WEBVTT

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Welcome back to the Deep Dive. Today we are,

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we're doing something a little different, something

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I've actually been looking forward to for a long

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time. Yeah, me too. We are cracking open the

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archives and taking a really granular look at

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season nine of the sitcom Frasier. Right. Now,

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before you say, oh, it's just another season

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of television, hold on a second, because when

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you actually look at the source material, the

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episode list, the air dates, the guest stars,

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the plot arcs. This is not just a collection

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of jokes. No, not at all. It's a season defined

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by really heavy emotional turbulence, major relationship

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milestones, and a very specific, very heavy moment

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in broadcast history. We are talking about the

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2001 to 2002 television season. It really is

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a fascinating case study because you have this

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show that is known for high farce, witty banter,

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low stakes conflicts about, you know, wine clubs

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and dinner parties. And suddenly it's operating

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in a world that has fundamentally changed. And

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within the narrative itself, you see the characters

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grappling with things that feel much heavier

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than usual. So today our mission is to unpack

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the evolution of the Niles and Daphne romance,

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which. Take some wild turns this year. It really

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does. And we definitely have to talk about Frazier's

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own existential crisis and love. Plus the guest

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list this season. I mean, it is absolutely stacked.

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Stacked is an understatement. We have everything

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from Bill Gates to a full blown cheers reunion.

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But you're right. There is a real mission for

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today's deep dive. We want to understand how

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season nine balances that trademark Frasier farce

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with these much more introspective themes. Right.

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And just for you listening, we're basing this

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analysis on a comprehensive breakdown of the

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season's 24 episodes, the cast lists, and the

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viewership context provided in our source material.

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And I have to say, just looking at the outline

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before we started, there are some plot points

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I had completely forgotten about. Oh, I bet.

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Like, there is a highly surprising hookup near

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the end of the season that we absolutely have

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to get into. Oh, we will get there. That particular

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plot point is, well, it's divisive to say the

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least. But it speaks directly to the psychological

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state of the Crane family during this specific

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run of episodes. Okay, so let's unpack this.

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We need to start with the context. The shadow

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of reality, as we're calling it. Season 9 premiered

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on September 25, 2001. Right. And the finale

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aired May 21, 2002. Just looking at those dates,

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I mean, it gives you a chill. It does. And you

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really can't separate the show from that timeline.

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The source material highlights a very specific,

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incredibly tragic detail regarding the second

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episode of the season. Right. So this is episode

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two, titled Don Juan in Hell, part two. It aired

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on September 25th, the exact same night as the

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premiere. And the source notes that this episode

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is dedicated to David Angel and his wife, Lynn.

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David Angel was one of the creators of Frasier.

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He was a massive creative force behind the show.

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He was one of the key architects of the entire

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crane universe. And our source material confirms

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that he and his wife died aboard American Airlines

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Flight 11 on September 11, 2001. It's just incredibly

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heavy. You are sitting down to watch this comedy,

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this piece of escapism. But right there at the

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start of the season, there is this stark acknowledgement

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of a profound loss. within the Fraser family

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itself. It forces you to look at the season entirely

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differently. Absolutely. And if you think about

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it, that context hangs over the entire production.

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While the scripts are obviously written in advance

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or adjusted as they go, the season begins with

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a dedication to a fallen creator. It adds a layer

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of poignancy to everything that follows. The

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show had to go on. It had to provide that comfort

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to millions. I think viewership was hovering

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around 19 million for the premiere. But the people

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making it were actively grieving. It's a huge

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testament to the professionalism and the heart

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of that cast and crew. That is a really important

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framing to keep in mind as we move through the

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stories today. And speaking of the stories, let's

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dive right into the central romance. Season 9

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is huge for Niles and Daphne. It is pivotal.

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For years, I mean, essentially seasons 1 through

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7, we had the will -they -won't -they dynamic.

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By season 9, they are together. But the source

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material shows that the writers didn't just let

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them be happy and boring. They threw some serious

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domestic obstacles in their way. They really

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did. They're transitioning from the pure fantasy

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of being together to the gritty reality of actually

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cohabitating. And the biggest obstacle being

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their living situation. So in the episode, The

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Proposal, and the ones leading up to it, they're

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getting ready to finally move in together. It's

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supposed to be this blissful step. But then enters

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Gertrude Moon. Played by the legendary Millicent

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Martin. Yes. She is Daphne's mother, and she

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becomes this recurring character this season.

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And the conflict she brings is just pure farce.

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According to the episode summaries, Gertrude

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arrives fully believing that Daphne is still

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a virgin. Which is completely ridiculous. They

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are grown -on -the -gulls. Daphne has lived in

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America for nearly a decade. Exactly. But to

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appease her, Niles and Daphne have to pretend

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they aren't living together. It's so silly. It

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forces them into this chaotic charade. right

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when they are trying to solidify their domestic

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life. It's a massive regression. Instead of moving

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forward as a couple, they are sneaking around

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like teenagers just to keep mommy happy. And

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it is not just Gertrude, either. Daphne's brother

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Simon is back. Oh, Simon, played by Anthony LaPaglia.

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Right. And the source notes say he stays with

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Frasier, causing absolute chaos. So you have

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Gertrude with Niles, Simon with Frasier. The

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brothers are basically under siege by the Moon

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family. They really are. And Simon is the antithesis

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of everything Fraser stands for. Oh, completely.

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He's loud, he's drunk, he's messy. Having him

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in that pristine apartment with the African art

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in the Ames chair is just visual comedy gold.

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It perfectly highlights the clash that the show

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loves so much. But let's look at the proposal

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itself, which is episode 15. This is the moment

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Niles has been waiting his entire life for. He

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wants everything to be flawless. He really does.

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He goes all out. hires Wolfgang Puck. Wolfgang

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Puck appears as himself to cook the dinner. That

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is a major flex. That is Niles saying, I am pulling

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out absolutely all the stops. It is. But here

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is the twist. And it's a classic sitcom trope,

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but done with that specific Frasier elegance.

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Daphne has the flu. Right. The source says she

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arrives in a terrible state. It's not just a

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little sniffle. She is shivering, sweaty. Completely

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miserable. Frasier has to smuggle guests out

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of the apartment. It's a disaster. Wolfgang Puck

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is in the kitchen looking so confused. It's chaos.

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But the resolution is what actually matters here.

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Niles proposes anyway. And she accepts. Yeah.

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The source material notes that they spend time

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together despite her illness. It reinforces this

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deeper idea that the perfect moment isn't the

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one you rigidly plan. It's the one you commit

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to. That is surprisingly sweet. It grounds their

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relationship in a really nice way. It says, hey,

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I love you even when you're contagious and sweaty.

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Exactly. But the drama does not stop there. We

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have to fast forward a bit to the finale arc,

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the guilt trippers and moons over Seattle. This

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is where things get genuinely international.

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Yes, they do. So the conflict here is that Daphne's

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parents are estranged. Niles. being Niles, decides

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to make a grand gesture for Daphne's birthday.

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He wants to fix her family. Right, the savior

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complex. He thinks if he can reunite her parents,

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he's the ultimate hero. So he actually flies

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all the way to Manchester, England, and this

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is where we finally meet Daphne's father, Harry

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Moon, who is played by the incredible Brian Cox.

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Brian Cox is such a heavyweight actor. Yeah.

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And the description of his introduction is hilarious.

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Niles finds him in a pub. And Harry throws Niles

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out of the pub, not once, but six times. Six

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times. That is some serious dedication. On both

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their parts, Niles just keeps coming back. Eventually,

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Harry agrees to come to Seattle, but the source

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notes strongly imply it's mostly because Niles

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is paying for a first -class ticket. Oh, of course.

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It's not some romantic reunion for him. It's

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a transaction. Right. So he gets the dad to Seattle.

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They have this big reunion dinner at Chez Henri,

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which is another classic Frasier location. And

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does it go well? Not at all. It is a total disaster.

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Harry leaves. He's absolutely no interest in

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getting back together with Gertrude. Wow. Gertrude,

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however, decides she's going to stay in America.

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But this actually leads to the climax of the

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season for Niles and Daphne. Oh, so. Daphne sees

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what Niles went through. She sees the extreme

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effort he put in. And she rejects the notion

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of true love as some fated magical thing like

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her parents supposedly had. Because she clearly

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sees now that her parents are a mess. That's

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a huge character moment for Daphne. She's always

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been the slightly psychic one. The one who believes

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in visions and fate. Exactly. And right here

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she pivots. She accepts Niles's effort is the

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real thing. She chooses agency over destiny.

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And she demands they marry immediately in Las

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Vegas. Right. They literally walk out the door

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as the season ends. It's impulsive. It's chaotic.

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But it resolves that tension beautifully. They

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are all in. No more planning. No more Wolfgang

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Puck. Just them. So Niles and Daphne are off

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to Vegas. But Frasier is in a very, very different

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place. The outline literally calls this Frasier's

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existential crisis. It's a recurring theme for

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him, obviously. But he hits really hard in season

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nine. Think back to the premiere, Don Juan in

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Hell. Frasier is in Belize with the family and

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his girlfriend Claire, played by Patricia Clarkson.

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But he is totally plagued by dreams. Dreams of

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his ex, Lana, played by Jean Smart. Right. He

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is torn. He has Claire, who is lovely and refined

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and perfect on paper, but he just can't stop

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thinking about Lana. The psychology here is fascinating.

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He meets a stranger, this character named Bob,

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played by Brian Kerwin, and Bob is also torn

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between two women. Frasier gives him advice,

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telling him to choose the one he absolutely can't

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live without. Classic Frasier. And in doing so,

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Frasier realizes he actually needs to take his

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own advice. He intellectualizes his feelings,

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as he always does. So he breaks up with Claire.

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He goes all the way back to Seattle to find Lana.

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And here's where it gets really interesting or

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deeply tragic, depending on how you look at it.

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He goes to a graduation party for Kirby. Kirby.

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We definitely have to talk about Kirby later.

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Oh, we will. But yes, at the party, Frazier discovers

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that the man he met in Belize, Bob, is Kirby's

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father. Bob is Lana's ex. Oh, that is so messy.

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It is deeply messy. Fraser basically coached

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his own romantic rival to get back together with

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the exact woman Fraser wanted. Wow. Fraser ends

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up completely alone. He fails to reconcile with

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Lana. He's already lost Claire. And the episode

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ends with him being tormented by thoughts of

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all his failed relationships. Diane, Lilith,

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Nanette. They all basically haunt him. It sets

00:10:51.799 --> 00:10:54.600
a very lonely, somber tone. for his character

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arc this whole season. And speaking of Kirby,

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played by Brian Klugman, he becomes this really

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prominent recurring figure. He's a nuisance,

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but also kind of an asset. Yeah, he represents

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that younger, slacker energy that completely

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clashes with Frazier and Niles. There was a great

00:11:07.919 --> 00:11:10.460
episode called Sharing Kirby. Frazier and Niles

00:11:10.460 --> 00:11:12.620
find out that Kirby actually knows the granddaughter

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of a famous wine collector, William Mulvihill.

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Ah, the wine cellar plot. Exactly. They use this

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slacker teenager to get access to rare wine.

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They are actively competing to do favors for

00:11:23.720 --> 00:11:26.320
him. Like what? Doing his homework, rearranging

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libraries, just to get a tour of his cellar.

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It's a classic crane display of snobbery. Completely

00:11:33.339 --> 00:11:35.759
overriding their dignity. They will demean themselves

00:11:35.759 --> 00:11:38.519
completely if it means sipping a vintage Cabernet.

00:11:38.620 --> 00:11:40.500
I love when they debase themselves for luxury

00:11:40.500 --> 00:11:43.500
goods. It's so funny. But Fraser's love life

00:11:43.500 --> 00:11:45.659
takes a turn that I think really shocked a lot

00:11:45.659 --> 00:11:47.799
of viewers. We have to talk about the Ross complication.

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Yes. This is the surprising hookup you teased

00:11:50.820 --> 00:11:53.820
earlier. Episode 23, The Guilt Trippers. It's

00:11:53.820 --> 00:11:55.899
Daphne's birthday party. Emotions are running

00:11:55.899 --> 00:11:59.340
really high. And Frazier and Roz, they sleep

00:11:59.340 --> 00:12:02.500
together. Frazier and Roz, the dynamic duo of

00:12:02.500 --> 00:12:05.200
the KACL radio station, they actually cross the

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line. They do. And the immediate aftermath is

00:12:07.759 --> 00:12:10.799
sheer panic. Roz flees to a family reunion in

00:12:10.799 --> 00:12:12.840
Wisconsin just to get away from him. That's how

00:12:12.840 --> 00:12:14.899
awkward it is. And Frazier chases her. He actually

00:12:14.899 --> 00:12:17.059
flies to Wisconsin to talk it out. Which leads

00:12:17.059 --> 00:12:19.960
to a classic farce moment. Roz's family mistakes

00:12:19.960 --> 00:12:22.379
Frazier for her boyfriend, Roger. But when they

00:12:22.379 --> 00:12:24.740
finally do sit down and talk, the resolution

00:12:24.740 --> 00:12:28.070
is surprisingly mature. They decide their friendship

00:12:28.070 --> 00:12:30.970
is just too valuable to jeopardize. They agree

00:12:30.970 --> 00:12:33.309
to stay friends. I want to ask you, though, do

00:12:33.309 --> 00:12:35.509
you think this was a mistake by the writers or

00:12:35.509 --> 00:12:37.470
was it something that inevitably had to happen?

00:12:37.710 --> 00:12:40.629
You know, I think given how close they are and

00:12:40.629 --> 00:12:42.990
how lonely Frasier was feeling all season long,

00:12:43.149 --> 00:12:45.429
remember the Don Juan crisis we just talked about?

00:12:45.649 --> 00:12:48.610
It makes psychological sense. Right. They rely

00:12:48.610 --> 00:12:50.830
on each other. It was a moment of weakness, sure,

00:12:50.970 --> 00:12:54.090
but it actually reinforced that their bond is

00:12:54.090 --> 00:12:57.179
platonic and foundational. It proved once and

00:12:57.179 --> 00:12:59.139
for all that romance isn't the answer for them.

00:12:59.700 --> 00:13:02.039
Sometimes you really have to cross the line to

00:13:02.039 --> 00:13:04.299
realize why the line was there in the first place.

00:13:04.460 --> 00:13:05.960
That makes a lot of sense. Now you mentioned

00:13:05.960 --> 00:13:08.360
Roger. We really need to talk about Roz's journey

00:13:08.360 --> 00:13:10.980
this season because Roger is a huge part of it.

00:13:11.039 --> 00:13:13.600
He is. Roger, played by Tony Goldwyn, he's a

00:13:13.600 --> 00:13:15.559
waste collector. Yeah. A garbage man. And Roz

00:13:15.559 --> 00:13:19.019
is dating him. But the class issue really rears

00:13:19.019 --> 00:13:21.879
its ugly head in the episode Love Stinks. Yeah.

00:13:22.799 --> 00:13:24.740
Frazier throws a party for the station staff.

00:13:25.220 --> 00:13:27.740
Roz is embarrassed. She doesn't want Roger there

00:13:27.740 --> 00:13:31.379
because of his job. And the worst happens. Roger

00:13:31.379 --> 00:13:33.820
actually overhears her telling Kenny that not

00:13:33.820 --> 00:13:37.000
everyone has a job they're proud of. Ouch. That

00:13:37.000 --> 00:13:39.840
is brutal to hear. It is heartbreaking. Roger

00:13:39.840 --> 00:13:42.980
leaves. They end up breaking up. But Roz later

00:13:42.980 --> 00:13:45.240
admits she is still deeply in love with him.

00:13:46.320 --> 00:13:49.419
It's a really sad arc because the barrier isn't

00:13:49.419 --> 00:13:51.879
that they aren't compatible. The barrier is Roz's

00:13:51.879 --> 00:13:55.340
own insecurity about status. She has clearly

00:13:55.340 --> 00:13:57.220
absorbed some of Frasier's snobbery, whether

00:13:57.220 --> 00:13:59.379
she wants to admit it or not. And this resolves,

00:13:59.379 --> 00:14:01.519
or at least gets processed, in the episode Frasier

00:14:01.519 --> 00:14:03.919
has spoken. Right. Frasier actually helps her

00:14:03.919 --> 00:14:06.139
process the grief on air. How does he do that?

00:14:06.340 --> 00:14:08.519
She pretends to be a caller who is afraid of

00:14:08.519 --> 00:14:10.759
the dark, but they are really talking about her

00:14:10.759 --> 00:14:13.529
emptiness and fear after losing Roger. It's a

00:14:13.529 --> 00:14:15.529
beautiful example of how the radio show functions

00:14:15.529 --> 00:14:17.730
as therapy for the characters themselves. I love

00:14:17.730 --> 00:14:20.029
that. It shows that Frazier is actually a genuinely

00:14:20.029 --> 00:14:22.509
good psychiatrist when he stops thinking about

00:14:22.509 --> 00:14:25.710
himself for five minutes. Very true. Let's shift

00:14:25.710 --> 00:14:29.070
gears to Martin Crane. John Mahoney had some

00:14:29.070 --> 00:14:31.690
really heavy lifting to do this season. He did.

00:14:31.809 --> 00:14:34.230
We see Martin grappling heavily with both the

00:14:34.230 --> 00:14:36.889
past and the present. In the episode The Return

00:14:36.889 --> 00:14:39.309
of Martin Crane, he actually takes a new job

00:14:39.309 --> 00:14:41.730
as a security guard. He really wants to feel

00:14:41.730 --> 00:14:44.230
useful again. And this triggers a major flashback.

00:14:44.250 --> 00:14:47.330
We actually see the day he was shot. Yes. We

00:14:47.330 --> 00:14:49.690
see his partner Frank, played by Tom Irwin. We

00:14:49.690 --> 00:14:51.870
see the actual robbery event at the convenience

00:14:51.870 --> 00:14:55.370
store. Wow. It's a stark reminder of the trauma

00:14:55.370 --> 00:14:58.110
Martin carries with him every day. It grounds

00:14:58.110 --> 00:15:00.389
the character so much. He's not just the grumpy

00:15:00.389 --> 00:15:02.789
dad sitting in the recliner. He's a man who suffered

00:15:02.789 --> 00:15:04.690
a life -changing injury in the line of duty.

00:15:05.190 --> 00:15:07.669
It adds weight to every single step he takes

00:15:07.669 --> 00:15:09.750
with that cane. But then in the present day,

00:15:09.830 --> 00:15:11.950
he deals with something very relatable but frustrating.

00:15:12.590 --> 00:15:14.950
Workplace bullying. And bully for Martin, his

00:15:14.950 --> 00:15:17.570
supervisor Rich, played by M. Emmett Walsh, is

00:15:17.570 --> 00:15:19.850
just terrible to him. And Frazier tries to help,

00:15:19.889 --> 00:15:22.309
of course. Oh! Because Frazier just cannot help

00:15:22.309 --> 00:15:24.470
himself. Natural. He calls the owner of the company,

00:15:24.649 --> 00:15:28.700
who just happens to be Rich's son. And it backfires

00:15:28.700 --> 00:15:31.120
completely. It just ends up humiliating Martin

00:15:31.120 --> 00:15:33.679
further. Typical. It's that recurring friction

00:15:33.679 --> 00:15:36.000
where Frazier's earnest attempt to fix things

00:15:36.000 --> 00:15:38.399
completely undermines Martin's independence.

00:15:39.259 --> 00:15:42.019
Martin just wanted to handle it like a man. And

00:15:42.019 --> 00:15:44.500
Frazier inadvertently turned him into a tattletale.

00:15:44.639 --> 00:15:46.600
And we really can't talk about Martin without

00:15:46.600 --> 00:15:49.240
talking about the chair. Episode 7, Blasey Boy.

00:15:49.399 --> 00:15:51.840
It is the eighth anniversary of Martin moving

00:15:51.840 --> 00:15:54.919
in. Right. And Frazier is irritable. And then

00:15:54.919 --> 00:15:58.429
the incident happens. Martin tries to fix a squeak

00:15:58.429 --> 00:16:00.330
in his beloved chair and accidentally spills

00:16:00.330 --> 00:16:02.610
oil all over Frazier's custom carpet. Frazier

00:16:02.610 --> 00:16:05.129
literally calls it a hostile act. He does. He

00:16:05.129 --> 00:16:07.429
views it as subconscious aggression. They end

00:16:07.429 --> 00:16:09.870
up in full -blown mediation with Niles. It's

00:16:09.870 --> 00:16:11.990
hilarious, but it also shows that after eight

00:16:11.990 --> 00:16:14.389
full years of living together, that roommate

00:16:14.389 --> 00:16:17.649
tension is still very much alive. The chair is

00:16:17.649 --> 00:16:20.070
so much more than furniture. It's a symbol of

00:16:20.070 --> 00:16:22.350
Martin's enduring presence in Frazier's carefully

00:16:22.350 --> 00:16:24.789
curated life. Speaking of tension in the building,

00:16:24.889 --> 00:16:27.029
we have to talk about the feud. Frasier versus

00:16:27.029 --> 00:16:31.029
Cam Winston. Cam Winston is the absolute perfect

00:16:31.029 --> 00:16:34.590
foil for Frasier. He's basically Frasier, but

00:16:34.590 --> 00:16:37.509
bigger. He's Frasier maxed out. And he drives

00:16:37.509 --> 00:16:40.490
a bigger car. The parking wars arc in episode

00:16:40.490 --> 00:16:44.269
13 is legendary. Cam has this massive SUV that

00:16:44.269 --> 00:16:47.029
constantly encroaches on Frasier's parking space.

00:16:47.389 --> 00:16:49.509
So Frasier goes to the condo board. He gives

00:16:49.509 --> 00:16:51.350
this incredibly impassioned speech about the

00:16:51.350 --> 00:16:54.309
behemoth at the gates. And he actually gets the

00:16:54.309 --> 00:16:57.830
SUV. banished to the sub -basement. But Cam retaliates,

00:16:57.830 --> 00:16:59.450
and this is honestly one of the most memorable

00:16:59.450 --> 00:17:02.269
visuals of the entire season, the flag. Yes.

00:17:02.570 --> 00:17:05.650
To block Frazier's view, Cam drapes a massive

00:17:05.650 --> 00:17:08.089
American flag over his balcony. It's genius.

00:17:08.529 --> 00:17:10.210
Now, you have to remember the context we started

00:17:10.210 --> 00:17:13.569
with today. This is late 2001, early 2002. You

00:17:13.569 --> 00:17:15.069
really have to remember the atmosphere in the

00:17:15.069 --> 00:17:17.109
country. You can't just tell someone to take

00:17:17.109 --> 00:17:19.089
down the American flag. Frazier is literally

00:17:19.089 --> 00:17:21.529
trapped by patriotism. It is brilliant writing.

00:17:21.670 --> 00:17:24.170
Frazier is fuming, standing in his dark apartment.

00:17:24.619 --> 00:17:27.420
But he can't risk looking unpatriotic. So how

00:17:27.420 --> 00:17:29.500
do they eventually solve it? The episode, The

00:17:29.500 --> 00:17:33.039
Love You Fake. Cam's mother, who is a vet, is

00:17:33.039 --> 00:17:35.740
visiting. Martin and Cam's mother actually get

00:17:35.740 --> 00:17:38.400
along quite well. They realize the only way to

00:17:38.400 --> 00:17:41.000
force their stubborn sons to reconcile is to

00:17:41.000 --> 00:17:43.539
pretend to be a couple. The parent's trap. Exactly.

00:17:43.759 --> 00:17:46.200
Yeah. The absolute fear of their parents dating

00:17:46.200 --> 00:17:48.720
and potentially becoming stepbrothers forces

00:17:48.720 --> 00:17:51.940
Fraser and Cam to call a truce. It's mutually

00:17:51.940 --> 00:17:54.500
assured destruction via step -siblings. They

00:17:54.500 --> 00:17:56.900
sign a treaty just to stop the madness. I love

00:17:56.900 --> 00:17:59.599
it so much. Now, season nine also had some major

00:17:59.599 --> 00:18:01.660
milestones for the show itself. It was a very

00:18:01.660 --> 00:18:03.660
long -running show by this point. It was. They

00:18:03.660 --> 00:18:05.660
hit their 200th episode. Yeah. And they brought

00:18:05.660 --> 00:18:08.240
in literally the biggest guest imaginable for

00:18:08.240 --> 00:18:10.920
a show set in Seattle, Bill Gates. Playing himself.

00:18:11.220 --> 00:18:13.000
Playing himself. Yeah. Razor is celebrating 2

00:18:13.000 --> 00:18:15.970
,000 radio broadcasts. Bill Gates is a guest

00:18:15.970 --> 00:18:18.309
on the show. But the joke is that Frazier wants

00:18:18.309 --> 00:18:20.609
to talk about deep, meaningful things about philanthropy,

00:18:20.869 --> 00:18:23.990
about the world. And Bill Gates just ends up

00:18:23.990 --> 00:18:25.970
taking tech support calls on the air. Have you

00:18:25.970 --> 00:18:28.269
tried restarting it? Exactly. It's a fantastic

00:18:28.269 --> 00:18:31.170
meta joke about Gates's celebrity. And in that

00:18:31.170 --> 00:18:34.089
very same episode, Frazier finds out a tape of

00:18:34.089 --> 00:18:37.059
one of his early shows is missing. He goes on

00:18:37.059 --> 00:18:39.500
this manic hunt for it, which leads him to a

00:18:39.500 --> 00:18:42.299
crazy fan's house, played by Adam Arkin. Oh,

00:18:42.299 --> 00:18:44.420
right. It's a really sharp commentary on the

00:18:44.420 --> 00:18:47.079
obsessive nature of fandom and Frazier's own

00:18:47.079 --> 00:18:49.839
narcissism. We also see the show expanding its

00:18:49.839 --> 00:18:51.940
world a bit. The radio show gets picked up in

00:18:51.940 --> 00:18:54.759
Spokane. This was a harsh reality check for Frazier.

00:18:54.839 --> 00:18:57.539
In Seattle, he's a star. He's a known quantity.

00:18:57.720 --> 00:19:01.440
In Spokane, the locals absolutely hate him. They

00:19:01.440 --> 00:19:03.980
desperately miss their local icon, a guy named

00:19:03.980 --> 00:19:06.519
Sully. Frazier goes to a press conference there,

00:19:06.619 --> 00:19:09.740
and the reporters are just overwhelmingly condescending.

00:19:09.920 --> 00:19:12.500
It's the big fish in a small pond realizing he's

00:19:12.500 --> 00:19:15.140
just a regular fish in another pond. And the

00:19:15.140 --> 00:19:18.220
callers actively boycott him. It forces Frazier

00:19:18.220 --> 00:19:20.579
to really work for his audience again. He has

00:19:20.579 --> 00:19:22.119
to win them over from scratch, which is something

00:19:22.119 --> 00:19:23.740
we really haven't seen him have to do since season

00:19:23.740 --> 00:19:25.819
one. And speaking of audiences, there is the

00:19:25.819 --> 00:19:28.559
episode Juvenalia. Frazier tries to reach the

00:19:28.559 --> 00:19:31.279
teen scene demographic. Right. He goes on a show

00:19:31.279 --> 00:19:34.160
hosted by teenagers. He totally thinks he can

00:19:34.160 --> 00:19:36.559
outsmart them with his intellect and vocabulary.

00:19:36.960 --> 00:19:39.819
But they just grill him about his personal life.

00:19:39.900 --> 00:19:42.440
They humiliate him on air. They treat him like

00:19:42.440 --> 00:19:45.420
an absolute dinosaur. Until Kirby saves the day.

00:19:45.599 --> 00:19:48.759
Yes. Kirby provides the dirt on the teen panelists.

00:19:49.140 --> 00:19:52.339
Fraser uses it to turn the tables. It's petty.

00:19:52.799 --> 00:19:55.539
But it is deeply satisfying. Shows that sometimes

00:19:55.539 --> 00:19:58.160
you really need a Kirby in your life to fight

00:19:58.160 --> 00:20:00.460
dirty. We have touched on a few guest stars so

00:20:00.460 --> 00:20:02.940
far, but the list in the source material is just

00:20:02.940 --> 00:20:06.099
incredible. We mentioned Bill Gates and Wolfgang

00:20:06.099 --> 00:20:09.339
Puck. But who else really stood out to you? Michael

00:20:09.339 --> 00:20:12.440
Keaton. Easily. He plays Blaine Stern and Lilith's

00:20:12.440 --> 00:20:15.400
half -brother. A con man. A total con man who

00:20:15.400 --> 00:20:17.839
claims to be a paralyzed preacher now. He comes

00:20:17.839 --> 00:20:20.420
to Frasier begging for forgiveness. Frasier knows

00:20:20.420 --> 00:20:22.740
he's faking it. He clearly remembers Blaine selling

00:20:22.740 --> 00:20:25.720
him futures and kelp. Kelp futures? That's hilarious.

00:20:26.000 --> 00:20:29.079
Exactly. But no one else believes Frasier. Martin,

00:20:29.140 --> 00:20:33.200
Daphne, Niles. They all think Blaine is a saint

00:20:33.200 --> 00:20:35.140
now. So Frasier looks like a complete monster

00:20:35.140 --> 00:20:37.059
trying to prove this poor guy isn't paralyzed.

00:20:37.460 --> 00:20:39.519
He literally tips him out of the wheelchair.

00:20:39.930 --> 00:20:43.069
It is a masterclass in cringe comedy. Frazier

00:20:43.069 --> 00:20:46.750
is screaming, walk, walk, while Blaine just flops

00:20:46.750 --> 00:20:50.750
helplessly on the floor. And in the end, Frazier

00:20:50.750 --> 00:20:53.130
thinks he was wrong, he formally apologizes,

00:20:53.230 --> 00:20:55.150
and then he looks out the window and sees Blaine

00:20:55.150 --> 00:20:57.609
walk away when no one else is looking. Frazier

00:20:57.609 --> 00:21:00.539
was right all along, but he lost anyway. It's

00:21:00.539 --> 00:21:02.720
the ultimate Frasier Crane experience. We also

00:21:02.720 --> 00:21:05.480
have the return of the Cheers cast. Episode 21,

00:21:05.700 --> 00:21:08.660
cheerful goodbyes. The Cranes go to Boston. This

00:21:08.660 --> 00:21:10.759
is a pure nostalgia trip for the audience. We

00:21:10.759 --> 00:21:12.880
see Cliff Clavin, played by John Ratzenberger,

00:21:13.059 --> 00:21:15.960
Norm Peterson, George Wendt, Carla Tratelli,

00:21:15.980 --> 00:21:18.259
Rhea Perlman. The plot for that one is hilarious.

00:21:18.400 --> 00:21:20.259
Cliff thinks Frasier is there specifically for

00:21:20.259 --> 00:21:22.160
his retirement party. But it turns out no one

00:21:22.160 --> 00:21:24.339
in Boston will miss Cliff at all. He decides

00:21:24.339 --> 00:21:27.539
to stay. Yeah. And Carla is horrified. The source

00:21:27.539 --> 00:21:29.480
material actually says she tries to shoot him

00:21:29.480 --> 00:21:32.619
with a spear gun. A spear gun. Classic Carla.

00:21:33.099 --> 00:21:35.279
It's really nice to see that the Cheers dynamic

00:21:35.279 --> 00:21:38.059
hadn't changed a bit after all those years. It

00:21:38.059 --> 00:21:39.420
really highlighted the difference between the

00:21:39.420 --> 00:21:41.859
two shows, too. Frasier's all about highbrow

00:21:41.859 --> 00:21:45.380
neuroses, and Cheers was that gritty, barroom

00:21:45.380 --> 00:21:48.799
brawl energy. Seeing Niles Crane trying to interact

00:21:48.799 --> 00:21:51.359
with the Cheers gang is a very specific kind

00:21:51.359 --> 00:21:54.500
of joy. So we have gone through the tragedy,

00:21:54.680 --> 00:21:57.619
the romance, the existential dread, the fake

00:21:57.619 --> 00:22:01.500
dating and the spear guns. Season nine is a massive

00:22:01.500 --> 00:22:03.440
roller coaster. It really is. It starts in the

00:22:03.440 --> 00:22:06.700
very real shadow of 9 -11 and ends in a chaotic

00:22:06.700 --> 00:22:09.220
Las Vegas wedding chapel. It's a huge emotional

00:22:09.220 --> 00:22:11.230
swing. And it leaves us with some big questions.

00:22:11.289 --> 00:22:12.910
I really want to ask you, listening at home,

00:22:13.069 --> 00:22:14.769
what do you think about Frasier and Roz? Was

00:22:14.769 --> 00:22:16.930
that hookup a necessary step in their friendship

00:22:16.930 --> 00:22:20.190
to clear the air? Or was it a mistake that should

00:22:20.190 --> 00:22:22.430
have been avoided? And here's a provocative thought

00:22:22.430 --> 00:22:24.109
to leave you with, looking at the source material.

00:22:24.450 --> 00:22:26.789
Look at the overarching trajectory of the season.

00:22:27.269 --> 00:22:29.430
Niles and Daphne have finally removed the will

00:22:29.430 --> 00:22:31.490
-they -won't -they tension entirely. They are

00:22:31.490 --> 00:22:33.950
married. They're a solid unit now. Right. But

00:22:33.950 --> 00:22:37.069
Frasier, he failed with Claire. He failed with

00:22:37.069 --> 00:22:39.390
Lana. He slept with Roz, and it went nowhere.

00:22:39.799 --> 00:22:43.299
he is seemingly more alone than ever. Yet, professionally,

00:22:43.599 --> 00:22:47.000
he celebrated his 2000th episode. He got syndicated

00:22:47.000 --> 00:22:50.579
in Spokane. Exactly. Is the show quietly suggesting

00:22:50.579 --> 00:22:53.279
that professional success is the only reliable

00:22:53.279 --> 00:22:55.920
partner for Frasier Crane? That while everyone

00:22:55.920 --> 00:22:58.940
else pairs off and finds domestic bliss, Frasier

00:22:58.940 --> 00:23:01.359
is ultimately married to the microphone? It's

00:23:01.359 --> 00:23:03.500
a lonely thought, but the structure of Season

00:23:03.500 --> 00:23:06.259
9 really seems to point in that direction. That

00:23:06.259 --> 00:23:08.619
is a fascinating and deep thought to end on.

00:23:08.720 --> 00:23:10.799
Thank you for joining us for this deep dive into

00:23:10.799 --> 00:23:12.720
Frasier season nine. We will catch you on the

00:23:12.720 --> 00:23:14.700
next one. Thanks for listening. Take care, everyone.
