WEBVTT

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Okay, I want you to do something for me. Just,

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you know, close your eyes for a second. Let's

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do a little time travel. All right, I'm with

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you. Go back to a Friday night. Let's say it's

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1999, maybe 2002. You've had a long week. You're

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finally in the car, or maybe you're in the back

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seat of your parents' minivan, and you pull into

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that brightly lit strip mall. You walk through

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those double glass doors, and it just hits you

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instantly. The smell. The smell. Yes. It's that

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incredibly specific mix of, what is it, ozone

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from the Kiwis, carpet cleaner, stale popcorn.

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And the warm plastic from the VHS cases. The

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warm plastic, yes. It's a sensory trigger that

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I think is hardwired into the brain of pretty

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much anyone over the age of 30. It really is.

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It's almost Pavlovian. You smell that and your

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brain immediately signals, okay, work is over.

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The weekend has officially started. Exactly.

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And then you have the whole ritual. You rush

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to the new releases wall, scanning for that one

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copy of the Matrix or Titanic that isn't behind

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one of those little rented out signs. Right.

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And you're elbowing other families out of the

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way to get to it. You are. Maybe you grab a box

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of snow caps or raisinets at the counter. I mean,

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for a solid two decades, that blue and yellow

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ticket stub. That was the absolute center of

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the entertainment universe. It was complete cultural

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dominance. Absolute, unquestioned dominance.

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But if you open your eyes and you look at the

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world today, that entire empire has just evaporated.

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It's gone. I mean, we are talking about a company

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that at its absolute peak, this is in 2004, had

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9 ,094 stores. Globally. 9 ,000. They employed

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84 ,300 people. 84 ,000 people. That's bigger

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than the entire population of Santa Fe, New Mexico,

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just working for a video store. Exactly. And

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today, what's left of all that? There is exactly

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one franchise store left on the entire planet.

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Just one. In Bend, Oregon. From over 9 ,000 to

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one. That is... It's honestly hard to even comprehend

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that level of collapse. And that's really what

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we are unpacking today, because the easy narrative,

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the one everyone, you know, repeats at dinner

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parties is, oh, Netflix came along, streaming

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happened, and Blockbuster was just this big dinosaur

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that was too slow to notice. Right. The classic

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technology killed the beast story. And while

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technology obviously played a massive role, that

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is such an oversimplification. It actually misses

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all the most interesting, the most dramatic parts

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of the story. I have a feeling you're going to

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tell us that Blockbuster was actually way more

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high tech than any of us give them credit for.

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They were. This isn't just a story about streaming

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versus physical media. This is a story about.

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incredible corporate hubris it's a story about

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internal civil wars that literally tore the company's

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leadership apart and it's a story about specific

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agonizingly painful missed opportunities that

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had almost nothing to do with bandwidth and everything

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to do with vision okay so we're gonna dig into

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that yeah we are we're gonna look at the corporate

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history the financial filings the leadership

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struggles that turned a multi -billion dollar

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juggernaut into well a single tourist attraction

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in Oregon I am so ready to dive in but before

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we get to the fall we have to talk about the

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rise because i think most people myself included

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probably assume blockbuster was started by some

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movie buffs who just you know loved cinema and

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that is the very first misconception we need

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to just clear out of the way the origin of blockbuster

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has almost nothing to do with movies it has everything

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to do with oil and gas databases oil okay you

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have to explain that connection that makes no

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sense So we have to talk about the founder, a

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man named David Cook. And he was not a Hollywood

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guy. He wasn't a film school grad. In 1978, he

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founded a company called Cook Data Services.

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Cook Data Services. And his business was supplying

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software and database management services to

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the oil and gas industries in Texas. He was a

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data guy, a mainframe guy. He thought in terms

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of efficiency and scale. So how on earth do you

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go from drilling for oil? to renting out VHS

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tapes. Well, to put it simply, his oil software

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business tanked. It wasn't successful. But his

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wife, Sandy Cook, was actually the one who suggested

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the video business. She saw the potential there.

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So David Cook, being a data guy, takes a look

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at the video rental industry in the early 80s.

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And what does he see? I'm guessing. Just a lot

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of mom and pop stores with like index cards and

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really chaotic shelves. Precisely. It was a completely

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fragmented, totally inefficient mess. The stores

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were small, the selection was limited, and everything

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was tracked by hand. Cook realized he could apply

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his background in managing these massive databases

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to the problem of video rental. So he didn't

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see movies. He saw inventory units. He saw SKUs.

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He saw inventory units that needed to be tracked

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efficiently across a large network. He basically

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saw it as a logistics problem, not a cinema problem.

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So Blockbuster was a big data company disguised

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as a video store. Right from the very beginning.

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That is the perfect way to put it. While the

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local store down the street was using a shoebox

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full of handwritten index cards, Blockbuster

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was using mainframes and barcodes from day one.

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This was absolutely revolutionary for that industry.

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And that's what allowed them to scale up so massively.

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It's the only thing that made it possible. The

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very first store, which opened in Dallas on October

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19, 1985, had 8 ,000 VHS tapes and 2 ,000 beta

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tapes. That way, 10 ,000 tapes. Yeah. In a single

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store. In 1985. 10 ,000 tapes. That must have

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just completely blown the competition out of

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the water. My local store had maybe 500 on a

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good day. It did. And here's a fun little design

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note for you. Cook actually tried to join an

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existing franchise first, a company called Video

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Works, but he left because they wouldn't let

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him use his own interior design scheme. No way.

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Let me guess. The blue and yellow. The blue and

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yellow. He had this vision for the branding,

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the torn ticket stub logo, everything. They said

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no. So he went out on his own. That's wild. It's

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just wild to think that a video works had just

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said, sure, David, you can paint the walls blue.

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Blockbuster, as we know, it might never have

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existed. History turns on these tiny little moments.

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But Cook was really just the spark, the rocket

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fuel that came from somewhere else or rather

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someone else. A man named Wayne Huizenga. I know

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that name. He's the waste management guy. Right.

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The garbage empire. He is. He was a co -founder

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of Waste Management. An associate of his, John

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Milk, happened to see one of Cook's early blockbuster

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stores and was just floored by the efficiency

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of the model. He saw the barcodes, the computers,

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and he brought Huizenga in. So now we have an

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oil data guy and a garbage mogul running a movie

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business. It sounds like the setup for a bad

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joke, but it was a lethal combination for business.

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Huizenga didn't know a thing about movies, but

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he knew logistics on a massive scale. And he

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knew the Ray Kroc model. The McDonald's model.

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The McDonald's model of aggressive, systematized

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expansion. He brought that industrial scale thinking

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to video rental. They set a goal to open a new

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store every 24 hours. Every single day. That's

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insane. That's not just aggressive. That's a

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conquest. It was a blitzkrieg. They just rolled

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across the country. They bought up regional rivals

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like Major Video, Aeros, Sound Warehouse. They

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didn't compete. They just consumed the market.

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And at the same time, they were making a very

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specific branding choice that set them apart.

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Yes. They decided to be family friendly. Right.

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No adult section. Exactly. No adult films. Now,

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you have to remember, a lot of independent stores

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made a significant chunk of their revenue from

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that back room, you know, behind the beaded curtain.

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True. Blockbuster refused to stock it. And that

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decision made them safer the suburbs. Parents

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felt comfortable dropping their kids off there

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on a Saturday afternoon. It was a brilliant marketing

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move. It was the complete Disneyfication of the

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video store. It was. But they also faced threats.

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Believe it or not, in 1989, Nintendo actually

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tried to sue to stop video game rentals. Really?

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Yes. They lobbied Congress to ban game rentals

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outright, arguing it was piracy and would kill

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game sales. Wow. I remember renting Nintendo

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games at Blockbuster all the time. That was huge.

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If Nintendo had won that lawsuit, it would have

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wiped out a massive revenue stream for them.

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A huge one. But Blockbuster fought it in court

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and they won. And that victory basically paved

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the way for game rentals to become a central

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pillar of their business for years. OK, so by

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the early 90s, they're just this unstoppable

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force. Completely. But here is where the first

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kind of genius moment of foresight comes in.

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Wayne Huizinga sells the company. He gets out

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at the top. He sells to Viacom in 1994 for $8

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.4 billion. $8 .4 billion? That's a great exit.

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But why did he sell? Did he just want to cash

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out? This is the really fascinating part. Our

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sources indicate that Huizenga actually foresaw

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the threat. Even back in the early 90s, he was

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worried about the rise of cable TV and specifically

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video on demand. No way. In the early 90s. He

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looked at the future, saw that technology might

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eventually make the physical tape obsolete. And

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he admitted he didn't know how to solve that

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future tech problem. So he sold at the absolute

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perfect peak of the market. Wow. So the guy who

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scaled it up essentially predicted the crash

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20 years before it happened and walked away with

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billions. That is honestly, that's some pretty

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savvy business. It is incredible foresight. So

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Viacom buys them. They needed Blockbuster's massive

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cash flow to help finance a bid for Paramount.

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And under Viacom's ownership, we enter the second

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phase, the era of the economic engine. This is

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where the business model shifted again thanks

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to Sumner Redstone at Viacom. Okay, let's unpack

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the money side of this. Because renting a movie

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for three or four bucks, it doesn't seem like

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a way to build a multi -billion dollar empire

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unless you have some kind of trick up your sleeve.

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The trick was something called revenue sharing.

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See, the old model is actually pretty painful

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for a video store. The pre -blockbuster model.

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A store had to buy a VHS tape from the studio.

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A copy of a new hit movie might cost that store

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$65, maybe even more. $65 for one tape. So you

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had to rent it out. What, 20 times just to break

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even on that one copy? Exactly. And that is why

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your local mom and pop store only had maybe five

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copies of a big new release. They just couldn't

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afford to buy 50 copies at $65 a pop. Okay, so

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how did Viacom change that? They used their Hollywood

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clout to broker a new kind of deal. Blockbuster

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would get the tapes from the studios for a very,

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very low upfront cost, sometimes just a few dollars,

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almost nothing. But in exchange, they would give

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the movie studio a cut of every rental fee, usually

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around 40%. Oh, I see. So the studio becomes

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a partner in the rental business. They're betting

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on volume. Correct. And because that upfront

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cost was so low for Blockbuster, they could afford

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to just flood the shelves. They could stock 200

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copies of Titanic. They launched that huge guaranteed

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in stock campaign. I remember that. If they didn't

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have the new release you wanted, you get a free

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rental coupon or something. Right. And this was

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the move that absolutely crushed the remaining

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competition. The little independent stores couldn't

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get these deals. They were still paying full

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price for tapes while Blockbuster was getting

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them by the truckload for pennies up front. It

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was game over. This also had to have changed

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how we browsed for movies, right? Yeah. I feel

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like the store layout itself started to shift

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around this time. It did, absolutely. The entire

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store was redesigned to funnel you like a salmon

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swimming upstream directly to the new release

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wall. That's where the money was. It wasn't about

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discovering some obscure 70s classic in the back

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corner. No, it was about homogenizing film taste.

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It was about watching what everyone else was

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watching because that's what Blockbuster had

00:11:40.240 --> 00:11:43.299
500 poppies of. It created the Blockbuster culture,

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not just as a store, but as a media consumption

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habit. And it clearly worked. From a financial

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perspective. It worked like a charm. So by 2004,

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they reached their absolute peak. They spin off

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from Viacom. They're an independent public company

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again. Over 9000 stores. Billions in revenue.

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They look completely and totally invincible.

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But 2004, I mean, that's right around when the

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first cracks start to show, right? Yeah, okay.

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Because we have to talk about the what -ifs,

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the massive missed opportunities. And there's

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one big, red, streaming -sized elephant in the

00:12:16.799 --> 00:12:19.200
room. The Netflix refusal. The big one. The year

00:12:19.200 --> 00:12:22.519
is 2000. Netflix is a tiny, fledgling startup.

00:12:22.600 --> 00:12:25.519
They're just doing DVD by mail. Reed Hastings,

00:12:25.600 --> 00:12:27.960
the founder of Netflix, flies to Dallas to meet

00:12:27.960 --> 00:12:30.080
with Blockbuster's leadership team. He makes

00:12:30.080 --> 00:12:32.320
them an offer. What's the offer? He proposes

00:12:32.320 --> 00:12:35.620
selling Netflix to Blockbuster for $50 million.

00:12:36.539 --> 00:12:42.080
$50 million for Netflix. I mean, Blockbuster

00:12:42.080 --> 00:12:43.820
probably spent more than that on their blue and

00:12:43.820 --> 00:12:47.320
yellow carpet in a year. Probably. And the Blockbuster

00:12:47.320 --> 00:12:49.299
executives, according to Hastings, basically

00:12:49.299 --> 00:12:51.220
laughed them out of the room. They just laughed

00:12:51.220 --> 00:12:53.120
at him. They didn't see the value. They thought

00:12:53.120 --> 00:12:55.779
it was a tiny niche business. Their thinking

00:12:55.779 --> 00:12:58.799
was. People want to go to the store. They want

00:12:58.799 --> 00:13:01.100
the instant gratification of grabbing a movie

00:13:01.100 --> 00:13:03.240
and watching it tonight. They don't want to wait

00:13:03.240 --> 00:13:05.759
three days for a DVD to show up in the mail.

00:13:05.960 --> 00:13:09.139
Okay, to be fair, in the year 2000, internet

00:13:09.139 --> 00:13:11.500
speeds were garbage, and waiting for the mail

00:13:11.500 --> 00:13:14.440
was kind of annoying. But still, looking back,

00:13:14.679 --> 00:13:18.360
ouch. It is the ultimate ouch moment in modern

00:13:18.360 --> 00:13:20.779
business history. But I want to bring up a different

00:13:20.779 --> 00:13:23.200
missed opportunity, one that people rarely talk

00:13:23.200 --> 00:13:25.679
about. And this one actually proves that Blockbuster

00:13:25.679 --> 00:13:28.720
wasn't just ignoring the future. OK, I'm intrigued.

00:13:29.019 --> 00:13:32.139
Have you ever heard of the Enron deal? Enron,

00:13:32.259 --> 00:13:36.019
as in the massive accounting fraud, spectacular

00:13:36.019 --> 00:13:38.879
collapse of the energy sector. Enron, the very

00:13:38.879 --> 00:13:42.009
same. But before they imploded in the late 90s

00:13:42.009 --> 00:13:45.009
and early 2000s, Enron was investing billions

00:13:45.009 --> 00:13:47.590
of dollars in building out a broadband and fiber

00:13:47.590 --> 00:13:50.169
optics network. Right. I remember that. In 2000

00:13:50.169 --> 00:13:53.769
and 2001, Blockbuster signed a 20 year exclusive

00:13:53.769 --> 00:13:57.350
deal with Enron to create a video on demand service.

00:13:57.669 --> 00:14:01.330
Wait, what? In 2000? That's years. Before YouTube

00:14:01.330 --> 00:14:03.549
even existed. That's way before Netflix started

00:14:03.549 --> 00:14:06.149
streaming. Years before. The plan was to stream

00:14:06.149 --> 00:14:08.409
movies directly over Enron's high -speed fiber

00:14:08.409 --> 00:14:11.370
optic cables right into people's homes. Blockbuster

00:14:11.370 --> 00:14:13.649
did see the digital future coming. They absolutely

00:14:13.649 --> 00:14:16.129
knew physical media wouldn't last forever. So

00:14:16.129 --> 00:14:18.250
what happened? Why didn't we all have Blockbuster

00:14:18.250 --> 00:14:21.639
On Demand boxes next to our TVs in 2002? Two

00:14:21.639 --> 00:14:24.100
big reasons. First, Enron had the pipes, but

00:14:24.100 --> 00:14:26.360
Blockbuster really struggled to get the digital

00:14:26.360 --> 00:14:28.799
rights from the movie studios. The studios were

00:14:28.799 --> 00:14:30.860
terrified of digital distribution back then.

00:14:30.899 --> 00:14:32.799
They thought it would just lead to a piracy nightmare.

00:14:33.100 --> 00:14:34.700
And the second reason? Well, the second reason,

00:14:34.779 --> 00:14:38.840
it was Enron. Right. Their partner famously imploded

00:14:38.840 --> 00:14:41.399
in a massive corporate scandal. The whole deal

00:14:41.399 --> 00:14:43.879
collapsed. Enron went bankrupt just a short time

00:14:43.879 --> 00:14:46.559
later, and Blockbuster's early shot at streaming

00:14:46.559 --> 00:14:49.000
just vanished. But it shows that the narrative

00:14:49.000 --> 00:14:51.639
of... Blockbuster was clueless and didn't know

00:14:51.639 --> 00:14:53.940
streaming was coming is just false. They tried.

00:14:54.139 --> 00:14:55.980
They just bet on the wrong partner and arguably

00:14:55.980 --> 00:14:58.679
the wrong technology closed fiber optic cables

00:14:58.679 --> 00:15:01.100
instead of the open Internet. That is fascinating.

00:15:01.340 --> 00:15:03.639
So it wasn't blindness. It was just. Really,

00:15:03.700 --> 00:15:06.480
really bad execution and bad luck. Exactly. And

00:15:06.480 --> 00:15:09.299
that theme, bad execution and crippling internal

00:15:09.299 --> 00:15:12.460
conflict, that brings us to the real cause of

00:15:12.460 --> 00:15:15.000
death. Because the fatal blow didn't come from

00:15:15.000 --> 00:15:17.480
Netflix on the outside. It came from a civil

00:15:17.480 --> 00:15:19.960
war on the inside. This is the part of the story

00:15:19.960 --> 00:15:21.539
I really didn't know much about. So who were

00:15:21.539 --> 00:15:24.529
the combatants in this internal civil war? In

00:15:24.529 --> 00:15:26.970
one corner, you have John Antioco. He became

00:15:26.970 --> 00:15:29.870
the CEO in 1997. He's a sharp retail guy, came

00:15:29.870 --> 00:15:31.850
from Taco Bell and PepsiCo. He understood the

00:15:31.850 --> 00:15:33.970
customer. And in the other corner, you have the

00:15:33.970 --> 00:15:37.929
activist investor, the legendary Carl Iken. Iken

00:15:37.929 --> 00:15:39.929
is a huge name, a corporate raider type, right?

00:15:40.049 --> 00:15:42.809
He's known for being, let's say, aggressive.

00:15:43.330 --> 00:15:45.590
He gets a position on a company's board, and

00:15:45.590 --> 00:15:47.970
he pushes for changes that maximize shareholder

00:15:47.970 --> 00:15:50.750
value, and he wants it now. Okay, so set the

00:15:50.750 --> 00:15:53.659
scene for me. It's 2005. The company is now public

00:15:53.659 --> 00:15:56.980
again. Antioco knows the business is in trouble.

00:15:57.159 --> 00:15:59.840
He identifies two huge problems that are killing

00:15:59.840 --> 00:16:02.740
them. One. Customers absolutely hate late fees.

00:16:02.940 --> 00:16:06.720
Two, Netflix, with its subscription model, is

00:16:06.720 --> 00:16:08.879
starting to really steal their customers. The

00:16:08.879 --> 00:16:11.299
late fees were the absolute worst. I'm pretty

00:16:11.299 --> 00:16:14.019
sure I still owe them money. I remember racking

00:16:14.019 --> 00:16:17.379
up like $40 in late fees for one movie and just

00:16:17.379 --> 00:16:19.440
being too embarrassed to ever go back to that

00:16:19.440 --> 00:16:21.320
store again. And you weren't alone. It was the

00:16:21.320 --> 00:16:23.799
number one customer complaint by a huge margin.

00:16:24.360 --> 00:16:27.100
So Antieco makes a bold move. He launches the

00:16:27.100 --> 00:16:29.399
No Late Fees campaign. Which sounded amazing.

00:16:29.460 --> 00:16:31.500
It was a great headline. It sounded great, but...

00:16:31.799 --> 00:16:34.399
And here's the classic blockbuster problem. There

00:16:34.399 --> 00:16:37.259
was some very tricky fine print. It wasn't really

00:16:37.259 --> 00:16:40.039
no fees. If you kept the movie for more than

00:16:40.039 --> 00:16:43.159
eight days past its due date, the system automatically

00:16:43.159 --> 00:16:45.720
converted the rental into a sale and it charged

00:16:45.720 --> 00:16:47.879
you the full retail price of the movie. What?

00:16:47.980 --> 00:16:50.500
So I rent a movie for $4, keep it a week and

00:16:50.500 --> 00:16:52.500
a half too long, and suddenly I bought it for

00:16:52.500 --> 00:16:54.759
$25. That's exactly what happened. And if you

00:16:54.759 --> 00:16:56.460
returned it after that, they would refund you

00:16:56.460 --> 00:16:59.220
the price, but they'd subtract a hefty restocking

00:16:59.220 --> 00:17:02.220
fee. That feels... That feels really deceptive.

00:17:02.220 --> 00:17:06.319
It felt so deceptive that 48 states sued Blockbuster

00:17:06.319 --> 00:17:09.099
for false advertising. 48. They had to pay millions

00:17:09.099 --> 00:17:11.259
in settlements and issue a flood of coupons.

00:17:11.279 --> 00:17:14.500
It was a PR disaster. But, and this is the weird

00:17:14.500 --> 00:17:17.160
part, it actually started to bring some customers

00:17:17.160 --> 00:17:19.940
back. People liked the idea of no late fees,

00:17:20.160 --> 00:17:23.579
even if the execution was flawed. Okay, so Antioco

00:17:23.579 --> 00:17:27.279
is trying, maybe clumsily, to fix the customer

00:17:27.279 --> 00:17:29.319
relationship. What about the Netflix problem?

00:17:29.640 --> 00:17:31.759
This is where Anciogo actually gets brilliant.

00:17:31.980 --> 00:17:34.940
In 2007, he launches a program called Blockbuster

00:17:34.940 --> 00:17:38.200
Total Access. This was the hybrid model that

00:17:38.200 --> 00:17:40.380
Netflix could not touch. Tell me how it worked.

00:17:40.660 --> 00:17:43.000
So, you subscribe to Blockbuster Online, you

00:17:43.000 --> 00:17:45.160
pay a monthly fee, just like Netflix, you get

00:17:45.160 --> 00:17:47.400
your DVDs in the mail, but, and this was the

00:17:47.400 --> 00:17:49.980
killer feature, when you're done watching a movie,

00:17:50.180 --> 00:17:53.720
you can take that DVD from the mailer to any

00:17:53.720 --> 00:17:56.039
physical Blockbuster store, drop it on the counter,

00:17:56.200 --> 00:17:58.839
and you get a free in -store rental. Right there

00:17:58.839 --> 00:18:01.299
on the spot. Oh, that is good. That is really

00:18:01.299 --> 00:18:03.819
good. Because the most annoying part of Netflix

00:18:03.819 --> 00:18:06.500
back then was the turnaround time. You had to

00:18:06.500 --> 00:18:08.680
mail it back and wait two or three days for the

00:18:08.680 --> 00:18:11.200
next one to arrive. This gave you instant gratification.

00:18:11.500 --> 00:18:14.519
It perfectly combined their new online business

00:18:14.519 --> 00:18:17.559
with their biggest asset, their 9 ,000 physical

00:18:17.559 --> 00:18:20.019
stores. It was something Netflix couldn't compete

00:18:20.019 --> 00:18:22.880
with. And it worked. How well did it work? They

00:18:22.880 --> 00:18:25.099
started gaining subscribers like crazy. They

00:18:25.099 --> 00:18:27.440
were adding them faster than Netflix was. Reed

00:18:27.440 --> 00:18:29.980
Hastings, the Netflix CEO, was reportedly terrified.

00:18:30.359 --> 00:18:33.559
He even approached Antioco again to propose a

00:18:33.559 --> 00:18:36.700
partnership or a merger because he felt so threatened

00:18:36.700 --> 00:18:39.440
by total access. They were winning. They finally

00:18:39.440 --> 00:18:41.099
figured it out. They had Netflix on the ropes.

00:18:41.299 --> 00:18:43.819
They were winning the war for customers. But

00:18:43.819 --> 00:18:45.460
they were losing the war for the balance sheet.

00:18:45.579 --> 00:18:47.839
And this is where Carl Icahn enters the ring

00:18:47.839 --> 00:18:50.730
with his boxing gloves on. Let me guess. This

00:18:50.730 --> 00:18:53.890
whole free in -store rental thing was very, very

00:18:53.890 --> 00:18:56.529
expensive. It was incredibly expensive. Every

00:18:56.529 --> 00:18:58.450
time a customer swapped a movie in -store for

00:18:58.450 --> 00:19:01.869
free, it cost Blockbuster about $2 in lost revenue.

00:19:02.170 --> 00:19:04.650
They were losing millions of dollars, betting

00:19:04.650 --> 00:19:07.109
that they could crush Netflix first and then

00:19:07.109 --> 00:19:09.849
raise prices later. It's a classic tech startup

00:19:09.849 --> 00:19:12.910
strategy, right? Burn cash to acquire users and

00:19:12.910 --> 00:19:16.049
build a moat. It is. But Blockbuster wasn't a

00:19:16.049 --> 00:19:18.569
Silicon Valley startup. They were a publicly

00:19:18.569 --> 00:19:21.549
traded retail company with shareholders who demanded

00:19:21.549 --> 00:19:24.289
quarterly profits. And one of those shareholders

00:19:24.289 --> 00:19:26.710
was Carl Eichen. And he didn't like the cash

00:19:26.710 --> 00:19:29.089
burn. He looked at the numbers and said, you

00:19:29.089 --> 00:19:32.230
are setting money on fire. He argued that the

00:19:32.230 --> 00:19:34.470
company was bleeding to death. He wanted to kill

00:19:34.470 --> 00:19:37.410
total access, cut costs, focus on profitability

00:19:37.410 --> 00:19:40.069
in the stores and pay out dividends to shareholders.

00:19:40.450 --> 00:19:43.940
He waged a very public, very nasty. proxy war

00:19:43.940 --> 00:19:46.440
against Antioco. And who won that fight? Aiken

00:19:46.440 --> 00:19:49.660
won. In 2007, he got his allies on the board

00:19:49.660 --> 00:19:53.220
and he successfully pushed Antioco out. Antioco

00:19:53.220 --> 00:19:55.519
left with a massive severance package, but he

00:19:55.519 --> 00:19:58.579
was gone. And Aiken brought in a new CEO to execute

00:19:58.579 --> 00:20:01.380
his vision, a man named James Keyes. And what

00:20:01.380 --> 00:20:03.420
was Keyes' background? Was he a tech visionary?

00:20:04.250 --> 00:20:07.309
A media expert? He was the former CEO of 7 -Eleven.

00:20:07.390 --> 00:20:09.210
A convenience store guy. A convenience store

00:20:09.210 --> 00:20:11.329
guy. And his strategy reflected that background

00:20:11.329 --> 00:20:14.190
perfectly. He immediately rolled back total access.

00:20:14.509 --> 00:20:16.970
He raised the prices for the online rentals.

00:20:17.009 --> 00:20:19.710
He effectively killed the one program that was

00:20:19.710 --> 00:20:21.609
actually beating Netflix. But what did he focus

00:20:21.609 --> 00:20:24.230
on instead? He wanted to double down on the physical

00:20:24.230 --> 00:20:26.450
retail experience. He wanted to sell more popcorn,

00:20:26.670 --> 00:20:29.230
more candy, more merchandise. He wanted to make

00:20:29.230 --> 00:20:31.990
the stores entertainment destinations. He famously

00:20:31.990 --> 00:20:34.410
downplayed the threat from Netflix, saying that

00:20:34.410 --> 00:20:36.890
Blockbuster's real competitors were Apple and

00:20:36.890 --> 00:20:39.539
Walmart. So right at the exact moment when the

00:20:39.539 --> 00:20:41.900
entire world was pivoting to digital and streaming,

00:20:42.119 --> 00:20:44.359
they brought in a guy to focus on selling more

00:20:44.359 --> 00:20:47.079
Slurpees and DVDs. That is the tragedy of this

00:20:47.079 --> 00:20:49.880
whole story. This is the specific moment Blockbuster

00:20:49.880 --> 00:20:52.779
died. It wasn't in 2010 when they finally filed

00:20:52.779 --> 00:20:55.920
for bankruptcy. It was right there in 2007 when

00:20:55.920 --> 00:20:59.519
the board, led by Aiken, chose short -term quarterly

00:20:59.519 --> 00:21:01.779
profit over the long -term survival strategy

00:21:01.779 --> 00:21:05.359
that was actually working. That is just... It's

00:21:05.359 --> 00:21:07.200
heartbreaking. Yeah. It's like watching a car

00:21:07.200 --> 00:21:09.220
crash in slow motion where the driver actually

00:21:09.220 --> 00:21:11.559
have a map to safety, but the passenger grabs

00:21:11.559 --> 00:21:13.359
the steering wheel and drives them straight off

00:21:13.359 --> 00:21:14.960
a cliff because it's a shorter route. That is

00:21:14.960 --> 00:21:18.720
a very, very apt analogy. And after that, it

00:21:18.720 --> 00:21:21.640
was just a death spiral. In 2008, in a move that

00:21:21.640 --> 00:21:24.180
I can only describe as pure desperation, Blockbuster

00:21:24.180 --> 00:21:27.200
tried to buy Circuit City. Circuit City, the

00:21:27.200 --> 00:21:29.349
electronics store that was also... Very publicly

00:21:29.349 --> 00:21:31.789
going out of business at the time. Yes. Analysts

00:21:31.789 --> 00:21:34.609
at the time called it two drowning swimmers trying

00:21:34.609 --> 00:21:36.930
to save each other by grabbing onto one another.

00:21:37.109 --> 00:21:39.210
That paints a very vivid picture. The bid was

00:21:39.210 --> 00:21:41.650
eventually withdrawn, but it just showed a complete

00:21:41.650 --> 00:21:44.730
lack of vision. They were trying to build a bigger

00:21:44.730 --> 00:21:47.650
retail fortress just as the entire concept of

00:21:47.650 --> 00:21:51.029
physical retail was crumbling. By 2010, the debt

00:21:51.029 --> 00:21:53.940
was just... insurmountable they owed nearly a

00:21:53.940 --> 00:21:57.720
billion dollars they filed for chapter 11 bankruptcy

00:21:57.720 --> 00:22:01.359
in september 2010 and that's when the vultures

00:22:01.359 --> 00:22:03.940
started circling the carcass well one big vulture

00:22:03.940 --> 00:22:07.079
swooped in dish network they bought the company

00:22:07.079 --> 00:22:10.420
out of bankruptcy in 2011 for about 320 million

00:22:10.420 --> 00:22:13.670
dollars which is just It's pennies on the dollar

00:22:13.670 --> 00:22:17.109
compared to that $8 .4 billion valuation back

00:22:17.109 --> 00:22:19.690
in the 90s. It's a rounding error. And Dish had

00:22:19.690 --> 00:22:22.170
a plan, at least theoretically. They wanted to

00:22:22.170 --> 00:22:24.289
use the Blockbuster brand for their own streaming

00:22:24.289 --> 00:22:26.609
service, which they called Blockbuster MoviePass,

00:22:26.869 --> 00:22:29.700
to compete with Netflix. Did it work? Not at

00:22:29.700 --> 00:22:31.660
all. They never really committed to it. It gained

00:22:31.660 --> 00:22:33.720
no traction. And they were also very interested

00:22:33.720 --> 00:22:35.980
in the company for its wireless spectrum rights.

00:22:36.220 --> 00:22:39.599
By early 2014, Dish announced it was closing

00:22:39.599 --> 00:22:41.880
all of the remaining corporate owned stores.

00:22:41.980 --> 00:22:44.720
And that just left the franchisees, the independent

00:22:44.720 --> 00:22:49.059
owners. Yes. The corporate entity was dead. But

00:22:49.059 --> 00:22:52.160
the brand itself lived on in these small pockets

00:22:52.160 --> 00:22:54.700
where local owners were trying to keep the lights

00:22:54.700 --> 00:22:57.869
on one rental at a time. Before we get to the

00:22:57.869 --> 00:22:59.849
very last one standing, I want to talk about

00:22:59.849 --> 00:23:02.589
some of the weird tangents in Blockbuster's history.

00:23:02.849 --> 00:23:04.630
Because looking through the source material,

00:23:04.950 --> 00:23:07.410
they tried some really wild stuff. They weren't

00:23:07.410 --> 00:23:09.349
just in the U .S., right? They were global. Oh,

00:23:09.369 --> 00:23:12.910
they were a global empire. But their very American,

00:23:12.990 --> 00:23:16.789
family -friendly model didn't always translate

00:23:16.789 --> 00:23:18.970
well. Take Japan, for instance. What was the

00:23:18.970 --> 00:23:21.440
issue there? A couple of things. First, Japanese

00:23:21.440 --> 00:23:23.839
homes are generally much smaller than American

00:23:23.839 --> 00:23:25.839
suburban homes. They just didn't have the space

00:23:25.839 --> 00:23:28.880
for the massive superstore footprint that Blockbuster's

00:23:28.880 --> 00:23:31.400
model demanded. But the bigger issue was cultural.

00:23:31.599 --> 00:23:34.480
Okay. In Japan, adult entertainment pornography

00:23:34.480 --> 00:23:37.880
accounted for about 35 % of the entire video

00:23:37.880 --> 00:23:40.500
rental market. It was a huge piece of the business.

00:23:40.700 --> 00:23:42.900
And Blockbuster, with its family -friendly policy,

00:23:43.119 --> 00:23:46.240
wouldn't stock it. They flat out refused. So

00:23:46.240 --> 00:23:48.420
they were entering this massive market with one

00:23:48.420 --> 00:23:51.519
hand tied behind their back. Their local competitors

00:23:51.519 --> 00:23:53.720
just stocked everything the customers wanted

00:23:53.720 --> 00:23:56.339
and completely crushed them. Blockbuster had

00:23:56.339 --> 00:23:59.420
to exit Japan in 1999. That makes sense. You

00:23:59.420 --> 00:24:02.059
can't impose your corporate morality on a market

00:24:02.059 --> 00:24:04.099
that clearly wants something else. What about

00:24:04.099 --> 00:24:06.259
the U .K.? I feel like Blockbuster was huge there

00:24:06.259 --> 00:24:08.359
for a while. It was massive in the U .K. They

00:24:08.359 --> 00:24:10.859
bought a big chain called Sidovision, which was

00:24:10.859 --> 00:24:13.480
branded as Ritz, and they dominated the high

00:24:13.480 --> 00:24:15.910
street. But ultimately, they suffered the exact

00:24:15.910 --> 00:24:19.089
same fate as the U .S. branch. They entered administration,

00:24:19.369 --> 00:24:21.809
which is the U .K. version of bankruptcy, twice

00:24:21.809 --> 00:24:25.150
in 2013 before finally disappearing. Okay, here's

00:24:25.150 --> 00:24:27.170
one I saw that I had no idea about. Discovery

00:24:27.170 --> 00:24:30.910
Zone. Ah, yes. Discovery Zone. The indoor playground

00:24:30.910 --> 00:24:32.890
with the tubes and the ball pits and the constant

00:24:32.890 --> 00:24:35.180
smell of disinfectant. Blockbuster owned that.

00:24:35.259 --> 00:24:38.259
In the mid -90s, yes. They invested heavily and

00:24:38.259 --> 00:24:40.299
eventually took control. It was part of this

00:24:40.299 --> 00:24:42.740
grand vision they had to be an entertainment

00:24:42.740 --> 00:24:45.319
complex company, not just a video rental company.

00:24:45.539 --> 00:24:47.779
I had no idea. I just remember getting serious

00:24:47.779 --> 00:24:50.500
rug burn on those slides. It was another attempt

00:24:50.500 --> 00:24:52.859
to diversify that just burned through cash and

00:24:52.859 --> 00:24:55.420
ultimately failed. Discovery Zone went bankrupt

00:24:55.420 --> 00:24:58.849
in 1996. But if you think that's weird, let me

00:24:58.849 --> 00:25:01.029
tell you about the Blockbuster Block Party. The

00:25:01.029 --> 00:25:04.329
Block Party. What on earth was that? This was

00:25:04.329 --> 00:25:07.470
a wild experimental concept they tried in Albuquerque

00:25:07.470 --> 00:25:10.569
and Indianapolis in the mid -90s. I want you

00:25:10.569 --> 00:25:14.369
to imagine a giant... windowless building the

00:25:14.369 --> 00:25:17.990
size of a city block. Inside, you have laser

00:25:17.990 --> 00:25:20.690
tag, fancy restaurants, motion simulator rides,

00:25:20.829 --> 00:25:23.569
and huge lounge areas for adults to hang out.

00:25:23.789 --> 00:25:26.309
So it was like a Dave &amp; Buster's but run by Blockbuster.

00:25:26.569 --> 00:25:28.789
Essentially, yes. It was their attempt to build

00:25:28.789 --> 00:25:31.690
an adult entertainment complex. Not in the Japanese

00:25:31.690 --> 00:25:33.950
sense, but in the Night Out for Grownups sense.

00:25:34.309 --> 00:25:36.529
It was a colossal failure. It just showed that

00:25:36.529 --> 00:25:38.009
they had all this cash and all this ambition,

00:25:38.109 --> 00:25:39.549
but they just couldn't figure out what they wanted

00:25:39.549 --> 00:25:42.460
to be. A total identity crisis. Exactly. they

00:25:42.460 --> 00:25:45.859
a tech company, a retail store, a theme park

00:25:45.859 --> 00:25:48.819
operator? They never knew. And that identity

00:25:48.819 --> 00:25:51.299
crisis brings us finally to the present day,

00:25:51.380 --> 00:25:54.180
the strange afterlife of the Blockbuster brand,

00:25:54.359 --> 00:25:57.359
because it just refuses to die. We have to talk

00:25:57.359 --> 00:26:01.099
about Bend, Oregon, the last Blockbuster on planet

00:26:01.099 --> 00:26:03.839
Earth. It is such a fascinating phenomenon. As

00:26:03.839 --> 00:26:07.079
of 2019, it's the only one left. And it's become

00:26:07.079 --> 00:26:10.869
this. This pilgrimage site for nostalgics, a

00:26:10.869 --> 00:26:12.970
tourist destination. I've seen the pictures.

00:26:13.029 --> 00:26:15.490
They sell their own merchandise. And they have

00:26:15.490 --> 00:26:17.950
the Russell Crowe memorabilia, right? Yes. That

00:26:17.950 --> 00:26:21.519
is a hilarious detail. The TV host John Oliver

00:26:21.519 --> 00:26:23.779
bought a bunch of Russell Crowe's movie props,

00:26:23.980 --> 00:26:26.740
including his jockstrap from the movie Cinderella

00:26:26.740 --> 00:26:29.880
Man, and he donated it all to one of the last

00:26:29.880 --> 00:26:32.740
blockbusters in Alaska. When that store finally

00:26:32.740 --> 00:26:34.900
closed, the items were sent to the store in Bend.

00:26:35.200 --> 00:26:37.140
That is just beautifully surreal. And didn't

00:26:37.140 --> 00:26:39.000
they do an Airbnb thing a few years ago? They

00:26:39.000 --> 00:26:41.200
did. In 2020, right in the middle of the pandemic,

00:26:41.460 --> 00:26:43.920
they listed the entire store on Airbnb. You could

00:26:43.920 --> 00:26:47.119
rent it out for the night for a 90s -themed sleepover.

00:26:47.319 --> 00:26:49.309
What did that entail? You got to sleep on a pull

00:26:49.309 --> 00:26:50.910
-out couch in the middle of the aisle surrounded

00:26:50.910 --> 00:26:54.109
by thousands of VHS tapes with an endless supply

00:26:54.109 --> 00:26:56.829
of snacks and a big TV. That sounds incredible,

00:26:57.029 --> 00:26:59.289
honestly. But there's also a weird financial

00:26:59.289 --> 00:27:01.609
afterlife to the company, right? Or something

00:27:01.609 --> 00:27:04.170
about a zombie stock. This is one of those bizarre

00:27:04.170 --> 00:27:06.509
market anomalies that could only happen in our

00:27:06.509 --> 00:27:09.609
current era. The corporate entity of Blockbuster

00:27:09.609 --> 00:27:12.049
didn't technically vanish. It became something

00:27:12.049 --> 00:27:14.890
called BB Liquidating Inc. It's just a shell

00:27:14.890 --> 00:27:16.809
company with no assets, no business, nothing.

00:27:17.069 --> 00:27:20.329
Okay. But during the meme stock craze in 2021,

00:27:20.650 --> 00:27:23.289
you know, with GameStop and AMC shares of BB

00:27:23.289 --> 00:27:26.069
Liquidating suddenly surged by thousands of percent.

00:27:26.150 --> 00:27:29.029
Why? Why would anyone buy stock in a dead company?

00:27:29.230 --> 00:27:33.450
Who knows? Nostalgia. Confusion. Maybe algorithms

00:27:33.450 --> 00:27:36.630
gone haywire. For a brief shining moment, people

00:27:36.630 --> 00:27:38.769
were pouring money into a company that effectively

00:27:38.769 --> 00:27:41.210
didn't exist anymore just because of the power

00:27:41.210 --> 00:27:43.009
of that name. And the website came back recently,

00:27:43.049 --> 00:27:45.950
too, didn't it? Yes. Just last year, in 2023,

00:27:46.410 --> 00:27:49.269
the Blockbuster website reactivated with a cryptic

00:27:49.269 --> 00:27:52.130
message. We are working on rewinding your movie.

00:27:52.349 --> 00:27:54.730
And their official Twitter account is still active,

00:27:54.809 --> 00:27:57.549
making jokes about working on the new Blockbuster.

00:27:57.670 --> 00:27:59.109
Do you think they're actually planning some kind

00:27:59.109 --> 00:28:01.630
of comeback? Or is it all just a marketing stunt?

00:28:01.849 --> 00:28:03.869
It's likely just brand maintenance, you know,

00:28:03.869 --> 00:28:06.470
keeping the trademark alive. But in this world

00:28:06.470 --> 00:28:09.309
of endless reboots and nostalgia plays, who knows?

00:28:09.430 --> 00:28:12.130
Maybe a blockbuster branded streaming service

00:28:12.130 --> 00:28:14.789
with a cool retro interface could actually find

00:28:14.789 --> 00:28:16.769
an audience. I would subscribe to that in a heartbeat.

00:28:17.029 --> 00:28:19.730
OK, so let's bring this all together. We've gone

00:28:19.730 --> 00:28:22.349
from the oil fields of Texas to the last stand

00:28:22.349 --> 00:28:26.529
in Oregon. When you look at this whole epic arc,

00:28:26.750 --> 00:28:29.579
what is the big takeaway for you? I think the

00:28:29.579 --> 00:28:32.799
summary is this. Blockbuster started as an innovative,

00:28:32.940 --> 00:28:35.519
data -driven company that used technology to

00:28:35.519 --> 00:28:38.140
build a monopoly and crush its competition. But

00:28:38.140 --> 00:28:39.980
when the next great technological shift came,

00:28:40.200 --> 00:28:42.059
they didn't die because they were blind or stupid.

00:28:42.220 --> 00:28:44.519
They died because of internal sabotage. They

00:28:44.519 --> 00:28:47.099
saw it coming. They had the Enron deal for streaming

00:28:47.099 --> 00:28:50.000
in 2000. They had the total access program that

00:28:50.000 --> 00:28:52.940
was beating Netflix in 2007. They had the map.

00:28:53.210 --> 00:28:55.410
Exactly. They had the technology. They had the

00:28:55.410 --> 00:28:57.630
strategy. What they lacked was the corporate

00:28:57.630 --> 00:29:00.410
will to suffer short -term financial losses for

00:29:00.410 --> 00:29:03.410
long -term survival and gain. Carl Eichen and

00:29:03.410 --> 00:29:05.190
the board wanted to keep the quarterly earnings

00:29:05.190 --> 00:29:07.829
high and the stock price stable. And in doing

00:29:07.829 --> 00:29:10.390
so, they sacrificed the entire future of the

00:29:10.390 --> 00:29:12.650
company. It's a lesson for every major business,

00:29:12.750 --> 00:29:16.000
really. You simply cannot... Cost cut your way

00:29:16.000 --> 00:29:18.980
to innovation. You cannot. And sometimes the

00:29:18.980 --> 00:29:21.559
safe bet, which for them was just focusing on

00:29:21.559 --> 00:29:24.059
their core retail business, is actually the most

00:29:24.059 --> 00:29:26.480
dangerous, most reckless bet of all. I want to

00:29:26.480 --> 00:29:28.500
leave our listeners with one final thought to

00:29:28.500 --> 00:29:31.960
mull over. Yeah. Just imagine an alternate reality.

00:29:32.640 --> 00:29:34.980
Imagine a world where Carl Icahn doesn't get

00:29:34.980 --> 00:29:37.900
involved, where John Antioco stays on as CEO.

00:29:38.359 --> 00:29:41.140
Total access is allowed to keep growing, burning

00:29:41.140 --> 00:29:43.829
cash, but crushing the competition. It is a very

00:29:43.829 --> 00:29:46.410
plausible alternate timeline. In that world,

00:29:46.430 --> 00:29:48.130
we aren't all sitting around saying Netflix and

00:29:48.130 --> 00:29:50.950
chill. We're saying blockbuster and chill. The

00:29:50.950 --> 00:29:53.470
blue and yellow app is on every smart TV in the

00:29:53.470 --> 00:29:56.789
world. And maybe, just maybe, you'd still be

00:29:56.789 --> 00:29:58.829
able to run out to a corner store on a Friday

00:29:58.829 --> 00:30:01.869
night and rent a video game and grab a box of

00:30:01.869 --> 00:30:05.269
Raisinets at the counter. One can dream. Thanks

00:30:05.269 --> 00:30:06.869
for listening to this deep dive. We'll see you

00:30:06.869 --> 00:30:07.789
next time. Take care.
