WEBVTT

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All right, so picture this. It's a Saturday afternoon.

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You decide, OK, I'm going to get some culture.

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Right. You walk into a museum and it's like a

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switch flips. Your posture changes. Oh, yeah.

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The hands go behind the back. Museum stand. Exactly.

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Your voice drops to this, you know, library whisper.

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And everywhere, just everywhere is that one sign.

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Do not touch. In big, angry letters. It's so

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passive. But today, we are diving into a place

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that basically takes that rulebook and, I don't

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know, shreds it. And probably uses the confetti

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for an experiment, yeah. We are talking about

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a place where the name itself is a command to

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do the exact opposite of standing still and being

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quiet. We're looking at Explora. In Albuquerque,

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New Mexico. And before we get into the nuts and

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bolts of it all, and I mean that literally we

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have to talk about that name, Explora. Because

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the source material makes a really specific point

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about it. It does, and this is kind of the key

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to the whole place. Explora isn't just a catchy

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name. It's not a noun. Okay. It is the imperative

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form of the Spanish verb, explorer. It literally

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translates to explore. Oh, I love that. So it's

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not the Museum of Exploration. It's an instruction.

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It's a command. It's shouting at you, hey, you,

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go explore this thing right now. Exactly. It

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sets the terms of engagement the second you hear

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the name. A noun is scatic, right? A verb is

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active. And that grammatical choice, it actually

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dictates their whole philosophy. Their mission

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isn't just to display science. Right. It's to,

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and I'm quoting here, create opportunities for

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inspirational discovery and the joy of lifelong

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learning. Inspirational discovery is, I mean,

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that's a great phrase for a brochure, but let's

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be honest, every museum says that. Of course.

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What makes this place different from, say, a

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natural history museum that has a really, really

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cool dinosaur skeleton? And that's the perfect

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question. The difference is the pedagogy, the

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teaching method. Okay. Most museums use what's

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called didactic learning. I tell you a fact.

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You read the fact on a plaque, you now know the

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fact. Explore is all about inquiry -based learning.

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Okay, unpack that for me. Because inquiry -based

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sounds like I have to do all the work. You do,

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and that's the whole point. Look, in a traditional

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museum, you'd walk up to a steam engine, read

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a little card that explains how pressure creates

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motion, and maybe you push a button. Right, and

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a wheel turns. I'm just confirming what the plaque

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told me. You're fact -checking the curator. Yeah.

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Exactly. At Explorer, you walk up to a station

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with, like, a bunch of valves and pressure gauges

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and a piston. And there are no instructions.

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So you have to figure it out. You have to fiddle

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with the variables yourself to figure out how

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to make the wheel turn. You're not consuming

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the answer. You are generating it. Which I got

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to say, it sounds kind of inefficient. If I want

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to know how a steam engine works, why not just

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tell me? Because of how our brains work. There's

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this thing in psychology called the generation

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effect. Okay. Basically, you remember information

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way better if you generate it yourself rather

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than just reading it. When you struggle with

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those vowels and you finally get that piston

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to move, your brain files that away as a victory.

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Ah, so it's the difference between reading a

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recipe and actually baking the cake and having

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it fall flat three times. And then finally getting

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it right on the fourth try. You never, ever forget

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how to bake that cake. You forget the recipe

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you read five minutes ago. That's a fair point.

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All right, so the physical space itself. The

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current location is near Old Town Albuquerque.

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It's huge, 20 ,000 square feet. Yeah, and it's

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got that really distinct, colorful dome you can

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see from the street. And inside, they're doing

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something else that's a little different. They

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don't separate the subjects. No, they don't.

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It's all blended together. Which I notice. Usually

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you have the art museum over here, and the science

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center is like way over there. Right. They treat

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art, math, and science as... Well, as different

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languages for talking about the same world. Think

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about it. If you're building something with blocks,

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is that engineering? Is it math? Or is it sculpture?

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The answer is yes. Yeah. It's all of them. The

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real world doesn't have these neat little subject

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dividers. Okay. I want to get to the exhibits

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because I saw a note about a high wire bike that

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we have to discuss. But first, the history. The

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history is wild. Yeah, the origin story reads

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like a corporate drama. It is a miracle this

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place even exists. It really is. You have to

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picture Albuquerque back in 1983. There were

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two totally separate groups of people who both

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wanted to start a museum, but they didn't even

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know about each other. So in one corner, you

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have the Children's Exploratorium group. I'm

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picturing finger paints and, you know, soft blocks.

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Probably. Yeah. And in the other corner, you

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have the New Mexico Academy of Science. So, you

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know, the serious academics, toddlers versus

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tenured professors, pretty much. And for years

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they were just operating on these parallel tracks.

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Then around 85, they finally connect. And just

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as they're starting to talk, a new challenger

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appears. A third player enters the game, a group

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called Health Quest. OK, so now you have three

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different nonprofits all trying to build a big

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interactive museum in the same city, all going

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after the same money. Yeah, that's a recipe for

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disaster. Usually you see a big fight, nobody

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gets enough funding, and nothing gets built.

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Or you get three tiny, terrible storefront museums

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that close in a year. Exactly. But this is where

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they did something really smart. Instead of a

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turf war, they formed a consortium. They realized

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if we go to the city separately, we're all just

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noise. But if we band together and pitch one

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big quality of life project for the whole community.

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Then they have a shot. That's brilliant. They

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stopped selling science or health and started

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selling civic improvement. Precisely. And it

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worked. They got the city to approve a tax project.

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But, and this is a big but, getting the money

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on paper is not the same as having a building.

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And so being what I'm calling the nomadic years,

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this is my favorite part, for like a decade.

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This place was basically homeless. They were

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wandering in the desert, yes. So follow this

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timeline. In 93, they open in a downtown Galleria.

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Okay, respectable. But then they move to the

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Sheraton Old Town. A hotel. A hotel. Can you

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imagine trying to run a physics demo next to

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a wedding reception? I mean, it sounds crazy,

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but think about the resilience that it takes.

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Most organizations would have just quit. True,

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but then it gets even better. They leave the

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hotel for a mall. They're a mall museum. Which

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is actually a fascinating place to be. How so?

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Well, when you're in a dedicated building, your

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visitors made a choice to be there. In a mall,

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you are competing with the pretzel stand and

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the movie theater. So your exhibits have to be

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good, like really, really good. Instantly engaging.

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It's like natural selection for exhibits. The

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boring ones die fast. So that whole decade was

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basically their R &amp;D phase. Absolutely. So by

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the time they officially merged with the Albuquerque

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Children's Museum in 1995, they had already battle

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-tested their entire philosophy on thousands

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of unsuspecting shoppers. So when they finally

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opened that permanent building in 2003, they

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weren't just guessing what would work. They had

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10 years of data. They knew hands -on was the

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only way to go. Okay, let's talk about those

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hands -on things. Because some of these exhibits,

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they sound intense. We have to start with the

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high wire bike. Ah, the signature piece. Describe

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this for me. Because bike on a wire sounds like

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something from the circus right before tragedy.

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It is exactly what it sounds like. It's a bicycle

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on a steel cable suspended about two stories

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up in the air. You climb up. get strapped in,

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and you just pedal across the open atrium. And

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your brain is just screaming, this is a terrible

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idea. Your survival instincts are going crazy,

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yes. But it's a perfect lesson in physics, specifically

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center of gravity. Okay, explain it. Why don't

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you just tip over and fall? Because there's this

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huge heavy counterweight hanging from a rigid

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pole directly beneath the bike. It's so heavy

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that the combined center of mass for you, the

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bike, and the weight is actually below the wire

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you're riding on. So to tip over, you'd have

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to physically lift that giant weight up against

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gravity. Which you can't do. Physics literally

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locks you onto that wire. You're more stable

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up there than you are on a normal bike on the

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street. But it doesn't feel that way. Not at

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all. And that disconnect. the feeling of I should

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be scared, but I'm actually safe, that creates

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this visceral memory. You never forget what center

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of mass means after that. It's that generation

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effect again. You're generating the adrenaline

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so you remember the lesson. Exactly. It turns

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an abstract concept into an emotion. Okay. Then

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there's the laminar flow fountain. This seems

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like the polar opposite of the bike. It is. The

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bike is chaos and fear. This is pure, beautiful

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order. So what is it? So think about your kitchen

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faucet. When you turn it on, the water's all

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bubbly and white, right? That's turbulent flow.

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Total chaos. Water molecules are crashing into

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each other. But if you can get all the layers

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of water to move perfectly in parallel at the

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same speed, you get laminar flow. And at Explora,

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the water looks fake, like a solid glass rod

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just hanging in the air. It looks frozen. Until

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you touch it, and that's the key. You stick your

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hand in the stream, you create turbulence, and

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you see the glass just shatter into a normal

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spray of water. Then you pull your hand out,

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and poof! It instantly reforms into that perfect

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glassy arc. It's mesmerizing. I also have to

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ask about the experiment bar. Ah, yes. This is

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just a stroke of genius, socially. It sounds

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like a sushi bar, but for science. That is the

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perfect description. You sit at a counter. You're

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handed a menu. And instead of ordering a drink,

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you order an experiment. I'll have the circuit

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board challenge, please. And someone brings it

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to you? Yep. An educator acts as the bartender.

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They bring you a tray with all the parts. But

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why? Why the theatrics? Why not just put the

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experiments on a table? Because it changes the

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whole dynamic. If stuff is just sitting out,

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people, especially kids, they run up. grab something

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drop it and run off right it's chaotic by making

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it a bar with a menu it signals that this is

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an experience to be savored it slows you down

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it makes you focus it dignifies the science treats

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it like a craft cocktail or something exactly

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so clearly the locals in albuquerque love this

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place i saw the best of burke awards and the

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quote they used was great it said explore it

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gets grown -ups excited too We all want an excuse

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to ride the high wire bike. We do. But beyond

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the local love, Explora has gotten some serious

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national attention. They're a model for the entire

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industry. Yeah, I saw they're big in the Association

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of Science Technology Centers. But the award

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that really jumped out at me was for a program

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called Portal to the Public. Pop. Yeah, Portal

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to the Public is probably their most important

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contribution to the wider scientific community.

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What's the problem it's trying to solve? It's

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solving the curse of knowledge. Yeah. See, Albuquerque

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has a ton of high -level scientists. You've got

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Sandia, National Labs, Los Alamos. These are

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literal rocket scientists. Very smart people.

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Incredibly smart. But if you put a quantum physicist

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in front of a group of eight -year -olds, it

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can be a disaster. Haha, I can imagine. They

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use jargon. The kids get bored. Everyone feels

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frustrated. There's a huge communication gap.

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So POP is like a translation service for scientists.

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It's more like empathy training. Explora brings

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these scientists in for workshops. They teach

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them how to ditch the jargon, how to think like

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a non -expert. They help them develop a simple,

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hands -on activity that explains what they actually

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do. So they basically turn the scientists into

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an interactive exhibit. In the best way, yes.

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Then they put them out on the museum floor. So

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you, as a visitor, get to meet a real, living

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scientist and learn what they do. And the scientist

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learns how to actually talk about their life's

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work. That feels so important. Science that just

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stays in the lab doesn't really help anyone.

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It democratizes the knowledge. And that commitment

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to the community is what led them to, well, the

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ultimate recognition. The White House. The National

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Medal for Museum and Library Service. That's

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the one. It's the highest honor a museum or library

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can receive in the U .S. And Explorer won it

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in 2010. They did. And the IMLS. the group that

00:12:12.529 --> 00:12:15.090
gives the award, they give it for community impact.

00:12:15.389 --> 00:12:17.070
They're not looking for who has the most famous

00:12:17.070 --> 00:12:19.250
painting. They're looking for who is actively

00:12:19.250 --> 00:12:22.049
making their community a better place. There's

00:12:22.049 --> 00:12:24.450
this great image of the executive director, Patrick

00:12:24.450 --> 00:12:27.029
Lopez, getting the award. It's just such a powerful

00:12:27.029 --> 00:12:29.149
story arc. You think about it. They start as

00:12:29.149 --> 00:12:31.570
three separate bickering groups. They spend a

00:12:31.570 --> 00:12:34.450
decade wandering through hotels and malls. And

00:12:34.450 --> 00:12:36.330
they end up at the White House. It completely

00:12:36.330 --> 00:12:39.519
validates that whole struggle. It proves that

00:12:39.519 --> 00:12:42.019
if you trust your visitors, if you treat them

00:12:42.019 --> 00:12:45.240
like active explorers, you build something truly

00:12:45.240 --> 00:12:47.639
special. So let's bring this home. What's the

00:12:47.639 --> 00:12:50.419
takeaway for us? Most of us are not trying to

00:12:50.419 --> 00:12:53.080
start a museum in the desert. I think the big

00:12:53.080 --> 00:12:56.340
takeaway is about the value of, let's call it

00:12:56.340 --> 00:12:58.080
constructive friction. Constructive friction.

00:12:58.139 --> 00:13:00.779
Yeah. We spend so much of our lives trying to

00:13:00.779 --> 00:13:03.139
remove friction, right? We want the easy answer.

00:13:03.240 --> 00:13:06.279
We want the laminar flow. But Explore proves

00:13:06.279 --> 00:13:10.659
that... Real learning, real growth only happens

00:13:10.659 --> 00:13:12.159
when you introduce a little bit of friction.

00:13:12.299 --> 00:13:14.159
The struggle with the valves on the steam engine.

00:13:14.259 --> 00:13:16.379
Exactly. Or the struggle of merging three different

00:13:16.379 --> 00:13:19.139
groups. Or the friction of trying to explain

00:13:19.139 --> 00:13:22.019
nuclear physics to a 10 -year -old. That's where

00:13:22.019 --> 00:13:24.179
the good stuff happens. So if you're facing a

00:13:24.179 --> 00:13:27.320
problem right now at work or whatever, and you're

00:13:27.320 --> 00:13:28.940
frustrated that you can't find the instruction

00:13:28.940 --> 00:13:31.389
manual. You should realize that the lack of an

00:13:31.389 --> 00:13:33.269
instruction manual is the whole point. You're

00:13:33.269 --> 00:13:35.509
in the inquiry phase. You have to get your hands

00:13:35.509 --> 00:13:37.250
on it and just start messing with the variables

00:13:37.250 --> 00:13:39.909
until the wheel starts to spin. Stop looking

00:13:39.909 --> 00:13:42.330
for the plaque on the wall. And start building

00:13:42.330 --> 00:13:44.950
the pressure yourself. Be the verb, not the noun.

00:13:45.250 --> 00:13:48.529
Be the verb. I like that. Thanks for diving in

00:13:48.529 --> 00:13:49.830
with us today. Keep exploring.
