WEBVTT

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Imagine for a second that you're looking at the

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career of literally one of the greatest professional

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fighters in the world. Right. Someone who stepped

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into the ring and amassed nearly 300 fights.

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Which, I mean, just the sheer volume of that

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is staggering. Oh, absolutely. But here's the

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bizarre anomaly at the heart of today's deep

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dive. Out of all those victories, fighting in

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the heaviest, most dangerous weight classes,

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he... Well, he almost never knocked anyone out.

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Yeah, it completely subverts everything we expect

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from the sport, especially in the light heavyweight

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division. Right, because everybody wants to see

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the knockout. Exactly. The entire draw of boxing

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historically has been that promise of devastating

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power. I mean, the crowd pays to see a knockout.

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It's kind of like looking at the career of a

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world famous race car driver, somebody who wins

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championship after championship. But when you

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look at the telemetrics, you realize they never

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once drove above the speed limit. That is a brilliant

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way to put it. Right. Like they found a way to

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win while completely bypassing the fundamental

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expectation of the sport itself. And by bypassing

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that expectation, he managed to infuriate almost

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every single person who paid to watch him do

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it. which is wild. It really is. It sets up this

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totally fascinating conflict between, you know,

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substance and spectacle. So that brings us to

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our mission for today's Deep Dive. Looking through

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this stack of boxing archives, old athletic commission

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records, and classic Hollywood biographies, we

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are digging into the life and genuinely surreal

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career of Maxie Rosenblum. Such a fascinating

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guy. We want to uncover how a boxer with a heavily

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criticized just thoroughly unorthodox style,

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conquered the boxing world, and then somehow

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leveraged the exact caricature that people hated

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into this wildly successful Hollywood career.

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Yeah, so to set the biographical stage here,

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we are talking about Max Everett Rosenblum. He

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was born in Leonard Bridge, Connecticut in 1906.

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Though if you ever visit his headstone in California,

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it actually says 1907. Wait, really? Yeah, just

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the first of many weird little quirks in his

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story. But he occupies this incredibly rare space

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in American cultural history. How's that? On

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one hand, he's an inducted legend in the International

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Boxing Hall of Fame, the World Boxing Hall of

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Fame, and the Rings Boxing Hall of Fame. That's

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the triple crown right there. Right. But on the

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other hand, an entire generation of people remembers

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him not as a fighter, but as this beloved, goofy

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character actor from the golden age of cinema

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and TV. Which is quite a leap. I mean, the journey

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from being a despised boxing champion to a beloved

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Hollywood actor is Well, it's huge. It's basically

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unprecedented. Okay, let's unpack this. To understand

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how we pulled that off, we have to understand

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the specific nature of his fighting style. You

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mentioned earlier that he infuriated people.

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Oh, they hated it. What was he actually doing

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in the ring to make crowds and critics so angry?

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Well, to understand the anger, you kind of have

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to look at the data and just the reality of 1920s

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and 30s boxing. Right. Across his professional

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career, Maxey fought in 298 total bouts. 298.

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I mean, I have to stop you there, because modern

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fighters might have, what, 30, maybe 40 fights

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in an entire career? If they're lucky, yeah.

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Yeah. So stepping into a ring to get punched

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in the... the head almost 300 times is it's an

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endurance feat that's hard to even conceptualize.

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It really was a completely different era. I mean,

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fighters fought constantly just to make a living.

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And out of those 298 fights, Maxie walked away

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with 223 wins. OK, so he's winning a lot. He's

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winning constantly. But the statistic that defines

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his entire legacy is that out of those 223 victories,

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only 19 of them were by knockout. 19 knockouts

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in nearly 300 fights. Yeah. For a guy weighing

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over 170 pounds, that is... That's mathematically

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absurd. How was he winning these fights if he

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wasn't putting guys on the canvas. He was just

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a master of exploiting the point system. The

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archives show that Maxey relied heavily on hitting

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and moving, but not with traditional planted

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power punches. OK, so what was he doing instead?

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He utilized what was called an open -gloved style.

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Open gloves? Right. So instead of making a tight

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fist and throwing his body weight into a hook

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or a cross, he would just flick his gloves. Wait,

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like, literally? Literally. He would slap at

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his opponent's head and face, score a quick point

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on the judge's card, and then immediately dodge,

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weave, and move away. That is wild. Because he

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wasn't committing his weight to heavy punches,

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his balance was never compromised. It made it

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incredibly difficult for his opponents to actually

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hit him cleanly. Oh, because he's never leaning

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in. Exactly. So most of his fights just went

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the grueling 15 -round distance and ended in

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a decision. It sounds like, okay, it's like playing

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a competitive fighting video game where you just

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refuse to learn any of the heavy combo attacks.

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Uh -huh. Yes. Instead, you just learn the exact

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exact frame data of the game's point system.

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You tap your opponent with a one -point jab,

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and then you just perfectly dodge and backpedal

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until the round timer runs out. But that is a

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perfect description. You win on the scorecard,

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but the person you're playing against probably

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wants to throw their controller through the television.

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And that is exactly the frustration his opponents

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felt. He completely refused to engage in the

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bloodsport aspect of boxing, and it earned him

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a highly mocking nickname from the press and

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the public. Which was Papsimax. Papsimax, wow.

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But looking at the sources, they also mentioned

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he won a lot of these bouts through something

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called newspaper decisions. Right, yes. If I'm

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trying to picture the mechanics of this, what

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exactly is a newspaper decision? Were journalists

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literally handing out trophies at the end of

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the fight? It's actually this bizarre quirk of

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early 20th century sports law. In many states

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at the time, gambling laws made it illegal to

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have official judges scoring a boxing match.

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Really? Why? They thought it would curb illegal

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betting. The law stated that unless there was

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a definitive knockout, the fight had to be declared

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a no decision. But human nature dictates that

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people still want to know who won. Exactly. So

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the sports writers sitting ringside would basically

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pull their opinions, tally up who they thought

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landed more punches, and publish their consensus

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in the next morning's newspaper. Oh, wow. So

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Maxey wasn't just gaming the official judges.

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No, not at all. He was gaming a jury of literal

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journalists sitting in the front row. He knew

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that if he just flicked enough open -glove jabs

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to visibly touch the other guy's face more often,

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the newspapers would have to declare him the

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winner. Even if he didn't do any real damage.

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Precisely. He prioritized the substance of winning

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over the spectacle of brawling. Fascinating.

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And while the crowds booed him for being boring,

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true boxing minds recognized the absolute genius

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of his spatial awareness. I mean, this defensive

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approach profoundly influenced the future of

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the sport, tracing all the way to Custy Amato.

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Hold on a second. Custy Amato. Yes. Fist Amato

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trained Mike Tyson. He did. Tyson is arguably

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the most ferocious, aggressively offensive, power

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-punching heavyweight of our lifetimes. Are you

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telling me that Tyson's terrifying peek -a -boo

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style traces back to a guy famous for slapping

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and running away? It seems totally contradictory,

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right? Yeah. How does that math work? Well, you

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have to look at the mechanics of what DiMato

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valued. DiMato was obsessed with defense. He

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once said, and this is a direct quote, Rosenblum

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was probably the cleverest fighter I've ever

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seen, defensively. You just couldn't hit the

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man. I praise. Very high. D 'Amato observed that

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Maxi had developed a sort of radar, like an intuitive

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sixth sense for anticipating blows and moving

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his head before the punch even landed. Oh, I

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see. And D 'Amato realized that if you could

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teach a fighter that level of untouchable head

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movement, you wouldn't just use it to run away

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like Maxi did. Right. You could use that evasion

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to stay right in front of your opponent, slip

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their punch. and deliver a devastating counter.

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Exactly. That's the connection. OK. So Maxey

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proved that a human being could develop an almost

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supernatural radar to avoid getting hit. And

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D 'Amato just took that defensive foundation

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and basically strapped a rocket launcher to it.

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That is exactly it. But, you know, during Maxey's

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actual career, his defensive genius created a

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massive political problem. I can imagine. It's

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one thing to have a weird slapping style as a

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low level journeyman. It is another thing entirely

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to use that style to systematically dismantle

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the best fighters in the world and claim the

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undisputed championship. Because at that point,

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the boxing establishment can't just ignore you.

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They have to put you on their posters. Right.

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Let's look at his title run, because this is

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where the story shifts from a sports biography

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into a master class in institutional petty behavior.

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Oh, it really is. So on June 25, 1930 at Bison

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Stadium, Maxey fought Jimmy Slattery for the

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undisputed light heavyweight title. And how did

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that go? Maxey did what he always did. He flicked,

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he slapped, he moved, and he frustrated Slattery

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for 15 straight rounds. And he wins. Wow. He

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takes both the New York State Athletic Commission

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title and the Vacant Ring Magazine title. OK,

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so he is officially the champion of the world.

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And to be clear, the archives show this wasn't

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a fluke. Not at all. He successfully defended

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his title seven times. He held the undisputed

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crown twice during his reign, beating legitimate

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contenders like John Henry Lewis and Vicki Walker.

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He was undeniably the best in the world at scoring

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points. But here's the catch. Boxing wasn't governed

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by a single logical body back then. Right, it

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never really is. You had this alphabet soup of

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commissions. the New York State Athletic Commission,

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or NYSAC, controlled the massive New York market.

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Ring Magazine represented the purist lineage.

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And then you had the National Boxing Association,

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or the NBA, which represented most of the other

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states. And the NBA was inherently a business

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organization. They needed to sell tickets. Exactly.

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And Maxi Rosenblum's fights were notoriously

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boring to the casual fan. So think about your

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own job for a second if you're listening to this.

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Imagine you are the absolute top performer in

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your entire company. You close more deals than

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anyone else. You shatter every quota. You follow

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every single rule the employee handbook. Right.

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But then upper management decides to demote you

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simply because they think your sales emails aren't

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written with enough enthusiasm. Huh. That's exactly

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what it was like. I mean, is it fair for a governing

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institution to strip you of your status just

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because they don't find your methods aesthetically

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pleasing? Fair or not, that was the reality of

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the boxing business. In June of 1931, the NBA

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stripped Maxey of his title. Just like that?

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Yep. They used the excuse that he failed to defend

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it in a timely manner against their preferred

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contenders. Did you care? Not really. Maxey mostly

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ignored them, kept defending his other titles,

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and eventually won the NBA title back anyway.

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That is hilarious. But the establishment's frustration

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finally boiled over a few years later. On September

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17, 1934, the National Boxing Association held

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their annual meeting. And during this meeting,

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they made a formal, almost comical ruling. They

00:11:06.679 --> 00:11:08.480
stripped him of his championship again. And the

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official justification they wrote down is just

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incredible. They ruled that Maxey had, quote,

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violated every law of boxing by his slapping

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and flicking tactics in the ring. It's absurd.

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They literally legislated against his style.

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He wasn't putting horseshoes in his gloves. He

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wasn't bribing referees He was just so intense

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look annoying to them because he refused to stand

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in the middle of the ring and bleed for the audience

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Exactly. They couldn't beat him within the rules

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of the sport So they literally held a committee

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meeting to change the definition of winning Wow,

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the establishment demanded a gladiator and maxi

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was giving them a master class in spatial geometry

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But ultimately the relentless schedule and age

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did catch up to him Later that year, in November

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of 1934, he lost his remaining titles in the

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ring to Bob Olin in a 15 -round decision. OK,

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so we arrive at a critical pivot point in his

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life. He's aging out of a grueling sport. He's

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been repeatedly stripped of his titles by men

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in suits. Yeah. And the sports critics have spent

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a decade writing about him like he's a clown,

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like he's a goofy, slapping, non -threatening

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heavyweight who won't fight, quote unquote, like

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a real man. Right. At this point, most athletes

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would either sink into obscurity or become incredibly

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better. But Maxey executed one of the most brilliant

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psychological shifts in sports history. He looked

00:12:25.870 --> 00:12:29.049
at the caricature the media had built. You know,

00:12:29.269 --> 00:12:31.929
the punch -drunk, clumsy, laughable lug. And

00:12:31.929 --> 00:12:34.289
he realized it was an asset. Here's where it

00:12:34.289 --> 00:12:37.649
gets really interesting. In 1937... Two full

00:12:37.649 --> 00:12:39.970
years before he even officially announced his

00:12:39.970 --> 00:12:42.769
retirement from boxing, he began accepting roles

00:12:42.769 --> 00:12:45.610
in Hollywood films. But how does a guy everyone

00:12:45.610 --> 00:12:48.029
hates in the ring suddenly get cast in major

00:12:48.029 --> 00:12:51.149
motion pictures? Was Hollywood exploiting Maxie

00:12:51.149 --> 00:12:53.590
or was Maxie brilliantly exploiting Hollywood?

00:12:54.029 --> 00:12:56.330
Did he just walk onto a studio lot and ask for

00:12:56.330 --> 00:12:58.669
a job? It had a lot to do with the studio system

00:12:58.669 --> 00:13:01.370
of the 1930s. Hollywood was churning out hundreds

00:13:01.370 --> 00:13:03.789
of movies a year, and they relied heavily on

00:13:03.789 --> 00:13:06.210
character actors. Right, people who could immediately

00:13:06.210 --> 00:13:08.269
project a specific type the moment they stepped

00:13:08.269 --> 00:13:11.259
on screen. Exactly. Maxie realized he already

00:13:11.259 --> 00:13:14.159
possessed a massive publicly recognized type.

00:13:14.440 --> 00:13:16.980
He didn't try to be a leading man. He leaned

00:13:16.980 --> 00:13:20.139
entirely into the slapsy persona. He played comical,

00:13:20.320 --> 00:13:22.419
sympathetic big guys. And he wasn't just doing

00:13:22.419 --> 00:13:24.519
zero budget background work either. He was landing

00:13:24.519 --> 00:13:27.379
high profile gigs. Oh, absolutely. He's in a

00:13:27.379 --> 00:13:31.820
1939 movie called Each Dawn I Die, starring massive

00:13:31.820 --> 00:13:34.519
A -list names like James Cagney and George Raft.

00:13:34.639 --> 00:13:37.399
He did slapstick comedy shorts for Columbia Pictures,

00:13:37.840 --> 00:13:39.669
teaming up with another veteran boxing champ

00:13:39.669 --> 00:13:43.110
Max Baer. He even transitioned to radio doing

00:13:43.110 --> 00:13:45.899
comedy skits with Marlene Dietrich. on The Fred

00:13:45.899 --> 00:13:48.059
Allen Show. It's amazing. I mean, it requires

00:13:48.059 --> 00:13:50.279
a tremendous amount of emotional intelligence

00:13:50.279 --> 00:13:52.639
to let people laugh at you and to figure out

00:13:52.639 --> 00:13:55.340
how to charge them admission for the privilege.

00:13:55.620 --> 00:13:58.320
It really does. He understood personal branding

00:13:58.320 --> 00:14:01.279
decades before the term even existed. And his

00:14:01.279 --> 00:14:03.519
business acumen went far beyond just learning

00:14:03.519 --> 00:14:06.179
lines. He capitalized on his name by opening

00:14:06.179 --> 00:14:09.259
his own nightclub. Right, Slapsy Maxies, which

00:14:09.259 --> 00:14:11.799
is just the ultimate flex. It really is. The

00:14:11.799 --> 00:14:14.279
press gives you this insulting nickname to mock

00:14:14.279 --> 00:14:16.720
your life. work and you use it as the marquee

00:14:16.720 --> 00:14:19.279
for a premier nightlife destination. Exactly.

00:14:19.639 --> 00:14:21.580
The club originally operated in San Francisco

00:14:21.580 --> 00:14:23.899
and later moved down to Los Angeles. It operated

00:14:23.899 --> 00:14:26.559
on Wilshire Boulevard and then Beverly Boulevard

00:14:26.559 --> 00:14:28.519
throughout the 1940s. And it was successful.

00:14:28.700 --> 00:14:31.740
It was a massive success. It was so iconic for

00:14:31.740 --> 00:14:34.320
that specific era of Los Angeles history that

00:14:34.320 --> 00:14:36.240
you might actually know it if you've seen the

00:14:36.240 --> 00:14:40.139
2013 crime film Gangster Squad. It was prominently

00:14:40.139 --> 00:14:42.820
featured as a key location in that movie. Oh,

00:14:42.940 --> 00:14:45.220
right. Yeah. Maxi was completely in on the joke.

00:14:45.419 --> 00:14:47.179
He owned the narrative. He owned the physical

00:14:47.179 --> 00:14:49.399
venue, and he was the one cashing the checks.

00:14:50.080 --> 00:14:52.919
However, when someone leans that heavily into

00:14:52.919 --> 00:14:55.919
a self -deprecating persona, the lines between

00:14:55.919 --> 00:14:58.500
the performance and reality often begin to blur.

00:14:58.679 --> 00:15:01.220
Yes, they do. And the biographies take a very

00:15:01.220 --> 00:15:03.759
sobering turn when we look at his later years.

00:15:04.539 --> 00:15:07.120
Maxie played the punch -drunk X -Boxer for laughs,

00:15:07.240 --> 00:15:10.179
but eventually the art began to tragically imitate

00:15:10.179 --> 00:15:13.899
his actual life. It really did. In 1956, Maxie

00:15:13.899 --> 00:15:16.220
was cast in a landmark piece of broadcasting.

00:15:16.679 --> 00:15:18.960
It was television's first 90 -minute live drama.

00:15:19.159 --> 00:15:21.519
A teleplay written by Rod Serling, who would

00:15:21.519 --> 00:15:23.759
later create The Twilight Zone. Oh, wow. The

00:15:23.759 --> 00:15:25.720
play was called Requiem for a Heavyweight. That

00:15:25.720 --> 00:15:28.159
is a legendary piece of television history. It

00:15:28.159 --> 00:15:30.460
stars Jack Palance as a boxer at the absolute

00:15:30.460 --> 00:15:32.840
end of his physical rope, terrified because he

00:15:32.840 --> 00:15:34.779
doesn't know how to exist outside the ring. It's

00:15:34.779 --> 00:15:38.179
a very heavy, dramatic... brutal look at the

00:15:38.179 --> 00:15:40.879
human cost of the sport. And in that drama, Maxie

00:15:40.879 --> 00:15:42.659
Rose in Bloom plays a supporting character named

00:15:42.659 --> 00:15:46.620
Steve. Steve is an ex -boxer whose entire existence

00:15:46.620 --> 00:15:49.320
has been reduced to sitting in a dingy bar night

00:15:49.320 --> 00:15:52.500
after night, endlessly pantomiming old fights

00:15:52.500 --> 00:15:54.879
and retelling stories to other forgotten fighters.

00:15:55.539 --> 00:15:58.279
Within the narrative of the play, Maxie's character

00:15:58.279 --> 00:16:02.000
serves as a ghost of things to come, like a grim,

00:16:02.039 --> 00:16:05.000
living warning of the fate that looms over Jack

00:16:05.000 --> 00:16:08.100
Palance's character. if he can't adapt to normal

00:16:08.100 --> 00:16:11.159
life. It is hauntingly meta. It's like a comedian

00:16:11.159 --> 00:16:13.620
who spends 20 years on stage doing a brilliant

00:16:13.620 --> 00:16:16.000
routine about how broken and miserable their

00:16:16.000 --> 00:16:18.379
life is only to wake up one morning and realize

00:16:18.379 --> 00:16:21.480
the stage persona isn't a joke anymore. Exactly.

00:16:21.480 --> 00:16:23.639
It's become their actual unavoidable reality.

00:16:23.820 --> 00:16:26.299
Maxie was essentially cast to play the darkest

00:16:26.299 --> 00:16:28.940
possible outcome of his own life. And the tragedy

00:16:28.940 --> 00:16:31.500
goes far deeper than just the emotional resonance

00:16:31.500 --> 00:16:33.779
of a television role. We have to look at the

00:16:33.779 --> 00:16:36.259
clinical reality of his career. We spent the

00:16:36.259 --> 00:16:39.159
first half of this deep dive marveling at his

00:16:39.159 --> 00:16:41.840
defensive brilliance, his radar, his ability

00:16:41.840 --> 00:16:44.779
to avoid the knockout blow. Sure. But we also

00:16:44.779 --> 00:16:48.019
established the sheer staggering volume of his

00:16:48.019 --> 00:16:52.919
career. 298 fights. Thousands of rounds of boxing.

00:16:53.259 --> 00:16:54.679
You mean, even if you are the best defensive

00:16:54.679 --> 00:16:56.639
fighter on earth, even if you were just rolling

00:16:56.639 --> 00:16:58.360
with the punches and avoiding the heavy shots,

00:16:58.700 --> 00:17:01.100
if you stand in a professional boxing ring that

00:17:01.100 --> 00:17:04.359
many times, your brain is still absorbing trauma.

00:17:04.740 --> 00:17:07.460
Exactly. The human skull is just not meant to

00:17:07.460 --> 00:17:10.329
absorb subconcussive impacts for a living. The

00:17:10.329 --> 00:17:12.450
historical medical records note that the sheer

00:17:12.450 --> 00:17:14.849
accumulation of punches Maxey received to the

00:17:14.849 --> 00:17:17.690
head across his 15 -year career eventually led

00:17:17.690 --> 00:17:20.130
to severe neurological decline. That's awful.

00:17:20.210 --> 00:17:22.150
And the deterioration of his motor functions.

00:17:22.410 --> 00:17:24.349
And this is where his famous moniker takes on

00:17:24.349 --> 00:17:27.950
an incredibly dark weight. Oh. The nickname Slapsy

00:17:27.950 --> 00:17:30.430
Maxey, which originally described his clever,

00:17:30.650 --> 00:17:33.450
open -gloved boxing style, eventually took on

00:17:33.450 --> 00:17:36.130
a tragic second meaning as he began to physically

00:17:36.130 --> 00:17:38.750
decline and lose control of his movements. That

00:17:38.750 --> 00:17:41.180
is heartbreaking. The very name that made him

00:17:41.180 --> 00:17:43.980
a champion, the name that he put in neon lights

00:17:43.980 --> 00:17:47.359
above a Hollywood nightclub, slowly morphed into

00:17:47.359 --> 00:17:49.980
a literal description of his brain damage. Yeah,

00:17:50.160 --> 00:17:52.940
it's a tough reality to face. But the archives

00:17:52.940 --> 00:17:55.180
also mention he passed away from something called

00:17:55.180 --> 00:17:58.339
Paget's disease of bone. Just a clarity, because

00:17:58.339 --> 00:18:01.160
we are talking about head trauma. Is Paget's

00:18:01.160 --> 00:18:03.680
disease a result of his boxing career? No, and

00:18:03.680 --> 00:18:05.579
it's really important to distinguish the two.

00:18:05.859 --> 00:18:08.640
Paget's disease of bone is a chronic, separate

00:18:08.640 --> 00:18:11.099
medical condition that disrupts the body's normal

00:18:11.099 --> 00:18:13.859
process of recycling old bone tissue. OK, so

00:18:13.859 --> 00:18:16.380
it's unrelated. Right. It leads to fragile and

00:18:16.380 --> 00:18:18.759
misshapen bones, but it is not caused by boxing.

00:18:19.160 --> 00:18:21.859
But it means that in his final years, Maxey was

00:18:21.859 --> 00:18:24.900
basically battling a war on two fronts. He was

00:18:24.900 --> 00:18:27.140
dealing with the debilitating neurological effects

00:18:27.140 --> 00:18:29.740
of his 300 fights while simultaneously suffering

00:18:29.740 --> 00:18:32.839
from this painful, unrelated bone disease. He

00:18:32.839 --> 00:18:35.420
lived with that physical decline for years, eventually

00:18:35.420 --> 00:18:38.599
passing away at the age of 69 on March 6, 1976,

00:18:39.039 --> 00:18:41.299
at a convalescent hospital in South Pasadena.

00:18:41.579 --> 00:18:44.119
Wow. So what does this all mean for us today?

00:18:45.500 --> 00:18:47.960
When we step back and look at the entirety of

00:18:47.960 --> 00:18:50.950
Maxie Rosenblum's life... The through line is

00:18:50.950 --> 00:18:53.829
incredibly clear. It really is. For me, Maxie

00:18:53.829 --> 00:18:56.069
teaches us about the profound power of owning

00:18:56.069 --> 00:18:59.150
your weirdness and recognizing when to pivot.

00:19:00.029 --> 00:19:02.549
He was a master of substance in a world that

00:19:02.549 --> 00:19:05.150
demanded spectacle. Perfectly so. He had a style

00:19:05.150 --> 00:19:09.170
the purists hated. He was mocked. He was literally

00:19:09.170 --> 00:19:11.710
legislated against by committees of men in suits,

00:19:11.809 --> 00:19:15.480
but he refused to conform. He turned a slapping

00:19:15.480 --> 00:19:17.900
defensive style into a Hall of Fame career. And

00:19:17.900 --> 00:19:20.559
then reinvented himself again. Exactly. When

00:19:20.559 --> 00:19:22.819
the athletic world discarded him, he took the

00:19:22.819 --> 00:19:25.000
very insult they used to degrade him, slapped

00:19:25.000 --> 00:19:27.380
it on a nightclub, and spun it into a prolific

00:19:27.380 --> 00:19:29.519
Hollywood second act. He was the ultimate survivor

00:19:29.519 --> 00:19:32.619
in two notoriously ruthless industries. But if

00:19:32.619 --> 00:19:34.579
there is a final thought to pull from his story,

00:19:34.640 --> 00:19:36.980
I think we have to return to Cus DeMoto. Okay.

00:19:37.119 --> 00:19:39.440
DeMoto watched Maxie's incredible, intuitive

00:19:39.440 --> 00:19:41.819
defense and believed he had found the blueprint

00:19:41.819 --> 00:19:44.500
to engineer the perfect untouchable fighter.

00:19:44.599 --> 00:19:46.559
Right, the radar. He thought that with enough

00:19:46.559 --> 00:19:48.940
skill a human being could step into the ring

00:19:48.940 --> 00:19:51.240
and completely avoid the consequences of the

00:19:51.240 --> 00:19:54.599
violence. Right. But looking at the tragic physical

00:19:54.599 --> 00:19:57.960
reality of Maxi Rosenblum's final years, we have

00:19:57.960 --> 00:20:00.829
to ask ourselves a harder question. Is it ever

00:20:00.829 --> 00:20:03.430
truly possible to play a dangerous game and remain

00:20:03.430 --> 00:20:06.250
untouchable? Or does the sheer volume of time

00:20:06.250 --> 00:20:08.490
spent in the arena guarantee that, eventually,

00:20:08.890 --> 00:20:11.369
no matter how good your radar is, the arena always

00:20:11.369 --> 00:20:13.309
collects its toll? It all comes back to the race

00:20:13.309 --> 00:20:15.769
car driver. You can drive the speed limit perfectly

00:20:15.769 --> 00:20:18.210
your entire career. You can flawlessly avoid

00:20:18.210 --> 00:20:20.670
every single crash on the track. But after 300

00:20:20.670 --> 00:20:22.970
races, the inescapable vibration of the road

00:20:22.970 --> 00:20:24.710
is still going to rattle the engine to pieces.
