WEBVTT

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I want you to take a second and just think about

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the most audacious lie you've ever told. Oh,

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we're starting right out of the gate with the

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hard questions. We are. Seriously, think about

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it. Maybe it was when you were younger, you know,

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trying to talk your way out of being grounded.

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Or perhaps, and let's be honest with ourselves

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here, it involved a bit of creative liberty on

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a resume. Right. The classic resume padding.

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Exactly. Stretching a weekend seminar into some

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certificate of advanced proficiency. Or, you

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know, claiming conversational fluency in a language

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just because you successfully ordered a coffee

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abroad once. We've all been there. We really

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have. We've all felt that temptation to pad the

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credentials just a fraction to get a foot in

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the door. But whatever fabrication you are picturing

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in your head right now, I promise you, it pales

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in comparison to the subject of our discussion

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today. It absolutely does. We are looking at

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didn't pad his resume to secure like a middle

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management position. He padded his resume to

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claim he was the absolute monarch of an entire

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European nation. It genuinely remains one of

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the most spectacular acts of historical fabrication

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on record. I mean, we are talking about a complete

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reinvention of a self executed on a geopolitical

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scale during one of the most. volatile periods

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in modern European history. Yeah. Today, our

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deep dive into the source material brings us

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face to face with the astonishing tale of Otto

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Witt. Now, according to a rather comprehensive

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Wikipedia article we're using as our foundation

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today, Otto Witt was a German circus acrobat

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who claimed that for five glorious days in the

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summer of 1913, he literally ruled the newly

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independent nation of Albania. A circus acrobat.

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A literal acrobat. And our mission for this deep

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dive is to completely dissect this wild narrative.

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We're going to separate the historical facts

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from the circus fantasy, delve into the psychological

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framework of pathological lying, and explore

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why society, maybe even you listening right now,

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is so captivated by a charming imposter. Okay,

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let's unpack this. Because to really understand

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the mechanics of this story, you have to mentally

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construct the setting. Just picture an intersection

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that is equal parts sawdust covered circus tent

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and grand velvet draped European royal palace.

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That is quite the visual. Right. But that collision

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of low brow entertainment and high stakes international

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diplomacy is exactly where Otto Witt's narrative

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thrives. We're examining a scenario with profound

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psychological layers taking place in a very specific,

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highly unstable era of the early 20th century.

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Yeah, the geopolitical context of 1913 is totally

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crucial here. The Balkans were effectively a

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powder keg. The Ottoman Empire, which had controlled

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the region for centuries, was rapidly collapsing.

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The First Balkan War had just concluded, and

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Albania had hastily declared independence just

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to avoid being carved up by neighboring states

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like Serbia, Montenegro, and Greece. And the

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great powers of Europe were heavily involved

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in trying to establish some sort of stable government

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there. Right. So in the midst of all this power

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vacuum, Witt claimed that local Albanian Muslims

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decided they desperately needed a strong, unifying

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ruler. According to his account, they sent an

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invitation to a man named Halim Eddin, who was

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purportedly a nephew of the Ottoman sultan, asking

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him to come to Albania and be crowned king. Which

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I have to say is a remarkably astute framing

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for a lie. How so? Well. Newly independent nations

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in that era frequently sought out minor royals

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from established empires to lend legitimacy to

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their fragile governments. So Witt was leveraging

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a very real diplomatic mechanism to set the stage

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for his grift. He knew what he was doing. And

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this is where our cast of characters makes their

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entrance. We have Otto Witt, born October 16,

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1872, whose primary trade is acrobatics and illusion.

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And his partner in crime. Yes. His partner in

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this grand geopolitical heist is a man named

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Max Schlepsig. And Schlepsig is a literal sword

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swallower by trade. It just introduces this element

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of the absurd that somehow makes the story more

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enduring. You have a tumbling acrobat and a sword

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swallower inserting themselves into the complex

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web of Balkan statecraft. Sounds like a movie

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pitch. But according to Witt, he noticed a striking

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physical resemblance between himself and this

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royal nephew, Halim Eddin. Very. So capitalizing

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on this, he and Schlepsig traveled to the Albanian

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coastal city of Durres. Witt asserted that his

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disguise was so flawless and his performance

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of royal entitlement so convincing that he was

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officially crowned king of Albania by the local

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troops on August 13th, 1913. And he did not claim

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to have been a passive monarch either. Oh, no,

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no, no. The details of his supposed reign are

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where the narrative leans heavily into pure theatricality.

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He constructed a fantasy of unchecked opulent

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power. He certainly didn't hold back. Wynne claimed

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that for those five days, he enjoyed the exclusive

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company of a royal harem. Of course he did. Furthermore,

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perhaps feeling the rush of absolute authority,

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he alleged that he declared war on the neighboring

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country of Montenegro. Declaring war on Montenegro

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in the immediate aftermath of the Balkan Wars,

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it's just a hilariously reckless detail. It highlights

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the sheer bravado of the story. And every dramatic

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heist requires a thrilling getaway. Oh, and Wit's

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account delivers on that front as well. On day

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five, the ruse is supposedly discovered. But

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rather than facing execution or imprisonment,

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Wit and the sword swallower manage a daring escape

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from the palace. And their accomplices in this

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escape. The very harem he had commandeered. Naturally.

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They allegedly slip out of the country, but not

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before looting a substantial portion of the Albanian

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kingdom's treasury to fund their retirement.

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What's fascinating here is how perfectly this

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account mirrors the pulp adventure novels of

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the Victorian and Adordian eras. When you analyze

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the structure of his claim, the mistaken identity,

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the exotic foreign location, the sudden elevation

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of a commoner to royalty, the harem. the daring

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escape with the stolen treasure, it operates

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as a paint -by -numbers replica of the escapist

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fiction that was wildly popular at the time.

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He hit every single beat. He utilized every single

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trope. And that reliance on established fictional

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structures lays the crucial groundwork for the

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skepticism we must apply to his historical claims.

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Because here's where it gets really interesting.

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As entertaining as it is to visualize a sword

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swallower and an acrobat outrunning a Balkan

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army with bags of gold, the source text systematically

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dismantles the mythology. Completely dismantles

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it. When historians scrutinize Witt's narrative,

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the foundational pillars of the story collapse

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almost immediately. First and foremost, the catalyst

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for the entire adventure. The sultan's nephew,

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Halim Adain, did not exist. Wait, he just he

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made up the guy he was supposedly impersonating.

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The man he claimed to be impersonating was a

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complete phantom. Well, that presents a rather

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significant hurdle for the authenticity of the

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memoir. It is the fatal flaw. Now, there was

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a real historical figure named Burhan Adain,

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who was the son of Sultan Abdul Hamid II. He

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was indeed considered for the Albanian throne.

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But that diplomatic maneuver did not occur until

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1914, a full year after Witt's supposed reign.

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Furthermore, Burhanuddin never actually traveled

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to Albania to accept the position. And the timeline

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discrepancies are really where the facade truly

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crumbles. Witt initially toured with this story,

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claiming the entire escapade happened in February

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of 1913. Right. But he clearly failed to consult

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a history book before locking in that date. In

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February 1913, the coastal city of Durres, where

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he claimed to be crowned, was under heavy occupation

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by the Serbian military. Exactly. It would have

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been physically and politically impossible for

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local Muslim troops to organize a coronation

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for a new monarch under those conditions. So,

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confronted with that historical impossibility,

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Witt's response was incredibly telling. He didn't

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retract the story. No, he simply revised the

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timeline. He shifted the date of his glorious

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reign to August 1913 just to sidestep the Serbian

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occupation. Just a quick edit to the history

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books. And beyond the shifting dates, the lack

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of local corroboration is deafening. There is

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absolutely zero evidence in Albanian historical

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records to support any facet of this event. Nothing.

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No documentation of an August 13th coronation.

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No diplomatic notes regarding a five -day king.

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No financial records indicating a looted treasury.

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And certainly no military archives noting a brief

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phantom war with Montenegro initiated by a German

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acrobat. Exactly. The total fabrication of the

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event really brings us to the psychological underpinnings

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of Otto Witt. It takes a very specific type of

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cognitive framework to construct a lie of this

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magnitude and maintain it under... Heavy scrutiny.

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Psychology categorizes this behavior under the

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term pseudologia fantastica. Pseudologia fantastica.

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Also commonly known as pathological lying or

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mythomania. And it's important to distinguish

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this from the kind of lying we mentioned at the

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beginning of the deep dive. This isn't a defensive

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lie to avoid a parking ticket, nor is it standard

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con artistry where the primary goal is financial

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gain. No, pseudologia fantastica involves creating

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complex, grandiose, often easily verifiable falsehoods.

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And the individual frequently integrates these

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lies into their core identity. The lie becomes

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a reality. Precisely. The primary motive isn't

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always external reward. It's often internal ego

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gratification. And to demonstrate that Witt's

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Albanian adventure was a manifestation of this

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pathology rather than just a singular practical

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joke, we have to look at his activities later

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in life. His political career. Yes. In 1925,

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Witt claimed that he founded a political party

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and formally ran for the presidency of Weimar

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Germany. And a 1925 German presidential election

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was a massive pivotal moment in history. It was

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the first direct election to the presidency of

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the Reich. By inserting himself into that specific

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event, Witt is attempting to place himself at

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the absolute nexus of 20th century German politics.

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And he didn't just claim he was on the ballot.

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He built a statistical fantasy world. He asserted

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that he received anywhere from 25 ,000 to 230

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,000 votes in the first round of the election.

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And the crowning detail of that specific fabrication

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was his claim that he made the noble, selfless

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decision to resign from the race, thereby throwing

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his immense political weight behind Paul von

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Hindenburg, who ultimately won. He made himself

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the kingmaker. But official German voting records

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from 1925 paint a different picture entirely.

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Witt's name appears nowhere. He wasn't a registered

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candidate, he received zero votes, and he certainly

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didn't act as a kingmaker for Hindenburg. I mean,

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imagine the sheer confidence required to double

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down on a lie that massive. It shifts him from

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a charismatic prankster to someone with a profound,

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almost desperate psychological need for grandiosity.

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He needed to be a pivotal figure in world events,

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whether it was in the Balkans or in Berlin. But

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if we return to the Albanian claim, we really

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have to ask how he arrived at that specific scenario.

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The intersection of his fantasy and actual historical

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events is quite revealing. Yeah. So what does

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this all mean? Where did an acrobat in Germany

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get the specific inspiration to claim the throne

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of a newly independent Balkan state? The inspiration

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likely stems from a real world political event.

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The great powers of Europe, in their attempt

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to stabilize Albania, did actually place a German

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prince on the throne. They did. His name was

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Prince William of Weed. He was selected late

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in 1913 and actually reigned for a brief, tumultuous

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six months in 1914 before the outbreak of World

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War I forced him to flee. The historical reality

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of a German prince named William of Weed and

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our circus acrobat named Otto Witt. The phonetic

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similarity between weed and wheat is impossible

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to ignore. It was almost certainly the spark

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that ignited Witt's imagination. He observed

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a German aristocrat with a name remarkably similar

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to his own being associated with the Albanian

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throne. And he basically utilized that coincidence

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to write himself into the historical narrative.

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But he didn't rely solely on the news of the

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day. Witt also mapped his lie onto existing cultural

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frameworks because the public in the early 20th

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century was primed for exactly this kind of narrative.

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They were completely immersed. in it, the story

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perfectly mirrors the cultural zeitgeist of the

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era. Consider the massive literary phenomena

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of the time. In 1894, Anthony Hope published

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a best -selling adventure novel titled The Prisoner

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of Zenda. A classic. Right. And the central premise

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of that book involves an ordinary man who happens

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to share a striking physical resemblance to a

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king, is mistaken for that monarch, and assumes

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his place on the throne to thwart a political

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conspiracy. And the very first film adaptation

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of The Prisoner of Zenda was released released

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in theaters in 1913. The exact same year Witt

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claimed his Albanian adventure took place. The

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timing is highly indicative of his influences.

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Furthermore, there is Rudyard Kipling's famous

00:12:53.000 --> 00:12:56.679
1888 novella, The Man Who Would Be King, which

00:12:56.679 --> 00:13:00.019
details the exploits of two ambitious rogue adventurers

00:13:00.019 --> 00:13:03.299
who travel to a remote, exoning land and successfully

00:13:03.299 --> 00:13:05.720
trick the local population into counting them

00:13:05.720 --> 00:13:08.600
as royalty. So Witt wasn't inventing a new genre

00:13:08.600 --> 00:13:10.480
of storytelling. Not at all. He was effectively

00:13:10.480 --> 00:13:12.779
casting himself as the lead actor in the most

00:13:12.779 --> 00:13:15.500
popular literary genre of his generation. Which

00:13:15.500 --> 00:13:17.840
makes the aftermath of this entire saga the most

00:13:17.840 --> 00:13:20.899
astonishing aspect of the deep dive. Logic dictates

00:13:20.899 --> 00:13:23.059
that once a man is exposed as a complete fraud,

00:13:23.360 --> 00:13:25.539
especially one claiming to have absconded with

00:13:25.539 --> 00:13:27.700
a sovereign nation's treasury, he would face

00:13:27.700 --> 00:13:30.299
severe legal repercussions or, at the very least,

00:13:30.320 --> 00:13:32.720
public shunning. You would think so. Instead,

00:13:33.019 --> 00:13:35.360
society's reaction was entirely the opposite.

00:13:36.299 --> 00:13:39.080
Otto Witt became incredibly famous in Germany.

00:13:39.500 --> 00:13:42.039
He really transitioned into a beloved public

00:13:42.039 --> 00:13:44.399
figure, making frequent appearances and leaning

00:13:44.399 --> 00:13:46.799
heavily into the persona of the exiled monarch.

00:13:47.080 --> 00:13:49.240
The capitulation of the authorities is what truly

00:13:49.240 --> 00:13:52.480
stands out to me. The Berlin police actually

00:13:52.480 --> 00:13:55.879
allowed his official identity card to bear an

00:13:55.879 --> 00:13:58.840
artistic pseudonym. They officially permitted

00:13:58.840 --> 00:14:04.000
the words, which translates to former king of

00:14:04.000 --> 00:14:06.379
Albania, to be printed right on his government

00:14:06.379 --> 00:14:09.159
-issued identification. It suggests a post -World

00:14:09.159 --> 00:14:12.360
War I society that was perhaps deeply weary of

00:14:12.360 --> 00:14:15.039
grim realities and just eager for a bit of harmless,

00:14:15.120 --> 00:14:18.039
entertaining absurdity. He demanded to be greeted

00:14:18.039 --> 00:14:19.860
by that title for the remainder of his life.

00:14:20.019 --> 00:14:22.500
If you encountered him in Berlin, social protocol

00:14:22.500 --> 00:14:24.779
dictated that you address him as your majesty.

00:14:25.059 --> 00:14:27.700
And the public happily obliged. They loved it.

00:14:27.759 --> 00:14:29.960
And the local police and the German public weren't

00:14:29.960 --> 00:14:32.179
the only ones charmed by this elaborate fiction.

00:14:32.639 --> 00:14:35.340
Even prestigious international media outlets

00:14:35.340 --> 00:14:38.980
suspended their critical faculties. Time magazine,

00:14:39.299 --> 00:14:42.159
a massive publication of record, published an

00:14:42.159 --> 00:14:45.960
article in August of 1958 titled The Man Who

00:14:45.960 --> 00:14:48.840
Was King. They largely treated his fantastical

00:14:48.840 --> 00:14:51.700
tale as historical fact, allowing the romance

00:14:51.700 --> 00:14:54.480
of the narrative to override rigorous fact checking.

00:14:54.659 --> 00:14:57.159
And the legacy of that lie has only solidified

00:14:57.159 --> 00:14:59.559
over time, cementing itself in modern literature.

00:14:59.740 --> 00:15:02.399
It inspired numerous adaptations. Harry Turtledove

00:15:02.399 --> 00:15:05.120
authored a high fantasy novel in 2005 called

00:15:05.120 --> 00:15:08.080
Every Inch King, based directly on Witt's story.

00:15:08.429 --> 00:15:11.490
In 2012, Andrew McCall published a novel titled

00:15:11.490 --> 00:15:13.509
If You're Reading This, I'm Already Dead, another

00:15:13.509 --> 00:15:16.370
direct adaptation of the Witt saga. The lie proved

00:15:16.370 --> 00:15:19.070
so resilient and entertaining that it mutated

00:15:19.070 --> 00:15:21.110
into a permanent piece of cultural folklore.

00:15:21.350 --> 00:15:23.669
If we connect this to the bigger picture, Witt

00:15:23.669 --> 00:15:26.049
is not an isolated phenomenon in German history.

00:15:26.250 --> 00:15:28.909
He shares a striking conceptual resemblance to

00:15:28.909 --> 00:15:31.009
another famous German imposter from that era,

00:15:31.269 --> 00:15:33.909
Wilhelm Voigt. Ah, the captain of Köpenick. Yes,

00:15:34.090 --> 00:15:38.399
the parallels are undeniable. In 1906, Voigt,

00:15:38.559 --> 00:15:41.659
an unemployed shoemaker and ex -convict, purchased

00:15:41.659 --> 00:15:44.580
a secondhand uniform of a Prussian military officer.

00:15:44.840 --> 00:15:47.879
He commanded a squad of actual soldiers who followed

00:15:47.879 --> 00:15:50.039
him simply because he wore the uniform with authority,

00:15:50.299 --> 00:15:54.120
marched into the town hall of Kupinik, and confiscated

00:15:54.120 --> 00:15:56.580
the municipal treasury. It's incredible. Both

00:15:56.580 --> 00:15:59.720
Voight and Witt exposed the underlying absurdity

00:15:59.720 --> 00:16:03.759
of rigid social and political hierarchies. Voight

00:16:03.759 --> 00:16:05.659
demonstrated that the vaunted Prussian military

00:16:05.659 --> 00:16:08.580
machine would blindly follow a piece of fabric

00:16:08.580 --> 00:16:11.480
regardless of the man wearing it. Exactly. And

00:16:11.480 --> 00:16:13.600
Witt performed a similar critique regarding royalty.

00:16:13.860 --> 00:16:16.340
They tap into a deep psychological appeal. The

00:16:16.340 --> 00:16:19.299
little guy hacking the system. If a circus acrobat

00:16:19.299 --> 00:16:21.379
can successfully convince the world he's a king,

00:16:21.500 --> 00:16:24.340
or a shoemaker can commandeer soldiers, it suggests

00:16:24.340 --> 00:16:35.190
that authority... It brings this incredible journey

00:16:35.190 --> 00:16:38.090
full circle. We're looking at a man who began

00:16:38.090 --> 00:16:40.690
his career tumbling in the sawdust of a circus

00:16:40.690 --> 00:16:44.590
ring. He wove a lie so massive, so impossibly

00:16:44.590 --> 00:16:47.269
grand, that it permanently blurred the line between

00:16:47.269 --> 00:16:50.700
reality and fiction. Truly. He successfully manipulated

00:16:50.700 --> 00:16:53.379
the Berlin police into validating his fake royal

00:16:53.379 --> 00:16:55.740
status on official documents. He charmed his

00:16:55.740 --> 00:16:57.980
way into the archives of Time magazine and he

00:16:57.980 --> 00:17:00.919
inspired fantasy novels a century later. He manifested

00:17:00.919 --> 00:17:03.259
a kingdom out of thin air simply through an absolute

00:17:03.259 --> 00:17:06.099
refusal to break character. It is a masterclass

00:17:06.099 --> 00:17:08.720
in the sheer power of unwavering commitment to

00:17:08.720 --> 00:17:11.039
a narrative. And the final detail from our source

00:17:11.039 --> 00:17:13.200
material today serves as the ultimate punctuation

00:17:13.200 --> 00:17:16.059
to his story. Otto Witt passed away on August

00:17:16.059 --> 00:17:19.450
13th, 1958. Poetically, that date marked the

00:17:19.450 --> 00:17:22.250
exact 45th anniversary of his supposed coronation

00:17:22.250 --> 00:17:24.990
in Durres. Wow. Today, if you visit the Olsdorf

00:17:24.990 --> 00:17:27.690
Cemetery in Hamburg, specifically Parzell Q9,

00:17:27.910 --> 00:17:31.130
lots 430 through 433 stretch, you will find his

00:17:31.130 --> 00:17:33.690
grave. And carved permanently into the stone

00:17:33.690 --> 00:17:36.049
of his marker is his self -anointed royal title,

00:17:36.210 --> 00:17:39.099
the former king of Albania. Which leaves us with

00:17:39.099 --> 00:17:41.680
a fascinating dynamic to consider in our modern

00:17:41.680 --> 00:17:45.380
context. Otto Witt operated in an era where information

00:17:45.380 --> 00:17:49.079
moved slowly, relying on physical records, telegrams,

00:17:49.079 --> 00:17:51.980
and the slow churn of early 20th century journalism.

00:17:52.569 --> 00:17:55.470
His lie survived in the gaps of available data.

00:17:55.609 --> 00:17:58.190
Right. It forces you to wonder how a modern day

00:17:58.190 --> 00:18:00.450
Otto Witt would operate in our current era of

00:18:00.450 --> 00:18:03.329
instantaneous verification, AI generated imagery

00:18:03.329 --> 00:18:06.769
and deep fix. On one hand, a quick Internet search

00:18:06.769 --> 00:18:09.309
today would instantly disprove a claim like his.

00:18:09.450 --> 00:18:11.539
Instantly. But on the other hand, the tools to

00:18:11.539 --> 00:18:13.819
fabricate reality to generate fake coronation

00:18:13.819 --> 00:18:16.480
photos, coordinate bot networks to validate a

00:18:16.480 --> 00:18:18.839
narrative, and create highly convincing digital

00:18:18.839 --> 00:18:22.240
echo chambers are more powerful than ever. We

00:18:22.240 --> 00:18:24.279
might assume that digital footprints make a lie

00:18:24.279 --> 00:18:26.579
like Wits impossible today, but it is entirely

00:18:26.579 --> 00:18:28.779
possible that our modern technology actually

00:18:28.779 --> 00:18:31.299
makes it easier to invent an entire reality from

00:18:31.299 --> 00:18:33.559
scratch and find a willing audience to believe

00:18:33.559 --> 00:18:36.970
it. If a lie is repeated enough. celebrated by

00:18:36.970 --> 00:18:39.710
the public, accepted by the police, and literally

00:18:39.710 --> 00:18:42.589
carved in stone on a gravestone for eternity.

00:18:43.069 --> 00:18:45.809
At what point does it transition from being a

00:18:45.809 --> 00:18:48.829
mere falsehood into a culturally accepted mythology?

00:18:49.430 --> 00:18:52.710
Does objective truth actually matter if the fabricated

00:18:52.710 --> 00:18:56.049
story brings a society more joy? It's a profound

00:18:56.049 --> 00:18:58.329
question. It really is a sobering thought to

00:18:58.329 --> 00:19:00.369
weigh the next time you encounter a viral story

00:19:00.369 --> 00:19:02.349
that seems just a little too perfectly aligned

00:19:02.349 --> 00:19:05.470
with what you want to believe. That is all the

00:19:05.470 --> 00:19:07.490
time we have for this deep dive into the source

00:19:07.490 --> 00:19:10.029
material. We hope you found the five -day reign

00:19:10.029 --> 00:19:12.809
of Otto Witt as illuminating as we did. Keep

00:19:12.809 --> 00:19:15.170
questioning the narratives around you, look closely

00:19:15.170 --> 00:19:17.109
at the historical details, and we'll catch you

00:19:17.109 --> 00:19:18.690
next time you're ready to learn something new.
