WEBVTT

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I was looking at a map of North Wales this morning,

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preparing for this deep dive, and I honestly

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got a little confused right off the bat. Oh,

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yeah. How so? Well, I typed in the name of our

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topic, Mayni Bridge, and the map dropped a pin

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on, you know, a bridge. Right. Makes sense. It

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does. But then I zoomed out a tiny bit, and the

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pin was actually sitting on a cluster of houses

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and streets next to the bridge. Ah, yes. That

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is a very common point of confusion for people

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looking at the area. So just to be absolutely

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clear with you and everyone listening, we're

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not spending the next chunk of time talking about

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suspension cables and iron chains, are we? We

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might mention them in passing, but no. Today

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we're looking at the town itself, the actual

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community that sits right in the shadow of that

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famous structure. Okay, good. Because looking

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at the geographical and historical records we

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have for the town of Manai Bridge in Anglesey,

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this place feels like it has a serious split

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personality. It really does. I mean, it's got

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a name that belongs to a piece of infrastructure,

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but a history that goes back way further. You've

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got a fake TV set built inside a garage and then

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a very real promenade built by refugees. That

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is a fantastic way to frame our mission today.

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It's a town of disguises. On the surface, to

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you and me driving through, it looks like a scenic

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crossing point. Yeah, a postcard spot. Exactly.

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But if you dig into the local records, you find

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a prison ship for naughty boys, you find ancient

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hermits, and a community that has just constantly

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reinvented itself to survive. So the place is

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known in English as Menai Bridge. But if you

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went back in time to, say, the year 1500 and

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asked a local for directions to Menai Bridge...

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You'd get completely blank stares. Right. Because

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there was no bridge. Right. For the vast majority

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of its history, this place wasn't defined by

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a bridge at all. It was defined by the water.

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The Welsh name for the town is Porthaethwy. Porthaethwy,

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which is a bit of a mouthful if you aren't used

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to speaking Welsh. It can be. Yeah. But it breaks

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down quite logically if we look at the etymology.

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Okay, let's break it down. So Porth means harbor

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or port. Okay, pretty straightforward. And the

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second part, Daethwy. That refers to a local

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Celtic tribe. And later it became the name of

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a medieval administrative district, what they

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called a Cmote, named Din Dethwe. So literally

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translated, it's the port of the Dethwe tribe.

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Exactly. Port of the Dethwe. That immediately

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changes the vibe for me. Like Menai Bridge sounds

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like civil engineering. Port of the Dethwe sounds

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like a settlement with really deep ancient roots.

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And those roots go deep specifically because

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of the geography. If you look at the Menai Strait,

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That's the strip of water separating the island

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of Anglesey from the Welsh mainland. It is not

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a uniform width. No, it pinches in. Yes. This

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specific spot where the town sits is the narrowest

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point. The ultimate bottleneck. The bottleneck.

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So if you were, say, a Roman soldier in the first

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century. and you wanted to cross over to crush

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the Druids on Anglesey. Which they did. Which

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they absolutely did. Or if you were a cattle

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drover in the Middle Ages trying to get your

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herd to market, this is where you crossed. It

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was the shortest distance over some very treacherous

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water. So long before the suspension bridge,

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this was basically a fairy town. A massive fairy

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hub. We have written records of the ferry operating

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there, going all the way back to 1292. Wow, 1292.

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And it almost certainly operated for centuries

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before anyone bothered to write it down. The

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entire economy was maritime. The whole town was

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essentially a waiting room for the tide. I just

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imagine that creates a very specific kind of

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atmosphere, you know, just hundreds of people

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constantly passing through, staring at the water,

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waiting for it to calm down enough to cross.

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It creates a very transient bustling energy.

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But then. The year 1826 arrives. Enter Thomas

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Telford. Exactly. Thomas Telford builds his magnificent

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suspension bridge. And suddenly overnight, you

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don't need the ferry anymore. Which sounds like

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an absolute economic disaster for a town built

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around a ferry. Did the local economy just collapse?

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You would really think so. Yeah. But this is

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where the town's resilience first shows up in

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the sources. The ferry business died. Yes. But

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the town pivoted. They started using their waterfront

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for shipbuilding. They became a major hub for

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timber export. It became a serious commercial

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center in its own right. They essentially refused

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to just become a drive -through for the bridge

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traffic. They adapted. Speaking of the waterfront,

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you mentioned it's the narrowest point, but looking

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at the geographical charts, it also looks like

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the messiest point of the street. Oh, without

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a doubt. Like, it's not just open water. There

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are rocks and little islands everywhere. It's

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basically a mini archipelago within a strait.

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It is incredibly treacherous if you don't know

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exactly what you're doing. The locals actually

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call this stretch of water the Swellies. The

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Swellies. That sounds kind of cute, but I'm guessing

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it's not. It is not cute. The tidal currents

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are ferocious. They swirl and pull. But right

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off the shore, you have these little islands

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dotted around. Eunice Feilog, Eunice Gaint, Eunice

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Castel. And the really notable one, Church Island.

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Yes, Enos Tisilio. That is personally my favorite

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spot for understanding the hidden layers of this

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town. You can actually walk out to it today across

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a short causeway. I've seen pictures of this

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in our research. It looks incredibly peaceful.

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You've got this old stone church surrounded by

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trees, but it's right next to this massive, noisy

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modern bridge. That's the perfect contrast. Back

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in the 9th century, a saint named Tisilio lived

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on that island as a hermit. Wait, a hermit? right

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in the middle of a busy crossing point. Well,

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he chose it specifically because at high tide,

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the water completely cut him off from the mainland.

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It forced isolation. I always find that kind

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of historical irony so funny. You know, a guy

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picks a rock in the freezing water specifically

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to get away from people. Right. And 1200 years

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later, we literally build a causeway so tourists

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can just stroll out and stand exactly where he

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was trying to be left alone. It is deeply ironic.

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But that little island is sort of the spiritual

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ancestor of the town. Even today, the modern

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town of Menai Bridge is officially part of the

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parish of Landisilia. Oh, named after him. Exactly.

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So you have the flashy, heavy engineering of

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Telford's Bridge on one side, and then the quiet,

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stubborn spirituality of this 9th century hermit

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on the other. But looking at the area today,

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the water isn't just about ancient history or

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religion, is it? Because when I was reading up

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on the current layout of the town, I noticed

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a huge cluster of science facilities. You did.

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Menai Bridge is actually home to the School of

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Ocean Sciences, which is part of Bangor University.

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Why there? I mean, is it just for the nice view

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of the strait? Not at all. It's precisely because

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of those ferocious currents we just talked about.

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The swellies, the extreme tides, the unique biodiversity

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of that bottleneck. It serves as a living laboratory

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literally on their doorstep. That's amazing.

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They even have a dedicated research ship, the

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Prince Mad Dog. You'll very often see it docked

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right at the town pier. So the exact same treacherous

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water that kept Roman soldiers at bay is now

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attracting marine scientists from all over the

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world. Precisely. It's a really beautiful continuity.

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The town has always looked to the straight for

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his living, whether that's ferrying, shipbuilding,

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or now oceanography. But, and I want to shift

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gears here, looking at the historical sources,

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the water wasn't always a place of learning or

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holiness. There is a chapter in the records here

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that genuinely creeped me out. I think I know

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where you're going. The HMS Clio? Yes, the Clio.

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This is definitely the darker side of the Victorian

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era coming to Midnight Bridge. Because when I

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first saw the name HMS Clio in the notes, I thought,

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oh, a nice historic ship for tourists to look

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at. But the locals back then didn't see it that

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way at all, did they? No, they didn't. For nearly

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50 years, from 1877 all the way to 1920, this

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massive wooden battleship was moored permanently

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in the strait, and it cast a very long, very

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dark shadow over the town. The local rumor was

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that it was a prism, like a floating Alcatraz

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for kids. That was the local folklore. It was

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so intimidating that mothers in Mani Bridge would

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actually use it as a threat. They'd point out

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to the water and say, behave yourself, or I'll

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send you to the Clio. That is some terrified

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Victorian parenting right there. It worked. But

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was it actually a prison? If you look at the

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official records, what was it? Technically speaking,

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no, culturally, maybe. Officially, it was classified

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as an industrial training ship. What does that

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mean? It was run by the North Wales Society.

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The goal was to take young men, we're talking

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boys aged 11 to 15, who are considered destitute

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or, quote, in need of discipline. In need of

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discipline. That is such a loaded, vague, Victorian

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phrase. It really is. It heavily implies that

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being poor and having bad behavior are the exact

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same thing. Right. The whole idea was to take

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these wild, impoverished boys and industrialize

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them, turn them into useful, obedient sailors

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for the British Empire. So they taught them what?

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Sailing stuff? Yes. knots, navigation, repairing

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sails, swabbing decks. The catch is they couldn't

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leave. They absolutely could not leave. They

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were stuck on that ship. And the discipline was

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notoriously harsh. The historical records show

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that corporal punishment using the birch and

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the cane was extremely common. Some accounts

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even described it as openly cruel. Yes, it was

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a brutal environment. It's such a jarring visual

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to think about. You know, you have these wealthy

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Victorian tourists coming from London to admire

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Telford's beautiful, elegant bridge. And right

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below them, moored in the freezing water, is

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this wooden ship full of trapped 11 -year -old

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boys being beaten into submission. It reflects

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the Victorian mindset perfectly, doesn't it?

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Yeah. They built an iron bridge to conquer nature,

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and they used a wooden ship to conquer human

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nature. It was all entirely about control. I

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want to completely flip the script now, because

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we just talked about boys being trapped in Menai

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Bridge against their will. But just a few years

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later, just up the road, you had a group of people

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arriving who were incredibly desperate to be

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there. Yes. We're moving forward to 1914 now,

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the outbreak of the First World War. The Belgian

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refugees. This is a story that I think really

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defines the true heart of the town. When the

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German army invaded Belgium. A group of refugees

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fleeing the city of Mechelen managed to make

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it all the way across Europe to Menai Bridge.

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And the town just took them in. They did. Open

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arms. They were housed in local homes in the

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village hall. People shared what little they

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had. But here is where the historical records

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get really fascinating. Yeah, the skill set of

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these refugees. Exactly. These weren't just general

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laborers. The sources note that many of these

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men from Mechelen were highly skilled in marketry.

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Mark, just so everyone is on the same page, that's

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like fancy wood inlay, right? Like making those

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intricate geometric patterns on expensive cabinets

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and furniture. Exactly that. It is highly delicate,

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precise indoor work. It requires soft hands,

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fine tools, a warm workshop. But these refugees

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wanted to say thank you to the town that saved

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them. They did. And they didn't have any money

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to give. So they decided to build something for

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the community. But they didn't build a giant

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communal cabinet. No, they did not. They decided

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to build a massive stone promenade right along

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the edge of the Menai Strait. I just cannot get

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over that image. You have these fine artisans,

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men who are used to working with delicate veneers

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and varnishes out there in the Welsh weather,

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hauling heavy limestone rocks, battling those

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freezing tides we talked about just to build

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a seawall. It is a profound gesture of gratitude.

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Yeah. They took that craftsman's patience. the

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same patience needed for fine woodwork, and applied

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it to brute civil engineering. Where exactly

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did they build it? The path runs from Church

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Island, where our hermit was, all the way down

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to another little tidal island called Carragher

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-Hallon. They worked on it manually for two solid

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years, from 1914 to 1916. And the craziest part

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is, it's still there. You can go walk on it today.

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You can. It's officially known as the Belgian

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Promenade. Now, full disclosure, it was heavily

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rebuilt in the 1960s to reinforce it. But the

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soul of it, the actual foundation, is still that

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original refugee labor. There's a really touching

00:12:08.149 --> 00:12:10.289
note in the sources here about a ceremony they

00:12:10.289 --> 00:12:13.549
held in 1965. Yes, when they officially reopened

00:12:13.549 --> 00:12:16.090
the rebuilt promenade. The town managed to track

00:12:16.090 --> 00:12:18.669
down the only surviving refugee from that original

00:12:18.669 --> 00:12:22.509
1914 group. A man named Edward Wilhomes. Yes,

00:12:22.649 --> 00:12:25.330
and he came back to Menai Bridge to cut the ribbon.

00:12:25.509 --> 00:12:27.850
That just brings it full circle in such a beautiful

00:12:27.850 --> 00:12:30.070
way. It wasn't just a construction project for

00:12:30.070 --> 00:12:32.549
them, it was their permanent mark on the world.

00:12:33.090 --> 00:12:36.129
A message saying, we were here, you helped us

00:12:36.129 --> 00:12:39.289
survive, and this is the path we left behind

00:12:39.289 --> 00:12:43.070
for you. It stands in such stark, striking contrast

00:12:43.070 --> 00:12:46.379
to the HMS Clio. Oh, completely. The ship was

00:12:46.379 --> 00:12:49.539
a symbol of punishment and confinement. And then

00:12:49.539 --> 00:12:51.480
right next to it, physically right next to it

00:12:51.480 --> 00:12:54.500
on the strait, the promenade is a symbol of refuge

00:12:54.500 --> 00:12:57.519
and openness. It's amazing. And you know, this

00:12:57.519 --> 00:12:59.759
theme of hidden layers just keeps coming up in

00:12:59.759 --> 00:13:01.480
this deep dive. We have the hidden history of

00:13:01.480 --> 00:13:03.120
the refugees, the hidden history of the boys

00:13:03.120 --> 00:13:06.460
on the ship. There is a part of Menai Bridge

00:13:06.460 --> 00:13:08.480
that is literally hidden in plain sight because

00:13:08.480 --> 00:13:11.559
it's completely fake. Ah, yes. You've discovered

00:13:11.559 --> 00:13:13.600
the town's Hollywood connection. Well, Hollywood

00:13:13.600 --> 00:13:15.600
might be stretching it a bit. Maybe Welsh Hollywood.

00:13:15.779 --> 00:13:17.220
I'm talking about the TV show. Bound around.

00:13:17.500 --> 00:13:19.879
It is a very, very popular soap opera broadcast

00:13:19.879 --> 00:13:22.779
on the Welsh language television channel S4C,

00:13:22.820 --> 00:13:25.320
and it has been filmed right in the town for

00:13:25.320 --> 00:13:27.899
years. But they didn't just point cameras at

00:13:27.899 --> 00:13:30.200
the existing streets. They actually terraformed

00:13:30.200 --> 00:13:32.639
parts of the town to fit the script. They did.

00:13:33.220 --> 00:13:35.820
There is a garage. right in the town center.

00:13:36.500 --> 00:13:40.139
An old, disused commercial garage building that

00:13:40.139 --> 00:13:42.840
the production company Rondo Media basically

00:13:42.840 --> 00:13:46.000
took over. And what did they do to it? They converted

00:13:46.000 --> 00:13:49.120
the entire front facade of this garage into a

00:13:49.120 --> 00:13:51.139
fake row of shops. So if you're a tourist you

00:13:51.139 --> 00:13:52.919
could be walking down the main street looking

00:13:52.919 --> 00:13:55.500
for a snack and you see what looks like a nice

00:13:55.500 --> 00:13:57.700
little cafe or a newsagent. And you try to open

00:13:57.700 --> 00:14:00.200
the door and it's just a flat wooden set built

00:14:00.200 --> 00:14:02.870
onto the brickwork of a garage. That sums up

00:14:02.870 --> 00:14:04.990
that Town of Disguises theme we started with

00:14:04.990 --> 00:14:08.070
so perfectly. You look at it and ask, is it a

00:14:08.070 --> 00:14:10.850
garage? No, it's a bakery. Wait, is it a bakery?

00:14:10.970 --> 00:14:13.269
No, it's a television set. It really blurs the

00:14:13.269 --> 00:14:15.759
line for the locals too. Imagine you see your

00:14:15.759 --> 00:14:18.460
own real town on television every single night,

00:14:18.539 --> 00:14:21.620
but the town on TV is full of manufactured drama

00:14:21.620 --> 00:14:24.039
and businesses that don't actually exist. It

00:14:24.039 --> 00:14:26.820
adds this layer of total surrealism to daily

00:14:26.820 --> 00:14:29.720
life there. It does. Speaking of surrealism and

00:14:29.720 --> 00:14:32.220
drama, we absolutely have to talk about the fair.

00:14:32.620 --> 00:14:36.529
Fair Borth. Because if the TV set is fake chaos,

00:14:37.210 --> 00:14:40.110
the sources make this sound like real unadulterated

00:14:40.110 --> 00:14:42.610
chaos. Oh, it is absolute controlled chaos. This

00:14:42.610 --> 00:14:45.610
is a massive tradition in the town, dating all

00:14:45.610 --> 00:14:49.429
the way back to 1691. 1691. So again, long before

00:14:49.429 --> 00:14:52.049
Telford's bridge even existed. Centuries before.

00:14:52.429 --> 00:14:54.789
It originally started as a horse fair, then it

00:14:54.789 --> 00:14:57.700
evolved into a livestock market. Today, it's

00:14:57.700 --> 00:15:00.220
mostly modern fairground rides, food stalls,

00:15:00.399 --> 00:15:02.940
and games. But when we say fair, we need to clarify

00:15:02.940 --> 00:15:05.840
for you listening. Don't picture a nice, polite

00:15:05.840 --> 00:15:08.200
little event in a grassy field on the outskirts

00:15:08.200 --> 00:15:10.659
of town. No, not at all. Where is it held? It

00:15:10.659 --> 00:15:13.059
is in the town. Right in the streets. The rides,

00:15:13.200 --> 00:15:16.059
the waltzers, the bumper cars, the stalls, they

00:15:16.059 --> 00:15:18.580
physically occupy the main streets of Menai Bridge.

00:15:19.019 --> 00:15:21.580
The normal traffic completely stops. The town

00:15:21.580 --> 00:15:23.639
is just taken over by neon lights and machinery.

00:15:23.779 --> 00:15:26.080
I love that intensity. It's terribly inconvenient.

00:15:25.960 --> 00:15:28.039
for anyone trying to get to work, but it is tradition

00:15:28.039 --> 00:15:32.159
and tradition wins. And the locals are incredibly

00:15:32.159 --> 00:15:34.580
stubbornly specific about the timing of it, too.

00:15:35.039 --> 00:15:37.039
The records say it is always held on October

00:15:37.039 --> 00:15:40.600
24th. Always. Every single year. Unless? Unless

00:15:40.600 --> 00:15:43.299
October 24th happens to fall on a Sunday. Ah,

00:15:43.419 --> 00:15:45.840
the Sunday rules. You simply cannot disrupt the

00:15:45.840 --> 00:15:48.100
Welsh Sabbath with bumper cars and cotton candy.

00:15:48.240 --> 00:15:50.620
So if the 24th is a Sunday, they begrudgingly

00:15:50.620 --> 00:15:52.990
move it to the 23rd of the 25th. There's a little

00:15:52.990 --> 00:15:55.009
piece of poetry about this fair that you shared

00:15:55.009 --> 00:15:56.950
in our notes. I think it captures the sensory

00:15:56.950 --> 00:15:59.250
overload of it perfectly. And the Old Welsh stanza,

00:15:59.570 --> 00:16:09.950
yes. It translates roughly into English as, Warm

00:16:09.950 --> 00:16:12.669
beer and kick. It sounds like a very distinct,

00:16:13.149 --> 00:16:15.929
slightly chaotic Walsh version of Hig. It's all

00:16:15.929 --> 00:16:17.970
about anticipation. You have to remember, in

00:16:17.970 --> 00:16:20.570
a very hard, weather -beaten agricultural life,

00:16:20.809 --> 00:16:22.990
that this one day in October was the explosion

00:16:22.990 --> 00:16:25.610
of color and noise and socialization for the

00:16:25.610 --> 00:16:28.049
whole year. It really mattered. And it still

00:16:28.049 --> 00:16:30.570
does. By the way, while we're talking about culture,

00:16:30.690 --> 00:16:32.690
we should quickly drop in a couple of pop culture

00:16:32.690 --> 00:16:35.610
nods the town gets. Lewis Carroll actually mentions

00:16:35.610 --> 00:16:38.070
Manai Bridge in a nonsense song in Through the

00:16:38.070 --> 00:16:39.960
Looking Glass. does. The White Knight sings about

00:16:39.960 --> 00:16:42.779
it. And Alun Owen, the screenwriter who wrote

00:16:42.779 --> 00:16:45.480
the Beatles movie A Hard Day's Night, he's a

00:16:45.480 --> 00:16:48.279
notable person from the area too. A lot of creativity

00:16:48.279 --> 00:16:50.659
concentrated around that straight. Okay, looking

00:16:50.659 --> 00:16:53.080
at the time, we've got space for two more hidden

00:16:53.080 --> 00:16:56.159
things from the sources. One is a hidden garden,

00:16:56.460 --> 00:16:59.840
and the other is a stump that frankly seems physically

00:16:59.840 --> 00:17:02.899
impossible. Let's start with the garden, plus

00:17:02.899 --> 00:17:06.029
Kettan. The Hidden Gardens. This is a fascinating

00:17:06.029 --> 00:17:08.089
story of resilience, very similar to the spirit

00:17:08.089 --> 00:17:11.730
of the town itself. Plus, Cadenon is a sprawling

00:17:11.730 --> 00:17:14.170
200 -acre estate tucked away in a valley near

00:17:14.170 --> 00:17:16.890
the bridge. But for decades, it was completely

00:17:16.890 --> 00:17:19.529
overgrown, just lost to the brambles. Like a

00:17:19.529 --> 00:17:22.309
literal jungle. Essentially, yes, nature took

00:17:22.309 --> 00:17:24.869
it back. But then a man named Anthony Taverner

00:17:24.990 --> 00:17:27.150
bought the property and spent nearly 20 years

00:17:27.150 --> 00:17:30.130
painstakingly restoring it. He was uncovering

00:17:30.130 --> 00:17:33.450
old stone walls, historic waterfalls, hidden

00:17:33.450 --> 00:17:36.349
river paths. It was becoming a masterpiece. And

00:17:36.349 --> 00:17:40.049
then the year 2015 happened? Boxing Day 2015.

00:17:40.890 --> 00:17:43.470
Massive, unprecedented floods hit the region.

00:17:43.769 --> 00:17:46.089
The old walls of the garden were violently breached.

00:17:46.509 --> 00:17:49.210
The floodwater just scoured the valley floor.

00:17:49.210 --> 00:17:52.289
Oh no. They washed away rare, mature plants,

00:17:52.630 --> 00:17:55.420
completely destroyed the historic paths. 20 years

00:17:55.420 --> 00:17:57.640
of meticulous daily work just gone in a single

00:17:57.640 --> 00:17:59.880
night. That is genuinely heartbreaking. It was

00:17:59.880 --> 00:18:02.140
devastating. But much like the town did when

00:18:02.140 --> 00:18:04.359
the ferry closed centuries earlier, they didn't

00:18:04.359 --> 00:18:06.660
pack up and quit. They immediately started rebuilding.

00:18:07.059 --> 00:18:09.079
And they managed to reopen parts of it by Easter

00:18:09.079 --> 00:18:11.599
the very next year. That stubbornness again.

00:18:12.039 --> 00:18:14.559
The absolute refusal to be beaten by the elements.

00:18:14.880 --> 00:18:17.660
Exactly. Okay, finally, the stunt. We've talked

00:18:17.660 --> 00:18:19.380
about the suspension bridge hovering over the

00:18:19.380 --> 00:18:21.960
town this whole time. But in 1918, someone decided

00:18:21.960 --> 00:18:24.339
to interact with that bridge in a way that sounds

00:18:24.339 --> 00:18:26.839
certifiably insane. You're talking about Major

00:18:26.839 --> 00:18:30.819
Thomas Elmhurst. November 12th, 1918. Which is

00:18:30.819 --> 00:18:32.960
the exact day after World War I ended. Right.

00:18:33.099 --> 00:18:34.759
The armistice has just been signed. Everyone

00:18:34.759 --> 00:18:37.980
is euphoric. The relief is palpable. Elmhurst

00:18:37.980 --> 00:18:39.920
is the commanding officer of the Royal Naval

00:18:39.920 --> 00:18:43.240
Airship Station located on Anglesey. And he decides

00:18:43.240 --> 00:18:45.640
he wants to celebrate. By flying an airship.

00:18:45.839 --> 00:18:48.819
Where? Exactly. Under the Menai Bridge. Now hold

00:18:48.819 --> 00:18:51.420
on. Let's visualize this for everyone. An airship.

00:18:51.529 --> 00:18:55.410
We are talking about a blip. A massive gas -filled

00:18:55.410 --> 00:18:58.210
balloon. And the Menai Bridge is a suspension

00:18:58.210 --> 00:19:01.289
bridge with thick iron chains hanging down over

00:19:01.289 --> 00:19:04.069
a narrow gorge. Yes. The clearance between the

00:19:04.069 --> 00:19:05.930
water and the bridge is only about 100 feet at

00:19:05.930 --> 00:19:08.450
high tide. That's nothing. And an airship is

00:19:08.450 --> 00:19:10.509
not a precision instrument like a modern drone.

00:19:11.130 --> 00:19:14.549
It is massive, sluggish, and highly susceptible

00:19:14.549 --> 00:19:17.240
to wind. And as we've well established, a strait

00:19:17.240 --> 00:19:20.000
is incredibly windy. So he takes this massive,

00:19:20.099 --> 00:19:22.940
highly flammable bag of hydrogen, flies it down

00:19:22.940 --> 00:19:24.980
the rocky gorge, and tries to thread the needle

00:19:24.980 --> 00:19:26.880
between the choppy water and the iron chains.

00:19:26.980 --> 00:19:30.079
He did. He flew an SSE 73 airship right under

00:19:30.079 --> 00:19:33.119
the deck. And he survived. That has to be the

00:19:33.119 --> 00:19:36.480
ultimate hold my beer moment of 1918. It's an

00:19:36.480 --> 00:19:38.980
incredible visual that really sticks with you.

00:19:39.150 --> 00:19:42.230
Think about it. The Great War is finally over,

00:19:42.549 --> 00:19:45.369
the entire world has changed, and this giant

00:19:45.369 --> 00:19:49.910
futuristic silver shape is gliding silently under

00:19:49.910 --> 00:19:53.569
Telford's 19th century stone arches. Wow. It's

00:19:53.569 --> 00:19:56.089
a singular moment where the heavy engineering

00:19:56.089 --> 00:19:59.119
of the bridge and the daring of the pilot just

00:19:59.119 --> 00:20:02.140
perfectly aligned. It's such a cinematic image

00:20:02.140 --> 00:20:04.259
to end our deep dive on. You know, we started

00:20:04.259 --> 00:20:05.940
this by pointing out that most people just drive

00:20:05.940 --> 00:20:07.660
right over the bridge and never bother to look

00:20:07.660 --> 00:20:09.519
down at the town. And hopefully going through

00:20:09.519 --> 00:20:12.400
these sources today has shown you why that is

00:20:12.400 --> 00:20:14.779
a massive mistake. I think we definitely have,

00:20:14.819 --> 00:20:16.619
because when you drive over, you're just crossing

00:20:16.619 --> 00:20:19.279
a gap. But if you actually stop, get out, and

00:20:19.279 --> 00:20:21.359
go down to the water, you realize you're standing

00:20:21.359 --> 00:20:23.759
in a place where Roman legions marched, where

00:20:23.759 --> 00:20:25.940
Saint prayed alone, where destitute boys were

00:20:25.940 --> 00:20:28.440
locked on a freezing ship, where great refugees

00:20:28.440 --> 00:20:31.299
built stone walls and where a guy flew a blimp

00:20:31.299 --> 00:20:34.380
underneath you. It really is a perfect microcosm

00:20:34.380 --> 00:20:37.519
of Welsh history. The bridge gets all the glossy

00:20:37.519 --> 00:20:40.960
photo ops, but the town holds all the real stories.

00:20:41.240 --> 00:20:43.680
It brings me right back to that fake TV garage

00:20:43.680 --> 00:20:46.920
we talked about earlier. How so? Well... We travel

00:20:46.920 --> 00:20:49.539
to places all the time and we look at the official

00:20:49.539 --> 00:20:52.480
sites, right? The castles, the bridges, the things

00:20:52.480 --> 00:20:54.759
that are printed on the postcards. But those

00:20:54.759 --> 00:20:57.880
are often just the sets. The real drama, the

00:20:57.880 --> 00:21:01.440
actual human story, is usually hidden in the

00:21:01.440 --> 00:21:05.119
weeds or under the water or in a wall built by

00:21:05.119 --> 00:21:07.460
a guy who used to make cabinets in Belgium. That

00:21:07.460 --> 00:21:10.200
is exactly the difference between casual sightseeing

00:21:10.200 --> 00:21:13.319
and true understanding. The fake shops on the

00:21:13.319 --> 00:21:15.759
TV set remind us that we always need to look

00:21:15.759 --> 00:21:18.380
closer at what is actually real. Exactly. So

00:21:18.380 --> 00:21:20.819
next time you cross a bridge, any bridge really,

00:21:21.380 --> 00:21:22.799
maybe you take a second to wonder what's going

00:21:22.799 --> 00:21:24.940
on underneath it. Thank you for taking this Deem

00:21:24.940 --> 00:21:26.660
Dive with us. It's been a real pleasure. Catch

00:21:26.660 --> 00:21:27.119
you next time.
