WEBVTT

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Okay. Take a second. Just listen to that. Listen

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to what? I don't really hear anything. Right.

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Precisely. That is the sound of February 25,

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2026. The silence has, well, it's finally returned

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to the Valdifieme. The circus has left town.

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Yeah. It's a heavy kind of silence, isn't it?

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It really is. Because for the last few weeks,

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this valley in northern Italy. specifically that

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little pocket around Pradazzo, has been the absolute

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center of the winter sports universe. The eyes

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of the world, basically. Exactly. We have just

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finished witnessing the massive spectacle of

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the 2026 Winter Olympics. The ski jumpers have

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packed up. The TV trucks are long gone. But we

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are left with the physical structure itself.

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And that structure is exactly our mission for

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this deep dive today. Because we aren't looking

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at the medal counts. Right. We aren't doing a

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highlight reel of the athletes. Well, not primarily.

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Which, honestly, is a completely fascinating

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biography to dig into. Because when you look

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at... Our source material, the historical records

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and the technical specs. This isn't just a slope

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covered in snow. Not at all. It's a structure

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that cost billions of lire to build in the late

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80s. Millions of euros to renovate just recently

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for these specific games. And it has served as

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this, I don't know, this strange concrete geopolitical

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stage for the last 35 years. It really acts like

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a mirror for whatever is happening in Europe

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at any given time. Yeah. Transport ourselves

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right there, mentally anyway. You are in Pradazzo,

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nestled right in the Dolomites. They're a Nesco

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World Heritage Site, by the way. Yeah, it is

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stunning. Jagged peaks, the air is super crisp,

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probably freezing, actually. And you are standing

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at the base of this massive complex that just

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hosted the Olympic ski jumping events from February

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7th to the 16th, and the Nordic combined right

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after that. Fresh off the global broadcast. Exactly.

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And this is where I want to start the story.

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If you were standing in this exact spot back

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in, say, 1935, You wouldn't see any ski jumpers

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flying through the air, would you? No, absolutely

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not. If you were a local in the Val di Fiam in

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the 1930s and you wanted to see someone hurl

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themselves into the air on skis, you wouldn't

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go to Prodazzo at all. You had to go way, way

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up. Up the mountain. You'd be hiking up to the

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roll pass. And when we say up, we're talking

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serious altitude here. Oh, yeah. We're talking

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1 ,984 meters above sea level. Wow. Yeah. The

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local clubs, the Fiam Gial and the Dolomitica,

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they managed to jump up there. And you really

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have to picture the sea. There were no modern

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elevators, no ceramic tracks, just guys in heavy

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wool sweaters hiking up nearly 2000 meters to

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just throw themselves off a mountain pass. It

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sounds so incredibly rugged. I mean, it feels

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like a completely different sport compared to

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the highly aerodynamic spandex clad science we

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just watched on TV. It was completely different.

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It was raw. Now, they did modernize it a little

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bit in 1973. It hosted some Alpencup events.

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But by the late 80s, the sport was professionalizing

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rapidly. It was becoming a TV spectacle. Right.

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And the International Ski Federation, the FIS,

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they looked at that roll pass setup. which was

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just a K -65 hill, and basically said, this is

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charming, but it's entirely obsolete. They needed

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something permanent, something closer to actual

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civilization. And the real catalyst for moving

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down from that mountain pass wasn't just a sudden

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desire for comfort. It was a very specific meeting

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in Istanbul in 1988. That is the turning point,

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yes. That is where the committee officially awarded

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the 1991 Nordic World Ski Championships to the

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Trentino region. Once they secured that bid,

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The clock was ticking. They had to build something

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worthy. They knew the old roll pass jump wasn't

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going to cut it for a global broadcast. They

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needed a flagship venue. So the Jeppe Dahl Ben

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Arena was born. It was inaugurated in 1989. And

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I was looking at the financial records for this

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original construction in our sources. The number

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is just staggering. 14 .5 billion lire. It sounds

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like fantasy money to modern ears, doesn't it?

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It really does. But what stuck out to me even

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more was who actually paid for it. This wasn't

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some private sports enterprise. It was fully

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funded by the autonomous province of Trento.

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Which is a massive statement of intent from the

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local government. You have to understand that

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in 1989, this facility was considered highly

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avant -garde. That was the exact word used in

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the press. The province wasn't just building

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a hill for a weekend event. Right, they were

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building a legacy. Exactly. They were trying

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to future -proof the sport in Italy. They were

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building a stadium meant to define the entire

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region for decades. And it did define the region.

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Almost immediately. This is the part of the deep

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dive that really hooked me. We usually think

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of stadiums as just concrete and steel. Static

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objects. Just a backdrop. Exactly. But this arena,

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specifically during that very first major event,

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the 1991 World Championships, it... acted like

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a literal time capsule. It really is one of those

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incredibly rare moments where sport and geopolitics

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collide head on. If you look at the results sheet

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from 1991 held right here at this brand new arena,

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you aren't just seeing names and jump distances.

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You are looking at a map of a Europe that was

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violently changing shape. So let's unpack that

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for everyone listening, because the specific

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stories are just incredible. Who are the ghosts

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of 1991? Well, there are two distinct narratives

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that played out right there on that podium. First,

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you have Franci Pitek. He wins a medal at that

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event. But look at the flag next to his name

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in the historical record. Yugoslavia. And that

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is deeply significant because of the timing.

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It's incredibly tragic timing. It was effectively

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the last time. Shortly after Pitek stood on that

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podium in Pradaco, Yugoslavia dissolved into

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a brutal war. Wow. Yeah, that medal was basically

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the final sporting breath of a dying nation.

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The stadium was brand new, gleaming white concrete,

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but it was hosting the funeral of a country.

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We are simply conveying the historical reality

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of the event, but it's a very heavy piece of

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trivia. It is a really heavy image. And then

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in the exact same competition, almost like a

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counterweight to that story, you have Jens Weisblog.

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The absolute legend, Jens Weisblog. In that same

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1991 competition, he wins an individual medal

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for Germany. Now, pay close attention to the

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nuance here. Not East Germany, not West Germany,

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just Germany. This is the reunification. Exactly.

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This was the very first time a German athlete

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had won an individual medal after the reunification

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of East and West. So in one single afternoon

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on this one hill in Italy, you have the death

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of Yugoslavia and the rebirth of a unified Germany

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playing out in real time. It's fascinating. You're

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sitting in the stands, maybe drinking a hot tea,

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watching guys jump. And you're actually watching

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the borders of Europe getting redrawn. That is

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exactly what makes this venue so special it has

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these ghosts built into the very foundation.

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But of course, ghosts don't host the 2026 Olympics.

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You need cutting edge hardware for that. And

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that brings us to the actual anatomy of the place.

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Right. Let's get technical because we've been

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calling it the arena, but it's a massive complex,

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3 ,000 square meters in total. And for the listeners

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who may be tuned into the Olympics just for the

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vibes and didn't catch the technical jargon,

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we need to break down the hills. We definitely

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do. It's a two hill setup primarily. You have

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the long trampoline and the normal trampoline.

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I always laugh at the term normal. trampoline

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it sounds so casual like i'm just gonna go jump

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the length of a football field today just normal

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stuff well everything is relative in ski jumping

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compared to the absolute monster next to it i

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guess it feels normal so the long trampoline

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is classified as an hs -136 okay let's pause

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there for a second HS. We saw this graphic on

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the screen constantly during the games this month.

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HS versus pay point. I think a lot of people

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treat them as the exact same thing, but they

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are very different. Very different. Think of

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the K point, which is 120 meters on this big

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hill as the par for the course. It's the construction

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point. It's the primary target. If you land perfectly

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on the K line, you get 60 distance points. It's

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where the hill is geometrically designed for

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a perfect safe landing. HS stands for hills.

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Here it's 136 meters. That is effectively the

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safety limit of the structure. It's the point

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where the slope of the landing hill starts to

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flatten out significantly. So K point is the

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goal and HS is the danger zone. Precisely. If

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you jump past the HS, the physical forces on

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your landing become exponential because you're

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effectively dropping onto flat ground from three

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stories up in the air. Your knees simply can't

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take the impact. That makes a lot of sense. So

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when we see that red line on the TV broadcast,

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that's usually the HS. Right. And on the normal

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hill, the HS is 104 meters with a K -point of

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95. A fun little detail for the true nerds out

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there, it was actually classified as an HS -106.

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until 2017, but the FIS adjusted the measurement

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rules slightly. They're always tweaking the numbers.

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Yeah. Now, there is one feature of the Giuseppe

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d 'Alben Arena that I found really interesting

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in our source material, especially since we literally

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just watched at Winter Olympics, the surface

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itself. Ah, yes. The ceramic tracks. Because

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you'd naturally assume a ski jump is completely

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useless without snow, but that's not the case

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here at all. Not at all. And that was a crucial

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part of its avant -garde design back in the 80s,

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and even more so now. The in -run tracks, the

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grooves, the skiers slide down before they hit

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the takeoff, are made of a highly specialized

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ceramic material. And the landing hill is covered

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in these interlocking plastic mats that mimic

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the exact friction of snow. Which means the entire

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facility doesn't just shut down in March when

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things thaw. Exactly. They can operate 12 months

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a year. Athletes can train in July just as easily

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as they do in February. In fact, Summer Grand

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Prix ski jumping is a huge part of the sports

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calendar now. That feels like a massive competitive

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advantage. If you own the facility, your local

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athletes aren't flying around the globe chasing

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winter just to get reps in. They are just driving

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down the road to Pradaso. It creates a perfectly

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consistent training environment. You aren't worried

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about melting tracks or soft slush on the landing.

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The ceramic is identical every single time you

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sit on the bar. That kind of consistency builds

00:10:09.450 --> 00:10:11.970
champions. Speaking of building champions, I

00:10:11.970 --> 00:10:13.509
was looking at the list of the other hills in

00:10:13.509 --> 00:10:15.830
the complex. Because it's not just the two big

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Olympic ones we saw on TV. No, you can't just

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strap a pair of skis on a six -year -old and

00:10:19.940 --> 00:10:22.399
push them off the HS -136. That would be... Completely

00:10:22.399 --> 00:10:24.299
terrifying. Terrifying and probably illegal.

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So they have what they call the school jumps.

00:10:26.899 --> 00:10:29.879
This is the Stalliman area. There's a K -60,

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an HS -35, an HS -20, and the Baby Hill, which

00:10:33.379 --> 00:10:37.200
is an HS -16. It's an entire ecosystem. You enter

00:10:37.200 --> 00:10:40.000
the sport as a little kid on the HS -16, and

00:10:40.000 --> 00:10:42.740
hopefully 15 years later, you're flying off the

00:10:42.740 --> 00:10:44.679
big one. There's one other connection in the

00:10:44.679 --> 00:10:46.860
building that I absolutely loved finding in the...

00:10:46.860 --> 00:10:50.269
research. It involves the Marciolonga. The legendary

00:10:50.269 --> 00:10:52.909
cross -country race. Yes. So for those who don't

00:10:52.909 --> 00:10:54.730
follow it, the Marsalonga is this incredibly

00:10:54.730 --> 00:10:57.809
grueling 70 -kilometer cross -country ski race.

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And the organizers are actually headquartered

00:11:00.529 --> 00:11:03.350
directly inside the ski jumping stadium building.

00:11:03.490 --> 00:11:06.110
And the race course physically passes straight

00:11:06.110 --> 00:11:08.750
through the arena every single January. That

00:11:08.750 --> 00:11:10.450
is just such a cool visual to me. You have the

00:11:10.450 --> 00:11:12.409
ski jumpers flying high overhead, the sprinters

00:11:12.409 --> 00:11:14.610
of the sky, and right underneath them you have

00:11:14.610 --> 00:11:17.009
thousands of cross -country skiers grinding out

00:11:17.009 --> 00:11:20.570
70 kilometers. physically connects the two vastly

00:11:20.570 --> 00:11:23.049
different worlds of Nordic skiing in one space.

00:11:23.330 --> 00:11:25.690
It anchors the stadium in the local community,

00:11:25.830 --> 00:11:28.389
too. It's not just some scary elite tower on

00:11:28.389 --> 00:11:30.350
a hill that only the pros are allowed to use.

00:11:30.509 --> 00:11:33.250
It's a central hub for the biggest sporting event

00:11:33.250 --> 00:11:36.730
in the valley. But hubs age over time. Concrete

00:11:36.730 --> 00:11:40.659
cracks. Technology moves on. And 1989 was a long

00:11:40.659 --> 00:11:43.240
time ago. It was. And when the IOC came knocking

00:11:43.240 --> 00:11:46.399
to award the 2026 Games, the region knew they

00:11:46.399 --> 00:11:48.639
couldn't just slap a fresh coat of paint on 30

00:11:48.639 --> 00:11:51.740
-year -old technology. You cannot host a modern,

00:11:51.840 --> 00:11:55.100
high -definition Olympics with 1991 infrastructure.

00:11:55.460 --> 00:11:57.139
So they had to get out the checkbook again. They

00:11:57.139 --> 00:11:59.799
certainly did. In the fall of 2022, they started

00:11:59.799 --> 00:12:02.620
a massive renovation project to prepare for what

00:12:02.620 --> 00:12:04.940
we just watched. The final cost was approximately

00:12:04.940 --> 00:12:08.360
36 million euros. That is a serious facelift.

00:12:08.399 --> 00:12:10.960
I mean, 14 .5 billion layer in the 80s was a

00:12:10.960 --> 00:12:13.779
lot. But 36 million euros today is a massive

00:12:13.779 --> 00:12:16.139
public investment. What exactly do you get for

00:12:16.139 --> 00:12:18.639
that kind of money? You get a completely modernized,

00:12:18.639 --> 00:12:21.159
state -of -the -art venue. They reprofiled both

00:12:21.159 --> 00:12:23.779
of the main jumps to perfectly match modern aerodynamic

00:12:23.779 --> 00:12:25.879
flight standards. They rebuilt the spectator

00:12:25.879 --> 00:12:27.980
stands. They built a brand new judges tower.

00:12:28.120 --> 00:12:31.059
But the lighting, that was a major key line item.

00:12:31.299 --> 00:12:33.980
Because of the TV broadcast. TV demands absolute

00:12:33.980 --> 00:12:36.259
perfection. The night events we just watched,

00:12:36.419 --> 00:12:39.100
those dramatic, gorgeous shots of the jumpers

00:12:39.100 --> 00:12:41.840
launching into the pitch black. sky illuminated

00:12:41.840 --> 00:12:45.360
perfectly. That is all thanks to the new lighting

00:12:45.360 --> 00:12:48.700
array. It has to be completely flicker free for

00:12:48.700 --> 00:12:51.799
the high definition slow motion cameras. But

00:12:51.799 --> 00:12:53.860
there was one specific upgrade that caught my

00:12:53.860 --> 00:12:57.899
eye in the specs. Seems like a tiny detail, but

00:12:57.899 --> 00:12:59.700
I bet the athletes care about it more than anything

00:12:59.700 --> 00:13:02.679
else. They replaced the old chairlift. Yes, with

00:13:02.679 --> 00:13:05.639
a fully enclosed inclined elevator. Now, to the

00:13:05.639 --> 00:13:07.639
average person listening, that might just sound

00:13:07.639 --> 00:13:09.419
like a luxury or the athletes don't want to sit

00:13:09.419 --> 00:13:12.230
on a cold chairlift. But there is a real physiological

00:13:12.230 --> 00:13:14.789
reason for this, isn't there? It is purely about

00:13:14.789 --> 00:13:17.309
athletic performance. Think about the old setup

00:13:17.309 --> 00:13:20.370
for a second. You are a jumper in a paper -thin,

00:13:20.370 --> 00:13:23.549
highly aerodynamic suit. It's minus 10 degrees

00:13:23.549 --> 00:13:26.929
outside. You have to sit on a slow open -air

00:13:26.929 --> 00:13:29.509
chairlift for 10 or 15 minutes just to get to

00:13:29.509 --> 00:13:31.389
the top of the tower. What happens to your body?

00:13:31.549 --> 00:13:33.730
You completely freeze. Your muscles just tighten

00:13:33.730 --> 00:13:37.179
up. Exactly. Your core body temperature drops

00:13:37.179 --> 00:13:40.360
significantly. You lose all that explosive elasticity

00:13:40.360 --> 00:13:43.580
you desperately need for the takeoff. An inclined

00:13:43.580 --> 00:13:46.700
elevator is a warm, enclosed cabin. It gets you

00:13:46.700 --> 00:13:48.919
to the top much faster. You stay loose. You stay

00:13:48.919 --> 00:13:53.279
entirely focused. 36 million euros buys you shiny

00:13:53.279 --> 00:13:56.379
infrastructure, sure. But that specific elevator

00:13:56.379 --> 00:13:59.299
upgrade buys you measurably better athletic performance.

00:13:59.740 --> 00:14:02.940
And clearly, the performance was there. The venue

00:14:02.940 --> 00:14:05.059
held up beautifully for the Games this month.

00:14:05.159 --> 00:14:07.440
It really did. It has now officially cemented

00:14:07.440 --> 00:14:09.759
itself as an Olympic legend, joining the ranks

00:14:09.759 --> 00:14:12.120
of historic places like Littlehammer and Nagano.

00:14:12.320 --> 00:14:14.279
Now, we cannot talk about a ski jumping arena

00:14:14.279 --> 00:14:15.860
without talking about the Kings of the Hill.

00:14:15.919 --> 00:14:17.860
We need to talk about the records. We do. And

00:14:17.860 --> 00:14:19.519
the record books here are really interesting

00:14:19.519 --> 00:14:22.559
to parse through because you have distinct eras.

00:14:22.559 --> 00:14:25.379
You have the before 2026 era and the right now

00:14:25.379 --> 00:14:27.539
era. Let's start with the legends from the past.

00:14:27.659 --> 00:14:30.440
Who owned this hill before this month? For a

00:14:30.440 --> 00:14:33.039
very long time, the name to beat was Adam Małdżas,

00:14:33.200 --> 00:14:35.919
the Polish eagle. Oh man, if you followed winter

00:14:35.919 --> 00:14:38.019
sports in the early 2000s, you couldn't escape

00:14:38.019 --> 00:14:40.519
him. He was everywhere. He was a total phenomenon.

00:14:40.720 --> 00:14:43.419
In the 2003 World Championships, which were held

00:14:43.419 --> 00:14:46.519
right here in Pradazzo, he was completely untouchable.

00:14:46.799 --> 00:14:48.820
He set official records on both of the hills.

00:14:49.000 --> 00:14:53.000
He jumped 136 meters on the large hill and 107

00:14:53.000 --> 00:14:56.899
.5 meters on the normal hill. And that 136 -meter

00:14:56.899 --> 00:14:59.200
record on the big hill stood for a remarkably

00:14:59.200 --> 00:15:02.919
long time. It did. Roshu Kobayashi, the Japanese

00:15:02.919 --> 00:15:06.039
superstar, managed to equal it in 2019 during

00:15:06.039 --> 00:15:08.879
a World Cup event. But Marsh's shadow basically

00:15:08.879 --> 00:15:12.679
loomed over Pradazzo for two full decades. But

00:15:12.679 --> 00:15:14.460
there is always an asterisk when it comes to

00:15:14.460 --> 00:15:16.340
ski jumping records, isn't there? The unofficial

00:15:16.340 --> 00:15:18.879
jumps? Because I saw some numbers in the research

00:15:18.879 --> 00:15:21.899
that were way, way bigger than 136. There are

00:15:21.899 --> 00:15:23.679
always bigger jumps hiding in the footnotes.

00:15:23.740 --> 00:15:25.840
You have the Nordic combined athletes or training

00:15:25.840 --> 00:15:27.620
rounds where the judges might set the starting

00:15:27.620 --> 00:15:30.080
gate a bit higher. For example, Eric Frenzel

00:15:30.080 --> 00:15:33.820
jumped 138 .5 meters in 2013. And Samuel Costa

00:15:33.820 --> 00:15:37.159
in 2016 flew a massive 142 meters in a Nordic

00:15:37.159 --> 00:15:40.759
combined event. 142 meters. That completely crushes

00:15:40.759 --> 00:15:42.429
the Mausch's record. Wasn't that the headline

00:15:42.429 --> 00:15:45.110
record on the TV graphic? Because the FIS is

00:15:45.110 --> 00:15:47.929
highly particular about their bureaucracy, official

00:15:47.929 --> 00:15:50.110
Hill records generally only count if they happen

00:15:50.110 --> 00:15:52.809
in a specific top tier of competition, usually

00:15:52.809 --> 00:15:55.950
a pure ski jumping World Cup or an Olympic event,

00:15:56.049 --> 00:15:58.309
and usually only if the jumper stands up the

00:15:58.309 --> 00:16:00.909
landing and doesn't crash. Training jumps or

00:16:00.909 --> 00:16:03.049
combined events often just get relegated to the

00:16:03.049 --> 00:16:05.309
unofficial list. Bureaucracy and gravity. I love

00:16:05.309 --> 00:16:08.009
it. But all of those footnotes and all of those

00:16:08.009 --> 00:16:10.529
old official records, they just became completely

00:16:10.529 --> 00:16:13.039
irrelevant. They really did. Because we have

00:16:13.039 --> 00:16:15.580
a brand new king. This is the headline for the

00:16:15.580 --> 00:16:20.039
deep dive today. Yeah. February 2026. The Olympics.

00:16:20.360 --> 00:16:22.559
Dome and Preview. Just a few days ago. Dome and

00:16:22.559 --> 00:16:26.440
Preview. Absolutely uncorked one. 141 .5 meters.

00:16:26.779 --> 00:16:30.200
Official competition. Official record. 141 .5

00:16:30.200 --> 00:16:31.440
meters. I was trying to visualize that earlier

00:16:31.440 --> 00:16:34.019
today. It is immense. It's nearly one and a half

00:16:34.019 --> 00:16:36.340
standard football fields. Imagine jumping from

00:16:36.340 --> 00:16:38.980
one goal line, flying over the entire field and

00:16:38.980 --> 00:16:41.240
landing halfway down the next field without an

00:16:41.240 --> 00:16:43.740
engine. It is basically falling with style for

00:16:43.740 --> 00:16:46.159
seven or eight seconds straight. And doing it

00:16:46.159 --> 00:16:49.759
with absolute perfect control, that jump completely

00:16:49.759 --> 00:16:53.740
resets the standard for this facility. The Mayuse

00:16:53.740 --> 00:16:56.620
era is officially over. We are firmly in the

00:16:56.620 --> 00:16:59.279
Prevec era now. And we definitely shouldn't forget

00:16:59.279 --> 00:17:00.980
the women's record on the Normal Hill because

00:17:00.980 --> 00:17:03.320
that one has held remarkably strong for a while.

00:17:03.460 --> 00:17:06.380
Absolutely. Sarah Hendrickson. She jumped 108

00:17:06.380 --> 00:17:10.500
point blitos meters back in 2012. That actually

00:17:10.500 --> 00:17:12.680
stayed as a women's world record for a time.

00:17:12.980 --> 00:17:15.500
It highlights that this venue has been a prominent

00:17:15.500 --> 00:17:18.099
stage for the absolute best in the world, regardless

00:17:18.099 --> 00:17:21.460
of gender, for decades now. So when you zoom

00:17:21.460 --> 00:17:23.509
out and look at the whole picture. We have gone

00:17:23.509 --> 00:17:26.950
from guys hiking up Roll Pass in wool sweaters

00:17:26.950 --> 00:17:30.809
in the 1930s. To a 14 .5 billion lire concrete

00:17:30.809 --> 00:17:34.029
statement piece in the 90s. To this 36 million

00:17:34.029 --> 00:17:37.150
euro elevator equipped ceramic tracked spaceship

00:17:37.150 --> 00:17:39.609
that we just saw on global television. It is

00:17:39.609 --> 00:17:41.930
a truly remarkable evolution. And I think that

00:17:41.930 --> 00:17:43.990
is the key takeaway for you to think about. We

00:17:43.990 --> 00:17:45.769
often think of mountains and stadiums as these

00:17:45.769 --> 00:17:48.390
permanent, unchangeable things. But the way we

00:17:48.390 --> 00:17:50.190
interact with them is constantly shifting. The

00:17:50.190 --> 00:17:52.069
Roll Pass jump died because. It couldn't adapt.

00:17:52.269 --> 00:17:53.950
It couldn't handle the demands of a new world

00:17:53.950 --> 00:17:56.829
of sport. But the Giuseppe Dolben Arena survived.

00:17:57.230 --> 00:17:59.650
It survived because it reinvented itself. It

00:17:59.650 --> 00:18:02.529
went from a geopolitical stage for a dying Yugoslavia

00:18:02.529 --> 00:18:06.569
in 1991 to a high -tech Olympic venue in 2026.

00:18:07.109 --> 00:18:09.789
It adapted to survive. And that leaves us with

00:18:09.789 --> 00:18:11.950
our final thought for you today. Something to

00:18:11.950 --> 00:18:14.680
mull over. When Dmytrovych was up in the air

00:18:14.680 --> 00:18:18.640
for that 141 .5 -meter jump this month, he wasn't

00:18:18.640 --> 00:18:21.319
just flying over snow and plastic mats. He was

00:18:21.319 --> 00:18:24.279
flying over the ghosts of 1991. He was flying

00:18:24.279 --> 00:18:26.579
over the invisible lines of old European borders

00:18:26.579 --> 00:18:29.559
and the long legacy of Adamass. And he was setting

00:18:29.559 --> 00:18:32.119
the bar for whatever comes next. Right. It makes

00:18:32.119 --> 00:18:35.289
you wonder. 30 years from now, will they be renovating

00:18:35.289 --> 00:18:37.670
this massive complex again? Will someone be jumping

00:18:37.670 --> 00:18:40.869
155 meters? Or will this place eventually become

00:18:40.869 --> 00:18:43.549
another ghost venue like Roll Pass, just quiet

00:18:43.549 --> 00:18:45.970
and overgrown in the mountains? Only time and

00:18:45.970 --> 00:18:47.549
gravity will tell. Well, for now, the lights

00:18:47.549 --> 00:18:50.549
are off in Prodanso. The silence is back. But

00:18:50.549 --> 00:18:52.609
what an incredible show it was. Thank you for

00:18:52.609 --> 00:18:54.490
taking this deep dive with us today. Always a

00:18:54.490 --> 00:18:54.670
pleasure.
