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Welcome to the Deep Dive. We are really glad

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you're here. Absolutely. Welcome. Because we

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know you love to learn. You like absorbing huge

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amounts of information efficiently, right? Yeah,

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getting right to the good stuff. Exactly. Yeah.

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So today, we are basically saving you about,

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oh, I'd say 130 hours of binge watching. Which

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is a... Pretty massive undertaking. It is. We're

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distilling a massive 260 -episode Nigerian period

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drama down to its absolute most crucial elements.

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And this is not just any show. No, it's Riona.

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Pronounced Riona. It's a 2020 Africa Magic original

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series. And the goal today is to really look

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at how this show masterfully blends 12th century

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history. with intense class warfare. And dark

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prophecies. Don't forget the prophecies. Right.

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The prophecies are huge. And for anyone wondering

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why this specific show matters to you, I mean,

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why we are doing a deep dive on it, it's because

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it's so much more than just a daytime soap opera.

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It is this brilliant structural exploration of

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dictatorship versus democracy. It really forces

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you to look at the terrifying lengths people

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will go to when they want to preserve their own

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power. OK, let's unpack this, because to really

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get the stakes here, you have to understand the

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world they're living in. The setting is everything.

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Right. So based on our sources, the show is set

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in the pre -colonial Itzikiri kingdom. In the

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12th century. Exactly. Yeah. Just to put that

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on a map for you, we are talking about the westernmost

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part of the Niger Delta. Which is bounded by

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the Bight of Benin. Yeah. It's this incredibly

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rich, geographically complex region. Very lush,

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lots of waterways. Controlling this area means

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you have serious wealth and strategic power.

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But the kingdom of Wyoming, which is where our

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story takes place. is dealing with a massive

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crisis. A crisis that has nothing to do with

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borders or trade? No, they are quite literally

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under siege by fate itself. Yeah, the inciting

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incident is wild. It really is. So we meet this

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character, Aranyeka, and she is the Oparun male.

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Which means the mouthpiece of the gods. Right,

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and she is actually the first female Oparun male

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in the history of the kingdom. So already tradition

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is shifting. The old rules are breaking down.

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And she delivers this absolutely chilling prophecy

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to the throne. She says a child born under a

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rising dark moon is going to destroy the reigning

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king. King Ofotunku. Yes, and completely end

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his rule. What's fascinating here is how the

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writers take this classic, almost mythological

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trope of, you know, the ruler trying to outsmart

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destiny. And they ground it in this brutal political

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reality. Because the king's reaction isn't to

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step down or repent. No, he doesn't self -reflect

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at all. Not even a little. He immediately orders

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the mass killing of all children born under the

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dark moon. Which immediately establishes just

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how impossibly high the stakes are. And how brutal

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his regime actually is. It tells you exactly

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who King Ofotanku is. And he's played by Frank

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Conwaya, by the way. Our sources describe him

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as a genuinely wicked king. Wicked is almost

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an understatement. Yeah, he crushes anyone in

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his way. goes beyond just being a dictator. He

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literally dares to fight the gods when they pass

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judgment on him. Which is the ultimate sign of

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an autocrat completely losing touch with reality.

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He thinks he is bigger than fate. Right. But

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trying to cheat fate comes with a tragic cost?

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It does. And there is this one specific, shocking

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detail from the text that really drives this

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home. It's devastating. To save his own life

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from this prophecy, the king is in this state

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of total panic. He loses his temper. As he often

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does. Right, he has this explosive temper. And

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he unwittingly kills his fourth wife. Anya Mofay.

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Yes, she goes by Mofay, played by Mimi Chaka.

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And the tragedy here is that Mofay wasn't just

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a political alliance. No, she was his favorite.

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She was the one he actually married for love.

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And she's the mother of his heir. Exactly. So

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in his blind panic to hold onto power, he destroys

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the only real genuine human connection he has.

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He totally isolates himself. Which means he has

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to rely entirely on his inner circle. The enablers.

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Yeah, let's talk about that inner circle. You

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have Omereon, played by Sobifai Dokubo. Who is

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a fascinating character. He is. He's the king's

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intensely loyal friend. They've been close since

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childhood. But his real job is basically handling

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the king. He's the diplomat. Right. He knows

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how to navigate this tyrannical guy without getting

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himself killed. You need someone like that to

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keep a failing regime running. And you contrast

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him with Queen Eidolor. His first wife. Yeah,

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she is a high council member. So you have this

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very complex web of advisors insulating the king.

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But they can't insulate him from the prophecy.

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No, they can't. Because despite this horrific

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mass killing, fate finds a way. As it always

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does. Four of the targeted children actually

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survive the call. Four managed to slip through.

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And one of them is Prince Atsigen. Who goes by

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Agon. Right. Played by Emer Chukwu Ono. And this

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is the structural core of the whole series. Here's

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where it gets really interesting. Agon is the

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king's own heir. His own son. Yes. He is destined

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to bring down his father's dictatorship because

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he was one of those kids. born under the dark

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moon. And his motivation is so unique for a period

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drama. Yeah, he doesn't just want the throne

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for himself. He despises his father's oppression.

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He actually wants to replace the monarchy with

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democracy. Which is a wild concept for a prince

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in the 12th century. Totally. He is willing to

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sacrifice his relationship with his father, his

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own inheritance, to tear the system down. But

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a prince can't start a revolution all by himself

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from inside the palace. No, the pressure has

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to come from the outside, too. Exactly. Which

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brings us to the lowborn leader, Oriasame, or

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Seema. Played by Jasmine Al -Ratami and Maggie

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Isabor. Right. Her background is so complex.

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Technically, she is highborn. But she doesn't

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grow up that way. No, she is raised by a virtuous

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lowborn man named Aso. And Aso raises her specifically

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to lead the rebellion. He teaches her her value.

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She voices her opinions without any fear. Which

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is very dangerous in this society. It is. And

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it gets her into major trouble when Prince Agan

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actually visits her community. They clash immediately.

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Because she just speaks her mind. But you see,

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connecting the dots between Egon and Seema is

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the whole point. They come from entirely different

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worlds. But they are both dark moon children.

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Their chance crossing of paths is the ultimate

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threat to the king. They are the two halves of

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the kingdom coming together. Which brings us

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to the actual society they are living in. The

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class warfare in Oyomer is intense. It's the

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engine of the show. The society is divided into

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two main classes. At the top, you have the highborn

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class, the Omajaja. They hold all the cards.

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The wealth, the military, the land. And at the

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bottom, you have the lowborn class, the Aral.

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who are essentially living in bondage. Yeah,

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they do all the work and suffer under the king's

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violence, and Sima is the one destined to free

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the Aral from this bondage. Making her King Ofotanku's

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absolute worst enemy. But it's not just politics

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and class warfare. The show also has this incredible

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mystical side. The supernatural elements are

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deeply woven into the politics. Yeah, like Atigbi

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-Aloy, played by Elvina Ibru. She is a shape

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-shifting witch living in the Oyomir forest.

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She is amazing. And she plays a critical role

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in making sure the dark moon prophecy is actually

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fulfilled. If we connect this to the bigger picture.

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The show uses all these elements, both the magical

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gods and shapeshifters, and the social clash

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between the Omijaja and Uriah. To build this

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world on the brink. Exactly. It creates this

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rich tapestry of a society ready for revolution.

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The magic shows the limits of the king's earthly

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power. He can't execute a shapeshifter. Right.

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Now, just stepping back for a second, we have

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to talk about the sheer scale of this production.

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It is staggering. 260 episodes. We'll let that

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sink in. Produced by Fimo. Directed and executive

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produced by James Amakwe. And written by Effiani

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Barbaciti. Edit air daily. 30 -minute episodes

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every weekday from September 2020 to September

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2021. The stamina required to pull that off while

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keeping the narrative quality high. is just incredible

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and people noticed the real world reception was

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huge it was listed as one of the top five nigerian

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tv series of 2020 and it earned james omakwe

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a nomination for best africa magic original drama

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series at the 2022 africa magic viewers choice

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award very well deserved so what does this all

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mean why does a massive 12th century period drama

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matter so much to you today because the themes

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are universal Exactly. It shows how epic storytelling

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is used all over the world to process historical

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and societal themes. We use these grand historical

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settings to safely explore modern realities.

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Power, corruption, freedom. Exactly. So just

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to quickly wrap up this massive deep dive, we've

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looked at the epic clash sparked by King Ofotunku's

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paranoia. His brutal attempt to stop fate. We

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followed his rebellious heir, Ogun, who wants

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democracy. The fearless Sima. Leading from the

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outside. And the inevitable explosion between

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the Omijaja and the Aral. It is a brilliant piece

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of media. And it leaves you with such a clear

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insight into the core themes. It really exposes

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the destructive nature of absolute power. It

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rots from the inside. Right. But it also highlights

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the unstoppable force of people demanding their

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freedom. Once that spark is lit, you can't put

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it out. You really can't. And before we go, I

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want to leave you with one final provocative

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thought based on the premise we just discussed.

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Oh, I love this. Lay it out. Think about the

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ultimate paradox of the king's actions. He ordered

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the slaughter of innocent children purely to

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prevent the prophecy. Right. But by doing that,

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King of Otanku is the one who alienated his own

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son, Agon. He pushed him away. He pushed him

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right toward rebellion and democracy. So here's

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the question for you to ponder. Okay. Did the

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dark moon actually curse the king? Or did his

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own brutal attempts to cheat fate guarantee his

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destruction? Wow. That is a heavy question to

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walk away with. It really makes you think about

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free will versus destiny. It absolutely does.

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Well, thank you so much for joining us on this

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deep dive. We hope we gave you a great shortcut

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through an incredible story. Keep exploring.

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Definitely. Keep learning. Keep asking questions.

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And we will catch you next time.
