WEBVTT

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Welcome back to the deep dive. Today, we're going

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to do something that might seem a little counterintuitive.

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We're going to look at a stack of old papers.

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Right. And I don't mean, you know, secret government

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documents. I mean, a newspaper, specifically

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the Arizona Minor. Oh, boy. I could just feel

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the listeners eyes glazing over already. The

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Arizona Minor. It sounds like a newsletter you'd

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find in a dentist's office in like 1950. Exactly.

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It sounds like some dusty old business ledger.

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You expect to open it up and see, I don't know,

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the price of copper, a list of cattle brands

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and a weather report that just says hot. Right.

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But once I actually started digging into the

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source material you sent over. Right. Wow. This

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is not a story about accounting. Not even close.

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This story about, well, it's about journalism,

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sure. But it's journalism with a rifle strapped

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to your back. It's about printing the news while

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your office. is literally a military target.

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It really reframes the whole idea of freedom

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of the press, doesn't it? Yeah. We think of that

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legally, you know, publishing without censorship.

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But in the Arizona territory in the 1860s, the

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challenge wasn't legal. It was physical. The

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infrastructure wasn't servers and fiber optics.

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It was a wagon, a mule, and a whole lot of gunpowder.

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So that is the mission for this deep dive. We're

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going to track the life of this newspaper, the

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oldest one in Arizona, founded way back in 1864.

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We're going to follow it from its birth in a

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military fort all the way to its death during

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the Great Depression. And we're using it as a

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lens because if you want to understand how the

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American West was actually settled, not the movie

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version, but the gritty logistical reality. Yeah.

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You have to look at how they moved information.

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And honestly, reading about the working conditions

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these reporters dealt with, it makes my complaints

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about slow office Wi -Fi feel pretty embarrassing.

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It definitely puts the modern media landscape

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into a very, very sharp perspective. So let's

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rewind. We are dropping into 1864. So the Civil

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War is still raging back east. Arizona has just

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been carved out as a territory. It's wild. It's

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dangerous. And it's politically chaotic. And

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into this mess walks a guy named... Richard C.

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McCormick. Richard C. McCormick. He was the territorial

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secretary. Yeah. So essentially one of the guys

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in charge of setting up the new government. And

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he decides that this territory needs a voice.

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It needs a newspaper. But here's the problem.

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You are in the middle of nowhere. You can't just

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order a printing press on Amazon. Far from it.

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No. McCormick has to. physically go get the means

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of production. He travels to Santa Fe, New Mexico.

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He buys a press. And this is probably a heavy

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cast iron Washington hand press. I mean, we're

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talking hundreds of pounds of dead weight. And

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he has to haul it all the way to Arizona. Right.

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And the source material paints this incredible

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picture. He loads this heavy industrial machine

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into... government wagons. And it's sitting right

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there alongside his personal belongings. His

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personal belongings. His chairs, his clothes,

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his desk. I love that image. It's the ultimate

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road trip from hell. You're hauling a printing

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press across the desert over these non -existent

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roads. If a wheel breaks, the government, you

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know, loses its voice. Exactly. And this gets

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to a crucial point about why he was doing it.

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McCormick didn't start the paper just to report

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the weather. Historians call the paper the creature

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of the new territorial government. So it was

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a tool. It was about legitimacy. If you have

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a newspaper, you have a government, you have

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civilization. It proves to the world and to D

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.C. that this territory is organized. So they

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haul this thing all the way, but they don't set

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up in a nice downtown office. No. The first issue,

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which hits the streets on March 9th, 1864, isn't

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published in a town. It's published at Fort Whipple.

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A military fort. A military fort. And that is

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not a coincidence. This wasn't a commercial enterprise.

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It was published under explicit military protection.

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The sources you sent had a quote that just, it

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stuck with me. It said the staff worked with

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rifles strapped to their backs. It's a vivid

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detail, isn't it? It's cinematic. I mean, imagine

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the scene, you're a typesetter, you're standing

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there picking out these tiny little lead letters,

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A -R -I, and the whole time you have a loaded

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weapon on your body because you were literally

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working in a conflict zone. It's a fascinating

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tension. You're doing this very intellectual,

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civilized act writing. editing, while being prepared

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for immediate violence. Wow. The press was the

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only thing connecting them to the world, but

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the environment was actively hostile. It's civilization

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as an act of defiance. We are going to print

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this paper, even if we have to shoot our way

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out of the office. Precisely. Now, they didn't

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stay at the fort for long. The government moved

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the capital to Prescott. Right. After just six

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issues, the paper follows. The whole... Circus

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wagons, press -type cases, moves to Prescott,

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the new capital. So they're in a town now. You'd

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think, okay, maybe things can relax a little

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bit, maybe take their rifles off. You would hope

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so. But the move didn't mean safety. In fact,

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this brings us to one of the most tragic figures

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in the paper's history, a young man named Emmett

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A. Bentley. This part of the timeline really

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shook me. Because we talk about risk in business,

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but this is just a different universe of risk.

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Bentley became the editor in July 1866. He was

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young, born in Iowa, came out west in 63. By

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the time he's running the paper, he's in his

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mid -20s. He's the voice of the town. So a young

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guy, ambitious, running the biggest media outlet

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in the territory. And then, February 1867, he

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goes out to Weaver Mountain. And this is where

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the reality of the era just crashes right into

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the story. This was the height of the Apache

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Wars. Bentley was attacked on the mountain. He

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was shot. But he didn't die there. No. And this

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is the detail that is so haunting. He was wounded,

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probably gravely. He was brought back to Prescott.

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He survived for a few days. And the historical

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records state he died inside the newspaper's

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office. He was only 27 years old. Dying in the

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newsroom. It's just a stark reminder. We often

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think of journalists as observers, you know,

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the person on the sidelines taking notes. The

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impartial observer, right? Exactly. But in the

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Arizona territory, the journalists weren't observers.

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They were participants. They were living and

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dying right alongside the miners and soldiers

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they were writing about. It just changes how

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you read the headlines from that era. The person

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writing the copy was literally bleeding for the

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paper. It does. And it explains why the tone

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of the journalism was so different. The minor

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wasn't objective. It couldn't be. It was fighting

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for its own survival. Which brings us to the

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next big phase. If the physical danger wasn't

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enough, the political danger starts to ramp up.

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Right. So the paper changes hands in 1867. McCormick,

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the government founder, sells it to a man named

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John H. Marion. And this is a huge pivot point.

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If McCormick was the establishment, Marion was

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something else. Something else is a polite way

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to put it. Marion was a firebrand. Okay, let's

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untack Marion, because his bio in the notes,

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he sounds like a character out of a movie. He

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was from New Orleans. He came west to prospect

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for gold and silver, which is why the name Minor

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fit him so well. But he realized the real power

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wasn't in the ground. It was in the printing

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press. Now, under McCormick, the paper had been

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pretty tame, right? Standard government announcements.

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Relatively, yeah. It leaned Republican because

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it was an organ of the federally appointed government.

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It covered the legislature, Lincoln's reelection.

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Yeah. It was trying to be respectable. Although,

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to be fair, McCormick did have his critics. Chief

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Justice William F. Turner accused him of using

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the paper for personal gain. Of course, corruption

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in the media, not a new complaint. Not at all.

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But then Marion takes over and he just cranks

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the volume up to 11. Marion was a Democrat and

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he was combative. He saw the paper as a political

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weapon. And we have to talk about the actual

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language he used because it's important we share

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this, not to endorse it, obviously, but just

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to understand the mindset of 1867 Arizona. We

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have to look at the historical record impartially.

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Marion branded the minor with two slogans. The

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first was the official paper of Arizona Standard

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Suffrage. Okay. But the second one was the Organ

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of the White People of Arizona. Wow. He just,

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he put it right on the masthead. He did. And

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that tells you everything you need to know about

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the political and racial climate of the frontier.

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It was intensely polarized. He wasn't trying

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to be inclusive. He was explicitly catering to

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a specific demographic. The sources describe

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his writing as racist and aggressive. He was

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relentless. He used the paper to launch just

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biting attacks on his enemies. Now, in modern

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business, you'd think alienating a huge chunk

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of people is a bad strategy. But what happened

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to the miners' business under Marion? It boomed.

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Of course it did. Controversy sells. Anger engages.

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It's a lesson the media learned very early on.

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Marion claims that he grew circulation from less

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than 75 readers to 672. That's almost a 10 times

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increase. It is. And the advertising grew significantly

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from half a column to several columns of paid

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ads. So he basically invented the rage bait engagement

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model in 1867. You could absolutely say that.

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He proved that a strong, polarizing voice was

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often more commercially viable. than a dry, government

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-approved one. He turned the miner into a real

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business. But of course, nothing lasts forever.

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The pendulum eventually swings back. Always does.

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In 1877, Marion sold the paper to a man named

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Charles W. Beach. And just like that, the editorial

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stance flipped right back to its Republican roots.

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It's amazing how fast the truth changes depending

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on who's signing the checks. It's like watching

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a cable news channel change ownership today.

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Suddenly the narrative just flips 180 degrees.

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It's not a new phenomenon. The media landscape

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has always been subject to the whims of ownership.

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Speaking of whims, we need to talk about the

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branding. Because if I was a subscriber to this

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paper, I think I would have had a migraine trying

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to figure out what it was even called. The branding

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strategy was... Fluid. Fluid is very generous.

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I was looking at the list of name changes. It's

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like they were having an identity crisis every

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six months. It certainly looks that way from

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the outside. Okay, walk me through this. It starts

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as the Republican Fort Whipple, Arizona Minor.

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Right, that was the monthly version at the Fort.

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Very descriptive. Then it becomes just the Arizona

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Minor. Then suddenly it's the Weekly Arizona

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Minor. That was in 1868. But then they just swapped

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the words. It becomes the Arizona Weekly Minor.

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Which, to a librarian, is a totally different

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publication. And then, just to be fancy, they

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add a the, the weekly Arizona minor. Very dignified.

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And eventually becomes the Arizona weekly journal

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minor. Was this just indecision? Was there no

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marketing department saying, hey guys, let's

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maybe pick a lane? It seems comical, but there

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was usually a business logic behind it. For example,

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the switch to weekly. When a guy named Benjamin

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H. Weaver joined, they suddenly had the resources,

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the manpower. To publish weekly instead of semi

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-monthly. Okay. So that's a huge change in workflow.

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It is. You have to produce twice as much content.

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Yeah. So changing the name to weekly wasn't just

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a tweak. It was a flex. It was bragging to advertisers.

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Look how capable we are now. So the name change

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was a signal of growth. Exactly. And we should

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forget there was actually a daily edition for

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a while too. An Arizona Daily Minor. Yep. From

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about 1873 to 1885. Wow. Imagine printing a daily

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paper handsetting the type in a mining town in

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the 1870s. The pressure must have been immense.

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It was a bustling operation. But that constant

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change in names also signaled instability. Mergers,

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new partners, new owners. Every time the money

00:11:26.539 --> 00:11:30.460
changed, the name on the door changed. So, we've

00:11:30.460 --> 00:11:33.620
survived attacks, we've survived political mudslinging,

00:11:33.639 --> 00:11:36.539
and we've survived a branding crisis. But we

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haven't talked about the one thing that seems

00:11:38.159 --> 00:11:40.100
to happen to every wooden building in the Old

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West. Fire. The great leveler. It's almost inevitable

00:11:43.360 --> 00:11:46.799
in these histories. On July 14th, 1900, disaster

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struck. The publishing office was completely

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destroyed. And we need to clarify what destroyed

00:11:51.519 --> 00:11:55.159
means in 1900. There's no cloud backup, no Google

00:11:55.159 --> 00:11:58.299
Drive. No. If the office burns, the history burns.

00:11:58.519 --> 00:12:01.200
The archives, the back issues, the lists. And

00:12:01.200 --> 00:12:03.299
the physical capital. The presses, the type cases,

00:12:03.419 --> 00:12:05.980
all of it melted or turned to ash. It's a total

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loss. For most businesses, that is the end. But

00:12:08.620 --> 00:12:11.039
they didn't fold. No. And this speaks to the

00:12:11.039 --> 00:12:13.700
sheer resilience of the organization. They scrambled.

00:12:13.820 --> 00:12:15.919
They published a temporary daily edition for

00:12:15.919 --> 00:12:17.820
about a month, probably on a borrowed press,

00:12:18.039 --> 00:12:20.840
just to keep the news flowing. That is dedication.

00:12:21.240 --> 00:12:24.179
Our building is ash, but here's the news. And

00:12:24.179 --> 00:12:26.299
then they moved into a small brick building on

00:12:26.299 --> 00:12:28.899
West Gurley Street. Brick being the key word

00:12:28.899 --> 00:12:30.500
there. We're not doing the wood thing again.

00:12:30.980 --> 00:12:34.179
Exactly. And this period, post -fire, really

00:12:34.179 --> 00:12:36.909
marked the transition into the modern era. We

00:12:36.909 --> 00:12:39.350
leave the frontier phase and enter the industrial

00:12:39.350 --> 00:12:43.009
phase. What was the big leap? Technology. In

00:12:43.009 --> 00:12:46.529
1904, they get the Linotype machine. Okay, for

00:12:46.529 --> 00:12:48.590
those of us who aren't print nerds, explain why

00:12:48.590 --> 00:12:51.509
the Linotype is such a huge deal. So before this,

00:12:51.730 --> 00:12:55.750
every single letter, every E, every comma, had

00:12:55.750 --> 00:12:58.070
to be picked by hand from a box and lined up.

00:12:58.169 --> 00:13:00.990
It was incredibly slow. Painstaking. The Linotype

00:13:00.990 --> 00:13:03.289
changed everything. It was a machine with a keyboard.

00:13:03.789 --> 00:13:05.850
You type a line of text and the machine melts

00:13:05.850 --> 00:13:08.610
lead and casts a solid line of type right there.

00:13:08.730 --> 00:13:10.330
So it's the difference between handwriting a

00:13:10.330 --> 00:13:12.850
letter and typing an email. It's a massive leap

00:13:12.850 --> 00:13:15.169
in efficiency. It'll let them print more pages

00:13:15.169 --> 00:13:18.889
faster with fewer people. And around then, they

00:13:18.889 --> 00:13:20.750
also became a franchise of the Associated Press.

00:13:20.990 --> 00:13:23.590
That's a huge shift in content. Now they're not

00:13:23.590 --> 00:13:25.649
just relying on rumors from wagons. They're plugged

00:13:25.649 --> 00:13:27.830
into the national wire. They're part of the global

00:13:27.830 --> 00:13:30.350
network, getting news from New York, London,

00:13:30.470 --> 00:13:33.379
Washington almost instantly. Bye -bye 1914. By

00:13:33.379 --> 00:13:35.539
1914, they've moved into a two -story building

00:13:35.539 --> 00:13:39.360
with a Goss web -perfecting press. Web -perfecting?

00:13:39.360 --> 00:13:41.620
Sounds fancy. What's that? It's the grandfather

00:13:41.620 --> 00:13:44.600
of the modern newspaper press. Instead of feeding

00:13:44.600 --> 00:13:47.500
single sheets of paper by hand, a web press takes

00:13:47.500 --> 00:13:50.139
a giant roll of paper, feeds it through continuously,

00:13:50.340 --> 00:13:52.919
and prints on both sides at once. So we are talking

00:13:52.919 --> 00:13:55.860
about speed. Serious industrial speed. We are

00:13:55.860 --> 00:13:58.899
a long, long way from Richard McCormick hauling

00:13:58.899 --> 00:14:01.659
a hand press across the desert. We are now in

00:14:01.659 --> 00:14:03.879
the age of mass media. It's a complete evolution

00:14:03.879 --> 00:14:07.440
from a fort to a factory. Basically, yes. But

00:14:07.440 --> 00:14:10.759
all things come to an end. Sadly, yes. The minor

00:14:10.759 --> 00:14:12.820
or the journal minor, as it was known by then,

00:14:12.899 --> 00:14:15.679
finally reached the end of the line. April 1934.

00:14:15.899 --> 00:14:18.559
Now, the source notes don't explicitly say the

00:14:18.559 --> 00:14:21.120
Great Depression killed the paper, but the date

00:14:21.120 --> 00:14:25.340
is 1934. It's hard to ignore the context. 1934

00:14:25.340 --> 00:14:28.840
was the absolute depth of the Depression. Advertising

00:14:28.840 --> 00:14:32.059
revenue had plummeted. Mines were closing. People

00:14:32.059 --> 00:14:34.559
just didn't have money for subscriptions. It's

00:14:34.559 --> 00:14:36.740
very likely the economy finally caught up with

00:14:36.740 --> 00:14:39.759
them. So after 70 years, the press has stopped.

00:14:40.019 --> 00:14:42.279
It's quite a run, though. Think about the arc.

00:14:42.480 --> 00:14:45.379
It started before the Civil War ended. born in

00:14:45.379 --> 00:14:48.080
a wagon, protected by soldiers. It survived the

00:14:48.080 --> 00:14:50.840
Apache Wars. It saw the territory become a state.

00:14:50.980 --> 00:14:53.559
It fueled political fires. It burned down and

00:14:53.559 --> 00:14:55.940
rose from the ashes. And it eventually hooked

00:14:55.940 --> 00:14:58.120
up to the Global Information Network. It really

00:14:58.120 --> 00:15:00.460
is the story of Arizona in a nutshell. It is.

00:15:00.639 --> 00:15:03.600
It's the story of how a rough, violent frontier

00:15:03.600 --> 00:15:06.679
transformed into a structured, modern society.

00:15:07.210 --> 00:15:09.549
And the newspaper was the diary of that entire

00:15:09.549 --> 00:15:11.690
life. You know, it makes me think we live in

00:15:11.690 --> 00:15:14.169
this age where news is instant. My phone buzzes

00:15:14.169 --> 00:15:16.090
and I know what happened five seconds ago on

00:15:16.090 --> 00:15:17.990
the other side of the world. And honestly, I

00:15:17.990 --> 00:15:20.029
swipe it away half the time. I take it for granted.

00:15:20.190 --> 00:15:22.389
We all do. It's low cost information. It's everywhere.

00:15:22.990 --> 00:15:25.590
Exactly. But when you look at the Arizona minor,

00:15:25.769 --> 00:15:29.629
the cost of that information was incredibly high.

00:15:29.950 --> 00:15:33.970
People risked their lives, literally died to

00:15:33.970 --> 00:15:36.700
get those words on a page. It raises a fascinating

00:15:36.700 --> 00:15:39.679
question about value. Does the ease of access

00:15:39.679 --> 00:15:43.179
devalue the information? When Emmett Bentley

00:15:43.179 --> 00:15:46.080
died to get the paper out, that paper meant something

00:15:46.080 --> 00:15:48.580
profound to the community. It was a lifeline.

00:15:48.879 --> 00:15:50.480
That is the thought I want to leave you with

00:15:50.480 --> 00:15:52.700
today. Next time you get a news alert and you're

00:15:52.700 --> 00:15:54.820
annoyed by the distraction, just take a second.

00:15:55.539 --> 00:15:57.440
Imagine the guy with the rifle strapped to his

00:15:57.440 --> 00:15:59.679
back or the editor dying in his office just so

00:15:59.679 --> 00:16:02.080
the community could know what was going on. Would

00:16:02.080 --> 00:16:04.620
we value our news differently if we remembered

00:16:04.620 --> 00:16:07.259
the price that used to be paid for it? It's certainly

00:16:07.259 --> 00:16:08.940
something to think about. Thanks for diving in

00:16:08.940 --> 00:16:09.840
with us. We'll see you next time.
