WEBVTT

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Welcome to the Deep Dive. We are so glad you

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decided to join us today because we are looking

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at a life that is almost too wild to believe.

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Oh, it really is. Today, we're exploring the

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incredible life, the enduring legacy, and just

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the truly multifaceted career of Roderick George

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Toomes. But, you know, you probably know him

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by the name he made famous across the globe.

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Rowdy Roddy Piper. Exactly. Rowdy Roddy Piper.

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And to really understand this cultural phenomenon,

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our source material today is a comprehensive

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biographical dossier. It details everything from

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his incredibly difficult journey as a runaway

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teenager to his eventual status as a global pop

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culture icon. Yeah, we're going to look closely

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at the forces that shaped him both inside and

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outside the ring. Our mission today is to unpack

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exactly how a kid from Canada came to be considered

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by many as the greatest heel, the greatest villain

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in professional wrestling history. Right and

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we're gonna look at how he completely revolutionized

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the art of the interview and how he left this

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permanent unmistakable footprint on Hollywood

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and pop culture. It's a story packed with sheer

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entertainment value but also real grit and a

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lot of sacrifice. It is. And beyond just the

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entertaining anecdotes, I really want to explore

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why his specific brand of villainy and his unique

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charisma resonated so deeply with audiences for

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decades. Because there is a psychology to what

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he did. A way he understood crowd dynamics that

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was... Well, it was genuinely masterful. Okay,

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let's unpack this. Yeah. Starting from the very

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beginning, because I was looking at the dossier,

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and right off the bat, I was completely thrown.

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Yeah, I know exactly what you're gonna say. The

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guy whose whole identity is bagpipes and kilts,

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who was famously billed from Glasgow, Scotland...

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Isn't actually from Scotland? Not even a little

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bit. Not even close. He was born in Saskatoon,

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Saskatchewan, Canada. Wow. Yeah, he was the son

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of a Scottish -Canadian mother and an Anglo -Canadian

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father, and his father was an officer in the

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Royal Canadian Mounted Police... The RCMP. So

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a strict law enforcement household. Extremely

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strict. And Toomes was naturally rebellious.

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So the friction there was inevitable. His upbringing

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was far from easy. And the rebellion started

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early. He's a tough kid. He was. He was actually

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expelled from junior high school for carrying

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a switchblade. Geez. Yeah. That event, along

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with the overall tension in the house, led to

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a severe falling out with his father. He ended

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up leaving home at a very young age. And Saskatchewan

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is not a forgiving place to be homeless as a

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teenager. I mean, the winters there are brutal.

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Oh, freezing. So bouncing between youth hostels,

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he had to build this incredible toughness. just

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to survive. Absolutely. Survival became his primary

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education. He started doing odd jobs at local

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gyms just to scrape by. You know, running errands

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for professional wrestlers who would come through

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the territory. Just trying to make a buck? Right.

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But he wasn't just watching them. He was actively

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training his own body. He became an amateur boxer.

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He even competed in the Golden Gloves. Which

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is one of the most prestigious amateur boxing

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tournaments you can enter. It really is. So he

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was a legitimate tough guy before he ever even

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put - on a pair of wrestling boots. The dossier

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mentions he was even awarded a black belt in

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judo from Gene LaBelle. Gene LaBelle is an absolute

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icon in the martial arts world. He's widely considered

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one of the toughest men who ever lived, so earning

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a black belt from him is no small feat. That's

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real credibility. It proves that behind all the

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theatricality and the eventual showmanship of

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his career, Toomes had legitimate real -world

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combat skills. When he finally started wrestling

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under promoter Al Tomko, he was ready. He definitely

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was. In fact, his very first match was up in

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Churchill, Manitoba, wrestling in front of a

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notoriously rough audience of lumberjacks. That

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sounds like a scene straight out of a movie.

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Yeah. But how do we get from a tough Canadian

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kid fighting lumberjacks to Roddy Piper. The

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story of how he got that name is completely accidental,

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isn't it? It really is. It happened when he was

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working for the American Wrestling Association,

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the AWA, around 1969 or maybe the early 70s.

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He was getting ready for a match against Larry

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Hennig, and he had some friends from a local

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pipe band who offered to play the bagpipes for

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his entrance. As you do. Right. So he's walking

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to the ring to the sound of bagpipes. And for

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some inexplicable reason, he is handing out dandelions

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to the crowd. handing out dandelions. Just such

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a bizarre, surreal image for a tough guy fighter.

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Completely strained. And the ring announcer's

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just standing there utterly confused. Exactly.

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The ring announcer had absolutely no idea what

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this kid's last name was. All he knew was his

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first name was Roddy. So seeing the pipe banned,

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the announcer just improvises on the spot and

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says over the microphone, ladies and gentlemen,

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here comes Roddy the Piper. And just like that,

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history is made. A throwaway line from an announcer

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completely rewrites his life. What's fascinating

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here is how organic and accidental wrestling

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personas used to be. Today, characters are heavily

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workshopped, you know, focus -grouped, and copyrighted

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by massive corporate creative teams. Oh, very

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corporate now. But back in the territory days,

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a mistake by an announcer could define your entire

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career. And what's incredible is how Toombs fully

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embraced it. He took this random, accidental

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Scottish identity, complete with the kilt in

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the bagpipes, and he committed to it with everything

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he had. By the late seventies, he had moved to

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the National Wrestling Alliance, the NWA, working

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the California territories. And this is where

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the dossier shows him really mastering the art

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of generating absolute nuclear heat. The bad

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guy heat. Right. He didn't just want the standard

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booze that a bad guy gets. He wanted pure visceral

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anger from the crowd. He was a master agitator

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and he understood cultural trigger points perfectly.

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When he was working in the Los Angeles area,

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he built up intense animal by continuously insulting

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the local Mexican community. Just brutal stuff

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on the microphone. Yes. He wound the audience

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up tighter and tighter over weeks of television.

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Then he set up this masterful piece of theater.

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He promised the crowd that he was going to make

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up for all his past insults by formally playing

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the Mexican national anthem on his bagpipes in

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the middle of the ring. You can imagine the tension

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in the arena. I mean, the crowd gives him a moment

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of silence. He raises the bagpipe. And he plays

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La Cucaracha. Wow. It caused a literal riot.

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in the arena. A real riot. Fans tried to storm

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the ring. That is the level of emotional manipulation

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he was capable of. He wasn't just breaking the

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rules of a wrestling match. He was poking at

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cultural pride and social nerves. He was making

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it deeply personal for the people in the seats.

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It was dangerous work. And playing the villain

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at that level comes with a massive physical toll.

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People genuinely wanted to see him get beaten

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to a pulp. And the matches reflected that brutality.

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They definitely did. I was reading about the

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1983 Starrcade event, the dog collar match against

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Greg Valentine. What exactly does a dog collar

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match entail? It is exactly as barbaric as it

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sounds. The two wrestlers are literally chained

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together at the neck by heavy leather dog collars

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and a thick steel chain. So there's no running

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away. There is no escaping your opponent. It's

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designed to be a bloody, grueling brawl. During

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this specific match, Valentine struck Piper in

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the side of the head with the chain so hard that

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it ruptured Piper's left eardrum. And that wasn't

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just a temporary injury for the sake of the storyline?

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No, the damage was permanent. He lost 50 to 75

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percent of his hearing in that ear for the rest

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of his life. He actually referred to that period

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of his career as the Year of the Ear. I want

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you to think about that for a second. The sheer

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commitment it takes to sacrifice your own physical

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well -being, your own hearing, just to entertain

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a crowd, just to push a story forward. It speaks

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to the blurring of the lines between the performance

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and the performer. The pain was real, the hearing

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loss was real, even if the narrative was predetermined.

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And it was that level of raw, undeniable authenticity

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that made him so compelling to watch. You couldn't

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look away because you felt the real danger he

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was putting himself in. Here's where it gets

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really interesting. Because in 1984, he makes

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the jump to the World Wrestling Federation under

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Vince McMahon. The big stage. The biggest. He

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brings all of that heat, all of that mic skill

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to a massive national platform. He didn't just

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wrestle. He completely revolutionized wrestling

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television with a segment called Piper's Pit.

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To appreciate the impact of Piper's Pit, you

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have to understand what wrestling television

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looked like before it. The standard format was

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essentially a wrestler standing in front of a

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blue screen or a generic locker room door with

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a broadcaster holding a microphone. Very basic.

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Very basic. And typically, only the champions

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got the television time to speak. Piper completely

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shattered that paradigm. He demanded his own

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set, right? He did. He got his own distinct set,

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and he made the interview segment itself a main

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event attraction. But the real genius of Piper's

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pit wasn't just the production value, it was

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the psychology. How so? Piper took the safest

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space in wrestling, the interview podium, and

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turned it into an unpredictable hostage situation.

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He was the host and the instigator, and the other

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wrestlers weren't his guests. They were his victims.

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He violated the audience's sense of television

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safety. And the things that happened on that

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set were pure shock value. The most legendary

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moment, the one that is burned into the brains

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of anyone who watched television in the 1980s,

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involved Jimmy Superfly Snuka. Oh, the coconut.

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Yeah. Piper was insulting Snuka's Polynesian

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heritage, bringing out pineapples and coconuts

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to mock him. And then, mid -sentence, Piper just

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grabs a real coconut and completely shatters

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it over Snuka's head. It was incredibly violent

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and completely shocking for television at the

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time. He was always looking for the absolute

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edge of what was acceptable and then taking a

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step past it. He really pushed the envelope.

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He did. And it is important to note objectively

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that a lot of his 80s heel work heavily utilized

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racially charged controversy to generate that

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anger from the crowd. Yeah, the dossier outlines

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that pretty clearly. We see another glaring example

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of this later at WrestleMania six, where he pushed

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the controversial boundaries of the era by wrestling.

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bad news brown with half of his face and body

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painted black. It was all part of the extreme

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button pushing lengths he would go to as a villain

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to generate pure shock. We're reporting this

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impartially of course, but it was undeniably

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a core part of his strategy to be hated. He wanted

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to be the most hated man on the planet and it

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made him the perfect essential foil for the ultimate

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good guy of the era, Hulk Hogan. Piper's ability

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to be so profoundly hated is what allowed the

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WWF to achieve mainstream crossover success in

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the 1980s. Absolutely. The rock and wrestling

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connection doesn't work without a villain you

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desperately want to see lose. Piper was the crucial

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antagonist for the MTV special The War to settle

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the score. And of course, he anchored the main

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event of the very first WrestleMania in 1985.

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WrestleMania. I was just a massive pop culture

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collision. You had Cyndi Lauper, Captain Lou

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Albano, Hulk Hogan and Mr. from the A -Team all

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mixing it up in a professional wrestling ring.

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It was spectacle. Huge. And Piper and Paul Orndorff

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wrestled Hogan and Mr. T. But the tension between

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Piper and Mr. T wasn't just part of the show,

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was it? No. That animosity was highly legitimate.

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Piper actively resented Mr. T. Oh, yes. Piper

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was a seasoned professional who had paid his

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dues in the territories, sleeping in cars and

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fighting for his life. And he felt an actor was

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coming in and disrespecting the business. More

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than that, Piper was frustrated because he felt

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he was being forced to cover up Mr. T's complete

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lack of actual wrestling ability in the ring

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just to protect the celebrity's image. And that

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real life tension just kept escalating until

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he finally had a boxing match at WrestleMania

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2. Right. And the boxing match devolved because

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Piper's real frustration boiled over. He essentially

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stopped working the match, bodily slammed Mr.

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T to the mat, and intentionally got himself disqualified.

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He just refused to play along anymore. But the

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irony is that while he was rejecting a Hollywood

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actor in his ring, Piper himself was about to

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make a massive leap into the acting world. Let's

00:12:10.250 --> 00:12:12.289
transition to his prolific Hollywood career because

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he wasn't just doing goofy cameos. He landed

00:12:14.909 --> 00:12:18.350
the lead role in John Carpenter's 1988 sci -fi

00:12:18.350 --> 00:12:21.200
cult classic, They Live. It's a brilliant piece

00:12:21.200 --> 00:12:24.019
of subversive filmmaking. They Live is a sharp

00:12:24.019 --> 00:12:27.600
critique of 1980s Reagan -era consumerism and

00:12:27.600 --> 00:12:30.340
yuppie culture. Piper played a character named

00:12:30.340 --> 00:12:33.080
John Nata, a homeless drifter looking for construction

00:12:33.080 --> 00:12:35.840
work in Los Angeles who discovers a pair of special

00:12:35.840 --> 00:12:38.259
sunglasses. The sunglasses that reveal the truth.

00:12:38.419 --> 00:12:40.639
Exactly. When he puts them on, he sees that the

00:12:40.639 --> 00:12:42.860
world is secretly controlled by skull -faced

00:12:42.860 --> 00:12:45.500
aliens who are suppressing humanity with subliminal

00:12:45.500 --> 00:12:48.730
messages hidden in billboards and money. It's

00:12:48.730 --> 00:12:50.990
such a great concept. And Piper was the perfect,

00:12:51.129 --> 00:12:54.409
rugged, everyman protagonist for it. He brings

00:12:54.409 --> 00:12:57.289
this exhausted, working -class grit to the role,

00:12:57.629 --> 00:12:59.950
and he gave us one of the most iconic, quoted

00:12:59.950 --> 00:13:02.509
lines in cinematic history. Oh, the bank scene.

00:13:02.690 --> 00:13:05.049
Yes. He walks into a bank, armed with a shotgun,

00:13:05.509 --> 00:13:08.169
completely deadpan, and delivers a line he completely

00:13:08.169 --> 00:13:10.750
improvised on set. I have come here to chew bubble

00:13:10.750 --> 00:13:12.889
gum and kick ass, but I'm all out of bubble gum.

00:13:13.129 --> 00:13:16.419
It is cinematic perfection. But beyond the catchphrase,

00:13:16.580 --> 00:13:19.259
the film is famous for an incredibly drawn out

00:13:19.259 --> 00:13:22.620
brutal alley fight scene between Piper and Keith

00:13:22.620 --> 00:13:25.820
David. The entire premise of the fight is just

00:13:25.820 --> 00:13:28.360
Piper desperately trying to force Keith David

00:13:28.360 --> 00:13:30.679
to put the sunglasses on so we can see the aliens.

00:13:30.860 --> 00:13:33.809
It goes on for almost six minutes. Yes, and that

00:13:33.809 --> 00:13:36.570
single scene took three weeks to rehearse. What

00:13:36.570 --> 00:13:38.669
makes it a masterpiece is that it isn't slick

00:13:38.669 --> 00:13:40.649
or heavily choreographed like a martial arts

00:13:40.649 --> 00:13:43.649
film. It looks like two exhausted, desperate

00:13:43.649 --> 00:13:45.970
men beating the absolute daylights out of each

00:13:45.970 --> 00:13:48.629
other in a dirty alleyway. And that specific

00:13:48.629 --> 00:13:51.690
fight scene became a massive piece of pop culture

00:13:51.690 --> 00:13:54.570
all on its own. It has been parodied shot for

00:13:54.570 --> 00:13:57.029
shot in the animated series South Park at Adventure

00:13:57.029 --> 00:13:59.490
Time. He was even recreated in the video game

00:13:59.490 --> 00:14:01.730
Saints Row the Fifth. And the amazing part is

00:14:01.730 --> 00:14:03.950
that Piper actually voiced himself in that game,

00:14:04.129 --> 00:14:06.889
recreating his own fight. He had this whole second

00:14:06.889 --> 00:14:10.149
life in media. He really did. Decades later,

00:14:10.149 --> 00:14:13.570
he took on a recurring role as Da Maniac on the

00:14:13.570 --> 00:14:16.809
hit comedy series. It's Always Sunny in Philadelphia.

00:14:17.529 --> 00:14:20.429
He played this deranged, washed up, independent

00:14:20.429 --> 00:14:23.509
wrestler who lives in his car. hoards chestnuts

00:14:23.509 --> 00:14:27.409
and sells questionable essential oils. It was

00:14:27.409 --> 00:14:29.809
a brilliant piece of self -parody that showed

00:14:29.809 --> 00:14:32.970
off his incredible comedic timing and his willingness

00:14:32.970 --> 00:14:35.309
to highlight the sometimes tragic absurdities

00:14:35.309 --> 00:14:38.299
of his own industry. If we connect this to the

00:14:38.299 --> 00:14:41.220
bigger picture, Piper was a true pioneer. In

00:14:41.220 --> 00:14:43.879
what way? He was one of the very first wrestlers

00:14:43.879 --> 00:14:46.259
to successfully bridge the gap between the squared

00:14:46.259 --> 00:14:48.659
circle and mainstream Hollywood credibility.

00:14:49.480 --> 00:14:51.879
Before Dwayne The Rock Johnson or John Cena or

00:14:51.879 --> 00:14:54.120
Dave Bautista were carrying major motion pictures,

00:14:54.440 --> 00:14:56.559
there was Roddy Piper proving that a professional

00:14:56.559 --> 00:14:59.440
wrestler could be a captivating, critically appreciated

00:14:59.440 --> 00:15:01.799
film lead. He paved the way for everyone who

00:15:01.799 --> 00:15:04.580
came after him. But the wrestling ring always

00:15:04.580 --> 00:15:07.299
seemed to call him back. He made several returns

00:15:07.299 --> 00:15:10.259
to WWE throughout the 90s and 2000s. And there

00:15:10.259 --> 00:15:12.080
is a story from his late career that just gives

00:15:12.080 --> 00:15:14.659
you chills. It's about how a fan vote literally

00:15:14.659 --> 00:15:17.179
saved his life. It's an unbelievable sequence

00:15:17.179 --> 00:15:21.299
of events. In 2006, the WWE held a pay -per -view

00:15:21.299 --> 00:15:24.399
event called Cyber Sunday. The gimmick of the

00:15:24.399 --> 00:15:27.000
show was that fans could vote online to determine

00:15:27.000 --> 00:15:30.509
the stipulations of the matches. The fans overwhelmingly

00:15:30.509 --> 00:15:33.389
voted for a 52 year old Roddy Piper to team up

00:15:33.389 --> 00:15:36.009
with Ric Flair to compete for the World Tag Team

00:15:36.009 --> 00:15:38.110
Championship. Which they actually won against

00:15:38.110 --> 00:15:40.009
a much younger team. They did win the belts.

00:15:40.549 --> 00:15:42.409
But the championship isn't the most important

00:15:42.409 --> 00:15:44.870
part of this story. Because Piper was selected

00:15:44.870 --> 00:15:47.330
by the fans to wrestle on that specific card,

00:15:47.809 --> 00:15:51.570
he was required to undergo WWE's strict pre -match

00:15:51.570 --> 00:15:53.850
medical examinations to ensure he was cleared

00:15:53.850 --> 00:15:57.220
to compete. During those routine exams, doctors

00:15:57.220 --> 00:16:00.000
discovered an abnormality. It turned out to be

00:16:00.000 --> 00:16:02.480
Hodgkin's lymphoma. Wow. If he doesn't get voted

00:16:02.480 --> 00:16:04.080
into that match, he didn't take the physical.

00:16:04.539 --> 00:16:07.929
Precisely. Piper later posted a very emotional

00:16:07.929 --> 00:16:11.090
message to his fans on his website, stating explicitly

00:16:11.090 --> 00:16:12.990
that if they had not voted for him, he never

00:16:12.990 --> 00:16:15.309
would have gone to the hospital. The cancer wouldn't

00:16:15.309 --> 00:16:17.370
have been diagnosed in time for him to undergo

00:16:17.370 --> 00:16:19.750
the radiation therapy that ultimately saved him.

00:16:20.309 --> 00:16:23.509
The fans, quite literally, saved his life by

00:16:23.509 --> 00:16:25.789
wanting to see him perform one more time. That

00:16:25.789 --> 00:16:28.590
is just an incredible twist of fate. But Piper

00:16:28.590 --> 00:16:31.629
was always very aware of his mortality. And unlike

00:16:31.629 --> 00:16:34.690
a lot of veterans from his era, he wasn't afraid

00:16:34.690 --> 00:16:37.029
to pull back the curtain and talk about the darker

00:16:37.029 --> 00:16:40.250
realities of his profession. The dossier highlights

00:16:40.250 --> 00:16:42.990
a highly controversial interview he did on HBO's

00:16:42.990 --> 00:16:46.169
Real Sports with Bryant Gumbel in 2003. That

00:16:46.169 --> 00:16:48.889
interview caused massive friction with WWE management

00:16:48.889 --> 00:16:51.850
at the time. Piper spoke incredibly candidly

00:16:51.850 --> 00:16:53.950
about the dark side of the industry. He discussed

00:16:53.950 --> 00:16:56.809
the grueling physical pain, the relentless schedule,

00:16:56.889 --> 00:16:59.509
and his own extensive drug use over the years

00:16:59.509 --> 00:17:01.929
just to cope and keep performing. He didn't hold

00:17:01.929 --> 00:17:04.809
back. No, he admitted that he actively disliked

00:17:04.809 --> 00:17:06.950
the person he became when he was deeply entrenched

00:17:06.950 --> 00:17:09.349
in the wrestling business. He made a really stark

00:17:09.349 --> 00:17:11.690
prediction during that interview, too. He did.

00:17:11.769 --> 00:17:14.269
He stated plainly that because of his poor health

00:17:14.269 --> 00:17:16.490
and the immense toll the industry took on his

00:17:16.490 --> 00:17:20.609
body, he would not make 65. And tragically, that

00:17:20.609 --> 00:17:23.529
prediction was accurate. Roderick George Toomes

00:17:23.529 --> 00:17:27.809
passed away in his sleep on July 31, 2015, at

00:17:27.809 --> 00:17:31.049
his home in Los Angeles. He was 61 years old.

00:17:31.150 --> 00:17:34.190
Far too young. The death certificate cited a

00:17:34.190 --> 00:17:36.789
cardiopulmonary arrest caused by hypertension

00:17:36.789 --> 00:17:40.109
with a pulmonary embolism as a contributing factor.

00:17:40.609 --> 00:17:42.829
It was a massive sudden loss for the entertainment

00:17:42.829 --> 00:17:45.869
world. But the evidence of his legacy was immediately

00:17:45.869 --> 00:17:49.000
visible across the combat sports landscape. Look

00:17:49.000 --> 00:17:51.339
at Ronda Rousey, one of the most famous and dominant

00:17:51.339 --> 00:17:53.599
mixed martial artists in the history of the sport.

00:17:54.160 --> 00:17:55.880
Before she ever transitioned to professional

00:17:55.880 --> 00:17:58.339
wrestling, her friends in the MMA world called

00:17:58.339 --> 00:18:01.380
her Rowdy. But she initially refused to use the

00:18:01.380 --> 00:18:03.519
nickname professionally in the UFC because she

00:18:03.519 --> 00:18:05.779
felt it would be disrespectful to Piper's legacy.

00:18:05.940 --> 00:18:07.579
Right, because in the minds of the fans, there

00:18:07.579 --> 00:18:10.480
is only one Rowdy. Exactly. But she was eventually

00:18:10.480 --> 00:18:13.000
introduced to Piper through Jean LaBelle, the

00:18:13.000 --> 00:18:15.319
very same martial arts legend who had given Piper

00:18:15.319 --> 00:18:18.039
his judo black belt decades earlier. Full circle.

00:18:18.259 --> 00:18:21.299
They met and Piper personally gave Rousey his

00:18:21.299 --> 00:18:23.720
blessing to carry on the rowdy nickname into

00:18:23.720 --> 00:18:27.230
the octagon. The day after Piper died, Rousey

00:18:27.230 --> 00:18:30.970
had a major title defense at UFC 190. She dedicated

00:18:30.970 --> 00:18:33.589
the real fight to him, won it in dominant fashion,

00:18:33.970 --> 00:18:36.410
and made sure to honor his memory first thing

00:18:36.410 --> 00:18:38.490
in her post -fight interview. That's amazing.

00:18:38.930 --> 00:18:41.470
It shows the cross -generational, cross -disciplinary

00:18:41.470 --> 00:18:44.490
respect he commanded. From fake fighting to real

00:18:44.490 --> 00:18:47.410
combat sports, his influence was undeniable.

00:18:48.009 --> 00:18:49.630
So what does this all mean? When you look at

00:18:49.630 --> 00:18:51.809
the runaway kid from Saskatchewan, the riots

00:18:51.809 --> 00:18:54.009
in Los Angeles, the broken ear, the pop culture

00:18:54.009 --> 00:18:57.430
impact of they live, the medical miracles and

00:18:57.430 --> 00:19:00.609
the tragedy. How do we summarize a life like

00:19:00.609 --> 00:19:03.619
this? I think it comes down to a man whose absolute

00:19:03.619 --> 00:19:06.220
unflinching dedication to his craft permanently

00:19:06.220 --> 00:19:08.420
blurred the lines between performance and reality.

00:19:09.160 --> 00:19:11.019
He didn't just play a character on television.

00:19:11.160 --> 00:19:13.400
He inhabited it so fully and with such physical

00:19:13.400 --> 00:19:15.759
and emotional sacrifice that Rowdy Roddy Piper

00:19:15.759 --> 00:19:18.319
became as real as Roderick Toomes. He showed

00:19:18.319 --> 00:19:20.059
that a villain could be the most captivating

00:19:20.059 --> 00:19:22.259
essential person in the room and in doing so

00:19:22.259 --> 00:19:24.140
he changed the grammar of sports entertainment

00:19:24.140 --> 00:19:27.059
forever. Well said. And this raises an important

00:19:27.059 --> 00:19:29.920
question for you to ponder. There's one final

00:19:29.920 --> 00:19:31.519
detail on our source material that we haven't

00:19:31.519 --> 00:19:33.619
touched on yet, and it comes from another wrestling

00:19:33.619 --> 00:19:37.539
legend, Bret Hart. Sometime after Piper had passed,

00:19:37.700 --> 00:19:40.299
Bret Hart suffered a severe stroke. It was a

00:19:40.299 --> 00:19:42.740
very dark, incredibly difficult time for him,

00:19:42.799 --> 00:19:45.460
filled with uncertainty. Hart noted that of all

00:19:45.460 --> 00:19:47.759
the people he worked with over the decades, all

00:19:47.759 --> 00:19:50.319
the people in the massive interconnected wrestling

00:19:50.319 --> 00:19:53.420
business, Roddy Piper was the only wrestler who

00:19:53.420 --> 00:19:55.259
took the time to come visit him in the hospital.

00:19:55.319 --> 00:19:57.519
The only one. I want you to leave with that thought

00:19:57.519 --> 00:20:01.160
today. Consider the profound irony of the man

00:20:01.160 --> 00:20:03.339
dubbed the greatest villain in wrestling history.

00:20:04.220 --> 00:20:07.000
How does a man who spent his entire life mastering

00:20:07.000 --> 00:20:09.579
the art of generating absolute visceral heat,

00:20:10.180 --> 00:20:12.640
a man whose job was to be hated by millions of

00:20:12.640 --> 00:20:15.059
people every single night, end up being the only

00:20:15.059 --> 00:20:17.319
one with the deep quiet compassion to show up

00:20:17.319 --> 00:20:19.779
for a friend in their darkest hour? That is a

00:20:19.779 --> 00:20:22.059
powerful dichotomy. come all over. It really

00:20:22.059 --> 00:20:24.880
makes you realize how deeply complex people behind

00:20:24.880 --> 00:20:27.619
these massive pop culture icons truly are. Thank

00:20:27.619 --> 00:20:29.400
you so much for joining us on this deep dive.

00:20:29.779 --> 00:20:31.859
We encourage you to keep exploring the fascinating,

00:20:32.220 --> 00:20:34.420
contradictory lives behind the figures you think

00:20:34.420 --> 00:20:36.380
you know. We will see you next time.
