WEBVTT

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Welcome back to the Deep Dive. I have to be honest,

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usually when we sit down to record these, I have

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a stack of notes and I'm ready to jump in with

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a lot of energy. But looking at the stack of

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sources we have on the table today, it's heavy.

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It really is. Physically heavy. Sure, we've got

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biographical records, court transcripts and archives

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from the FBI's Behavioral Science Unit. But it's

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the content that feels like it has a gravitational

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pull. It does. We are staring into an abyss today.

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There's no other way to put it. We really are.

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We're looking at a figure who is a complete paradox

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in the history of American crime. We're talking

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about Edvin Emil Kemper III. Known to the world,

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of course, as the co -ed killer. Right. And the

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first thing that hits you before you even get

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to the crimes is just the sheer physical presence

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of the man. I mean, looking at these photos in

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the file. It's Seger. He was six feet, nine inches

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tall. Six nine. And weighed nearly 300 pounds.

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He was a literal giant. A giant who, and this

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is the first disconnect. by all accounts, from

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the local police who knew him before he was caught,

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was a friendly nuisance. A friendly nuisance?

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What does that even mean? It means he was the

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guy who hung around the cop bar, the jury room,

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bought officers drinks, listened to their stories.

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He was a police buff. They called him Big Ed.

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He was just there. A harmless, oversized guy

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who was maybe a little lonely. So when you see

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someone that size, your brain automatically categorizes

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them. You expect a brute. You expect a thug.

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Exactly. You don't expect a man with a genius

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level IQ. And that's what I wanted to ask you

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about. The records say his IQ was tested multiple

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times, and it always came back between 136 and

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145. Correct. That's not just smart. That's,

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what, top 1 or 2 percent? It's well into the

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genius range. To put it in perspective for you,

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that's higher than most of the psychiatrists

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who were tasked with evaluating him. He was,

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in all likelihood, the smartest person in any

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room he was in. And that creates the core tension

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of this entire deep dive, doesn't it? It's the

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central question. How does a man who possessed

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that level of intellect, who was polite, who

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spent 5 ,000 hours, 5 ,000 hours narrating audiobooks

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for the blind? Reading children's stories. Star

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Wars. Right. How does that same man possess the

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capacity to dismember college students and bury

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a human head in his mother's garden? It's the

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ultimate Jekyll and Hyde scenario, but without

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the potion. It's all happening in one mind, all

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at the same time. Okay. So here is the mission

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for today. We aren't just going to read a timeline

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of horror stories. Anyone can look up a Wikipedia

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page for that. We want to analyze the taxonomy

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of this specific type of predator. Because Kemper

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isn't just a killer. He's arguably the reason

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we understand modern criminal profiling, right?

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He is the prototype. He is the Rosetta Stone

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for a certain type of killer, specifically for

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what the FBI calls the organized killer. So people

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like John Douglas, Robert Ressler, the Mindhunter

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guys. Their work would look very, very different

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today without the hours they spent talking to

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Edmund Kemper. So we need to look at the systemic

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failures that released him, the intense psychological

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warfare with his mother, and the chilling, chilling

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rationality he applied to murder. Okay, let's

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unpack this. We have to start at the very beginning.

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Section one of our outline, the creation of a

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monster. And with Kempel, is it fair to say we

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have to look at the biology first? Because he

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was massive from day one. You can't ignore the

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biology. You simply can't. He was born in Burbank,

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California in 1948. And get this, he weighed

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13 pounds at birth. Wait, 13 pounds. That sounds

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medically dangerous, especially in 1948. It was

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huge. I mean, that's practically a toddler. And

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it didn't stop there. By age four, he was a full

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head taller than anyone else in his peer group.

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So right from the start, before any psychology

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comes into play, he is physically alienated.

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He is other. He doesn't fit in, literally. He's

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the giant in the kindergarten class, and that

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sets a precedent. But if we want to talk about

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the nature versus nurture cauldron, we have to

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look at the home life. His parents, Edmund Jr.

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and Clarnell Elizabeth Kemper. The sources describe

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their relationship as pretty volatile. Volatile

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is putting mildly. It was toxic. It was a war

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zone. And there's a quote from his father, Edmund

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Jr., that really sets the scene for me. He was

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a World War II veteran. He'd seen combat. He'd

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also been involved in testing nuclear weapons

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at the Pacific Proving Grounds. So this is a

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man who understands extreme stress. Serious stuff.

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He's seen the worst humanity can do. Indeed.

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And he said that living with Clarnell, his wife,

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was worse than 396 days and nights of fighting

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on the front and dealing with nuclear testing.

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That is, wow. He's comparing his wife to trench

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warfare and atomic bombs. That tells you everything

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you need to know about that house. It gives you

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a sense of the emotional radiation in that household.

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So when the parents finally divorced in 1961,

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Kemper went with his mother to Montana. And that

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is where the pathology really begins to curdle.

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Carnell Strandberg remarried and changed her

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name. She sounds like an absolute nightmare of

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a guardian. I was reading about her discipline

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style, and it wasn't just strict. It seemed designed

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to dismantle him. It was systematic emasculation,

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demoralization. She was an alcoholic, she was

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neurotic, and she was incredibly domineering.

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And she locked him in the basement at night?

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She locked him in the basement. Now, her justification,

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the reason she gave, was that she was afraid

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he would hurt his sisters. Which, to be fair,

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knowing what we know now, maybe that was an intuitive

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fear, a mother's intuition that something was

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wrong. It might have been. It's possible. But

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think about it from the child's perspective.

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You're a young boy. You're sleeping in a locked

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basement in the dark, separated from the family.

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That is imprisonment. It's not protection. It

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sends the message. You are a monster to be contained.

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And the abuse wasn't just physical separation.

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It was psychological, wasn't it? Specifically

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about his size and... And his sexuality. Oh,

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absolutely. She refused to show him affection,

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wouldn't hug him, wouldn't kiss him goodnight

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because she was terrified she would turn him

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gay. That was her stated fear. But at the same

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time, she was mocking him for not getting girls.

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Right. I saw notes where she called him big,

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ugly and awkward. She told him no girl would

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ever want him. Exactly. It's a classic double

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bind. It's psychological torture. She's telling

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him no woman will ever love him while simultaneously

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criticizing him for not bringing girls home.

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It's a damn if you do, damn if you don't scenario.

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It breeds deep, festering resentment. So he just

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grows up with this idea that he is unlovable

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and that women, represented by his mother, are

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the source of that pain. He viewed her as a sick,

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angry woman. But what fascinates me, what profilers

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point to, is that he didn't just sit there and

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take it. He began to rehearse. He began to act

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out his retaliation in symbolic ways. This is

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where we start seeing those red flags, right?

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The Dark Triad or the McDonald Triad. The McDonald

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Triad. The classic trifecta of warning signs

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in children, bedwetting, fire starting, and cruelty

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to animals. With Kemper, the animal cruelty is

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the neon sign. It's flashing. It's always the

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animals first, isn't it? Almost always. It's

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about power. It's a safe way to exert the ultimate

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control over a living thing when you feel you

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have no control in your own life. And his cruelty

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was specific. Ritualistic. Very. At age 10, he

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took the family cat and buried it alive. Okay.

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But he didn't stop there. That wasn't enough.

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He went back later, dug it up, and decapitated

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it. And then he put the head on a spike in the

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yard. On a spike? Like a trophy? Like a warning?

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Like a totem. A declaration. This is a 10 -year

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-old boy. Then at 13, he killed another cat with

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a knife. And his reasoning for that one is incredibly

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telling. What was it? He felt the cat preferred

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his sister over him. That's... that's profound

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jealousy. To project that level of intent and

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betrayal onto a house cat. It shows a deep pathological

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possessiveness and a complete inability to handle

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rejection, even from a pet. If something doesn't

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love him best, it must be destroyed. And the

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rehearsals, they weren't just with animals. He

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involved his sisters in these dark games. Yes.

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Decapitating their dolls, for one. Again, the

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focus on the head, on decapitation, it's there

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from the very beginning. But the games were even

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more disturbing. He would play gas chamber. An

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electric chair. How does a game like that even

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work? What were the rules? He would have his

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sister tie him to a chair and she would pretend

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to be the executioner. She'd flip an imaginary

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switch and he would writhe on the floor pretending

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to die. Convulsing. That is bone chilling. Most

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kids play tag or hide and seek. He's role playing

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his own execution. He is playing the victim,

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but he's controlling the scenario. He is fascinated

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by the mechanism of death. He's learning how

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it looks, how it feels, desensitizing himself

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to the idea. These weren't just games. They were

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dress rehearsals for what was coming. And that

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dress rehearsal, the actual first act of violence

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against humans, happens incredibly early. He's

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only 15 years old. 15. This is what we have in

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Section 2 of the outline. He's 14. He can't take

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living with his mother anymore. He runs away

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to find his father in California. And gets rejected.

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His father has remarried, has a new family, and

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basically says, I can't handle you. You're your

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mother's problem. Which must have been another

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massive blow. The one parent he thought might

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be a refuge turns him away. Crushing. So he's

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sent to live with his paternal grandparents in

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North Fork, California, a seemingly quiet rural

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place. And this is a critical error in placement,

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isn't it? He runs from a domineering maternal

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figure, his mother, and is placed with... His

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grandmother, Maude Kemper. who, in Kemper's mind,

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was a carbon copy of his mother. Basically the

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same person, from what I gather, the same kind

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of personality. He certainly perceived her that

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way. He saw her as exactly the same type of emasculating

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figure. He hated her. He felt she was constantly

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nagging him, constantly belittling him, just

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like Clarnell. The pattern was repeating. So

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on August 27, 1964, the tension snaps. He's 15.

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He has an argument with his grandmother in the

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kitchen. Walk us through what happens. He's sitting

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there fuming. The rage that has been building

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for years against his mother is now directed

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at this surrogate. He has a .22 rifle his grandfather

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had given him. Oh, wow. He goes and gets it.

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He shoots her. Once in the head, then twice in

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the back as she fell. Okay, but it didn't end

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there. The reports say he also used a knife.

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He did. After shooting her, he grabs a kitchen

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knife and stabs her repeatedly in the back. That

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sounds like overkill. That's a term profilers

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use, right? It is exactly that. Overkill usually

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indicates a rage -motivated crime, a personal

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crime where the violence is far in excess of

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what's needed to cause death. He wasn't just

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killing her. He was obliterating the source of

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his annoyance, of his humiliation. But what happens

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next is what truly reveals the twist in Kemper's

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logic. It's the moment the cold, rational killer

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emerges from the hot -blooded, angry teenager.

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His grandfather wasn't home when this happened.

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Right. His grandfather, Edmund Sr., was out grocery

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shopping. So Kemper drags his grandmother's body

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into a room, cleans up the blood, and he sits

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there. And he waits. He waits. He doesn't run.

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He waits. And when his grandfather's car pulls

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into the driveway, Kemper goes out to meet him

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with a rifle. He shoots him, too, as he's getting

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out of the car. Why? I mean, if the rage was

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at the grandmother, why kill the grandfather?

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He seemed to have a decent relationship with

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him. His reasoning is one of the most disturbing

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things in the files. He said he did it so his

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grandfather wouldn't have to find out his wife

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was dead. He framed it as an act of mercy. A

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twisted, detached, psychopathic form of mercy.

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He loved her, so I had to kill him so he wouldn't

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be sad. The logic is completely self -serving,

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but in his mind, perfectly sound. So you had

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this hot rage with the grandmother and then this

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cold, calculated mercy killing of the grandfather.

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Exactly. But then when the police asked him about

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the grandmother, why he did it, he gave that

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famous chilling quote. I just wanted to see what

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it felt like to kill grandma. So you have mercy

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on one hand and cold curiosity on the other.

00:11:59.690 --> 00:12:01.470
It's like he's trying on different justifications.

00:12:01.789 --> 00:12:04.009
He confesses immediately, though. He calls his

00:12:04.009 --> 00:12:06.549
mother first, tells her what he did. What was

00:12:06.549 --> 00:12:08.889
her reaction? According to him, she just said,

00:12:08.950 --> 00:12:11.190
oh, for heaven's sake, as if he'd spilled milk.

00:12:11.429 --> 00:12:13.710
Then he called the police and calmly waited for

00:12:13.710 --> 00:12:16.769
them to arrive. He's 15 years old and he's committed

00:12:16.769 --> 00:12:19.850
a double homicide. So he gets sent to Atascadero

00:12:19.850 --> 00:12:22.450
State Hospital, a maximum security psychiatric

00:12:22.450 --> 00:12:25.769
facility. Right. And initially, the doctors diagnose

00:12:25.769 --> 00:12:28.389
him with paranoid schizophrenia. They look at

00:12:28.389 --> 00:12:30.690
the crime and think, OK, a kid kills his grandparents,

00:12:30.970 --> 00:12:33.970
stabs the body. Yeah. He must be detached from

00:12:33.970 --> 00:12:36.470
reality. He must be psychotic. But that diagnosis

00:12:36.470 --> 00:12:39.230
didn't stick, did it? No. And this is where the

00:12:39.230 --> 00:12:42.570
systemic failure begins. A Tascadero didn't cure

00:12:42.570 --> 00:12:45.759
him. A task gear became his university. It's

00:12:45.759 --> 00:12:47.539
where he learned to perfect his mask. How so?

00:12:48.019 --> 00:12:50.159
The staff eventually observed that he had no

00:12:50.159 --> 00:12:52.740
delusions. He wasn't hearing voices. He was,

00:12:52.799 --> 00:12:55.960
in fact, hyper intelligent and incredibly introspective.

00:12:55.980 --> 00:12:58.360
He could talk about his feelings and his childhood

00:12:58.360 --> 00:13:02.019
with amazing clarity. So they changed the diagnosis.

00:13:02.220 --> 00:13:04.740
They re -diagnosed him with a personality trait

00:13:04.740 --> 00:13:07.139
disturbance, passive aggressive type. Passive

00:13:07.139 --> 00:13:08.960
-aggressive type sounds like a bad roommate,

00:13:09.120 --> 00:13:11.460
not a double murderer. It sounds so much less

00:13:11.460 --> 00:13:13.940
dangerous. Sounds manageable. Sounds curable.

00:13:14.080 --> 00:13:17.159
And Kemper, being a genius, realized exactly

00:13:17.159 --> 00:13:19.440
how the system worked. He figured out the game.

00:13:19.559 --> 00:13:22.019
He became the model prisoner. What did that entail?

00:13:22.019 --> 00:13:24.840
What did he do? He was so trusted, so articulate,

00:13:25.019 --> 00:13:28.179
that the doctors actually trained him to administer

00:13:28.179 --> 00:13:31.480
psychiatric tests to other prisoners. The thematic

00:13:31.480 --> 00:13:34.440
at perception test. The Rorschach inkblots. Wait,

00:13:34.480 --> 00:13:36.879
I need to wrap my head around this. The inmates

00:13:36.879 --> 00:13:39.799
are running the asylum, literally. He is giving

00:13:39.799 --> 00:13:42.440
the tests that are designed to catch people like

00:13:42.440 --> 00:13:45.019
him to other potential psychopaths? It sounds

00:13:45.019 --> 00:13:47.399
unbelievable, but yes. He's sitting across from

00:13:47.399 --> 00:13:49.740
other inmates, showing them inkblots and taking

00:13:49.740 --> 00:13:52.080
notes on their answers for the doctors. So he's

00:13:52.080 --> 00:13:54.740
learning the system from the inside out. He later

00:13:54.740 --> 00:13:56.620
admitted it. He said he learned the specific

00:13:56.620 --> 00:13:59.000
responses the doctors wanted to hear. He analyzed

00:13:59.000 --> 00:14:01.740
the test questions. He learned what answers triggered

00:14:01.740 --> 00:14:04.399
a red flag and what answers signaled rehabilitation.

00:14:05.500 --> 00:14:08.059
So when it was his turn to be evaluated, he simply

00:14:08.059 --> 00:14:09.840
gave them the answers they taught him to look

00:14:09.840 --> 00:14:12.980
for. He aced the test. He hacked the test. He

00:14:12.980 --> 00:14:15.759
gamed the entire institution. He absolutely did.

00:14:15.899 --> 00:14:18.100
He played the part of the cured, remorseful young

00:14:18.100 --> 00:14:20.779
man so perfectly that he convinced them. And

00:14:20.779 --> 00:14:23.539
it worked. He was released on his 21st birthday.

00:14:23.870 --> 00:14:27.110
In December of 1969. And the doctors? Did they

00:14:27.110 --> 00:14:29.509
have reservations? They did. The file is clear

00:14:29.509 --> 00:14:32.269
on this. The psychiatrist advised against sending

00:14:32.269 --> 00:14:34.629
him back to live with his mother. They knew that

00:14:34.629 --> 00:14:37.029
was the source of the initial pathology. They

00:14:37.029 --> 00:14:39.210
warned that it was a volatile situation. But

00:14:39.210 --> 00:14:41.590
the legal system overruled them. Well, he was

00:14:41.590 --> 00:14:44.009
an adult. He'd served his time in the juvenile

00:14:44.009 --> 00:14:46.289
system. His juvenile records were eventually

00:14:46.289 --> 00:14:50.230
sealed, then expunged. Legally, it was like it

00:14:50.230 --> 00:14:52.570
never happened. And he had nowhere else to go.

00:14:52.919 --> 00:14:56.220
So the court approved his release into his mother's

00:14:56.220 --> 00:14:58.240
care. So he goes right back to the lion's den,

00:14:58.379 --> 00:15:01.039
back to Clarnell. It is the classic Greek tragedy.

00:15:01.179 --> 00:15:03.500
He returns to the very source of his trauma.

00:15:03.799 --> 00:15:06.480
But the dynamic has changed. When he left, he

00:15:06.480 --> 00:15:09.039
was a 15 -year -old boy. He returns as a 21 -year

00:15:09.039 --> 00:15:12.879
-old man who is 6 '9", nearly 300 pounds, and

00:15:12.879 --> 00:15:14.879
he has killed before. He knows he can do it.

00:15:15.039 --> 00:15:18.659
So we move into the 1970s, Section 3, the co

00:15:18.659 --> 00:15:21.409
-ed murders. He's living in Aptos near Santa

00:15:21.409 --> 00:15:24.450
Cruz with Clarnell. Is the relationship just

00:15:24.450 --> 00:15:27.009
as bad as ever? Vicious verbal battles is how

00:15:27.009 --> 00:15:29.250
he described it. Constant fighting. She belittled

00:15:29.250 --> 00:15:31.509
him. He resented her. Nothing had changed except

00:15:31.509 --> 00:15:34.029
now he was bigger and the rage was simmering.

00:15:34.070 --> 00:15:36.250
But now he has resources he didn't have before.

00:15:36.490 --> 00:15:38.929
Exactly. He got a job at the Division of Highways.

00:15:39.419 --> 00:15:42.480
This is a crucial detail. It meant he knew the

00:15:42.480 --> 00:15:44.480
roads around Santa Cruz County like the back

00:15:44.480 --> 00:15:47.179
of his hand. He knew the scenic turnouts, the

00:15:47.179 --> 00:15:50.240
isolated wooded areas, the blind spots. He knew

00:15:50.240 --> 00:15:52.200
where the police patrolled and where they didn't.

00:15:52.200 --> 00:15:54.659
He had a map of the hunting ground in his head.

00:15:55.139 --> 00:15:58.220
Precisely. And he had money, too. The notes say

00:15:58.220 --> 00:16:00.620
he got a $15 ,000 settlement from a motorcycle

00:16:00.620 --> 00:16:03.779
accident. In the early 1970s, that's a huge amount

00:16:03.779 --> 00:16:06.000
of cash. That's life -changing money back then.

00:16:06.139 --> 00:16:08.539
It gave him independence and mobility. He buys

00:16:08.539 --> 00:16:12.220
a car. A big Ford Galaxy. He buys guns. He buys

00:16:12.220 --> 00:16:14.519
cameras and recording equipment. And he starts

00:16:14.519 --> 00:16:16.899
experiencing what he called the zapples. The

00:16:16.899 --> 00:16:19.419
zapples. That's such a strange, almost cartoonish

00:16:19.419 --> 00:16:21.299
word for something so dark. What did he mean

00:16:21.299 --> 00:16:24.620
by that? It was his term for the visceral homicidal

00:16:24.620 --> 00:16:27.320
urges. The pressure building up inside him that

00:16:27.320 --> 00:16:29.559
he needed to release. But notice the discipline

00:16:29.559 --> 00:16:32.159
here. The control. He didn't just explode and

00:16:32.159 --> 00:16:34.669
start killing immediately. He practiced. This

00:16:34.669 --> 00:16:36.850
is the part of the file that I found unbelievable.

00:16:37.169 --> 00:16:40.730
He picked up approximately 150 hitchhikers. 150.

00:16:41.309 --> 00:16:45.149
And let them go. 150 women who sat in a car with

00:16:45.149 --> 00:16:47.549
a serial killer and had no idea how close they

00:16:47.549 --> 00:16:50.889
came to dying. What was he doing? He was desensitizing

00:16:50.889 --> 00:16:53.669
himself. He was testing his ability to control

00:16:53.669 --> 00:16:56.870
the situation. He was refining his persona, his

00:16:56.870 --> 00:17:00.129
camouflage. He realized that if he wore glasses,

00:17:00.289 --> 00:17:02.629
dressed reasonably well, and kept his car clean,

00:17:02.850 --> 00:17:06.170
these young women, mostly college students, didn't

00:17:06.170 --> 00:17:09.450
see a monster. They saw a big, safe teddy bear.

00:17:09.670 --> 00:17:12.950
He was A .B. testing his approach. He was. And

00:17:12.950 --> 00:17:15.109
every time he let one go, he was proving to himself

00:17:15.109 --> 00:17:17.930
that he was the one in control. He held their

00:17:17.930 --> 00:17:19.809
life in his hands and chose to grant it back.

00:17:19.910 --> 00:17:21.809
He was a power trip. He was getting off on the

00:17:21.809 --> 00:17:23.829
control itself before the violence even started.

00:17:24.109 --> 00:17:28.680
And then the switch flips. May 1972. The practice

00:17:28.680 --> 00:17:31.359
runs are over. Mary Ann Page and Anita Lucasa.

00:17:32.119 --> 00:17:34.680
Two students from Fresno State hitchhiking near

00:17:34.680 --> 00:17:36.900
the Berkeley campus. This is the beginning of

00:17:36.900 --> 00:17:39.299
his organized methodology. He picks them up.

00:17:39.299 --> 00:17:41.059
What's his story? What does he tell them? He's

00:17:41.059 --> 00:17:43.380
friendly. He's charming. He tells them he's going

00:17:43.380 --> 00:17:45.900
their way. He drives them to a remote wooded

00:17:45.900 --> 00:17:47.980
area that he knows from his highway job. And

00:17:47.980 --> 00:17:50.160
this is where the organized label really applies,

00:17:50.400 --> 00:17:52.599
right? He didn't just attack them in a frenzy

00:17:52.599 --> 00:17:56.380
in the car. No. Total control. He had a kill

00:17:56.380 --> 00:17:59.460
kit in the trunk, weapons, restraints. He had

00:17:59.460 --> 00:18:02.119
a plan. He separated them. He controlled the

00:18:02.119 --> 00:18:05.220
scene from start to finish. But it's what happens

00:18:05.220 --> 00:18:08.339
after that defines Kemper. He brings the bodies

00:18:08.339 --> 00:18:10.859
back to his apartment. To his apartment, where

00:18:10.859 --> 00:18:13.039
he lived with his mother. At this point, I believe

00:18:13.039 --> 00:18:14.940
he had a roommate in a separate apartment, but

00:18:14.940 --> 00:18:17.119
he would later take victims back to his mother's

00:18:17.119 --> 00:18:20.839
place when she was out. Still, the risk is astronomical.

00:18:21.019 --> 00:18:23.859
It seems incredibly risky for someone so organized.

00:18:24.019 --> 00:18:27.039
It is. but is the arrogance and the risk -taking

00:18:27.039 --> 00:18:30.039
behavior of a psychopath who feels superior to

00:18:30.039 --> 00:18:32.660
everyone else. The roommate was out but could

00:18:32.660 --> 00:18:35.319
have returned at any moment. Kimber didn't care.

00:18:35.559 --> 00:18:37.500
And what does he do there? He dismembers them

00:18:37.500 --> 00:18:40.640
in the bathtub, he engages in necrophilia, and

00:18:40.640 --> 00:18:42.240
then he disposes of the remains in different

00:18:42.240 --> 00:18:45.619
locations. But he keeps the heads for a time.

00:18:45.660 --> 00:18:47.339
Why keep the heads? What is the psychological

00:18:47.339 --> 00:18:49.759
significance of that? For an organized offender,

00:18:50.000 --> 00:18:52.859
the act of murder is just the beginning. The

00:18:52.859 --> 00:18:55.640
possession is the goal. Keeping a part of the

00:18:55.640 --> 00:18:58.279
victim, especially the head, the seat of their

00:18:58.279 --> 00:19:01.519
identity, allows him to relive the fantasy, to

00:19:01.519 --> 00:19:04.420
own the victim completely, even after they are

00:19:04.420 --> 00:19:07.240
gone. It's the ultimate trophy. The details of

00:19:07.240 --> 00:19:09.700
these crimes are horrific, and we won't go through

00:19:09.700 --> 00:19:12.000
every single one in graphic detail, but I want

00:19:12.000 --> 00:19:15.000
to talk about Aikoku. She was a 15 -year -old

00:19:15.000 --> 00:19:18.119
dance student. There is a specific detail about

00:19:18.119 --> 00:19:21.619
the car door that haunts me. It is a moment of

00:19:21.619 --> 00:19:25.180
pure... tragic irony he had her in the car and

00:19:25.180 --> 00:19:27.079
he stepped out for a second and accidentally

00:19:27.079 --> 00:19:29.140
locked himself out while she was still inside

00:19:29.140 --> 00:19:31.859
so in that moment she was safe completely she

00:19:31.859 --> 00:19:33.539
could have walked the door she could have laid

00:19:33.539 --> 00:19:35.140
on the horn she could have tried to start the

00:19:35.140 --> 00:19:37.900
car anything but she didn't know who he was she

00:19:37.900 --> 00:19:40.779
didn't see a threat no she saw the friendly giant

00:19:40.779 --> 00:19:43.500
looking flustered so she reached over and unlocked

00:19:43.500 --> 00:19:45.880
the door to let him back in she let her killer

00:19:45.880 --> 00:19:48.279
back into the car that's just it speaks to how

00:19:48.279 --> 00:19:50.740
disarming he was He later told a story about

00:19:50.740 --> 00:19:54.099
driving around with her body in the trunk. He

00:19:54.099 --> 00:19:56.759
parked outside the jury room, the cop bar, went

00:19:56.759 --> 00:19:59.079
inside for a drink, and said he was admiring

00:19:59.079 --> 00:20:01.640
his catch in the trunk. He was taunting them

00:20:01.640 --> 00:20:04.200
without them even knowing. And then Cindy Schall.

00:20:04.720 --> 00:20:07.380
This one. This one has a detail that I think

00:20:07.380 --> 00:20:09.160
is the most revealing about his relationship

00:20:09.160 --> 00:20:11.599
with his mother. It's the key that unlocks his

00:20:11.599 --> 00:20:15.720
entire motivation. He killed Cindy Schall, a

00:20:15.720 --> 00:20:18.299
Cabrillo College student. He dismembered her.

00:20:18.990 --> 00:20:22.029
And he buried her head in his mother's garden.

00:20:22.170 --> 00:20:24.349
But not just anywhere in the garden. He buried

00:20:24.349 --> 00:20:27.250
it. Facing the mother's bedroom window. And he

00:20:27.250 --> 00:20:29.849
angled it slightly upwards. Why? That seems so

00:20:29.849 --> 00:20:32.630
specific, so symbolic. He told the investigators

00:20:32.630 --> 00:20:35.529
his exact reasoning. He said it was because Clarnell

00:20:35.529 --> 00:20:38.529
always wanted people to look up to her. Oh, God.

00:20:39.210 --> 00:20:41.490
Even in his most depraved acts, everything circled

00:20:41.490 --> 00:20:43.269
back to Clarnell. He was using these victims

00:20:43.269 --> 00:20:45.130
as stand -ins. He was conducting a psychological

00:20:45.130 --> 00:20:47.650
war against his mother, and these young women

00:20:47.650 --> 00:20:50.329
were the casualties. Can you explain that concept

00:20:50.329 --> 00:20:52.890
of the surrogate victim a bit more? A surrogate

00:20:52.890 --> 00:20:56.190
is a substitute. Kemper felt rejected and emasculated

00:20:56.190 --> 00:20:59.430
by his mother, who he viewed as this upper -class,

00:20:59.609 --> 00:21:02.769
educated, powerful woman, an authority figure.

00:21:03.230 --> 00:21:05.930
He couldn't kill her, not yet. The psychological

00:21:05.930 --> 00:21:08.329
barrier, the societal taboo, it was too high.

00:21:08.759 --> 00:21:11.299
So he hunted women who were like her. Women who

00:21:11.299 --> 00:21:14.279
reminded him of what she valued. Young, intelligent,

00:21:14.559 --> 00:21:17.200
beautiful college students. By destroying them,

00:21:17.259 --> 00:21:19.460
he was symbolically destroying pieces of her.

00:21:19.579 --> 00:21:22.720
He was, as he put it, perfecting his skills for

00:21:22.720 --> 00:21:25.140
the final target. He even used her as a tool

00:21:25.140 --> 00:21:27.299
in his murders. He used a university parking

00:21:27.299 --> 00:21:29.640
sticker from his mother's job at UCSC to get

00:21:29.640 --> 00:21:32.079
access to the campus for his later victims, Rosalind

00:21:32.079 --> 00:21:34.440
Thorpe and Alice Liu. Exactly. The symbolism

00:21:34.440 --> 00:21:36.970
is just layered. He was using his mother's status

00:21:36.970 --> 00:21:39.109
to hunt the surrogates of his mother. It's a

00:21:39.109 --> 00:21:41.430
closed loop of psychological warfare. He's driving

00:21:41.430 --> 00:21:43.569
onto campus, waving at the guard who recognizes

00:21:43.569 --> 00:21:46.069
the sticker, using Clarnell's credibility to

00:21:46.069 --> 00:21:48.410
find the victims that will satisfy his rage against

00:21:48.410 --> 00:21:50.829
Clarnell. Which leads us to the inevitable conclusion.

00:21:51.049 --> 00:21:53.769
The whole spree was just a prelude. Section 4.

00:21:53.910 --> 00:21:57.470
The Endgame. Matricide. The climax of his life's

00:21:57.470 --> 00:22:01.190
work. April 20, 1973. He picks the date carefully.

00:22:01.470 --> 00:22:03.509
It was a good Friday weekend. The campus was

00:22:03.509 --> 00:22:06.529
quiet. His mother's workplace was closed. He

00:22:06.529 --> 00:22:08.809
knew he would have time. The house would be quiet.

00:22:09.009 --> 00:22:11.470
Walk me through that night. Clarnell comes home

00:22:11.470 --> 00:22:14.369
from a party, a bit drunk. She and Kepper have

00:22:14.369 --> 00:22:16.509
another argument. It's vicious, like always.

00:22:16.730 --> 00:22:18.950
She goes to bed angry. And then he waits. He

00:22:18.950 --> 00:22:21.289
waits for her to fall asleep. And then he goes

00:22:21.289 --> 00:22:25.549
into her room. And he unleashes 15, 20 years

00:22:25.549 --> 00:22:28.789
of repressed rage. He used a claw hammer first.

00:22:29.480 --> 00:22:31.920
Then a penknife to slit her throat. And then

00:22:31.920 --> 00:22:34.819
the desecration. The desecration is where you

00:22:34.819 --> 00:22:38.779
see the pure, symbolic hatred. He decapitates

00:22:38.779 --> 00:22:40.640
her. He takes the head into the living room and

00:22:40.640 --> 00:22:43.599
performs rituals. He screamed at it for an hour,

00:22:43.700 --> 00:22:46.400
venting all his frustrations. He used it as a

00:22:46.400 --> 00:22:48.460
dartboard. And the garbage disposal incident?

00:22:48.579 --> 00:22:50.359
I read that and had to put the notes down for

00:22:50.359 --> 00:22:52.839
a second. It is deeply, deeply symbolic. He took

00:22:52.839 --> 00:22:55.559
her larynx, her voice box, and tried to force

00:22:55.559 --> 00:22:57.599
it down the garbage disposal. He wanted to silence

00:22:57.599 --> 00:23:02.799
her. Literally and figuratively. He wanted to

00:23:02.799 --> 00:23:04.880
destroy the very organ that had belittled him

00:23:04.880 --> 00:23:07.259
and screamed at him his entire life. But the

00:23:07.259 --> 00:23:10.119
disposal wouldn't grind it up. It jammed. And

00:23:10.119 --> 00:23:12.980
Kemper, with his chilling logic, noted that it

00:23:12.980 --> 00:23:16.539
was appropriate because she had bitched and screamed

00:23:16.539 --> 00:23:19.200
at him for so long that even a machine couldn't

00:23:19.200 --> 00:23:21.960
handle her. After all that rage, he becomes cold

00:23:21.960 --> 00:23:24.799
and calculating again. He murders her friend

00:23:24.799 --> 00:23:27.269
Sally Hallett that same night. But that seemed

00:23:27.269 --> 00:23:29.490
almost distinct from the mattress side. It was

00:23:29.490 --> 00:23:31.190
purely functional. It was a business transaction.

00:23:31.589 --> 00:23:33.549
He knew people would wonder where Clarnell was.

00:23:34.049 --> 00:23:35.789
So he called Sally Hallett, who was an older

00:23:35.789 --> 00:23:38.029
friend of hers, invited her over for dinner to

00:23:38.029 --> 00:23:40.430
establish a cover story that he and his mother

00:23:40.430 --> 00:23:43.109
were going on a surprise trip. And when she arrived?

00:23:43.150 --> 00:23:44.990
He strangled her as soon as she walked in the

00:23:44.990 --> 00:23:48.329
door. It was cold, calculated, and done purely

00:23:48.329 --> 00:23:50.730
to buy himself time. There was no passion there,

00:23:50.750 --> 00:23:53.589
just utility. And then he flees. He gets in his

00:23:53.589 --> 00:23:56.170
car and drives all the way to Pueblo, Colorado.

00:23:56.470 --> 00:23:58.950
He's got guns. He's got ammo. He thinks there's

00:23:58.950 --> 00:24:01.690
going to be a massive nationwide manhunt. He's

00:24:01.690 --> 00:24:03.789
listening to the radio constantly, waiting to

00:24:03.789 --> 00:24:07.150
hear the co -ed killer identified as Ed Kemper.

00:24:07.210 --> 00:24:10.910
And he hears nothing. Crickets. Days go by. Nobody

00:24:10.910 --> 00:24:13.410
knows. He's just another guy in a motel room.

00:24:13.470 --> 00:24:15.329
And what does that do to him? The realization

00:24:15.329 --> 00:24:18.589
hits him. The pressure valve has been released.

00:24:19.150 --> 00:24:23.359
With his mother dead. The urge to kill those

00:24:23.359 --> 00:24:26.259
Zappos, it just vanished. The mission was complete.

00:24:26.339 --> 00:24:28.759
The driving force of his entire life was gone.

00:24:29.200 --> 00:24:32.920
So he calls the police from a payphone in Pueblo.

00:24:33.019 --> 00:24:34.900
And this is the part that feels like a dark comedy

00:24:34.900 --> 00:24:37.319
sketch. They don't believe him. It goes back

00:24:37.319 --> 00:24:39.759
to that friendly giant paradox. He calls the

00:24:39.759 --> 00:24:42.099
Santa Cruz Police Department and that a dispatcher

00:24:42.099 --> 00:24:44.759
who picks up knows him. Knows him as Big Ed from

00:24:44.759 --> 00:24:47.609
the jury room bar. The cop buff. Right. So when

00:24:47.609 --> 00:24:49.809
he says, I killed my mother and her friend and

00:24:49.809 --> 00:24:52.069
I'm the co -ed killer you're looking for, they

00:24:52.069 --> 00:24:53.650
literally laughed at him. They thought he was

00:24:53.650 --> 00:24:55.450
drunk or pulling a prank. So what did he do?

00:24:55.670 --> 00:24:57.910
He had to keep calling. He had to convince them.

00:24:57.950 --> 00:25:00.089
He had to provide specific details about the

00:25:00.089 --> 00:25:02.529
crime scenes, about the victims, details that

00:25:02.529 --> 00:25:05.390
only the killer would know just to get them to

00:25:05.390 --> 00:25:07.890
take him seriously. He practically had to talk

00:25:07.890 --> 00:25:09.569
them into arresting him. When they asked him

00:25:09.569 --> 00:25:11.670
why he surrendered, he said the purpose was gone.

00:25:11.789 --> 00:25:13.990
His exact words were, it was just a pure waste

00:25:13.990 --> 00:25:16.799
of time after that. That level of detachment

00:25:16.799 --> 00:25:20.099
is chilling. It separates him from the compulsion

00:25:20.099 --> 00:25:23.119
-driven killers who can't stop. Most serial killers

00:25:23.119 --> 00:25:26.380
hunt until they are caught or they die. Kemper

00:25:26.380 --> 00:25:28.559
stopped because the source of his pathology,

00:25:28.640 --> 00:25:32.740
Clarnell, was gone. He had won his war. Now this

00:25:32.740 --> 00:25:35.140
is where the story shifts. It goes from a crime

00:25:35.140 --> 00:25:38.119
drama to a scientific breakthrough. Section 5.

00:25:38.720 --> 00:25:41.079
the Mindhunter connection. This is his second

00:25:41.079 --> 00:25:44.039
and perhaps more lasting legacy. Kemper is in

00:25:44.039 --> 00:25:46.619
custody. He's intelligent, he's articulate, and

00:25:46.619 --> 00:25:48.599
he loves to talk. He's proud of what he did.

00:25:48.779 --> 00:25:51.099
Enter John Douglas and Robert Ressler of the

00:25:51.099 --> 00:25:53.940
FBI's new Behavioral Science Unit. We have to

00:25:53.940 --> 00:25:57.640
set the stage here. In the early 70s, the BSU

00:25:57.640 --> 00:25:59.759
was in its infancy. They were trying to build

00:25:59.759 --> 00:26:03.099
a new science to understand the why and how.

00:26:03.680 --> 00:26:05.819
of serial murder from the murderers themselves.

00:26:06.220 --> 00:26:08.099
And they were interviewing anyone they could

00:26:08.099 --> 00:26:10.160
get access to. Right. They interviewed Charles

00:26:10.160 --> 00:26:13.319
Manson, Richard Speck, but most were difficult.

00:26:13.519 --> 00:26:16.720
They were crazy or they were liars. Manson would

00:26:16.720 --> 00:26:20.119
speak in riddles. Speck was withdrawn and surly.

00:26:20.160 --> 00:26:22.940
They weren't getting good data. But Kemper. Kemper

00:26:22.940 --> 00:26:25.079
was a goldmine. He wasn't just a subject. He

00:26:25.079 --> 00:26:27.779
was a collaborator. He was the professor of murder.

00:26:28.220 --> 00:26:31.160
He basically defined the organized killer typology

00:26:31.160 --> 00:26:33.519
for them, didn't he? He laid it out on a platter.

00:26:33.599 --> 00:26:36.519
He explained how he hunted, how he chose victims,

00:26:36.700 --> 00:26:39.119
how he listened to police scanners. He explained

00:26:39.119 --> 00:26:41.200
how he controlled the scene, brought a kill kit,

00:26:41.359 --> 00:26:43.759
cleaned up after himself. He was socially competent.

00:26:43.960 --> 00:26:45.960
He explained how he could talk his way out of

00:26:45.960 --> 00:26:48.000
a traffic stop with a body in the trunk because

00:26:48.000 --> 00:26:50.460
he knew how to act like a polite, deferential

00:26:50.460 --> 00:26:53.700
citizen. So he gave them the blueprint for catching

00:26:53.700 --> 00:26:56.140
people like him in the future. He gave them the

00:26:56.140 --> 00:26:58.680
psychological architecture. He described his

00:26:58.680 --> 00:27:00.960
crimes with what Douglas called clinical precision.

00:27:01.779 --> 00:27:04.539
He helped them understand that for killers like

00:27:04.539 --> 00:27:07.380
him, these crimes aren't always about sex in

00:27:07.380 --> 00:27:10.099
the traditional sense. They are about power,

00:27:10.180 --> 00:27:14.099
control, and manipulation. He explained the fantasy

00:27:14.099 --> 00:27:17.319
life that precedes the crime, how it builds and

00:27:17.319 --> 00:27:20.150
builds until it has to be acted out. And there

00:27:20.150 --> 00:27:22.210
is that famous story of the head snap incident.

00:27:22.309 --> 00:27:24.369
I think this really captures the danger of dealing

00:27:24.369 --> 00:27:26.250
with someone like Kemper, no matter how polite

00:27:26.250 --> 00:27:29.890
he seems. This is legendary in the BSU. Agent

00:27:29.890 --> 00:27:32.670
Robert Ressler was interviewing Kemper, and for

00:27:32.670 --> 00:27:34.990
some reason he was alone with him in a small

00:27:34.990 --> 00:27:38.150
interview room. The guard had stepped out. Just

00:27:38.150 --> 00:27:40.029
the two of them. Kemper's not in restraints.

00:27:40.210 --> 00:27:43.390
Not in that room, no. And Kemper, who is 6 '9",

00:27:43.390 --> 00:27:45.730
looks at the much smaller Ressler, looks at the

00:27:45.730 --> 00:27:48.869
door, and says, very calmly, The guard isn't

00:27:48.869 --> 00:27:51.150
coming back for about 30 minutes. My blood just

00:27:51.150 --> 00:27:54.009
ran cold. You know, if I went crazy in here,

00:27:54.109 --> 00:27:55.549
you'd be in a lot of trouble, wouldn't you? I

00:27:55.549 --> 00:27:56.990
could snap your head off and leave it on the

00:27:56.990 --> 00:27:59.130
table for them to find. And he follows it up

00:27:59.130 --> 00:28:00.910
with something like, I'd own the prison then,

00:28:01.049 --> 00:28:03.190
right? They'd have to kill me, but I'd own this

00:28:03.190 --> 00:28:06.950
place. It was a pure power play. A reminder that

00:28:06.950 --> 00:28:09.289
no matter how articulate he was, the monster

00:28:09.289 --> 00:28:11.710
was right there, just under the surface. Can

00:28:11.710 --> 00:28:13.789
you imagine? Ryslin must have been terrified.

00:28:14.279 --> 00:28:16.559
Ressler tried to play it cool. He tried to de

00:28:16.559 --> 00:28:19.559
-escalate, but he knew it was true. Kemper later

00:28:19.559 --> 00:28:21.859
claimed he was just joking to make a point about

00:28:21.859 --> 00:28:25.299
lax security. But that incident changed FBI protocol

00:28:25.299 --> 00:28:28.859
forever. After that, agents were never, ever

00:28:28.859 --> 00:28:31.000
allowed to interview subjects like this alone.

00:28:31.660 --> 00:28:34.680
It established the buddy system for all future

00:28:34.680 --> 00:28:37.259
interviews. He literally rewrote the rules for

00:28:37.259 --> 00:28:40.180
the FBI. Let's move to Section 6, life behind

00:28:40.180 --> 00:28:43.259
bars and his strange pop culture legacy. He goes

00:28:43.259 --> 00:28:46.539
to trial in November 1973. And in another display

00:28:46.539 --> 00:28:49.519
of his weird, twisted logic, he actually requested

00:28:49.519 --> 00:28:52.299
death by torture. He wanted the jury to sentence

00:28:52.299 --> 00:28:54.980
him to be tortured to death. He did. He told

00:28:54.980 --> 00:28:56.859
them he felt he deserved it. He was probably

00:28:56.859 --> 00:28:58.599
the only person in the room who wanted the death

00:28:58.599 --> 00:29:02.089
penalty. But it was suspended in California at

00:29:02.089 --> 00:29:04.670
the time. So he got seven concurrent life sentences.

00:29:04.950 --> 00:29:06.869
He was sent to the California medical facility

00:29:06.869 --> 00:29:09.269
in Vacaville. And he wasn't alone there. He was

00:29:09.269 --> 00:29:12.349
in a unit with some other infamous names, Charles

00:29:12.349 --> 00:29:15.130
Manson, Herbert Mullen. Right. And Mullen was

00:29:15.130 --> 00:29:17.289
another serial killer operating in Santa Cruz

00:29:17.289 --> 00:29:20.150
at the exact same time as Kemper, which is just

00:29:20.150 --> 00:29:22.730
an insane coincidence. But Mullen was the polar

00:29:22.730 --> 00:29:25.210
opposite of Kemper, wasn't he? If Kemper was

00:29:25.210 --> 00:29:27.910
the prototype for the organized killer, Mullen

00:29:27.910 --> 00:29:30.589
was the textbook disorganized. his killer. He

00:29:30.589 --> 00:29:33.109
was a paranoid schizophrenic. He heard voices

00:29:33.109 --> 00:29:35.150
telling him to kill people to prevent earthquakes

00:29:35.150 --> 00:29:38.390
in California. His crimes were random, frenzied,

00:29:38.390 --> 00:29:41.650
and left a mess. And in prison, Mullen had a

00:29:41.650 --> 00:29:44.049
habit of singing loudly and bothering people,

00:29:44.150 --> 00:29:47.150
and Kemper, the giant, decided to train him.

00:29:47.250 --> 00:29:50.089
He couldn't stand the chaos, so he used behavior

00:29:50.089 --> 00:29:52.609
modification on Mullen, like training a dog.

00:29:52.829 --> 00:29:55.849
When Mullen was quiet and behaved, Kemper would

00:29:55.849 --> 00:29:59.140
reward him with peanuts. Peanuts. And when he

00:29:59.140 --> 00:30:01.559
sang or acted out, Kemper would throw a cup of

00:30:01.559 --> 00:30:04.299
water on him. And apparently it worked. Mullen

00:30:04.299 --> 00:30:06.779
quieted down. It's dark, but it's fascinating.

00:30:07.059 --> 00:30:09.640
He's applying Pavlovian conditioning to another

00:30:09.640 --> 00:30:12.940
serial killer to maintain order. It just shows

00:30:12.940 --> 00:30:15.980
Kemper's absolute need for dominance. He viewed

00:30:15.980 --> 00:30:19.160
Mullen as inferior, as a pest. Even in prison,

00:30:19.299 --> 00:30:20.900
Kemper needed to be the one in control of his

00:30:20.900 --> 00:30:23.279
environment. But the thing Kemper is most famous

00:30:23.279 --> 00:30:26.599
for in prison, other than the murders... is his

00:30:26.599 --> 00:30:29.920
voice. The Volunteers of Vacaville, the audiobook

00:30:29.920 --> 00:30:33.420
program for the blind. Kemper spent over 5 ,000

00:30:33.420 --> 00:30:35.720
hours in the recording booth. He had this deep,

00:30:35.759 --> 00:30:38.420
calm, articulate voice. He narrated hundreds

00:30:38.420 --> 00:30:40.799
of books. Including Flowers in the Attic, The

00:30:40.799 --> 00:30:43.920
Glass Key, and unbelievably, Star Wars. Can you

00:30:43.920 --> 00:30:46.099
imagine listening to the story of Luke Skywalker

00:30:46.099 --> 00:30:48.680
and Darth Vader and the voice telling you that

00:30:48.680 --> 00:30:51.079
story belongs to a man who decapitated his own

00:30:51.079 --> 00:30:53.799
mother? It is deeply, profoundly ironic. This

00:30:53.799 --> 00:30:55.859
voice, which was the last thing his victims heard,

00:30:56.000 --> 00:30:58.579
likely reassuring them, tricking them, became

00:30:58.579 --> 00:31:00.880
a comfort to thousands of blind people who had

00:31:00.880 --> 00:31:03.420
no idea who was reading to them. It speaks to

00:31:03.420 --> 00:31:06.420
his compartmentalization. He could shut off the

00:31:06.420 --> 00:31:09.200
monster side and just be the articulate, helpful

00:31:09.200 --> 00:31:11.559
narrator. He took great pride in it. He even

00:31:11.559 --> 00:31:13.299
ran the program for a while. It's another role

00:31:13.299 --> 00:31:16.119
he could play perfectly, the helpful giant. So

00:31:16.119 --> 00:31:18.380
where is he now? We are recording this deep dive

00:31:18.380 --> 00:31:22.589
in early 2026. What's his current status? Kemper

00:31:22.589 --> 00:31:24.589
is still at the California Medical Facility,

00:31:24.650 --> 00:31:28.450
but he is a shadow of his former self. In 2015,

00:31:28.670 --> 00:31:30.910
he suffered a major stroke that left him partially

00:31:30.910 --> 00:31:33.549
disabled. He's in a wheelchair now. He's in his

00:31:33.549 --> 00:31:36.150
late 70s. And there was a parole hearing recently,

00:31:36.329 --> 00:31:39.930
right, in 2024? Yes, in July 2024. Kemper is

00:31:39.930 --> 00:31:42.170
eligible for parole periodically, but he didn't

00:31:42.170 --> 00:31:44.549
even attend the hearing. He's frail, dealing

00:31:44.549 --> 00:31:47.369
with heart disease, diabetes. He was denied parole,

00:31:47.509 --> 00:31:50.410
obviously. But interestingly, despite his frailty,

00:31:50.609 --> 00:31:52.789
the board still considered him a high risk for

00:31:52.789 --> 00:31:55.349
future violence. Why? I mean, if he's in a wheelchair

00:31:55.349 --> 00:31:57.950
and can barely move, what's the risk? Because

00:31:57.950 --> 00:32:01.289
of an incident in 2022. It proves the pathology

00:32:01.289 --> 00:32:03.809
is still there. Even in a wheelchair, even with

00:32:03.809 --> 00:32:06.430
his health failing, he was caught inappropriately

00:32:06.430 --> 00:32:08.849
touching a female staff member during a diaper

00:32:08.849 --> 00:32:11.670
change. He just can't turn it off. The impulse

00:32:11.670 --> 00:32:14.880
is still there. It proves that the urge to violate

00:32:14.880 --> 00:32:17.880
boundaries, to manipulate, to take what isn't

00:32:17.880 --> 00:32:21.240
his, that part of his personality doesn't age

00:32:21.240 --> 00:32:24.859
out. It doesn't get sick or frail. The predator

00:32:24.859 --> 00:32:27.799
is still inside the dying body. His cultural

00:32:27.799 --> 00:32:29.960
impact is massive. You can't really talk about

00:32:29.960 --> 00:32:32.019
serial killers in fiction without seeing his

00:32:32.019 --> 00:32:34.609
shadow. He inspired Buffalo Bill and Silence

00:32:34.609 --> 00:32:37.210
of the Lambs, elements of Patrick Bateman in

00:32:37.210 --> 00:32:39.390
American Psycho. And of course, the portrayal

00:32:39.390 --> 00:32:42.109
by Cameron Britton in the show Mindhunter was

00:32:42.109 --> 00:32:45.130
just uncanny. It brought him to a whole new generation.

00:32:45.549 --> 00:32:47.690
He is the archetype of the intellectual monster.

00:32:47.990 --> 00:32:51.109
He scares us because he breaks the mold. We want

00:32:51.109 --> 00:32:53.289
monsters to look like monsters. We don't want

00:32:53.289 --> 00:32:55.769
them to be polite, well -read men who can fix

00:32:55.769 --> 00:32:58.269
your car and narrate your favorite book. Kemper

00:32:58.269 --> 00:33:00.190
forces you to look at the fact that evil can

00:33:00.190 --> 00:33:02.390
be incredibly rational and articulate. So what

00:33:02.390 --> 00:33:03.910
does this all mean? We've looked at the biology,

00:33:04.150 --> 00:33:06.349
the abuse of mother, the systemic failures, the

00:33:06.349 --> 00:33:08.569
murders, and the legacy. What's the takeaway

00:33:08.569 --> 00:33:11.579
here? It is a terrifying case study in the perfect

00:33:11.579 --> 00:33:14.460
storm. You had the biological predisposition,

00:33:14.660 --> 00:33:17.099
the size, the intelligence, the possible brain

00:33:17.099 --> 00:33:19.660
wiring. You had the extreme environmental abuse

00:33:19.660 --> 00:33:21.559
from the one person who should have protected

00:33:21.559 --> 00:33:24.400
him. And you had the intellectual capacity to

00:33:24.400 --> 00:33:27.640
mask it all. If any one of those factors had

00:33:27.640 --> 00:33:29.019
been different, maybe you would have just been

00:33:29.019 --> 00:33:31.680
an unhappy guy who hated his mom, but together.

00:33:32.400 --> 00:33:35.099
They created a monster. It raises a provocative

00:33:35.099 --> 00:33:37.799
final thought for me. Kemper always said he turned

00:33:37.799 --> 00:33:40.779
himself in because the popis was gone. He killed

00:33:40.779 --> 00:33:43.140
his mother, the source of his rage, and the urge

00:33:43.140 --> 00:33:45.680
vanished. Which is what he claims, yes. The mission

00:33:45.680 --> 00:33:48.460
was complete. So if he hadn't killed his mother,

00:33:48.619 --> 00:33:51.240
if she had died of natural causes, or if he had

00:33:51.240 --> 00:33:53.400
just moved away and never seen her again, would

00:33:53.400 --> 00:33:55.900
he have ever stopped? Or would he have kept hunting

00:33:55.900 --> 00:33:58.640
surrogates forever, trying to satisfy an urge

00:33:58.640 --> 00:34:01.000
that could never be satisfied? That is the million

00:34:01.000 --> 00:34:04.690
-dollar question. And, perhaps more disturbingly,

00:34:04.809 --> 00:34:07.390
Kemper turned himself in. We didn't catch him.

00:34:07.430 --> 00:34:09.329
He was a friendly giant hiding in plain sight.

00:34:09.769 --> 00:34:12.349
It makes you wonder, how many others are out

00:34:12.349 --> 00:34:14.150
there right now, sitting at a bar, chatting with

00:34:14.150 --> 00:34:16.150
the locals, completely invisible because they

00:34:16.150 --> 00:34:17.650
just haven't finished their personal mission

00:34:17.650 --> 00:34:19.789
yet? That is a thought that is going to keep

00:34:19.789 --> 00:34:22.110
me up tonight. Thank you for listening to this

00:34:22.110 --> 00:34:25.489
deep dive into Edmund Kemper. It's a dark one,

00:34:25.570 --> 00:34:28.650
but... Understanding the mind of the hunter is

00:34:28.650 --> 00:34:31.050
the only way we can hope to spot the next one.

00:34:31.110 --> 00:34:33.590
Stay curious and stay safe. We'll see you on

00:34:33.590 --> 00:34:34.949
the next Deep Dive.
