WEBVTT

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So, I want you to picture a really specific address

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in Manhattan. Okay. 235 East 11th Street. All

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right, I can picture the neighborhood. Right,

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and if you walk past it today, it just looks

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like part of the city, right? Yeah, just standard

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brick building. Standard brick, standard vibe.

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But if you could time travel back to, say...

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1955. Oh, wow. Walking through those doors would

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be like stepping into a totally different dimension.

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It really would. You'd be stepping into what

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was effectively a social laboratory. Yes. But

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entirely disguised as an elementary school. Exactly.

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So for everyone listening today, our deep dive

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is focusing on the downtown community school

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or DCS, as we'll probably call it. Right. And

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honestly, calling it a school feels like we're

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underselling it a bit oh absolutely it ran from

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1944 to 1971 and looking at the source material

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we have today i mean it reads less like a school

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yearbook and more like um a manifesto a manifesto

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for a utopia yeah utopia that actually existed

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in new york for 27 years it's fascinating because

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when you look at that founding date you know

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1944 right in the thick of it exactly you have

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to realize the context world war ii is still

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raging yeah The world is in absolute chaos at

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that point. And here is this group of people

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in New York City just planting a flag and saying,

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we're going to try something completely different.

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And they weren't subtle about it either. Their

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mission statement wasn't just, you know, we want

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to teach kids math and spelling. Far from it.

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The sources say it was to train children to,

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quote, live and work together in understanding.

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Which is heavy. Right. I mean, it sounds like

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a nice greeting card today, but in 1944, that

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is a very loaded goal. It is. It's an explicitly

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political and social goal. They actually define

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themselves with three very specific words. Right.

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I have those here. Experimental, cooperative

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and racially integrated. Yeah. And we really

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need to sit with that last one for a second because,

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you know, a racially integrated private school

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in the 1940s. Was not the norm. Not even close

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to the norm. And the cooperative part, too, that's

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the one that always catches my eye. Why is that?

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Because I think we hear co -op today and we think

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of like a grocery store where you have to bag

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your own lentils or something. Or a food co -op.

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Yeah. But in a school setting, it changes the

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power dynamic entirely. It really does. Yeah.

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It means the school isn't owned by a church.

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Right. And it isn't owned by a wealthy headmaster

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or a board of corporate directors. It's owned

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by the community. Exactly. The parents and the

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teachers operate it. It implies that education

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is a democratic process. Not a service you just

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buy. Precisely. Which sounds amazing in theory,

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but I imagine the actual logistics of that were...

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Oh, I'm sure. I mean, democracy is always messy,

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especially with parents. Oh, absolutely. But

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let's let's get into the experimental part, because

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this is where the character of the school really

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shines through in the documents. We have to talk

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about the leadership. The sources focus really

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heavily on this guy named Norman Studer. Yes,

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Norman Studer. He was the director there from

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1950 all the way to 1970. A full two decades.

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And Studer isn't your typical school administrator

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at all. Not an MBA type. No, not at all. He's

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described in the text as a school reformer. And

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a folklorist. A folklorist. I mean, that is such

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a specific niche background for a guy running

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a grade school. Right. It sounds like the setup

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for a quirky indie movie or something. It really

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does. But it's actually the key to understanding

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their whole curriculum. If you think about what

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folklore actually is. It's the study of common

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people. Yeah. It's the songs, the stories, the

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traditions of everyday working folks. So instead

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of like the great man theory of history where

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it's all General Washington did this and President

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Lincoln did that. Right. Studer is bringing this

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entirely bottom up approach to a classroom of

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kids. Precisely. You have to remember that in

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the 1950s, standard American education was incredibly

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rigid. Lots of rote memorization. Yes. A very

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sanitized, pop down version of history. But Studer

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comes in and says, no, let's look at the culture

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right on the street level. The sources suggest

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this influenced everything they did. They weren't

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just reading textbooks. They were engaging with

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the diverse cultures of New York City directly.

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Right, using the city as a primary source. That

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makes so much sense. It basically turns the entire

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city into the classroom. You aren't just learning

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about the people you are out there. Recording

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their stories. Yeah, it feels very journalistic.

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Or maybe anthropological is a better word. Anthropological

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is exactly the right word. And you know, this

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wasn't happening in a vacuum either. Right. The

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network. ECS was part of this little ecosystem

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of progressive schools in New York at the time.

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You had places like the Little Red Schoolhouse

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and the Walden School. Okay. Yeah, I've definitely

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heard of the Little Red Schoolhouse. That one

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is legendary. It really is. These schools were

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basically the Ivy League of the American left

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back then. Right. If you were a progressive or

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an artist or just a free thinker in New York

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in the mid -century, this sovific network was

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your safe harbor. It's where you sent your kids

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if you wanted them to question authority rather

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than just, you know, salute it. And speaking

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of questioning authority, this is where the timeline

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gets really interesting. We can't talk about

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this era without addressing the huge elephant

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in the room. The Red Scare. The 1950s. McCarthyism.

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Right. So for our listeners, as a quick refresher,

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you have the House Un -American Activities Committee

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or HUAC. Yes. And they are just. They're tearing

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through Hollywood. They're tearing through universities.

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Blacklisting anyone with even a whiff of leftist

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sympathy. Exactly. People are losing their careers

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and their livelihoods overnight. And just to

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be completely clear for everyone listening, we

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aren't taking any political sides here. Right.

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We're just reporting what the sources say about

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the historical climate. Right. We're just looking

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at how the school navigated this incredibly tense

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period. And is a climate of absolute fear. So

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in the middle of this massive witch hunt. What

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does the downtown community school do? They don't

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back down. They don't just keep their heads down.

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They go out and hire a music teacher who is literally

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actively on the blacklist. This is one of those

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moments that completely defines the institution.

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The source material is very clear about this

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detail. They hired this music teacher. Specifically

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because he couldn't get work anywhere else. Because

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he refused to cooperate with HUAC. And it wasn't

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just some random unknown guy either. No. It was

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Pete Seeger. The folk icon himself. I mean, really

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think about that for a second. Today, Pete Seeger

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is American royalty. Right. He's this land is

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your land guy. He's the grandpa of folk music.

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But in the early 50s... The government viewed

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him as a literal threat to national security.

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Yes. He couldn't play concert halls. He was totally

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toxic to employers. And the school director,

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Norman Studer, and the parents, they looked at

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that toxicity and said, we'll take him. It's

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incredibly bold. It really is. It moves the school

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from just being a progressive educational space

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to being a literal sanctuary. Defiant is the

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word I keep thinking of. It's basically them

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saying, we don't care what Congress says. We

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value this art and we value this human being.

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Yeah. Can you imagine being a kid in that music

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class? I wonder if the kids even fully grasped

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it at the time. To them, he was probably just

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the tall guy with the banjo. Right, the guy who

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taught them songs about labor unions and working

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on the railroad. Exactly. You're seven years

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old, sitting cross -legged on the floor, singing

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If I Had a Hammer, completely oblivious to the

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fact that the FBI definitely has a file on your

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music teacher. But that's the beauty of their

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model. By shielding the kids from the direct

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political fallout, they were actually immersing

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them in the core values. Normalizing it. Yes,

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normalizing the idea that art and protests go

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hand in hand. And Pete Seeger wasn't the only

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notable figure walking those halls. The environment

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they created there became a magnet for a very

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specific type of parent. Oh, the parent list

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is unbelievable. It's insane. I was reading through

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the source material and my jaw just kept dropping.

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It's a literal who's who of 20th century intellectuals

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and activists. It really is. Let's unpack this

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roster a bit because the names are staggering.

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First up, we have Bella Abzug. Battling Bella

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herself. Long before she was shaking up Congress

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in her famous hats, she was a DCS mom. Then you

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have Miriam Makeba. Mama Africa. Right. An exiled

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South African singer and a massive civil rights

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activist. The fact that she chose this specific

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school tells you everything you need to know

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about its global perspective. It really does.

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And the list goes on. You have Leonard Boudin,

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the famous civil liberties lawyer. Right. Douglas

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Turner Ward, the playwright. Josh White, another

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blues and folk legend. Dora Ashton the art critic.

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An incredible mix of arts and law. And then the

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real heavy hitter from the academic world, Margaret

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Mead. The most famous anthropologist. in the

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world at the time. I just have to stop and visualize

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this for a second. Imagine the PTA meetings at

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this school. It would be absolutely terrifying.

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Seriously. You're there just trying to organize

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the spring bake sale. Right. And you have Bella

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Abzug shouting about the logistical inefficiencies

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of the cookie distributor. And Margaret Mead

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is sitting in the corner psychoanalyzing the

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travel dynamics of the parent committee. And

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then Pete Seeger just starts playing the banjo

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to calm everybody down. Exactly. It sounds like

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a sitcom. It really does. But it begs a serious

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question. Why were they all there? Why did these

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specific, highly influential people flock to

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235 East 11th Street? I think it goes right back

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to that experimental and cooperative tag we talked

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about earlier. How so? Well, if you are Margaret

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Mead or an avant -garde artist, You don't want

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your child in a school that demands strict conformity.

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Right. You don't want them in a place that just

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teaches them to sit down and shut up. Exactly.

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You want a place that values their individuality.

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And more importantly, you want a community that

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reflects your own values. Values that were largely

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under attack in mainstream 1950s America. Precisely.

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It was a safe space for their ideals. A bubble,

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really. But a really, really high IQ bubble.

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And that bubble produced some very interesting

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results. The alumni list mentioned in the text

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perfectly mirrors the inputs. The apple didn't

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fall far from the tree. Not at all. You have

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students like Richard Kostelinetz, who became

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a major avant -garde artist and cultural historian.

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That feels like a direct straight line from Norman

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Studer's folklore curriculum. It really does.

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And even in the later years of the school, you

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had people like Eric Jueger. The graphic novelist.

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Yeah, the one who does those amazing New Yorker

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covers. You had the poet Vincent Katz. Right.

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You had Corey D. Williams, who went into acting.

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And Nicholas Burns, the literary critic. It seems

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the school was effectively a factory for creatives,

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for people whose job is to observe and comment

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on society. Which totally makes sense. Right.

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If you grow up with folklore and civil rights

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and parents who are professional activists, you

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aren't very likely to grow up and become a corporate

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accountant. No offense to corporate accountants

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listening, of course. Of course not. But yeah,

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the vibe is definitely different. But I want

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to pivot here to something a bit more serious.

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We've talked about the cool factor, the folk

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songs. The famous parents, the creative kids.

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But the source material highlights a specific

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moment in 1963 that shows the school wasn't just

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playing at activism. They were in the trenches.

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They really were. 1963 is a crucial pivot point

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historically. The civil rights movement is really

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heating up nationally. And the source describes

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an incident involving a group of African -American

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students from New Jersey. Right. Now, normally

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a Manhattan private school doesn't have much

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to do with New Jersey public schools. But something

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unique happened here. Yes. These students in

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New Jersey were protesting. They were being assigned

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to a racially segregated school and they point

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blank refused to go. So they were effectively

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boycotting their own education to fight for better

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conditions. Exactly. So these kids are out of

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school because of the boycott and the downtown

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community school steps in. They did a lot more

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than just step in. The source specifically says

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they arranged to teach this group. Let's just

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wrap our heads around the logistics of that for

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a second. This isn't just tweaking a lesson plan.

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No, not at all. This means they likely had to

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coordinate bringing these students from New Jersey

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into Manhattan, crossing state lines. Right.

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To provide them with an education while they

00:12:38.320 --> 00:12:40.360
protested segregation in their home district.

00:12:40.500 --> 00:12:43.860
It's a massive logistical undertaking and a deeply

00:12:43.860 --> 00:12:46.200
political one. It moves the school's mission

00:12:46.200 --> 00:12:49.960
from theory to action. Perfectly said. It's one

00:12:49.960 --> 00:12:52.139
thing to say on paper we are a racially integrated

00:12:52.139 --> 00:12:55.139
school. Right. Words are easy. But it is another

00:12:55.139 --> 00:12:58.110
thing entirely to say. We are going to use our

00:12:58.110 --> 00:13:01.490
resources, our actual building, and our teachers

00:13:01.490 --> 00:13:05.110
to directly support a civil rights protest happening

00:13:05.110 --> 00:13:08.029
in another state. It really reinforces that idea

00:13:08.029 --> 00:13:10.009
of the school as a sanctuary that we were talking

00:13:10.009 --> 00:13:12.049
about earlier. Absolutely. Whether you were a

00:13:12.049 --> 00:13:14.769
blacklisted folk singer in the 50s or a student

00:13:14.769 --> 00:13:18.309
fighting segregation in the 60s, DCS was a place

00:13:18.309 --> 00:13:20.490
that opened its doors when others shut them.

00:13:20.690 --> 00:13:22.870
And imagine the lesson that taught the regular

00:13:22.870 --> 00:13:25.980
enrolled students. Wow. Yeah. You can't learn

00:13:25.980 --> 00:13:28.279
that in a textbook. Watching your own school

00:13:28.279 --> 00:13:30.759
turn itself into a literal support system for

00:13:30.759 --> 00:13:32.860
the civil rights movement. That leaves a permanent

00:13:32.860 --> 00:13:35.759
mark on a kid. It paints such a picture of a

00:13:35.759 --> 00:13:38.519
vibrant and principled, almost magical place.

00:13:38.740 --> 00:13:41.519
It does. But will we know how this ends? Our

00:13:41.519 --> 00:13:43.919
deep dive isn't called the school that is still

00:13:43.919 --> 00:13:46.940
open today. Sadly, no. The downtown community

00:13:46.940 --> 00:13:50.940
school closed its doors in 1971. And this is

00:13:50.940 --> 00:13:53.389
the part that honestly hurts to read. Because

00:13:53.389 --> 00:13:56.590
it wasn't the FBI that shut them down. It wasn't

00:13:56.590 --> 00:13:59.429
some huge political scandal. It wasn't a flaw

00:13:59.429 --> 00:14:01.850
in the folklore curriculum. It was pure economics.

00:14:01.870 --> 00:14:04.409
The source is very blunt about it. Financial

00:14:04.409 --> 00:14:07.169
pressure. Right. Specifically increased mortgage

00:14:07.169 --> 00:14:10.509
costs. And this right here is the tragedy of

00:14:10.509 --> 00:14:12.610
the cooperative model in a city like New York.

00:14:12.669 --> 00:14:15.220
Yeah. The source notes they were facing, these

00:14:15.220 --> 00:14:17.779
rising mortgage costs, which meant they would

00:14:17.779 --> 00:14:19.700
have had to raise tuition significantly just

00:14:19.700 --> 00:14:21.820
to survive. And that creates an impossible conflict

00:14:21.820 --> 00:14:24.100
for them, doesn't it? It strikes at the very

00:14:24.100 --> 00:14:27.220
heart of their identity. If you are a community

00:14:27.220 --> 00:14:28.919
school, if you pride yourself on being cooperative,

00:14:29.220 --> 00:14:31.379
you want to be accessible. Right. You want to

00:14:31.379 --> 00:14:33.879
serve the children of artists, the children of

00:14:33.879 --> 00:14:37.139
activists, people who, frankly, often do not

00:14:37.139 --> 00:14:39.799
have a lot of money. Exactly. If you jack up

00:14:39.799 --> 00:14:43.179
the tuition just to pay the new mortgage. You

00:14:43.179 --> 00:14:45.659
might save the physical building, but you lose

00:14:45.659 --> 00:14:48.200
the soul of the project. You just become another

00:14:48.200 --> 00:14:51.820
elite, expensive Manhattan private school for

00:14:51.820 --> 00:14:53.679
the wealthy. Which is exactly what they were

00:14:53.679 --> 00:14:56.340
trying not to be. Right. And it seems that rather

00:14:56.340 --> 00:14:59.820
than betray that core mission, or perhaps because

00:14:59.820 --> 00:15:02.179
they simply couldn't find a way to square that

00:15:02.179 --> 00:15:04.820
financial circle, they chose to close. It's startling

00:15:04.820 --> 00:15:08.139
to think about they survived the height of McCarthyism.

00:15:08.139 --> 00:15:11.620
Yeah. They navigated the massive social turbulence

00:15:11.620 --> 00:15:15.000
of the 60s. They hosted some of the most radical

00:15:15.000 --> 00:15:17.399
thinkers of the 20th century. And they were taken

00:15:17.399 --> 00:15:19.639
down by real estate prices. It's a very New York

00:15:19.639 --> 00:15:21.840
story, unfortunately. It really is. But still,

00:15:21.960 --> 00:15:26.320
1944 to 1971, that is 27 years. It's a full generation

00:15:26.320 --> 00:15:29.159
of kids. It is a really significant run. Think

00:15:29.159 --> 00:15:31.320
about the arc of history they covered in that

00:15:31.320 --> 00:15:34.509
time. It's immense. They started during the global

00:15:34.509 --> 00:15:37.330
war against fascism. They went through the intense

00:15:37.330 --> 00:15:40.009
paranoia of the Cold War. The explosion of the

00:15:40.009 --> 00:15:42.649
civil rights movement. The counterculture of

00:15:42.649 --> 00:15:45.570
the late 60s. And through all of it, they didn't

00:15:45.570 --> 00:15:47.370
just watch it happen from the sidelines. They

00:15:47.370 --> 00:15:49.570
were active participants. Exactly. So when we

00:15:49.570 --> 00:15:51.490
look back at the whole scope of the downtown

00:15:51.490 --> 00:15:54.649
community school based on these sources, what's

00:15:54.649 --> 00:15:56.909
the big takeaway for you? What is the main nugget

00:15:56.909 --> 00:15:59.779
of wisdom we can pull from this? For me, it's

00:15:59.779 --> 00:16:02.759
really about the deep interconnectedness of culture

00:16:02.759 --> 00:16:05.539
and education. Expand on that a bit. Well, you

00:16:05.539 --> 00:16:09.759
had folklore. You had folk music. Political activism

00:16:09.759 --> 00:16:13.019
and primary education all swirling together in

00:16:13.019 --> 00:16:16.059
one single building. It proves that a school

00:16:16.059 --> 00:16:17.759
isn't just a neutral place where you download

00:16:17.759 --> 00:16:20.620
facts into a child's brain. A school is always

00:16:20.620 --> 00:16:22.700
a reflection of its community's highest ideals.

00:16:23.019 --> 00:16:25.379
That's a great way to put it. DCS was a direct

00:16:25.379 --> 00:16:27.940
mirror for that specific, highly intellectual,

00:16:28.200 --> 00:16:32.000
leftist, artistic community in mid -century Manhattan.

00:16:32.480 --> 00:16:34.620
And it shows that education is mostly what happens

00:16:34.620 --> 00:16:36.720
in the hallways and who you see in the cafeteria.

00:16:37.139 --> 00:16:39.559
Right. The values the institution models in its

00:16:39.559 --> 00:16:41.940
hiring and its actions, not just what's written

00:16:41.940 --> 00:16:43.679
on the blackboard. Absolutely. For them, the

00:16:43.679 --> 00:16:46.139
curriculum really was the community itself. It

00:16:46.139 --> 00:16:48.259
makes you wonder, though, if you walked past

00:16:48.259 --> 00:16:51.399
235 East 11th Street today, like we said at the

00:16:51.399 --> 00:16:53.299
very beginning, you would never know. Not a clue.

00:16:53.500 --> 00:16:55.379
You'd never know Pete Seeger was in there teaching

00:16:55.379 --> 00:16:58.659
the banjo to seven -year -olds or that Mama Africa

00:16:58.659 --> 00:17:01.440
was outside picking up her kids. The building

00:17:01.440 --> 00:17:04.150
is... bricks now. The bricks remain, but the

00:17:04.150 --> 00:17:06.970
grand experiment is history. Which brings us

00:17:06.970 --> 00:17:08.990
to a final thought I want to leave with all of

00:17:08.990 --> 00:17:12.130
you listening. We look at DCS as this incredible

00:17:12.130 --> 00:17:15.230
triumph of values. They hired the blacklisted.

00:17:15.410 --> 00:17:18.109
They actively supported civil rights protesters.

00:17:18.690 --> 00:17:21.089
It was a beautiful social experiment. But it

00:17:21.089 --> 00:17:23.990
failed because of a mortgage. Exactly. It raises

00:17:23.990 --> 00:17:26.309
a really tough question about the true sustainability

00:17:26.309 --> 00:17:29.490
of idealism. So here's what I want you to chew

00:17:29.490 --> 00:17:32.839
on after you finish listening. Can a school or

00:17:32.839 --> 00:17:36.420
really any idealistic institution remain truly

00:17:36.420 --> 00:17:39.059
experimental and community focused in the long

00:17:39.059 --> 00:17:41.819
run? Or is it doomed? Right. Is a model like

00:17:41.819 --> 00:17:44.279
the downtown community school destined to burn

00:17:44.279 --> 00:17:47.359
bright and then fade away simply because the

00:17:47.359 --> 00:17:50.599
cold, hard logic of the real estate market? doesn't

00:17:50.599 --> 00:17:52.740
care about your mission statement. That is the

00:17:52.740 --> 00:17:55.259
million -dollar question right there. Or in today's

00:17:55.259 --> 00:17:57.619
Manhattan market, the $10 million question. True.

00:17:58.619 --> 00:18:00.640
Well, thanks for taking this deep dive with us

00:18:00.640 --> 00:18:03.000
into the lost world of the downtown community

00:18:03.000 --> 00:18:04.920
school. We'll see you on the next one.
