WEBVTT

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Welcome back to the Deep Dive. I have to be honest,

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looking at the stack of research on the desk

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today, I feel like we need a disclaimer. A disclaimer.

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Yeah. Usually we're looking at a specific topic,

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you know, a business case study, something we

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can neatly categorize. But today, today we are

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looking at a human life. And it's a life that

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reads like a suspense thriller script. that got

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rejected for being too unrealistic. That's a

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very fair assessment. It really is. If you wrote

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this down as fiction, I mean, the death penalty

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charges, the cancer survival, the massive chart

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-topping hits, the constant looping legal battles,

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any editor would tell you to tone it down. Exactly.

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They'd say it's just too much for one character

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arc. Way too much. And that's why we're aiming

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the spotlight today on Terrence Ivey Hatch Jr.

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Better known to the world, of course, as Boosie

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Badass. Or, depending on how old you are. Google

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Boosie! Right. But the mission for us today is

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to go way beyond the headlines, beyond the Instagram

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rants. Yeah, we really need to unpack a life

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that has been lived on a razor's edge. And I

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use that phrase very deliberately. We are not

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just looking at a musician today. We are looking

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at a survivor. A survivor of the legal system,

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a survivor of the American health care system,

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and frankly, a survivor of the poverty trap.

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He's a walking contradiction. A man who writes

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what he calls reality rap to make you cry. But

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he's best known for songs that make the entire

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club shake. It's a fascinating duality. It is.

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And we have to talk about the controversies.

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We just can't do a deep dive on Boosie without

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addressing the fact that he is. He's a lightning

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rod for criticism in the modern era. Oh, absolutely.

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He refuses to filter himself for better or for

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worse. But we're going to try to look at all

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of this, the good, the bad, the really ugly through

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the lens that he himself provides. He has this

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core concept that defines his work. Reality rap.

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Exactly. Reality rap. It's the foundational thesis

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of his life's work, really. He famously said

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it, and it's a great quote. Hip -hop music can

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make you dance and bob your head, but it can't

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make you cry or touch your heart like reality

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rap. That says it all. It does. And if you understand

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that he views his job not as entertainment but

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as documentation, then the rest of his wild,

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chaotic story starts to make a little more sense.

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So let's get into it. We've got the court transcripts,

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the full discography, the interviews. Let's start

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right at the beginning. Baton Rouge, Louisiana.

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The early 80s. November 14th, 1982. That's when

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Torrance Hatch is born. He grows up on West Garfield

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Street in Baton Rouge. Now, in a lot of hip hop

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biographies, you hear about the rough upbringing

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and that becomes sort of a cliche. It's almost

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a required part of the narrative. Right. But

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Boozy's situation was unique. It was truly unique

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because of the immediate duality. A split right

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inside his own household. It's almost like a

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sociological case study under one roof. On one

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side, you have his mother. Connie Hatch. Right.

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And she wasn't just, you know, around. She was

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a school principal. A principal. Wow. Her father

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was a pastor. So you have this incredibly strong

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lineage of education, of discipline, literacy,

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religious structure. That is a very specific

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type of Southern upbringing. Strict, respectable,

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very community focused. Very. But then, then

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you have the other side of the coin. His father.

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Torrance Hatch Surnier. The other extreme. The

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complete other extreme. His father was deep in

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the streets. The sources are clear. He passed

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away in 1997. And Boozy has been incredibly brutally

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open about the cause. He doesn't sugarcoat it.

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He released a documentary, a DVD, where he states

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it explicitly. His father died due to drugs.

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He watched addiction completely destroy the man

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who gave him his name. I mean, just imagine being

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a child trying to navigate that. You can't. You

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have the school principal mother telling you

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to study, to follow the rules, to stay in line.

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And then you have the father figure showing you

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in real time the absolute devastation of the

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street life. It's a heavy psychological burden

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for a kid. It has to create a split worldview.

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How could it not? He clearly respects the discipline,

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but he's also drawn to the chaos because, well,

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because that's where his father was. As if that

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wasn't complicated enough, nature throws this

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massive curveball at him while he is still just

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a child. A diagnosis that changes everything.

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Everything. Type 1 diabetes. Exactly. And we

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really need to pause on this for a second because

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I think a lot of people hear diabetes and they

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just think, oh, he has to watch his sugar. Right.

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They don't get the severity. No. Type 1 is an

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autoimmune condition. it means your pancreas

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just stops producing insulin it shuts down if

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you do not actively inject insulin you will die

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it's that simple it's a constant ticking clock

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it is so diagnosed as a child busi had to learn

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to manage this instantly it adds this layer of

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physical vulnerability that you almost never

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see in the gangsta rap archetype that's a great

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point most of these figures they present themselves

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as invincible right bulletproof but busi from

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childhood knew on a fundamental level that his

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own body could kill him if he wasn't careful.

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That has to shape your entire personality. You're

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living with this constant internal threat. So,

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OK, he's dealing with this major health issue,

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this intense family dynamic and the environment

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of late 90s Baton Rouge. How does he find music

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in the middle of all that? Through the camp.

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In the South, especially back then, the music

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scene wasn't just a bunch of guys with hobbies.

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It was organized almost like a trade guild or

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a union. Okay. His cousin, a guy named Young

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D, introduced him to a local legend, a man named

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Seelock. And Seelock runs a collective called

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the Concentration Camp. Yeah. Which honestly

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is a jarring name, but it's the name that stuck.

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It is. And it was a collective of the absolute

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best local talent. You had Young Bleed, Happy

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Perez, Max Minnelli. You should think of it like

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a sports team's farm system or maybe a dojo.

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You had to be good to even be there. You had

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to be. And Boosie joins in 1998. He's mentored

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by Young Bleed and Sealock. And here is the absolute

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key to his early development. He was the youngest

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member by far. Hence the name, Little Boosie.

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Exactly. He was literally the kid at the group.

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He's what, 15, 16 years old? 15 or 16 years old,

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hanging around grown men who are navigating the

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independent music business. In 2000, he makes

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his debut on C -Lock's album, It's a Gamble.

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But then, a vacuum opened up. What happened?

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Young Bleed, who was the undisputed star of the

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camp, he left. He moved on. And Boosie, this

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teenager, he steps right into that spot. He seizes

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the moment. At just 17 years old, he records

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and releases his debut album, Youngest of DeCamp.

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Wow. 17. And this contest is so crucial. He wasn't

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just an artist. He was an apprentice. He was

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learning independent distribution. He was learning

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how to press CDs, how to hustle albums out of

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a car trunk. He learned the business of survival

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before he was even legally an adult. And that

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independent hustle, that really defines that

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entire era of Southern rap. But to really blow

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up, to get out of Baton Rouge and onto the national

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stage, you needed a co -song. You needed a bridge.

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And in 2001, Boosie found the ultimate bridge.

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The Pimp C connection. Okay, so for any listeners

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who might not be deep into Southern hip -hop

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history, you have to explain the magnitude of

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Pimp C. Pimp C was. I mean, he was a giant. He

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was one half of UGK, the Underground Kings. He

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was the soul of Texas rap and by extension, a

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huge part of the soul of Southern rap. He was

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more than a rapper. Oh, much more. He was a tastemaker.

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If Pimp C said you were good, you were good.

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Period. End of discussion. He was the gatekeeper

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of what was Trill, which stood for true and real.

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So Pimp C takes Lil Boosie under his wing. He

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brings him into his company, Trill Entertainment,

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in 2001. And this. This is the launch pad. This

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is where things start to take off. They really

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do. Boosie releases For My Thugs in 2002. And

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this is where we see the formation of a dynamic

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duo that would absolutely run the mid -2000s,

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Boosie and Webby. The chemistry between those

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two. Yeah. It was just instantaneous. It was

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a perfect balance. You know, Webby had this kind

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of loose, bouncy, almost laid back flow. And

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then Boosie had this sharp, aggressive, really

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high pitched nasal delivery that just cut right

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through any beat. It was unmistakable. You always

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knew when it was him. They released Ditto Stories

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in 2003 and then Gangsta Music in 2004. They

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were just flooding the market with music. And

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the major labels, they had to start paying attention.

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They couldn't ignore the numbers anymore. Universal

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came knocking. There was a lot of interest. But

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Boosie eventually signed a major distribution

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deal with Warner Bros. Records in January 2005.

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And this is the beginning of the Trill era. If

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you were in high school or college around 2005,

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2006, 2007, you remember this. You couldn't escape

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it. The South had the radio in a chokehold. Absolutely.

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His major label debut, Badazz, drops in 2006.

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That had the single Zoom with Young Jock, which

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was huge. A massive hit. But the cultural phenomenon,

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the moment that really cemented him in the national

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consciousness, was the remix to White Me Down.

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Shoulders, chest, pants, shoes. I mean, it was

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literally an instruction manual for how to get

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ready and go to the club. It was completely inescapable.

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It was on the Survival of the Fittest compilation

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album in 2007. And at the exact same time, he's

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featured on Webby's massive hit, Independent.

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I -N -D -E -P -E -N -D -E -N -T. That spelling

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chant is probably still being yelled at bachelorette

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parties somewhere right now. I guarantee it is.

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It crossed over. It went from the streets to

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the suburbs. It went pop. And this is that paradox

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we keep coming back to with him. Boozy is writing

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these gut -wrenching songs about his struggle,

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about his diabetes, about police brutality. But

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he becomes famous for... These massive high energy

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party tracks. Such a strange split. And he was

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collaborating with everyone. He was on DJ Khaled's

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Out Here Grinding. He was jumping on everyone's

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remixes. He was dropping mixtapes constantly

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like Day Beginning and The Return of Mr. Wipe

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Me Down. He was working like he was running out

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of time. And as it turns out, in a way. He was

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because just as he hits this absolute peak major

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label deal, radio hits, the money is rolling

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in, the reality part of his reality rap comes

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crashing down on him. We enter the legal gauntlet.

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And this is where the story shifts dramatically.

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It goes from a music biography to a very dark,

00:10:18.820 --> 00:10:21.860
very complicated legal drama. Very fast. Very,

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very fast. Okay, so let's break down the timeline

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because it's really a domino effect. Yeah. It

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all starts in 2008. October 22, 2008. East Baton

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Rouge sheriff's deputies pull Boosie's car over.

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They search the vehicle. And they find? They

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find marijuana and a Glock pistol. Now, this

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is key. Boosie already has a criminal record.

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So this isn't a simple possession charge. This

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is a third offense possession of marijuana charge.

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Which in Louisiana is a felony. It is a serious

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felony. So he pleads guilty in September of 2009.

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And the expectation, the deal on the table was

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for a two -year sentence. Okay. Not great for

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a career at its peak, but manageable. That was

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the deal. But then Judge Chip Moore steps in.

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And things change. Drastically. See, Boosie was

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on house arrest with an electronic monitor while

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he was awaiting his sentencing, and he violated

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the terms of that house arrest. The judge looked

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at that violation, looked at his record, and

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basically said, no, two years is not enough.

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And he doubled it. He doubled the sentence. Four

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years in state prison. So, Jill, I'm trying to

00:11:22.230 --> 00:11:24.850
imagine that mindset for a second. You are at

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the absolute peak of your career. You're a star.

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And suddenly you are looking at four years in

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a cell. Your entire momentum is just halted.

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It's a career death sentence for most artists.

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But that that was just the appetizer. Right.

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It gets so much worse. While he is sitting in

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that cell serving that four year sentence, his

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entire world collapses. June 17th, 2010. Boozy

00:11:48.519 --> 00:11:51.419
is indicted for first -degree murder. This is

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the Terry Boyd case. The murder of a man named

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Terry Boyd. And we need to be very, very clear

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about the stakes here. This wasn't a manslaughter

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charge. This wasn't a lesser charge of assault.

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This was first -degree murder. The highest charge

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you can face. And the state alleged it was a

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murder for hire, that Boozy paid a teenager to

00:12:07.759 --> 00:12:10.820
kill Terry Boyd over a turf war. The district

00:12:10.820 --> 00:12:13.240
attorney, a man named Hiller Moore, he went for

00:12:13.240 --> 00:12:15.730
the throat. He cited the potential for the death

00:12:15.730 --> 00:12:17.629
penalty. He did. He announced he was seeking

00:12:17.629 --> 00:12:19.490
the death penalty. The death penalty. I want

00:12:19.490 --> 00:12:21.450
the listener to really process that. He's sitting

00:12:21.450 --> 00:12:24.570
in prison for weed and a gun violation, and suddenly

00:12:24.570 --> 00:12:27.210
the state of Louisiana is saying, we want to

00:12:27.210 --> 00:12:30.190
execute you. It is the ultimate nightmare scenario.

00:12:30.610 --> 00:12:33.110
Yeah. And the DA wasn't stopping there. They

00:12:33.110 --> 00:12:34.929
started telling the press that Boosie might have

00:12:34.929 --> 00:12:36.990
been involved in at least five other murders.

00:12:37.269 --> 00:12:38.950
So they weren't just trying to convict him of

00:12:38.950 --> 00:12:40.929
one crime. No, they were trying to paint him

00:12:40.929 --> 00:12:45.539
as the head of a criminal snake. A kingpin who

00:12:45.539 --> 00:12:49.080
is using his rap money to fund a bloody war in

00:12:49.080 --> 00:12:51.720
the streets of Baton Rouge. It's an incredible

00:12:51.720 --> 00:12:56.200
story. So the trial happens and the defense strategy

00:12:56.200 --> 00:12:58.759
that his team employed. I mean, when I was reading

00:12:58.759 --> 00:13:00.379
about this, I had to read it two or three times

00:13:00.379 --> 00:13:02.620
to make sure I understood it correctly. It seems

00:13:02.620 --> 00:13:05.399
insanely risky. It is the kind of strategy they

00:13:05.399 --> 00:13:08.700
teach you about in law school as a Hail Mary

00:13:08.700 --> 00:13:11.980
play, a high risk, high reward gambit. So what

00:13:11.980 --> 00:13:14.200
do they do? Boosie's defense team, led by Jason

00:13:14.200 --> 00:13:16.379
Williams and Michael Fowler, they looked at the

00:13:16.379 --> 00:13:18.899
prosecution's case. And what did the prosecution

00:13:18.899 --> 00:13:21.879
have? They had some of Boosie's rap lyrics, which

00:13:21.879 --> 00:13:24.000
they tried to use as confessions. A classic and

00:13:24.000 --> 00:13:26.679
very controversial tactic. Right. They had circumstantial

00:13:26.679 --> 00:13:29.120
evidence. And their star witness was a man named

00:13:29.120 --> 00:13:31.559
Michael Marlowe Mike Louding, who had already

00:13:31.559 --> 00:13:34.399
changed his story multiple times. He was not

00:13:34.399 --> 00:13:36.820
a credible witness. So the defense team saw this

00:13:36.820 --> 00:13:40.000
and did what? They did nothing. Or I should say.

00:13:40.330 --> 00:13:42.750
They strategically did nothing. They stood up.

00:13:42.750 --> 00:13:45.289
They acknowledged that Boosie had ongoing cases,

00:13:45.409 --> 00:13:48.409
that he wasn't an angel. But they emphasized

00:13:48.409 --> 00:13:52.190
one point over and over. He is not a murderer.

00:13:52.429 --> 00:13:56.830
And then? And then they rested their case. They

00:13:56.830 --> 00:13:59.710
didn't call a single witness? Not a single witness,

00:13:59.809 --> 00:14:03.809
not one. Okay, so explain the logic there. Why

00:14:03.809 --> 00:14:06.769
would you not call anyone to defend your client?

00:14:07.149 --> 00:14:09.370
when his actual life is on the line it's all

00:14:09.370 --> 00:14:11.870
about the burden of proof in the american legal

00:14:11.870 --> 00:14:14.929
system the burden is 100 on the prosecution to

00:14:14.929 --> 00:14:17.649
prove guilt beyond a reasonable doubt right by

00:14:17.649 --> 00:14:19.610
resting immediately the defense was effectively

00:14:19.610 --> 00:14:22.289
standing up and saying to the jury they haven't

00:14:22.289 --> 00:14:24.149
proved anything their case is so weak we don't

00:14:24.149 --> 00:14:26.269
even need to dignify this with a response it

00:14:26.269 --> 00:14:28.450
sends a message of supreme confidence supreme

00:14:28.450 --> 00:14:32.289
confidence but if you're wrong if you misread

00:14:32.289 --> 00:14:35.620
that jury Your client gets a lethal injection.

00:14:35.980 --> 00:14:39.080
It's a massive, massive gamble. But the jury's

00:14:39.080 --> 00:14:41.080
reaction tells us everything we need to know

00:14:41.080 --> 00:14:42.899
about whether it worked. The jury deliberated

00:14:42.899 --> 00:14:45.419
for less than 10 minutes. 10 minutes? That's

00:14:45.419 --> 00:14:47.919
a coffee break. That's not even enough time for

00:14:47.919 --> 00:14:50.620
everyone to use the restroom. To decide a capital

00:14:50.620 --> 00:14:54.000
murder case, it is almost unheard of. They came

00:14:54.000 --> 00:14:57.019
back with a unanimous not guilty verdict. A full

00:14:57.019 --> 00:14:59.379
acquittal. It strongly implies that they saw

00:14:59.379 --> 00:15:01.759
the prosecution's case as completely hollow.

00:15:01.879 --> 00:15:04.259
They didn't buy a single second of it. So he

00:15:04.259 --> 00:15:06.919
beats the murder charge. He beats the death penalty.

00:15:07.539 --> 00:15:09.980
Relief in that moment must have just been overwhelming.

00:15:10.779 --> 00:15:13.500
But, and with Boozy there's always a but, he's

00:15:13.500 --> 00:15:16.860
not free. No. Not even close. He still had the

00:15:16.860 --> 00:15:19.159
original drug charges to serve out, and while

00:15:19.159 --> 00:15:21.360
he was in prison fighting the murder case, he

00:15:21.360 --> 00:15:23.940
caught another case. The drug ring allegations.

00:15:24.299 --> 00:15:26.740
Right. The state accused him of conspiring to

00:15:26.740 --> 00:15:29.120
introduce contraband into the prison, specifically

00:15:29.120 --> 00:15:32.779
codeine, cocaine, and marijuana. They said he

00:15:32.779 --> 00:15:34.820
was running a smuggling operation from his cell.

00:15:35.419 --> 00:15:38.500
Essentially, yes. But his lawyers used another

00:15:38.500 --> 00:15:40.899
fascinating defense here. They didn't just deny

00:15:40.899 --> 00:15:44.809
it. They argued entrapment. How did that work?

00:15:45.090 --> 00:15:47.509
They argued that an informant who was working

00:15:47.509 --> 00:15:50.350
for the authorities offered to provide codeine

00:15:50.350 --> 00:15:53.590
to Boozy in exchange for his help. Now, Boozy

00:15:53.590 --> 00:15:56.049
has never hidden the fact that he was, at that

00:15:56.049 --> 00:15:58.789
time, addicted to codeine lean syrup, whatever

00:15:58.789 --> 00:16:00.509
you want to call it. So the defense was? The

00:16:00.509 --> 00:16:03.250
defense was basically, he's not drug kingpin

00:16:03.250 --> 00:16:06.129
trying to make a profit. He is an addict. And

00:16:06.129 --> 00:16:08.409
you sent an informant to dangle his addiction

00:16:08.409 --> 00:16:10.879
right in front of his face to set him up. That

00:16:10.879 --> 00:16:13.460
is a very human defense. It completely strips

00:16:13.460 --> 00:16:16.370
away the boozy badass persona. It admits to a

00:16:16.370 --> 00:16:19.129
profound weakness. And it worked, at least enough

00:16:19.129 --> 00:16:21.509
to manage the damage. He eventually pled guilty

00:16:21.509 --> 00:16:24.070
to the drug charges in November 2011 and was

00:16:24.070 --> 00:16:26.809
sentenced to eight years. But with credit for

00:16:26.809 --> 00:16:28.990
time served and good behavior, everyone knew

00:16:28.990 --> 00:16:30.809
he was looking at a release date sometime in

00:16:30.809 --> 00:16:33.669
2014. So he's in there. He has literally faced

00:16:33.669 --> 00:16:36.370
death and won, but he's still locked up for years.

00:16:36.590 --> 00:16:38.990
And for most artists, four or five years out

00:16:38.990 --> 00:16:41.289
of the game is a career death sentence. Absolutely.

00:16:41.490 --> 00:16:44.350
Fans move on. The sound of hip hop changes. But

00:16:44.350 --> 00:16:47.389
Boosie. He didn't just sit there doing push -ups

00:16:47.389 --> 00:16:50.029
and waiting. No, he didn't. And this brings us

00:16:50.029 --> 00:16:52.190
to the prison productivity chapter of his life.

00:16:52.570 --> 00:16:54.990
This is what separates Boozy from so many other

00:16:54.990 --> 00:16:57.690
incarcerated artists. He treated prison like

00:16:57.690 --> 00:17:02.629
a monastery or an incubator. In January 2014,

00:17:02.990 --> 00:17:05.349
just before he was released, he did an interview

00:17:05.349 --> 00:17:07.289
from prison and he dropped a bombshell number.

00:17:07.710 --> 00:17:10.589
He said, I have about 500 songs at the moment.

00:17:11.259 --> 00:17:13.920
500 songs. Yeah. Even if half of those are just

00:17:13.920 --> 00:17:17.500
hooks or loose verses, the sheer volume is staggering.

00:17:17.740 --> 00:17:19.819
And he said, and this is another key quote, the

00:17:19.819 --> 00:17:21.859
more I go through in life, the better my music

00:17:21.859 --> 00:17:24.559
gets. He was channeling all of it, the frustration,

00:17:24.740 --> 00:17:26.880
the fear of the death penalty, the isolation,

00:17:27.079 --> 00:17:29.519
directly into writing. He didn't have a studio,

00:17:29.599 --> 00:17:31.680
so he was just filling out books. And it wasn't

00:17:31.680 --> 00:17:34.099
just rap lyrics he was writing either. No. In

00:17:34.099 --> 00:17:36.299
2013, it was announced that he had earned his

00:17:36.299 --> 00:17:39.519
GED certificate while incarcerated. So he was

00:17:39.519 --> 00:17:41.240
educating himself? He was educating himself.

00:17:41.500 --> 00:17:43.519
He was preparing for the second act of his life.

00:17:43.819 --> 00:17:45.900
He knew that when he got out, he couldn't just

00:17:45.900 --> 00:17:47.980
be the same guy who went in. He had to be smarter,

00:17:48.160 --> 00:17:51.240
more prepared. And when he finally walks out,

00:17:51.279 --> 00:17:54.220
that was March 5th, 2014, he signals that change

00:17:54.220 --> 00:17:56.279
immediately. The very first thing he does is

00:17:56.279 --> 00:17:58.259
change his name. The shift from Little Boozy

00:17:58.259 --> 00:18:01.130
to Boozy Badass. It seems like a small thing

00:18:01.130 --> 00:18:03.329
on the surface, but names mean everything in

00:18:03.329 --> 00:18:05.690
hip hop. They're brands. They are. And I have

00:18:05.690 --> 00:18:07.650
a quote here from an interview he did with Noisy

00:18:07.650 --> 00:18:10.470
in 2015 that explains it perfectly. He said,

00:18:10.470 --> 00:18:13.769
quote, I got tired of just people, grown men,

00:18:14.009 --> 00:18:16.930
like, what up, Lil Boosie? No, I'm grown. Should

00:18:16.930 --> 00:18:19.750
be Mr. Filion. You know, I'm Boosie Badass. I'm

00:18:19.750 --> 00:18:22.069
a dad, man. It's a rite of passage. It really

00:18:22.069 --> 00:18:24.910
is. He went into prison as a young man with a

00:18:24.910 --> 00:18:27.670
little prefix attached to his name. He came out

00:18:27.670 --> 00:18:29.809
having beaten a capital murder charge, having

00:18:29.809 --> 00:18:32.869
educated himself, having survived the penitentiary.

00:18:32.950 --> 00:18:35.049
You can't call a man who has been through all

00:18:35.049 --> 00:18:37.289
that Lil anymore. He demanded the respect of

00:18:37.289 --> 00:18:40.509
a grown man. And he'd earned it. So, 2014. The

00:18:40.509 --> 00:18:43.589
Return. He holds this press conference that felt

00:18:43.589 --> 00:18:46.309
more like a political event than a rapper's release

00:18:46.309 --> 00:18:48.950
party. The whole industry was watching. He signs

00:18:48.950 --> 00:18:51.730
a new deal with Atlantic Records. He immediately

00:18:51.730 --> 00:18:54.809
drops Show Day World with Webby getting the band

00:18:54.809 --> 00:18:57.289
back together. He releases the comeback album,

00:18:57.490 --> 00:19:00.509
Touchdown 2 Cause Hell. The momentum is back.

00:19:00.710 --> 00:19:02.809
Everything is looking up. And then just when

00:19:02.809 --> 00:19:04.890
things are stable, life reminds him once again

00:19:04.890 --> 00:19:08.150
that he is mortal. The health battles return.

00:19:08.430 --> 00:19:11.730
November 2015. He's been out of prison for about

00:19:11.730 --> 00:19:14.529
18 months. He's touring. He's making money. Life

00:19:14.529 --> 00:19:18.049
is good. And then he posts a photo on his Instagram

00:19:18.049 --> 00:19:20.750
with a caption explaining that he's been diagnosed

00:19:20.750 --> 00:19:23.730
with kidney cancer. At 33 years old. It's just

00:19:23.730 --> 00:19:25.930
devastating. You survived the state's lethal

00:19:25.930 --> 00:19:28.390
injection table only to find out that your own

00:19:28.390 --> 00:19:30.390
cells are trying to kill you. But in typical

00:19:30.390 --> 00:19:32.170
Boosie fashion, he attacked it aggressively.

00:19:32.630 --> 00:19:35.470
Immediately. He underwent surgery to remove the

00:19:35.470 --> 00:19:37.410
cancerous part of his kidney. And thankfully,

00:19:37.549 --> 00:19:39.799
the surgery was successful. But it was... This

00:19:39.799 --> 00:19:42.079
stark, terrifying reminder of his underlying

00:19:42.079 --> 00:19:44.380
health issues. And that links right back to the

00:19:44.380 --> 00:19:46.839
diabetes. There was another moment, this was

00:19:46.839 --> 00:19:49.420
in 2020, that I found incredibly striking. It

00:19:49.420 --> 00:19:51.700
wasn't a song. It wasn't a controversy. It was

00:19:51.700 --> 00:19:55.970
a plea for help. I remember this. April 2020,

00:19:56.230 --> 00:19:58.509
he's in Jacksonville, Florida for a show or something.

00:19:58.690 --> 00:20:01.630
He goes on Instagram Live, but he isn't stunting.

00:20:01.650 --> 00:20:03.849
He isn't showing off jewelry. He's not bragging.

00:20:03.950 --> 00:20:06.230
No, he's panicking. He is panicking. He had run

00:20:06.230 --> 00:20:09.029
out of his specific type of insulin. It's called

00:20:09.029 --> 00:20:12.109
Lantus. And for whatever reason, he couldn't

00:20:12.109 --> 00:20:14.230
get a prescription filled in time. So he was

00:20:14.230 --> 00:20:17.470
on social media publicly asking his fans in the

00:20:17.470 --> 00:20:20.170
Jacksonville area to bring him insulin. Does

00:20:20.170 --> 00:20:22.980
anyone in Jacksonville have any Lantus? Imagine

00:20:22.980 --> 00:20:26.720
that. A millionaire, a famous celebrity, relying

00:20:26.720 --> 00:20:29.079
on the kindness of strangers on social media

00:20:29.079 --> 00:20:32.039
to get the medicine he needs to stay alive. It

00:20:32.039 --> 00:20:34.299
just shatters the entire illusion of celebrity.

00:20:34.440 --> 00:20:36.920
It brings us right back to his core idea of reality

00:20:36.920 --> 00:20:39.660
rap. He showed his fear. He showed his vulnerability.

00:20:40.019 --> 00:20:42.200
And I honestly think that is why his fan base

00:20:42.200 --> 00:20:45.839
is so fiercely, unbelievably loyal. Because he

00:20:45.839 --> 00:20:47.920
lets them see the cracks in the armor. Exactly.

00:20:47.920 --> 00:20:49.579
They know that when he says he's struggling,

00:20:49.700 --> 00:20:52.440
he's not using a metaphor. He is literally physically

00:20:52.440 --> 00:20:55.619
struggling to survive another day. However, that

00:20:55.619 --> 00:20:59.500
no filter, show everything approach is a massive

00:20:59.500 --> 00:21:02.099
double edged sword. A huge one. Because being

00:21:02.099 --> 00:21:05.279
real means you share your pain. But for Boosie,

00:21:05.380 --> 00:21:08.420
it also means you share your opinions. And in

00:21:08.420 --> 00:21:10.940
the last five or six years, his opinions have

00:21:10.940 --> 00:21:13.019
generated just as many headlines as his music.

00:21:13.200 --> 00:21:15.140
We have to talk about the controversies. And

00:21:15.140 --> 00:21:16.559
I think it's important to frame this carefully.

00:21:17.109 --> 00:21:20.390
Our job here is to report what happened and analyze

00:21:20.390 --> 00:21:23.549
the fallout. We aren't here to endorse or condemn

00:21:23.549 --> 00:21:25.849
his views, but we have to look at the friction

00:21:25.849 --> 00:21:29.150
between Boozy's worldview and the modern world.

00:21:29.329 --> 00:21:31.450
Because that friction is now a huge part of his

00:21:31.450 --> 00:21:33.730
public identity. It really is. It seems like

00:21:33.730 --> 00:21:35.630
every few months he's trending on social media

00:21:35.630 --> 00:21:37.430
for saying something that makes half the internet

00:21:37.430 --> 00:21:40.650
absolutely furious. So where do we start? Let's

00:21:40.650 --> 00:21:42.690
start with his comments on parenting and social

00:21:42.690 --> 00:21:45.289
norms. Okay. There were a couple of incidents,

00:21:45.509 --> 00:21:48.329
one in 2017 and another in 2020, that involved

00:21:48.329 --> 00:21:51.529
his own family. Boozy faced massive widespread

00:21:51.529 --> 00:21:54.109
backlash for comments he made about hiring a

00:21:54.109 --> 00:21:57.089
prostitute to perform sexual acts on his underage

00:21:57.089 --> 00:21:59.430
son and nephew. And these were children? These

00:21:59.430 --> 00:22:01.170
were children. According to his own statements,

00:22:01.329 --> 00:22:03.829
they were between the ages of 12 and 14. And

00:22:03.829 --> 00:22:06.349
he admitted to this? He boasted about it. In

00:22:06.349 --> 00:22:09.210
a 2017 social media post, he treated it as a

00:22:09.210 --> 00:22:12.059
rite of passage for them. Later, when he got

00:22:12.059 --> 00:22:14.440
a lot of heat for it, he claimed he was joking

00:22:14.440 --> 00:22:17.500
about that specific instance. But then in 2020...

00:22:17.799 --> 00:22:20.119
He basically doubled down on the philosophy behind

00:22:20.119 --> 00:22:22.559
it. But what was his justification? He argued

00:22:22.559 --> 00:22:24.779
that exposing his sons to that kind of sexual

00:22:24.779 --> 00:22:27.920
activity was, in his view, preferable to them

00:22:27.920 --> 00:22:30.420
seeing cartoons that depicted same -sex relationships.

00:22:30.799 --> 00:22:33.819
That is a very specific and to many, many people,

00:22:33.920 --> 00:22:37.000
a shocking moral calculus. It is. And that leads

00:22:37.000 --> 00:22:39.660
us directly into his recurring and very public

00:22:39.660 --> 00:22:42.559
conflict with the LGBTQ plus community. This

00:22:42.559 --> 00:22:44.519
has become a major part of his current public

00:22:44.519 --> 00:22:46.920
profile. The most high -profile incident, of

00:22:46.920 --> 00:22:49.240
course, involved Dwyane Wade's daughter, Zaya.

00:22:49.420 --> 00:22:52.160
Right. Zaya Wade came out as transgender. And

00:22:52.160 --> 00:22:55.220
in February of 2020, Boozy went on a long public

00:22:55.220 --> 00:22:58.339
rant criticizing Dwyane Wade's parenting. And

00:22:58.339 --> 00:23:00.380
this wasn't a polite disagreement about parenting

00:23:00.380 --> 00:23:03.259
styles? No, no. It was graphic, it was aggressive,

00:23:03.359 --> 00:23:05.819
and it was deeply personal. He used misgendering

00:23:05.819 --> 00:23:08.460
language and was widely condemned for it. And

00:23:08.460 --> 00:23:11.500
he faced actual real -world consequences for

00:23:11.500 --> 00:23:13.339
that, right? It wasn't just Twitter tough talk.

00:23:13.420 --> 00:23:20.220
There were real -world consequences. Now, his

00:23:20.220 --> 00:23:22.319
side of the story is that the manager was gay

00:23:22.319 --> 00:23:24.940
and was offended by his comments and threw him

00:23:24.940 --> 00:23:27.460
out for that reason. And Planet Fitness's side.

00:23:27.900 --> 00:23:30.000
Planet Fitness said it was because he was filming

00:23:30.000 --> 00:23:32.660
in the locker room and being disruptive and harassing

00:23:32.660 --> 00:23:35.859
staff, which violated their policies. But Boosie

00:23:35.859 --> 00:23:38.339
spun it as him being a martyr for free speech.

00:23:38.579 --> 00:23:41.099
He framed it as being canceled for his views.

00:23:41.259 --> 00:23:44.579
Exactly. And then the situation with the artist

00:23:44.579 --> 00:23:47.099
Lil Nas X took it to another level. That was

00:23:47.099 --> 00:23:49.980
the peak of the tension. By far. After some online

00:23:49.980 --> 00:23:53.059
rumors, just rumors that he and Lil Nas X might

00:23:53.059 --> 00:23:56.059
collaborate, Boosie unleashed this unbelievably

00:23:56.059 --> 00:24:00.230
homophobic. tirade on Twitter in late 2021. He

00:24:00.230 --> 00:24:03.349
used slurs. He used slurs and he explicitly told

00:24:03.349 --> 00:24:05.950
Lil Nas X to commit suicide. I mean, telling

00:24:05.950 --> 00:24:09.509
another person to kill themselves. In most industries,

00:24:09.630 --> 00:24:13.289
for most public figures, that is the end. That

00:24:13.289 --> 00:24:15.670
is a career -ending moment. Brand deals are gone,

00:24:15.769 --> 00:24:19.329
the label drops you, you're done. But boozy is

00:24:19.329 --> 00:24:21.910
still here. And that right there is the fascinating

00:24:21.910 --> 00:24:24.859
analytical question. Why hasn't he been canceled?

00:24:24.980 --> 00:24:27.079
So what's the answer? How does he survive that

00:24:27.079 --> 00:24:29.940
kind of firestorm? I think it's because he has

00:24:29.940 --> 00:24:32.859
very successfully positioned himself as the unfiltered

00:24:32.859 --> 00:24:35.700
truth teller for a specific demographic of people

00:24:35.700 --> 00:24:39.039
who feel alienated or confused by changing social

00:24:39.039 --> 00:24:42.180
norms. Okay. When he says these things, his core

00:24:42.180 --> 00:24:44.339
fan base, and these are people who often grew

00:24:44.339 --> 00:24:46.440
up in similar environments with similar old school

00:24:46.440 --> 00:24:49.259
values, they don't necessarily hear hate speech.

00:24:49.539 --> 00:24:51.920
They hear resistance. Resistance to what? Resistance

00:24:51.920 --> 00:24:54.700
to what they perceive as Hollywood or liberal

00:24:54.700 --> 00:24:57.759
social pressure. They see a guy who has refused.

00:24:57.839 --> 00:25:00.180
to bow down, refusing to apologize for what he

00:25:00.180 --> 00:25:03.000
believes. So his refusal to apologize is the

00:25:03.000 --> 00:25:05.519
product. That's the brand. That's the brand.

00:25:05.660 --> 00:25:08.700
Exactly. If he apologized, he would lose all

00:25:08.700 --> 00:25:11.599
credibility with his base. By doubling down,

00:25:11.819 --> 00:25:14.440
by getting kicked out of Planet Fitness, by fighting

00:25:14.440 --> 00:25:17.180
with everyone on Twitter, he reinforces his brand

00:25:17.180 --> 00:25:20.079
as the badass who doesn't care what the mainstream

00:25:20.079 --> 00:25:23.880
thinks of him. He has, in a strange way, monetized

00:25:23.880 --> 00:25:26.700
being the villain in the modern cultural narrative.

00:25:27.049 --> 00:25:30.190
a strategy of pure defiance. And speaking of

00:25:30.190 --> 00:25:35.130
strategy, he has tried to channel this this maverick

00:25:35.130 --> 00:25:37.789
energy into legitimate business in recent years.

00:25:37.930 --> 00:25:40.150
He has. He founded his own record label, the

00:25:40.150 --> 00:25:42.650
Badass Music Syndicate. He runs it with his brother

00:25:42.650 --> 00:25:46.150
and manager, Corey Hatch, who goes by TQ. I noticed

00:25:46.150 --> 00:25:47.869
they changed the name. It used to be Badass Entertainment.

00:25:48.049 --> 00:25:49.849
Now it's Syndicate. Is there a reason for that?

00:25:50.029 --> 00:25:52.369
Yeah. TQ explained this in an interview. While

00:25:52.369 --> 00:25:54.390
Boosie was in prison because the name Badass

00:25:54.390 --> 00:25:56.309
is somewhat generic, you had all these random,

00:25:56.390 --> 00:25:58.809
unaffiliated people online claiming to be part

00:25:58.809 --> 00:26:01.470
of Badass Entertainment. It created a mess. So

00:26:01.470 --> 00:26:03.900
they needed a rebrand to clean things up. Exactly.

00:26:04.000 --> 00:26:06.079
They rebranded to Syndicate to clean up the business,

00:26:06.359 --> 00:26:08.960
legitimize all the paperwork, and also to signal

00:26:08.960 --> 00:26:11.380
that they were looking to expand. They wanted

00:26:11.380 --> 00:26:13.779
to sign more diverse acts R &amp;B artists, maybe

00:26:13.779 --> 00:26:15.759
even country artists that wanted to grow beyond

00:26:15.759 --> 00:26:19.619
just street rap. And in 2022, he put his story

00:26:19.619 --> 00:26:22.140
down on paper, releasing a memoir called Cross

00:26:22.140 --> 00:26:25.039
the Tracks. Which is a primary source for a lot

00:26:25.039 --> 00:26:27.039
of what we're talking about today. He is making

00:26:27.039 --> 00:26:29.839
a very conscious effort to ensure that his history

00:26:29.839 --> 00:26:32.859
is written by him, not just by court reporters

00:26:32.859 --> 00:26:35.779
and journalists. But as we start to wrap up the

00:26:35.779 --> 00:26:38.059
timeline here, we have to mention that the legal

00:26:38.059 --> 00:26:42.200
drama is It's Not Over, The San Diego Saga. It's

00:26:42.200 --> 00:26:44.240
a legal loop. It's almost confusing how many

00:26:44.240 --> 00:26:46.339
times he was arrested and rearrested in the span

00:26:46.339 --> 00:26:48.220
of a few months. It really is. What happened?

00:26:48.440 --> 00:26:51.599
So in 2022 and 2023, he's facing gun charges

00:26:51.599 --> 00:26:54.779
again. In May of 2023, he was arrested in San

00:26:54.779 --> 00:26:57.180
Diego for being a felon in possession of a firearm.

00:26:57.400 --> 00:26:59.140
A pretty standard charge for someone with his

00:26:59.140 --> 00:27:02.660
record. Okay. But then in June of 2023, the state

00:27:02.660 --> 00:27:04.819
charge is dismissed. He walks out of the courtroom

00:27:04.819 --> 00:27:07.460
a free man. He's hugging his lawyer. He thinks

00:27:07.460 --> 00:27:10.940
it's over. And it wasn't. No. literally on the

00:27:10.940 --> 00:27:13.440
courthouse steps as he's walking out, federal

00:27:13.440 --> 00:27:16.000
agents swoop in and arrest him again for the

00:27:16.000 --> 00:27:17.839
same incident. It sounds like a scene from a

00:27:17.839 --> 00:27:20.049
movie. It really does. The feds picked up the

00:27:20.049 --> 00:27:22.049
case because the gun had crossed state lines,

00:27:22.289 --> 00:27:25.210
making it a federal issue. Then, as recently

00:27:25.210 --> 00:27:28.690
as July 2024, more charges were added for possessing

00:27:28.690 --> 00:27:31.210
a gun while using controlled substances. So where

00:27:31.210 --> 00:27:33.769
does it stand now? He is currently out on bond

00:27:33.769 --> 00:27:36.170
fighting for his freedom all over again. He's

00:27:36.170 --> 00:27:39.329
facing up to 10 years in federal prison if convicted.

00:27:39.509 --> 00:27:42.329
The cycle just it continues. It is exhausting

00:27:42.329 --> 00:27:43.950
just hearing about it. I can't imagine living

00:27:43.950 --> 00:27:46.150
it. So let's try to zoom out here. Let's look

00:27:46.150 --> 00:27:48.170
at the legacy. When we take a step back from

00:27:48.170 --> 00:27:50.930
the chaos and the headlines, what has this man

00:27:50.930 --> 00:27:54.130
actually produced? The sheer volume of work is

00:27:54.130 --> 00:27:57.410
staggering. The numbers are 13 solo studio albums,

00:27:57.710 --> 00:28:01.450
seven collaborative albums, and 44 mixtapes.

00:28:01.450 --> 00:28:03.910
44 mixtapes. That is a lifetime of work for most

00:28:03.910 --> 00:28:06.990
artists. And his key projects, albums like...

00:28:07.150 --> 00:28:10.069
Touchdown 2, Cause Hell, Incarcerated and Bupac,

00:28:10.190 --> 00:28:13.390
they really serve as public diary entries. If

00:28:13.390 --> 00:28:15.069
you want to know what he was feeling in 2010

00:28:15.069 --> 00:28:17.670
when he was facing the death penalty, you just

00:28:17.670 --> 00:28:19.549
listen to the tape he made about it. It's all

00:28:19.549 --> 00:28:21.269
there. And what about his personal philosophy?

00:28:21.329 --> 00:28:23.390
We talked about his kids, but what are his views

00:28:23.390 --> 00:28:26.099
on things like marriage? He doesn't believe in

00:28:26.099 --> 00:28:29.099
it. He's very pragmatic about it, almost coldly

00:28:29.099 --> 00:28:31.980
so. He views marriage as a financial liability.

00:28:32.339 --> 00:28:34.779
He said in interviews, I'm not giving half my

00:28:34.779 --> 00:28:37.880
money to anyone in a divorce. So he stays unmarried

00:28:37.880 --> 00:28:40.539
by choice. By choice. He has eight children with

00:28:40.539 --> 00:28:42.859
six different women, and he seems to be a very

00:28:42.859 --> 00:28:45.880
involved father, but he has philosophically rejected

00:28:45.880 --> 00:28:48.359
the institution of marriage. So bringing it all

00:28:48.359 --> 00:28:50.880
together now, we have a guy who defined a specific

00:28:50.880 --> 00:28:53.759
sound in Southern rap, who beat the death penalty,

00:28:53.920 --> 00:28:57.190
who beat... and who now fights the entire culture

00:28:57.190 --> 00:28:59.990
war on Twitter every other week. What is the

00:28:59.990 --> 00:29:02.329
final takeaway here? I think Boosie Badass proves

00:29:02.329 --> 00:29:05.789
that for him, reality rap isn't a genre or a

00:29:05.789 --> 00:29:09.250
marketing term. It's a deposition. He is documenting

00:29:09.250 --> 00:29:12.829
in real time a life that is chaotic, dangerous,

00:29:13.049 --> 00:29:15.910
controversial, and somehow incredibly productive.

00:29:16.309 --> 00:29:18.069
So here's the final question, the provocative

00:29:18.069 --> 00:29:22.529
thought. Is he an artist or is he a reality show?

00:29:22.839 --> 00:29:24.819
That's the million dollar question, isn't it?

00:29:24.839 --> 00:29:28.059
In an era where every pop star is media trained

00:29:28.059 --> 00:29:30.500
and PR managed to be as safe and inoffensive

00:29:30.500 --> 00:29:34.180
as possible, Boozy is just pure, unfiltered chaos.

00:29:34.579 --> 00:29:36.960
And I think people are addicted to watching that

00:29:36.960 --> 00:29:39.440
survival. So it's not just the music? I don't

00:29:39.440 --> 00:29:40.960
think so. I think at this point, we aren't just

00:29:40.960 --> 00:29:43.680
consuming his music. We are consuming his incredible

00:29:43.680 --> 00:29:46.079
ability to keep standing up every single time

00:29:46.079 --> 00:29:47.799
the world tries to knock him down, whether it's

00:29:47.799 --> 00:29:51.049
the law, his health or public opinion. He is

00:29:51.049 --> 00:29:53.170
the survivor's survivor. Well, if you want to

00:29:53.170 --> 00:29:55.230
dive deeper into this story, go read his memoir,

00:29:55.349 --> 00:29:58.009
Cross the Tracks, or listen to the album Touchdown

00:29:58.009 --> 00:30:00.750
to Cause Hell. It is a wild ride. Stay curious.

00:30:00.910 --> 00:30:02.309
Thanks for listening to The Deep Dive. We'll

00:30:02.309 --> 00:30:02.849
see you next time.
