WEBVTT

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Welcome to the Deep Dive. I am so glad you're

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here today because we have a truly wild mission

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ahead of us. We really do. Yeah. I want you to

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picture the ultimate blockbuster action movie

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about a pirate. You've got high stakes duels.

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daring escapes from, you know, subterranean dungeons,

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hidden treasure, and this redemption arc that

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just completely defies belief. Right. Today,

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we're looking at the life of a 1670s Scottish

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Barbadian buccaneer by the name of Redlegs Greaves.

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And our source material for this entire journey

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is a single, utterly fascinating encyclopedic

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entry detailing his life. Just the one entry.

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Just the one. And it is packed with moments that

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will absolutely make your jaw drop. But as we're

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going to see, this isn't It isn't just a simple

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biography. No, it really is a remarkable narrative.

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But our goal today isn't just to recount a swashbuckling

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adventure for the sake of entertainment as incredibly

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fun as that might be. Oh, absolutely. We're really

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here to dissect the anatomy of a legend. We want

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to explore what a story like the life of Redlegs

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Greaves actually reveals about history. You know,

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how historical records are kept and the incredible

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power of myth -making. Because the line between

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a rock -solid historical fact and a compelling

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piece of fiction is often a lot blurrier than

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you might think. Okay, let's unpack this. Because

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we really have to start at the very beginning.

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which is the exceptionally harsh origins of a

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buccaneer. Right, in Barbados. Exactly. Kreese

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was born in Barbados in 1649. And right off the

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bat, I want to ask about that nickname, Redlegs.

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Yeah, it sounds pretty intense. Right. Because

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when you hear a pirate name like that, you immediately

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assume it's something gruesome. Like he earned

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it by wading through the blood of his enemies

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or something. But looking at our source material,

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that is not the case at all, is it? Not at all,

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actually. Redlegs was just a historical term

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used to refer to a specific class of poor white

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people living in colonial Barbados. Wow. OK.

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Yeah. And to understand how his family ended

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up in that specific social class in the Caribbean.

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We have to look back across the Atlantic at a

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deeply turbulent time in British history. The

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English Civil War era. Precisely. Greaves' parents

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were sent into servitude in Barbados after being

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tried for treason. This happened during the Wars

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of the Three Kingdoms, which was this massive,

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incredibly bloody series of conflicts that tore

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through England, Scotland, and Ireland in the

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mid -17th century. I think a lot of people might

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be vaguely familiar with Oliver Cromwell and

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the English Civil War. But how did Greaves' parents

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fit into that massive conflict? The source notes

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they were caught up in this as royalists and

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covenanters. OK. To put it simply for anyone

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who isn't a 17th century political historian,

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royalists were those loyal to the king, Charles

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I. And Covenanters were essentially a Scottish

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Presbyterian movement fighting for their specific

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religious and political rights. Got it. Ultimately,

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they were up against Cromwell's parliamentarian

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forces. And when they ended up on the losing

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side, they faced the very brutal reality of the

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era. Like many others who were deemed rebels

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or traitors, they were exiled across the ocean

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and forced into indentured servitude in the Caribbean

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colonies. Imagine that transition. You're fighting

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a political and religious war in Scotland, and

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suddenly you are shipped off to the blistering

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heat of Barbados as an indentured servant. It's

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a staggering shift. So Greaves is born into this

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incredibly difficult situation in 1649, just

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a short time after his parents arrive. And the

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tragedy really just compounds from there. It

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does. As a boy, Greaves is the servant of a kindly

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master. But then in a devastatingly short span

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of time, both his parents and that kindly master

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die. Leaving him totally alone. Right. You have

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this newly orphaned teenager who is suddenly

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completely alone in the world, and he gets sold

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off to another master. Only this time, the man

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who buys him is notoriously violent. The guy

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frequently beats him. It is a completely brutal,

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hopeless adolescence. If we connect this to the

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bigger picture, you can see how perfectly this

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origin story functions on a psychological level.

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Think about how it frames Greaves for you, the

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audience. He isn't some greedy aristocrat who

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got bored and went looking for violent adventure.

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He isn't someone who chose a life of crime out

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of innate malice or a desire to hurt people.

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He is the ultimate, deeply sympathetic underdog.

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The victim of circumstance. Exactly. He's born

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into servitude because of distant political wars

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he had nothing to do with. orphaned at a young

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age, and then systematically abused. Psychologically,

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this primes you to completely root for him. When

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he inevitably breaks the law just to survive,

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you are already firmly on his side. You definitely

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are. Because his breaking point is just incredibly

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dramatic. Yeah. We are talking out of the frying

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pan and into the pirate ship. Literally. Greaves

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realizes he is simply not going to survive this

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violent master, so he makes a desperate run for

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it. He attempts to escape his servitude by swimming

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across Carlisle Bay. Which is no small feat.

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Right. I want you to just picture this young

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guy, desperate, exhausted, swimming through the

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dark water, looking for absolutely any way out

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of a life of torture. He manages to reach a ship

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that is preparing to leave Barbados, and he stows

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away. He assumes, naturally, that this is a standard

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merchant vessel on its way to some far -off port

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where he can finally start a normal life. But

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in a narrative constructed like this one, things

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are never quite that simple. Exactly the opposite.

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The twist is that it wasn't a merchant ship at

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all. He had accidentally stowed away on a pirate

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ship. Of course he did. And not just any run

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-of -the -mill pirate ship. This vessel was commanded

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by the notorious Captain Hawkins. Tell us a bit

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about Hawkins, because he sounds absolutely terrifying.

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He really is the ultimate antagonist. If you

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look at the accounts of Captain Hawkins, they

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paint a picture of a guy who didn't just steal.

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He went out of his way to inflict pain. Right.

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He was known throughout the Caribbean as an unusually

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cruel pirate. He was highly successful in capturing

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rich prizes, which is really the only reason

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his crew followed him. But they also deeply feared

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him. He tortured people, right? He regularly

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tortured his captives. Yes. With a horrific and

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specific emphasis on torturing women, actually.

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So our sympathetic underdog, Greaves, is discovered

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hiding on board this floating nightmare. He is

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dragged out and thrown in front of this terrifying,

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bloodthirsty captain. And the choice he is given

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is just so incredibly cinematic. It really is.

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Our source material has this highly specific

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quote about the moment. It says, Greaves was

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offered the ship's articles on a platter along

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with a pistol. Basically, sign away your soul

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to my pirate crew or I blow your brains out right

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here on the deck. It is the ultimate coerced

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choice. He's forced into piracy under the direct

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and immediate threat of death. He has absolutely

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no agency in becoming a criminal. So he signs.

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And it turns out. Greaves actually shows a lot

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of promise. He quickly gains a reputation among

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the crew as a very capable, efficient sailor.

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True. But he absolutely despises Captain Hawkins.

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Understandably. He hates that he was forced into

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this life. And more than anything, he vehemently

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hates Hawkins' sheer brutality toward the prisoners

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they capture. It is a ticking time bomb. How

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does a guy who hates violence survive under a

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captain who thrives on it? Well, that tension

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inevitably boils over into a massive clash between

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the two men. Now, the popular legend likes to

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claim that they finally dueled because Greaves

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bravely stepped in to physically stop the torture

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of a prisoner. The classic hero moment. Right.

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It makes for a great story. However, the encyclopedia

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entry points out that realistically, it was more

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likely because Greaves simply disobeyed orders

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and Hawkins attacked him for the insubordinate.

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That makes more sense. But whatever the exact

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spark was that day, they fight. And Greaves ends

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up killing Captain Hawkins. The crew, who we

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already established lived in absolute terror

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of Hawkins, doesn't avenge their captain. Instead,

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they immediately elect Greaves to succeed him.

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Here's where it gets really interesting. Greaves

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doesn't just take over the ship and keep doing

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business as usual. He completely rewrites the

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ship's articles. the absolute code of conduct

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for the crew. He essentially institutes a pirate

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HR department. That is a great way to put it.

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He institutes a radically reformed ethical version

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of piracy. What? The new code he creates specifically

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prohibits the mistreatment of prisoners. It explicitly

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allows merchant captains to surrender peacefully

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during a battle without any fear of being slaughtered

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or tortured. And he completely bans his crew

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from participating in any raids on poor coastal

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villages. So he's an honorable thief. Exactly.

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He sets himself up as an honorable captain stealing

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only from those who can afford it and refusing

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to shed unnecessary blood. I have to push back

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on this a little bit, though. Wait, so he takes

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over a ship full of hardened criminals, tells

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them they can't torture people or raid vulnerable

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towns anymore, and they just go along with it.

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Does he actually pull off a successful raid under

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these new rules without his crew turning on him?

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He does, and it leads to what is arguably his

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greatest success. The Margarita Island Raid around

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1675. Off the coast of Venezuela. Right. Greaves

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doesn't just attack a random lonely ship. He

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goes after the local Spanish fleet. And the tactics

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he uses are brilliant. He captures the Spanish

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fleet, and then he turns the captured fleet's

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own guns against the island's coastal defenses.

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He successfully storms the town, takes a massive

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haul of pearls and gold, and then... This is

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the part that sounds completely contradictory

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to every pirate story I've ever heard. The noble

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pirate part. Yes. In true noble pirate fashion,

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he just leaves. He doesn't burn the town down,

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he doesn't harm the inhabitants, and he completely

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forbids his crew from any further looting. He

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gets his prize and sails away into the sunset.

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It is the absolute finical of his career. He

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achieves massive life -changing wealth without

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compromising his newly established moral code,

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which, naturally, gives him the means to retire

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from the pirate life. Yes, the retirement. He

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takes his gold and pearls and settles down in

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Nevis to live out his days as a wealthy gentleman

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farmer. It is the perfect peaceful ending for

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our underdog. Until the past catches up with

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him. Exactly. Despite his supposedly honorable

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reputation, one of his former victims actually

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recognizes him on the island. And this person

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turns Greaves over to the authorities just to

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collect the bounty reward. And you can imagine

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the colonial authorities were not particularly

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interested in his supposedly humane approach

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to piracy. A pirate is a pirate. Oh, they showed

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him absolutely zero leniency. He is put on trial,

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found guilty of piracy, and the sentence is brutal.

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He is condemned to hang in chains. A dark turn.

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Very dark. So here... is our hero, locked in

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a dark subterranean dungeon, just waiting for

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the day of his execution. Seems completely hopeless,

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but then an act of God. While he's in that dungeon,

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a massive earthquake strikes and literally submerges

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the town. How on earth does that happen? It's

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an incredible, almost biblical intervention.

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Now, as an analyst looking at the source material,

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this is the moment where the variations in the

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historical records start to really fracture.

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Or the legend, rather. They start to show their

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seams. What do you mean? The text notes significant

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conflicting accounts about this miraculous earthquake.

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Some stories claim this was the famous 1692 earthquake

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and tidal wave that famously destroyed Port Royal,

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Jamaica. Okay. But other accounts insist he was

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imprisoned on Nevis and that Nevis suffered its

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own earthquake and tidal wave in either 1680

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or 1690. The dates and the locations blur significantly

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depending on who is telling the story. But regardless

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of which specific earthquake it was, the redemption

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arc that follows is just beautiful. Greaves is

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miraculously one of the few survivors of this

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cataclysm. He manages to escape the ruined, flooded

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prison and is eventually rescued at sea by a

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passing whaling ship. A stroke of pure luck.

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Out of pure gratitude for being saved, Greaves

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joins the crew of that whaling ship. He works

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his way up, and eventually he becomes a pirate

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hunter. He uses his inside knowledge of the pirate

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world to track down his former peers. He switches

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sides entirely. He does. He actually earns a

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full, official royal pardon for his efforts after

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he captures a pirate ship that had been terrorizing

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local whaling fleets. With his name finally cleared

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by the crown, he retires once again, this time

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to a plantation. He spends his later years known

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as a beloved philanthropist, donating huge amounts

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of his wealth to island charities and public

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works, and eventually dies quietly of natural

00:12:41.330 --> 00:12:45.379
causes. It is a flawless, deeply satisfying narrative.

00:12:46.090 --> 00:12:48.610
It hits every single beat of the classic hero's

00:12:48.610 --> 00:12:50.690
journey. It really does. It has everything you

00:12:50.690 --> 00:12:52.830
could possibly want. You've got the tragedy,

00:12:53.029 --> 00:12:55.830
the rise, the fall, the miraculous escape, and

00:12:55.830 --> 00:12:57.590
the final redemption. Which brings us to the

00:12:57.590 --> 00:13:00.549
ultimate bombshell for you, the listener. Because

00:13:00.549 --> 00:13:02.690
despite everything we have just meticulously

00:13:02.690 --> 00:13:05.529
discussed, the tragic origins in Barbados, the

00:13:05.529 --> 00:13:07.929
cruel Captain Hawkins, the honorable pirate code,

00:13:08.169 --> 00:13:11.149
the Margarita Island raid, the miraculous earthquake

00:13:11.149 --> 00:13:14.549
escape, the philanthropy, Redlegs grieves almost

00:13:14.549 --> 00:13:16.690
certainly now. never existed. Imagine finding

00:13:16.690 --> 00:13:18.850
out your favorite historical hero was basically

00:13:18.850 --> 00:13:21.029
just a movie character. That is the level of

00:13:21.029 --> 00:13:22.990
shock we are dealing with here. He's completely

00:13:22.990 --> 00:13:26.429
made up. Entirely fabricated. The encyclopedia

00:13:26.429 --> 00:13:28.850
entry we are using as our source is very clear

00:13:28.850 --> 00:13:31.929
on this. There are absolutely no period accounts

00:13:31.929 --> 00:13:34.909
from the 1670s mentioning a pirate named Greaves.

00:13:34.929 --> 00:13:37.769
None at all. None. There are no records of his

00:13:37.769 --> 00:13:40.230
supposedly brilliant raid on Margarita Island

00:13:40.230 --> 00:13:43.129
anywhere in the Spanish archives. His name does

00:13:43.129 --> 00:13:45.669
not appear in any pirate trial records, which

00:13:45.669 --> 00:13:47.909
were meticulously kept by colonial authorities.

00:13:48.370 --> 00:13:50.649
And there are absolutely no historical documents

00:13:50.649 --> 00:13:53.049
whatsoever confirming his birth in Barbados,

00:13:53.230 --> 00:13:56.129
his royal pardon, or his death as a wealthy philanthropist.

00:13:56.250 --> 00:13:59.769
Okay, wait. If there are zero primary sources,

00:14:00.090 --> 00:14:03.169
where on earth did this incredibly detailed story

00:14:03.169 --> 00:14:05.549
come from? How does a ghost get an encyclopedic

00:14:05.549 --> 00:14:07.720
entry? What's fascinating here is tracing the

00:14:07.720 --> 00:14:09.820
actual origin of the tale because it is a thoroughly

00:14:09.820 --> 00:14:12.480
modern invention. The story of Redlegs Greaves

00:14:12.480 --> 00:14:14.779
makes its very first appearance in history in

00:14:14.779 --> 00:14:17.840
a 1923 book called In the Wake of the Buccaneers.

00:14:18.039 --> 00:14:20.679
It was written by an author named A. Hyatt Verrill.

00:14:20.779 --> 00:14:24.320
In that book, Verrill cites absolutely no sources

00:14:24.320 --> 00:14:27.240
for the story. Now, Verrill did travel widely

00:14:27.240 --> 00:14:29.759
in the West Indies, so it is conceivable he picked

00:14:29.759 --> 00:14:32.820
up a highly embellished local folk tale. However,

00:14:33.100 --> 00:14:35.620
the text notes that Verrill had a very strong

00:14:35.620 --> 00:14:38.139
reputation among historians for fictionalizing

00:14:38.139 --> 00:14:40.799
and outright inventing material just to make

00:14:40.799 --> 00:14:42.879
his travel and history books more exciting for

00:14:42.879 --> 00:14:45.419
the general public. But Verrill wasn't the only

00:14:45.419 --> 00:14:47.919
one who wrote about Greaves, right? Because the

00:14:47.919 --> 00:14:50.820
story doesn't become accepted history just from

00:14:50.820 --> 00:14:53.960
one unreliable travel writer. Exactly. The story

00:14:53.960 --> 00:14:55.779
spread because of what happened the very next

00:14:55.779 --> 00:15:00.200
year. In 1924, an author named Philip Goss published

00:15:00.200 --> 00:15:03.139
The Pirates Who's Who, which was a highly influential

00:15:03.139 --> 00:15:05.720
encyclopedia of pirates. The Who's Who book.

00:15:05.860 --> 00:15:08.200
Yes. And Goss simply repeated Verrill's story

00:15:08.200 --> 00:15:09.879
of Greaves as if it were established historical

00:15:09.879 --> 00:15:12.960
fact, completely failing to verify it. By putting

00:15:12.960 --> 00:15:15.200
it in a serious sounding reference book, Goss

00:15:15.200 --> 00:15:17.899
legitimized the myth for decades of future researchers.

00:15:18.100 --> 00:15:20.519
But the timing is the real smoking gun here.

00:15:21.000 --> 00:15:23.860
Verrill's book came out in 1923 and Goss's in

00:15:23.860 --> 00:15:27.679
1924. Just two years prior, in 1922, the author

00:15:27.679 --> 00:15:30.000
Raphael Sabatini published a massively popular

00:15:30.000 --> 00:15:32.720
novel called Captain Blood. And Captain Blood

00:15:32.720 --> 00:15:35.500
was pure, unadulterated fiction. It was a novel.

00:15:35.879 --> 00:15:37.860
Completely. And our source text points out the

00:15:37.860 --> 00:15:41.259
blatant, direct literary parallels. Let's look

00:15:41.259 --> 00:15:43.759
at the beats of Sabatini's novel. The protagonist,

00:15:44.080 --> 00:15:46.840
Peter Blood, is an honorable man who is wrongly

00:15:46.840 --> 00:15:49.000
accused of treason during a rebellion. Sounding

00:15:49.000 --> 00:15:51.460
familiar. Right. He is sent into slavery in the

00:15:51.460 --> 00:15:53.620
Caribbean. He escapes his servitude during an

00:15:53.620 --> 00:15:56.100
attack. He becomes a pirate captain, but a noble

00:15:56.100 --> 00:15:58.179
one who treats prisoners humanely and refuses

00:15:58.179 --> 00:16:00.980
to be cruel. And eventually he gets a royal pardon

00:16:00.980 --> 00:16:03.559
and retires. That is just identical. Goss and

00:16:03.559 --> 00:16:05.240
Verrill's supposedly historical description.

00:16:18.200 --> 00:16:21.799
That is just wild. It's like a game of historical

00:16:21.799 --> 00:16:24.519
telephone where the original message was just

00:16:24.519 --> 00:16:28.019
a best -selling novel. What is crazy to me is

00:16:28.019 --> 00:16:30.240
how this fictional character born out of the

00:16:30.240 --> 00:16:33.519
1920s, just kept bleeding into real historical

00:16:33.519 --> 00:16:36.419
texts all the way into the modern era. It really

00:16:36.419 --> 00:16:38.580
did. Our source material mentions a much more

00:16:38.580 --> 00:16:40.879
recent book by an author named Sean O 'Callaghan

00:16:40.879 --> 00:16:45.179
called To Hell or Barbados. O 'Callaghan included

00:16:45.179 --> 00:16:47.440
the story of Grease in his book as part of an

00:16:47.440 --> 00:16:49.639
extensive nonfiction account of Scottish and

00:16:49.639 --> 00:16:52.600
Irish prisoners who were exiled by Oliver Cromwell.

00:16:52.860 --> 00:16:55.039
Yes. And we need to look at how that text was

00:16:55.039 --> 00:16:56.919
received by the broader historical community.

00:16:57.220 --> 00:16:59.440
Our source material notes that O 'Callaghan's

00:16:59.440 --> 00:17:01.639
version of Greaves differs somewhat from the

00:17:01.639 --> 00:17:03.799
older popular accounts, showing how the legend

00:17:03.799 --> 00:17:06.559
continued to mutate. But more importantly, it

00:17:06.559 --> 00:17:08.180
highlights that O 'Callaghan's book has been

00:17:08.180 --> 00:17:10.559
widely criticized by historians for being historically

00:17:10.559 --> 00:17:13.619
inaccurate. Specifically, the source references

00:17:13.619 --> 00:17:15.859
a New York Times article debunking the book's

00:17:15.859 --> 00:17:18.180
perpetuation of what is known as the Irish slave

00:17:18.180 --> 00:17:21.339
myth. And we should note. Regardless of the modern

00:17:21.339 --> 00:17:23.619
political debates surrounding that specific topic,

00:17:23.799 --> 00:17:26.559
which our sources just note the existence of

00:17:26.559 --> 00:17:29.400
rather than taking a stance on it, it is a textbook

00:17:29.400 --> 00:17:32.339
example of how a fictional pirate got weaponized.

00:17:32.460 --> 00:17:34.960
Exactly. It shows how it can support a broader

00:17:34.960 --> 00:17:37.500
historical argument. An author used a made -up

00:17:37.500 --> 00:17:39.900
character to add emotional weight to a historical

00:17:39.900 --> 00:17:42.460
narrative. It just shows how deep the roots of

00:17:42.460 --> 00:17:45.039
a good fake story can go. And Greaves wasn't

00:17:45.039 --> 00:17:47.549
even the only one. Our source briefly lists a

00:17:47.549 --> 00:17:49.549
whole crew of other likely fictional pirates

00:17:49.549 --> 00:17:51.750
that somehow made their way into established

00:17:51.750 --> 00:17:53.950
historical lore. Yes, there are quite a few.

00:17:54.109 --> 00:17:56.309
We're talking names like William Lewis, John

00:17:56.309 --> 00:17:59.470
Cornelius, Alexandra Bradaferrer, Charlotte de

00:17:59.470 --> 00:18:02.549
Berry, Maria Lindsay, and Louis Le Goliff. This

00:18:02.549 --> 00:18:04.829
wasn't just an isolated incident of one lazy

00:18:04.829 --> 00:18:07.089
author. There was practically a whole cottage

00:18:07.089 --> 00:18:09.990
industry in the early 20th century of injecting

00:18:09.990 --> 00:18:12.170
fictional noble pirates into the historical record.

00:18:12.509 --> 00:18:14.410
It really highlights a massive vulnerability

00:18:14.410 --> 00:18:17.089
in how history was compiled and consumed 100

00:18:17.089 --> 00:18:20.349
years ago. If a story sounded good enough and

00:18:20.349 --> 00:18:22.549
it was printed in an authoritative looking book

00:18:22.549 --> 00:18:25.890
like a who's who encyclopedia, subsequent historians

00:18:25.890 --> 00:18:27.910
would just blindly cite it. Because it looked

00:18:27.910 --> 00:18:30.509
official. Exactly. They wouldn't do the grueling

00:18:30.509 --> 00:18:32.529
work of digging for the primary source documents,

00:18:32.930 --> 00:18:35.589
which, in the case of Greaves, simply didn't

00:18:35.589 --> 00:18:38.710
exist. So what does this all mean? We started

00:18:38.710 --> 00:18:40.710
out today exploring what seemed to be one of

00:18:40.710 --> 00:18:42.970
the most thrilling true stories of the Caribbean.

00:18:43.829 --> 00:18:47.190
We followed an orphaned underdog born into servitude.

00:18:47.789 --> 00:18:50.190
who makes a desperate swim to escape a violent

00:18:50.190 --> 00:18:52.970
master, reluctantly joins a cruel pirate crew,

00:18:53.170 --> 00:18:56.029
leads a mutiny against a monster. Establishes

00:18:56.029 --> 00:18:58.710
a humane pirate code. Yes, establishes an incredibly

00:18:58.710 --> 00:19:01.130
progressive and humane pirate code, pulls off

00:19:01.130 --> 00:19:03.589
a brilliant and bloodless raid on a managed fleet,

00:19:03.910 --> 00:19:06.869
survives a catastrophic earthquake by sheer luck,

00:19:06.990 --> 00:19:09.529
and ultimately redeems himself as a pirate hunting

00:19:09.529 --> 00:19:12.619
philanthropist. And we end up realizing that

00:19:12.619 --> 00:19:15.539
it was almost entirely an early 20th century

00:19:15.539 --> 00:19:17.980
work of fiction. Heavily inspired by a novel.

00:19:18.119 --> 00:19:20.599
Passed off as fact to sell encyclopedias. Which

00:19:20.599 --> 00:19:22.980
is exactly why this deep dive matters so much.

00:19:23.079 --> 00:19:25.799
For anyone listening, this isn't just a fun debunking

00:19:25.799 --> 00:19:28.420
of a pirate story. It is a masterclass in media

00:19:28.420 --> 00:19:31.000
literacy, historiography, and critical thinking.

00:19:31.339 --> 00:19:34.400
It reveals a profound psychological truth about

00:19:34.400 --> 00:19:37.839
us. We love a good story. We do! We, as human

00:19:37.839 --> 00:19:40.859
beings, deeply crave the archetype of the noble

00:19:40.859 --> 00:19:43.839
rogue. We desperately want to believe that even

00:19:43.839 --> 00:19:46.339
in the brutal, cutthroat, terrifying world of

00:19:46.339 --> 00:19:49.400
17th century piracy, there were individuals who

00:19:49.400 --> 00:20:04.880
op - Yeah, it makes perfect sense. And stay there

00:20:04.880 --> 00:20:06.900
for nearly a century, simply because it tells

00:20:06.900 --> 00:20:08.660
a story we so desperately want to believe is

00:20:08.660 --> 00:20:11.079
true. It is the power of a good story completely

00:20:11.079 --> 00:20:14.180
overriding the absence of facts. When the narrative

00:20:14.180 --> 00:20:16.119
is that satisfying, people stop checking the

00:20:16.119 --> 00:20:21.359
footnotes. Precisely. Next time you read a wildly

00:20:21.359 --> 00:20:24.799
satisfying historical fact online, ask yourself,

00:20:25.059 --> 00:20:27.660
with the explosion of AI -generated content,

00:20:27.960 --> 00:20:30.339
deepfakes, and automated articles today, are

00:20:30.339 --> 00:20:32.380
we currently generating in the red -legs greaves

00:20:32.380 --> 00:20:35.180
of the 21st century? Are we seeding the internet

00:20:35.180 --> 00:20:37.839
with perfectly crafted, entirely fictional narratives

00:20:37.839 --> 00:20:40.039
that historians are going to have to painstakingly

00:20:40.039 --> 00:20:42.380
untangle 100 years from now? Keep digging, keep

00:20:42.380 --> 00:20:44.480
questioning those perfect stories, and we'll

00:20:44.480 --> 00:20:45.539
see you on the next deep dive.
