 --> 00:12:59.389
in the 1920 World Series, winning another championship

00:12:59.389 --> 00:13:02.409
ring as an outfielder. Which is just phenomenal.

00:13:02.529 --> 00:13:05.190
It's also worth noting his former Boston teammate

00:13:05.190 --> 00:13:08.909
Babe Ruth made this exact same, incredibly rare,

00:13:09.129 --> 00:13:11.350
pitcher -to -outfielder pivot a year later in

00:13:11.350 --> 00:13:14.149
1919. It's the ultimate proof that true greatness

00:13:14.149 --> 00:13:16.809
isn't always bound to one specific physical output.

00:13:17.080 --> 00:13:19.840
It's an underlying capacity to learn, to adapt

00:13:19.840 --> 00:13:22.039
and outthink the competition, regardless of the

00:13:22.039 --> 00:13:23.980
role you were forced to play. When achieving

00:13:23.980 --> 00:13:25.879
greatness a second time isn't just about proving

00:13:25.879 --> 00:13:27.919
something to yourself, it changes how you view

00:13:27.919 --> 00:13:30.240
the game entirely. Which is exactly why Wood

00:13:30.240 --> 00:13:32.240
didn't just retire to a quiet life after winning

00:13:32.240 --> 00:13:34.100
his second ring. No, he had too much to give.

00:13:34.419 --> 00:13:36.799
He translated all of that hard -won knowledge

00:13:36.799 --> 00:13:40.080
into a lifelong legacy of teaching. He became

00:13:40.080 --> 00:13:42.279
the head baseball coach at Yale University for

00:13:42.279 --> 00:13:46.720
18 years, compiling over 280 wins and even coaching

00:13:46.720 --> 00:13:49.360
his own son. He became a true professor of the

00:13:49.360 --> 00:13:51.940
sport. There's a wonderful anecdote from 1981

00:13:51.940 --> 00:13:54.259
beautifully recorded by the writer Roger Angel.

00:13:54.340 --> 00:13:57.240
Oh, I love this story. It's so good. Wood is

00:13:57.240 --> 00:13:59.720
in his 90s, sitting in the stands at Yale, watching

00:13:59.720 --> 00:14:02.980
an epic 11 inning no hit pitching duel between

00:14:02.980 --> 00:14:06.019
Yale's Ron Darling and St. John's Frank Viola,

00:14:06.179 --> 00:14:08.259
both of whom would go on to be major leaguers.

00:14:08.259 --> 00:14:11.899
Right. Wood, watching these college kids struggle

00:14:11.899 --> 00:14:14.779
to get a hit off these incredible pitchers, leans

00:14:14.779 --> 00:14:17.139
over and advises that the hitters should shorten

00:14:17.139 --> 00:14:19.059
up on the bat, just like Ty Cobb used to do.

00:14:19.179 --> 00:14:21.399
He's pulling tactical, mechanical advice from

00:14:21.399 --> 00:14:24.120
a guy he played against 70 years prior to solve

00:14:24.120 --> 00:14:26.139
a problem happening right in front of him. Exactly.

00:14:26.259 --> 00:14:28.899
The mind was still completely sharp. And yet...

00:14:28.909 --> 00:14:31.830
Despite this incredible second and third act,

00:14:32.470 --> 00:14:34.629
baseball historians Lawrence Ritter and Donald

00:14:34.629 --> 00:14:38.649
Hunnig coined a term in 1981 called the Smokey

00:14:38.649 --> 00:14:40.230
Joe Woods Syndrome. Right, I've heard of that.

00:14:40.450 --> 00:14:42.909
Yeah, it's a category they use for players with

00:14:42.909 --> 00:14:45.350
truly exceptional talent, whose careers were

00:14:45.350 --> 00:14:48.210
curtailed by injury, yet who still belong on

00:14:48.210 --> 00:14:50.710
the list of all -time greats. Yeah. But I have

00:14:50.710 --> 00:14:54.169
to ask. Are the historians completely shortchanging

00:14:54.169 --> 00:14:57.750
him here by focusing so heavily on the curtailed

00:14:57.750 --> 00:15:01.129
by injury aspect? Calling it a syndrome makes

00:15:01.129 --> 00:15:03.549
it sound like a tragedy. Yeah, it does. Maybe

00:15:03.549 --> 00:15:05.309
his greatness isn't that his pitching peak was

00:15:05.309 --> 00:15:08.350
cut short, but that he had two entirely separate,

00:15:08.350 --> 00:15:11.370
highly successful careers in one lifetime. You're

00:15:11.370 --> 00:15:13.809
absolutely right. The syndrome label paints him

00:15:13.809 --> 00:15:17.139
as a victim of circumstance. It reduces his life

00:15:17.139 --> 00:15:18.919
to a what -if story, like what if he never slipped

00:15:18.919 --> 00:15:21.740
on that wet grass? Exactly. But his actual life

00:15:21.740 --> 00:15:24.679
proves that true mastery isn't just about uninterrupted

00:15:24.679 --> 00:15:27.820
longevity in one specific narrow task. It's about

00:15:27.820 --> 00:15:29.899
building a deep foundational understanding of

00:15:29.899 --> 00:15:32.899
your craft that allows you to adapt to any circumstance.

00:15:32.919 --> 00:15:35.779
Yeah. And honestly, Yale University seemed to

00:15:35.779 --> 00:15:38.039
recognize this broader intellectual and personal

00:15:38.039 --> 00:15:40.480
impact far better than the sports historians

00:15:40.480 --> 00:15:44.720
did. In 1985, at the age of 95, Yale's president,

00:15:45.019 --> 00:15:48.070
Abe Bartlett presented Joe Wood with an honorary

00:15:48.070 --> 00:15:50.710
doctorate of humane letters. He was the first

00:15:50.710 --> 00:15:53.190
big leaguer to ever receive that honor from Yale.

00:15:53.870 --> 00:15:56.649
He was one of only two men, alongside the legendary

00:15:56.649 --> 00:15:59.769
composer Cole Porter, to be honored outside a

00:15:59.769 --> 00:16:02.179
traditional commencement ceremony. It's an incredible

00:16:02.179 --> 00:16:04.460
distinction. He passed away later that year,

00:16:04.600 --> 00:16:07.620
the very last surviving member of the 1912 Champions.

00:16:07.759 --> 00:16:10.759
He lived a full, brilliantly adapted life. He

00:16:10.759 --> 00:16:12.879
didn't let the wet grass be the end of his sentence.

00:16:13.039 --> 00:16:14.919
So for you listening today, thinking about your

00:16:14.919 --> 00:16:18.080
own career or your own personal hurdles, Smokey

00:16:18.080 --> 00:16:21.120
Joe Wood is a profound reminder that a catastrophic

00:16:21.120 --> 00:16:23.639
setback might just be the pivot point forcing

00:16:23.639 --> 00:16:25.820
you to discover a secondary talent you never

00:16:25.820 --> 00:16:28.289
even knew you had. It's so true. Think about

00:16:28.289 --> 00:16:30.309
a time you had to start over at a new job where

00:16:30.309 --> 00:16:32.669
you used to be the boss, or a time a project

00:16:32.669 --> 00:16:35.490
you poured your soul into just collapsed. That

00:16:35.490 --> 00:16:38.389
level of humbling is terrifying. But Wood shows

00:16:38.389 --> 00:16:40.110
us that the mental software you build in your

00:16:40.110 --> 00:16:42.169
first success can absolutely be ported over to

00:16:42.169 --> 00:16:44.909
your next chapter. It asks us a fundamental question,

00:16:44.950 --> 00:16:47.669
really. Are we defining ourselves by the one

00:16:47.669 --> 00:16:51.330
specific thing we do, or by our capacity to learn

00:16:51.330 --> 00:16:53.409
how to do the next thing? I want to leave you

00:16:53.409 --> 00:16:56.039
with a final thought to mull over. based on a

00:16:56.039 --> 00:16:58.220
really subtle detail we discussed from the source

00:16:58.220 --> 00:17:02.379
text. Okay. The text mentions that Wood pitched

00:17:02.379 --> 00:17:05.880
in intense pain for three straight seasons after

00:17:05.880 --> 00:17:08.619
his injury before finally giving it up and moving

00:17:08.619 --> 00:17:11.640
to the outfield. Right. Three long years. It

00:17:11.640 --> 00:17:14.059
makes you wonder if he hadn't been so stubbornly

00:17:14.059 --> 00:17:16.099
attached to his old identity as a pitcher, you

00:17:16.099 --> 00:17:18.819
know, pushing through the agony to protect his

00:17:18.819 --> 00:17:21.500
ego and his smoky nickname. Could he have started

00:17:21.500 --> 00:17:24.019
his brilliant second act as a hitter even sooner?

00:17:24.220 --> 00:17:27.579
Wow. That's a great point. How often do we endure

00:17:27.579 --> 00:17:30.480
the pain of a broken situation just because we're

00:17:30.480 --> 00:17:33.059
afraid to reinvent ourselves? We stare so hard

00:17:33.059 --> 00:17:35.319
at the illusion of that flawless, indestructible

00:17:35.319 --> 00:17:37.859
machine, we forget that sometimes the most beautiful

00:17:37.859 --> 00:17:40.299
things we build are made entirely from the broken

00:17:40.299 --> 00:17:42.940
pieces of our first attempt. Thanks for joining

00:17:42.940 --> 00:17:45.160
us on this deep dive. Thanks for listening. We'll

00:17:45.160 --> 00:17:45.619
see you next time.
