WEBVTT

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welcome so um if you are listening to this right

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now there is a very high probability that you

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have a pen sitting somewhere on your desk oh

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yeah almost certainly maybe you are even holding

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one right now go ahead and give it a click it's

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such a simple everyday object right completely

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we totally take it for granted but uh what if

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i told you that the simple act of clicking a

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pen is tied to this massive, sprawling story

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involving Cold War geopolitics. And Hollywood

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boardroom coups. Yes. Hollywood comic books and

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a multi -million dollar corporate empire. That

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is our mission for today's Deep Dive. We are

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taking a single, incredibly dense Wikipedia source

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about a man whose name you probably don't know.

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But whose creations are undeniably part of your

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daily life. Exactly. We are talking about Patrick

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Joseph Frawley Jr. He lived from 1923 to 1998.

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He was a Nicaraguan -American business magnate.

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A high school dropout, too. Right. And the mastermind

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behind some of the most ubiquitous brands of

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the entire 20th century. Okay, let's unpack this,

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because Frawley's life touched almost every major

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cultural and industrial shift you can possibly

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think of. It really did. And it all starts with

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some incredibly unconventional roots. Which is

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key here. To truly understand the world we live

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in today, you have to look at these early architects

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of modern consumerism. For sure. What's fascinating

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here is that Frawley wasn't just a businessman

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operating in a vacuum. His life story is basically

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a masterclass in how... personal ambition, global

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conflicts, and the everyday consumer goods sitting

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in your junk drawer are all deeply interconnected.

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Let's start with those beginnings then. Yeah,

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because his background breaks almost every mold

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of the traditional mid -century American CEO.

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He was born in Leon, Nicaragua on May 26, 1923.

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Right, to an Irish -born father and a mother

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of French -Spanish descent. But he didn't stay

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in Central America for long. No, he actually

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spent his formative years growing up in San Francisco.

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And then he makes a move that feels entirely

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counterintuitive for a kid from a relatively

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comfortable background. As a teenager, he drops

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out of high school. Just completely drops out.

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Packs his bags and heads all the way back to

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Nicaragua. And he doesn't do this to find himself

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or backpack around. No, he does it specifically

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to learn international trade directly from his

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father. Which tells you a lot about his mindset

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right out of the gate. He essentially traded

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a traditional classroom for an old school apprenticeship

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in real world commerce. Learning by doing. Exactly.

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At a very young age, he was dealing with supply

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chains, negotiations, and the realities of running

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a business in a developing market. That kind

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of hands -on experience builds a very specific

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type of entrepreneurial muscle. You learn how

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to spot inefficiencies. And more importantly,

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you learn how to spot undervalued assets. And

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he certainly needed that resilience because the

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timeline quickly hits the late 1930s and early

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1940s. The world is engulfed in World War II.

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Yeah. And this is where we get a massive geographical

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puzzle piece. Because his father held United

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Kingdom citizenship, Frawley leaves the Americas.

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He enlists in the Royal Canadian Air Force to

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serve in the war. So just think about this. You

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have a Nicaraguan born, San Francisco raised

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teenager learning business in Central America.

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Who is now flying in a Canadian uniform because

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of his Irish father. It's wild. It highlights

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a level of international mobility and adaptability

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that most people simply didn't have at that time.

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He was clearly comfortable navigating different

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cultures and bureaucracies, which would become

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a defining trait of his corporate life. Definitely.

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So after the war ends, the dust settles. He marries

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a Canadian. woman named Geraldine in 1945. And

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they decide to plant roots back in San Francisco.

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And this post -war period is where the business

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narrative shifts from an education into an absolute

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empire. Right. Because shortly after the war,

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he makes his first major play. He doesn't start

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a company from scratch, though. He acquires one.

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Specifically, he buys a ballpoint pen parts manufacturer

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that had completely defaulted on its loan. He

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takes it over, reorganizes it, and renames it

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the Frawley Pen Company. Now, why? Why would

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a sharp young guy buy a failing parts manufacturer?

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Well, the post -WWII era was a time of massive

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industrial reshuffling. There was a lot of manufacturing

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infrastructure left over from the war effort.

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And distressed assets were relatively cheap.

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Frawley likely saw the underlying value in the

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machinery and the distribution potential rather

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than focusing on the debt that crippled the previous

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owners. But more importantly, he recognized a

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massive gap in the consumer market. Writing at

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that point in history was a frustrating experience.

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It really was. We don't think about it now, but

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fountain pens were a nightmare. They leaked in

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your pocket. The ink smudged all over the paper.

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You got it on your hands. You ruined your expensive

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tailored shirts. It was a terrible user experience.

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Exactly. The existing technology was cumbersome.

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So, Frawley tasks his newly acquired company

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with solving this specific pain point. In 1949,

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they develop a proprietary ink formula that dries

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almost instantly upon hitting the paper. They

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brand the pen that delivers this ink the Papermate.

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It was a massive leap forward. But he didn't

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stop at the chemistry of the ink. He looked at

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the mechanics of the delivery system. The very

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next year, in 1950. The company creates what

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is widely claimed to be the world's first pen

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with a retractable ballpoint tip. Which is the

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click. That satisfying mechanism that hides the

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ink away so it doesn't ruin your jacket. He basically

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took this messy, unreliable tool and turned it

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into a clean, highly efficient instrument perfectly

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suited for the booming, fast -paced modern office

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of the 1950s. And the market rewarded him on

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a scale that is almost hard to comprehend. In

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1955, the Gillette Company, the massive shaving

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conglomerate, sweeps in and buys the Frawley

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Penn Company for $15 .5 million. To form the

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basis of their papermate division. To put that

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$15 .5 million into perspective, you have to

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adjust for inflation and context. That is a staggering

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amount of capital for the mid -1950s. It's the

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equivalent of a modern -day Silicon Valley tech

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unicorn exit. He took a bankrupt, defaulted parts

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manufacturer and turned it into a massive life

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-changing payday in less than... 10 years. Most

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people would take that kind of money, buy an

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island, and never look at a spreadsheet again.

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But Frawley immediately turns around and funnels

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those profits into diversifying his portfolio.

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He takes that Gillette money and buys controlling

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shares in two absolute titans of industry. Schick,

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the razor company. And Technicolor Inc., the

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legendary color motion picture company. It is

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a brilliant strategic pivot. He understood that

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the post -war American consumer had disposable

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income. Men were buying grooming products at

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unprecedented rates, hence Schick. And the entertainment

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industry was rapidly shifting away from black

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and white to compete with the rise of television.

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Making Technicolor a critical technological choke

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point for Hollywood. He was cornering the market

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on both domestic convenience and popular entertainment.

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But just as this empire is peaking, the narrative

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takes a sharp turn from corporate strategy into

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global geopolitics. In 1958, there is a catalyst

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event that fundamentally rewires Froli's entire

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worldview. Fidel Castro successfully leads the

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Cuban Revolution and subsequently nationalizes

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foreign assets. During this process, Castro's

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government literally seizes a Schick razor factory

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located in Cuba. The loss of that factory was

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a profound moment for Frawley. It wasn't just

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a line item on a balance sheet. It was a visceral

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personal demonstration of how international political

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instability could directly impact his livelihood.

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Now, right here, I need to make a quick but mandatory

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note for you listening. Yes, this is important

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context. The source material we're pulling from

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documents some very heavy politically charged

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shifts in his life from here on out. Left wing,

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right wing. It involves very specific domestic

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political activities. Right. And we are simply

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laying out the historical timeline of his resulting

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political funding and actions exactly as they

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occurred. We're absolutely not taking a stance

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on the ideology itself or endorsing any viewpoints.

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Exactly. We are impartially reporting the facts

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contained in our source material. We are just

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following the money. So following that factory

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seizure in 1958, Frawley's focus shifts dramatically.

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He becomes deeply awakened to political ideology

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and begins aggressively advocating for anti -communist

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causes. Often working behind the scenes, he positions

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himself as a leading American conservative figure.

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He starts utilizing his immense wealth to fund

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major political movements. For instance, he partners

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with Walter Knott. who many know is the founder

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of Knott's Berry Farm in California. Right. They

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partner up to provide significant financial backing

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to Barry Goldwater's 1964 presidential campaign.

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He didn't just start but presidential politics

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either. No, he funded Fred Schwartz's anti -communist

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rallies, which were drawing massive crowds across

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the country. He also provided heavy financial

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support to the Information Council of the Americas,

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known as INCA. An anti -communist organization

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founded in 1961. He is taking the capital generated

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from selling ballpoint pens and razor blades

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and pouring it directly into domestic political

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action. But if we connect this to the bigger

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picture. It is an incredible case study in the

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globalization of capital. You have a businessman

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who experiences a very specific international

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financial loss. A sovereign nation takes his

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factory. That single isolated event acts as a

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powerful catalyst. Driving him to deploy millions

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of dollars to alter the domestic political landscape

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back in the United States. It highlights how

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the boundary between global commerce and local

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politics is incredibly porous. The domino effect

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is staggering. A factory changes hands in Havana

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and suddenly political rallies in Los Angeles

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and presidential campaigns in Washington, D .C.

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are receiving a massive influx of cash. But while

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Frawley is orchestrating all of this high level

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political maneuvering and managing his corporate

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empire, he is simultaneously fighting a very

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intense private battle. He struggled deeply with

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severe alcohol addiction. By 1964, the pressure

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clearly reached a breaking point. He checks into

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the Shettle Sanatorium in Seattle to undergo

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something called aversion therapy. Aversion therapy

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was a psychological treatment highly prevalent

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at the time. The concept is relatively straightforward.

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It is designed to make a patient give up an undesirable

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habit by repeatedly pairing that habit with an

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intensely unpleasant stimulus. The goal is to

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condition the patient's brain to associate the

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alcohol with the negative reaction. Thereby eliminating

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the craving entirely. Here's where it gets really

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interesting. Because for Frawley, this treatment

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at the Seattle Clinic wasn't just a medical success.

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It was a revelation. He found the therapy so

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incredibly effective at curbing his addiction

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that he didn't just recommend the clinic to his

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friends. He literally purchased the entire hospital.

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He bought the sanatorium on behalf of Schick.

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And formally renamed it Schick's Shedell. It

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is perhaps the most audacious consumer endorsement

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in the history of modern business. Unbelievable.

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If you or I go to a great deli and have a life

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-changing sandwich, we might leave a five -star

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review online. Frawley goes to rehab, gets sober,

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and immediately buys the medical facility to

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slap his razor company's logo on the front door.

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It is the absolute pinnacle of I liked the product

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so much I bought the company. It's a humorous

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anecdote, but it also deeply humanizes him. It

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reveals a man who operated with zero boundaries

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between his personal life, his profound beliefs,

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and his corporate balance sheet. If he believed

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in a product, whether it was a pen that didn't

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leak, an economic ideology, or a medical treatment

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that saved his life, he wanted to own it, scale

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it, and brand it. That is a brilliant way to

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look at it. He was scaling his own personal epiphanies.

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And that tendency to merge his personal beliefs

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with his business empire didn't stop at health

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care or politics. As we move into the late 1960s,

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Frawley, who was a deeply devout Catholic, begins

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a massive push to shape American culture through

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media and publishing. In 1967, he establishes

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the Twin Circle Publishing Company as a subsidiary

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of the Schick Investment Corporation. Through

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this new branch, he founds a Catholic weekly

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newspaper called Twin Circle. But starting a

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new publication from scratch wasn't enough to

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achieve the cultural reach he was aiming for.

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In 1970, he initiates a takeover of the National

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Catholic Register and established an influential

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newspaper. Upon securing control, he completely

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overhauls its editorial board. Shifting the paper's

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stance from a progressive viewpoint to a staunchly

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conservative one that aligned with his personal

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beliefs. He is building an echo chamber before

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that was even a buzzword. Because by this point,

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Twin Circle Publishing wasn't just doing print.

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They were broadcasting daily radio segments and

00:12:59.629 --> 00:13:02.490
producing a weekly half -hour television show.

00:13:02.730 --> 00:13:05.629
He was constructing a multi -platform media ecosystem

00:13:05.629 --> 00:13:08.789
to broadcast his worldview to millions of homes.

00:13:09.129 --> 00:13:11.809
And that ecosystem extended into surprising territories,

00:13:12.090 --> 00:13:15.590
including the comic book industry. In 1967, the

00:13:15.590 --> 00:13:18.350
same year he launched Twin Circle, he negotiated

00:13:18.350 --> 00:13:20.690
the acquisition of the Classics Illustrated line

00:13:20.690 --> 00:13:23.110
of comic books from its original founder, Albert

00:13:23.110 --> 00:13:25.409
Cantor. This is one of those details that just

00:13:25.409 --> 00:13:28.029
stops you in your tracks. The guy manufacturing

00:13:28.029 --> 00:13:30.429
your office supplies and shaving cream is now

00:13:30.429 --> 00:13:32.850
deciding which comic books hit the newsstands.

00:13:32.850 --> 00:13:35.009
Now, for context, Classics Illustrated wasn't

00:13:35.009 --> 00:13:37.470
about superheroes. Right. They adapted classic

00:13:37.470 --> 00:13:40.110
literature and historical events into comic form.

00:13:40.370 --> 00:13:42.889
Under the Frawley Corporation, they published

00:13:42.889 --> 00:13:46.590
the series' final original titles in 1969. Which

00:13:46.590 --> 00:13:49.490
were In Freedom's Cause and Negro Americans.

00:13:49.990 --> 00:13:52.629
After that, they mostly concentrated on foreign

00:13:52.629 --> 00:13:54.629
distribution. and reprinting the back catalog.

00:13:54.990 --> 00:13:58.490
By the early 1970s, the comics were largely discontinued,

00:13:58.529 --> 00:14:00.649
though he strategically held onto the intellectual

00:14:00.649 --> 00:14:03.529
property rights for years. Holding onto those

00:14:03.529 --> 00:14:05.570
rights proved to be a critical move. Because

00:14:05.570 --> 00:14:08.610
the early 1970s brought some incredibly turbulent

00:14:08.610 --> 00:14:11.710
corporate headwinds for Frawley. His empire began

00:14:11.710 --> 00:14:15.230
to fracture. In 1970, Schick ceased to be entirely

00:14:15.230 --> 00:14:18.289
his domain when it became a subsidiary of the

00:14:18.289 --> 00:14:20.929
massive conglomerate Warner Lambert. But the

00:14:20.929 --> 00:14:23.690
real blow comes with Technicolor. In that same

00:14:23.690 --> 00:14:27.029
year, Frawley faces a massive boardroom showdown.

00:14:27.169 --> 00:14:28.549
For those who aren't familiar with corporate

00:14:28.549 --> 00:14:31.049
raiding, he was the victim of a proxy fight.

00:14:31.250 --> 00:14:34.049
How does a CEO actually lose their own company

00:14:34.049 --> 00:14:36.330
in a proxy fight? A proxy fight is essentially

00:14:36.330 --> 00:14:38.950
a corporate coup. It happens when a group of

00:14:38.950 --> 00:14:41.429
shareholders joins forces to gather enough proxy

00:14:41.429 --> 00:14:44.169
votes to win a corporate vote. In this case,

00:14:44.169 --> 00:14:46.899
against Frawley. Exactly. a Canadian theatre

00:14:46.899 --> 00:14:49.500
and film producer named Harry Saltzman, who,

00:14:49.559 --> 00:14:51.799
interestingly enough, was famous for co -producing

00:14:51.799 --> 00:14:54.740
the early James Bond films, managed to convince

00:14:54.740 --> 00:14:57.580
enough of Technicolor's shareholders that Frawley's

00:14:57.580 --> 00:14:59.440
leadership was no longer serving their financial

00:14:59.440 --> 00:15:02.600
interests. They pulled their voting power and

00:15:02.600 --> 00:15:05.740
legally ousted Frawley from his position as chairman.

00:15:05.899 --> 00:15:07.759
They yanked the company right out from under

00:15:07.759 --> 00:15:10.759
him. So within a very short window, you lose

00:15:10.759 --> 00:15:13.840
the autonomy of your razor company to a conglomerate

00:15:13.840 --> 00:15:17.039
and you are overthrown from your color film company

00:15:17.039 --> 00:15:20.379
by the guy who produces James Bond movies. For

00:15:20.379 --> 00:15:22.779
almost anyone else, that is the clear signal

00:15:22.779 --> 00:15:25.159
to retire. You take whatever millions you have

00:15:25.159 --> 00:15:28.100
left. Go to a golf course and call it a life.

00:15:28.279 --> 00:15:31.080
But Frawley refuses to step away. Instead, he

00:15:31.080 --> 00:15:34.919
executes yet another massive pivot. In 1971,

00:15:35.360 --> 00:15:37.620
leveraging what he still controlled at Schick,

00:15:37.700 --> 00:15:40.200
he partners with two men, Charles E. Sellier

00:15:40.200 --> 00:15:43.610
Jr. and Raylan Jensen. Together, they found Schick's

00:15:43.610 --> 00:15:46.870
son classic pictures. And in a move that completely

00:15:46.870 --> 00:15:49.330
ignores the established Hollywood system, they

00:15:49.330 --> 00:15:52.330
based this new film studio in Park City, Utah.

00:15:52.490 --> 00:15:54.870
It represents a remarkable evolution. They began

00:15:54.870 --> 00:15:57.169
aggressively producing independent feature films,

00:15:57.389 --> 00:15:59.570
theatrical documentaries, and made -for -television

00:15:59.570 --> 00:16:01.730
movies. They figured out how to bypass traditional

00:16:01.730 --> 00:16:05.090
studio distribution, often utilizing a strategy

00:16:05.090 --> 00:16:07.350
called four -walling. where they would rent out

00:16:07.350 --> 00:16:10.070
entire movie theaters themselves and keep all

00:16:10.070 --> 00:16:12.389
the box office receipts. And remember those comic

00:16:12.389 --> 00:16:14.549
book rights he stubbornly held on to? This is

00:16:14.549 --> 00:16:17.389
where they come back into play. In the late 1970s,

00:16:17.389 --> 00:16:21.470
from roughly 1977 to 1982, Schick's son Classic

00:16:21.470 --> 00:16:24.210
Pictures starts churning out television films

00:16:24.210 --> 00:16:26.570
utilizing that Classroom Illustrated branding.

00:16:26.789 --> 00:16:28.690
They produce adaptations of The Time Machine,

00:16:29.070 --> 00:16:32.669
Donner Pass, The Road to Survival, and The Legend

00:16:32.669 --> 00:16:35.289
of Sleepy Hollow. He synergized a comic book

00:16:35.289 --> 00:16:38.389
IP he bought in the 60s with a Utah -based film

00:16:38.389 --> 00:16:41.230
production company he founded in the 70s, all

00:16:41.230 --> 00:16:43.830
funded by the remnants of his shaving and office

00:16:43.830 --> 00:16:46.110
supply well. This raises an important question

00:16:46.110 --> 00:16:48.429
for you to consider. How often do we actually

00:16:48.429 --> 00:16:50.789
separate the mundane products we buy from the

00:16:50.789 --> 00:16:53.409
broader culture we consume? We tend to view our

00:16:53.409 --> 00:16:56.990
purchases in a vacuum. But Frawley's life maps

00:16:56.990 --> 00:17:00.070
out a very direct... undeniable pipeline. The

00:17:00.070 --> 00:17:02.230
sheer volume of wealth generated from the most

00:17:02.230 --> 00:17:04.950
basic functional consumer goods like needing

00:17:04.950 --> 00:17:07.349
a pen to sign a check or wanting a clean shave

00:17:07.349 --> 00:17:09.470
before work can be directly funneled into shaping

00:17:09.470 --> 00:17:12.750
pop culture. It funds publishing houses, dictates

00:17:12.750 --> 00:17:15.690
the editorial slant of national newspapers, produces

00:17:15.690 --> 00:17:18.589
primetime television movies and drives major

00:17:18.589 --> 00:17:20.960
political narratives. It is an invisible web.

00:17:21.039 --> 00:17:23.799
The money you drop on a simple ink pen at the

00:17:23.799 --> 00:17:25.960
pharmacy might literally go on to fund a film

00:17:25.960 --> 00:17:29.079
about Sleepy Hollow or bankroll an ideological

00:17:29.079 --> 00:17:31.000
rally on the completely opposite side of the

00:17:31.000 --> 00:17:33.279
country. Which ultimately brings us to the final

00:17:33.279 --> 00:17:36.079
chapter of this incredibly dense life. As the

00:17:36.079 --> 00:17:39.460
decades progressed, he began to slowly dismantle

00:17:39.460 --> 00:17:43.109
the empire. In 1995, Frawley finally sells off

00:17:43.109 --> 00:17:45.130
his publishing ventures. Transferring the National

00:17:45.130 --> 00:17:47.549
Catholic Register and the renamed Catholic Twin

00:17:47.549 --> 00:17:50.329
Circle to the Legion of Christ. Three years later,

00:17:50.430 --> 00:17:53.890
he passes away on November 3, 1998, in Santa

00:17:53.890 --> 00:17:56.809
Monica, California, at the age of 75. He left

00:17:56.809 --> 00:17:59.589
behind a remarkably complex legacy, both in the

00:17:59.589 --> 00:18:01.730
public business sector and in his private life.

00:18:01.950 --> 00:18:04.650
He was survived by his sister Joan, his two sons,

00:18:04.730 --> 00:18:07.230
his five daughters, and 20 grandchildren. So

00:18:07.230 --> 00:18:09.609
what does this all mean? When we zoom out and

00:18:09.609 --> 00:18:12.250
look at the timeline from Nicaragua to San Francisco

00:18:12.250 --> 00:18:15.289
to Cuban factories to Utah film sets. How do

00:18:15.289 --> 00:18:18.269
we wrap our heads around a single life that is

00:18:18.269 --> 00:18:21.450
this relentlessly expansive? When you synthesize

00:18:21.450 --> 00:18:24.329
all of this material, the sheer scale of his

00:18:24.329 --> 00:18:27.130
reach is genuinely staggering. You are looking

00:18:27.130 --> 00:18:29.980
at a high school dropout. who managed to leave

00:18:29.980 --> 00:18:34.140
an indelible structural mark across wildly diverse

00:18:34.140 --> 00:18:37.420
sectors of modern life. He revolutionized the

00:18:37.420 --> 00:18:40.119
ergonomics of the modern office with the instant

00:18:40.119 --> 00:18:43.420
dry retractable pen. He was a dominant titan

00:18:43.420 --> 00:18:45.539
in men's grooming. He held the technological

00:18:45.539 --> 00:18:48.339
reigns of color cinema during Hollywood's golden

00:18:48.339 --> 00:18:50.759
transition. He acquired and managed educational

00:18:50.759 --> 00:18:53.000
comic books. He purchased his own rehab clinic

00:18:53.000 --> 00:18:55.259
because he believed in the cure. He produced

00:18:55.259 --> 00:18:57.279
independent films outside of the studio system.

00:18:57.420 --> 00:18:59.480
And he actively shaped the rhetoric of Cold War

00:18:59.480 --> 00:19:02.299
era politics and religious media. It stands as

00:19:02.299 --> 00:19:05.059
a testament to a very specific, aggressive era

00:19:05.059 --> 00:19:07.680
of 20th century capitalism. An era where one

00:19:07.680 --> 00:19:10.539
uniquely driven individual could pivot across

00:19:10.539 --> 00:19:14.039
completely unrelated industries and leave a lasting

00:19:14.039 --> 00:19:16.339
operational footprint in every single one of

00:19:16.339 --> 00:19:18.880
them. It is a legacy of sheer willpower and capital

00:19:18.880 --> 00:19:22.069
moving at lightning speed. And we want to leave

00:19:22.069 --> 00:19:24.509
you with a final thought to mull over as you

00:19:24.509 --> 00:19:26.349
go about the rest of your day. The next time

00:19:26.349 --> 00:19:28.930
you sit at your desk and grab a pen, take a second

00:19:28.930 --> 00:19:31.529
to give it a click. Will you look at that simple

00:19:31.529 --> 00:19:34.309
mechanism differently? Will you wonder about

00:19:34.309 --> 00:19:37.559
the invisible chain reaction of events? the international

00:19:37.559 --> 00:19:41.019
political movements, the sprawling media empires,

00:19:41.220 --> 00:19:45.119
the corporate proxy wars, and the deeply personal

00:19:45.119 --> 00:19:48.380
struggles that the profits from that simple everyday

00:19:48.380 --> 00:19:51.519
tool might have gone on to finance. It really

00:19:51.519 --> 00:19:53.859
makes you realize that every single object in

00:19:53.859 --> 00:19:56.380
your home has a history. And sometimes that history

00:19:56.380 --> 00:19:59.000
is infinitely more complex and far -reaching

00:19:59.000 --> 00:20:00.880
than you could ever imagine. Thank you so much

00:20:00.880 --> 00:20:03.190
for joining us for this deep dive. We hope you

00:20:03.190 --> 00:20:05.410
enjoyed exploring the incredible hidden history

00:20:05.410 --> 00:20:07.269
behind the things sitting right on your desk.

00:20:07.390 --> 00:20:08.970
Stay insanely curious.
