WEBVTT

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I want you to picture a scene. It's 1995. You

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are sitting on your couch, flipping through the

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channels, and you land on primetime professional

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wrestling. Day night. The classic spot. Exactly.

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And you're expecting to see, you know, two athletes

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in a ring, maybe a referee, maybe a title belt.

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Standard fare. The usual stuff. Right. But instead,

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sitting in the middle of the arena with absolutely

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no explanation given is a gigantic block of ice.

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And we are not talking about like a swan sculpture

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you see at a wedding. We're talking about a cartoonishly

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large, massive monolith of ice. And there's smoke

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billowing around it. Lights are flashing. The

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commentators are speaking in these hushed, terrified

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tones. They're telling us that inside this ice

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is a monster, a creature from the frozen north,

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they call it, the Yeti. Now, if I tell you a

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Yeti is about to break out of a block of ice,

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what is the image that pops into your head? Well.

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I mean, culturally speaking, a Yeti is the abominable

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snowman. So I'm expecting white fur. I'm expecting

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fangs, maybe a primate -like face. You know,

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definitely something that looks like it belongs

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in the Himalayas. Exactly. That is the only logical

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assumption. But then the ice explodes, pyrotechnics

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go off, and out steps a man, wrapped from head

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to toe in dirty, tattered gauze bandages. Oh,

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my God. He looks exactly like Boris Karloff from

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the 1932 movie The Mummy. It is a moment of just

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total visual incoherence. You have a creature

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named after a snow beast who was encased in ice,

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who emerges dressed as a... desert mummy ready

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to engage in the hand -to -hand combat. It is

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widely considered one of the most baffling, contradictory,

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and let's be honest, unintentionally hilarious

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moments in the history of television. But today

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on The Deep Dive, we are not just here to point

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and laugh at the mummy. As tempting as that is.

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As tempting as it is, we're here to do something

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a little different. We want to find the man inside

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those bandages. And that is where the story shifts

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from, you know, a blooper reel to a... Genuinely

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fascinating human drama. We are talking about

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a man named Ron Race. We've combed through the

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archives, the match logs, the biographies, and

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the old wrestling newsletters to bring you this

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story. And our mission today is to look at the

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concept of identity. It really is a perfect case

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study in identity. We are looking at a legitimate

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division -I athlete, a man born into what you

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could pretty much call sports royalty, who ends

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up freezing in a block of ice for a paycheck.

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How does that happen? It's a story about physical

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reinvention. It's about the specific strange

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marketplace of the 1990s, where if you were seven

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feet tall, the world didn't really want you to

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be a person. They wanted you to be a monster.

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Right. And as we'll see with Ron Reyes, they

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didn't really care which monster you were, as

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long as you were big and scary. So let's peel

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back the bandages. Let's look at the man, the

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myth, and, spoiler alert, the ninja. Oh, we will

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definitely get to the name. Let's start at the

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very beginning. To understand Ron Reyes, we have

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to deal with the elephant in the room. Or rather,

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the giant in the room. This isn't just a tall

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guy we're talking about. No, no. We need to be

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very specific about the biometrics here because

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they define his entire life. Ron Reyes stood

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7 feet, 2 inches tall. 7 '2". And he was billed

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at a weight of 365 pounds. Seven foot two. That

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places him in just a microscopic percentile of

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the human population. It does. And usually when

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we see men of that size, specifically in the

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wrestling world, we kind of associate them with

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a certain clumsiness. You know, the gentle giant

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trope or the lumbering oaf who can barely put

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one foot in front of the other. Sure, the Andre

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the Giant model later in his career. Exactly.

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But Reese was different. And that difference

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comes from his pedigree. You mentioned sports

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royalty earlier. Who was Ron Ray Sr.? So Ron

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Ray Sr. was not just a tall father. He was a

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cornerstone of the University of Cincinnati Bearcats

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during their absolute golden era. We are talking

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about the team that won back -to -back NCAA titles

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in 1961 and 1962. Okay, hold on. For our listeners

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who might not be college basketball historians,

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winning back -to -back NCAA titles is incredibly

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rare. That's a dynasty. It is. It's the absolute

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pinnacle of the sport. So just imagine growing

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up in that house. Your father isn't just big.

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He's a champion. He has the rings. He has the

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legacy. From the moment Ron Race Jr. started

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growing, and he kept growing and growing... There

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was an assumption. An expectation. A huge expectation.

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You aren't just going to be big. You are going

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to be an athlete. It's almost a predetermined

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destiny, isn't it? You don't fit in a normal

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car. You don't fit in normal clothes. You fit

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on a basketball court. Precisely. And the sources

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show he didn't just coast on his height. A lot

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of giants just stand there and... You know, let

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the ball hit him. We pulled the stats from his

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time at Monta Vista High School in Cupertino,

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California. Cupertino, which is funny because

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before it was the headquarters of Apple, it was

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the training ground for the Yeti. A very different

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kind of giant emerged from there, that's for

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sure. But look at these numbers. In his high

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school career, Reese scored 2 ,082 points. 2

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,000 points. OK, I need some context for that.

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Is that good for a big guy or is that just flat

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out good? That is elite. Consider that a high

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school season is maybe 20 to 30 games long. To

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hit 2 ,000 career points implies you are averaging,

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what, 25 points a game for years. Wow. And for

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a 7 -footer in the 80s, that usually meant just

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standing under the basket and dropping the ball

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in. But reports from the Times suggest Reese

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actually had a touch. He had coordination. He

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wasn't just a post. He led his team to the Central

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Coast Section Championship in 1987. So he's a

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blue -chip prospect. He's not a sideshow. Absolutely

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not. That talent lands him at Santa Clara University,

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Division I, and he plays four full years there.

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And this is the crucial disconnect we need to

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establish early on. When we talk about the Yeti

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later, stumbling around like a zombie, we're

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talking about a guy who spent four years running

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suicide drills, memorizing complex defensive

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plays, and competing at the highest collegiate

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level. The engine inside the monster was a finely

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tuned athlete. So that raises the obvious question.

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You're 7 '2", you weigh over 300 pounds, you

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have soft hands, and you scored 2 ,000 points

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in high school. Why are we talking about a professional

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wrestler and not an NBA center? Why wasn't he

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banging in the post with Shaq and Hakeem Olajuwon?

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It's the cruel filter of professional sports.

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The NBA is the top, what, .001 % of athletes

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in the world. You can be amazing, you can be

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a college star, but if you lack that explosive

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lateral quickness. That side -to -side movement.

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That ability to slide your feet, to defend a

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pick and roll against, you know, John Stockton.

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Or if your knees are just slightly suspect from

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carrying that frame for so long, you don't make

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the cut. Reeves was a great college player, but

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the NBA is a different beast entirely. It demands

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a speed that is very, very rare for men over

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seven feet. So the NBA door closes. It's the

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early 90s. You have this massive body and this

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proven athletic background. What are your options?

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Well, you can go to Europe, maybe grind it out

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in the pro leagues in Greece or Spain for decent

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money. Or you look at the other industry that

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pays a premium for height and has a history of

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recruiting basketball players. Right. And this

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is a really well -trodden path. The Undertaker

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played college basketball. Kevin Nash played

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for Tennessee. The skill set transfers surprisingly

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well. You've got the footwork, the endurance,

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and maybe most importantly, the ability to be

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coached. You understand spacing. You understand

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physicality. But Reese didn't just walk into

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a local gym and start rolling around on the mats.

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He sought out a very specific mentor. He went

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to Big John Studd. No, that is a name that commands

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respect in the wrestling world. For people who

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might not know, who was Big John Studd? He was

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a literal and figurative giant of the industry.

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Big John Studd was a massive star in the WWE,

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what we now call WWE in the 70s and 80s. He was

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positioned as the arch rival to Andre the Giant.

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The other giant. The other giant. He was famous

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for the Body Slam Challenge, where he'd offer

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thousands of dollars to anyone who could slam

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him. He was a main event talent. So why does

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it matter that Reese trained with Studd specifically?

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Why not just a regular wrestling school? Because

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wrestling as a giant is a completely different

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art form than wrestling as a normal -sized person.

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It's a different language. If you are 5 '10",

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you need to learn to be fast, technical, maybe

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high -flying. If you're 7 '2", your job is to

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be immovable. Right, you're a landmark. You're

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a landmark. You have to learn how not to take

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a bump. You have to learn how to walk so that

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the ground looks like it's shaking. You have

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to learn how to work with opponents who are half

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your size and make it look believable. Stud could

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teach him the psychology of size. Giants of wrestling.

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That's what they called themselves on the indie

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circuit, right? Yes. A very on -the -nose name,

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but it worked. Reese makes his debut on March

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12, 1994, in the New England area. He starts

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learning the ropes, tagging with his mentor.

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He then moves out to Las Vegas for a promotion

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called the National Wrestling Conference and

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adopts the persona SWAT. SWAT, like a tactical

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police officer. It was the 90s. Every gimmick

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was either a job or a noun. He had a garbage

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man, a plumber. a hockey player, so he was a

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SWAT team member. It's pretty basic. It was rudimentary.

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Yeah. But it was just the waiting room. Because

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in 1995, World Championship Wrestling WCW came

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calling. And they didn't want a SWAT team member.

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They wanted an insurance policy. Okay, we absolutely

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have to set the stage here. 1995 WCW. This isn't

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the slick, polished product we see today with

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WWE. This was the Wild West. It was chaotic.

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It was vibrant. It was incredibly messy. You

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had Hulk Hogan. the biggest star in the world

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who had just come over from the WWF, and his

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main antagonists were a faction called the Dungeon

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of Doom. The Dungeon of Doom? Even the name sounds

00:09:43.899 --> 00:09:45.840
like something a teenager scribbled on a napkin

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during study hall. It was cartoonish villainy

00:09:48.200 --> 00:09:50.620
at its finest. Their leader was a guy called

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the Taskmaster, a short, screening maniac whose

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only goal in life was to end Hulkamania. And

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his army was just a collection of monsters, right?

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Monsters, sharks, literally a guy named the shark.

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They had Kamala, the Ugandan giant, Meng, a whole

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menagerie. And they already had the giant who

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we know today is the big show or Paul White.

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Right. Paul White is a legitimate seven footer

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as well. A massive human being in his own right.

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But the booking philosophy, the script writing

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at the time dictated that the odds always had

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to be stacked against Hogan. So one giant wasn't

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enough. For the upcoming Halloween Havoc pay

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-per -view where Hogan was facing the giant,

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they needed something bigger. Something. Colder.

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Something colder. Enter the ice block. October

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23, 1995. Monday Nitro. The visual is just seared

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into the brains of wrestling fans. The arena

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is dark, there's smoke everywhere, and this block

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of ice is revealed. Now, logically, the creative

00:10:44.149 --> 00:10:47.149
team clearly intended for a Yeti. The name implies

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it, the ice implies it, everything points to...

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Abominable snowman. You'd think so. So where

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does the mummy come from? I mean, really, is

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there any record of that meeting? Was it a mistake?

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Did someone lose the fur costume? Did they just

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not know what a yeti was? The sources are murky

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on this, which honestly adds to the legend. The

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prevailing theory is simply a breakdown in communication

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between the costume department and the booking

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committee. Pretty big breakdown. Or perhaps they

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had the mummy costume lying around from an old

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movie set or a Halloween store and someone thought,

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well, he's big. Just wrap him up. He's a monster.

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No one will notice the difference between snow

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and bandages. They did notice. It's the first

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thing everyone noticed. It's a mummy named the

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Yeti. It's a walking contradiction. It gets even

00:11:29.799 --> 00:11:34.559
better. Halloween Havoc 1995. The main event

00:11:34.559 --> 00:11:37.059
is Hogan versus the Giant for the World Championship.

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The Yeti breaks out of the ice to interfere.

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And this is where we see the illusion of size

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at work. Okay, explain this. Reese is 7 '2",

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Paul White is roughly 7' even, maybe 7 '1". Why

00:11:51.049 --> 00:11:53.169
did they need to fake anything? They are both

00:11:53.169 --> 00:11:56.529
already enormous. Because in wrestling, the new

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threat must always be larger than the old threat.

00:11:58.750 --> 00:12:01.230
The giant, Paul White, was the current monster.

00:12:01.840 --> 00:12:03.980
To make the Yeti seem like an even bigger threat,

00:12:04.100 --> 00:12:06.059
he had to physically tower over the existing

00:12:06.059 --> 00:12:08.679
giant. So how did they do it? The sources note

00:12:08.679 --> 00:12:11.120
that Reese wore massive lifts in his boots. Lifts?

00:12:11.200 --> 00:12:13.580
On a seven -foot -two man, you're adding height

00:12:13.580 --> 00:12:17.240
to a skyscraper. Massive platform lifts. And

00:12:17.240 --> 00:12:19.539
because he was wrapped in bandages, they could

00:12:19.539 --> 00:12:21.919
cheat it. They wrapped the gauze high over the

00:12:21.919 --> 00:12:24.059
top of his head, adding another three or four

00:12:24.059 --> 00:12:26.179
inches of perceived height. So he's basically

00:12:26.179 --> 00:12:29.019
walking on stilts blindfolded in a mummy suit.

00:12:29.200 --> 00:12:31.720
Essentially. And that's why he walks so stiffly.

00:12:32.059 --> 00:12:34.799
When he marched to the ring stiff -legged, because

00:12:34.799 --> 00:12:36.419
you can't really bend your knees and lift like

00:12:36.419 --> 00:12:39.620
that, he looked monstrously tall. And that's

00:12:39.620 --> 00:12:42.019
when Tony Chivone, the lead announcer, screams

00:12:42.019 --> 00:12:44.879
that famous line. The Yeti is taller than the

00:12:44.879 --> 00:12:47.259
giant. That was the money line. That was the

00:12:47.259 --> 00:12:49.500
whole point of the entire charade, to get that

00:12:49.500 --> 00:12:52.980
one sentence on television. And then the hug.

00:12:53.159 --> 00:12:55.019
We have to talk about the hug. The double bear

00:12:55.019 --> 00:12:58.240
hug. It's a moment in time. The giant grabs Hulk

00:12:58.240 --> 00:13:00.820
Hogan from behind in a bear hug. The Yeti then

00:13:00.820 --> 00:13:02.899
shuffles up and grabs Hogan from the front in

00:13:02.899 --> 00:13:05.440
another bear hug. It looked intimate. It looked

00:13:05.440 --> 00:13:08.220
less like a vicious attack and more like a very

00:13:08.220 --> 00:13:11.240
awkward, very large group hug. It was visually

00:13:11.240 --> 00:13:13.879
clumsy, to put it my way. You have three massive

00:13:13.879 --> 00:13:16.159
men just squeezing each other. Reese is kind

00:13:16.159 --> 00:13:18.299
of shaking, trying to sell the power of the squeeze.

00:13:19.679 --> 00:13:21.320
But it just looks like he's humping him. It's

00:13:21.320 --> 00:13:23.820
so easy to laugh at it now. But I want to pause

00:13:23.820 --> 00:13:26.299
and think about Ron Reiss for a second. Inside

00:13:26.299 --> 00:13:28.980
that suit, what is possibly going through his

00:13:28.980 --> 00:13:32.080
mind? He's an athlete. He scored 2000 points

00:13:32.080 --> 00:13:34.720
in high school. He trained with Big John Studd.

00:13:34.840 --> 00:13:37.580
And now he's dry humping Hulk Hogan in toilet

00:13:37.580 --> 00:13:40.100
paper on national television. It has to be a

00:13:40.100 --> 00:13:42.240
surreal mix of emotions. On one hand, you're

00:13:42.240 --> 00:13:44.600
thinking, I can't believe I'm on TV with Hulk

00:13:44.600 --> 00:13:46.960
Hogan. That is the peak of the industry at that

00:13:46.960 --> 00:13:49.539
time. Sure. On the other hand. I really hope

00:13:49.539 --> 00:13:51.299
none of my college teammates are watching this

00:13:51.299 --> 00:13:53.899
right now. Yeah. But you do what the boss says.

00:13:53.960 --> 00:13:56.480
It's the business. You go out there, you wear

00:13:56.480 --> 00:13:59.360
the bandages, you do the awkward hug, and you

00:13:59.360 --> 00:14:02.240
cash the check. So Halloween Havoc ends. The

00:14:02.240 --> 00:14:05.019
Yeti has arrived. He has crushed Hogan. Surely

00:14:05.019 --> 00:14:06.899
you keep this monster going, right? You milk

00:14:06.899 --> 00:14:10.080
this for a year. He's the new big bad. In a logical

00:14:10.080 --> 00:14:12.679
world, yes. In a world where stories make any

00:14:12.679 --> 00:14:16.320
kind of sense, yes. In WCW in 1995, absolutely

00:14:16.320 --> 00:14:19.299
not. The bandages disappear immediately. Just

00:14:19.299 --> 00:14:22.919
gone. No melting scene. No unraveling segment

00:14:22.919 --> 00:14:25.799
on TV where they reveal his face. Nope. The very

00:14:25.799 --> 00:14:27.759
next time we see him, which is at the World War

00:14:27.759 --> 00:14:30.580
III pay -per -view, a month later, the bandages

00:14:30.580 --> 00:14:33.600
are off. And he is wearing a black hood and a

00:14:33.600 --> 00:14:36.340
black bodysuit. Please tell me he wasn't. He

00:14:36.340 --> 00:14:39.429
was a ninja. A 7 '2 ninja. That is a complete

00:14:39.429 --> 00:14:42.389
oxymoron. The entire point of a ninja is stealth.

00:14:42.610 --> 00:14:45.509
They hide in shadows. They climb walls unnoticed.

00:14:45.730 --> 00:14:48.210
How do you hide a man the size of a minivan?

00:14:48.389 --> 00:14:50.250
You don't. You put him in the middle of a 60

00:14:50.250 --> 00:14:52.809
-man battle royal and call him the super giant

00:14:52.809 --> 00:14:55.110
ninja. That sounds like something a five -year

00:14:55.110 --> 00:14:57.169
-old would name their action figure. I want the

00:14:57.169 --> 00:14:59.710
super giant ninja for my birthday. It does, and

00:14:59.710 --> 00:15:01.970
that's essentially how WCW creative treated him.

00:15:02.049 --> 00:15:03.870
He was an action figure they got bored with.

00:15:04.309 --> 00:15:06.429
The mummy is boring. Okay, make him a ninja.

00:15:06.879 --> 00:15:09.000
Oh, we're bored with the ninja now. It lasted

00:15:09.000 --> 00:15:11.559
for a grand total of three appearances. Three.

00:15:11.879 --> 00:15:14.759
The Battle Royal. A squash match against a guy

00:15:14.759 --> 00:15:16.580
named Barry Houston, and another one against

00:15:16.580 --> 00:15:20.600
one man gang. Then, poof. The ninja was gone.

00:15:20.919 --> 00:15:23.779
This feels frantic. It feels like they saw his

00:15:23.779 --> 00:15:26.360
size as a massive asset, but had zero respect

00:15:26.360 --> 00:15:29.320
for the performer. They had no long -term plan.

00:15:29.620 --> 00:15:31.639
That is the perfect way to put it. They viewed

00:15:31.639 --> 00:15:33.620
him as a special effect, not a wrestler. He was

00:15:33.620 --> 00:15:36.480
a... Prop. We need a ninja for this segment.

00:15:36.539 --> 00:15:39.899
Use the big guy. But then in 1996, they try to

00:15:39.899 --> 00:15:43.120
pivot to reality. He becomes Big Ron Studd. Okay,

00:15:43.179 --> 00:15:45.320
so they finally acknowledge the training. They

00:15:45.320 --> 00:15:47.340
acknowledge the lineage with Big John Studd.

00:15:47.460 --> 00:15:49.559
This has to be a step up, right? It should have

00:15:49.559 --> 00:15:51.580
been. They put him in simple tranks. No masks.

00:15:51.720 --> 00:15:53.879
No gimmicks. They acknowledge on commentary that

00:15:53.879 --> 00:15:55.879
Big John Studd was his mentor. It should have

00:15:55.879 --> 00:15:57.759
been a respectful homage. A way to say, look,

00:15:57.860 --> 00:16:00.019
this kid is the real deal. He has a pedigree.

00:16:00.139 --> 00:16:02.440
But wrestling politics are never that simple,

00:16:02.519 --> 00:16:05.179
are they? Never. Bobby the Brain, Heenan, who

00:16:05.179 --> 00:16:07.299
was a legendary manager and color commentator

00:16:07.299 --> 00:16:10.980
and, crucially, managed the original Big John

00:16:10.980 --> 00:16:14.080
set back in the day, was working for WCW at the

00:16:14.080 --> 00:16:17.100
time. And he wasn't a fan. Reports say he hated

00:16:17.100 --> 00:16:19.740
the gimmick. He felt it was a cheap knockoff.

00:16:20.120 --> 00:16:22.960
He felt it disrespected the memory of the original

00:16:22.960 --> 00:16:26.000
stud, who had passed away by then. He even wrote

00:16:26.000 --> 00:16:28.419
in the WCW magazine, the company's own publication,

00:16:28.799 --> 00:16:31.179
that he didn't respect the angle. Imagine that.

00:16:31.679 --> 00:16:33.340
You are trying to pay tribute to your mentor.

00:16:33.399 --> 00:16:35.480
You're trying to finally be taken seriously as

00:16:35.480 --> 00:16:38.320
a wrestler. And your mentor's most famous manager

00:16:38.320 --> 00:16:41.940
is burying you in the company newsletter. It

00:16:41.940 --> 00:16:44.659
undermines him completely from day one. So instead

00:16:44.659 --> 00:16:47.539
of becoming a star attraction, Big Ron Studd

00:16:47.539 --> 00:16:50.820
became what we call a jobber to the stars. Okay,

00:16:50.860 --> 00:16:52.519
explain that term for the listener who might

00:16:52.519 --> 00:16:55.539
not know the lingo. Because jobber sounds derogatory,

00:16:55.679 --> 00:16:57.759
but it's actually a crucial part of the ecosystem,

00:16:57.980 --> 00:17:00.230
isn't it? It is absolutely vital. Professional

00:17:00.230 --> 00:17:02.169
wrestling is storytelling. If you want to make

00:17:02.169 --> 00:17:04.069
a guy like Chris Benoit or Jeff Jarrett or Lex

00:17:04.069 --> 00:17:07.170
Luger look like a dragon slayer, you need a dragon.

00:17:07.309 --> 00:17:09.049
You can't just have them beat up regular guys.

00:17:09.490 --> 00:17:11.430
Exactly. Yeah. They need to beat a giant to look

00:17:11.430 --> 00:17:15.269
strong. So Reese became the dragon. His role

00:17:15.269 --> 00:17:17.690
was to go out there, look terrifying for five

00:17:17.690 --> 00:17:20.839
minutes, throw the smaller guy around. and then

00:17:20.839 --> 00:17:23.720
the star would outsmart him or overpower him

00:17:23.720 --> 00:17:26.359
and get the big dramatic win. So his job was

00:17:26.359 --> 00:17:29.619
to lose. His job was to make the other guy look

00:17:29.619 --> 00:17:32.460
like a million bucks. And that takes a ton of

00:17:32.460 --> 00:17:34.680
skill. You have to know exactly when to fall,

00:17:34.799 --> 00:17:36.900
how to sell the impact, so the crowd believes

00:17:36.900 --> 00:17:40.059
that a 220 -pound man just knocked down a 365

00:17:40.059 --> 00:17:43.059
-pound man. But for a competitor like Race, a

00:17:43.059 --> 00:17:45.569
guy who won championships in high school, losing

00:17:45.569 --> 00:17:48.130
every single night for a year. That has to take

00:17:48.130 --> 00:17:49.990
a psychological toll. It's a grind. You're a

00:17:49.990 --> 00:17:51.809
Division I athlete. You're conditioned to win.

00:17:51.970 --> 00:17:54.410
And now your paycheck depends entirely on you

00:17:54.410 --> 00:17:56.250
laying down for the other guy. It requires a

00:17:56.250 --> 00:17:58.410
massive check of the ego. It's a role, an acting

00:17:58.410 --> 00:18:00.890
role, really. But it must be incredibly difficult.

00:18:01.130 --> 00:18:03.849
He had a string of high -profile losses to Benoit,

00:18:03.990 --> 00:18:06.690
Randy Savage, Lex Luger, Jeff Jarrett, basically

00:18:06.690 --> 00:18:09.440
every major star on the midcard. So he's the

00:18:09.440 --> 00:18:11.799
Yeti, the ninja, the stud. Does he ever find

00:18:11.799 --> 00:18:14.059
a character that actually has some meat to it?

00:18:14.240 --> 00:18:16.740
Something that isn't just a costume or a tribute?

00:18:17.039 --> 00:18:19.660
He does. And many would argue this was his best

00:18:19.660 --> 00:18:22.160
and most memorable run. We have to fast forward

00:18:22.160 --> 00:18:25.400
to 1998, the Flock era. The Flock. This was the

00:18:25.400 --> 00:18:28.220
grunge era in wrestling, led by Raven. Exactly.

00:18:28.720 --> 00:18:31.819
Raven was this fascinating, brooding, nihilistic

00:18:31.819 --> 00:18:34.099
cult leader figure. He would sit in the corner

00:18:34.099 --> 00:18:36.119
of the arena with his followers. He gathered

00:18:36.119 --> 00:18:40.019
misfits and outcasts. And on March T, 1998, Ron

00:18:40.019 --> 00:18:43.400
Reiss returns to WCW Nitro. But he's not a mummy

00:18:43.400 --> 00:18:46.849
or a ninja. He's Reese. Just Reese. Spelled R

00:18:46.849 --> 00:18:49.250
-E -E -S -E. And the narrative hook here is actually

00:18:49.250 --> 00:18:51.809
compelling. Raven gives this promo where he claims

00:18:51.809 --> 00:18:54.190
that Reese's size made him an outcast from society.

00:18:54.589 --> 00:18:57.130
That because he was a freak of nature, normal

00:18:57.130 --> 00:18:58.910
people rejected him, stared at him, made him

00:18:58.910 --> 00:19:01.009
feel isolated. Which is probably true to some

00:19:01.009 --> 00:19:03.430
extent for a man that size. It is. It blurs the

00:19:03.430 --> 00:19:05.329
line between fiction and reality, doesn't it?

00:19:05.390 --> 00:19:07.730
It taps into the real isolation that someone

00:19:07.730 --> 00:19:09.970
of that size might feel. People staring at you

00:19:09.970 --> 00:19:11.960
in airports. not being able to fit in restaurant

00:19:11.960 --> 00:19:14.380
booths, being looked at as a specimen rather

00:19:14.380 --> 00:19:16.460
than a human. So Raven offers him acceptance.

00:19:17.000 --> 00:19:19.680
He offers him a home in the flock. And Reese

00:19:19.680 --> 00:19:22.079
becomes the enforcer for the group, the muscle.

00:19:22.319 --> 00:19:25.039
I remember this era. He wore the jean shorts,

00:19:25.220 --> 00:19:27.779
the torn flannel shirt. He looked like a bouncer

00:19:27.779 --> 00:19:30.180
for a Pearl Jam concert. It fit the aesthetic

00:19:30.180 --> 00:19:33.410
of the time perfectly. And he had some key moments

00:19:33.410 --> 00:19:35.549
within that storyline. He was involved in the

00:19:35.549 --> 00:19:38.230
historic match where Goldberg, who was on the

00:19:38.230 --> 00:19:39.950
greatest winning streak in wrestling history,

00:19:40.170 --> 00:19:42.670
defeated Raven for the United States Heavyweight

00:19:42.670 --> 00:19:44.930
Championship. Reese couldn't stop Goldberg, right?

00:19:45.009 --> 00:19:47.390
Nobody could stop Goldberg back then. But being

00:19:47.390 --> 00:19:49.529
in the frame for that moment, being part of that

00:19:49.529 --> 00:19:51.720
historic angle, that's a big deal. And there

00:19:51.720 --> 00:19:53.599
was a notable match against Juventud Guerrero,

00:19:53.660 --> 00:19:55.680
right? Cruiserweight. The Great American Bash,

00:19:55.859 --> 00:19:59.059
1998. This is the classic David versus Goliath

00:19:59.059 --> 00:20:02.160
match. The Don is a cruiserweight, a high flyer,

00:20:02.180 --> 00:20:05.119
maybe 5 '5", very small compared to Reese. And

00:20:05.119 --> 00:20:07.539
Reese losing that match highlights that dynamic

00:20:07.539 --> 00:20:10.259
again. The giant exists to make the little guy

00:20:10.259 --> 00:20:12.380
look miraculous. But the end of the flock came

00:20:12.380 --> 00:20:15.039
pretty violently for Reese. It did. On June 29,

00:20:15.420 --> 00:20:18.019
1998, another member of the flock, a wrestler

00:20:18.019 --> 00:20:21.369
named Perry Saturn, turns on the group. And to

00:20:21.369 --> 00:20:23.990
make a statement, he hits a move called the Death

00:20:23.990 --> 00:20:27.670
Valley Driver on Reese. Now, for those who don't

00:20:27.670 --> 00:20:29.490
know, walk us through the physics of a Death

00:20:29.490 --> 00:20:31.369
Valley Driver. What does that actually look like

00:20:31.369 --> 00:20:34.049
on a man that size? Okay, so imagine a fireman's

00:20:34.049 --> 00:20:36.920
carry. You lift your opponent up. but cross your

00:20:36.920 --> 00:20:39.059
shoulders so they're horizontal. But instead

00:20:39.059 --> 00:20:41.380
of just dropping them, you fall sideways with

00:20:41.380 --> 00:20:43.579
them, driving their head and neck into the mat

00:20:43.579 --> 00:20:45.240
with all of your body weight and all of theirs.

00:20:45.339 --> 00:20:48.400
That sounds incredibly dangerous. It is. Now,

00:20:48.440 --> 00:20:50.960
Perry Saturn is a very strong guy, a legitimate

00:20:50.960 --> 00:20:55.079
powerhouse. But lifting a 365 -pound dead weight

00:20:55.079 --> 00:20:57.819
up onto your shoulders and controlling that fall.

00:20:58.220 --> 00:21:00.559
The physics alone are mind -boggling. It sounds

00:21:00.559 --> 00:21:02.660
like a recipe for a broken neck for both guys.

00:21:02.880 --> 00:21:05.240
It was a spectacular visual. The ring shook.

00:21:05.420 --> 00:21:07.819
It was arguably the most impressive seat of strength

00:21:07.819 --> 00:21:10.680
in WCW that entire year. But notice the pattern

00:21:10.680 --> 00:21:13.539
again. The highlight is Saturn lifting Reese.

00:21:14.339 --> 00:21:16.400
Reese's body was once again the prop that made

00:21:16.400 --> 00:21:19.000
the moment possible. He took the bump, he trusted

00:21:19.000 --> 00:21:21.279
his opponent, so Saturn could look like a god.

00:21:21.660 --> 00:21:24.240
So the flock disbands, the 90s are winding down,

00:21:24.440 --> 00:21:27.460
WCW is on its last legs, and it eventually collapses

00:21:27.460 --> 00:21:30.779
and gets bought by WWE in 2001. Where does a

00:21:30.779 --> 00:21:33.299
giant go when the big show closes down? Well,

00:21:33.319 --> 00:21:36.019
like many American wrestlers, when the big promotions

00:21:36.019 --> 00:21:39.079
run out of ideas for them, you look east. You

00:21:39.079 --> 00:21:41.480
go to Japan. Japan has always loved the gaijin

00:21:41.480 --> 00:21:43.920
monsters, right? The foreign heavyweights. They

00:21:43.920 --> 00:21:46.819
absolutely love the spectacle of size. Think

00:21:46.819 --> 00:21:49.240
of Andre the Giant, Stan Hansen, Big Van Vader,

00:21:49.380 --> 00:21:53.210
the Japanese style. Strong style. Is very physical,

00:21:53.369 --> 00:21:57.589
very hard -hitting. So in 2002, Reese tours Japan.

00:21:58.309 --> 00:22:00.970
But he needs a new name. He can't be Reese the

00:22:00.970 --> 00:22:03.210
Grunge Kid. Of course he needs a new name. So

00:22:03.210 --> 00:22:06.269
what is it this time? Big Bomb Jones. Big Bomb

00:22:06.269 --> 00:22:09.009
Jones. It's fantastic, isn't it? The source suggests

00:22:09.009 --> 00:22:11.890
it's a riff on Big Van Vader. Maybe a combination

00:22:11.890 --> 00:22:15.099
of Vader and Adam Bomb. another wrestler, or

00:22:15.099 --> 00:22:17.740
just the word bomb because it sounds impactful.

00:22:17.920 --> 00:22:20.440
It's wonderfully nonsensical. It's unclear, but

00:22:20.440 --> 00:22:22.839
Big Bomb Jones sounds like a final boss character

00:22:22.839 --> 00:22:26.079
from a 90s beat -em -up video game like Streets

00:22:26.079 --> 00:22:28.099
of Rage. It really does. It sounds like you have

00:22:28.099 --> 00:22:29.859
to defeat him to get to the next level. So he

00:22:29.859 --> 00:22:31.779
found success over there. He toured throughout

00:22:31.779 --> 00:22:35.390
2002. It shows his adaptability. He could work

00:22:35.390 --> 00:22:37.730
the American TV style, which is more about character

00:22:37.730 --> 00:22:40.430
and storylines. And he could work the grueling

00:22:40.430 --> 00:22:42.869
Japanese touring style, which is about hitting

00:22:42.869 --> 00:22:45.670
hard, endurance, and having long matches every

00:22:45.670 --> 00:22:47.710
night. And he eventually comes back to the States

00:22:47.710 --> 00:22:51.309
after that. He does. In 2003, he joins Turnbuckle

00:22:51.309 --> 00:22:54.710
Championship Wrestling, or TCW. This was a promotion

00:22:54.710 --> 00:22:57.910
run by the legendary Dusty Rhodes. And here...

00:22:58.109 --> 00:23:00.250
He goes back to the big Ron Studd gimmick. A

00:23:00.250 --> 00:23:02.450
return to his roots in a way. And he finds some

00:23:02.450 --> 00:23:05.690
actual championship success. He forms a tag team

00:23:05.690 --> 00:23:08.049
with a wrestler named Glacier. Glacier, the guy

00:23:08.049 --> 00:23:09.990
who looked like Sub -Zero from Mortal Kombat.

00:23:10.089 --> 00:23:12.650
The whole cryomancer gimmick. The very same.

00:23:12.829 --> 00:23:15.049
So you have the guy who was the Yeti from the

00:23:15.049 --> 00:23:17.390
Block of Ice and the guy who was a cryomancer.

00:23:17.670 --> 00:23:20.049
It makes a weird sort of poetic sense, doesn't

00:23:20.049 --> 00:23:22.069
it? It really, really does. They actually won

00:23:22.069 --> 00:23:25.329
the TCW Tag Team Championships on January 3,

00:23:25.450 --> 00:23:28.660
2004. So he got a hold gold. He got to be a champion.

00:23:28.799 --> 00:23:30.839
That's good to hear. After all the jobbing, after

00:23:30.839 --> 00:23:32.839
the mummy suit, after all the weird gimmicks,

00:23:32.920 --> 00:23:36.240
he got a title. He did. But the story has one

00:23:36.240 --> 00:23:40.700
final, very strange chapter. The final abstract

00:23:40.700 --> 00:23:43.460
persona. And honestly, this might be weirder

00:23:43.460 --> 00:23:46.220
than the Yeti. Oh, no. What could possibly top

00:23:46.220 --> 00:23:48.980
the Yeti? I don't think that's possible. In 2005,

00:23:49.119 --> 00:23:51.420
he works for a promotion called Ring of Glory

00:23:51.420 --> 00:23:54.200
Wrestling. This was run by Vince Russo, a very...

00:23:54.750 --> 00:23:56.589
A controversial writer in wrestling history.

00:23:56.750 --> 00:24:00.230
But this promotion was different. It was a Christian

00:24:00.230 --> 00:24:02.730
-oriented wrestling formation. Okay. So wrestling

00:24:02.730 --> 00:24:04.589
with a biblical message. Exactly. It was all

00:24:04.589 --> 00:24:06.730
allegorical. The storylines were meant to be

00:24:06.730 --> 00:24:09.430
morality plays. And Reese played a character

00:24:09.430 --> 00:24:13.589
named Evil. Just evil. Like Dr. Evil. Or you

00:24:13.589 --> 00:24:15.789
mean the literal concept of evil. Just evil.

00:24:15.970 --> 00:24:18.470
Not a name. The abstract concept of evil given

00:24:18.470 --> 00:24:21.289
flesh. He wore black. He didn't speak. He was

00:24:21.289 --> 00:24:23.630
the embodiment of sin. Wow. That is about as

00:24:23.630 --> 00:24:26.130
unsubtle as it gets. Extremely. And to make the

00:24:26.130 --> 00:24:29.349
allegory complete, on February 26, 2005, he wrestled

00:24:29.349 --> 00:24:31.670
a man named Joshua the Carpenter. Joshua the

00:24:31.670 --> 00:24:33.349
Carpenter. I feel like I know who that is supposed

00:24:33.349 --> 00:24:35.490
to represent. It's a passion play in a wrestling

00:24:35.490 --> 00:24:39.650
ring. It represents Jesus defeating Satan. And

00:24:39.650 --> 00:24:42.349
of course, the source notes that Reese, as evil,

00:24:42.509 --> 00:24:46.450
lost to Joshua, which theologically makes sense

00:24:46.450 --> 00:24:49.670
for the promotion. Good must defeat evil. So

00:24:49.670 --> 00:24:51.829
let's just trace this arc one more time. He went

00:24:51.829 --> 00:24:55.970
from being a mummy frozen in ice to a ninja to

00:24:55.970 --> 00:24:59.589
a grunge bouncer to being the literal embodiment

00:24:59.589 --> 00:25:02.630
of sin getting pinned by a carpenter. That is

00:25:02.630 --> 00:25:05.029
the career trajectory of Ron Reiss. It is an

00:25:05.029 --> 00:25:07.670
exhausting list of identities. It really is.

00:25:07.769 --> 00:25:09.410
You know, we've talked about his wrestling, but

00:25:09.410 --> 00:25:11.789
the man did dip his toe into Hollywood, didn't

00:25:11.789 --> 00:25:14.410
he? He did, very briefly. The source mentions

00:25:14.410 --> 00:25:17.069
a film from 1999 called Assault on Death Mountain.

00:25:17.289 --> 00:25:19.190
That's a great title. Also known as Shadow Warriors

00:25:19.190 --> 00:25:21.829
II. Hunt for the Death Merchant. An even better

00:25:21.829 --> 00:25:24.250
title. It starred Hulk Hogan, actually. And Reese

00:25:24.250 --> 00:25:27.119
played a character named Vlassie. It's a small

00:25:27.119 --> 00:25:29.319
footnote in his career, but it shows that he

00:25:29.319 --> 00:25:31.240
was trying to leverage that size for acting,

00:25:31.400 --> 00:25:33.779
much like other wrestlers like The Rock or Batista

00:25:33.779 --> 00:25:36.119
have done, just on a much smaller scale. So,

00:25:36.119 --> 00:25:38.599
let's zoom out. We've gone through the whole

00:25:38.599 --> 00:25:42.740
timeline. Basketball player. SWAT. The Yeti.

00:25:43.339 --> 00:25:47.619
The Supergiant Ninja. Big Romstead. Reese the

00:25:47.619 --> 00:25:51.819
Outcast. Big Bomb Jones. And finally, evil. It

00:25:51.819 --> 00:25:55.150
is a truly dizzying resume. It is! And when you

00:25:55.150 --> 00:25:57.289
look at it all laid out like that, what is the

00:25:57.289 --> 00:25:59.690
big takeaway? What does Ron Race's career tell

00:25:59.690 --> 00:26:02.190
us about the industry he gave his body to for

00:26:02.190 --> 00:26:04.289
over a decade? I think it tells us about the

00:26:04.289 --> 00:26:07.130
commodification of the freak show aspect of wrestling.

00:26:07.289 --> 00:26:09.730
Yeah. And I use that term historically, not respectfully.

00:26:10.309 --> 00:26:13.269
The industry saw a man who was seven foot two.

00:26:13.819 --> 00:26:16.559
And they didn't see Ron Reyes, the NCAA legacy,

00:26:16.759 --> 00:26:19.559
the skilled basketball player who scored 2 ,000

00:26:19.559 --> 00:26:21.779
points. They saw canvas. They saw canvas. They

00:26:21.779 --> 00:26:23.680
saw a prop that could be wrapped in bandages

00:26:23.680 --> 00:26:26.180
or put in a ninja hood or used as a stepping

00:26:26.180 --> 00:26:28.579
stone to make other people look strong. It's

00:26:28.579 --> 00:26:30.380
a career that was defined by his service to the

00:26:30.380 --> 00:26:32.809
spectacle. He was the special effect. But there's

00:26:32.809 --> 00:26:34.569
a real resilience there, isn't there? I mean,

00:26:34.589 --> 00:26:36.569
he kept coming back. He didn't quit after the

00:26:36.569 --> 00:26:38.109
mummy disaster, which would have been totally

00:26:38.109 --> 00:26:40.329
understandable. He didn't quit after the ninja

00:26:40.329 --> 00:26:42.509
embarrassment. He just kept reinventing himself.

00:26:43.009 --> 00:26:45.809
Absolutely. There is a profound tenacity to that.

00:26:46.130 --> 00:26:48.869
To endure the humiliation of the Yeti costume,

00:26:49.069 --> 00:26:51.970
knowing that people are laughing at you, not

00:26:51.970 --> 00:26:54.190
with you, and still come back and try to make

00:26:54.190 --> 00:26:56.549
Reese work or try to make Big Ron Studd work.

00:26:57.279 --> 00:26:59.400
That takes a true professional. It's a very strange

00:26:59.400 --> 00:27:01.960
kind of professionalism, isn't it? I will wear

00:27:01.960 --> 00:27:03.799
the toilet paper if the check clears and the

00:27:03.799 --> 00:27:06.240
show goes on. And he'd get it for over a decade,

00:27:06.319 --> 00:27:09.380
which in wrestling years is a lifetime. So here's

00:27:09.380 --> 00:27:11.259
where it gets really interesting for me. And

00:27:11.259 --> 00:27:12.599
this is the thought I want to leave everyone

00:27:12.599 --> 00:27:15.119
with. We look back and we laugh at the Yeti.

00:27:15.180 --> 00:27:17.279
It's a meme. It's a gif you see on Twitter. It's

00:27:17.279 --> 00:27:20.640
a punchline. But inside that mummy suit was a

00:27:20.640 --> 00:27:23.900
guy who probably dreamed of being the next Shaq,

00:27:24.019 --> 00:27:27.099
or at the very least, a respected athlete. And

00:27:27.099 --> 00:27:29.140
that's the tragedy and the beauty of it. He was

00:27:29.140 --> 00:27:31.400
a real athlete. He was doing the work. The double

00:27:31.400 --> 00:27:34.579
bear hug looks silly. But standing 7 '2 and taking

00:27:34.579 --> 00:27:37.599
bumps for a living is incredibly hard on the

00:27:37.599 --> 00:27:40.420
body. Your knees, your back, your hips. They're

00:27:40.420 --> 00:27:42.359
not designed for that. It's physically punishing.

00:27:42.700 --> 00:27:44.759
work. So while we chuckle at the super giant

00:27:44.759 --> 00:27:48.640
ninja, we should also recognize the grind. We

00:27:48.640 --> 00:27:50.380
should recognize the sacrifice that went into

00:27:50.380 --> 00:27:54.140
being that punchline. We all wear masks at work,

00:27:54.160 --> 00:27:57.819
right? Maybe not literal ninja masks, but we

00:27:57.819 --> 00:28:00.799
all play a role. We adapt to what the boss wants.

00:28:01.000 --> 00:28:03.680
We code switch depending on the meeting. We do.

00:28:04.089 --> 00:28:06.450
We present the version of ourselves that is required

00:28:06.450 --> 00:28:08.910
for the job. Ron Reyes did that to the absolute

00:28:08.910 --> 00:28:12.029
extreme. He let himself be frozen in ice, wrapped

00:28:12.029 --> 00:28:15.529
in cloth, shunned by society as an outcast, and

00:28:15.529 --> 00:28:18.069
even personified as evil itself, all for the

00:28:18.069 --> 00:28:20.250
entertainment of the crowd. And in doing so,

00:28:20.289 --> 00:28:23.549
he became immortal in a very weird way. No one

00:28:23.549 --> 00:28:25.430
forgets the Yeti. That is true. He might not

00:28:25.430 --> 00:28:27.670
have ever won the world title, but he won a permanent

00:28:27.670 --> 00:28:30.380
spot in our collective memory. And maybe. In

00:28:30.380 --> 00:28:31.859
this strange world of professional wrestling,

00:28:32.000 --> 00:28:34.180
that's enough. So next time you see a gif of

00:28:34.180 --> 00:28:36.480
a giant mummy shaking his way toward Hulk Hogan,

00:28:36.559 --> 00:28:39.240
don't just laugh. Remember Ron. Remember the

00:28:39.240 --> 00:28:41.259
basketball star. Remember the man inside the

00:28:41.259 --> 00:28:44.720
monster. It's a story of survival, really. Survival

00:28:44.720 --> 00:28:46.859
of the weirdest. Couldn't have said it better

00:28:46.859 --> 00:28:48.539
myself. Thanks for taking this deep dive with

00:28:48.539 --> 00:28:51.500
us. My pleasure. And to you listening, stay curious

00:28:51.500 --> 00:28:54.339
and maybe watch out for falling ice blocks. We'll

00:28:54.339 --> 00:28:55.160
see you next time.
