WEBVTT

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I have to admit, when I first saw the file for

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this, for this deep dive, I actually thought

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it was a typo. I can see why. I mean, we look

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at a lot of strange history, but statistically,

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this just shouldn't exist. You have a machine

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designed for one thing. To be infallible. Exactly.

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To end a life efficiently, and it fails not once.

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Not twice. But three times, all in the span of,

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what, 20 minutes? It sounds like an urban legend,

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doesn't it? I mean, if you wrote this in a movie

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script, the studio would send it back and say,

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come on, make it believable. Right, because in

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Victorian England, they didn't really do mistakes

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with this stuff. It was a science. It was a cold,

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calculated engineering process. The executioner

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we're going to talk about, James Berry, he thought

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of himself as a man of science. Right, he had

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formulas for the drop length and all that. Exactly,

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based on weight, height. So for the machine to

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just... blink three times. It goes beyond a simple

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malfunction. It becomes, you know, folklore.

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And that is exactly what we are unpacking today.

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We're doing a deep dive into the life and the

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just incredibly stubborn survival of John Henry

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George Lee. Better known as John Babacombe Lee.

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Or even better, the man they could not hang.

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It's a title that has stuck for, what, over a

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century now? But what I love about this story

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is that when you peel back the The miracle part

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of it, you find this amazing cross -section of

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Victorian justice, bad engineering, and a really

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surprising second act that most people just don't

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know about. Oh, that's the part I'm most excited

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to get to. The where are they now part of this

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story is just wild. It is. But before we get

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to the gallows, we have to talk about the man

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himself. Because usually when you hear a story

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like this, you kind of assume the person was

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innocent, right? That's the go -to narrative,

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isn't it? God saved him because he was innocent.

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Yeah. But the reality here is a lot. Much murkier.

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Much murkier. To get why he was there in the

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first place, we have to go back to 1884. We're

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in Babacombe Bay near Torquay. In Devon, right.

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Beautiful coastal area. Beautiful, quiet. And

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John Lee is a 20 -year -old footman working for

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an elderly woman named Emma Keys. And this wasn't

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exactly a happy household from what I've read.

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No, it was tense. Emma Keys was wealthy. She

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was religious, very strict. And Lee was. Well,

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Lee was a bit of a loose cannon. Okay. He'd been

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in the Royal Navy but was discharged. And he

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had a history of theft. He'd actually done time

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for stealing silverware from a previous employer.

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So he's already got a rap sheet. Not a good look.

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Not at all. And then on the morning of November

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15, 1884, the house is found on fire. And when

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the smoke clears? They find Emma Keyes. And it

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wasn't the fire that killed her. She'd been brutally

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murdered. Her throat was cut. She had head wounds.

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It was an incredibly violent attack. And the

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police probably didn't have to look too far for

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a suspect. They didn't look far at all. Lee was

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the only male in the house. In 1884, that alone

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was practically enough to close the case. But

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there was more, right? Oh, yeah. He had an unexplained

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cut on his arm. He claimed he got a breaking

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a window to get to the fire, but the glass was

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found outside the window, not inside. Ugh, the

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physics of broken glass. Always a giveaway. Always.

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And then there was motive. Kesey had recently

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cut his wages, which were already low. And she

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was threatening to fire him. So you have a disgruntled

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employee with a criminal record of violent temper

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opportunity. It's an open and shut case for a

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Victorian jury. But I have to ask, was there

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any hard evidence? I mean, no DNA, no fingerprints.

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It was entirely circumstantial. Nobody saw him

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do it. No murder weapon was ever. you know, forensically

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linked to him. If you tried that case today,

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a good defense lawyer might get reasonable doubt.

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But this was 1884. This was 1884. You're the

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help. The mistress is dead. You've got a cut

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on your arm. You're going down. He was convicted

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quickly. Okay. But I think you wanted to flag

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something here because it kind of changes how

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we view the whole miracle thing. Right. Yeah.

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This is really important. In 2021, the BBC has

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a show, Murder Mystery and My Family. Oh, I've

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seen that. They get modern barristers to re -examine

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old cases. That's the one. And they looked at

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all the original evidence for John Lee's case.

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Their conclusion. The verdict was safe. They

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believe he almost certainly did it. So just to

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be crystal clear for everyone listening, the

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man we are about to see saved by fate is, in

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all likelihood, a brutal murderer. That seems

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to be the uncomfortable reality, yeah. Which

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makes what happens next even more baffling. Completely.

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Okay, let's go to the day. February 23rd, 1885.

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Exeter Prison. The executioner is James Berry.

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He mentioned he was a pro. He was far from some

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hooded thug. James Berry was a celebrity in his

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own right. He wrote memoirs. He was a businessman.

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He prided himself on the quote unquote humane

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hand. He was meticulous. Incredibly. So he gets

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to Exeter Prison and he checks the equipment

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thoroughly. He tests the trap door with sandbags

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that weigh the same as Lee. Works perfectly.

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The doors swing open. The bags drop. He tests

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it again just to be sure. Perfect. So the stage

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is set. It's raining. It's cold. They bring Lee

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out. He's strapped. The white cap goes over his

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head. The noose is adjusted. Yeah. Barry pulls

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the lever. Nothing. The bolt draws back with

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a thud, but the doors don't fall. They're just

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stuck. Solid. Now, in a movie, this is where

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the crowd gasps and the governor steps in, but

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that's not what happened, is it? Not even close.

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It was just chaos. Yeah. The warders are confused.

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Lee is still standing there, hooded. Probably

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terrified out of his mind, they hustle him off

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the trap door. And then they start doing DIY

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on the gallows. You're kidding me. While he's

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watching. While he's standing a few feet away,

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Barry is furious. He's literally stomping on

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the doors trying to loosen them. You get an axe

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and a saw. A saw? Yes. They are planing down

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the edges of the wood, thinking maybe the damp

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weather made the timber swell up. That is a level

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of psychological torture I just can't process.

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You're listening to them saw the machine that's

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supposed to kill you. It's horrific. So they

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think they fixed it. They test it again without

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Lee on it. The doors fall open. Boom. Works fine.

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So they put him back on. They put him back on.

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Attempt number two. Barry pulls the lever. And

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stuck. Again? Again. The doors move maybe an

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inch and then just lock up tight. At this point,

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the tension must have been just unbearable. Oh,

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absolutely. The prison chaplain was apparently

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on the verge of fainting. The medical officer

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is getting visibly agitated. But the law is the

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law. The warrant says hang the man until dead.

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So they're going to try again. Believe it or

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not, they try a third time. Three times. And

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the same result. The trap door refuses to open

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when John Lee is standing on it. So what happens?

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Finally, the medical officer just steps in and

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says, stop. He refuses to let it continue. He

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effectively overrules everyone. They take a very

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much alive John Lee back to his cell. OK, we

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have to pause here and get into the how, because

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a trapdoor is not a complicated machine. It's

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just hinges and gravity. Right. Why did it work

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for the sandbags, but not for John Lee? This

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is where the official investigation comes in.

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The home office was, you know, deeply embarrassed

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by this. So they sent an architect to figure

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it out. And what did the architect find? It all

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comes down to the drawbar and the frame. See,

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the gallows had been moved from the prison infirmary

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to the coach house just for this hanging. And

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when they reassembled it, the frame was slightly

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twisted, just a little out of alignment. Like

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when you hang a door badly in your house and

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it sticks. Exactly that. It was subtle. So when

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the drawbar, the metal bolt holding the doors

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up, was pulled, the hinges were supposed to swing

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down. But because the frame was warped, The hinges

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were binding against the frame. But wait a minute.

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Why did the sandbags work? They weighed the same

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as Lee. That is the million -dollar question.

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And the best theory is about the difference between

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live weight and dead weight. Okay. A sandbag

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is just dead weight. It sits in the center of

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the trapdoor, a compact mass. John Lee was a

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person. He was standing, straddling the seam

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between the two doors. And he was probably rigid

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with terror. Tensing every single muscle. pushing

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back with his feet. The theory is that his specific

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stance, his rigid posture pushing outward toward

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the edges, created just enough extra friction

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against that warped frame to lock the whole mechanism.

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So his own fear, the act of him tensing up, might

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have physically saved his life. It's very likely.

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If he'd gone limp or fainted, the weight might

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have shifted to the center and the doors would

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have dropped. He literally stood his ground against

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gravity. That is... That's just wild. It's just

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physics, but it feels like something else entirely.

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It does. Now, I know there was another theory,

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the sabotage theory. That one sounds a lot more

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exciting. Oh, it's much more cinematic. This

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theory came from a writer named Ernest Bowen

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Rawlins. He claimed that another prisoner, one

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who helped to build the scaffold, secretly inserted

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a small wooden wedge into the mechanism. A wedge,

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like a doorstop. Basically, yeah. And the story

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goes that this prisoner would slip the wedge

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in. only when Lee was on the scaffold and then

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secretly pull it out when they were testing it.

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That sounds incredibly risky. I mean, Berry and

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the sheriff are standing right there. And that's

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why most historians reject it. James Berry was

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meticulous. The idea that someone could sneak

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a wedge in and out three separate times without

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being seen, it's highly, highly unlikely. It's

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a good story, though. It's a great story. But

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the boring truth is probably the right one. It

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was the banality of bad carpentry that saved

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him. So the execution is called off. Lee's back

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in his cell. What happens legally? Can't they

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just fix the gallows and try again the next day?

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Legally, they could have. The warrant was still

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valid. But you have to think about the Victorian

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mindset. They could be brutal, but they were

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also deeply superstitious and obsessed with public

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decency. And three failures in a row looks a

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lot like divine intervention. Exactly. The news

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spread like wildfire. The public was already

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saying it was the hand of God. It would have

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been a PR nightmare for the government to drag

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him out a fourth time. It would look like they

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were fighting God. So the home secretary has

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to step in. Sir William Harcourt, yes. He commutes

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the sentence to life imprisonment. He basically

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says, look, we tried to kill him. It didn't work.

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Let's just lock him up forever. And so Lee goes

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to prison for a long, long time. 22 years. He

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was a modern prisoner, apparently. And he keeps

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petitioning for his release, year after year,

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arguing he already paid for his crime on the

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scaffold. And eventually, they let him go. Finally,

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in 1907, the government gives in. They release

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him. Okay, and this is where the story usually

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ends, right? John Lee was released and faded

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into obscurity. But that's not what happened

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at all. Not even close. This is where the story

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gets its second wind. For decades, everyone thought

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he died poor in a workhouse in Tavistock during

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World War II. It was a neat, tragic ending. But

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that was wrong. Completely wrong. About 20 years

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ago, a couple of researchers, Holgate and Waugh,

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really started digging. And they found out John

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Lee didn't fade away. He went on tour. He did.

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He cashed in on his fame. He was the man they

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could not hang. He gave lectures, stood on stage,

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and told his story over and over. He made money.

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There was even a silent film made about him.

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Talk about monetizing your trauma. You said it.

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But then around 1911, he does disappear from

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the British records. And this is where the new

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research dropped the bombshell. He didn't die

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in a workhouse. He got on a boat. And where did

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he go? The United States. He didn't just visit.

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He settled. Let me guess. New York. Los Angeles.

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Milwaukee, Wisconsin. Get out of here. Milwaukee.

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Of all the places for a Victorian folk legend

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to end his days. He left his wife and kids behind

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in England, which is a whole other side to his

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character, and started a completely new life

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in the American Midwest under the name James

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Lee. Did anyone there know who he was? It seems

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like almost nobody knew. He worked for an automotive

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company, lived a quiet life. He was just this

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old British guy with a past he didn't talk about.

00:11:57.679 --> 00:11:59.580
This blows my mind. He's living in Milwaukee

00:11:59.580 --> 00:12:01.720
through the Roaring Twenties, the Great Depression,

00:12:02.080 --> 00:12:06.419
World War II. He lived until 1945. He was 80

00:12:06.419 --> 00:12:08.899
years old when he died. Think about that. He

00:12:08.899 --> 00:12:11.360
was born in the age of public hangs and he died

00:12:11.360 --> 00:12:13.000
in the age of the atomic bomb. And they actually

00:12:13.000 --> 00:12:16.179
found his grave. They did in 2009. He's buried

00:12:16.179 --> 00:12:18.340
in Forest Home Cemetery in Milwaukee, it's confirmed.

00:12:18.580 --> 00:12:20.559
Yeah. The man who was supposed to die at 20.

00:12:20.940 --> 00:12:23.539
lived another 60 years because a wooden frame

00:12:23.539 --> 00:12:26.860
was twisted by a few millimeters it really recontextualizes

00:12:26.860 --> 00:12:29.580
him he's not just a victim of fate he's a survivor

00:12:29.580 --> 00:12:32.460
and maybe a bit of a con man too leaving his

00:12:32.460 --> 00:12:35.539
family behind to start over it definitely complicates

00:12:35.539 --> 00:12:39.200
the simple folk hero narrative and yet popular

00:12:39.200 --> 00:12:42.539
culture still loves that narrative the band the

00:12:42.539 --> 00:12:45.159
men they couldn't hang, the Fairport Convention

00:12:45.159 --> 00:12:47.740
album, Babacombe Lee. We just love the story

00:12:47.740 --> 00:12:50.100
of the guy who beat the system. Even if the system

00:12:50.100 --> 00:12:52.220
was trying to punish him for a murder he likely

00:12:52.220 --> 00:12:54.519
committed. That's the tension, isn't it? If that

00:12:54.519 --> 00:12:56.700
trap door had opened, John Lee would just be

00:12:56.700 --> 00:12:59.600
a statistic, a name in a dusty ledger. Because

00:12:59.600 --> 00:13:02.340
it stuck, he became a legend. It really brings

00:13:02.340 --> 00:13:04.139
up an uncomfortable question, and it's what I

00:13:04.139 --> 00:13:05.980
want to leave our listeners with today. We've

00:13:05.980 --> 00:13:08.120
spent this whole time fascinated by his escape.

00:13:08.419 --> 00:13:10.820
We find ourselves rooting for him. Right. You

00:13:10.820 --> 00:13:14.429
want him to live. But why? If he really did kill

00:13:14.429 --> 00:13:16.250
Emma Keyes, and the evidence suggests he did,

00:13:16.470 --> 00:13:19.549
why does surviving the punishment somehow absolve

00:13:19.549 --> 00:13:22.110
the crime in our imagination? Why does a simple

00:13:22.110 --> 00:13:24.309
mechanical failure feel like a kind of redemption?

00:13:24.730 --> 00:13:27.470
That is the ultimate question. Is justice about

00:13:27.470 --> 00:13:30.789
the process or the outcome? And when the process

00:13:30.789 --> 00:13:33.549
fails so spectacularly, does the original crime

00:13:33.549 --> 00:13:35.809
even matter to us anymore? Something for you

00:13:35.809 --> 00:13:38.009
to think about next time you have a sticky door

00:13:38.009 --> 00:13:42.059
in your house. Just remember... That same simple

00:13:42.059 --> 00:13:45.700
physics saved a man's life. And sent him to Milwaukee.

00:13:45.740 --> 00:13:47.980
And sent him to Milwaukee. Thanks for diving

00:13:47.980 --> 00:13:50.220
deep with us today. Always a pleasure. We'll

00:13:50.220 --> 00:13:51.539
catch you on the next one. Stay curious.
