WEBVTT

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So I want you to picture a highly specific scenario

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for a second. OK. Imagine holding a direct, like

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a physical connection to the year 1738 in your

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hands. Oh, wow, 1738. Right. So we are talking

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about the era of powdered wigs. The Enlightenment

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is in full swing. And news is only traveling

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as fast as a horse could gallop, basically. or

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a ship could sail. Yeah, pre -industrial. Exactly.

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And usually when we think about interacting with

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a primary source from that far back, the image

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that comes to mind is, well, it's quite intimidating.

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It is. You picture the white gloves. Yes. You

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picture yourself in this, like, heavily air -conditioned,

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subterranean vault of some elite university.

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You're wearing the white cotton gloves, you're

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speaking in hushed tones, and you're basically

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terrified to breathe too heavily on the parchment

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just in case it crumbles into dust right in front

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of the archivist. Which is a very real fear with

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paper that old. It really is. Yeah. But what

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if, instead of that highly restricted environment,

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you were just sitting in your living room? You're

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drinking your morning coffee, and you are simply

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clicking a mouse to scroll through the exact

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same historical document. It completely flips

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the traditional script of historical research,

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doesn't it? It really does. Because that image,

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that shift from the vault to the living room...

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captures the fundamental shift we're looking

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at today. You aren't just looking at old paper

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on a screen. You are looking at the democratization

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of information. I like that phrase, democratization

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of information. Because historically, the documented

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primary source past was strictly guarded. It

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was entirely the domain of gatekeepers. Right.

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If you wanted to read an 18th century broadsheet,

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you needed the academic credentials to get into

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the library in the first place. Oh, you had to

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know somebody. Exactly. or you needed the financial

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resources and just the sheer free time to travel

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across the globe to wherever that physical piece

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of paper was housed. Yeah, which most people

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just don't have. No, they don't. So what we are

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exploring is how that geographical and institutional

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barrier has been entirely dismantled. And that

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is exactly our mission for today's Deep Dive.

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We are unpacking the Irish newspaper archives.

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Often referred to as the INA. Right, the INA.

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We're looking at some really rich materials we

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found, unlocking 250 years of history with this

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digital collection of Irish newspapers. It's

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a massive collection. It is. It's recognized

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as the world's oldest and largest digital archive

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of its kind. And we want to figure out how this

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massive online database actually came to be.

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How it fundamentally transforms the way we access

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Ireland's history, the culture, and even just

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the highly granular details of daily life spanning

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over two and a half centuries, right up to the

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present day. It's an incredible timeline. Okay,

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let's unpack this because before we get into

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the tech behind it, we need to talk about the

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sheer footprint of this collection. The scale

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is what makes it such a formidable tool. When

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I was looking at our sources, the logistics alone

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made me pause. I don't blame you. Based on the

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core information, the INA is a commercial online

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database of digitized newspapers. But the defining

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metric here is the timeline. Right, the 1738

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start date. Exactly. It spans from the year 1738

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continuously up to the modern era through 2025.

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That's, I mean, that's just wild. You are talking

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about a continuous, unbroken textual record of

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more than two and a half centuries. An unbroken

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record. Yes. And to your earlier point about

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the footprint, it isn't just a digitized version

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of one or two national papers of record. Like

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it's not just the big Dublin papers. No, not

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at all. The archive encompasses roughly 260 different

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newspaper outlets. 260. Yes. Printed all across

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Ireland, but importantly, it also includes publications

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printed abroad by Irish diaspora. 260 different

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titles. That is an almost unfathomable amount

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of ink and paper. And human effort. Yeah, human

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effort. When you step back and think about the

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eras covered there, you've got small rural towns,

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major industrializing cities. You've got the

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shifting of political borders, the famines, rebellions.

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The founding of the republic. Exactly. All the

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way into the modern tech boom in Dublin. It's

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a massive historical dragnet. But I have to ask,

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what does having 250 distinct publications actually

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give us? What do you mean? Well, what does that

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give us that a few major national papers wouldn't?

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Ah. What's fascinating here is the difference

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between macro history and micro history. Okay,

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macro versus micro. Right. The macro history

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is what you get in a textbook. or even in a major

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national daily paper. The big headlines. Exactly.

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The national paper tells you that a treaty was

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signed in London or a new tax was levied in Dublin.

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It gives you the broad strokes of geopolitical

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shift. The stuff you have to memorize for a test.

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Exactly. But 260 regional and local papers give

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you the microhistory. The ground level. It shows

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you the immediate downstream effects of those

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macro events on the ordinary citizen. Oh, that

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makes sense. You get the daily commerce, the

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shifting price. at the local cattle market, the

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birth and death notices. The local political

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disputes. Yes, and even the local gossip. It

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is the granular texture of how people actually

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lived, what they feared, and what they valued

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on a random Tuesday in 1845 or 1916. It's the

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texture that I find so compelling. It's the arguments,

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the cultural quirks, the things that never make

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it into the history books, but completely define

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an era. Absolutely. In fact, I found this brilliant

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example hidden in our source material. It's an

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article by Dara Kosyada. Of the linguistic debate?

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Yes. The INA was actually used by a journalist

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to settle a massive ongoing linguistic debate

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in Ireland. Specifically, the debate over how

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to spell the word crickick. That is a perfect

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illustration of how a digitized archive changes

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research. So for a bit of context for you listening,

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the word crickick is ubiquitous in modern Irish

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culture. It generally refers to news, gossip,

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fun, or a good time. The common greeting is,

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what's the crick? Right. And if you go to Ireland

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today, or even an Irish pub in New York or Sydney,

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you see it's spelled C -R -A -I -C on chalkboards

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everywhere. It looks inherently traditional.

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It does. It looks like an ancient Gaelic word.

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Precisely. But linguists and historians have

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long debated its actual origin. Right, because

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there's a competing theory. Yes. A prominent

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theory is that it was originally just the English

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word crack. spelled C -R -A -C -K, meaning a

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joke, a chat, or a boast. Which was widely used

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in Northern England and Scotland, right? Exactly.

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The argument goes that this English word was

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adopted into Irish culture in the mid -20th century,

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and then it was subsequently given a Gaelicized

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spelling, C -R -A -I -C, to make it appear more

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authentically, traditionally Irish. So they essentially

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retrofitted the English word to look Irish. That's

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the theory. But how do you actually prove that?

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Because before a digital archive, I imagine you'd

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just have academics arguing over their own subjective

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memories. Or you'd have some poor grad students

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spending three years in a basement. Yeah. Manually

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reading thousands of physical pages hoping to

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spot the word. Exactly. The manual search methodology

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for a linguistic shift like that is almost impossible.

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You just can't read enough pages fast enough.

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Right. But with the INA, the methodology completely

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changes. You have a search bar. The ultimate

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tool. The journalists could query both spellings

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across millions of pages of print media and just

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filter by decade. Oh, that's brilliant. They

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could track exactly when the CRACK spelling was

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prevalent in certain contexts and pinpoint the

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exact decade when the CRAIC spelling began to

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emerge and eventually dominate the print landscape.

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It turns 250 years of subjective cultural memory

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into an objective searchable, quantifiable data

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set. It does. I love that. It takes this highly

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abstract linguistic concept and provides hard

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printed proof. And it really connects back to

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you, the listener. How so? It proves that this

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kind of database isn't just some sterile playground

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for academics writing peer reviewed papers that

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no one will ever read. It's a highly practical,

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modern tool. Very true. You can use it to settle

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a pub debate about the origins of a slang word.

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You can use it to trace your own family tree,

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looking up marriage announcements from the 1800s.

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hundreds. Irish genealogy research is a huge

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use case for this. Huge. It takes the esoteric

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concept of history and makes it incredibly functional

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for everyday curiosity. And we shouldn't gloss

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over the technological leap required to make

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that functional curiosity possible. You mean

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the search function itself. Yes. You mentioned

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typing a word into a search bar. For a computer

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to recognize the word Craig on a newspaper from

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1960, or a completely different word on a broadsheet

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from 1738, it relies on optical character recognition.

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OCR. OCR, yes. Right, because the archive isn't

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just a collection of photographs of old newspapers.

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If it were just photos, you couldn't search the

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text. Exactly. A photo is just pixels to a computer.

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It doesn't know there are letters in it. So how

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does the OCR handle something as old as a 1738

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broadsheet? I'm imagining the typography back

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then was wildly inconsistent. It is an immense

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technical hurdle. I bet. OCR software has to

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scan an image of a page and essentially guess

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what letters are present based on their shapes.

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Okay. When you are dealing with modern, crisp,

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digital -born text, it's easy. But an 18th century

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broadsheet... presents nightmares for an algorithm.

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Because the paper is degrading. Yes, the paper

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itself is often degraded, wrinkled, or torn.

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The ink from the printing press might have bled

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through from the other side of the page, creating

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confusing shapes. Oh, I hadn't even thought of

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that, the ghosting effect. Exactly. And the fonts

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are archaic. For instance, in older English and

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Irish printing, they used the long S. The long

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S? Yes, it was a version of the lower cases that

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looks almost identical to a lowercase f. Oh,

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right, with the word house. Looks like half with

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an F. Yes. I can see how an algorithm would completely

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panic trying to read that. Precisely. So the

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OCR technology has to be highly specialized.

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It has to be constantly refined to understand

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the historical context of the typography. It

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has to learn history to read history. In a way,

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yes. It has to learn to ignore ink splatters

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and to interpret the varying column structures

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of centuries of different publishing standards.

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Because newspapers didn't always look like they

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do today. Exactly. The fact that you can type

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a word and search across 260 publications instantly

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is the result of massive computational effort

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layered over decades of manual preservation.

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Which brings us to a really crucial point about

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the INA. The origin. Yes. Because this massive

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infrastructure, this incredible tech achievement,

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it didn't originate in Silicon Valley. No, it

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didn't. And this might be my favorite part of

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the entire deep dive because it defies all modern

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expectations of how big data is built. It really

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does. When we think of a database containing

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millions upon millions of searchable assets,

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we assume it's owned by a massive, faceless tech

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conglomerate. With billions in venture capital.

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Right. And Sero Farms the size of small cities.

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But the origins of the INA trace back to the

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1960s. And it started entirely as a family enterprise.

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It's a remarkably grounded origin story. Tell

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me about Alan Martin. So the foundation of what

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would eventually become this vast digital network

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was laid by a man named Alan Martin. In the 1960s,

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he founded a company called National Micropublishing.

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OK. Their core business wasn't data. It was physical

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preservation. They provided microfilming services

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for newspaper publishers and libraries across

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Ireland. Microfilm. Wow. Yes. For anyone who

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hasn't had the distinct pleasure of wrestling

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with a microfilm machine in a public library,

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it is a very tactile experience. Oh, the film.

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You've got these little spools of film and you

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have to thread them through this heavy clunky

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machine, usually under this harsh glowing light.

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And if you thread it wrong, it goes everywhere.

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Yes. and you turn this mechanical crank to advance

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the film, and the pages just whip past on the

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screen. It was revolutionary at the time. It

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was a very physical, manual process to read it.

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And the creation of that microfilm was even more

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physical. How so? We really have to appreciate

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the sheer labor involved in the 1960s. Alan Martin

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and his team were dealing with massive, physically

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-bound volumes of broadsheet newspapers. And

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I am books of newspapers. Exactly. And many of

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these volumes were already over a century old

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at that point. So they were delicate. Very. The

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paper was highly acidic, brittle, and actively

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deteriorating. Wow. They had to turn each page

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by hand, lay it flat under glass, and photograph

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it frame by frame onto rolls of film. Frame by

00:12:48.340 --> 00:12:50.980
frame, one click at a time. One click at a time.

00:12:51.399 --> 00:12:54.240
They were doing the gritty, unglamorous work

00:12:54.240 --> 00:12:56.879
of preservation decades before the internet was

00:12:56.879 --> 00:12:59.340
even a concept. That is incredible foresight.

00:12:59.539 --> 00:13:01.379
They recognized that if these papers weren't

00:13:01.379 --> 00:13:04.179
captured on film, they would inevitably be lost

00:13:04.179 --> 00:13:07.100
to fire, dampness, or simple chemical decay.

00:13:07.259 --> 00:13:10.320
So they spent decades doing this incredibly meticulous

00:13:10.320 --> 00:13:13.759
manual labor. They built this massive repository

00:13:13.759 --> 00:13:16.240
of microfilms. Millions of frames. Millions.

00:13:16.539 --> 00:13:18.960
But then we hit a massive chronological pivot.

00:13:19.230 --> 00:13:22.029
As we move into the early 2000s, specifically

00:13:22.029 --> 00:13:25.889
between 2001 and 2003, the business shifts. It

00:13:25.889 --> 00:13:28.850
is established as a subsidiary of National Micromedia

00:13:28.850 --> 00:13:32.350
LTD by Andrew Martin and his family. Alan's son.

00:13:32.539 --> 00:13:34.639
Right. And they clearly saw the writing on the

00:13:34.639 --> 00:13:37.220
wall. Microfilm was not the end game. It's a

00:13:37.220 --> 00:13:40.139
classic and frankly rare example of an analog

00:13:40.139 --> 00:13:42.980
business successfully surviving a profound technological

00:13:42.980 --> 00:13:45.379
paradigm shift. It really is rare. Think of how

00:13:45.379 --> 00:13:47.899
many companies rooted in physical media like

00:13:47.899 --> 00:13:51.019
film photography or video rentals simply collapsed

00:13:51.019 --> 00:13:53.100
when digital technology arrived. Blockbuster

00:13:53.100 --> 00:13:55.690
comes to mind immediately. Exactly. But the Martin

00:13:55.690 --> 00:13:58.210
family understood that their core asset wasn't

00:13:58.210 --> 00:14:01.309
the physical microfilm itself. It was the information

00:14:01.309 --> 00:14:04.750
captured on the film. So between 2001 and 2003,

00:14:04.789 --> 00:14:07.409
they began the monumental transition from an

00:14:07.409 --> 00:14:10.330
analog service company to a digital data company.

00:14:10.409 --> 00:14:12.850
Which means scanning the microfilm. Yes. They

00:14:12.850 --> 00:14:15.309
started the process of taking decades of physical

00:14:15.309 --> 00:14:18.529
microfilm and scanning it into digital images

00:14:18.529 --> 00:14:21.850
to be processed by that OCR technology we discussed.

00:14:22.009 --> 00:14:25.440
Which is a massive risk. changing your business

00:14:25.440 --> 00:14:27.519
model. It was a huge undertaking. But it paid

00:14:27.519 --> 00:14:31.259
off because by 2009, the official online platform

00:14:31.259 --> 00:14:34.039
for the Irish Newspaper Archives launches. The

00:14:34.039 --> 00:14:36.320
first iteration of what we see today. And bringing

00:14:36.320 --> 00:14:38.879
it up to the present day, what strikes me as

00:14:38.879 --> 00:14:41.620
truly remarkable is the ownership structure.

00:14:41.820 --> 00:14:44.019
It's still in the family. Yes. According to the

00:14:44.019 --> 00:14:46.120
sources, it remains completely independent. It

00:14:46.120 --> 00:14:48.820
is still family run. It's managed by Alan Martin's

00:14:48.820 --> 00:14:51.200
sons, Andrew and Jonathan, their mother Annette,

00:14:51.559 --> 00:14:53.850
and Phil Martin. The rarity of that structure

00:14:53.850 --> 00:14:56.529
in today's data landscape is profound. Really

00:14:56.529 --> 00:14:59.169
is. We live in an era where global information

00:14:59.169 --> 00:15:01.850
is rapidly consolidated into the hands of a few

00:15:01.850 --> 00:15:04.429
multinational corporations. The big tech giants.

00:15:04.629 --> 00:15:08.269
Yet here, you have a colossal, nationally significant

00:15:08.269 --> 00:15:11.730
archive. The collective memory of an entire nation

00:15:11.730 --> 00:15:15.039
and its diaspora. and it is stewarded by a single

00:15:15.039 --> 00:15:17.279
family. That's almost poetic. They have bridged

00:15:17.279 --> 00:15:19.960
multiple generations and multiple technological

00:15:19.960 --> 00:15:23.419
epochs from highly degradable physical paper

00:15:23.419 --> 00:15:28.259
to analog microfilm to a fully integrated searchable

00:15:28.259 --> 00:15:30.960
digital database. It requires a staggering amount

00:15:30.960 --> 00:15:33.559
of long -term vision to maintain independence

00:15:33.559 --> 00:15:36.240
over half a century in this industry. It really

00:15:36.240 --> 00:15:38.100
does. I find the philosophy of that fascinating.

00:15:38.200 --> 00:15:41.019
A single family holding the digital keys to the

00:15:41.019 --> 00:15:43.320
daily lived experiences of millions of people.

00:15:43.519 --> 00:15:45.639
It's a heavy responsibility. But that leads us

00:15:45.639 --> 00:15:48.019
to a really thorny issue. Right. Because as much

00:15:48.019 --> 00:15:50.460
as this is a labor of love and a mission of historical

00:15:50.460 --> 00:15:54.039
preservation, national micro media is a commercial

00:15:54.039 --> 00:15:56.519
enterprise. Yes, they're our business. Digitizing

00:15:56.519 --> 00:15:59.820
millions of pages, running OCR software and keeping

00:15:59.820 --> 00:16:04.399
high bandwidth servers online, $2 .47 is incredibly

00:16:04.399 --> 00:16:06.899
expensive. The cloud isn't free. Exactly. So

00:16:06.899 --> 00:16:09.149
how do they actually pay for it? The economics

00:16:09.149 --> 00:16:12.070
of archiving is always a complex balancing act.

00:16:12.110 --> 00:16:14.210
I imagine so. You are constantly weighing the

00:16:14.210 --> 00:16:16.970
public's right to access their own history against

00:16:16.970 --> 00:16:19.929
the hard capitalist reality of infrastructure

00:16:19.929 --> 00:16:23.649
costs. Right. The INA navigates this through

00:16:23.649 --> 00:16:26.730
a dual access model. Based on the source material,

00:16:26.789 --> 00:16:29.970
the first tier is based on geographical and institutional

00:16:29.970 --> 00:16:32.610
subsidization. OK, break that down for me. They

00:16:32.610 --> 00:16:35.190
provide subscription free access to users who

00:16:35.190 --> 00:16:37.629
are physically located in Irish public life.

00:16:37.480 --> 00:16:39.620
libraries, universities, and secondary schools.

00:16:39.960 --> 00:16:43.860
Okay, so if you are a teenager in Cork working

00:16:43.860 --> 00:16:46.440
on a history project, or just a retired person

00:16:46.440 --> 00:16:49.500
who walks into a public library in Galway, You

00:16:49.500 --> 00:16:52.399
can sit down at a computer and access this entire

00:16:52.399 --> 00:16:56.519
250 year database without swiping a credit card.

00:16:56.720 --> 00:16:59.059
Exactly. The barrier to entry for the domestic

00:16:59.059 --> 00:17:01.600
public within those institutions is zero. It's

00:17:01.600 --> 00:17:04.519
amazing. It is. However, the servers still need

00:17:04.519 --> 00:17:06.680
to be paid for. So the second tier of the model

00:17:06.680 --> 00:17:09.880
is commercial access. This is designed for individual

00:17:09.880 --> 00:17:12.920
researchers, genealogists, and the diaspora who

00:17:12.920 --> 00:17:14.740
want to use the database from the comfort of

00:17:14.740 --> 00:17:17.819
their own homes or from outside of Ireland entirely.

00:17:18.099 --> 00:17:20.950
Okay. So home access is paid? Yes. As of the

00:17:20.950 --> 00:17:25.170
year 2025, a 12 -month gold membership costs

00:17:25.170 --> 00:17:30.430
$169 ,000. OK. Alternatively, there is a one

00:17:30.430 --> 00:17:33.750
-month rolling gold membership for 18 .25 per

00:17:33.750 --> 00:17:38.509
month, which works out to 219 euro annually if

00:17:38.509 --> 00:17:40.910
you kept it running for a full year. OK. I want

00:17:40.910 --> 00:17:43.069
to play devil's advocate here for a second. Because

00:17:43.069 --> 00:17:47.880
169 euro for a year. For casual hobbyist, that

00:17:47.880 --> 00:17:50.200
feels like a relatively steep paywall. It's an

00:17:50.200 --> 00:17:52.039
investment, certainly. Isn't history supposed

00:17:52.039 --> 00:17:54.579
to belong to everyone? I can imagine some people

00:17:54.579 --> 00:17:56.859
arguing that locking the public record behind

00:17:56.859 --> 00:17:59.240
a commercial paywall for home users is somewhat

00:17:59.240 --> 00:18:02.119
restrictive. How does the INA justify that cost

00:18:02.119 --> 00:18:04.259
to the individual user? It's a completely valid

00:18:04.259 --> 00:18:06.440
critique, and it's a tension that exists in almost

00:18:06.440 --> 00:18:08.759
every major digital archive globally. It's not

00:18:08.759 --> 00:18:11.460
just them. No, but the justification lies in

00:18:11.460 --> 00:18:13.779
the unseen labor of the digital transition. The

00:18:13.779 --> 00:18:17.170
unseen labor. Yes. If these papers simply sat

00:18:17.170 --> 00:18:19.630
in a physical vault, yes, they are technically

00:18:19.630 --> 00:18:22.170
free to look at, assuming you can get to the

00:18:22.170 --> 00:18:24.269
vault. Right. But to make them searchable from

00:18:24.269 --> 00:18:27.109
your couch in Sydney or New York requires constant

00:18:27.109 --> 00:18:30.809
capital. The OCR algorithms must be continuously

00:18:30.809 --> 00:18:33.890
updated to handle complex historical fonts. Like

00:18:33.890 --> 00:18:36.789
the long is. Exactly. And the server architecture

00:18:36.789 --> 00:18:39.349
to deliver high resolution images instantly across

00:18:39.349 --> 00:18:42.769
the globe is incredibly expensive. So the 169

00:18:42.769 --> 00:18:44.890
euros is paying for the convenience of the digital

00:18:44.890 --> 00:18:48.589
infrastructure. Precisely. In essence, the individual

00:18:48.589 --> 00:18:50.930
genealogists and international researchers who

00:18:50.930 --> 00:18:54.769
pay that 169 euros are heavily subsidizing the

00:18:54.769 --> 00:18:56.990
free access provided to the public libraries

00:18:56.990 --> 00:18:59.430
and schools in Ireland. That makes perfect sense.

00:18:59.970 --> 00:19:02.250
It's essentially a redistribution model. It is.

00:19:02.369 --> 00:19:04.569
And when you reframe the cost against the alternative,

00:19:04.750 --> 00:19:07.349
it really changes the perspective. There is an

00:19:07.349 --> 00:19:10.269
article by John Burns in the Times from our sources.

00:19:10.289 --> 00:19:12.529
Oh, the one about the living room. Yes. The headline

00:19:12.529 --> 00:19:16.289
is, using the Irish newspaper archives, 250 years

00:19:16.289 --> 00:19:18.210
worth of news in your living room. A great way

00:19:18.210 --> 00:19:21.329
to frame it. If you are a serious genealogist

00:19:21.329 --> 00:19:24.710
living in Chicago trying to trace your ancestors

00:19:24.710 --> 00:19:29.049
in County Kerry, what is your alternative to

00:19:29.049 --> 00:19:32.970
paying the 169 euro? The alternative is entirely

00:19:32.970 --> 00:19:35.109
prohibitive for most people. You'd have to fly

00:19:35.109 --> 00:19:36.750
there. You would have to purchase transatlantic

00:19:36.750 --> 00:19:39.309
flights. You would have to book a hotel in Dublin

00:19:39.309 --> 00:19:41.809
or Kerry. You would need to take significant

00:19:41.809 --> 00:19:44.069
time off work. And even when you get there, the

00:19:44.069 --> 00:19:47.190
research isn't easy. No. You would have to navigate

00:19:47.190 --> 00:19:49.970
the limited opening hours of physical archival

00:19:49.970 --> 00:19:52.930
reading rooms. You'd request the physical microfilm

00:19:52.930 --> 00:19:57.539
reels. And then spend days, perhaps weeks, manually

00:19:57.539 --> 00:19:59.960
spinning those reels, hoping to stumble across

00:19:59.960 --> 00:20:02.480
a surname. Hoping being the operative word. Yes.

00:20:02.759 --> 00:20:05.059
When you calculate the raw financial cost and

00:20:05.059 --> 00:20:07.240
the sheer volume of time required for the analog

00:20:07.240 --> 00:20:10.559
method, the 169 subscription isn't just a fee

00:20:10.559 --> 00:20:13.480
for access. It's a discount. It is an incredibly

00:20:13.480 --> 00:20:16.579
steep discount on time and logistics. You are

00:20:16.579 --> 00:20:19.119
paying a convenience fee to collapse geography

00:20:19.119 --> 00:20:21.420
and time. It's a time machine tax. That's a good

00:20:21.420 --> 00:20:23.660
way to put it. And honestly, when you put it

00:20:23.660 --> 00:20:26.160
like that, It's a bargain. And it's important

00:20:26.160 --> 00:20:29.279
to note that the 169 euro isn't just paying for

00:20:29.279 --> 00:20:31.819
a static product. No, it's constantly growing.

00:20:32.039 --> 00:20:34.480
It's not a finished vault they locked up in 2009.

00:20:34.759 --> 00:20:37.400
The archive is continuously expanding. Weekly,

00:20:37.400 --> 00:20:40.339
in fact. Right. The sources explicitly note that

00:20:40.339 --> 00:20:42.579
current newspapers are updated on a weekly basis,

00:20:43.099 --> 00:20:45.240
effectively archiving the present moment in real

00:20:45.240 --> 00:20:47.960
time. Which is vital for future historians. But

00:20:47.960 --> 00:20:50.259
they're also constantly delving deeper into the

00:20:50.259 --> 00:20:53.319
past. which leads us to the massive expansions

00:20:53.319 --> 00:20:56.279
that took place in 2025. The recent updates were

00:20:56.279 --> 00:20:58.220
significant. They didn't just casually add a

00:20:58.220 --> 00:21:01.180
few missing pages. They brought entirely new

00:21:01.180 --> 00:21:04.440
historical titles online and massively updated

00:21:04.440 --> 00:21:07.599
the runs of existing ones. The 2025 expansions

00:21:07.599 --> 00:21:10.759
are a perfect example of how an archive continues

00:21:10.759 --> 00:21:13.220
to refine its value over time. Let's talk about

00:21:13.220 --> 00:21:15.839
some of the specific titles. Sure. They brought

00:21:15.839 --> 00:21:19.000
several newly digitized titles online. For example,

00:21:19.160 --> 00:21:21.059
they added the Monarch and Argus, covering the

00:21:21.059 --> 00:21:24.039
mid -century period from 1949 to 1970. Okay,

00:21:24.240 --> 00:21:27.720
good post -war local coverage. Exactly. But perhaps

00:21:27.720 --> 00:21:30.400
more significantly, they added the Mayo Examiner,

00:21:30.980 --> 00:21:33.859
which covers a highly specific and volatile window

00:21:33.859 --> 00:21:38.160
from 1868 to 1876. I'm going to zoom in on that

00:21:38.160 --> 00:21:40.059
Mayo Examiner edition. It's an important one.

00:21:40.180 --> 00:21:44.440
Because 1868 to 1876 in County Mayo is not just

00:21:44.440 --> 00:21:46.400
a random string of dates. No, it's a critical

00:21:46.400 --> 00:21:48.920
period. That is right in the heart of the post

00:21:48.920 --> 00:21:52.559
famine era. You are looking at a period of intense

00:21:52.559 --> 00:21:55.799
agrarian unrest, the beginnings of the land war,

00:21:56.579 --> 00:21:58.920
massive waves of forced immigration to the United

00:21:58.920 --> 00:22:01.680
States and Britain, and just profound trauma

00:22:01.680 --> 00:22:04.200
in the west of Ireland. Precisely. And that is

00:22:04.200 --> 00:22:07.309
why digitizing that specific local paper is so

00:22:07.309 --> 00:22:09.369
critical. Going back to the micro -history idea.

00:22:09.609 --> 00:22:12.529
Yes. A national paper printed in Dublin in 1870

00:22:12.529 --> 00:22:15.170
might report on the policies of the British Parliament

00:22:15.170 --> 00:22:18.329
regarding Irish land reform from a very detached

00:22:18.329 --> 00:22:20.569
administrative perspective. Like reading a legal

00:22:20.569 --> 00:22:23.150
briefing. Right. But the Mayo Examiner is reporting

00:22:23.150 --> 00:22:25.410
from the epicenter of the crisis. It's on the

00:22:25.410 --> 00:22:27.859
ground. It is reporting on the actual evictions

00:22:27.859 --> 00:22:30.220
taking place down the road. It is printing the

00:22:30.220 --> 00:22:32.380
names of the families boarding the ships. It

00:22:32.380 --> 00:22:35.420
captures the raw, unfilty tone of a community

00:22:35.420 --> 00:22:38.180
fighting for its literal survival. That must

00:22:38.180 --> 00:22:41.470
be intense to read. It is. When you give historians

00:22:41.470 --> 00:22:43.910
and the public access to that local perspective,

00:22:44.430 --> 00:22:47.450
it forces a reevaluation of the macro -historical

00:22:47.450 --> 00:22:50.390
narrative. It adds a level of human desperation

00:22:50.390 --> 00:22:52.690
and resilience that formal government records

00:22:52.690 --> 00:22:55.470
completely lack. And it wasn't just Mayo that

00:22:55.470 --> 00:22:58.529
got a massive update in 2025. No, Roscommon got

00:22:58.529 --> 00:23:00.650
a lot of attention. There was what we can only

00:23:00.650 --> 00:23:03.930
describe as a massive influx of history for County

00:23:03.930 --> 00:23:06.390
Roscommon. It seems like the archivists just

00:23:06.390 --> 00:23:08.950
decided to entirely map out the lineage of that

00:23:08.950 --> 00:23:11.549
specific region. The Roscommon update is staggering

00:23:11.549 --> 00:23:13.609
in its scope. Run through the titles for me.

00:23:13.809 --> 00:23:15.890
They added the Roscommon Champion, which covers

00:23:15.890 --> 00:23:18.869
the modern transition from 1944 all the way to

00:23:18.869 --> 00:23:21.430
2010. Wow, over 60 years right there. But they

00:23:21.430 --> 00:23:24.410
also went deep into the 19th century. They added

00:23:24.410 --> 00:23:27.109
the Roscommon and Latrum Gazette, covering 60

00:23:27.109 --> 00:23:31.029
years from 1822 to 1882. And the Roscommon Journal,

00:23:31.089 --> 00:23:35.240
which stands nearly a century. from 1828 to 1927.

00:23:35.339 --> 00:23:38.160
That is a massive block of time. On top of that,

00:23:38.259 --> 00:23:40.579
they updated the major runs of the Roscommon

00:23:40.579 --> 00:23:43.500
messenger. So if you have family roots in Roscommon,

00:23:43.519 --> 00:23:46.960
or if you are an academic studying the socioeconomic

00:23:46.960 --> 00:23:49.380
development of that specific county, yes, the

00:23:49.380 --> 00:23:52.390
INA. just essentially handed you the Holy Grail.

00:23:52.490 --> 00:23:54.869
You can track a single -family farm, a single

00:23:54.869 --> 00:23:58.109
local business, or the shifting political allegiances

00:23:58.109 --> 00:24:02.730
of one town continuously from 1822 to 2010. That

00:24:02.730 --> 00:24:05.809
continuous thread is the true power of the database.

00:24:05.930 --> 00:24:07.730
And it wasn't limited to the West, right? No.

00:24:08.269 --> 00:24:11.130
The 2025 updates also included major runs through

00:24:11.130 --> 00:24:13.710
to the present day for the Argus in Louth, the

00:24:13.710 --> 00:24:16.309
Belfast Telegraph in the North, the Bray People

00:24:16.309 --> 00:24:18.390
on the East Coast, and the Corkmen in the South.

00:24:18.569 --> 00:24:20.349
So they are really covering the whole island.

00:24:20.569 --> 00:24:22.930
They are actively trying to ensure that every

00:24:22.930 --> 00:24:25.789
corner of the island has if microhistory represented

00:24:25.789 --> 00:24:28.529
and easily searchable. But ensuring that representation

00:24:28.529 --> 00:24:30.490
is actually incredibly difficult, right? Very

00:24:30.490 --> 00:24:33.690
difficult. Because local papers, historically,

00:24:34.309 --> 00:24:36.990
were printed on the absolute cheapest paper available.

00:24:37.069 --> 00:24:38.990
Lowest quality newsprint. They were printed in

00:24:38.990 --> 00:24:40.990
small batches. They were meant to be read on

00:24:40.990 --> 00:24:43.210
a Friday and used to light the fire on a Saturday.

00:24:43.369 --> 00:24:45.990
Or wrap fish and chips. Exactly. They weren't

00:24:45.990 --> 00:24:48.710
carefully bound and stored in climate -controlled

00:24:48.710 --> 00:24:51.490
vaults by the people who bought them, which makes

00:24:51.490 --> 00:24:53.829
preserving them a bit of a scramble. It's a constant

00:24:53.829 --> 00:24:56.430
race against time. And this leads me to a really

00:24:56.430 --> 00:24:58.549
fascinating call to action that I found in our

00:24:58.549 --> 00:25:01.630
sources. It is an article by Anthony Neeson in

00:25:01.630 --> 00:25:05.230
the Irish Echo. Ah, the bat signal. Yes. The

00:25:05.230 --> 00:25:08.150
headline literally reads, Sitting on a horde

00:25:08.150 --> 00:25:12.109
of Irish Echo past copies. If so, we want to

00:25:12.109 --> 00:25:14.740
hear from you. That headline exposes the reality

00:25:14.740 --> 00:25:17.779
of how archival work actually functions in practice.

00:25:17.960 --> 00:25:20.000
Which is not as neat and tidy as we think. No,

00:25:20.079 --> 00:25:22.420
we tend to view archives as absolute authorities,

00:25:22.680 --> 00:25:25.819
assuming they possess a pristine, unbroken record

00:25:25.819 --> 00:25:28.039
of everything ever published. Right, you assume

00:25:28.039 --> 00:25:30.039
the library just has a copy of everything. The

00:25:30.039 --> 00:25:32.500
truth is much messier. The historical record

00:25:32.500 --> 00:25:35.259
is incredibly fragile and full of holes. Stuff

00:25:35.259 --> 00:25:38.559
gets lost. Publishers' offices burn down. Floods

00:25:38.559 --> 00:25:42.200
destroy basements. Microfilm degrades. Even with

00:25:42.200 --> 00:25:44.279
all the technology at the Martin family's disposal,

00:25:44.700 --> 00:25:46.700
there are simply issues of newspapers that have

00:25:46.700 --> 00:25:49.000
vanished from the official institutional record.

00:25:49.500 --> 00:25:51.200
So they have to turn to the public. They have

00:25:51.200 --> 00:25:53.519
no other choice. They are literally crowdsourcing

00:25:53.519 --> 00:25:56.440
the past. They are putting out this bat signal,

00:25:56.740 --> 00:25:59.759
hoping that someone, somewhere, is cleaning out

00:25:59.759 --> 00:26:02.680
an attic and finds a stack of newspapers from

00:26:02.680 --> 00:26:05.819
1954 that the archive happens to be missing.

00:26:06.259 --> 00:26:08.940
It underscores that preservation is an active

00:26:08.940 --> 00:26:11.569
collaborative hunt. It isn't just the responsibility

00:26:11.569 --> 00:26:14.109
of an archivist in a lab coat. It's on all of

00:26:14.109 --> 00:26:16.710
us. The physical objects that contain our history

00:26:16.710 --> 00:26:19.910
often survive by sheer luck. A stack of papers

00:26:19.910 --> 00:26:22.490
used as insulation in the walls of an old house.

00:26:22.910 --> 00:26:25.589
A box forgotten in a damp basement for three

00:26:25.589 --> 00:26:27.430
generations. It's kind of beautiful when you

00:26:27.430 --> 00:26:29.829
think about it. It is. When a publication like

00:26:29.829 --> 00:26:32.410
the Irish Echo puts out a call asking the public

00:26:32.410 --> 00:26:34.529
to check their attics, it's an acknowledgement

00:26:34.529 --> 00:26:37.109
that the definitive record of a community might

00:26:37.109 --> 00:26:39.390
currently be sitting in a cardboard box next

00:26:39.390 --> 00:26:41.950
to someone's holiday decorations. That is such

00:26:41.950 --> 00:26:45.000
a vivid image. Every time an ordinary citizen

00:26:45.000 --> 00:26:47.339
answers that call, they are participating in

00:26:47.339 --> 00:26:50.099
a rescue mission for their own cultural heritage.

00:26:50.380 --> 00:26:52.440
A rescue mission. I think that is the perfect

00:26:52.440 --> 00:26:55.079
way to encapsulate this entire deep dive. It

00:26:55.079 --> 00:26:57.460
really is. So what does this all mean when we

00:26:57.460 --> 00:26:59.940
pull it all together? Well, the INA is more than

00:26:59.940 --> 00:27:03.609
just data. Right. The Irish newspaper archives

00:27:03.609 --> 00:27:05.809
is far more than just a commercial website you

00:27:05.809 --> 00:27:08.490
visit to look up a date or find an old obituary

00:27:08.490 --> 00:27:12.390
It is a 250 year old living breathing document

00:27:12.390 --> 00:27:15.470
of Ireland and its massive global diaspora a

00:27:15.470 --> 00:27:17.890
testament to dedication a testament to the stubborn

00:27:17.890 --> 00:27:21.559
foresight of a single family The Martins, who

00:27:21.559 --> 00:27:24.319
spent decades painstakingly photographing brittle

00:27:24.319 --> 00:27:27.039
pages in the 1960s and then had the business

00:27:27.039 --> 00:27:29.619
acumen to successfully pivot that massive physical

00:27:29.619 --> 00:27:32.380
undertaking into a sleek, searchable digital

00:27:32.380 --> 00:27:35.039
platform. They bridged the gap. They built a

00:27:35.039 --> 00:27:37.740
bridge. They took the rigorous, inaccessible

00:27:37.740 --> 00:27:40.519
world of academic research and piped it directly

00:27:40.519 --> 00:27:43.640
into your living room. It democratizes the data.

00:27:44.099 --> 00:27:46.799
It settles linguistic debates with hard evidence.

00:27:47.259 --> 00:27:50.380
And it ensures that the localized everyday voices

00:27:50.380 --> 00:27:53.299
from centuries past are not completely swallowed

00:27:53.299 --> 00:27:56.779
by the macro narratives of textbooks. It is undeniably

00:27:56.779 --> 00:27:59.819
a monumental achievement in the field of historical

00:27:59.819 --> 00:28:01.799
preservation. Absolutely. But if we connect this

00:28:01.799 --> 00:28:04.380
to the bigger picture, it raises a fairly provocative

00:28:04.380 --> 00:28:06.759
question for you, the listener. Let's hear it.

00:28:07.160 --> 00:28:09.519
We have just spent this time exploring how a

00:28:09.519 --> 00:28:12.079
family -run enterprise managed to digitize the

00:28:12.079 --> 00:28:14.779
collective memory of a nation, and how they often

00:28:14.779 --> 00:28:17.299
rely on the absolute luck of physical documents

00:28:17.299 --> 00:28:20.019
surviving in attics and basements. Right. So

00:28:20.019 --> 00:28:22.859
consider your own physical space. What invaluable

00:28:22.859 --> 00:28:25.259
history is currently degrading in your own attic?

00:28:25.380 --> 00:28:27.299
Oh, that's a great question. Are there bundles

00:28:27.299 --> 00:28:30.359
of letters, obscure local community newsletters,

00:28:30.559 --> 00:28:33.920
self -published zines from the 1990s, or unlabeled

00:28:33.920 --> 00:28:36.049
family photographs that represent the missing

00:28:36.049 --> 00:28:38.329
pieces of a much larger narrative? Things you

00:28:38.329 --> 00:28:40.750
might just toss out without thinking. Exactly.

00:28:41.430 --> 00:28:44.349
Are you currently the unwitting custodian of

00:28:44.349 --> 00:28:46.890
primary source documents just waiting for someone

00:28:46.890 --> 00:28:49.069
to preserve them before they are thrown in a

00:28:49.069 --> 00:28:51.509
dumpster? It really makes you think. The reality

00:28:51.509 --> 00:28:54.430
is the archives of the future rely entirely on

00:28:54.430 --> 00:28:57.190
what we make the conscious decision to save today.

00:28:57.650 --> 00:29:00.490
That is a brilliant point to end on. It definitely

00:29:00.490 --> 00:29:02.650
makes you look at that dusty box of papers in

00:29:02.650 --> 00:29:05.539
the garage with a bit more respect. Don't throw

00:29:05.539 --> 00:29:08.500
it out. Do not just throw it away without looking

00:29:08.500 --> 00:29:11.099
through it first. You might be holding the key

00:29:11.099 --> 00:29:13.980
to a missing chapter of history. You never know.

00:29:14.400 --> 00:29:16.180
Thank you so much for joining us on this deep

00:29:16.180 --> 00:29:18.440
dive. We know there is an overwhelming amount

00:29:18.440 --> 00:29:21.000
of information out there, and our goal is always

00:29:21.000 --> 00:29:23.380
to cut through that noise to find the brilliant

00:29:23.380 --> 00:29:26.019
insights underneath. Keep exploring, keep questioning,

00:29:26.079 --> 00:29:27.960
and we will catch you on the next deep dive.
