WEBVTT

00:00:00.000 --> 00:00:02.180
You know, there's this idea that music genres

00:00:02.180 --> 00:00:04.919
are these like super rigid boxes. Right. You've

00:00:04.919 --> 00:00:07.019
got your rock kids over here, your rap fans over

00:00:07.019 --> 00:00:09.619
there, and they just don't mix. It's like high

00:00:09.619 --> 00:00:11.599
school all over again. Totally. Historically,

00:00:11.599 --> 00:00:13.439
that was true. You picked your tribe, you wore

00:00:13.439 --> 00:00:16.699
the uniform, and that was that. But then you

00:00:16.699 --> 00:00:19.839
look at the last decade and you look at this

00:00:19.839 --> 00:00:24.260
one kid from Canton, Ohio, Michael Lamar White

00:00:24.260 --> 00:00:27.339
II. Who we all know as Trippie Redd. Exactly.

00:00:27.500 --> 00:00:29.699
And he didn't just cross the lines between those

00:00:29.699 --> 00:00:32.780
genres. He took a sledgehammer to them. A sledgehammer

00:00:32.780 --> 00:00:34.899
is a good way to put it. His discography is,

00:00:34.960 --> 00:00:36.640
it can give you whiplash if you're not ready

00:00:36.640 --> 00:00:38.539
for it. For sure. So that's the mission for this

00:00:38.539 --> 00:00:40.859
deep doc. We're trying to figure out how this

00:00:40.859 --> 00:00:43.359
artist became, I mean, almost a Rosetta Stone

00:00:43.359 --> 00:00:46.700
for modern hip hop. How did he connect the dots

00:00:46.700 --> 00:00:49.539
between, say, the angst of grunge rock and the

00:00:49.539 --> 00:00:51.939
swagger of Atlanta Trap? Yes. And how did he

00:00:51.939 --> 00:00:54.539
do all that while his personal life was basically

00:00:54.539 --> 00:00:57.039
a reality show? And we have to mention, secure

00:00:57.039 --> 00:01:00.240
a $30 million contract and basically invent a

00:01:00.240 --> 00:01:02.939
whole subgenre before he even turned 26. That

00:01:02.939 --> 00:01:07.200
age thing is just wild to me. Born in 99. It's

00:01:07.200 --> 00:01:10.060
early 2026, so he's only 26. But he feels like

00:01:10.060 --> 00:01:12.560
a veteran. He does. He's been shaping the sound

00:01:12.560 --> 00:01:16.000
for a decade. In rap years, that's like two lifetimes.

00:01:16.000 --> 00:01:17.859
To really get it, though, you have to go back

00:01:17.859 --> 00:01:20.579
to the beginning. Back to Canton, Ohio. Which

00:01:20.579 --> 00:01:22.700
is not exactly a music hotspot. It's the Pro

00:01:22.700 --> 00:01:24.840
Football Hall of Fame city. Exactly. And we're

00:01:24.840 --> 00:01:27.840
talking specifically about 14th Street. The 1400

00:01:27.840 --> 00:01:30.140
block. You hear him shout it out all the time.

00:01:30.480 --> 00:01:33.200
1400. Right. And that's not just marketing. That

00:01:33.200 --> 00:01:35.609
was his world. It was a tough place to grow up.

00:01:35.670 --> 00:01:37.489
He was affiliated with the Bloods pretty early

00:01:37.489 --> 00:01:39.230
on. See, and that's the first thing that doesn't

00:01:39.230 --> 00:01:41.230
add up. You hear Bloods affiliation and you expect

00:01:41.230 --> 00:01:44.010
the music to be. Well, you expect street rap.

00:01:44.290 --> 00:01:48.250
NWA, maybe some Chief Keef. Yeah. But his mom

00:01:48.250 --> 00:01:50.689
was playing Ashanti and Beyonce and Tupac in

00:01:50.689 --> 00:01:53.569
the house. A very soulful, very lyrical foundation.

00:01:53.829 --> 00:01:56.450
But Trippie himself, he was the kid in the corner

00:01:56.450 --> 00:01:59.590
listening to Kiss. Wait, Kiss. Like, face paint

00:01:59.590 --> 00:02:03.629
and pyrotechnics, Kiss. Marilyn Manson, Nirvana.

00:02:04.349 --> 00:02:06.549
Green Day, and then he'd switch right over to

00:02:06.549 --> 00:02:09.110
Gucci Mane and Lil Wayne. That playlist makes

00:02:09.110 --> 00:02:11.849
absolutely no sense on paper. Yeah. How do you

00:02:11.849 --> 00:02:14.550
go from simple plan to Gucci Mane? Well, think

00:02:14.550 --> 00:02:17.110
about the energy, not the instruments. What's

00:02:17.110 --> 00:02:20.490
Marilyn Manson about? Shock, raw emotion, being

00:02:20.490 --> 00:02:22.969
an outcast. Right. And what's Gucci Mane about?

00:02:23.789 --> 00:02:26.590
Rebellion, being an outsider, grit. To a teenager

00:02:26.590 --> 00:02:29.169
in Ohio, they're not that different. He heard

00:02:29.169 --> 00:02:32.389
the feeling, not the genre, a guitar scream and

00:02:32.389 --> 00:02:35.250
a trap snare. They hit the same nerve. So he's

00:02:35.250 --> 00:02:38.310
soaking all this in. But just listening to music

00:02:38.310 --> 00:02:39.969
doesn't make you an artist. There's usually some

00:02:39.969 --> 00:02:43.069
kind of catalyst, a spark. Or a tragedy. And

00:02:43.069 --> 00:02:45.889
in his case, it was a tragedy. In 2014, his older

00:02:45.889 --> 00:02:48.310
brother, Dirty Red, was killed in a car accident.

00:02:48.530 --> 00:02:50.169
And his brother was the one making music first,

00:02:50.270 --> 00:02:52.669
right? He was. And that death, it just flipped

00:02:52.669 --> 00:02:54.569
a switch in Trippie. He didn't just mourn. He

00:02:54.569 --> 00:02:57.229
sort of took up the mantle. He started recording

00:02:57.229 --> 00:02:59.729
almost right away. Putting out tracks like Sub

00:02:59.729 --> 00:03:02.289
-Zero and New Ferrari. Which he later deleted.

00:03:02.990 --> 00:03:05.430
They weren't great. He was still learning. But

00:03:05.430 --> 00:03:08.889
the intent was there. That voice he has. That

00:03:08.889 --> 00:03:12.750
strained, cracking, almost screaming delivery.

00:03:13.270 --> 00:03:15.469
That's not a vocal lesson. That's pure grief.

00:03:15.689 --> 00:03:18.830
He was rapping to process the loss. So he graduates

00:03:18.830 --> 00:03:21.990
high school, moves to Atlanta. Yeah. And that

00:03:21.990 --> 00:03:25.009
unique voice is what makes him stand out. Atlanta

00:03:25.009 --> 00:03:27.849
was everything in 2016. He connects with Lil

00:03:27.849 --> 00:03:31.210
Wap, gets in studios with Cody Shane. He starts

00:03:31.210 --> 00:03:34.840
to bubble. But the real explosion was May 2017.

00:03:35.080 --> 00:03:38.680
A love letter to you. And the single Love Scars.

00:03:38.840 --> 00:03:41.860
Love Scars is the blueprint for emo rap. Forget

00:03:41.860 --> 00:03:43.620
Wikipedia. Just listen to that song. Let's break

00:03:43.620 --> 00:03:45.780
that down, though. What is emo rap, sonically?

00:03:45.979 --> 00:03:48.819
Okay, so you have the bones of trap music, the

00:03:48.819 --> 00:03:52.659
rattling hi -hats, that booming 808 bass. But

00:03:52.659 --> 00:03:55.340
over that, instead of a traditional rapper, you

00:03:55.340 --> 00:03:58.500
have someone basically... singing or whining

00:03:58.500 --> 00:04:01.000
in the best way possible about being heartbroken.

00:04:01.060 --> 00:04:02.639
It's super raw. Sounds like it was recorded in

00:04:02.639 --> 00:04:04.699
a bedroom. Totally. And it's vulnerable, but

00:04:04.699 --> 00:04:06.900
it's also incredibly catchy. It went double platinum.

00:04:07.099 --> 00:04:09.060
Yeah. And it put him on the radar of the other

00:04:09.060 --> 00:04:12.020
huge figure from that time. XXXentation. You

00:04:12.020 --> 00:04:13.919
can't talk about that era without talking about

00:04:13.919 --> 00:04:16.720
X. They were the twin pillars of that whole SoundCloud

00:04:16.720 --> 00:04:19.180
wave. And Trippie was the only feature on X's

00:04:19.180 --> 00:04:22.899
album 17. The only one. On Fuck Love. A track

00:04:22.899 --> 00:04:25.439
that, I was just looking this up, was Certified

00:04:25.439 --> 00:04:30.839
Diamond. in 2023. 10 million units. That's insane.

00:04:31.160 --> 00:04:33.540
Most artists never get a diamond record in their

00:04:33.540 --> 00:04:36.160
entire careers. He hit that milestone so early,

00:04:36.279 --> 00:04:38.600
it proved he was more than just an internet fad.

00:04:38.699 --> 00:04:41.019
He was a real star. It really cemented his place.

00:04:41.279 --> 00:04:44.480
Then came his debut studio album in 2018, Life's

00:04:44.480 --> 00:04:46.839
a Trip. And that gave us Dark Knight Domo with

00:04:46.839 --> 00:04:49.180
Kravis Scott. Oh, that music video. It was like

00:04:49.180 --> 00:04:52.459
a zombie movie. It was pure chaos, dark, high

00:04:52.459 --> 00:04:54.579
energy. It was his first time on the Hot 100

00:04:54.579 --> 00:04:56.959
as the main artist, and it showed he wasn't just

00:04:56.959 --> 00:04:59.560
going to be the sad boy, he could also rage.

00:04:59.879 --> 00:05:01.819
Which brings us to the next chapter, the full

00:05:01.819 --> 00:05:04.420
-on genre bending. He starts leaning way more

00:05:04.420 --> 00:05:07.360
into that rock sound. He really does. In 2021,

00:05:07.620 --> 00:05:10.959
he drops Neon Shark vs. Pegasus. The Neon Shark

00:05:10.959 --> 00:05:13.720
part was a whole rock album produced by Travis

00:05:13.720 --> 00:05:16.639
Barker, the king of pop punk. The ultimate cosign.

00:05:16.759 --> 00:05:18.500
And for Trippie, it wasn't a costume. This was

00:05:18.500 --> 00:05:20.519
him going back to the stuff he grew up on. It

00:05:20.519 --> 00:05:22.680
felt authentic. But he didn't just look back.

00:05:22.839 --> 00:05:25.139
He was also pushing forward with this new sound

00:05:25.139 --> 00:05:28.189
people started calling rage. Rage music. Yeah,

00:05:28.250 --> 00:05:30.449
you hear that term everywhere now. Can you define

00:05:30.449 --> 00:05:32.689
that for us? It's not just angry music. No, it's

00:05:32.689 --> 00:05:35.910
very specific. It's high energy. almost frantic

00:05:35.910 --> 00:05:39.870
it's built on these buzzing distorted synthesizers

00:05:39.870 --> 00:05:41.910
that sound like an old video game like an arcade

00:05:41.910 --> 00:05:44.750
machine breaking exactly the loops are repetitive

00:05:44.750 --> 00:05:48.829
hypnotic it's music made specifically for a mosh

00:05:48.829 --> 00:05:51.209
pit and the prime example of that is miss the

00:05:51.209 --> 00:05:55.730
rage 100 with playboy cardi that song debuted

00:05:55.730 --> 00:05:59.069
at number 11 on billboard his highest chart position

00:05:59.069 --> 00:06:01.529
ever which is funny because it is not a radio

00:06:01.529 --> 00:06:04.310
friendly song it's abrasive but that's the point

00:06:04.699 --> 00:06:06.980
He knew his audience was raised on internet chaos

00:06:06.980 --> 00:06:09.639
and video games. He didn't make a song for the

00:06:09.639 --> 00:06:12.000
radio. He made a song for the festival and the

00:06:12.000 --> 00:06:14.180
radio had to catch up. And he just kept working

00:06:14.180 --> 00:06:17.139
with everyone. Drake, Lil Uzi Vert, even that

00:06:17.139 --> 00:06:22.100
EP with MGK in 2024. Genre. Sad boy. Which got

00:06:22.100 --> 00:06:24.480
some pretty mixed reviews. Mix is being kind.

00:06:24.620 --> 00:06:27.120
A lot of critics hated it. But it shows he's

00:06:27.120 --> 00:06:29.240
not afraid to try things, even if they don't

00:06:29.240 --> 00:06:31.329
always work out. Okay, we have to talk about

00:06:31.329 --> 00:06:33.509
the personal side of things now. Yeah. Because

00:06:33.509 --> 00:06:36.129
for a guy who thinks about heartbreak, his real

00:06:36.129 --> 00:06:39.769
-life relationships have been volatile. That's

00:06:39.769 --> 00:06:42.209
the word for it. Volatile. Okay, we have to start

00:06:42.209 --> 00:06:45.550
with the big one. Tekashi, 6 '9 by 9". Ugh, yeah.

00:06:45.730 --> 00:06:49.269
If X was like a brother, 6 '9 was the arch nemesis.

00:06:49.389 --> 00:06:50.910
They started out as friends, though. They had

00:06:50.910 --> 00:06:54.189
that track, Poles 1469. They did. Back in 2017,

00:06:54.430 --> 00:06:56.430
they were on the same wave. But then the allegations

00:06:56.430 --> 00:07:00.889
came out about 6 '9 and... Trippie just, he drew

00:07:00.889 --> 00:07:02.990
a line. He publicly denounced him. And it wasn't

00:07:02.990 --> 00:07:04.889
just Twitter beef after that. Not at all. It

00:07:04.889 --> 00:07:07.069
got physical. Trippie got jumped in New York.

00:07:07.389 --> 00:07:10.170
6x9 got jumped in L .A. There were threats. There

00:07:10.170 --> 00:07:12.170
were other rappers getting involved. It was a

00:07:12.170 --> 00:07:15.269
mess. Then it got even more serious during 6x9's

00:07:15.269 --> 00:07:18.569
federal case. Yeah. In court, under oath, 6x9

00:07:18.569 --> 00:07:20.790
named Trippie as a member of the 5 '9 Brims gang.

00:07:21.029 --> 00:07:23.189
He snitched on him. In federal court. He did.

00:07:23.689 --> 00:07:25.509
But look who's still standing, still evolving.

00:07:25.850 --> 00:07:28.209
Trippie outlasted all that drama. And his friendship

00:07:28.209 --> 00:07:31.050
with XX Tentation was also full of ups and downs.

00:07:31.329 --> 00:07:33.970
It really was. There was a point where X literally

00:07:33.970 --> 00:07:36.129
banned him from coming to Florida. That's so

00:07:36.129 --> 00:07:37.850
wild to think about now. They patched things

00:07:37.850 --> 00:07:40.990
up, of course. X apologized. But then came the

00:07:40.990 --> 00:07:45.029
tragedy. X was killed on June 18th, 2018. Which

00:07:45.029 --> 00:07:47.310
was Trippie's 19th birthday. Can you imagine?

00:07:47.769 --> 00:07:50.069
Turning 19 on the day your friend is murdered?

00:07:50.269 --> 00:07:52.730
That changes you. He dyed his hair in tribute,

00:07:52.910 --> 00:07:55.269
released songs for him. He still talks about

00:07:55.269 --> 00:07:57.769
him all the time. Loss is just a constant theme.

00:07:58.050 --> 00:08:00.970
Even in his romantic life, it's been public and

00:08:00.970 --> 00:08:03.509
messy. For sure. His breakup with Sky Morales

00:08:03.509 --> 00:08:06.850
in 2023 was all over the blogs. He even publicly

00:08:06.850 --> 00:08:09.069
apologized for cheating. Which is pretty rare.

00:08:09.269 --> 00:08:11.350
It is. But now there's the whole thing with Coyle

00:08:11.350 --> 00:08:13.910
Array. The ultimate on -again, off -again relationship.

00:08:14.110 --> 00:08:16.670
They dated years ago, broke up, and then got

00:08:16.670 --> 00:08:18.850
back together. together in 2024. And now it seems

00:08:18.850 --> 00:08:21.410
much more permanent. It does. They had a daughter,

00:08:21.589 --> 00:08:25.069
Miyoko, in June of 2025. He's a father now. A

00:08:25.069 --> 00:08:27.709
father who still has run -ins with the law, though.

00:08:27.829 --> 00:08:29.730
Right. We can't forget that. There were assault

00:08:29.730 --> 00:08:33.009
charges back in 2018. And just last year, July

00:08:33.009 --> 00:08:36.350
4, 2025, he was arrested at Miami International

00:08:36.350 --> 00:08:39.250
Airport. What a way to spend the 4th. Yeah. He

00:08:39.250 --> 00:08:41.649
had an active warrant for driving without a license.

00:08:42.450 --> 00:08:45.029
It's just a reminder that even with all the success,

00:08:45.690 --> 00:08:47.909
Old problems can still surface. And speaking

00:08:47.909 --> 00:08:51.429
of success, let's talk about where he is now,

00:08:51.590 --> 00:08:54.490
the current era. This is not the SoundCloud kid

00:08:54.490 --> 00:08:56.990
anymore. Not at all. He signed a $30 million

00:08:56.990 --> 00:09:01.789
deal in 2022, bought a $7 .5 million mansion

00:09:01.789 --> 00:09:04.909
in Florida. He's a mogul. Creatively, though,

00:09:05.029 --> 00:09:06.889
it feels like he's at a bit of a crossroads.

00:09:06.889 --> 00:09:10.450
I think so. Mansion music in 2023 got a lukewarm

00:09:10.450 --> 00:09:13.070
response, and that single he did with KSI in

00:09:13.070 --> 00:09:16.259
late 2024, thick of it. Oof. The internet was

00:09:16.259 --> 00:09:18.700
not kind to that one. No, it was. It was panned.

00:09:19.039 --> 00:09:21.080
And that's the danger when you're so prolific.

00:09:21.100 --> 00:09:23.000
When you put out so much music, sometimes the

00:09:23.000 --> 00:09:25.279
quality dips. You risk burning out your audience.

00:09:25.580 --> 00:09:27.240
But he's not slowing down. Right. We've got the

00:09:27.240 --> 00:09:29.580
new album, NDA, on the way. Right. We've heard

00:09:29.580 --> 00:09:31.620
a couple of singles. And the big news is that

00:09:31.620 --> 00:09:33.620
it's supposed to have a feature from Kanye West.

00:09:33.919 --> 00:09:36.639
Which is still a huge deal. A Kanye feature still

00:09:36.639 --> 00:09:39.179
means something. It shows he's still aiming for

00:09:39.179 --> 00:09:41.740
the very top. He's not just coasting. So let's

00:09:41.740 --> 00:09:44.820
sum this all up. He blended rock and trap. He

00:09:44.820 --> 00:09:47.460
basically birthed the rage sound. He survived

00:09:47.460 --> 00:09:50.759
all these insane feuds. And now he's a dad with

00:09:50.759 --> 00:09:53.779
a massive record deal. What's the takeaway? I

00:09:53.779 --> 00:09:55.960
think Trippie Redd is the guy who made it okay

00:09:55.960 --> 00:09:58.480
to be everything at once. He destroyed the idea

00:09:58.480 --> 00:10:00.019
that you had to pick a lane. He showed you could

00:10:00.019 --> 00:10:02.559
be a gangster rapper who also sings about being

00:10:02.559 --> 00:10:04.940
sad. He made it cool to scream your feelings

00:10:04.940 --> 00:10:08.320
over an 808. Exactly. The entire sound of modern

00:10:08.320 --> 00:10:11.200
melodic rap. You can trace so much of it back

00:10:11.200 --> 00:10:13.879
to him. He took the weird kids playlist and made

00:10:13.879 --> 00:10:17.960
it the mainstream. All before turning 26. Which

00:10:17.960 --> 00:10:19.600
brings me to the thought I want to leave everyone

00:10:19.600 --> 00:10:22.440
with. He did all this as a teenager and a young

00:10:22.440 --> 00:10:25.409
adult. He's a father now. He has the money, the

00:10:25.409 --> 00:10:27.549
house. He's got, what, another 20 years of his

00:10:27.549 --> 00:10:29.309
career ahead of him, potentially? But will the

00:10:29.309 --> 00:10:32.769
music change? So much of that sad boy and rage

00:10:32.769 --> 00:10:35.929
sound is fueled by youthful chaos and angst.

00:10:36.029 --> 00:10:38.090
Right. When you're not struggling anymore, what

00:10:38.090 --> 00:10:40.529
do you rage about? Can his sound mature with

00:10:40.529 --> 00:10:42.970
him? Or is he kind of trapped by the sound he

00:10:42.970 --> 00:10:47.570
created? Can you still make... believable rage

00:10:47.570 --> 00:10:49.929
music when you're a millionaire dad. That's the

00:10:49.929 --> 00:10:52.210
real question. Can you rage responsibly? We're

00:10:52.210 --> 00:10:54.230
about to find out with this new album. That's

00:10:54.230 --> 00:10:56.289
the whole story of the NDA era, isn't it? What

00:10:56.289 --> 00:10:58.149
happens next? We'll be watching. Definitely.

00:10:58.649 --> 00:11:00.789
If you haven't already, go listen to Dark Knight

00:11:00.789 --> 00:11:05.490
Demo and Miss the Rage. Essential tracks. Thanks

00:11:05.490 --> 00:11:07.789
for joining us for this deep dive. Stay curious.

00:11:08.149 --> 00:11:08.830
We'll catch you next time.
