WEBVTT

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Welcome to today's deep dive. I'm really glad

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you could join us today. Yeah, thanks for tuning

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in with us. Whether you are prepping for a high

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-stakes marketing meeting, or maybe you're studying

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up on the mechanics of corporate structures.

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Or if you're just insanely curious about how

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massive global businesses actually operate behind

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the scenes. Exactly. We have something really

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special for you today. We're pulling from a fascinating

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stack of notes and research centered around a

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Wikipedia breakdown of a company called project

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worldwide right or as it's often just called

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in the industry project it just project and our

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mission for this deep dive is to uncover how

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a modern global advertising empire is built well

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built fundamentally differently from the rest

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of the pack it's a completely different blueprint

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It really is. We're going to look at how a holding

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company with roots stretching all the way back

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to 1914 transformed into a 100 percent employee

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owned powerhouse. Which is incredibly rare at

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this scale. OK, let's unpack this, because when

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you think of massive advertising networks, you

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probably picture towering skyscrapers in New

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York or London. Oh, absolutely. The traditional

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Madison Avenue vibe. Right. Corporate boards,

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answering to Wall Street shareholders, obsessing

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over quarterly margins, all of that. But Project

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Worldwide seems to completely flip that script.

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What's fascinating here is the operational engine

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driving it. To understand why that matters to

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you as a listener, we really have to look at

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the foundation. So the basics. Yeah. Project

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Worldwide is a privately held advertising holding

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company. But like you said, it's not in New York.

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It is based in Auburn Hills, Michigan. Auburn

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Hills, right. And it was officially founded in

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2010. But the real twist is the ownership model.

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They operate through an ESOP. An ESOP. Yeah,

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which stands for Employee Stock Ownership Plan.

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That means the employees own 100 % of the parent

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company. I want to pause right there because

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that is a massive structural departure from the

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industry norm. It changes everything. Right,

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because for anyone following the advertising

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space, the traditional holding company model

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is highly financialized. You have these massive

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publicly traded umbrellas that just buy up hundreds

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of smaller agencies. And their primary directive

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is always to deliver returns to external public

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shareholders. Exactly. Yeah. So how does an ESOP

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actually change that dynamic on the ground? It

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completely shifts the incentive structure. Instead

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of constantly being under the microscope of public

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markets. Managing to the penny for the next earnings

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call. Exactly. Instead of that. Project is owned

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by the people actually doing the work, the creatives,

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the account managers, the strategy teams. The

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actual workforce. Yes. It moves the focus away

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from extracting profit for Wall Street investors

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and redirects it toward empowering the workforce.

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When the company grows, the share price of the

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ESOP grows. Which directly benefits the employees

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holding those shares. Right. It becomes a long

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-term wealth creation tool for the talent. That

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makes the origin story in these notes even more

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compelling, I think, because this wasn't just

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some, A scrappy startup born in a garage in 2010

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that decided to try a trendy ownership model.

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Far from it. Project Worldwide was formed by

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Robert G. Valley Jr. alongside the executives

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of an event and brand marketing firm called George

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P. Johnson, or GPJ. And GPJ traces its history

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all the way back to 1914. 1914. We are talking

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about an entity that survived two world wars,

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the Great Depression. the advent of television,

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and the Internet age. Which gives them a very

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specific kind of corporate resilience. By the

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time 2010 rolled around, George P. Johnson wasn't

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just a domestic firm anymore. They were global.

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Exactly. They had already acquired several international

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agencies. The historical data points to California

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-based Juxt, Australia's SpineFX Group, and Germany's

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Romtechnik. So they have this century -old legacy

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company that suddenly finds itself managing this

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growing, highly complex international portfolio.

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Right. And they realized they needed a new umbrella,

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a proper holding company structure to manage

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these global assets efficiently. But instead

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of taking the traditional route, like maybe going

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public to raise capital or implementing a rigid

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corporate hierarchy, they build project worldwide

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in 2010 and immediately lock in that ESOP structure.

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It's a brilliant move. It feels like a very deliberate

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defensive strategy to protect the culture of

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a company that had already survived for nearly

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a century. It really is a structural strategy

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designed to keep human capital invested. You

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have to remember, in the marketing world, your

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inventory goes down the elevator every night.

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Oh, that's a great way to put it. The value doesn't

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sit in factories or raw materials. It sits entirely

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in the minds of the creative talent. By making

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the employees the owners, they effectively locked

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in their top performers. They created a system

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where creatives are invested literally and figuratively

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in the long -term success of the network. Rather

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than just waiting to jump ship to a rival agency

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for a slightly higher salary. Right. It's giving

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the talent the keys to the castle. But that raises

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a major operational question for me. A holding

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company's primary function is to grow, right?

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Yeah. Usually by acquiring other companies. If

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you are an employee -owned ESOP without a massive

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public stock to trade, how do you actually build

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out a global network? It requires a very different

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playbook. Looking at the timeline here, there's

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a fascinating pattern. In 2011, they acquired

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an agency called Partners in Napier. in rochester

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new york yeah and then the very next year in

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november 2012 they acquired a full service agency

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called motive out in denver colorado they are

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actively hunting regional powerhouses rather

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than just building one mega agency in new york

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think of it less like a corporate giant gobbling

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up market share and more like a master craftsman

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building a carefully curated creative toolkit.

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A toolkit. I like that analogy. They were looking

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for very specific capabilities and regional footholds.

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But the real secret sauce here is how they integrated

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them. The sources actually highlight a crucial

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detail about that 2011 acquisition of partners

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in Napier. What was the detail? The coverage

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specifically noted that the agency was agreeing

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to be bought, but keeping its autonomy. That

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is the golden thread of the project worldwide

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strategy, and it connects perfectly with their

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ESOP culture. Because when a traditional holding

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company buys an independent agency, the biggest

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fear for those founders and employees is that

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they're going to lose their soul. Exactly. They

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get bought. The parent company comes in, fires

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the back office staff to create, quote unquote,

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synergies. Forces them to adopt corporate branding.

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Right. And the unique culture that made the agency

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successful in the first place is totally destroyed.

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So projects pitched to these independent agencies

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is the exact opposite. Yes. They are essentially

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saying, we are buying you because we love what

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you do and how you do it. Keep your independent

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spirit, keep your leadership, keep your culture.

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We're just here to provide the financial backbone

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and the global network to help you scale. Precisely.

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They want the unique flavor of the agency to

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remain completely intact. That level of promised

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autonomy is rare. But they didn't just rely on

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buying existing companies to fill out their toolkit.

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They also played the role of incubator. Which

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is fundamentally different. Right. In March 2013,

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they funded the launch of an entirely new advertising

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agency based in San Francisco called Argonaut.

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A huge move. And then just two months later,

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in May 2013, they launched a shopper marketing

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firm called Shoptology. So they're looking at

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the landscape, seeing gaps in their capabilities

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and just building the tools from scratch. Yeah.

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Why take on the massive risk of incubating a

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new agency instead of just acquiring an established

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one? It comes down to control over the DNA of

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the new company. When you acquire, you always

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have to manage the integration of legacy cultures.

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Right. That friction. But when you incubate,

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like they did with Argonaut in San Francisco

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to tap into the tech startup ecosystem or with

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Shoptology for the retail environment. You can

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build the culture to match the ESOP from day

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one. That dual strategy is fascinating. Acquiring

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established players for immediate market share

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while incubating new entities for emerging methods.

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It requires a tremendous amount of patience.

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Patience that they only have because they aren't

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forced to hit arbitrary quarterly growth targets

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for Wall Street analysts. Exactly. They actually

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have the breathing room to let a newly incubated

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agency mature. And you can see how that toolkit

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just keeps expanding strategically. Yeah. There

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is a distinct pivot in the notes around 2016.

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The specialization phase. Yeah. Up until then,

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it feels focused on traditional or regional full

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service shops. But in August 2016, they acquired

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Praytel, a Brooklyn -based PR agency. Right.

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Two months later, in October, they bought Wondersauce,

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a New York City digital creative agency. They're

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suddenly grabbing. very specialized, distinct

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tools. They recognized that modern brand building

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requires a multidisciplinary approach. You can't

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just throw an event or shoot a commercial anymore.

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You need public relations to manage the narrative.

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And high -end digital creative to build the interactive

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platforms. And simultaneously, they realized

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they needed to be everywhere their clients were.

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The global push. Yes. In the late 2010s, they

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made a massive geographic push into the Southern

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Hemisphere. In October 2017, they acquired a

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Melbourne -based consumer engagement agency called

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Dig Plus Fish. And then New Zealand right after

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that. Right. December 2018, they moved into New

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Zealand, acquiring an Auckland -based experiential

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agency named Dark Horse. So they are building

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this global map, allowing them to serve multinational

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clients across virtually any time zone with localized

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cultural expertise. A fully global footprint.

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But hold on. Let me pressure test this ESOP model

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for a second. We are painting a picture of this

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collaborative, employee -owned ecosystem where

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everyone has a piece of the pie and total autonomy.

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But business is still business. What happens

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when the portfolio gets bloated? If the employees

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are the shareholders, do the leaders actually

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have the teeth to make hard cuts? Or does the

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ESOP structure make it impossible to fire anyone?

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That is the critical vulnerability people assume

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about an employee -owned structure, but the data

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shows they actually possess incredible strategic

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agility. How so? An ESOP is not a free -for -all.

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The leadership still has a strict fiduciary duty

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to protect the share price for all the other

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employee owners across the network. If an agency

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is underperforming or creating redundancies,

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They have to act. So they do consolidate when

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needed. Absolutely. The sources specifically

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highlight October 2019 when Project merged their

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Los Angeles -based agency, Pitch, into their

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Denver -based agency, Motive. And during that

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consolidation, they actively parted ways with

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the co -CEOs of Pitch. Yes. OK, so that proves

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they aren't just blindly hoarding agencies. When

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it makes strategic sense to consolidate operations

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on the West Coast, they will make the tough leadership

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cuts to protect the overall efficiency of the

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network. Exactly. There's rigorous business logic

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balancing out the employee -centric culture.

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Here's where it gets really interesting, though,

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because that balance is what allowed them to

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transition so smoothly into the modern era. As

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we move into the 2020s, you see them taking active

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steps to future -proof both their culture and

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their business model. Let's look at the culture

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piece first. The notes detail something called

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Project Pledge, which launched in March 2017.

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A matching program. Right. Adweek covered this,

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and it is a massive mashing program for employee

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donations to charitable causes. The numbers on

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that are staggering. The network pledged to donate

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up to $1 million each year to nonprofits, directly

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matching their employees' personal contributions.

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A million dollars a year isn't just a corporate

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PR write -off. When a company is owned by its

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employees, corporate social responsibility has

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to genuinely align with the passions of the workforce.

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It has to be real. Exactly. By putting a million

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dollars on the table to amplify the specific

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causes their employees care about, they are reinforcing

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the core philosophy of the ESOP. Your voice and

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your values dictate the direction of this company.

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That is an incredibly powerful tool for long

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-term morale and retention. Without a doubt.

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And that forward -thinking internal culture clearly

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translated into how they approached the rapidly

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shifting media landscape of the 2020s. They started

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aggressively targeting Gen Z and digital subcultures.

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A very smart pivot. In March 2021, they acquired

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OS Studios. Business Insider did a breakdown

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on this, pointing out that OS Studio specializes

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entirely in gaming and Gen Z culture. They specifically

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noted this acquisition was designed to help legacy

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clients like Pepsi capitalize on the massive

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red -hot gaming business. Traditional advertising

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networks have struggled immensely to organically

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reach Gen Z. You cannot just put a traditional

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commercial in the middle of a Twitch stream or

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a Discord server. The audience will reject it

00:12:55.419 --> 00:12:58.740
instantly. Instantly. By acquiring OS Studios,

00:12:59.120 --> 00:13:01.940
Project Worldwide didn't just buy another agency

00:13:01.940 --> 00:13:05.340
to add to the roster. They bought Native Translators.

00:13:05.440 --> 00:13:07.440
Native Translators. That makes total sense. They

00:13:07.440 --> 00:13:09.620
acquired a team that intrinsically understands

00:13:09.620 --> 00:13:12.539
the language, the unwritten rules, and the platforms

00:13:12.539 --> 00:13:15.320
of a demographic that massive global brands are

00:13:15.320 --> 00:13:17.539
desperate to understand. And they double down

00:13:17.539 --> 00:13:20.320
on that high -end digital content creation strategy

00:13:20.320 --> 00:13:23.470
immediately. Later that same year, in September

00:13:23.470 --> 00:13:27.789
2021, the foundational agency GPJ acquired a

00:13:27.789 --> 00:13:30.690
significant stake in Nomobo. Which is a specialized

00:13:30.690 --> 00:13:33.450
creative video agency. Right. They are clearly

00:13:33.450 --> 00:13:35.429
looking at where consumer attention is shifting

00:13:35.429 --> 00:13:37.789
and aggressively buying the specialized experts

00:13:37.789 --> 00:13:40.409
in that space. And they are still expanding the

00:13:40.409 --> 00:13:43.220
global footprint into emerging markets. In December

00:13:43.220 --> 00:13:46.259
2023, Project made a strategic investment in

00:13:46.259 --> 00:13:49.159
a Dubai -based agency called Talisman. A sports

00:13:49.159 --> 00:13:51.519
marketing agency. Right. A full -service sports

00:13:51.519 --> 00:13:54.480
marketing agency. Think about the explosion of

00:13:54.480 --> 00:13:56.659
global sports investments centered in the Middle

00:13:56.659 --> 00:13:58.740
East over the last few years. That's been massive.

00:13:58.879 --> 00:14:02.019
Project secured a major specialized foothold

00:14:02.019 --> 00:14:05.039
right in the center of that boom. And just recently,

00:14:05.200 --> 00:14:08.240
in September 2024, they continued their European

00:14:08.240 --> 00:14:12.080
expansion by acquiring a Paris -based integrative...

00:14:14.180 --> 00:14:17.820
So looking at the entire board as it stands today,

00:14:17.960 --> 00:14:21.080
they have built a roster of 14 distinct agencies.

00:14:21.379 --> 00:14:23.679
14 agencies. You've talked about a lot of them,

00:14:23.679 --> 00:14:26.419
from Argonaut in San Francisco to OS Studios

00:14:26.419 --> 00:14:28.740
in New York, all the way to Talisman in Dubai.

00:14:29.259 --> 00:14:31.200
But the portfolio also includes highly specialized

00:14:31.200 --> 00:14:33.480
shops like G7 Entertainment Marketing. You've

00:14:33.480 --> 00:14:36.600
got PR, digital, shopper marketing, gaming, and

00:14:36.600 --> 00:14:38.820
sports marketing all sitting under one unified

00:14:38.820 --> 00:14:41.320
employee -owned roof. And this isn't just a fascinating

00:14:41.320 --> 00:14:43.919
experiment. The strategy has been heavily validated

00:14:43.919 --> 00:14:46.509
by the broader industry. Oh, definitely. The

00:14:46.509 --> 00:14:48.789
sources point out that project was officially

00:14:48.789 --> 00:14:52.529
named in Ad Age's 2024 list of the world's top

00:14:52.529 --> 00:14:55.090
agency holding company. That level of recognition

00:14:55.090 --> 00:14:58.570
is huge. It proves that this ESOP model, combined

00:14:58.570 --> 00:15:01.250
with our highly targeted acquisition and incubation

00:15:01.250 --> 00:15:04.070
strategy, can actually stand toe to toe and compete

00:15:04.070 --> 00:15:06.629
with the traditional publicly traded holding

00:15:06.629 --> 00:15:09.850
company giants on the global stage. Which brings

00:15:09.850 --> 00:15:12.070
us to a major historical inflection point for

00:15:12.070 --> 00:15:14.370
the company, because getting to that level of

00:15:14.370 --> 00:15:16.370
global recognition was large. Largely the work

00:15:16.370 --> 00:15:19.309
of one leader. Robert G. Valley Jr. Right. For

00:15:19.309 --> 00:15:21.309
15 years since the holding company was founded

00:15:21.309 --> 00:15:23.950
in 2010, the ship was steered by its chairman

00:15:23.950 --> 00:15:27.370
and CEO, Robert G. Valley Jr. He was the architect

00:15:27.370 --> 00:15:29.570
who guided the transition from the legacy George

00:15:29.570 --> 00:15:33.129
P. Johnson days into this modern 14 agency network.

00:15:33.389 --> 00:15:35.830
But things have shifted. Yes. The notes show

00:15:35.830 --> 00:15:39.049
that as of May 2025, there has been a major changing

00:15:39.049 --> 00:15:41.409
of the guard. Chris Meyer has officially taken

00:15:41.409 --> 00:15:44.149
over as CEO and board member. A founder transition

00:15:44.149 --> 00:15:47.090
is arguably the most dangerous stress test any

00:15:47.090 --> 00:15:50.029
organization can face. Let alone an ESOP. Exactly.

00:15:50.350 --> 00:15:53.629
It is exceptionally complex for a 100 % employee

00:15:53.629 --> 00:15:56.289
-owned company. Chris Meyer isn't just stepping

00:15:56.289 --> 00:15:59.330
in to manage a century of legacy and a sprawling

00:15:59.330 --> 00:16:01.769
international network. He is answering to a workforce

00:16:01.769 --> 00:16:04.049
that literally owns the company he was hired

00:16:04.049 --> 00:16:07.250
to run. His mandate moving forward will be to

00:16:07.250 --> 00:16:10.720
maintain that delicate equilibrium. protecting

00:16:10.720 --> 00:16:13.539
the fierce autonomy of these 14 individual agencies,

00:16:13.799 --> 00:16:16.539
while simultaneously leveraging their collective

00:16:16.539 --> 00:16:19.940
power to serve global clients in an increasingly

00:16:19.940 --> 00:16:23.399
fragmented media landscape. It is a massive undertaking,

00:16:23.620 --> 00:16:25.639
but the structural foundation they have built

00:16:25.639 --> 00:16:27.720
seems practically custom engineered for resilience.

00:16:28.100 --> 00:16:30.289
So what does this all mean for you? Right. The

00:16:30.289 --> 00:16:32.629
core takeaway here. Whether you are analyzing

00:16:32.629 --> 00:16:35.269
organizational design, trying to figure out how

00:16:35.269 --> 00:16:37.850
to scale your own startup, or simply trying to

00:16:37.850 --> 00:16:39.950
understand the invisible corporate forces shaping

00:16:39.950 --> 00:16:42.330
the media and experiences you consume every day,

00:16:42.549 --> 00:16:45.470
the takeaway is clear. Corporate structure is

00:16:45.470 --> 00:16:48.389
destiny. Who owns a company fundamentally dictates

00:16:48.389 --> 00:16:51.360
how that company grows. Exactly. By removing

00:16:51.360 --> 00:16:53.600
the pressure of public markets and Wall Street

00:16:53.600 --> 00:16:57.000
expectations, Project Worldwide managed to build

00:16:57.000 --> 00:17:00.220
an environment where agency autonomy, long -term

00:17:00.220 --> 00:17:03.220
talent retention and employee values could flourish

00:17:03.220 --> 00:17:06.200
right alongside aggressive global expansion.

00:17:06.680 --> 00:17:08.920
If we connect this to the bigger picture, the

00:17:08.920 --> 00:17:11.599
story of Project Worldwide isn't just a Wikipedia

00:17:11.599 --> 00:17:14.559
list of 14 agencies and their acquisition dates.

00:17:14.680 --> 00:17:16.619
That's much bigger than that. It is a living

00:17:16.619 --> 00:17:19.359
case study of reinvention. They took the foundational

00:17:19.359 --> 00:17:22.720
DNA of a regional event marketing firm from 1914

00:17:22.720 --> 00:17:26.059
and mathematically engineered it into a modern

00:17:26.059 --> 00:17:28.859
network that is actively shaping Gen Z gaming

00:17:28.859 --> 00:17:31.099
culture, Middle Eastern sports marketing and

00:17:31.099 --> 00:17:33.960
global experiential design. And they managed

00:17:33.960 --> 00:17:36.460
to do it all while ensuring. that the people

00:17:36.460 --> 00:17:39.579
actually generating the creative ideas reap the

00:17:39.579 --> 00:17:42.380
long -term financial rewards of ownership. This

00:17:42.380 --> 00:17:44.240
raises an important question, and it's something

00:17:44.240 --> 00:17:46.940
I want to leave you, our listener, to mull over

00:17:46.940 --> 00:17:49.299
as we wrap up today's deep dive. I'm ready for

00:17:49.299 --> 00:17:52.180
it. We've just spent this time dissecting how

00:17:52.180 --> 00:17:56.039
a 100 % employee -owned structure allowed Project

00:17:56.039 --> 00:17:58.619
Worldwide the patience to incubate new ideas,

00:17:58.940 --> 00:18:01.619
the agility to future -proof their business for

00:18:01.619 --> 00:18:04.740
new media, and the leverage to attract top talent

00:18:04.740 --> 00:18:08.180
by promising absolute autonomy. If this ESOP

00:18:08.180 --> 00:18:10.759
model is so remarkably effective at fostering

00:18:10.759 --> 00:18:13.259
sustainable, high -quality growth and retaining

00:18:13.259 --> 00:18:16.829
top -tier creatives, Why isn't this the standard

00:18:16.829 --> 00:18:19.490
operating model for all massive corporate networks?

00:18:19.809 --> 00:18:21.930
That is the million -dollar question. Think about

00:18:21.930 --> 00:18:24.769
the implications. What actually happens to the

00:18:24.769 --> 00:18:27.130
fundamental quality, the bravery, and the innovation

00:18:27.130 --> 00:18:29.750
of creative work when the creatives themselves

00:18:29.750 --> 00:18:32.150
own the parent company that owns them? Does the

00:18:32.150 --> 00:18:34.130
art get fundamentally better when the artists

00:18:34.130 --> 00:18:36.990
own the factory? It's a profound question about

00:18:36.990 --> 00:18:39.529
the future of labor, capital, and creativity.

00:18:39.769 --> 00:18:41.829
Keep it in mind the next time you see a brilliantly

00:18:41.829 --> 00:18:45.009
executed global campaign. Does the art get better

00:18:45.009 --> 00:18:47.289
when the artists own the factory? I love that.

00:18:48.150 --> 00:18:50.210
Thank you for taking this deep dive with us today.

00:18:50.369 --> 00:18:52.549
We hope this shortcut to being well -informed

00:18:52.549 --> 00:18:54.750
gave you a few new tools for your own toolkit

00:18:54.750 --> 00:18:57.150
and a fresh perspective on how modern corporate

00:18:57.150 --> 00:18:59.670
empires can be built differently. Until next

00:18:59.670 --> 00:19:02.130
time, keep questioning the structure of the world

00:19:02.130 --> 00:19:02.670
around you.
