WEBVTT

00:00:00.000 --> 00:00:04.019
Welcome to the deep dive I am I'm so glad you

00:00:04.019 --> 00:00:06.059
were joining us today because we are looking

00:00:06.059 --> 00:00:08.929
at something you have seen A thousand times.

00:00:08.949 --> 00:00:11.390
Oh, easily a thousand. Right. It's on the evening

00:00:11.390 --> 00:00:14.130
news. It's the backdrop of countless movies.

00:00:14.210 --> 00:00:16.870
It's even printed on the back of the $50 bill.

00:00:16.969 --> 00:00:18.690
We're talking about the United States Capitol

00:00:18.690 --> 00:00:21.030
building. But right out of the gate, I want to

00:00:21.030 --> 00:00:23.309
promise you something. This is not going to be

00:00:23.309 --> 00:00:27.170
a dry, dusty civics lesson about how a bill becomes

00:00:27.170 --> 00:00:30.370
a law. Not at all. We are looking at the physical

00:00:30.370 --> 00:00:32.909
space itself, which is honestly a story of fire.

00:00:33.520 --> 00:00:35.880
sprawls and some truly staggering engineering.

00:00:36.100 --> 00:00:38.439
Exactly. Our source material today is a really

00:00:38.439 --> 00:00:40.920
comprehensive historical overview of the U .S.

00:00:40.920 --> 00:00:43.340
Capitol. And our mission for this deep dive is

00:00:43.340 --> 00:00:45.960
to give you a massive shortcut. We want you to

00:00:45.960 --> 00:00:48.359
walk away from this incredibly well -informed,

00:00:48.359 --> 00:00:51.219
completely bypassing that, you know, postcard

00:00:51.219 --> 00:00:53.880
perfect, pristine image you usually see. Yeah,

00:00:53.899 --> 00:00:56.240
the tourist version. Right. We're going to uncover

00:00:56.240 --> 00:00:59.920
the messy, the surprising and the profoundly

00:00:59.920 --> 00:01:02.719
human history that is actually hiding right behind.

00:01:02.799 --> 00:01:05.659
that famous white marble facade. And it is essential

00:01:05.659 --> 00:01:08.319
to look past that static monument we see today

00:01:08.319 --> 00:01:11.599
because the Capitol is a living, breathing structure.

00:01:11.900 --> 00:01:14.920
I mean, it is physically expanded in these chaotic

00:01:14.920 --> 00:01:18.239
spurts. It is burned and it has evolved right

00:01:18.239 --> 00:01:20.879
alongside the country. The guiding question I

00:01:20.879 --> 00:01:22.420
really want you to keep in mind as we go through

00:01:22.420 --> 00:01:25.219
the sources today is this. How does the physical

00:01:25.219 --> 00:01:28.640
structure of a building dictate and reflect the

00:01:28.640 --> 00:01:31.079
history of the democracy that is happening inside

00:01:31.079 --> 00:01:33.099
it? OK, let's unpack this, because to understand

00:01:33.099 --> 00:01:34.579
the Capitol, we actually have to start before

00:01:34.579 --> 00:01:37.519
it even existed. In the early days of the U .S.

00:01:37.519 --> 00:01:40.120
government, Congress was practically nomadic.

00:01:40.200 --> 00:01:41.859
They didn't have Washington, D .C. Yeah, they

00:01:41.859 --> 00:01:43.260
were bouncing all over the place. Yeah, they

00:01:43.260 --> 00:01:45.640
were meeting in Philadelphia, New York, Princeton,

00:01:45.859 --> 00:01:49.079
Annapolis, just bouncing around the eastern seaboard.

00:01:49.230 --> 00:01:51.909
And the reason they had to keep moving is wild.

00:01:52.230 --> 00:01:54.230
I was reading in the source about the Pennsylvania

00:01:54.230 --> 00:01:58.129
mutiny in 1783. What exactly happened there that

00:01:58.129 --> 00:02:01.159
forced them out of Philadelphia? It was a very

00:02:01.159 --> 00:02:04.180
precarious time. You had a mob of angry soldiers

00:02:04.180 --> 00:02:06.760
who converged on Independence Hall in Philadelphia,

00:02:06.980 --> 00:02:09.539
and they were demanding back pay for their service

00:02:09.539 --> 00:02:11.599
in the Revolutionary War. And they're just outside

00:02:11.599 --> 00:02:13.599
the door. Right outside. So the lawmakers inside

00:02:13.599 --> 00:02:16.500
appealed to the local Pennsylvania government

00:02:16.500 --> 00:02:19.520
for protection, but the local authorities essentially

00:02:19.520 --> 00:02:22.900
refused to intervene. So Congress was forced

00:02:22.900 --> 00:02:26.259
to literally flee the city. Wow. So they realized

00:02:26.259 --> 00:02:29.060
right then and there they can't rely on a state

00:02:29.060 --> 00:02:31.500
governor for their own physical safety. Exactly.

00:02:31.960 --> 00:02:34.939
If we connect this to the bigger picture, that

00:02:34.939 --> 00:02:38.000
fear of being at the mercy of a local state government

00:02:38.000 --> 00:02:41.439
is exactly why they realized they needed a permanent,

00:02:41.620 --> 00:02:44.919
independent federal capital. They needed their

00:02:44.919 --> 00:02:47.580
own jurisdiction. But deciding where to put that

00:02:47.580 --> 00:02:50.620
jurisdiction was incredibly contentious. Which

00:02:50.620 --> 00:02:52.439
makes sense. Everyone wanted the power. Right.

00:02:52.520 --> 00:02:55.259
And it led to Alexander Hamilton brokering one

00:02:55.259 --> 00:02:57.419
of the most famous compromises in American history.

00:02:58.159 --> 00:03:00.060
The northern states had a lot of Revolutionary

00:03:00.060 --> 00:03:02.159
War debt, and the southern states didn't want

00:03:02.159 --> 00:03:04.139
to pay for it. So the compromise was that the

00:03:04.139 --> 00:03:05.840
federal government would absorb the northern

00:03:05.840 --> 00:03:08.620
debt, and in exchange, the South got the permanent

00:03:08.620 --> 00:03:10.939
capital located right along the Potomac River.

00:03:11.120 --> 00:03:14.229
Which brings us to Pierre L 'Enfant. the planner

00:03:14.229 --> 00:03:16.830
who was tasked with figuring out where this grand

00:03:16.830 --> 00:03:20.069
building should actually sit. He finds a spot

00:03:20.069 --> 00:03:23.050
called Jenkins Hill and famously describes it

00:03:23.050 --> 00:03:26.189
in the source material as a pedestal awaiting

00:03:26.189 --> 00:03:29.030
a monument. A very grand vision. It's such a

00:03:29.030 --> 00:03:31.289
cinematic way to view what was basically a patch

00:03:31.289 --> 00:03:34.180
of dirt. But L 'Enfant ends up getting dismissed

00:03:34.180 --> 00:03:36.879
and they still need a building. So Thomas Jefferson

00:03:36.879 --> 00:03:39.539
decides the best way forward is to launch a public

00:03:39.539 --> 00:03:41.939
design competition. A competition with a prize

00:03:41.939 --> 00:03:44.819
of $500 and a lot of land in the new federal

00:03:44.819 --> 00:03:47.199
city. Which, you have to remember, the United

00:03:47.199 --> 00:03:49.280
States was a brand new country. There were very

00:03:49.280 --> 00:03:51.580
few professionally trained architects. The source

00:03:51.580 --> 00:03:54.560
describes the initial response as pretty dismal.

00:03:54.639 --> 00:03:56.780
I mean, they only got about 10 submissions and

00:03:56.780 --> 00:03:59.460
most of them were crude and amateurish. I saw

00:03:59.460 --> 00:04:01.360
sketches that look like someone's rough draft

00:04:01.360 --> 00:04:04.939
for a large barn. Yes, very utilitarian. They

00:04:04.939 --> 00:04:06.780
just couldn't find anything that matched the

00:04:06.780 --> 00:04:09.219
grand vision of a new republic. They consulted

00:04:09.219 --> 00:04:12.439
a French architect whose ideas were far too ornate

00:04:12.439 --> 00:04:14.789
and expensive. And then most of the local submissions

00:04:14.789 --> 00:04:16.990
were too simple. They were looking for a very

00:04:16.990 --> 00:04:20.009
specific architectural language that would communicate

00:04:20.009 --> 00:04:22.410
legitimacy to the rest of the world. And then

00:04:22.410 --> 00:04:24.870
a late entry comes in from a guy named William

00:04:24.870 --> 00:04:27.430
Thornton. And the incredible thing is Thornton

00:04:27.430 --> 00:04:29.910
wasn't even a professional architect. No, he's

00:04:29.910 --> 00:04:31.889
a physician. A physician. He's a total amateur,

00:04:32.189 --> 00:04:35.949
yet his design is the one that wins. What was

00:04:35.949 --> 00:04:38.110
it about his sketches that caught the attention

00:04:38.110 --> 00:04:40.569
of the founders? Well, George Washington and

00:04:40.569 --> 00:04:42.870
Thomas Jefferson loved what they described. described

00:04:42.870 --> 00:04:46.870
as its grandeur, simplicity, and beauty. Thornton

00:04:46.870 --> 00:04:48.990
was heavily inspired by European architecture,

00:04:49.350 --> 00:04:52.170
specifically the east front of the Louvre and

00:04:52.170 --> 00:04:54.769
the Paris Pantheon. Oh, okay. He included a grand

00:04:54.769 --> 00:04:58.129
circular room and a central dome. For Jefferson

00:04:58.129 --> 00:05:01.069
and Washington, that classical design perfectly

00:05:01.069 --> 00:05:04.029
captured the democratic, Roman, and Greek ideals

00:05:04.029 --> 00:05:06.670
they wanted to project. It wasn't a palace for

00:05:06.670 --> 00:05:09.129
a king, it was a temple for a republic. So they

00:05:09.129 --> 00:05:11.759
have the design, and they get to work. On September

00:05:11.759 --> 00:05:15.560
18, 1793, they lay the cornerstone. But George

00:05:15.560 --> 00:05:17.720
Washington doesn't just show up in a standard

00:05:17.720 --> 00:05:20.699
suit for a ribbon cutting. He performs the ceremony

00:05:20.699 --> 00:05:23.240
dressed in full Masonic regalia. Yes, the full

00:05:23.240 --> 00:05:25.790
traditional attire. He's wearing the ceremonial

00:05:25.790 --> 00:05:28.269
apron. He's using the silver trowel alongside

00:05:28.269 --> 00:05:31.810
eight other Freemasons. It is a highly theatrical,

00:05:32.029 --> 00:05:35.129
ritualistic beginning. But the source material

00:05:35.129 --> 00:05:37.850
provides a really stark contrast between that

00:05:37.850 --> 00:05:40.550
grand ceremony and the reality of how the building

00:05:40.550 --> 00:05:42.689
was actually constructed. Who was doing the heavy

00:05:42.689 --> 00:05:45.689
lifting? That is a vital point. The initial plan

00:05:45.689 --> 00:05:48.029
was to recruit workers from Europe, but the response

00:05:48.029 --> 00:05:51.240
to those recruitment efforts was very poor. Consequently,

00:05:51.319 --> 00:05:53.680
the grueling labor required to raise this massive

00:05:53.680 --> 00:05:56.439
stone structure fell largely to African Americans,

00:05:56.600 --> 00:05:58.720
both enslaved and free. They worked alongside

00:05:58.720 --> 00:06:01.899
Scottish stonemasons. But the enslaved laborers

00:06:01.899 --> 00:06:04.079
were the ones cutting the timber, laying the

00:06:04.079 --> 00:06:06.420
heavy stone foundations, and baking the bricks

00:06:06.420 --> 00:06:09.720
in the kilns. And understanding this is absolutely

00:06:09.720 --> 00:06:13.160
crucial. You cannot grasp the foundational history

00:06:13.160 --> 00:06:15.399
of the building without acknowledging that a

00:06:15.399 --> 00:06:18.240
monument designed to celebrate liberty was physically

00:06:18.240 --> 00:06:21.079
built, in large part, through enslaved labor.

00:06:21.300 --> 00:06:24.439
It is a profound paradox that is literally baked

00:06:24.439 --> 00:06:27.220
into the bricks of the foundation. And the building

00:06:27.220 --> 00:06:29.399
itself struggled to survive its early decades.

00:06:29.560 --> 00:06:32.259
I mean, during the War of 1812, the British marched

00:06:32.259 --> 00:06:34.579
into Washington and set fire to the Capitol in

00:06:34.579 --> 00:06:37.560
1814. Just a devastating blow. to the new capital.

00:06:37.740 --> 00:06:40.060
It was partially burned and architects like Benjamin

00:06:40.060 --> 00:06:42.519
Henry Latrobe and Charles Bullfinch had to step

00:06:42.519 --> 00:06:44.699
in to oversee the reconstruction, which included

00:06:44.699 --> 00:06:48.079
a new copper dome. But here's where it gets really

00:06:48.079 --> 00:06:51.040
interesting. We get to the 1850s. The country

00:06:51.040 --> 00:06:53.300
is expanding rapidly. New states are joining

00:06:53.300 --> 00:06:55.379
the union and they simply need more room for

00:06:55.379 --> 00:06:57.019
all the new representatives. So they build these

00:06:57.019 --> 00:06:58.879
massive new wings for the House and the Senate.

00:06:59.000 --> 00:07:01.439
And that piecemeal expansion created a massive

00:07:01.439 --> 00:07:04.279
visual problem. Oh, how so? Well, the building

00:07:04.279 --> 00:07:07.209
was now incredibly long. but Bullfinch's original

00:07:07.209 --> 00:07:09.490
copper dome was still sitting right in the middle.

00:07:10.009 --> 00:07:12.839
Visually, the dome looked tiny, And completely

00:07:12.839 --> 00:07:15.759
disproportionate to the massive new wings, it

00:07:15.759 --> 00:07:18.360
threw off the entire symmetry of Thornton's original

00:07:18.360 --> 00:07:20.759
vision. So they bring in an architect named Thomas

00:07:20.759 --> 00:07:24.300
U. Walter to fix it. And he designs the massive

00:07:24.300 --> 00:07:26.860
wedding cake style dome that we all recognize

00:07:26.860 --> 00:07:30.079
today. But he didn't use copper or stone. He

00:07:30.079 --> 00:07:32.420
used cast iron. Which is where the engineering

00:07:32.420 --> 00:07:35.360
becomes truly staggering. That cast iron dome

00:07:35.360 --> 00:07:40.040
weighs 8 ,909 ,200 pounds. Over 8 million pounds.

00:07:40.300 --> 00:07:42.470
Nearly nine. Think about the logistics of the

00:07:42.470 --> 00:07:45.910
1850s. They used steam -powered derricks to hoist

00:07:45.910 --> 00:07:48.449
nearly 9 million pounds of iron up into the sky,

00:07:48.629 --> 00:07:50.790
and they had to figure out how to support all

00:07:50.790 --> 00:07:52.910
of that immense weight on the existing older

00:07:52.910 --> 00:07:55.290
masonry walls of the building. Did the original

00:07:55.290 --> 00:07:58.110
structure just handle that kind of pressure effortlessly?

00:07:58.329 --> 00:08:00.490
Not at all. The visual and physical weight of

00:08:00.490 --> 00:08:02.490
the new dome was so massive that it eventually

00:08:02.490 --> 00:08:04.850
overpowered the proportions of the original columns

00:08:04.850 --> 00:08:06.870
on the East Portico. It just looked too heavy.

00:08:07.009 --> 00:08:09.660
Exactly. The dome looked like it was hovering

00:08:09.660 --> 00:08:12.339
too heavily over the eastern entrance, which

00:08:12.339 --> 00:08:14.680
eventually led to an entirely new architectural

00:08:14.680 --> 00:08:18.019
expansion of the east front decades later just

00:08:18.019 --> 00:08:19.740
to visually balance out the weight of the iron.

00:08:20.480 --> 00:08:23.120
The building was constantly forcing its architects

00:08:23.120 --> 00:08:25.939
to adapt to its own expanding scale. I want to

00:08:25.939 --> 00:08:27.639
take you inside the building now because the

00:08:27.639 --> 00:08:30.560
interior is just as fascinating as that 9 million

00:08:30.560 --> 00:08:33.860
pound dome. Let's start at the very bottom on

00:08:33.860 --> 00:08:36.559
the ground floor in a space called the crypt.

00:08:37.289 --> 00:08:39.929
It was designed with a specific purpose in mind.

00:08:40.129 --> 00:08:42.730
It was meant to hold the body of George Washington.

00:08:42.950 --> 00:08:44.889
They were very intent on that. Yeah, they even

00:08:44.889 --> 00:08:47.029
built a circular opening in the floor of the

00:08:47.029 --> 00:08:49.830
rotunda above it with a ringed balustrade so

00:08:49.830 --> 00:08:52.269
visitors could look down at his tomb. But if

00:08:52.269 --> 00:08:54.929
you go there today, Washington isn't there. No,

00:08:54.990 --> 00:08:57.429
his will dictated that he be buried at his estate

00:08:57.429 --> 00:08:59.629
at Mount Vernon, and his family honored that

00:08:59.629 --> 00:09:02.590
wish, so the intended tomb remained empty. Today,

00:09:02.750 --> 00:09:04.889
the crypt holds a compass star inlaid in the

00:09:04.889 --> 00:09:07.259
floor. which marks the point that divides Washington,

00:09:07.460 --> 00:09:10.259
D .C. into its four quadrants. It also holds

00:09:10.259 --> 00:09:13.220
a massive bust of Abraham Lincoln. It was carved

00:09:13.220 --> 00:09:16.899
from a single six -ton block of marble by Gutzon

00:09:16.899 --> 00:09:19.080
Borglum, the sculptor who later created Mount

00:09:19.080 --> 00:09:21.919
Rushmore. And there is a lingering legend about

00:09:21.919 --> 00:09:25.019
this bust, that Borglum intentionally left Lincoln's

00:09:25.019 --> 00:09:27.559
left ear missing to symbolize his unfinished

00:09:27.559 --> 00:09:30.120
life and presidency. What's fascinating here

00:09:30.120 --> 00:09:31.860
is what happens when you move up from the crypt

00:09:31.860 --> 00:09:34.669
and stand in the rotunda. You look up into the

00:09:34.669 --> 00:09:37.309
canopy of that massive iron dome and you see

00:09:37.309 --> 00:09:40.129
a fresco painted by Constantino Brumidi. Now,

00:09:40.190 --> 00:09:42.129
a fresco is a technique where the artist paints

00:09:42.129 --> 00:09:44.610
directly into wet plaster. So you had to work

00:09:44.610 --> 00:09:47.330
incredibly fast. Very fast. You had to work quickly

00:09:47.330 --> 00:09:49.830
while suspended on scaffolding nearly 180 feet

00:09:49.830 --> 00:09:51.950
in the air. And the painting is called The Apotheosis

00:09:51.950 --> 00:09:55.769
of Washington. Yes. And the word apotheosis means

00:09:55.769 --> 00:09:59.460
the elevation of someone to divine status. And

00:09:59.460 --> 00:10:01.840
that is exactly what Brumidi painted. It depicts

00:10:01.840 --> 00:10:03.740
George Washington ascending into the heavens,

00:10:03.860 --> 00:10:06.440
surrounded by classical Roman and Greek gods.

00:10:06.639 --> 00:10:08.639
It was the first attempt by the United States

00:10:08.639 --> 00:10:11.740
government to literally defy founding father

00:10:11.740 --> 00:10:14.980
through art. What does that say about the mindset

00:10:14.980 --> 00:10:16.980
of the country at that time? Because looking

00:10:16.980 --> 00:10:19.519
up at the first president hanging out with Roman

00:10:19.519 --> 00:10:22.240
deities feels like a very bold statement. It

00:10:22.240 --> 00:10:24.440
reveals a deep sense of insecurity, actually.

00:10:24.950 --> 00:10:27.169
The fresco was completed right at the end of

00:10:27.169 --> 00:10:28.870
the Civil War. The nation had just torn itself

00:10:28.870 --> 00:10:32.309
apart. By painting Washington as a divine, immortal

00:10:32.309 --> 00:10:34.990
figure surrounded by gods of commerce, mechanics,

00:10:35.090 --> 00:10:37.269
and agriculture, the government was projecting

00:10:37.269 --> 00:10:39.850
an image of divine permanence. They needed the

00:10:39.850 --> 00:10:43.029
republic to look eternal, precisely because the

00:10:43.029 --> 00:10:45.289
reality of the country was incredibly fragile.

00:10:45.610 --> 00:10:47.830
That makes a lot of sense. The building is trying

00:10:47.830 --> 00:10:50.230
to project stability, but the actual rooms where

00:10:50.230 --> 00:10:52.490
the lawmakers meet are full of eccentricities.

00:10:53.159 --> 00:10:55.519
In the House chamber, there are 448 permanent

00:10:55.519 --> 00:10:58.480
seats, but none of them are assigned. Just open

00:10:58.480 --> 00:11:01.179
seating. Right. And circling the upper walls

00:11:01.179 --> 00:11:04.159
of that chamber are 23 marble relief portraits

00:11:04.159 --> 00:11:07.000
of famous historical lawgivers. You have figures

00:11:07.000 --> 00:11:09.580
like Hammurabi and Thomas Jefferson. But out

00:11:09.580 --> 00:11:13.259
of all 23 portraits, only one is sculpted from

00:11:13.259 --> 00:11:15.620
a full, straight -on front view. Every other

00:11:15.620 --> 00:11:18.440
figure is carved in profile. The only one looking

00:11:18.440 --> 00:11:21.809
straight out at the chamber is Moses. It is a

00:11:21.809 --> 00:11:25.529
deliberate choice by the artists to embed these

00:11:25.529 --> 00:11:28.049
deep historical and cultural influences directly

00:11:28.049 --> 00:11:30.190
into the walls where modern laws are debated.

00:11:30.429 --> 00:11:33.250
The architecture is constantly reminding the

00:11:33.250 --> 00:11:35.309
occupants of the historical weight of their actions.

00:11:35.529 --> 00:11:37.389
And sometimes the building struggles with the

00:11:37.389 --> 00:11:39.490
physical weight of what is brought inside it.

00:11:39.549 --> 00:11:41.789
Take Statuary Hall, which is the old house chamber.

00:11:41.970 --> 00:11:44.470
The tradition is that each state gets to donate

00:11:44.470 --> 00:11:47.840
two statues of prominent citizens. Well, in 1959,

00:11:48.220 --> 00:11:50.559
Hawaii joined the union and donated a bronze

00:11:50.559 --> 00:11:53.360
statue of King Kamehameha. But they had a major

00:11:53.360 --> 00:11:55.860
problem. Weight issue again. Yes. The statue

00:11:55.860 --> 00:11:58.220
weighed 15 ,000 pounds. They couldn't place in

00:11:58.220 --> 00:12:00.039
the statuary hall because the engineers were

00:12:00.039 --> 00:12:01.659
legitimately afraid it would crash right through

00:12:01.659 --> 00:12:03.820
the floorboards. They had to relocate it to a

00:12:03.820 --> 00:12:06.039
sturdier part of the building. It is a great

00:12:06.039 --> 00:12:08.659
metaphor for the Capitol as a whole. The physical

00:12:08.659 --> 00:12:10.980
structure is constantly straining to accommodate

00:12:10.980 --> 00:12:14.500
the sheer volume of history, people, and monuments

00:12:14.500 --> 00:12:16.590
placed inside it. And speaking of the people,

00:12:16.789 --> 00:12:19.009
the basement of the Capitol holds secrets from

00:12:19.009 --> 00:12:21.950
the daily lives of the lawmakers. Tucked away

00:12:21.950 --> 00:12:24.970
in a utility space, there are two original marble

00:12:24.970 --> 00:12:28.600
bathtubs left over from the 19th century. Before

00:12:28.600 --> 00:12:30.799
modern plumbing was common in the city, Congress

00:12:30.799 --> 00:12:33.379
actually had a spa -like facility for senators

00:12:33.379 --> 00:12:35.799
down there, complete with a barbershop and massage

00:12:35.799 --> 00:12:39.419
parlor. You can also find a steep, hidden metal

00:12:39.419 --> 00:12:43.720
staircase with exactly 365 steps leading up to

00:12:43.720 --> 00:12:45.559
the dome, representing the days of the year.

00:12:45.929 --> 00:12:48.009
But one of the most interesting contemporary

00:12:48.009 --> 00:12:50.570
details from the source material is that there

00:12:50.570 --> 00:12:53.070
is a space in the basement where Muslim staffers

00:12:53.070 --> 00:12:55.870
currently hold weekly Friday Jummah prayers.

00:12:56.070 --> 00:12:58.289
Which is a profound reflection of modern America.

00:12:58.529 --> 00:13:01.090
But what is truly interesting is how that modern

00:13:01.090 --> 00:13:03.210
religious practice connects to the building's

00:13:03.210 --> 00:13:06.049
earliest days. In the early 19th century, during

00:13:06.049 --> 00:13:07.970
the administrations of Thomas Jefferson and James

00:13:07.970 --> 00:13:10.470
Madison, they actually attended Protestant church

00:13:10.470 --> 00:13:13.269
services inside the house chamber. Wait, they

00:13:13.269 --> 00:13:15.330
held church services in the House of Representatives?

00:13:15.649 --> 00:13:17.889
They did. The state effectively became the church

00:13:17.889 --> 00:13:20.409
on Sundays. Preachers from various Protestant

00:13:20.409 --> 00:13:22.549
denominations would deliver sermons right there

00:13:22.549 --> 00:13:24.850
in the chamber. Jefferson found it acceptable

00:13:24.850 --> 00:13:27.149
because attendance was strictly voluntary and

00:13:27.149 --> 00:13:29.789
non -discriminatory. So the Capitol has this

00:13:29.789 --> 00:13:32.970
long, complex history of functioning as a space

00:13:32.970 --> 00:13:35.490
for personal religious practice right alongside

00:13:35.490 --> 00:13:38.190
its role in secular lawmaking. It functions as

00:13:38.190 --> 00:13:39.970
the ultimate gathering place for the nation.

00:13:40.460 --> 00:13:42.820
It is a stage for history. We see it used for

00:13:42.820 --> 00:13:45.440
presidential inaugurations. We see it used as

00:13:45.440 --> 00:13:48.340
a place of profound public mourning where citizens

00:13:48.340 --> 00:13:51.500
have lain in state or honor. The source notes

00:13:51.500 --> 00:13:53.840
everyone from Abraham Lincoln to civil rights

00:13:53.840 --> 00:13:56.460
icon Rosa Parks and the Reverend Billy Graham.

00:13:56.740 --> 00:13:59.379
But because the Capitol is the undeniable center

00:13:59.379 --> 00:14:02.019
of American power, it has also been a continuous

00:14:02.019 --> 00:14:04.399
target for violence. The building has been the

00:14:04.399 --> 00:14:06.679
site of conflict for almost as long as it has

00:14:06.679 --> 00:14:08.879
been standing. Let's look at the timeline the

00:14:08.879 --> 00:14:12.809
sources provide. Going back to 1835, there was

00:14:12.809 --> 00:14:15.049
an assassination attempt on President Andrew

00:14:15.049 --> 00:14:18.070
Jackson right outside on the East Portico. A

00:14:18.070 --> 00:14:20.009
man named Richard Lawrence stepped out of the

00:14:20.009 --> 00:14:22.649
crowd, aimed a pistol at Jackson, and pulled

00:14:22.649 --> 00:14:25.789
the trigger. But it misfired. He dropped it,

00:14:25.830 --> 00:14:28.250
pulled out a second pistol, fired again, and

00:14:28.250 --> 00:14:31.179
that one misfired too. Historians generally attribute

00:14:31.179 --> 00:14:33.440
the misfires to the heavy humidity that day,

00:14:33.539 --> 00:14:36.139
which likely ruined the gunpowder in both weapons.

00:14:36.360 --> 00:14:38.519
And Jackson, who was famous for his temper, didn't

00:14:38.519 --> 00:14:40.799
run away. He attacked the shooter with his walking

00:14:40.799 --> 00:14:43.059
cane until Davy Crockett and others managed to

00:14:43.059 --> 00:14:45.100
restrain the guy. So you have violence outside

00:14:45.100 --> 00:14:46.440
the building, but you also have it inside the

00:14:46.440 --> 00:14:49.840
chambers. In 1844, a massive fistfight broke

00:14:49.840 --> 00:14:52.539
out right on the House floor. How does a legislative

00:14:52.539 --> 00:14:54.820
session devolve into a brawl? It started with

00:14:54.820 --> 00:14:57.059
a simple breach of decorum. A representative

00:14:57.059 --> 00:14:59.139
told the House speaker to be quiet during a speech.

00:14:59.740 --> 00:15:02.320
Tensions were already high, and that insult sparked

00:15:02.320 --> 00:15:04.879
a physical altercation that escalated into dozens

00:15:04.879 --> 00:15:06.720
of members fighting each other on the floor.

00:15:07.519 --> 00:15:09.720
During the chaos, someone in the visitor gallery

00:15:09.720 --> 00:15:12.019
actually fired a pistol into the crowd below.

00:15:12.279 --> 00:15:15.899
So, what does this all mean for us today? The

00:15:15.899 --> 00:15:18.440
Capitol has always been a physical manifestation

00:15:18.440 --> 00:15:20.480
of the country's political temperature. We saw

00:15:20.480 --> 00:15:23.039
that physical vulnerability in the 1800s and

00:15:23.039 --> 00:15:25.019
the source material documents that we are still

00:15:25.019 --> 00:15:27.080
seeing it in the modern era. And just looking

00:15:27.080 --> 00:15:28.879
directly at the historical timeline from our

00:15:28.879 --> 00:15:31.340
sources without taking any sides here. On January

00:15:31.340 --> 00:15:34.220
6th, 2021, during the counting of Electoral College

00:15:34.220 --> 00:15:37.080
votes for the 2020 presidential election, a pro

00:15:37.080 --> 00:15:39.659
-Trump mob unlawfully entered the Capitol to

00:15:39.659 --> 00:15:41.620
disrupt the certification of President -elect

00:15:41.620 --> 00:15:44.080
Joe Biden. Yes, that is detailed extensively

00:15:44.080 --> 00:15:46.600
in the source. The source documents that this

00:15:46.600 --> 00:15:48.860
triggered a lockdown resulted in the deaths of

00:15:48.860 --> 00:15:51.799
four rioters, including one woman shot by law

00:15:51.799 --> 00:15:54.240
enforcement and led to the second impeachment

00:15:54.240 --> 00:15:57.299
of Donald Trump. It marked the first time the

00:15:57.299 --> 00:15:59.279
Capitol had been violently seized since the British

00:15:59.279 --> 00:16:03.049
burned it in 1814. Furthermore, the source outlines

00:16:03.049 --> 00:16:06.309
a subsequent security event on June 13th, 2025.

00:16:07.070 --> 00:16:09.350
Protest groups broke through barriers attempting

00:16:09.350 --> 00:16:11.830
to hold a sit -in at the Capitol building. This

00:16:11.830 --> 00:16:13.889
was organized as a protest against the Trump

00:16:13.889 --> 00:16:16.769
administration's mass deportation efforts. The

00:16:16.769 --> 00:16:18.710
event resulted in police arresting around 60

00:16:18.710 --> 00:16:21.490
people, a group that included United States military

00:16:21.490 --> 00:16:24.049
veterans. When we look at this timeline of events

00:16:24.049 --> 00:16:26.129
through the lens of the architecture, we can

00:16:26.129 --> 00:16:28.250
see the profound physical toll that security

00:16:28.250 --> 00:16:30.509
concerns have taken on the building and its grounds.

00:16:30.730 --> 00:16:33.570
Every era of violence forces the Capitol to adapt

00:16:33.570 --> 00:16:36.769
its physical posture. For example, in 1998, two

00:16:36.769 --> 00:16:38.769
Capitol Police officers were tragically shot

00:16:38.769 --> 00:16:40.850
and killed. In response to that vulnerability,

00:16:41.169 --> 00:16:45.169
a massive $621 million underground Capitol Visitor

00:16:45.169 --> 00:16:47.730
Center was planned and built. That's a huge undertaking.

00:16:48.110 --> 00:16:50.730
The goal was to streamline security and push

00:16:50.730 --> 00:16:53.029
the screening process far away from the immediate

00:16:53.029 --> 00:16:55.919
historic entrances. Following the September 11

00:16:55.919 --> 00:16:58.419
attacks, and compounded by the events of 2021

00:16:58.419 --> 00:17:01.600
and 2025, the exterior grounds were radically

00:17:01.600 --> 00:17:04.240
transformed. If you look at old photographs,

00:17:04.519 --> 00:17:07.119
the Capitol sat in an incredibly open, public,

00:17:07.279 --> 00:17:10.299
park -like setting. Today, that open space is

00:17:10.299 --> 00:17:12.680
fortified. You see scores of jersey barriers,

00:17:12.920 --> 00:17:15.339
those heavy sloped concrete walls used to block

00:17:15.339 --> 00:17:17.759
off roads, along with hundreds of ornamental

00:17:17.759 --> 00:17:19.720
bollards, which are thick metal posts driven

00:17:19.720 --> 00:17:22.740
deep into the ground to stop vehicles. The physical

00:17:22.740 --> 00:17:24.900
reality of the building has shifted from a completely

00:17:24.900 --> 00:17:27.960
open public forum into a highly controlled fortified

00:17:27.960 --> 00:17:30.700
space. The environment completely changes how

00:17:30.700 --> 00:17:32.940
a citizen experiences walking up to the building.

00:17:33.119 --> 00:17:35.480
It changes the relationship between the public

00:17:35.480 --> 00:17:38.440
and the space entirely. If we are to synthesize

00:17:38.440 --> 00:17:40.400
everything we have explored in the source material

00:17:40.400 --> 00:17:43.880
today, it is clear that the capital is a remarkably

00:17:43.880 --> 00:17:46.859
accurate mirror of the nation it serves. It is

00:17:46.859 --> 00:17:50.000
grand, aspiring to the highest classical ideals.

00:17:50.339 --> 00:17:53.599
But it is also built on desperate political compromises

00:17:53.599 --> 00:17:56.099
and dark histories, like the reliance on enslaved

00:17:56.099 --> 00:17:59.220
labor. It is a structure filled with architectural

00:17:59.220 --> 00:18:02.079
eccentricities, constantly expanding to fit a

00:18:02.079 --> 00:18:04.460
growing country. And it is marked equally by

00:18:04.460 --> 00:18:07.460
moments of profound national reverence and instances

00:18:07.460 --> 00:18:10.900
of intense physical conflict. It is not just

00:18:10.900 --> 00:18:13.160
a passive container for American history. It

00:18:13.160 --> 00:18:15.680
is an active participant. As we wrap up this

00:18:15.680 --> 00:18:17.799
deep dive, I want to leave you with a final lingering

00:18:17.799 --> 00:18:19.839
thought based on a detail from the source material.

00:18:20.279 --> 00:18:22.059
We have talked a lot about how the building has

00:18:22.059 --> 00:18:24.619
expanded, how domed were replaced, and how walls

00:18:24.619 --> 00:18:27.440
were moved. But when a historic monumental building

00:18:27.440 --> 00:18:29.519
like the U .S. Capitol gets a major upgrade,

00:18:29.839 --> 00:18:32.680
where do all the old pieces go? That is a great

00:18:32.680 --> 00:18:35.299
question. During the 20th century, architects

00:18:35.299 --> 00:18:38.099
undertook a massive project to rebuild the east

00:18:38.099 --> 00:18:41.039
front of the Capitol. During that process, they

00:18:41.039 --> 00:18:44.180
carefully removed the original majestic sandstone

00:18:44.180 --> 00:18:46.519
Corinthian columns, you know, those massive pillars

00:18:46.519 --> 00:18:49.339
with the leafy, ornate carvings at the top. But

00:18:49.339 --> 00:18:51.079
they didn't really have a plan for them. For

00:18:51.079 --> 00:18:52.839
a long time, these historic columns were simply

00:18:52.839 --> 00:18:55.559
dumped in an unused maintenance yard and forgotten.

00:18:55.740 --> 00:18:59.420
Just left there. Left in the yard. Today, if

00:18:59.420 --> 00:19:00.859
you know where to look, you can actually go visit

00:19:00.859 --> 00:19:03.079
them. They have been set up in a large meadow

00:19:03.079 --> 00:19:05.259
at the National Arboretum in Washington, D .C.,

00:19:05.259 --> 00:19:07.599
standing alone in the grass like ancient Roman

00:19:07.599 --> 00:19:10.380
ruins. And if you want to own a piece of the

00:19:10.380 --> 00:19:13.019
building for yourself, the United States Capitol

00:19:13.019 --> 00:19:16.160
Historical Society still periodically goes out

00:19:16.160 --> 00:19:18.720
to a park in D .C. to mine the old, discarded

00:19:18.720 --> 00:19:21.400
19th century rubble from those early renovations.

00:19:21.740 --> 00:19:23.980
They cut up the raw stone and sell the pieces

00:19:23.980 --> 00:19:26.519
as commemorative bookends. It is a fascinating

00:19:26.519 --> 00:19:29.809
reality. symbol of the republic, with all its

00:19:29.809 --> 00:19:32.710
messy, triumphant, and tragic history. Even the

00:19:32.710 --> 00:19:35.069
discarded ruins of democracy can eventually end

00:19:35.069 --> 00:19:37.529
up quietly resting on someone's bookshelf. Think

00:19:37.529 --> 00:19:38.869
about that the next time you see the Capitol

00:19:38.869 --> 00:19:40.910
on the news. Thanks for joining us on this deep

00:19:40.910 --> 00:19:41.150
dive.
