WEBVTT

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Welcome, everyone. We're really glad to have

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you with us today. Yeah, absolutely. Thanks for

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joining us. So our mission for this deep dive

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is to explore the architecture of a rather unconventional

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corporate entity called Project Worldwide. And

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it is definitely unconventional. Right. I mean,

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if you follow the advertising and marketing industry,

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you know the standard playbook for a holding

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company. You immediately picture these massive

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conglomerates like WPP or Omnicom. Oh, for sure.

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You picture the massive high rises in London

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or on Madison Avenue. Exactly. Executives staring

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at quarterly earnings reports and just this relentless

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cycle of acquiring overlapping agencies just

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to hoard their client lists. Yeah, it's a very

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specific, ruthless model. But that is exactly

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why we're doing this today. We are looking at

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a massive global advertising entity that fundamentally

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bucks almost every traditional corporate structure

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in the agency world. And to top it off, they

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are based in Auburn. Auburn Hills, Michigan.

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Auburn Hills, Michigan. Okay, let's unpack this

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because I want to make sure we extract the real

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strategic insights from this company's history.

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Right. We want the aha moments here. Exactly.

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We aren't going to just read down a dry list

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of facts and dates for you. We want to understand

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how this organization was built, the mechanics

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behind their growth, and how they managed to

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stay adaptable in an industry that changes its

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mind every five minutes. It really is a phenomenal

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case study in contrarian business strategy. So

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to kick things off, let's look at the absolute

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core differentiator, the foundation that sets

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Project Worldwide apart from that traditional

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holding company model. What's fascinating here

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is the ownership structure. The most crucial

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piece of insight to understand about Project

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Worldwide is that it is 100 % owned by its employees.

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100%. Yes, they operate under an employee stock

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ownership plan. which is commonly known as an

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ESOP. And to really grasp the gravity of that,

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you have to look at the macroeconomic realities

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of the advertising industry. It's notoriously

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cutthroat. Exactly. It's a notoriously cutthroat,

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margin -obsessed business. You have these giant,

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publicly traded holding companies that are constantly

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under pressure from institutional investors to

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deliver aggressive quarterly profits. Right.

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And that pressure trickles down. It trickles

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right down to the individual agencies within

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the network. It often forces them to slash overhead,

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underpay their junior staff, and... prioritize

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safe, predictable campaigns over innovative long

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-term brand building. Let me play devil's advocate

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for a second, though. Sure. If they are 100 percent

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employee owned, how are they generating the sheer

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capital required to compete on a global scale?

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I mean, if you don't have a massive Wall Street

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war chest or institutional investors pumping

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cash into your holding company, doesn't that

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put you at a huge disadvantage? That is the exact

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question traditional executives ask. And it highlights

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the brilliance of a properly managed ESOP. How

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so? Well. In a traditional publicly traded company,

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a massive percentage of the generated cash flow

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goes right out the door in the form of dividends

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to anonymous outside shareholders. But in an

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ESOP, because the employees are the shareholders,

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the company can actively reinvest its profits

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back into strategic growth without having to

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answer some impatient activist investor. Oh,

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I see. Furthermore, the stock itself becomes

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a highly attractive. equity tool. When they acquire

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a new agency, the founders and employees of that

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acquired agency don't just get swallowed up by

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a faceless conglomerate. They're integrated into

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the ESOP. Exactly. They become literal co -owners

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of the parent company. It aligns everyone's incentives

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towards sustainable long term growth rather than

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just a quick quarterly stock bump. That fundamentally

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rewrites the psychological contract between the

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agency and the talent. It really does. Instead

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of just renting a desk and grinding out billable

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hours for a distant board of directors, you literally

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own a brick in the foundation. Yeah. And speaking

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of that foundation, the origin of this company

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is incredibly unexpected. Before Project Worldwide

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even existed as a holding company, there was

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a specialized firm called George P. Johnson or

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GPJ. Right. And this event and brand marketing

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firm traces its roots all the way back to 1914.

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1914. It really requires a moment to just contextualize

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that date for you. We are talking about a marketing

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firm that predates. Both world wars. It's staggering.

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It predates the widespread adoption of the modern

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radio broadcast, let alone the television commercial

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or the internet. It was founded in an era when

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marketing primarily meant physical signage and

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trade show exhibits in the booning automotive

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hub of Detroit. To survive over a century of

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unprecedented technological and cultural shifts

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in how humans communicate, I mean, it's just

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wild. It is. But George P. Johnson wasn't just

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coasting on their legacy, right? they were quietly

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expanding. By the late 2000s, they had already

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acquired and managed several distinct agencies.

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Yes, they were building a portfolio even then.

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They brought in a California -based agency called

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Juxt. They brought in an Australian firm called

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Spinifex Group and a German company called Romtechnik.

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Which brings us to a major inflection point in

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2010. The pivot. Exactly. Robert G. Valley Jr.,

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who was the chairman and CEO of George P. Johnson

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at the time, recognized that the existing corporate

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architecture was just no longer sufficient. Because

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you can't run all that through one firm. Right.

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You can't effectively run a growing multinational

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roster of distinct agencies out of a single event

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marketing firm's operational structure. So Valley

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Jr. and his executive team formed Project Worldwide.

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As the umbrella. Yes. This new entity was designed

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specifically to act as a holding company umbrella

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over George P. Johnson, Juxt, SpineFX Group,

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and Romtechnic. But the critical strategic decision

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here was maintaining the ESOP. They didn't cash

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out? No. Rather than spinning this new holding

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company off to the public markets to cash out,

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they ensured the new umbrella remained entirely

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employee -owned. That 2010 pivot is really the

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catalyst. Because once that holding company umbrella

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is deployed, they immediately initiate this aggressive

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acquisition phase. And this is where their strategy

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really diverges from the traditional conglomerate

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playbook. Let me walk you through these early

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grabs from 2011 to 2016 to show you what they

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were doing, because looking at the data, they

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aren't just buying up random revenue streams.

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In 2011, they acquired Partners and Napier, which

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is based in Rochester, New York. Then in 2012,

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they acquired a full service agency called Motive

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out of Denver, Colorado. Let's pause right there

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because the geography is incredibly telling.

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Rochester and Denver. They are actively avoiding

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the traditional advertising meat grinders of

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New York City and Los Angeles. That looks like

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a deliberate talent arbitrage strategy. In a

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high burnout industry, securing top tier agencies

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in secondary markets allows you to capture incredible

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talent that prioritizes quality of life. Oh,

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that makes total sense. And when you layer the

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employee ownership model on top of that, it becomes

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the ultimate retention tool. Precisely. They're

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building a network that isn't reliant on the

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transient talent pools of Madison Avenue. And

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they kept going. In 2013, they funded the launch

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of a brand new advertising agency in San Francisco

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called Argonaut. They built it from scratch?

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Yeah. And later that same year, they launched

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a dedicated shopper marketing firm called Shoptology.

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Fast forward to 2016, and they expand into public

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relations by acquiring a Brooklyn -based PR agency

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called Praytel. And then the digital space. Right.

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They followed that up with a New York City -based

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digital creative agency called Wondersauce. So

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when you look at that pattern, we're looking

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at a master class in vertical integration. They

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aren't executing redundant roll -ups. A traditional

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holding company will often buy three competing

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mid -sized advertising agencies just to absorb

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their client lists and lay off the redundant

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back office staff. But Project Worldwide is closing

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the loop on the consumer journey. Exactly. It's

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a highly calculated capabilities matrix. They

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bolt on shopper marketing with Shoptology to

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handle the retail environment. They add public

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relations with Praytel for earned media. They

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bring in Wondersauce to handle the digital and

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user experience side. So it's a curated portfolio.

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Designed to keep client revenue inside the network.

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If a massive global brand comes to George P.

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Johnson for a multi -million dollar experiential

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live event, GPJ doesn't have to watch that client

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hire an outside PR firm to promote the event

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or an outside digital agency to build the accompanying

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app. They can seamlessly refer that business

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to Pray Tell or Wondersauce. Yes. They built

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a full -service powerhouse where the sibling

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agencies actually have an inherent ownership

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-driven incentive to collaborate rather than

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compete against one another. But building a network

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is one thing, right? Unifying it is another.

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When you have agencies in Brooklyn, Denver, San

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Francisco, and Rochester, how do you actually

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build a cohesive corporate culture? It's a huge

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challenge. Especially when you are... touting

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an employee owned model. It has to be more than

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just a line item on an HR brochure. It does.

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And we see a clear example of how they operationalize

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that culture in March 2017 with the launch of

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Project Pledge. Oh, yeah. I saw this in the sources.

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Yeah. This was an internal initiative set up

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as a matching program for employee donations

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to charitable causes. Project Worldwide pledged

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to match up to $1 million a year to nonprofits

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selected by the employees. Which is a massive

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financial commitment. But what really strikes

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me is the autonomy it gives the workforce. Exactly.

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In a standard corporate environment. Philanthropic

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giving is usually directed by the C -suite for

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maximum PR value or, you know, tax optimization.

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It's very top down. But by empowering the employees

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to direct a million dollars of corporate capital

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toward the causes they personally care about,

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you're proving that the ESOP isn't just about

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financial equity. It's about cultural equity.

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It grounds the holding company's values in the

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actual people doing the work. It perfectly illustrates

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the ethos of an employee owned collective. And

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while they are solidifying this internal culture,

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they are simultaneously executing a major international

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push. Going global. Right. They already had a

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foothold with Spinafex and Romtechnic, but from

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2017 onward, they aggressively target the Asia

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-Pacific market. In October 2017, they acquired

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Dig &amp; Fish, a consumer engagement agency based

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in Melbourne, Australia. And then New Zealand.

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Yes. The following year, in December 2018, they

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moved into Auckland, New Zealand, acquiring an

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experiential agency called Dark Horse. They are

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ensuring their network can service a Fortune

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500 client anywhere on the globe with localized

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on -the -ground expertise. Okay, but let's look

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at the reality of rapid expansion here. Growth

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is almost never a perfectly straight line up

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into the right. When you acquire this many distinct

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agencies across the globe, you inevitably run

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into bloat or strategic redundancies. A common

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critique of employee -owned cooperatives in other

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industries is that they can be too soft. Yes,

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that they hesitate to make the ruthless business

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decisions required to stay competitive because

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everyone is an owner. Exactly. How does Project

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Worldwide handle that dynamic? That is a critical

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point, and the timeline provides a definitive

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answer. October 2019 is a key data point for

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you to consider. What happened then? Project

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Worldwide made the strategic decision to merge

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its Los Angeles -based agency, Pitch, into its

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Denver -based agency, Motive. And in executing

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that merger, they parted ways with Pitch's co

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-CEOs. Wow. This demonstrates that an ESOP structure

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is not a commune. It is a meritocracy. They actively

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monitor the health and efficiency of their portfolio.

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When it became clear that maintaining separate

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overlapping operations in L .A. and Denver was

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inefficient, they consolidated. They streamlined

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the operation and weren't afraid to make high

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-level personnel cuts to protect the broader

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organization. Exactly. It proves they have the

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operational teeth required to survive in a hyper

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-competitive industry. The mandate of the ESOP

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is to protect the long -term viability of the

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whole collective. And sometimes that requires

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stripping away inefficiencies, even at the executive

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level. That adaptability is the only way a company

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survives for over a century. And you see that

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adaptability kick into overdrive when we look

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at their strategy from 2021 into the present

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day. The modern era. Yeah. The advertising landscape

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has fundamentally fractured over the last five

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years. You have the total dominance of the attention

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economy, the rise of Gen Z consumer habits, the

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massive scale of the gaming industry, Web3. A

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legacy holding company could easily get caught

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flat -footed there. But Project Worldwide actively

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chased the disruption. If you look at their recent

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acquisitions, they're aggressively modernizing

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their capabilities to capture where consumer

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attention is actually going. Give us an example.

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Well, in March 2021, they acquired OS Studios.

00:12:50.549 --> 00:12:53.529
This is a highly specialized gaming and Gen Z

00:12:53.529 --> 00:12:56.370
culture agency. The impact of that was immediate.

00:12:56.590 --> 00:12:59.409
It allowed legacy clients like Pepsi to execute

00:12:59.409 --> 00:13:01.649
highly authentic campaigns within the booming

00:13:01.649 --> 00:13:03.909
gaming sector. Reaching a demographic that is

00:13:03.909 --> 00:13:06.389
virtually immune to traditional television advertising.

00:13:06.789 --> 00:13:09.629
Exactly. And they followed that right up in September

00:13:09.629 --> 00:13:13.049
2021. They utilized their foundational agency,

00:13:13.330 --> 00:13:15.730
George P. Johnson, to take a significant stake

00:13:15.730 --> 00:13:18.679
in NoBo. The Creative Video Agency. Yes, that

00:13:18.679 --> 00:13:20.639
directly addresses the reality that high -end

00:13:20.639 --> 00:13:22.960
video production is the undisputed king of modern

00:13:22.960 --> 00:13:24.679
digital marketing. But they didn't stop there.

00:13:24.919 --> 00:13:27.960
No, in December 2023, they made a strategic investment

00:13:27.960 --> 00:13:30.679
in Talisman. Right, the Dubai agency. Yeah, a

00:13:30.679 --> 00:13:32.919
full -service sports marketing agency based in

00:13:32.919 --> 00:13:35.539
Dubai that explicitly features Web3 and entertainment

00:13:35.539 --> 00:13:38.059
capabilities. Yeah. And most recently, in September

00:13:38.059 --> 00:13:41.080
2024, they expanded their global creative reach

00:13:41.080 --> 00:13:43.840
by acquiring a Paris -based integrated creative

00:13:43.840 --> 00:13:47.500
agency named MNSTR. It is genuinely remarkable.

00:13:47.860 --> 00:13:50.440
You have a corporate lineage that started with

00:13:50.440 --> 00:13:54.059
physical trade show booths in 1914 Detroit, and

00:13:54.059 --> 00:13:56.500
now they are executing Web3 sports marketing

00:13:56.500 --> 00:13:59.399
activations out of Dubai and gaming campaigns

00:13:59.399 --> 00:14:02.580
for Pepsi. It completely rounds out their strategic

00:14:02.580 --> 00:14:04.759
portfolio. And just to give you the full scope

00:14:04.759 --> 00:14:07.799
of this empire today, they own and operate 14

00:14:07.799 --> 00:14:10.500
distinct agencies. It's quite the roster. It

00:14:10.500 --> 00:14:12.740
is. The current roster consists of Argonaut,

00:14:12.860 --> 00:14:15.980
Dark Horse, George P. Johnson, MNSTR, Motive,

00:14:16.039 --> 00:14:19.419
Nomabo, OS Studios, Partners, and Napier, Praytel,

00:14:19.720 --> 00:14:22.799
Romtechnic, SpineFX Group, Talisman, Wondersauce,

00:14:22.899 --> 00:14:25.600
and a highly specialized firm called G7 Entertainment

00:14:25.600 --> 00:14:28.559
Marketing. 14 specialized, geographically diverse,

00:14:28.799 --> 00:14:30.830
culturally diverse, distinct agencies functioning

00:14:30.830 --> 00:14:33.769
as a single, horizontally integrated unit. And

00:14:33.769 --> 00:14:35.509
the industry has taken notice of this operational

00:14:35.509 --> 00:14:38.889
efficiency. The Ad Age list. Yes. Project Worldwide

00:14:38.889 --> 00:14:41.870
secured a spot on Ad Age's 2024 list of the world's

00:14:41.870 --> 00:14:44.669
top agency holding companies. That is the definitive

00:14:44.669 --> 00:14:47.490
benchmark for success in this space. They proved

00:14:47.490 --> 00:14:49.529
that you can achieve elite scale without sacrificing

00:14:49.529 --> 00:14:51.990
the employee -owned ethos. Which brings us to

00:14:51.990 --> 00:14:55.840
the present moment, sitting here in 2026. Maintaining

00:14:55.840 --> 00:14:57.860
that ethos is going to be tested because the

00:14:57.860 --> 00:15:00.460
architect of this entire modern structure recently

00:15:00.460 --> 00:15:03.799
stepped down. That's right. In May 2025, Chris

00:15:03.799 --> 00:15:07.419
Meyer took over as CEO and board member, succeeding

00:15:07.419 --> 00:15:10.480
Robert G. Valley Jr. That's a huge shift. This

00:15:10.480 --> 00:15:12.960
is a monumental transition for the company. Valley

00:15:12.960 --> 00:15:15.419
Jr. was the visionary who engineered the 2010

00:15:15.419 --> 00:15:18.720
holding company Pivot. He successfully transitioned

00:15:18.720 --> 00:15:22.120
a legacy event marketing firm into a global ESOP

00:15:22.120 --> 00:15:25.090
conglomerate. guided them through 15 years of

00:15:25.090 --> 00:15:27.590
aggressive acquisitions, and modernized their

00:15:27.590 --> 00:15:30.090
capabilities. And now Meyer has to take the baton.

00:15:30.250 --> 00:15:32.590
Handing the reins to Chris Meyer represents a

00:15:32.590 --> 00:15:35.269
critical new chapter. It is the ultimate test

00:15:35.269 --> 00:15:37.490
of the corporate architecture Valley Jr. built.

00:15:37.929 --> 00:15:40.029
Meyer will have to provide continuity for the

00:15:40.029 --> 00:15:42.809
14 agencies while navigating whatever the next

00:15:42.809 --> 00:15:44.629
major disruption in the advertising industry

00:15:44.629 --> 00:15:48.029
will be. So what does this all mean? If we step

00:15:48.029 --> 00:15:50.610
back and survey the entire timeline we've dissected

00:15:50.610 --> 00:15:53.009
today, you are looking at one of the most resilient

00:15:53.009 --> 00:15:55.210
organizational structures in modern business.

00:15:55.389 --> 00:15:57.700
Without a doubt. They evolved from a regional

00:15:57.700 --> 00:16:01.580
1914 events company into a global powerhouse

00:16:01.580 --> 00:16:05.399
spanning from Paris to New Zealand. They meticulously

00:16:05.399 --> 00:16:08.500
acquired specialized capabilities from shopper

00:16:08.500 --> 00:16:11.879
marketing to Web3 rather than just hoarding redundant

00:16:11.879 --> 00:16:14.159
client lists. They did it on their own terms.

00:16:14.220 --> 00:16:17.279
Yes. They executed this massive growth strategy

00:16:17.279 --> 00:16:21.519
while remaining 100 percent employee owned. completely

00:16:21.519 --> 00:16:23.759
sidestepping the quarter -by -quarter panic that

00:16:23.759 --> 00:16:25.519
dictates the actions of their publicly traded

00:16:25.519 --> 00:16:28.340
rivals. The ultimate takeaway here is that Project

00:16:28.340 --> 00:16:31.240
Worldwide serves as a masterclass in strategic

00:16:31.240 --> 00:16:33.139
growth and alternative corporate governance.

00:16:33.639 --> 00:16:36.220
It fundamentally challenges the assumption that

00:16:36.220 --> 00:16:38.879
hypergrowth requires a Wall Street backer. It

00:16:38.879 --> 00:16:40.879
really does. They proved that if you align the

00:16:40.879 --> 00:16:42.919
financial incentives of the individual agencies

00:16:42.919 --> 00:16:45.440
with the long -term health of the parent company

00:16:45.440 --> 00:16:47.940
through an ESOP, you can compete with the largest

00:16:47.940 --> 00:16:50.860
conglomerates on Earth. You can make tough consolidation

00:16:50.860 --> 00:16:53.620
decisions. You can pivot into emerging technologies.

00:16:53.679 --> 00:16:56.220
And you can achieve top -tier industry recognition,

00:16:56.539 --> 00:16:59.120
all while ensuring the wealth generated by the

00:16:59.120 --> 00:17:01.240
work flows back to the people actually executing

00:17:01.240 --> 00:17:04.200
the campaigns. It makes you rethink the entire

00:17:04.200 --> 00:17:07.039
power dynamic of the agency world. It absolutely

00:17:07.039 --> 00:17:09.859
does. And that raises a profound question that

00:17:09.859 --> 00:17:12.059
I want to leave you with today. We have spent

00:17:12.059 --> 00:17:14.480
this time analyzing the mechanics, the strategic

00:17:14.480 --> 00:17:16.839
acquisitions, and the financial architecture

00:17:16.839 --> 00:17:20.559
of this employee -owned model. But shift your

00:17:20.559 --> 00:17:23.319
focus to the actual output. The creative work

00:17:23.319 --> 00:17:26.119
itself. Exactly. Does an employee -owned structure

00:17:26.119 --> 00:17:29.500
fundamentally change the creative DNA of an advertising

00:17:29.500 --> 00:17:33.019
campaign? If the pressure isn't coming from anonymous

00:17:33.019 --> 00:17:35.460
outside shareholders demanding immediate safe

00:17:35.460 --> 00:17:38.500
returns, but rather from your peers who own the

00:17:38.500 --> 00:17:40.960
company alongside you, does giving the creative

00:17:40.960 --> 00:17:43.759
talent the literal keys to the castle result

00:17:43.759 --> 00:17:46.440
in more innovative, risk -taking work? That's

00:17:46.440 --> 00:17:48.400
fascinating. Does the absence of Wall Street

00:17:48.400 --> 00:17:51.380
oversight liberate an agency to build better

00:17:51.380 --> 00:17:53.880
brands? I think that is the perfect lens to look

00:17:53.880 --> 00:17:56.599
through. The next time you see a massive, culturally

00:17:56.599 --> 00:17:59.380
defining brand campaign drop, I want you to ask

00:17:59.380 --> 00:18:02.049
yourself. Was this crafted by a team paralyzed

00:18:02.049 --> 00:18:04.329
by their parent company's fluctuating stock price,

00:18:04.490 --> 00:18:06.690
or was it built by a team of owners who had the

00:18:06.690 --> 00:18:09.069
autonomy to swing for the fences? It completely

00:18:09.069 --> 00:18:11.750
changes how you evaluate the media you consume.

00:18:11.970 --> 00:18:14.630
It really does. Thank you so much for joining

00:18:14.630 --> 00:18:16.569
us on this deep dive today. We hope you pulled

00:18:16.569 --> 00:18:19.009
some actionable insights out of this organizational

00:18:19.009 --> 00:18:21.670
masterclass, and we look forward to exploring

00:18:21.670 --> 00:18:24.230
another fascinating blueprint with you next time.
