WEBVTT

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If I were to ask you right now to name the 12

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Olympians of Greek mythology. Makes right on

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the spot. Yeah, right on the spot. Who makes

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the cut? Take a second. It sounds like a really

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simple trivia question. It does. You probably

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immediately think of Zeus, maybe Athena, definitely

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Apollo. Right. But the deeper you look into the

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historical and mythological reality, the more

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you realize that this Seemingly straightforward

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list is actually this incredibly tangled web.

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Oh, totally It is a massive complicated intersection

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of ancient politics Varying local cults and just

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shifting family trees and we're thrilled you're

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joining us for this deep dive because we were

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taking a stack of Incredibly detailed source

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material today. Yes, we are. We've got this comprehensive

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meticulously detailed encyclopedic breakdown

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of the 12 Olympians It covers their genealogy

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their historical worship and really the staggering

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broader unit of Greek mythology. And we are extracting

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the absolute best insights to help you understand

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what was really going on in the ancient world.

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Because the mission for this deep dive is to

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look past the modern, sanitized pop culture versions

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of these gods. Right, the versions we see in

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cartoons. Exactly. We are so used to seeing them

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as statues in a museum, but we want to discover

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how ancient Greeks actually categorize them.

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why the number 12 was so mystical and important.

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And the surprising, sometimes honestly bizarre

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technicalities of who actually gets to live on

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Mount Olympus. Because the rules of this ancient

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religion were a lot more fluid and frankly a

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lot more chaotic than we tend to think today.

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They really were. Okay, so let's unpack this.

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Because to really understand the 12 Olympians,

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we have to start with how they actually got their

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power. And it was absolutely not handed to them.

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Not at all. The Olympians are not the first gods,

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not even close. Right. They are primarily a third

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and fourth generation of immortal beings. They

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gain their supremacy through a brutal 10 -year

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long cosmic war against the previous generation

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of ruling immortals, the Titans. Which completely

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reframes how you view their authority, I think.

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How so? Well, the universe in ancient Greek eyes

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wasn't created in a state of peaceful harmony

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by a loving creator. It was conquered. The Olympians,

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led by Zeus, violently overthrew their own parents,

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the Titans, Cronus and Rhea. And Cronus and Rhea

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had previously overthrown their own parents,

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the primordial deities Gaia and Uranus. Exactly.

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It's an endless cycle of violent succession.

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So when we talk about Mount Olympus, we shouldn't

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picture a lovely, peaceful home in the clouds.

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No, it was the ultimate high ground, one in a

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brutal war. It was a fortress for the victors.

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Ten years of cosmic warfare. You can only imagine

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the kind of destruction that implies in a mythological

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setting. God's hurling mountains at each other.

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The earth cracking open. And because the younger

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generation won, they get to reside atop Mount

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Olympus, which is how they get the name Olympians.

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But this brings us to a massive glaring exception.

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The absolute elephant in the room. Yep. And it's

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an elephant that trips up almost everyone who

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takes that trivia quiz I mentioned at the start,

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Hades. Hades is a major foundational deity in

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the Greek pantheon. He's the brother of Zeus,

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Poseidon, Hera, Demeter, and Hestia. He's a first

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generation offspring of the Titans. Right. And

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he fought in that exact same 10 year war against

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Cronus. By all rights of blood and participation

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in that cosmic shift of power, you would assume

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he is an Olympian. but he is almost never considered

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to be one. Which feels like a massive slight.

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It does, but it actually comes down to literal

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real estate. His realm is the underworld. He

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is physically located far, far away from Olympus.

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So he doesn't get the title. He's not a resident

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of the mountain, so he doesn't get the Olympian

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badge. That geographic reality reveals a fundamental

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divide in how the ancient Greeks actually practiced

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their religion, doesn't it? It really does. It's

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called the Chthonic divide. Chthonic. Yes. Chthonic

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essentially refers to things concerning the earth

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and the underworld. The Olympic gods, the ones

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up in the sky on the mountain, were worshipped

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in a completely different manner than the Chthonic

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gods, like Hades and his wife Persephone. I love

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the architectural difference in how they were

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worshipped here. It's so literal. It is. If you

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are sacrificing to an Olympic god, you used a

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standard altar. You raised it up off the ground.

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You're essentially sending your sacrifice upward

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toward the sky, toward the mountain. But if you're

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sacrificing to Hades or Persephone, you do the

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exact opposite. You send it down. Right. You

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would use what the Greeks called a bothros, which

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translates to a pit, or a megaron, which is a

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sunken chamber. Think about it like the difference

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between sending a letter up to a penthouse suite

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versus dropping a package down a basement chute.

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That's a great way to put it. You are physically

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directing your worship, pouring the libations

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or the blood of the sacrifice directly into the

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earth. It is a completely different, much darker,

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more visceral mode of sacrifice. It perfectly

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illustrates how geography and domain dictated

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religious practice. Hades isn't on the mountain.

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So you don't look up to worship him. You look

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down. Here's where it gets really interesting,

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though. We have this idea of the 12 Olympians

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as a strict, canonical, universally agreed upon

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list. Like a Supreme Court of Gods. Exactly.

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But when you look at how actual humans in ancient

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Greece worshipped them as a specific group of

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12, that strictness completely falls apart. It

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does. The magic number was always 12, but the

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roster changed depending on where you were standing.

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The Greeks actually had a specific word for this

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concept, dodecaetheion. It comes from dodeca

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meaning 12 and theoi meaning gods. And the earliest

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archaeological and literary evidence we have

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of this specific 12 gods cult practice comes

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from the late 6th century BC. But as you mentioned,

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what that meant in practice varied wildly from

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city -state to city -state. Let's talk about

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the altar in Athens because this perfectly illustrates

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why this mattered to the everyday person living

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back then. According to the ancient historian

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Thucydides, an altar of the 12 gods was established

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in the Agora, the central public gathering space

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and marketplace of Athens. This happened around

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522 BC, established by the Archon Pisistratus.

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But this wasn't just a quiet place to pray on

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a Sunday. Not at all. It functioned as the civic

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and geographic anchor of the entire Athenian

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Empire. That altar became the central point from

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which all distances from Athens were measured.

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It was literally point zero. Yes. If you saw

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a milestone on a road 50 miles away, that distance

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was measured exactly to the altar of the 12 gods.

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On top of that, it was a recognized place of

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absolute supplication and sanctuary. If you were

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fleeing persecution or violence and you managed

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to touch that altar, you were under the protection

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of the highest cosmic authority. So for anyone

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living in ancient Athens, this altar is the absolute

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physical, spiritual, and administrative epicenter

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of their world. But the membership of those 12

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gods was isn't a universal standard. There are

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these amazing anomalies that pop up, especially

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when we look at the sanctuary of Olympia. Oh,

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the story of Hermes is fantastic for this. It

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really is. There is this story from the Homeric

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hymn to Hermes, which was written around 500

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BC. It features the god Hermes when he is literally

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just a newborn baby. And what does he do? He

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sneaks out of his cradle and steals 50 prized

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cows from his half -brother, Apollo. He even

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makes the cows walk backwards so their tracks

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look like they're going the wrong way. The audacity

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of the myth is brilliant, but the crucial theological

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detail in the text is what he does after the

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heist. Right. He slaughters two of the cows,

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drags these rich meats to a smooth, flat stone

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on the banks of the river Alpheus, and he meticulously

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divides the meat into 12 equal portions. He distributes

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them by lot, quote, making each portion wholly

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honorable. He is a brand new god, but he's specifically

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honoring a pre -existing concept of a group of

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12. And it gets even more complicated when we

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look at actual physical shrines built at Olympia.

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The poet Pindar around 480 BC, writes about the

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hero Heracles founding a shrine at Olympia and

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sacrificing to the twelve ruling gods. Pindar

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mentions a setup with six double altars. And

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then, a bit later, the historian Herodorus of

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Heraclea gives us a specific list of who was

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actually worshipped on those six double altars.

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Six pairs of gods, each pair sharing a single

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altar. This list is where the idea of a neat,

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canonical twelve completely shatters. Because

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Herodorus tells us the pairs were Zeus sharing

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with Poseidon? Makes sense. Hera sharing with

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Athena, Hermes sharing with Apollo? All of those

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make perfect sense. They are the heavy -hitting

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Olympians we expect. Then we have the Graces

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sharing with Dionysus. The Graces are generally

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considered a trio of minor goddesses of charm

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and beauty, but here they seem to be condensed

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into one slot to share an altar with the god

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of wine. And then the final two pairs just throw

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everything out the window. Artemis, the great

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goddess of the hunt, shares an altar with Alphaeus.

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Alphaeus, a local river god. A river god is elevated

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to sit right alongside an Olympian in this supreme

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grouping of 12. It shows how profoundly local

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geography blended with cosmic theology. Exactly.

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The river Alphaeus literally flows right past

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the sanctuary at Olympia. To the people living

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and worshipping there, that water source was

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critical to their daily survival. It was just

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as important in that specific location as the

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goddess of the hunt. So he gets a seat at the

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table. And the final pair, Cronus and Rhea. The

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defeated Titan parents. The ones Zeus just spent

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10 brutal years warring against to overthrow.

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They get a shared altar in this grouping of 12

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at Olympia. It's a phenomenal contradiction.

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Look at the psychology of that. While this specific

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list of 12 at Olympia includes eight of the traditional

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Olympians we recognize, it contains three clear

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non -Olympians, Cronus, Rhea and Alphaeus. It

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proves that the 12 was a rigid, mystical number,

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but a highly flexible concept. Why worship the

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defeated enemy? Because in ancient polytheism,

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just because a god lost a cosmic war doesn't

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mean they cease to exist or cease to hold power

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over the earth. You still appease them? You do.

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Cities and sanctuaries could mix and match the

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membership of their top 12 based on their own

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local traditions, their environment, and their

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specific fears. Other places had their own unique

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cults of 12, too. Delos, Chalcedon, Magnesia,

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Leontinoe, and Sicily. One scholar actually tracked

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this and listed 54 different Greek and Roman

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gods who have been explicitly identified as members

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of various 12 gods' cults at different times

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and places. 54 gods rotating through 12 folding

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chairs. It's a crowded mountain. So if the list

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was always changing, who actually makes up the

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canonical list we most recognize today? The ones

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that ended up sticking in the broader cultural

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memory. Let's meet them, starting with the elders,

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the first generation of Olympians. These are

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the direct offspring of the Titans, Cronus, and

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Rhea. The siblings who survived being swallowed

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by their father, fought the Great War, and built

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the New World Order. Let's start at the absolute

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top, Zeus. In Roman mythology, he is Jupiter.

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King of the gods, ruler of Mount Olympus, god

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of the sky, lightning, thunder, law, order, and

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justice. And there is a fascinating family dynamic

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here. He is actually the youngest child of the

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Titans, yet he is the undisputed king. He led

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the rebellion, so he gets the crown. Exactly.

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Now, he is famous, or rather infamous, for his

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many affairs. He is constantly shape -shifting

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to seduce or assault goddesses and mortals alike.

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He fathered children with his sister Demeter,

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the Titaness Leto, the mortals Leta and Al Khomeini,

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and dozens more. When you look at the ancient

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texts and artifacts, his symbols are quite revealing

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about how the Greeks viewed absolute power. We

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all know the thunderbolt and the eagle. Right,

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the thunderbolt is raw. destructive, sudden power

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from above. The eagle is the undisputed king

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of the sky. But he is also associated with the

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oak tree, specifically the sacred oak at his

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oracle in Dodona, which represents deep, ancient,

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unshakable roots. He's also associated with the

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bull, a symbol of immense virility and agricultural

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strength. But perhaps most importantly, his symbol

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is the scales. Yes. He isn't just a tyrant throwing

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lightning bolts whenever he gets mad. He's weighing

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the fates of men and gods on his scales. He is

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the ultimate arbiter of justice. Even the other

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gods have to submit to his rulings. Next up is

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his wife, who is also his sister, Hera. The Roman

00:12:35.370 --> 00:12:38.230
Juno, queen of the gods. Her domains are marriage,

00:12:38.490 --> 00:12:41.070
women, childbirth, and family. She is the youngest

00:12:41.070 --> 00:12:43.419
daughter of Cronus and Rhea. And the mythology

00:12:43.419 --> 00:12:46.240
is full of stories where she is fiercely vengeful

00:12:46.240 --> 00:12:48.840
towards Zeus' lovers and their illegitimate children.

00:12:49.059 --> 00:12:51.679
Which, given her domain over the strict sanctity

00:12:51.679 --> 00:12:54.360
of marriage, makes perfect sense from her perspective.

00:12:54.580 --> 00:12:56.759
Her husband is constantly violating the very

00:12:56.759 --> 00:12:59.360
institution she represents. Her vengeance was

00:12:59.360 --> 00:13:02.460
a reflection of very real societal fears and

00:13:02.460 --> 00:13:05.320
power dynamics in ancient Greek marriages, where

00:13:05.320 --> 00:13:07.460
women had very little legal recourse against

00:13:07.460 --> 00:13:10.639
unfaithful husbands. Hera acts out the rage that

00:13:10.639 --> 00:13:13.580
mortal women could not. Her symbols are the peacock,

00:13:13.700 --> 00:13:16.080
the cow, and the cuckoo. The peacock is often

00:13:16.080 --> 00:13:19.320
associated with pride, royalty, and all -seeing

00:13:19.320 --> 00:13:22.059
eyes fitting for a queen who has to constantly

00:13:22.059 --> 00:13:24.720
watch her husband. The cow, much like the bull

00:13:24.720 --> 00:13:28.070
for Zeus, implies a foundational, nurturing,

00:13:28.409 --> 00:13:31.049
and highly valuable aspect of ancient agricultural

00:13:31.049 --> 00:13:34.029
life. She is sometimes called Oxide Hera, which

00:13:34.029 --> 00:13:36.029
was actually a great compliment in antiquity,

00:13:36.190 --> 00:13:38.389
meaning she had large, beautiful, dark eyes.

00:13:38.610 --> 00:13:40.970
And the cuckoo is there because Zeus actually

00:13:40.970 --> 00:13:44.509
shapeshifted into a distressed cuckoo bird to

00:13:44.509 --> 00:13:47.070
trick Hera into holding him to her chest to warm

00:13:47.070 --> 00:13:49.529
him. Which is how he initially seduced her. It's

00:13:49.529 --> 00:13:51.710
a deeply weird origin story for their marriage.

00:13:51.809 --> 00:13:54.269
It really is. Then we have Poseidon, the Roman

00:13:54.269 --> 00:13:57.629
Neptune, the middle son. Brother of Zeus in Hades.

00:13:57.889 --> 00:14:00.110
He's the god of the seas, water, storms, and

00:14:00.110 --> 00:14:02.669
hurricanes. He is married to the sea -nymphed

00:14:02.669 --> 00:14:06.029
Amphitrite. But like his brother Zeus, he had

00:14:06.029 --> 00:14:08.889
many lovers and fathered countless monsters and

00:14:08.889 --> 00:14:11.230
heroes. But his domains also include earthquakes

00:14:11.230 --> 00:14:13.450
and horses. This is always the one that stumps

00:14:13.450 --> 00:14:16.090
people. How do you go from the ocean to horses?

00:14:16.490 --> 00:14:18.590
It requires a bit of imaginative synthesis to

00:14:18.590 --> 00:14:21.110
see the world through ancient eyes. Think about

00:14:21.110 --> 00:14:24.389
the raw, untamed, chaotic power of the sea. It

00:14:24.389 --> 00:14:27.470
crashes, it roars, it physically reshapes the

00:14:27.470 --> 00:14:30.350
land. That raw power translates directly to the

00:14:30.350 --> 00:14:33.669
sudden, violent shaking of the earthquake. He

00:14:33.669 --> 00:14:35.899
was known as the Earthshaker. And when ancient

00:14:35.899 --> 00:14:38.159
people stood on the beach and looked at the cresting,

00:14:38.279 --> 00:14:40.620
frothing white caps of massive waves crashing

00:14:40.620 --> 00:14:43.360
toward the shore, they saw the mains of wild,

00:14:43.580 --> 00:14:45.940
thundering horses charging at them. The horse

00:14:45.940 --> 00:14:48.879
embodies the wild, unpredictable, powerful energy

00:14:48.879 --> 00:14:51.179
of Poseidon's realm. I love that visual, a wave

00:14:51.179 --> 00:14:53.500
cresting and turning into a stampeding horse.

00:14:53.860 --> 00:14:56.779
His symbols are the trident, the horse, the bull

00:14:56.779 --> 00:14:59.220
again, showing a connection with Zeus there,

00:14:59.440 --> 00:15:01.899
and the dolphin. which represents the slightly

00:15:01.899 --> 00:15:04.320
more playful, navigable side of the sea. Moving

00:15:04.320 --> 00:15:07.379
on to Demeter, Ceres in Roman mythology, the

00:15:07.379 --> 00:15:09.799
middle daughter. She is the goddess of the harvest,

00:15:10.000 --> 00:15:12.440
fertility, agriculture, nature, and the seasons.

00:15:12.779 --> 00:15:16.019
She presided over grains and the literal life

00:15:16.019 --> 00:15:18.120
-giving fertility of the earth. She's the mother

00:15:18.120 --> 00:15:20.879
of Persephone, who was abducted by Hades to become

00:15:20.879 --> 00:15:23.490
Queen of the Underworld. An event which caused

00:15:23.490 --> 00:15:26.210
Demeter to plunge the world into a devastating

00:15:26.210 --> 00:15:29.289
winter out of grief. Demeter's symbols are deeply,

00:15:29.289 --> 00:15:31.950
practically tied to her function. Wheat and the

00:15:31.950 --> 00:15:34.409
cornucopia are straightforward representations

00:15:34.409 --> 00:15:37.389
of agricultural bounty. The torch relates to

00:15:37.389 --> 00:15:39.710
her desperate, frantic search for Persephone

00:15:39.710 --> 00:15:42.129
in the dark of the underworld. But she's also

00:15:42.129 --> 00:15:44.769
associated with the poppy and the pig. The pig!

00:15:44.889 --> 00:15:47.429
It seems so unglamorous for a major Olympian

00:15:47.429 --> 00:15:51.259
goddess. It does to us, but in ancient agricultural

00:15:51.259 --> 00:15:54.440
societies, pigs were incredibly vital. They were

00:15:54.440 --> 00:15:56.820
deeply associated with the earth, constantly

00:15:56.820 --> 00:15:59.259
rooting around in the dirt, turning the soil.

00:15:59.480 --> 00:16:01.940
And they were incredibly prolific breeders, which

00:16:01.940 --> 00:16:05.460
symbolized fertility. Sacrificing a pig to demeanor,

00:16:05.899 --> 00:16:08.480
sometimes by throwing them into those cathonic

00:16:08.480 --> 00:16:10.980
pits we mentioned earlier and later, using the

00:16:10.980 --> 00:16:14.320
decayed remains as fertilizer, was a sacred way

00:16:14.320 --> 00:16:16.740
of ensuring the fertility of the soil for the

00:16:16.740 --> 00:16:18.990
next planting season. That leaves one more of

00:16:18.990 --> 00:16:22.789
the first generation, Hestia, Vesta for the Romans.

00:16:23.049 --> 00:16:25.210
She is the goddess of the hearth, the architecture

00:16:25.210 --> 00:16:28.049
of the home, fire, and the right ordering of

00:16:28.049 --> 00:16:30.690
domesticity and the family. She is the very first

00:16:30.690 --> 00:16:34.269
child born to Cronus and Rhea, the absolute eldest

00:16:34.269 --> 00:16:37.399
sister. Now let's clear up a massive modern misconception.

00:16:38.039 --> 00:16:39.500
I'm going to read this directly from our notes

00:16:39.500 --> 00:16:41.200
because it's something you see repeated on the

00:16:41.200 --> 00:16:43.940
internet constantly. Quote, some lists of the

00:16:43.940 --> 00:16:47.059
12 Olympians omit her in favor of Dionysus, but

00:16:47.059 --> 00:16:49.279
the speculation that she gave her throne to him

00:16:49.279 --> 00:16:51.820
in order to keep the peace seems to be a modern

00:16:51.820 --> 00:16:54.279
invention. This raises an important point about

00:16:54.279 --> 00:16:57.399
how we consume mythology today. We love a narrative

00:16:57.399 --> 00:17:00.860
with a clean, satisfying emotional arc. The idea

00:17:00.860 --> 00:17:03.820
that Hestia The peaceful domestic goddess of

00:17:03.820 --> 00:17:07.059
the home gently and willingly stepped down from

00:17:07.059 --> 00:17:10.140
the Supreme Council of Twelve to let the wild

00:17:10.140 --> 00:17:13.140
partier Dionysus take her seat, just so there

00:17:13.140 --> 00:17:15.180
wouldn't be a dramatic fight over the chairs.

00:17:15.460 --> 00:17:17.819
It sounds lovely. It fits her personality perfectly.

00:17:18.299 --> 00:17:20.880
but it's a modern fabrication. In antiquity,

00:17:21.000 --> 00:17:23.220
the list just varied. Sometimes she was on it,

00:17:23.220 --> 00:17:25.559
sometimes he was, depending on the city. Nobody

00:17:25.559 --> 00:17:27.740
stepped down or gave up their divine authority.

00:17:28.059 --> 00:17:29.819
And we really shouldn't diminish her importance

00:17:29.819 --> 00:17:32.480
just because she doesn't have flashy battle myths.

00:17:32.900 --> 00:17:35.940
The Roman equivalent, Vesta, played a paramount

00:17:35.940 --> 00:17:38.619
role in Roman state religion. She was maintained

00:17:38.619 --> 00:17:41.559
by the Vestal Virgins, and her sacred eternal

00:17:41.559 --> 00:17:44.880
fire was quite literally the spiritual heart

00:17:44.880 --> 00:17:47.299
and security system of the entire Roman Empire.

00:17:47.420 --> 00:17:50.259
If her fire went out, Rome was in existential

00:17:50.259 --> 00:17:52.839
danger. So that's the Old Guard, the first generation,

00:17:53.339 --> 00:17:55.240
the siblings who fought the war. Now let's look

00:17:55.240 --> 00:17:57.980
at the kids, the next generation. These are mostly

00:17:57.980 --> 00:18:00.279
the offspring of Zeus, and their origin stories

00:18:00.279 --> 00:18:02.779
are filled with absolutely bizarre biology and

00:18:02.779 --> 00:18:05.480
conflicting ancient texts. It's fascinating how

00:18:05.480 --> 00:18:08.599
the two foundational ancient writers, Homer and

00:18:08.599 --> 00:18:11.500
Hesiod, totally disagreed on where some of these

00:18:11.500 --> 00:18:14.400
gods came from. Let's unpack the second generation,

00:18:14.660 --> 00:18:17.900
starting with Athena, the Roman Minerva. goddess

00:18:17.900 --> 00:18:21.099
of wisdom, handicraft, and warfare. Her birth

00:18:21.099 --> 00:18:23.400
story is one of the most famous and psychologically

00:18:23.400 --> 00:18:26.440
strange in all of mythology. According to Hesiod's

00:18:26.440 --> 00:18:30.259
theogony, Zeus impregnated an oceanid named Metis.

00:18:30.759 --> 00:18:33.230
Right, pause for a second. For anyone rusty on

00:18:33.230 --> 00:18:36.589
their aquatic Greek family trees, what exactly

00:18:36.589 --> 00:18:39.309
is an oceanid? Great question. An oceanid is

00:18:39.309 --> 00:18:42.490
a water nymph, specifically one of the 3 ,000

00:18:42.490 --> 00:18:44.910
daughters of the Titans, Oceanus and Tethys.

00:18:45.349 --> 00:18:47.369
They represented the fresh waters, the springs

00:18:47.369 --> 00:18:49.950
and the rivers. And Metis specifically represented

00:18:49.950 --> 00:18:53.119
magical cunning and deep wisdom. Right. But Zeus

00:18:53.119 --> 00:18:55.599
receives a prophecy that any son born to Metis

00:18:55.599 --> 00:18:57.900
will be more powerful than his father and will

00:18:57.900 --> 00:18:59.940
overthrow him, continuing that violent cycle

00:18:59.940 --> 00:19:01.859
of succession we talked about. So to prevent

00:19:01.859 --> 00:19:04.660
this, Zeus tricks Metis and swallows her whole.

00:19:04.839 --> 00:19:06.960
He just eats his pregnant wife. Problem solved,

00:19:07.099 --> 00:19:09.240
right? Not quite. The pregnancy continued inside

00:19:09.240 --> 00:19:11.779
him, and eventually Zeus is hit with an agonizing

00:19:11.779 --> 00:19:15.400
headache. Hephaestus, the blacksmith god, takes

00:19:15.400 --> 00:19:18.779
an axe and splits Zeus's skull open to relieve

00:19:18.779 --> 00:19:22.109
the pressure. And out springs Athena. She rises

00:19:22.109 --> 00:19:24.609
directly from her father's head, fully grown

00:19:24.609 --> 00:19:27.569
and wearing full battle armor, shouting a war

00:19:27.569 --> 00:19:31.599
cry. is a striking, visceral metaphor. Wisdom

00:19:31.599 --> 00:19:33.920
and strategic warfare don't come from the belly,

00:19:34.000 --> 00:19:36.140
they spring directly from the mind of the chief

00:19:36.140 --> 00:19:39.039
god. Her symbols are the owl, long associated

00:19:39.039 --> 00:19:41.519
with vigilance and ability to see in the dark,

00:19:41.920 --> 00:19:44.700
and the olive tree. She famously gifted the first

00:19:44.700 --> 00:19:47.380
olive tree to the city of Athens to win their

00:19:47.380 --> 00:19:50.240
patronage in a contest against Poseidon, proving

00:19:50.240 --> 00:19:52.660
that agricultural wealth and sustenance are a

00:19:52.660 --> 00:19:55.000
better foundation for a city than a saltwater

00:19:55.000 --> 00:19:58.039
spring. Then we have the twins, Apollo and Artemis,

00:19:58.140 --> 00:20:00.700
Children of Zeus and the Titaness Leto. Leto

00:20:00.700 --> 00:20:02.920
had a horrible time giving birth to them because

00:20:02.920 --> 00:20:06.200
Hera, in her usual vengeful fashion, banished

00:20:06.200 --> 00:20:08.700
Leto from giving birth on any solid land. Let's

00:20:08.700 --> 00:20:10.359
look at Apollo first. He doesn't actually have

00:20:10.359 --> 00:20:12.819
a separate Roman name. The Romans just imported

00:20:12.819 --> 00:20:15.759
him as Apollo. His domain is unbelievably massive.

00:20:16.279 --> 00:20:18.740
God of the sun, light, prophecy, philosophy,

00:20:19.039 --> 00:20:22.380
archery, truth, inspiration, poetry, music, arts,

00:20:22.759 --> 00:20:25.410
manly beauty, medicine, healing and plague. That

00:20:25.410 --> 00:20:27.730
last pairing, healing and plague, is a fascinating

00:20:27.730 --> 00:20:30.829
paradox. How can you be the god of both curing

00:20:30.829 --> 00:20:33.630
disease and causing it? In the ancient mindset,

00:20:34.069 --> 00:20:36.650
disease wasn't just a germ. It was a divine weapon.

00:20:37.569 --> 00:20:40.130
The deity who holds the power to cure a disease

00:20:40.130 --> 00:20:43.089
is inherently the exact same deity who has the

00:20:43.089 --> 00:20:45.789
power to inflict it. If you offend Apollo, he

00:20:45.789 --> 00:20:47.990
strikes your army with a plague of arrows, exactly

00:20:47.990 --> 00:20:50.029
as he does in the opening scenes of the Iliad

00:20:50.029 --> 00:20:52.349
when the griefs disrespect his priest. If you

00:20:52.349 --> 00:20:54.960
appease him, He puts his bow away and lifts the

00:20:54.960 --> 00:20:57.359
plague. His symbols reflect this wildly diverse

00:20:57.359 --> 00:20:59.700
portfolio, the bow and arrow for both hunting

00:20:59.700 --> 00:21:02.559
and disease, the lyre for music and art, the

00:21:02.559 --> 00:21:04.980
raven, the swan, and the wolf. His twin sister

00:21:04.980 --> 00:21:07.519
is Artemis, the Roman Diana. She is the goddess

00:21:07.519 --> 00:21:09.440
of the hunt, the wilderness, virginity, the moon,

00:21:09.660 --> 00:21:12.039
archery, childbirth, protection, and just like

00:21:12.039 --> 00:21:14.480
her brother, plague and sudden death. It's a

00:21:14.480 --> 00:21:16.880
wonderful duality. He is the sun, she is the

00:21:16.880 --> 00:21:19.960
moon. Both are archers. Both deal with disease,

00:21:20.259 --> 00:21:22.519
Apollo usually striking down men, and Artemis

00:21:22.519 --> 00:21:24.799
striking down women. Her symbols include the

00:21:24.799 --> 00:21:27.299
moon, the horse, the deer, the hound, the she

00:21:27.299 --> 00:21:29.960
-bear, the snake, the cypress tree, and the bow

00:21:29.960 --> 00:21:32.599
and arrow. You really get the sense of the deep,

00:21:33.000 --> 00:21:35.440
dark, untamed forest when you look at her symbols.

00:21:35.599 --> 00:21:38.099
She is the protector of young girls, but she's

00:21:38.099 --> 00:21:40.880
also deeply dangerous if crossed. Now we come

00:21:40.880 --> 00:21:43.960
to Ares, Mars to the Romans. He is the god of

00:21:43.960 --> 00:21:46.819
war, violence, bloodshed, and manly virtues.

00:21:47.160 --> 00:21:50.180
He is the legitimate son of Zeus and Hera. And

00:21:50.180 --> 00:21:53.019
the historical texts state, quite bluntly, all

00:21:53.019 --> 00:21:55.359
the other gods absolutely despised him, with

00:21:55.359 --> 00:21:57.960
the sole exception of Aphrodite. Imagine being

00:21:57.960 --> 00:22:00.640
universally hated by your entire extended family

00:22:00.640 --> 00:22:03.200
of immortals. Even your own father tells you

00:22:03.200 --> 00:22:05.160
in the Iliad that you are his least favorite

00:22:05.160 --> 00:22:07.339
child. But it makes sense when you compare him

00:22:07.339 --> 00:22:10.670
to Athena. Athena represents the strategic, noble,

00:22:10.869 --> 00:22:13.329
city -defending side of warfare. The generals

00:22:13.329 --> 00:22:15.450
praying for a tactical victory pray to Athena.

00:22:15.950 --> 00:22:18.589
Ares represents the chaotic, brutal, blood -soaked,

00:22:18.849 --> 00:22:20.910
terrifying reality of the actual battlefield,

00:22:21.069 --> 00:22:23.390
the mindless slaughter. It's not something the

00:22:23.390 --> 00:22:25.910
other gods wanted to be around. Etymology time,

00:22:25.990 --> 00:22:28.990
though his Latin name, Mars, directly gives us

00:22:28.990 --> 00:22:31.470
the English word martial, as in martial arts,

00:22:31.690 --> 00:22:34.009
court martial, or martial law. His symbols are

00:22:34.009 --> 00:22:37.069
very aggressive. the wild boar, the serpent,

00:22:37.210 --> 00:22:39.809
the dog, the vulture which feeds on the dead

00:22:39.809 --> 00:22:42.769
left behind on his battlefields, the spear, and

00:22:42.769 --> 00:22:45.210
the shield. Contrast that destructive force with

00:22:45.210 --> 00:22:47.990
the next god Hephaestus, the Roman Vulcan. He

00:22:47.990 --> 00:22:50.190
is the master blacksmith and craftsman of the

00:22:50.190 --> 00:22:52.970
gods, god of the forge, craftsmanship, invention,

00:22:53.230 --> 00:22:55.789
fire, and volcanoes. He makes all their weapons.

00:22:55.930 --> 00:22:58.730
He builds their palaces. His origin story is

00:22:58.730 --> 00:23:00.849
where we see a major contradiction in the ancient

00:23:00.849 --> 00:23:03.970
texts. According to Homer, he is the normal son

00:23:03.970 --> 00:23:07.049
of Zeus and Hera. But according to Hesiod, Hera

00:23:07.049 --> 00:23:10.589
produced him alone through parthenogenesis. For

00:23:10.589 --> 00:23:12.930
the uninitiated, parthenogenesis essentially

00:23:12.930 --> 00:23:16.250
means reproducing without fertilization. Virgin

00:23:16.250 --> 00:23:18.650
birth. The story goes that Hera did this purely

00:23:18.650 --> 00:23:21.049
out of spite, like, oh, Zeus, you think you can

00:23:21.049 --> 00:23:22.769
produce the glorious Athena out of your own head

00:23:22.769 --> 00:23:24.630
without a mother? Fine, I'll make my own kid

00:23:24.630 --> 00:23:27.029
without a father. It's incredible cosmic family

00:23:27.029 --> 00:23:29.650
drama. But he was born with a physical disability,

00:23:30.089 --> 00:23:32.710
a lame leg, and depending on the myth, Either

00:23:32.710 --> 00:23:35.950
Hera or Zeus threw him off Mount Olympus in disgust.

00:23:36.029 --> 00:23:38.369
He survived, obviously, and he is actually married

00:23:38.369 --> 00:23:40.450
to Aphrodite, which is quite the pairing. Yeah.

00:23:40.609 --> 00:23:43.170
The sweaty soot covered god of the hot forge

00:23:43.170 --> 00:23:46.109
married to the pristine goddess of beauty. And

00:23:46.109 --> 00:23:49.069
another great etymology fact, his Latin name

00:23:49.069 --> 00:23:52.670
Vulcan. gives us the word volcano because the

00:23:52.670 --> 00:23:54.410
ancients believed the smoking mountains were

00:23:54.410 --> 00:23:57.170
the chimneys of his underground forges. His symbols

00:23:57.170 --> 00:24:00.390
include fire, the anvil, the axe, the donkey,

00:24:00.609 --> 00:24:03.670
the hammer, tongs, and the quail. The quail is

00:24:03.670 --> 00:24:06.450
such an interesting, specific inclusion. While

00:24:06.450 --> 00:24:08.630
the ancient texts don't always spell out exactly

00:24:08.630 --> 00:24:11.809
why, we can deduce a few things. Quails are known

00:24:11.809 --> 00:24:14.269
for their distinctive, almost mechanical -sounding

00:24:14.269 --> 00:24:16.829
calls, which might evoke the rhythmic striking

00:24:16.829 --> 00:24:18.930
of a hammer. More importantly, they are ground

00:24:18.930 --> 00:24:20.930
-dwelling birds. They scurry along the earth.

00:24:21.089 --> 00:24:23.789
This ties perfectly into Hephaestus' terrestrial,

00:24:23.930 --> 00:24:27.089
earth -bound forge, creating a stark contrast

00:24:27.089 --> 00:24:29.710
to the high -flying eagles of Zeus. Speaking

00:24:29.710 --> 00:24:32.069
of his wife, let's talk about Aphrodite. Roman

00:24:32.069 --> 00:24:35.430
name Venus, goddess of love, pleasure, passion,

00:24:35.809 --> 00:24:38.730
procreation, fertility, beauty and desire. She

00:24:38.730 --> 00:24:40.589
has the ultimate contradiction in her origin

00:24:40.589 --> 00:24:43.210
story. Homer says she is the daughter of Zeus

00:24:43.210 --> 00:24:46.029
and a relatively obscure tightness named Dion,

00:24:46.470 --> 00:24:49.750
just a normal albeit divine parentage. Fahesian

00:24:49.750 --> 00:24:52.509
tells a very different, much more graphic and

00:24:52.509 --> 00:24:55.670
frankly terrifying story. In his theogeny, Aphrodite

00:24:55.670 --> 00:24:58.500
is born from the sea foam. But that foam wasn't

00:24:58.500 --> 00:25:00.759
just ocean water. It was created when the Titan

00:25:00.759 --> 00:25:03.579
Cronus ambushed his father Uranus, castrated

00:25:03.579 --> 00:25:05.759
him with a flint sickle, and threw the severed

00:25:05.759 --> 00:25:08.200
genitals into the sea. From that violent, bloody,

00:25:08.259 --> 00:25:10.380
cosmic mutilation churning in the ocean, the

00:25:10.380 --> 00:25:12.880
goddess of beauty and desire emerges. It's a

00:25:12.880 --> 00:25:15.349
stark contrast to... Homer's sanitized version.

00:25:15.750 --> 00:25:18.250
It totally changes how you view the concept of

00:25:18.250 --> 00:25:20.529
love in the ancient world. We think of love as

00:25:20.529 --> 00:25:23.349
this gentle, romantic thing. Hesiod is telling

00:25:23.349 --> 00:25:25.690
us that love and desire are born from primal

00:25:25.690 --> 00:25:28.029
violence, chaos, and the severing of generations.

00:25:28.150 --> 00:25:31.190
It's a disruptive force. She is married to Hephaestus

00:25:31.190 --> 00:25:33.849
but had many affairs, most notably with Ares,

00:25:34.049 --> 00:25:37.970
the god of war. Love and war, constantly entangled,

00:25:38.250 --> 00:25:40.670
constantly drawn to each other. Her Greek name,

00:25:40.869 --> 00:25:43.950
Aphrodite, gave us the word aphrodisiac. and

00:25:43.950 --> 00:25:47.069
her Latin name Venus gives us the word venereal.

00:25:47.710 --> 00:25:49.829
Her symbols are the dove, the bird, the apple,

00:25:50.009 --> 00:25:52.549
the bee, the swan, the myrtle, and the rose.

00:25:53.710 --> 00:25:56.009
Beautiful things that often have a sting or a

00:25:56.009 --> 00:25:59.829
thorn. Next is Hermes, the Roman Mercury. He

00:25:59.829 --> 00:26:02.569
is the messenger of the gods, but his domain

00:26:02.569 --> 00:26:05.269
is so much wider and more complex than just delivering

00:26:05.269 --> 00:26:08.380
mail. He is the god of travel, commerce, communication,

00:26:08.599 --> 00:26:11.000
borders, eloquence, diplomacy, thieves, and games.

00:26:11.480 --> 00:26:14.099
He is the patron of anyone who crosses boundaries.

00:26:14.259 --> 00:26:17.299
Because of that, he is also a psychopomp. A psychopomp

00:26:17.299 --> 00:26:19.579
being the entity responsible for guiding dead

00:26:19.579 --> 00:26:21.799
souls down into the underworld. You cross the

00:26:21.799 --> 00:26:23.920
ultimate boundary from life to death, and Hermes

00:26:23.920 --> 00:26:26.160
is the one walking you to the River Styx. He

00:26:26.160 --> 00:26:28.599
is the son of Zeus and the nymph Maya. He's the

00:26:28.599 --> 00:26:30.700
second youngest Olympian. We mentioned earlier

00:26:30.700 --> 00:26:32.660
the story of him stealing Apollo's cows when

00:26:32.660 --> 00:26:35.140
he was a baby. He's the ultimate trickster. But

00:26:35.140 --> 00:26:38.559
he's also a brilliant inventor. When Apollo finally

00:26:38.559 --> 00:26:40.920
tracked him down and demanded his cows back,

00:26:41.480 --> 00:26:43.839
Hermes played a liar he had invented by stretching

00:26:43.839 --> 00:26:46.380
animal guts across a hollowed out tortoise shell.

00:26:46.940 --> 00:26:49.519
The music was so beautiful that Apollo, the god

00:26:49.519 --> 00:26:52.440
of music, traded the remaining cows just to have

00:26:52.440 --> 00:26:55.720
the instrument. Hermes' symbols include the caduceus,

00:26:55.799 --> 00:26:58.039
that's the herald's staff, entwined with two

00:26:58.039 --> 00:27:00.400
snakes that you still see in medical imagery

00:27:00.400 --> 00:27:02.180
today, though that's technically a historical

00:27:02.180 --> 00:27:04.539
mix -up with the rod of Asclepius. His winged

00:27:04.539 --> 00:27:07.759
sandals, a winged traveler's cap, and the tortoise.

00:27:07.880 --> 00:27:11.640
And finally we have Dionysus, Roman name Lieber.

00:27:12.160 --> 00:27:14.559
He is the god of wine, the grapevine, fertility,

00:27:14.819 --> 00:27:16.960
festivity, ecstasy, madness, and resurrection.

00:27:17.180 --> 00:27:19.759
He's the patron god of the art of theater. He

00:27:19.759 --> 00:27:22.299
is the youngest Olympian. But what's truly unique

00:27:22.299 --> 00:27:24.660
about his genealogy is his mother. He is the

00:27:24.660 --> 00:27:27.519
son of Zeus and a mortal woman, the Theban Princess

00:27:27.519 --> 00:27:30.400
Samel. He's the only Olympian god with a mortal

00:27:30.400 --> 00:27:33.019
mother. And her story is tragic. Hera found out

00:27:33.019 --> 00:27:35.559
about the affair and tricked Sameli into demanding

00:27:35.559 --> 00:27:38.500
that Zeus reveal his true divine form to her.

00:27:38.900 --> 00:27:41.859
Zeus had sworn an unbreakable oath to give her

00:27:41.859 --> 00:27:45.579
whatever she wanted. So he complied. But mortals

00:27:45.579 --> 00:27:48.900
cannot look upon the raw glory of a god. Semele

00:27:48.900 --> 00:27:52.240
burst into flames and was incinerated. Zeus rescued

00:27:52.240 --> 00:27:55.039
the unborn Dionysus from the ashes and sewed

00:27:55.039 --> 00:27:57.200
the fetus into his own thigh until he was ready

00:27:57.200 --> 00:27:59.740
to be born. It's a literal resurrection story.

00:27:59.839 --> 00:28:02.180
He is married to the Cretan princess Ariadne,

00:28:02.319 --> 00:28:05.299
who he rescued after Theseus abandoned her. His

00:28:05.299 --> 00:28:07.920
symbols include the grapevine, ivy, the cup,

00:28:07.940 --> 00:28:09.880
and the goat. But then you look at his other

00:28:09.880 --> 00:28:11.599
symbols and they paint a very different picture.

00:28:11.769 --> 00:28:14.869
The tiger, the panther, the leopard, these exotic,

00:28:15.069 --> 00:28:17.809
dangerous wildcats from the east. And a pine

00:28:17.809 --> 00:28:20.269
cone on top of a staff called a thursis. When

00:28:20.269 --> 00:28:22.559
you read plays like Euripides the Bacchae. You

00:28:22.559 --> 00:28:24.880
see that his worship wasn't just a fun wine tasting.

00:28:25.359 --> 00:28:28.380
It involved wild, ecstatic, boundary breaking

00:28:28.380 --> 00:28:30.779
behavior. Women running into the woods tearing

00:28:30.779 --> 00:28:33.619
wild animals apart with their bare hands. Madness

00:28:33.619 --> 00:28:36.539
and festivity walking hand in hand. So that establishes

00:28:36.539 --> 00:28:38.680
the canonical 13 names depending on whether a

00:28:38.680 --> 00:28:41.740
particular city's list includes Hestia or Dionysus.

00:28:42.059 --> 00:28:45.079
But. The archaeological and literary reality

00:28:45.079 --> 00:28:48.200
makes it very clear. Just because you have immortality

00:28:48.200 --> 00:28:50.339
and live on Olympus does not automatically make

00:28:50.339 --> 00:28:52.779
you one of the 12 Olympians. There is a deeply

00:28:52.779 --> 00:28:55.319
complex bureaucracy of heaven. Who else is hanging

00:28:55.319 --> 00:28:57.940
around the mountain? We've got the VIP roommates,

00:28:58.500 --> 00:29:01.420
the honorable mentions. Let's start with Heracles.

00:29:01.559 --> 00:29:04.220
We know him as Hercules. After he completed his

00:29:04.220 --> 00:29:07.259
12 labors and died a mortal death, he achieved

00:29:07.259 --> 00:29:10.539
apotheosis, which means he was elevated to divine

00:29:10.539 --> 00:29:13.630
status. He moved to Olympus, where he married

00:29:13.630 --> 00:29:16.470
the goddess of youth, Hebe. But here is where

00:29:16.470 --> 00:29:19.529
ancient politics mirrors modern corporate dynamics.

00:29:20.390 --> 00:29:22.349
According to the historian Diodorus Siculus,

00:29:22.869 --> 00:29:24.750
there were rumors that Heracles has actually

00:29:24.750 --> 00:29:27.289
offered a place among the elite 12 Olympians.

00:29:27.490 --> 00:29:30.650
A promotion to the absolute top tier. But he

00:29:30.650 --> 00:29:33.390
refused. Why? Because the number 12 was fixed.

00:29:34.029 --> 00:29:36.009
Accepting the promotion would mean one of the

00:29:36.009 --> 00:29:38.190
original 12 would have to be voted off the island,

00:29:38.769 --> 00:29:41.269
cast out to make room for him. He politely declined

00:29:41.269 --> 00:29:43.710
the promotion to preserve the stability of the

00:29:43.710 --> 00:29:45.829
Cosmic Board of Directors. He didn't want to

00:29:45.829 --> 00:29:48.230
start another divine civil war. I love that image

00:29:48.230 --> 00:29:50.170
of Herakles just saying, no thanks, I'll take

00:29:50.170 --> 00:29:51.789
the coroner office, but I don't need to be on

00:29:51.789 --> 00:29:54.869
the board. Then you have Themis. She is a Titan,

00:29:55.109 --> 00:29:57.930
the personification of divine law and custom.

00:29:58.190 --> 00:30:00.349
She fought on the losing side of that 10 -year

00:30:00.349 --> 00:30:02.210
cosmic war we talked about at the beginning.

00:30:02.490 --> 00:30:05.529
Yet the Iliad explicitly lists her as dwelling

00:30:05.529 --> 00:30:08.789
on Olympus alongside the very gods who overthrew

00:30:08.789 --> 00:30:10.910
her generation. She's just casually living there

00:30:10.910 --> 00:30:14.349
advising Zeus. She is a Titan and an Olympian

00:30:14.349 --> 00:30:16.500
resident at the same time. We also have the children

00:30:16.500 --> 00:30:19.339
of the river goddess Styx. Their names are Zealus,

00:30:19.559 --> 00:30:23.140
which means envy or zeal, Nike meaning victory,

00:30:23.740 --> 00:30:27.000
Kratos meaning strength, and Beah meaning force.

00:30:27.400 --> 00:30:30.500
According to Hesiod, these four personified concepts

00:30:30.500 --> 00:30:33.319
have no house apart from Zeus, nor any dwelling

00:30:33.319 --> 00:30:36.359
nor path, except that wherein God leads them,

00:30:36.359 --> 00:30:38.940
but they dwell always with Zeus. They are the

00:30:38.940 --> 00:30:41.359
constant, hovering, muscular entourage of the

00:30:41.359 --> 00:30:44.279
king of the gods. Where Zeus goes, victory and

00:30:44.279 --> 00:30:47.279
force follow. And the ancient texts give us these

00:30:47.279 --> 00:30:50.119
massive, exhausting lists of other divine beings.

00:30:50.720 --> 00:30:53.200
The Hoare, representing the seasons, the graces,

00:30:53.380 --> 00:30:56.039
the muses. Eilithea, the goddess of childbirth.

00:30:56.599 --> 00:30:59.380
Iris, the rainbow messenger. Ganymede, the cupbearer.

00:30:59.539 --> 00:31:01.720
And then you look at the broader categories stretching

00:31:01.720 --> 00:31:04.480
out across the world. Water deities, nymphs,

00:31:04.599 --> 00:31:07.400
satyrs, centaurs, dragons. The rivers of the

00:31:07.400 --> 00:31:12.400
underworld, Acturon, Cossitus. Lethy, Fliggetathon,

00:31:13.059 --> 00:31:16.180
Styx, the mythical creatures, the Minotaur, the

00:31:16.180 --> 00:31:18.380
Sphinx, the Chimera. When you step back and look

00:31:18.380 --> 00:31:20.240
at the bigger picture, it illustrates something

00:31:20.240 --> 00:31:22.759
vital about how the Greeks saw their world. The

00:31:22.759 --> 00:31:24.779
Twelve Olympians weren't the entirety of the

00:31:24.779 --> 00:31:27.039
religion. They were just the executive C -suite

00:31:27.039 --> 00:31:29.460
of an unbelievably vast corporate structure of

00:31:29.460 --> 00:31:32.440
mythology. Below them were middle managers, local

00:31:32.440 --> 00:31:35.359
supervisors, rogue elements and independent contractors

00:31:35.359 --> 00:31:38.160
in the form of local nymphs and river gods. The

00:31:38.160 --> 00:31:40.759
Twelve sat at the very top of a deeply complex,

00:31:41.000 --> 00:31:44.019
fully populated and intensely categorized universe

00:31:44.019 --> 00:31:47.059
where every tree, stream and mountain had resident

00:31:47.059 --> 00:31:50.680
spirit. So what does this all mean for how we

00:31:50.680 --> 00:31:53.819
organize our world? How did this ancient flexibility

00:31:53.819 --> 00:31:56.500
influence the future? Because the Romans looked

00:31:56.500 --> 00:31:59.480
at this incredibly complex, somewhat messy Greek

00:31:59.480 --> 00:32:01.799
system and decided they needed to streamline

00:32:01.799 --> 00:32:04.019
it. They did what Romans do best. They organized

00:32:04.019 --> 00:32:06.819
it. The Roman poet Enius writing in the late

00:32:06.819 --> 00:32:10.900
third century BC took this fluid, adaptable Greek

00:32:10.900 --> 00:32:13.420
concept of the Twelve and locked it down for

00:32:13.420 --> 00:32:15.460
the Romans into a formalized group called the

00:32:15.460 --> 00:32:18.180
Deaconsens. He organized them completely into

00:32:18.180 --> 00:32:21.380
six male -female complements, six neat pairs,

00:32:21.799 --> 00:32:25.019
Jupiter and Juno, Neptune and Minerva, Mars and

00:32:25.019 --> 00:32:28.579
Venus, Apollo and Diana, Vulcan and Vesta, Mercury

00:32:28.579 --> 00:32:30.720
and Ceres. They adopted the gods completely,

00:32:30.720 --> 00:32:32.619
but they structured them in a rigid way that

00:32:32.619 --> 00:32:34.759
made sense for Roman statecraft and political

00:32:34.759 --> 00:32:37.240
religion. Notably preserving the critical role

00:32:37.240 --> 00:32:39.359
of Vesca, the the hearth goddess because the

00:32:39.359 --> 00:32:41.460
Roman state relied so heavily on her continued

00:32:41.460 --> 00:32:43.779
worship. But looking back at the Greeks, the

00:32:43.779 --> 00:32:45.759
identities of their gods were incredibly fluid.

00:32:46.000 --> 00:32:48.940
They adapted to rivers, to local altars, to political

00:32:48.940 --> 00:32:51.500
shifts. A tyrant like Pisistratus could build

00:32:51.500 --> 00:32:54.559
an altar in the center of Athens to cement his

00:32:54.559 --> 00:32:57.740
family's legacy. And suddenly that altar defines

00:32:57.740 --> 00:33:00.009
the geography of the whole city. A poet could

00:33:00.009 --> 00:33:03.250
decide Heracles worshipped a river god alongside

00:33:03.250 --> 00:33:05.730
Artemis, and the local people would say, yeah,

00:33:05.890 --> 00:33:07.690
that makes sense for us here in Olympia. The

00:33:07.690 --> 00:33:10.250
river is important to us. It's a reminder that

00:33:10.250 --> 00:33:12.470
when you think about the rules of ancient mythology.

00:33:12.839 --> 00:33:15.200
you have to realize that there were no strict

00:33:15.200 --> 00:33:18.319
rules. It wasn't a dead text printed in a modern

00:33:18.319 --> 00:33:21.440
encyclopedia. It was a living, breathing religion

00:33:21.440 --> 00:33:24.039
where cities could mix and match their top 12

00:33:24.039 --> 00:33:26.960
gods based on what mattered to their daily survival,

00:33:27.339 --> 00:33:29.579
their local landscape, and their political needs.

00:33:29.880 --> 00:33:32.359
The Pantheon was a toolbox for understanding

00:33:32.359 --> 00:33:35.099
the terrifying, beautiful universe they lived

00:33:35.099 --> 00:33:37.640
in. As we wrap up this deep dive, there is one

00:33:37.640 --> 00:33:40.279
final, incredibly provocative thought from the

00:33:40.279 --> 00:33:41.920
historical text that I want to leave you with.

00:33:42.240 --> 00:33:44.500
It comes from the philosopher Plato. I mentioned

00:33:44.500 --> 00:33:47.039
earlier that the number 12 was tied to the 12

00:33:47.039 --> 00:33:49.579
months of the year, providing a neat mathematical

00:33:49.579 --> 00:33:52.579
symmetry. Plato believed that the 12 gods should

00:33:52.579 --> 00:33:55.599
correspond strictly to those 12 months, one god

00:33:55.599 --> 00:33:58.200
per month. But his proposal for how to actually

00:33:58.200 --> 00:34:01.380
implement that calendar was deeply radical. Plato

00:34:01.380 --> 00:34:03.759
suggested that the final 12th month of the year

00:34:03.759 --> 00:34:06.359
should be devoted entirely to Pluto, which is

00:34:06.359 --> 00:34:09.019
another name for Hades, the wealth giver of the

00:34:09.019 --> 00:34:11.360
earth and the spirits of the dead. He wanted

00:34:11.360 --> 00:34:13.860
to officially bring the ruler of the underworld

00:34:13.860 --> 00:34:17.340
out of the basement and into the core 12, assigning

00:34:17.340 --> 00:34:19.659
him an entire month of the year. I want you to

00:34:19.659 --> 00:34:21.880
ponder that. Think about our modern calendar.

00:34:22.280 --> 00:34:24.940
What would it actually mean for a society to

00:34:24.940 --> 00:34:27.980
dedicate one -twelfth of its entire year, a full

00:34:27.980 --> 00:34:30.940
30 -day month, strictly to honoring the underworld,

00:34:31.199 --> 00:34:33.860
the end of life, and the people we've lost? We

00:34:33.860 --> 00:34:35.940
have individual days for remembering the dead,

00:34:36.079 --> 00:34:39.019
sure. But imagine an entire month integrated

00:34:39.019 --> 00:34:41.539
into the official civic calendar alongside the

00:34:41.539 --> 00:34:44.219
Harvest, the Spring, and the Sun. Would integrating

00:34:44.219 --> 00:34:47.079
the taboo, the unseen, and the inevitable reality

00:34:47.079 --> 00:34:49.699
of death into our literal measurement of time

00:34:49.699 --> 00:34:52.639
change how we value our daily lives? Would it

00:34:52.639 --> 00:34:55.340
make us less afraid? Let that sink in the next

00:34:55.340 --> 00:34:57.340
time you look up at the stars or check the date

00:34:57.340 --> 00:34:57.940
on your phone.
