WEBVTT

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Welcome to the show. We've got a, well, a really

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custom tailored deep dive for you today. Yeah,

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we are focusing entirely on just one single piece

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of source material. Right. And it's actually

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a rather concise Wikipedia article detailing

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the life of a 19th century American criminal

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named Charles W. Bullard. Which doesn't sound

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like much on the surface. Oh, it is wild. Our

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mission for you today on this deep dive is to

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really deconstruct the anatomy of a massive historical

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crime spree. We're going to examine the logistical

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reality of just a mind -boggling prison break.

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Exactly. And figure out how a skilled musician

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morphed into a mastermind safecracker. It is

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a striking piece of text, primarily because of

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what it leaves unsaid. Yeah, it's brief, but

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it's packed. Right. When you read a historical

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record like this, it strips away the physical

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labor, the panic, the... the whole environment

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of the 1800s. You're just left with a bulleted

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list of raw facts. Exactly. A sentence might

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just casually say someone escaped a prison or

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robbed a bank. Like it's a grocery list. Yeah.

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But when we pause and evaluate what those facts

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actually represent in the physical world of the

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post -Civil War era. Which is what we're doing

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today. Right. It becomes a study in extreme human

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ingenuity and audacity. The brevity of the article

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really masks a cinematic reality. OK, let's unpack

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this because. To understand the criminal, we

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really have to start with the specific moniker

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the historical record highlights. The nickname.

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Yes. Charles W. Bullard was widely known in the

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underworld as Piano Charlie. Which is just a

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fantastic name. It's incredible. And the text

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explicitly states that this nickname derived

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from his legitimate skill as a musician. He wasn't

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just banging on keys. No, his identity wasn't

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just built on being a thief. It was inherently

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tied to his musical ability. He was a notorious

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safecracker who effectively started his career

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sitting at a piano bench. What's fascinating

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here is the juxtaposition of those two. very

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distinct disciplines. They seem totally unrelated.

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On the surface, yeah. The refined world of a

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parlor musician and the gritty reality of a bank

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robber seem to exist in entirely different stratospheres.

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Right, a parlor versus a bank vault. But if you

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analyze the physical and psychological requirements

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of both tasks, the crossover is remarkable. How

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so? Well, mastering the piano requires extreme

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manual dexterity. It demands an incredibly delicate

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touch. An ear tuned to the most subtle variations

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in pitch and mechanics. Oh, wow. And an oceanic

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reserve of patience. I mean, you have to sit

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for hours making millimeter adjustments to your

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technique. And for you listening, imagine applying

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your own refined artistic hobbies to a high stakes

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heist. It's slightly absurd, but it makes perfect

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sense when you consider the technology of a 19th

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century safe. We definitely aren't talking about

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digital keypads here. Right. A safe from the

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1860s is this massive heavy iron box. But the

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locking mechanism buried inside that iron door

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is a piece of highly delicate, precise brass

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clockwork. It's interesting. Interesting contrast.

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Yeah. You have heavy industrial manufacturing

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protecting fragile, intricate gears. And manipulating

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those gears without the key requires a sensory

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precision that most people simply do not possess.

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You can't just smash it open. Exactly. To crack

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a safe in that era, long before the invention

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of modern tools like thermal lances or motorized

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drills, a safe cracker had to rely entirely on

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tactile and auditory feedback. They had to feel

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it. They had to feel the microscopic vibrations

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of the tumblers clicking into place through the

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brass dial. Just with their fingertips. And listen

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for metallic friction that a normal human ear

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would miss entirely. So someone who has spent

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thousands of hours training their fingers to

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gauge the exact weight of a piano key press.

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Yes. And training their ears to hear the slight

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dissonance of a mistuned string is uniquely equipped

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for this. Highly equipped. Piano Charlie wasn't

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just a guy who happened to play an instrument.

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His musical training was effectively the foundational

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boot camp for his criminal career. He was applying

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the exact same sensory isolation. Think about

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it. Sitting in a dark, quiet room at 2 in the

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morning, placing his fingers on a cold metal

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dial, and effectively reading the internal state

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of the locking mechanism through touch and sound

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alone. It's almost like he was tuning the safe.

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That's a great way to put it. It is a highly

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specialized skill set. And according to our source

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material, he applied that specialized skill set

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on an industrial scale. He was very busy. Very

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busy. Bullard didn't just quietly rob small town

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merchants. The text reveals that he ended up

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serving a prison sentence for stealing $100 ,000

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worth of goods from the Hudson River Railway

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Express. Which is a staggering number. Let's

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look at the mechanical reality of that number

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for a moment. $100 ,000 in 1869. It was a figure

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that requires historical context to truly appreciate

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the scale of the operation. Right. So in the

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years immediately following the American Civil

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War, the average worker might make a dollar or

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two a day. A day. Yeah. $100 ,000 isn't just

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a lucrative payday. It is structural wealth.

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It's tycoon money. Exactly. That is the kind

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of capital required to build a massive textile

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factory or purchase a fleet of commercial steamships.

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So to pull off a robbery of the Hudson River

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Railway Express for that specific amount means

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this was not a crime of opportunity. No one just

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stumbles into a hundred grand on a train. Right.

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It changes the entire profile of the crime. Stealing

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that volume of goods, whether it was cash, gold,

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or high -value freight. requires serious logistics.

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You can't just put it in a sack and walk away.

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You need intelligence on the train schedule.

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You need the manpower to subdue the guards or

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bypass the security. And crucially, you need

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a way to transport and fence a massive quantity

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of stolen wealth without crashing the local black

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market or immediately drawing the attention of

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federal authorities. It's an operation that requires

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a network. Absolutely. And that network is what

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ultimately defines the next phase of his life.

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Because stealing an industrial fortune eventually

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landed him in a prison cell. As it often does.

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Right. For most criminals of the era, the story

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ends there. You pull off a spectacular heist,

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you get... caught and you spend the rest of your

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life breaking rocks. But the article introduces

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us to the company he kept. Yes, specifically

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naming his criminal partners, Adam Worth and

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Frederica Mandelbaum. Which tells us that Bullard

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was not a lone wolf. He was a highly valued asset

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within a much larger, sophisticated organization.

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He was their star player. Mandelbaum in particular

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was known as one of the most prominent fences

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of stolen goods in New York history. She was

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a boss. She operated a massive criminal enterprise

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hidden behind the front of a legitimate haberdashery.

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Here's where it gets really interesting. Because

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in 1869, this organization was not about to let

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their star safecracker rot in a cell. They needed

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him back. Worth, Mandelbaum, and their associates

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engineered a prison break to get Piano Charlie

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out. And the logistics detailed in the text are

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frankly staggering. It's a massive undertaking.

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Mandelbaum and her crew actually rented an office

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directly across the street from the prison. In

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broad daylight. In broad daylight. From that

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rented space, they tunneled into Bullard's cell

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while simultaneously bribing two guards to keep

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quiet. If we connect this to the bigger picture.

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The sheer organizational power required to execute

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this multi -pronged operation is breathtaking.

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It really is. We need to look at what the phrase

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rented an office and tunneled actually entails

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in a bustling 19th century city. It's not like

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digging a hole in the woods. First, acquiring

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commercial real estate. You don't just walk up

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and rent an office directly across from a state

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-run prison without a heavily vetted cover story.

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You'd look incredibly suspicious. They had to

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act like legitimate business operators. They

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had to sign leases, move in plausible equipment,

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and maintain a strict facade of normalcy while

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operating right under the nose of the law. And

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the covert civil engineering of digging the tunnel

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itself. That's the craziest part. We are talking

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about 1869 New York infrastructure. They are

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digging through packed dirt, glacial rock, and

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surrounding foundational structures. With hand

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tools. Right. Consider the physical reality of

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excavating a tunnel large enough for a grown

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man to crawl through. You have to shore up the

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ceiling with timber so the street above doesn't

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collapse and crush you. You're building a mineshaft.

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You have to manage the noise discipline of pickaxes

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hitting stone so the guards across the street

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don't hear you. And the most complex variable.

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The displacement of Earth. Exactly the point

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I was looking at. It's basic physics. If you

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dig a tunnel 50 feet long, 3 feet wide, and 3

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feet high, you are displacing hundreds of cubic

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feet of solid Earth. Tons of dirt. Where does

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it go? You are excavating tons of dirt. You have

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to somehow haul all of that material backward

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out of the tunnel into your rented office space

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and figure out how to dispose of it. And you

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can't simply dump it in the alley. No. It requires

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a continuous covert export operation. They likely

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had to package the soil into crates or barrels,

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load it onto horse -drawn wagons, and drive it

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away under the guise of shipping commercial goods.

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Dirt disguised as merchandise. One mistake. One

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broken barrel spilling fresh subterranean dirt

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onto the cobblestones in front of a prison and

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the entire operation is compromised. The gig

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is up. The supply chain management required for

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the debris alone rivals the complexity of a legitimate

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mining company. It is a logistical nightmare

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managed flawlessly by criminals. But they didn't

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rely on engineering alone. They layered it with

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systemic corruption. The text explicitly mentions

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bribing two guards to keep them quiet. Which

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adds an entirely new level of risk to the operation.

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How so? Well, it shows a very calculated approach

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to risk management. Digging a tunnel takes weeks,

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perhaps months. The probability of guard noticing

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a rhythmic tapping beneath the floorboards or

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noticing Bullard attempting to conceal a hole

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in his cell was just too high. So they bought

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insurance. Exactly. They utilized human compromise

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as an insurance policy. But think about the leverage

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required to pull that off. You have to identify

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which guards are stationed in the right cell

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block. You have to ascertain which of them are

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morally flexible enough to accept a bribe, approach

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them without them reporting you to the warden,

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and then pay them enough to ensure their absolute

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silence. The vetting process alone is intense.

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And the vulnerability there is massive. You bribe

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a guard and that guard suddenly holds all the

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cards. They can take the cash, let you dig the

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tunnel halfway, and then turn you in for a promotion.

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Which implies that the leverage Worth and Mandelbaum

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held over those guards was likely more than just

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financial. You think they threatened them? It

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was the threat of the syndicate. This completely

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reframes our understanding of the people involved.

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This wasn't a standard street gang reacting to

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circumstances. This was a highly organized criminal

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syndicate operating with the efficiency. capital

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and strategic foresight of a corporate entity.

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They ran a covert mining operation mixed with

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a real estate scam and a state -level corruption

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ring, all to get their favorite piano player

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back on the street. And it worked. It worked.

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They successfully broke him out. Now, for anyone

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listening, logic dictates a very specific next

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step. Hide. Right. You just pulled off the heist

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of the century. You got caught. And your syndicate

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just spent vast amounts of money and time to

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pull off the escape of the century. You would

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lay low. That's the rational move. You would

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flee the territory, adopt a quack. A long, quiet

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retirement in an obscure location would be the

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smart play, yes. The entire law enforcement apparatus

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of New York would have been mobilized to find

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a high -profile fugitive who had just embarrassed

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the state prison system. But the timeline in

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the source material completely shatters that

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logic. The text states, Later that year, on November

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20... The very same year? Lee was broken out

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of prison earlier in 1869, and on November 20th

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of that very same year, Bullard and Adam Worth

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struck again. Incredible. They traveled to Boston

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and robbed the vault of the Boylston National

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Bank. The audacity of that decision cannot be

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overstated. I was insane. They are actively on

00:12:20.690 --> 00:12:23.889
the run from a spectacular high -profile tunnel

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escape. Their aliases are known. Their methods

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are known. The Pinkerton detectives are likely

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hunting them. Everyone's looking for them. And

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instead of going to ground, they immediately

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escalate their operations. They don't target

00:12:35.120 --> 00:12:36.919
a vulnerable train car out in the wilderness.

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No. They target a national bank vault in a major

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metropolitan center. And the travel itself is

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a massive risk. The telegraph system existed

00:12:44.960 --> 00:12:48.779
in 1869. Oh, absolutely. The railways connected

00:12:48.779 --> 00:12:51.340
the cities. Law enforcement could communicate

00:12:51.340 --> 00:12:54.480
across state lines. Moving from New York to Boston

00:12:54.480 --> 00:12:56.500
while being the most wanted men in the Northeast

00:12:56.500 --> 00:12:59.919
is incredibly brazen. And look at the result

00:12:59.919 --> 00:13:03.279
of that risk. The text notes they escaped the

00:13:03.279 --> 00:13:06.639
Boylston National Bank with an estimated $200

00:13:06.639 --> 00:13:10.120
,000. They doubled their previous haul. They

00:13:10.120 --> 00:13:12.299
literally doubled it. While actively fleeing

00:13:12.299 --> 00:13:15.299
a prison break, they went from a $100 ,000 railway

00:13:15.299 --> 00:13:18.879
heist to a $200 ,000... bank vault it's hard

00:13:18.879 --> 00:13:20.980
to wrap your head around the psychological profile

00:13:20.980 --> 00:13:23.460
of someone who operates like this is deeply intriguing

00:13:23.460 --> 00:13:26.340
there seems to be no concept of enough wealth

00:13:26.340 --> 00:13:29.299
and absolutely no concept of too much risk it

00:13:29.299 --> 00:13:31.559
suggests that the motivation had evolved beyond

00:13:31.559 --> 00:13:34.919
simple financial gain it became a game exactly

00:13:34.919 --> 00:13:37.340
yeah When you are stealing sums that equate to

00:13:37.340 --> 00:13:40.299
the GDP of a small town and you continue to operate

00:13:40.299 --> 00:13:43.179
while the entire system is hunting you, it becomes

00:13:43.179 --> 00:13:45.980
purely about the challenge. The thrill. It is

00:13:45.980 --> 00:13:48.580
about the thrill of the execution and the ego

00:13:48.580 --> 00:13:52.259
of outsmarting the combined forces of 19th century

00:13:52.259 --> 00:13:55.059
law enforcement. Piano Charlie and Adam Worth

00:13:55.059 --> 00:13:57.480
were looking at the highest security vaults of

00:13:57.480 --> 00:14:00.279
their era and treating them like puzzles waiting

00:14:00.279 --> 00:14:02.759
to be solved. But that level of unchecked momentum

00:14:02.759 --> 00:14:06.600
has an inevitable cost. You cannot maintain that

00:14:06.600 --> 00:14:09.000
operational tempo indefinitely. No, eventually

00:14:09.000 --> 00:14:11.629
it catches up to you. The text notes that this

00:14:11.629 --> 00:14:14.490
massive escalation brought intense police interest

00:14:14.490 --> 00:14:18.389
down upon themselves. A $200 ,000 national bank

00:14:18.389 --> 00:14:20.809
robbery immediately following a tunnel escape.

00:14:21.309 --> 00:14:23.230
That's the kind of event that makes front page

00:14:23.230 --> 00:14:25.610
headlines everywhere. It's too loud. The political

00:14:25.610 --> 00:14:27.710
pressure to catch them would have been immense.

00:14:27.889 --> 00:14:30.070
You can only poke the bear so many times before

00:14:30.070 --> 00:14:32.830
the entire forest mobilizes against you. The

00:14:32.830 --> 00:14:35.190
heat became too intense, even for a syndicate

00:14:35.190 --> 00:14:37.610
as well -resourced as Mandelbaum's. We had to

00:14:37.610 --> 00:14:39.509
get out. The article states that Bullard and

00:14:39.509 --> 00:14:42.929
Wirth were forced to flee America entirely. They

00:14:42.929 --> 00:14:45.149
moved to England and began living under false

00:14:45.149 --> 00:14:47.649
names. It is a dramatic shift in the narrative.

00:14:47.889 --> 00:14:50.429
You go from being the undisputed king of the

00:14:50.429 --> 00:14:53.009
American underworld, cracking vaults at will,

00:14:53.169 --> 00:14:56.970
to a fugitive forced to abandon your home country

00:14:56.970 --> 00:14:59.970
and reinvent your entire identity across the

00:14:59.970 --> 00:15:02.690
Atlantic. It is a profound shift, and it leads

00:15:02.690 --> 00:15:04.850
us directly to one of the most intriguing aspects

00:15:04.850 --> 00:15:07.429
of our source material. The Easter egg in the

00:15:07.429 --> 00:15:10.490
citations. Yes. If you look closely at the references

00:15:10.490 --> 00:15:12.450
section at the bottom of the Wikipedia article,

00:15:12.669 --> 00:15:14.990
there is a distinct piece of cultural history

00:15:14.990 --> 00:15:17.870
hidden in the citations. Reference number three

00:15:17.870 --> 00:15:20.370
points to an article from the Sunday Telegraph

00:15:20.370 --> 00:15:23.990
dated June 8th, 1997. Okay. The title of the

00:15:23.990 --> 00:15:26.980
cited article is The Real Moriarty. And for you

00:15:26.980 --> 00:15:29.000
listening, that is a massive cultural connection.

00:15:29.480 --> 00:15:32.179
Moriarty is, of course, Professor James Moriarty,

00:15:32.259 --> 00:15:34.340
the famous nemesis of Sherlock Holmes created

00:15:34.340 --> 00:15:36.620
by Arthur Conan Doyle. The ultimate mastermind.

00:15:36.759 --> 00:15:39.019
He is the ultimate pop culture archetype of the

00:15:39.019 --> 00:15:41.620
sophisticated, globetrotting criminal mastermind

00:15:41.620 --> 00:15:44.200
who doesn't just commit crimes, but pulls the

00:15:44.200 --> 00:15:46.899
strings of a massive underworld web from the

00:15:46.899 --> 00:15:49.519
shadows. And the fact that a major publication

00:15:49.519 --> 00:15:52.860
like the Sunday Telegraph connects this specific

00:15:52.860 --> 00:15:55.970
historical group, Adam Worth. Bullard and their

00:15:55.970 --> 00:15:59.190
associates to the title of the real Moriarty

00:15:59.190 --> 00:16:02.590
is incredibly telling about their legacy. It

00:16:02.590 --> 00:16:05.090
suggests that they were the blueprint. Exactly.

00:16:05.269 --> 00:16:07.570
They weren't viewed by history as mere thugs

00:16:07.570 --> 00:16:11.309
or common bandits. They effectively birthed the

00:16:11.309 --> 00:16:13.870
mythos of the gentleman thief. Let's look at

00:16:13.870 --> 00:16:17.009
why that comparison holds up. They utilized international

00:16:17.009 --> 00:16:20.370
flight. They lived high society lives under false

00:16:20.370 --> 00:16:22.929
aristocratic identities in London. Blending right

00:16:22.929 --> 00:16:25.120
in with the upper class. Right. They pulled off

00:16:25.120 --> 00:16:28.299
massive, bloodless hauls using extreme intellect

00:16:28.299 --> 00:16:31.299
and engineering, and they relied on a vast network

00:16:31.299 --> 00:16:34.139
of associates rather than brute violence. Exactly

00:16:34.139 --> 00:16:36.220
the traits that Arthur Conan Doyle gave to his

00:16:36.220 --> 00:16:39.039
great villain. Their real -world actions were

00:16:39.039 --> 00:16:41.000
the raw materials that writers and journalists

00:16:41.000 --> 00:16:43.200
eventually used to create the archetype of the

00:16:43.200 --> 00:16:45.179
supervillain we still read about and watch in

00:16:45.179 --> 00:16:47.120
films today. It's wild to think they started

00:16:47.120 --> 00:16:49.799
that trope. Adam Worth famously became known

00:16:49.799 --> 00:16:53.679
as the Napoleon of the criminal world. They elevated

00:16:53.679 --> 00:16:56.320
organized crime from a street -level nuisance

00:16:56.320 --> 00:16:59.700
to a dark art form that captured the public imagination

00:16:59.700 --> 00:17:02.740
in the Victorian era. Which makes the final piece

00:17:02.740 --> 00:17:05.759
of the historical puzzle so poignant. Yeah, it's

00:17:05.759 --> 00:17:08.559
not a fairytale ending. No, because for all that

00:17:08.559 --> 00:17:11.680
brilliance, for all that Moriarty -level masterminding,

00:17:11.720 --> 00:17:14.240
and for all the high society false names in England,

00:17:15.079 --> 00:17:17.059
The story doesn't end with a peaceful retirement

00:17:17.059 --> 00:17:19.559
in a country manner surrounded by stolen riches.

00:17:19.839 --> 00:17:22.819
It rarely does. The final fact the text leaves

00:17:22.819 --> 00:17:26.059
us with is Bullard's demise. Charles W. Bullard

00:17:26.059 --> 00:17:29.779
died in a Liège, Belgium jail in the 1890s. It

00:17:29.779 --> 00:17:32.519
is a stark, sobering conclusion to an adrenaline

00:17:32.519 --> 00:17:34.940
-fueled narrative. He died in a cage. He fled

00:17:34.940 --> 00:17:38.000
America in 1869. He died in a Belgian cell in

00:17:38.000 --> 00:17:40.480
the 1890s. That represents roughly two to three

00:17:40.480 --> 00:17:42.920
decades of living as a fugitive on another continent.

00:17:43.160 --> 00:17:45.000
Always looking over his shoulder. He adopted

00:17:45.000 --> 00:17:48.160
a new life. He had vast resources, but he couldn't

00:17:48.160 --> 00:17:49.819
outrun his nature and he couldn't outrun the

00:17:49.819 --> 00:17:52.299
law forever. Ending up in a foreign jail cell

00:17:52.299 --> 00:17:55.039
decades later speaks to a life spent constantly

00:17:55.039 --> 00:17:57.420
on the run. It implies that he never stopped.

00:17:57.880 --> 00:18:00.099
He was still operating, still running schemes

00:18:00.099 --> 00:18:02.819
or cracking safes in Europe until his luck simply

00:18:02.819 --> 00:18:05.970
ran out. The machinery of the law is slow. But

00:18:05.970 --> 00:18:08.950
it is persistent. The tragic irony is that the

00:18:08.950 --> 00:18:11.329
same obsessive, restless energy that made him

00:18:11.329 --> 00:18:14.529
such a brilliant pianist and an untouchable safecracker

00:18:14.529 --> 00:18:17.450
is likely the exact same energy that prevented

00:18:17.450 --> 00:18:20.230
him from ever truly walking away from the life.

00:18:20.410 --> 00:18:22.789
He couldn't just sit still. No, he was trapped

00:18:22.789 --> 00:18:24.930
by his own compulsion for the high stakes puzzle.

00:18:25.150 --> 00:18:27.369
So what does this all mean? Why should you care

00:18:27.369 --> 00:18:29.849
about Piano Charlie today? It's a fair question.

00:18:30.029 --> 00:18:32.910
I think the takeaway here is about the long tale

00:18:32.910 --> 00:18:35.349
of historical consequences and the evolution

00:18:35.349 --> 00:18:38.109
of organized crime. We started this deep dive

00:18:38.109 --> 00:18:40.670
talking about a man sitting in a parlor practicing

00:18:40.670 --> 00:18:43.150
his scales with a delicate touch for the piano

00:18:43.150 --> 00:18:45.750
keys. A very peaceful image. And we followed

00:18:45.750 --> 00:18:48.430
him through this wild whiplash of a life, from

00:18:48.430 --> 00:18:50.890
playing music to cracking impossible brass locks

00:18:50.890 --> 00:18:53.970
to stealing unimaginable industrial fortunes

00:18:53.970 --> 00:18:56.509
from railways. to being the beneficiary of an

00:18:56.509 --> 00:18:59.390
insanely complex rented office tunnel escape.

00:18:59.710 --> 00:19:02.650
Just a blur of escalation. Doubling down with

00:19:02.650 --> 00:19:06.109
a massive Boston bank robbery and finally fleeing

00:19:06.109 --> 00:19:08.170
across the Atlantic to become an international

00:19:08.170 --> 00:19:11.329
fugitive. It really demystifies the romance of

00:19:11.329 --> 00:19:14.119
the criminal mastermind. It shows that while

00:19:14.119 --> 00:19:16.559
the audacity and the logistical brilliance of

00:19:16.559 --> 00:19:18.759
the 19th century underworld were truly ahead

00:19:18.759 --> 00:19:21.160
of their time, the end result rarely changes.

00:19:21.400 --> 00:19:24.059
The house always wins. The house always wins.

00:19:24.200 --> 00:19:26.420
The wealthy accumulated never bought them peace.

00:19:27.099 --> 00:19:30.220
But the mechanics of how they operated during

00:19:30.220 --> 00:19:33.220
their prime. the way they viewed city infrastructure,

00:19:33.579 --> 00:19:36.640
bank security, and human corruption as merely

00:19:36.640 --> 00:19:39.440
variables in a mathematical equation. That's

00:19:39.440 --> 00:19:41.700
fascinating. That will forever remain a fascinating

00:19:41.700 --> 00:19:44.019
study in human ingenuity applied to the wrong

00:19:44.019 --> 00:19:46.440
side of the law. It is a powerful reminder that

00:19:46.440 --> 00:19:48.839
history is not just a dry ledger of dates, treaties,

00:19:48.960 --> 00:19:51.240
and precedents. It is deeply populated by these

00:19:51.240 --> 00:19:54.619
vivid characters doing unbelievable, highly complex

00:19:54.619 --> 00:19:56.779
things in the shadows. Thank you for joining

00:19:56.779 --> 00:20:00.309
us on this historical deep dive today. We've

00:20:00.309 --> 00:20:02.710
gone from the piano bench to the bank vault,

00:20:02.829 --> 00:20:05.589
through a subterranean tunnel and across the

00:20:05.589 --> 00:20:08.569
Atlantic, all extracted from just a few paragraphs

00:20:08.569 --> 00:20:11.730
of text about a single 19th century life. This

00:20:11.730 --> 00:20:13.809
raises an important question, though, one for

00:20:13.809 --> 00:20:16.170
you to perhaps mull over on your own after we

00:20:16.170 --> 00:20:18.190
finish here. Oh, let's hear it. We have spent

00:20:18.190 --> 00:20:20.410
this time unpacking the sheer organizational

00:20:20.410 --> 00:20:23.730
genius of Frederick Mandelbaum, Adam Wirth, and

00:20:23.730 --> 00:20:48.519
their crew. Yeah. Wow. Now that is a thought

00:20:48.519 --> 00:20:50.940
to leave on. The line between a legitimate corporate

00:20:50.940 --> 00:20:53.700
titan of the 1800s and a criminal mastermind

00:20:53.700 --> 00:20:56.059
might just be a matter of which side of the vault

00:20:56.059 --> 00:20:58.839
door they preferred to stand on. Thank you again

00:20:58.839 --> 00:21:00.579
for listening, and remember to keep questioning

00:21:00.579 --> 00:21:02.920
the wild histories hiding in plain sight. Until

00:21:02.920 --> 00:21:03.359
next time.
