WEBVTT

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So if we start talking about the skyhook. Oh,

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yeah. You know, that high arcing, just completely

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unblockable shot that drops from the heavens.

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Your brain almost certainly defaults to one very

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specific image. Right. You picture Kareem. Exactly.

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You picture Kareem Abdul -Jabbar in the purple

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and gold, just launching that thing over everyone.

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It's basically the default setting for basketball

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history. I mean, it's iconic. It is. But the

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sources we have in front of us today actually

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tell a totally different origin story. Yeah,

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they really do. They suggest that the move wasn't

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invented by Kareem at all. It was actually the

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signature weapon of a man who was doing it decades

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earlier. A man who essentially built the blueprint

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for what we now call sports entertainment. We

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usually remember the person who perfected a technique

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on TV. But you forget the innovator who built

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it, you know, back in the barnstorming era. Exactly.

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And in this case, we were talking about Reese

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Tatum. Better known as Goose Tatum. So today

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we're doing a deep dive into the life, the geometry,

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and really the tragedy of Goose Tatum. We've

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got a stack of biographical record, historical

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data from the Wikipedia archives. And they paint

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a picture of a guy who was, for a fleeting moment

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in the 1950s, the absolute... biggest star in

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the basketball universe. And universe really

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is the right word there because the NBA was just

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a small planet back then. Right. The Globetrotters

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were the entire galaxy. That's a great way to

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put it. Our mission today is to unpack how a

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kid from El Dorado, Arkansas, rose up to become

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the highest paid player in professional basketball.

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Making more than the NBA champions of his day,

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by the way. Which is wild. And then how that

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incredible high was followed by a really sharp

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and painful decline. It's a story about basketball,

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sure. But it's really about the economics of

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being a black celebrity in a segregated America.

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Right. And it's about the physical toll of performing,

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you know, 300 nights a year. So before we get

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into the actual timeline, I feel like we have

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to establish the physical reality of Goose Tatum.

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We have to. Because looking at the descriptions

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in these archives, he didn't just look like a

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basketball player. He looked like, well, he looked

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like a special effect. He was a total... physiological

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anomaly. He stood about six foot four. Which

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is a very solid size for the 1940s. Right. But

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the stat that jumps off the page is the arm span.

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The records report an arm span of approximately

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84 inches. Wow. That is 210 centimeters. To put

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that in modern terms, that's a seven foot wingspan

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on a six foot four human. That's absurd. In today's

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draft, combine scouts absolutely obsess over

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plus wingspan. You're usually thrilled if a guy

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has arms two or three inches longer than his

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height. Yeah. Tatum was plus eight. The visual

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that really drives this home for me is this note

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that he could reportedly touch his kneecaps without

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bending at the waist. Just standing straight

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up. Imagine just standing perfectly straight

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and scratching your knees. It's wild to picture.

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But that physical structure completely dictates

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the play style. How so? Well, when you have levers

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that long, you can manipulate the ball in spaces

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that defenders physically cannot reach. It explains

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the comedy and it explains the dominance. Let's

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touch on that comedy aspect, actually, because

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he is widely remembered as the clown prince of

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the Harlem Globetrotters. Right. Now, I did see

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in the notes that he technically wasn't the very

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first person with that nickname. No, it was first

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applied to Jackie Beathard's, I think, back in

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1933. Exactly, 1933. But Tatum is the one who

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turned it into a global brand. He revolutionized

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the role entirely. Before Tatum... The comedy

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in basketball was often separate from the skill,

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the gimmick. Right. A sideshow. Yeah. But Tatum

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integrated them. Yeah. He realized that if he

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could make the defender laugh or confuse them

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with a pantomime routine, their guard went down.

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And the second that guard drops. He uses that

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massive wingspan to score. And that is exactly

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where the sky hook comes in. Because it wasn't

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just a trick shot. It was a necessity born out

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of his body type. Think about the mechanics of

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it. If you have arms that long. A standard jump

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shot might actually feel crowded. Oh, interesting.

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But a sweeping hook shot, you're releasing the

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ball so high and so far away from your body that

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it's mathematically impossible to block without

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a stepladder. It's the ultimate weapon wrapped

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in a joke. He's laughing, the crowd is laughing,

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and then swishy drops 30 points on you. And that

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duality between the serious elite athlete and

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the comedian that defines his entire trajectory.

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So let's rewind to the beginning. Let's look

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at the timeline. Sure. He's born in El Dorado,

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Arkansas, May 31st, 1921. So there's a little

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dispute on the exact date in some sources. Yeah.

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Some say maybe May 3rd, but 1921 seems to be

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the solid consensus. Right. His father is a farmer

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and a preacher. What? And his mother is a domestic

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cook. So a classic working class Southern upbringing.

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He was the fifth of seven kids. He goes to Booker

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T. Washington High School, and he's immediately

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a three -sport star. Baseball, basketball, football.

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He could do it all. But interestingly, looking

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at the archives, basketball wasn't even his primary

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path at first. It was baseball. Which was incredibly

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common for black athletes at the time. Really?

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Yeah. The infrastructure for professional baseball,

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specifically the Negro Leagues, was much more

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developed and lucrative than professional basketball

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in the late 30s. That makes sense. So he starts

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his pro career in 1937 in the Negro Leagues.

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He plays for the Louisville Black Colonels, the

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Memphis Red Sox, the Birmingham Black Barons.

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All solid teams. But the team that really caught

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my eye in the data is the Indianapolis Clowns.

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Yes. That is such a crucial connection. Why is

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that? Because the Indianapolis Clowns were to

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baseball what the Globetrotters were to basketball.

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Oh, I see. They played... real high level baseball.

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I mean, Hank Aaron played for them just for context.

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Wow. Hank Aaron. Right. But they mixed it with

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top tier entertainment, shadow ball comedy routines.

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Tatum's basically learning the business of show

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business right there on the baseball diamond.

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That's a perfect training ground. So he's cutting

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his teeth in the Negro Leagues and then like

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almost every man of his generation, the war interrupts.

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Yep. World War II. He serves in the United States

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Army Air Forces. It creates this gap in his athletic

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resume. But it also really matures that entire

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generation. Definitely. And he comes out of the

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service in 1942, and that is when the stars finally

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align for basketball. He signs with Abe Saperstein

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and the Harlem Globetrotters. And this kicks

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off an 11 -season run. that completely changes

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the fabric of the sport. It really does. And

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I want to pause here to talk about the money.

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Oh, the money is fascinating. Because I think

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we have this modern bias where we just assume

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NBA players have always been the rich ones and

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the Globetrotters were just bus riding performers

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scraping by. That is a massive misconception.

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In the 1950s, the NBA was really struggling.

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Yeah, they weren't the powerhouse they are now.

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Not at all. It was highly regional. The game

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was slow, and they honestly couldn't fill arenas.

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Meanwhile, the Globetrotters are out there selling

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out soccer stadiums in South America. They're

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playing in front of Popes. They're global icons.

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And Tatum knew his worth. When he was eventually

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released in 1955, the reports in the archives

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state he was making $53 ,000 a year. That number

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might sound small today to someone listening,

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so you really have to contextualize it. Right.

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What was the average income back then? The average

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American income in the mid -50s was maybe around

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$4 ,000. But more importantly, look at the NBA

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stars. George Mikan was the absolute king of

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the NBA in the early 50s. The guy with the thick

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glasses. Exactly. significantly less than $53

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,000. The Detroit Tribune actually noted at the

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time of his release that Tatum was the highest

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paid professional basketball player on earth.

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Not just the highest paid black player, but any

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player. Think about the power dynamic there.

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Yeah. You have a black athlete in the Jim Crow

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era who is arguably the most economically successful

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player in his entire sport. It's incredible.

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That is a position of immense leverage, but you

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also have to imagine the immense pressure that

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comes with it. And that leverage eventually snapped.

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The relationship with Abe Saperstein and the

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Trotters falls apart in 1955. It got very messy.

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Saperstein claimed to the press that it was about

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Tatum violating team rules and unexcused absences.

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Right. And if you're looking at the history,

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you really have to read between the lines of

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a star player making record -breaking money suddenly

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being, quote -unquote, released for rule violations.

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What's your read on it? Saperstein was a brilliant

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promoter, no doubt. But he was also known as

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a control freak. He ran the Globetrotters very

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tightly. He wanted to be the boss. Exactly. He

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didn't like his players knowing just how valuable

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they truly were. When you have a star like Tatum,

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who knows he is the main draw. Who knows that

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people are buying tickets to see him and not

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the owner? Plashes are inevitable. He became

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too big for Saperstein to control. So Tatum doesn't

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just take the firing line down. He pivots immediately.

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He is a businessman. He grabs Marks Haynes, who

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is probably the greatest dribbler of all time,

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and another former trotter, and they start their

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own barnstorming team. The fabulous Harlem Magicians.

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Which is such a great stick -it -to -the -man

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move, honestly. Oh, absolutely. The archives

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note they hooked up with a guy named Dempsey

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Hovland to book the tour. Right. Hovland had

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a lot of experience booking the House of David

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team, so he knew the barnstorming circuit inside

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and out. And the marketing machine just goes

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into overdrive. I love this one detail from the

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sources. They started billing Tatum on this tour

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as having scored the most points in basketball

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history. It is such a great promotional line.

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Is it true, though? Probably not. The sources

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call that claim highly dubious. Yeah, I figured.

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But in barnstorming, truth is totally secondary

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to ticket sales. If you tell the folks in Omaha

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that the greatest scorer in human history is

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coming to their town. they're going to buy a

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ticket. But this era of independence also brings

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us face to face with the harsh reality in the

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1950s. Yeah, this is where the story gets heavy.

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You can be the highest paid athlete in the world.

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You can be a marketing genius, but you still

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cannot escape segregation. The geography of their

00:10:10.110 --> 00:10:12.710
independent tour took them everywhere, including

00:10:12.710 --> 00:10:14.870
places that, frankly, were not ready to treat

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a black celebrity with basic dignity. The incident

00:10:17.669 --> 00:10:20.809
in San Francisco in February 1955 really stands

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out in the Wikipedia files. It's a stark reminder

00:10:23.250 --> 00:10:26.480
of the era. Tatum sues the Pan American bar in

00:10:26.480 --> 00:10:30.480
San Francisco for $13 ,000 in damages. The details

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of that suit are infuriating, but sadly standard

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for the time. What happened exactly? He walks

00:10:36.159 --> 00:10:38.059
into this establishment with his wife and three

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friends. They dressed well. They clearly have

00:10:40.559 --> 00:10:43.799
money. He's a certified superstar. And the bar

00:10:43.799 --> 00:10:47.299
flat out refuses to serve them because of their

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race. It's just this jarring split screen of

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a life. Right. On one screen, he's a god on the

00:10:52.860 --> 00:10:55.610
basketball court. He's adored by thousands of

00:10:55.610 --> 00:10:57.730
white fans who cheer for him and laugh at his

00:10:57.730 --> 00:10:59.389
jokes. And on the other screen, he can't even

00:10:59.389 --> 00:11:01.850
get a drink in San Francisco. And that psychological

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wear and tear has to go somewhere. You can't

00:11:04.269 --> 00:11:06.590
just compartmentalize that kind of systemic disrespect

00:11:06.590 --> 00:11:09.570
forever. You really can't. It eats at you. And

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his personal life starts to show those cracks

00:11:11.769 --> 00:11:14.909
around the exact same time. November 1955, he

00:11:14.909 --> 00:11:17.809
gets arrested in Gary, Indiana. Right, the alimony

00:11:17.809 --> 00:11:20.330
charge. Yeah, the charge was nonpayment of alimony.

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He allegedly owed about $7 ,000 to his ex -wife.

00:11:23.889 --> 00:11:26.970
The judge had ordered him to pay $60 a week,

00:11:26.990 --> 00:11:29.049
which he fell behind on. And we should mention

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he had a very high -profile personal life. He

00:11:32.149 --> 00:11:35.029
was married for a brief time to Lottie Graves.

00:11:35.190 --> 00:11:37.559
Lottie the body. Right. Lottie the Body, who

00:11:37.559 --> 00:11:40.059
was a massive burlesque legend at the time. So

00:11:40.059 --> 00:11:42.500
his life was incredibly fast. High earnings,

00:11:42.700 --> 00:11:47.100
high expenses, fast cars, famous wives, constant,

00:11:47.299 --> 00:11:50.360
constant travel. It's a recipe for severe burnout.

00:11:50.480 --> 00:11:52.919
Even if you don't have the heavy societal pressures

00:11:52.919 --> 00:11:55.970
of racism weighing on you. every single day.

00:11:56.090 --> 00:11:58.230
And then that burnout turns into outright tragedy.

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The timeline jumps to 1966, and this really seems

00:12:01.350 --> 00:12:03.909
to be the ultimate breaking point. 1966 is the

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year he loses his son. Yeah. Goose Jr. was killed

00:12:06.429 --> 00:12:08.919
in a car accident. It's devastating. The sources

00:12:08.919 --> 00:12:11.519
we have are sparse on the exact details of the

00:12:11.519 --> 00:12:13.799
accident itself, but they are very clear on the

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aftermath. Tatum did not handle it well. How

00:12:16.799 --> 00:12:19.139
could you possibly handle that well? You can't.

00:12:19.159 --> 00:12:21.259
He's in his mid -40s. His career is naturally

00:12:21.259 --> 00:12:24.399
winding down. His body is undoubtedly just hurting

00:12:24.399 --> 00:12:26.740
from 20 years of playing on concrete and bad

00:12:26.740 --> 00:12:29.480
gymnasium floors. And then he loses his child.

00:12:29.720 --> 00:12:32.019
The biographical records indicate he started

00:12:32.019 --> 00:12:34.299
drinking heavily almost immediately after this

00:12:34.299 --> 00:12:36.840
happened. It's a very rapid spiral. We're talking

00:12:36.840 --> 00:12:39.519
about a man who is an elite, well -conditioned

00:12:39.519 --> 00:12:41.899
athlete. And within months, he's in and out of

00:12:41.899 --> 00:12:44.559
hospitals. It leads directly to his death on

00:12:44.559 --> 00:12:48.860
January 18, 1967. He was at his home in El Paso,

00:12:48.860 --> 00:12:51.299
Texas. He was only 45 years old. The official

00:12:51.299 --> 00:12:55.360
cause listed was natural causes. But 45 is incredibly

00:12:55.360 --> 00:12:58.000
young for natural causes. Yeah, natural causes

00:12:58.000 --> 00:13:00.700
at 45 usually implies that the body just gave

00:13:00.700 --> 00:13:03.799
out. Right. The years of physical stress, the

00:13:03.799 --> 00:13:07.200
heavy drinking, the profound grief over his son,

00:13:07.379 --> 00:13:10.450
it all just compounded. It's a profoundly tragic

00:13:10.450 --> 00:13:13.830
end for a guy whose entire public persona was

00:13:13.830 --> 00:13:16.789
based around creating joy. He was buried at Fort

00:13:16.789 --> 00:13:19.330
Bliss National Cemetery. Which is a really poignant

00:13:19.330 --> 00:13:21.409
reminder of his military service, something that

00:13:21.409 --> 00:13:23.289
often gets completely overshadowed by the basketball

00:13:23.289 --> 00:13:26.500
legacy. It was a very quiet end for such a loud

00:13:26.500 --> 00:13:29.080
life. And frankly, the recognition of his greatness

00:13:29.080 --> 00:13:31.440
was quiet for a long time, too. Too long. That

00:13:31.440 --> 00:13:33.019
was the part that surprised me the most going

00:13:33.019 --> 00:13:35.159
through this data, the massive gap between his

00:13:35.159 --> 00:13:36.960
death and his official honors. Right. He does

00:13:36.960 --> 00:13:38.980
get into the Arkansas Sports Hall of Fame pretty

00:13:38.980 --> 00:13:42.100
quickly in 1974. That makes sense, local recognition.

00:13:42.399 --> 00:13:44.899
But the Globetrotters, they didn't retire his

00:13:44.899 --> 00:13:48.740
jersey number until 2002. That is a 35 -year

00:13:48.740 --> 00:13:52.039
gap just to retire the number of the guy who

00:13:52.039 --> 00:13:54.779
built your brand. number 50, and he was only

00:13:54.779 --> 00:13:57.039
the fourth player to ever get that honor from

00:13:57.039 --> 00:13:59.399
the team. He also gets a Legends ring at Madison

00:13:59.399 --> 00:14:01.419
Square Garden eventually. Also well -deserved.

00:14:01.539 --> 00:14:05.559
But then the big one, the Naismith Memorial Basketball

00:14:05.559 --> 00:14:07.940
Hall of Fame. The ultimate validation in the

00:14:07.940 --> 00:14:11.120
sport. He doesn't get elected until 2011, decades

00:14:11.120 --> 00:14:14.480
after his death. That delay speaks volumes about

00:14:14.480 --> 00:14:16.539
how the traditional basketball establishment

00:14:16.539 --> 00:14:18.940
viewed entertainers. You didn't take them seriously.

00:14:19.340 --> 00:14:21.639
Exactly. For decades, the Hall of Fame was strictly

00:14:21.639 --> 00:14:25.100
for the NBA and college purists. Barnstorming

00:14:25.100 --> 00:14:27.480
was seen as just a sideshow. It took a really

00:14:27.480 --> 00:14:29.539
long time for historians to look back and say,

00:14:29.580 --> 00:14:31.820
wait a minute, this guy wasn't just a clown.

00:14:32.299 --> 00:14:34.440
He was keeping professional basketball alive

00:14:34.440 --> 00:14:38.100
during its absolute leanest years. He professionalized

00:14:38.100 --> 00:14:40.379
the sport for black athletes. And he was actively

00:14:40.379 --> 00:14:43.059
innovating the game on the floor. When we look

00:14:43.059 --> 00:14:45.279
at his legacy as a whole, it feels like it has

00:14:45.279 --> 00:14:48.940
three distinct pillars. I agree. I see it as

00:14:48.940 --> 00:14:53.059
innovation, economics, and joy. Break that down.

00:14:53.279 --> 00:14:56.299
Well, innovation is obviously the hookshot. Economics

00:14:56.299 --> 00:14:58.940
is proving once and for all that a black athlete

00:14:58.940 --> 00:15:02.580
could command a CEO's salary in the 1950s. Setting

00:15:02.580 --> 00:15:04.860
the market. Setting the market. And joy, well,

00:15:04.919 --> 00:15:06.860
despite everything he went through, he made millions

00:15:06.860 --> 00:15:09.559
of people genuinely happy. But I want to go back

00:15:09.559 --> 00:15:11.840
to that first pillar for our final thought today,

00:15:11.960 --> 00:15:14.419
the innovation. Because we started this whole

00:15:14.419 --> 00:15:16.899
deep dive talking about the skyhook. The shot

00:15:16.899 --> 00:15:20.320
he literally invented to utilize that 84 -inch

00:15:20.320 --> 00:15:23.500
wingspan. We know it's unblockable. We literally

00:15:23.500 --> 00:15:26.200
saw Kareem score 38 ,000 points with it later

00:15:26.200 --> 00:15:28.659
on. We know Goose Tatum dominated the globe with

00:15:28.659 --> 00:15:30.860
it. Statistically speaking, it is the most efficient

00:15:30.860 --> 00:15:33.460
and unstoppable shot in basketball history. So

00:15:33.460 --> 00:15:35.740
here is the question I want you, the listener,

00:15:35.899 --> 00:15:38.220
to walk away with today. If this shot is the

00:15:38.220 --> 00:15:40.360
ultimate cheat code, if it completely solves

00:15:40.360 --> 00:15:43.419
the problem of defensive length, Why is it dead?

00:15:43.700 --> 00:15:45.740
That's a great question. You watch a modern basketball

00:15:45.740 --> 00:15:48.379
game today and absolutely nobody throws a skyhook.

00:15:48.500 --> 00:15:50.899
It is the great mystery of modern basketball

00:15:50.899 --> 00:15:54.080
mechanics. Did we somehow optimize the fun and

00:15:54.080 --> 00:15:56.639
the thunk out of the game? Or is it just that

00:15:56.639 --> 00:15:59.080
incredibly hard to teach to a new generation?

00:15:59.500 --> 00:16:02.279
Maybe it requires a very specific kind of spatial

00:16:02.279 --> 00:16:05.620
genius or a specific kind of body that we just

00:16:05.620 --> 00:16:08.240
haven't seen replicated since Tatum and Kareem.

00:16:08.669 --> 00:16:10.669
It's just strange to think that the ultimate

00:16:10.669 --> 00:16:13.549
legacy of the Clown Prince is a devastating weapon

00:16:13.549 --> 00:16:16.090
that everyone respects, but nobody dares to use.

00:16:16.669 --> 00:16:18.289
Definitely something to think about the next

00:16:18.289 --> 00:16:21.269
time you see a seven -footer settling for a contested

00:16:21.269 --> 00:16:23.909
jump shot. For sure. Thanks for going on this

00:16:23.909 --> 00:16:26.450
deep dive with us into the life and legacy of

00:16:26.450 --> 00:16:28.450
Deuce Tatum. Always a pleasure. We'll catch you

00:16:28.450 --> 00:16:28.970
on the next one.
