WEBVTT

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Welcome. Welcome to another deep dive. Today's

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mission is actually really fun. We are going

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to explore the life cycle, the evolution and

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I guess the massive cultural footprint of a highly

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specific sports media institution, which is essay

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rugby magazine. Yeah. And at first glance, I

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mean, if you're just looking at the source material

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we have today, which is a really comprehensive

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Wikipedia article detailing the history of the

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magazine. Right. Chronicling everything from

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the spring box and super rugby. club and schools

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rugby since 1995 exactly you might think okay

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it's just a history of a monthly sports publication

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but it's actually this incredibly fascinating

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case study on print media survival, national

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sporting identity, and, well, that really brutal

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transition into the digital age. OK, let's unpack

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this. Because to get the listener right into

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the mindset, I want you to imagine trying to

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capture the absolute peak of a nation's sporting

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fever, and then bottling it into a monthly physical

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object. That is essentially what we are looking

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at today. That's a great way to put it, honestly.

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So to understand how they pulled this off, we

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have to look at their genesis, the bedrock. The

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very first issue launched in April 1995. Right.

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It cost eight rand and 50 cents. And the very

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first cover featured Spring Book's wing Chester

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Williams. But the real kicker here is the timing.

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It went on sale exactly two months before the

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1995 Rugby World Cup. Yeah, which was hosted

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right there in South Africa. Right. What's fascinating

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here is just the strategic calculation of that

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launch window. I mean, launching a magazine requires

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massive upfront capital. Oh, yeah. It's notoriously

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expensive. Exactly. Doing it under normal circumstances

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is a coin toss at best. But timing your very

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first issue to hit the shelves literally 60 days

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before your home country hosts a global sporting

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event, that is is a master class in capturing

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a captive market. But wait, was launching right

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before the World Cup a stroke of genius, or was

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it incredibly risky? Like, if the tournament

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had been a flop or, say, the home team got knocked

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out immediately, would this magazine have survived

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its first year? Oh, it was a monumental risk.

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I mean, if the home team crashes out early, the

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national fever breaks, people stop paying attention.

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And suddenly, you've got this really expensive

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monthly print product sitting on newsstands that

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nobody wants to look at. Right, they basically

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chained their corporate existence to the unpredictable

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mood of sports fans. They really did. But the

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gamble paid off. The cultural phenomenon of that

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1995 tournament provided this foundational bedrock

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of readership. It hardwired the magazine into

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the national memory. And that initial momentum

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was clearly vital because if you look at the

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business of keeping this magazine alive over

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the next few decades, it was completely turbulent.

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Yeah, the publishing side was a wild ride. It

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really was. I mean, it's like a rugby ball being

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passed around during a totally chaotic play.

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So it started with a publisher called Random

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House Stroke. Right. Then the title got sold

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to strobe publishing, and strobe managed to keep

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it going for a while, right up until the December

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2001 to January 2002 combined issue. But then

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strobe publishing just closed its doors. Which

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is usually a death sentence. When a publisher

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goes bankrupt, the individual magazine titles

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almost always go down with the ship. The staff

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scatters, the brand evaporates. Yeah, it's just

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game over. Right. But somebody drops the ball.

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and Highbury Media, well they were called Highbury

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Monarch Communications back then, scoops it up.

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They officially rescued and relaunched the title

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in May 2002. Right, they essentially ran it down

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the field. But why? Highbury wasn't buying printing

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presses. What made this failing title worth rescuing?

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They were buying a congregation, essentially.

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Highbury realized that the audience was still

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there, sitting in the pews. Surviving that collapse

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just proves the sheer value of the title's brand.

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It had become synonymous with the sport itself.

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And you can actually track the economics of maintaining

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that physical product just by looking at the

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cover prices over the years. It's a stark lesson

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in print inflation. Oh, absolutely. So we started

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at $8 .50 in 1995. Ten years later, for their

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100th issue in April 2005, the price had doubled

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to 16 Rand 95. And by the 200th issue in May

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2014, it was 29 Rand 90. That climb is direct

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reflection of the shifting economics of print.

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You know, the cost of paper pulp distribution,

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paying top writers. Those margins were getting

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squeezed tighter and tighter. But people kept

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buying it. I mean, the audited print circulation

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stood at 24 ,871 copies for the period of October

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to December 2018. Which is amazing. for a new

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sports magazine in 2018 to hold on to nearly

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25 ,000 paid physical copies. That is a very

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healthy footprint in an era where everyone was

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getting news for free on their phones. And that

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brings us to 2017, where they made a completely

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counterintuitive business move. For years, they've

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been publishing 11 issues a year, combining Jan

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and Feb. But in 2017, they shifted to 12 issues

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a year. Yeah, bucking the global trend entirely.

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While the rest of the print media world was shrinking

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and consolidating, they increased their production

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schedule. They were basically declaring to advertisers

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that their physical product was still a necessary

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premium commodity. But to convince readers to

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keep paying higher prices, they had to give them

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a reason to physically hold the magazine. And

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that's where their milestone issues come in.

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Right, the power of curation. Exactly. Let's

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look at these. The 100th issue in April 2005

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featured Ashwin Villamzee. Brent Russell, Victor

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Matfield, and Schalkberger. A powerhouse cover.

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Yeah. And the 200th issue in May 2014 featured

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Francois Stein. But the real heavyweights, literally

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heavy, were the World Cup preview giants. Oh,

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these are legendary. So the September 2007 issue

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was 236 pages. Wow. Then the September 2011 issue

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broke that record at an astonishing 260 pages.

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That's just massive. And the 2015 issue was 188

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pages, which was also the first one to be published

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in Africa. by the way, running an Africans edition

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from September 2015 to June 2016. But wait, I

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have to ask about that 2011 issue. A 260 page

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magazine isn't a magazine, it's a textbook. It

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really is. Did people read these cover to cover

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or were they essentially buying a collectible

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artifact? Like was this just a vanity project?

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Definitely not a vanity project. It was a calculated

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shift in how consumers interact with the media.

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A 260 page issue doesn't compete with daily news.

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It sits on your coffee table for the entire six

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week tournament. was a reference guide. Exactly.

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Fans dip into it to check stats, read deep dives,

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or settle debates in the living room. It's a

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physical companion to the TV broadcasts. OK,

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speaking of settling debates, here's where it

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gets really interesting. For their 20th anniversary

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issue in April 2015, they executed the ultimate

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curation. They got 2007 World Cup winning coach

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Jake White and veteran writers Mark Keoghain

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and Gavin Rich to pick the 20 best bucks since

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1995. That is a brave thing to print. Right.

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Printing a definitive top 20 list seems incredibly

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risky. You are guaranteed to alienate people

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who think their favorite player was snubbed.

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But that's the point, isn't it? In media, calculated

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alienation drives engagement. A safe list is

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boring. Putting those experts in a room to make

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a historical declaration shapes the sports narrative.

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You want people arguing about it in pubs. Well,

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let's look at who actually made the cut, because

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we have to list them. Starting at fullback, they

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picked Andre Joubert and Percy Montgomery. Legends.

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And on the wings, naturally, Chester Williams,

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who was on that very first cover alongside Brian

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Havana. For the centers, it was Jean de Villiers,

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Jacques Fourie, and Francois Stein. And at fly

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-half, Joel Stransky and Henry Hannibal. Then

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for scrum -halves, Juiced, Wander Westweizen,

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and Fourie -du -Prise. So that's the back line.

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Yeah, an incredible lineup. And the forward serve

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just is dominant. For loose forwards, you have

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Francois Pienaar, Juan Smith, and Schalkberger.

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For the locks, they went with Mark Andrews, Victor

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Matfield, and Bacchys Botha. At hooker. John

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Smith and Bismarck Du Plessis. And finally, rounding

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it out at prop, Austerant. Just a phenomenal

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roster. And by physically printing that list,

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the magazine basically carved those legacies

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in stone. But doing that level of authoritative

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curation requires some serious editorial stability.

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Who are the architects behind this narrative?

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That is the hidden engine of their survival.

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Simon Borchardt was the editor who navigated

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the most critical era. from 2002 all the way

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to 2019. That's a huge tenure in publishing.

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It is. He built on the work of previous editors

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like Chris Showman and John Dobson. And Dobson

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is a crazy piece of trivia, right? Because he

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eventually became the coach of Western Province.

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Yeah. Going from editing the magazine to actually

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coaching the team shows just how deep their tactical

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expertise was. Exactly. The staff had serious

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pedigree. Gary Lemke, Highbury's sports editorial

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director, was the 2015 SAB Sports Journalist

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of the Year. John Cardinelli, their chief rugby

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writer, won the same award in 2013. You also

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had Craig Lewis, Mariette Adams, and all these

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global freelancers. And they even won the 2002

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PICA award for innovation and magazine publishing.

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Right. But pushing print innovation in 2002 is

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one thing. To survive the next decade, they had

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to make the digital leap. They did. In February

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2013, they launched Sirugbemag .co .zaid. They

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brought their news, added live text commentary,

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videos, logs, and the metrics by 2022 are just

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staggering. They had 5 ,814 ,879 users. Unbelievable.

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And over 38 ,205 ,052 page views. If we connect

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this to the bigger picture, the scale of that

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digital pivot is what separates them from other

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legacy media. A lot of magazines launch websites

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as an afterthought. This magazine treated digital

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as the primary engine for growth. It's like a

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rugby team changing its entire play style at

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halftime. They went from the slow, deliberate

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impact of a 260 -page print issue to the rapid

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-fire, agile pace of live text commentary. Yeah,

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and that requires rewiring a journalist's brain.

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Operating on a minute -by -minute deadline while

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still maintaining the authority of a monthly

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deep dive is a massive operational achievement.

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So what does this all mean? We've gone from an

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8 -rand 50 -print magazine in 1995 surviving

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bankruptcies, curating the greatest players,

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to pulling 38 million page views. It's the ultimate

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story of adaptability. They were born in the

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fervor of a home World Cup, survived the print

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apocalypse by offering premium curation, and

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successfully mutated into a digital juggernaut

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without losing their identity. It really makes

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you, the listener, think about how you consume

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your own niche interests today. Do you rely entirely

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on the instant gratification of a 38 million

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page view website, or do you still crave the

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physical weight of a 260 page print edition sitting

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on your desk? This raises an important question

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though. As sports journalism becomes increasingly

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instant and digital, what happens to the historical

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record? When there are no more 250 page physical

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collector's items to pull off a bookshelf 20

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years from now, how will future generations remember

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the titans of the game? Wow, yeah. If it's all

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just live feeds that disappear, where are the

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artifacts? That's definitely something to think

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about. While we warmly thank you for joining

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us on this deep dive today, keep exploring, keep

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questioning, and we'll catch on the next one.

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Farewell.
