WEBVTT

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Okay, I want you to just for a second close your

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eyes and picture the Cambridgeshire Fence. If

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you've never been there, it's a really specific

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kind of place. It is flat. Just relentlessly

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flat. And you get these huge, open, gray skies

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that feel like they just stretch on forever.

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It's all farmland. It's quiet. And it's crisscrossed

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by these drainage ditches. Yeah, dikes. Exactly.

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And they're just sitting there all stagnant and

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dark. It feels, well, it feels incredibly ordinary.

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You know, the kind of place where nothing ever

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really happens. Until something does. Until something

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does. It's a landscape that hides things very,

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very well. Oh, absolutely. So it's March 20.

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And we're not just talking about a crime here.

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This is a... A sudden, just explosive descent

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into total chaos that just shattered that quiet

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completely. It's interesting that you use the

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word chaos because that's how it felt to everyone

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watching it unfold. Yeah. But for the person

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at the very center of it all. It was actually

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about the exact opposite. It was about absolute

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rigid control. And that's the central tension,

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isn't it? That's what we're going to be wrestling

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with today. We are doing a deep dive into the

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Peterborough ditch murders. And specifically,

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we are unpacking the mind, the motives and the

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actions of Joanna Christine Dennehy. Now, I know

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we cover a lot of dark subjects, but this one.

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This one feels different. It feels rare. It is.

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Statistically, it is incredibly rare. When we

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talk about Joanna Dennehy, we're talking about

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a member of maybe the most infamous and exclusive

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club in British criminal history. You're talking

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about the sentence she received. Exactly. She

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is one of only three women in the entire history

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of the United Kingdom to receive a whole life

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order. Okay, let's just break that down for anyone

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who might not be familiar with the British legal

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system. A life sentence in the UK doesn't always

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mean your whole life, right? Not at all. Usually

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you get a minimum term, say 15, 20 years, something

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like that. And after that, you can apply for

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parole. So there's a light at the end of the

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tunnel, however faint. Correct. Most lifers have

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that flicker of hope, a whole life order. It

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extinguishes that completely. It means exactly

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what it says on the tin. You will never be released.

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You will die in prison. There was no parole board,

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no review, no second chance. It is reserved for,

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quite literally, the worst of the worst. And

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who are the other two women? Myra Henley. The

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Moores murders. And Rosemary West. Cromwell Street.

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So she is in the company of monsters who are,

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I mean, their household names for pure evil.

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Decades of infamy. But Dennehy. Yeah. This was

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2013. This is the modern era. The age of the

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iPhone. Of CCTV on every street corner of digital

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footprints. Yeah, you're not supposed to be able

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to go on a spree like this anymore. And yet she

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orchestrated this campaign of violence that was

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so brutal, so brazen, it felt like something

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from a completely different time. Or like you

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said, a different reality. One she created herself.

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And there's one detail right from the very start

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that just hooks me every single time I read about

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this case. It's the thing that makes you stop

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and just say, wait, what? I think I know what

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you're going to say. One of the victims, a man,

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was found dumped in a ditch, dressed in a black

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sequined dress. And that detail right there.

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Yeah. That is the key that unlocks her entire

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psychological profile. Yeah. It's not just about

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a murder weapon or a body dump site. That dress

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is a message. It's a statement. It takes the

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crime from just being a homicide to being a performative

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act of profound humiliation. OK, so here's our

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mission for this deep dive. We're going to unpack

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what that frantic, terrifying timeline of 10

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days in March that left three men dead and two

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more fighting for their lives. Right. Then we

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have to get into the why. And this is where it

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gets really dark. We're talking psychology, that

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concept of control you mentioned, and this. This

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baffling diagnosis of paraphiliacetam masochism.

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A very specific and rare diagnosis. And we have

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to talk about the accomplices because she didn't

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do this alone. And I have so many questions about

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the men who decided to help her. The accomplices

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are a fascinating study in their own right, in

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manipulation, in group psychology. And finally,

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we have to look at the now because unlike Myra

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Hindley. Joanna Dennehy is still very much alive.

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She's in the prison system. And from what I've

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read in the sources, she is not going quietly.

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Not in the slightest. Her incarceration hasn't

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stopped her need for control. It's just changed

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the arena where she plays the game. Okay, let's

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rewind the clock. Let's go back to March 2013,

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the Peterborough Ditch murders. Set the scene

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for us with the victims, because these weren't...

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random strangers, at least not at first. No,

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and that's a classic feature of many female killers,

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actually. They tend to kill within their orbit.

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Family, husbands, lovers. Dennehy started right

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there. The first victim to be discovered was

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a man named Kevin Lee. Kevin Lee, yes. 48 years

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old. And who was he? He was a local property

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developer, a landlord. And to add another layer

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of complexity to this, he was also Joanna Dennehy's

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lover. So he was providing her with a place to

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live. That's right. He was giving her accommodation,

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and they were involved sexually. Now, just think

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about the power dynamic there for a moment. Well,

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normally, the landlord has all the power. Exactly.

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The landlord holds power over the tenant. But

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in this specific relationship, you can be sure

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that power balance was completely inverted. She

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was in charge. He was killed on March 29, 2013,

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and his body was found pretty quickly the next

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day, March 30, near a place called Newboro. Right.

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And this brings us straight back to that macabre,

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unforgettable detail we teased. The dress. The

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black sequined dress. Let's really analyze what

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this means. You kill someone. That is the ultimate

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act of removing their agency. You've ended their

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life. Game over. But she didn't stop there. Not

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even close. She took the time, while he was dead,

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to wrestle his corpse into a woman's cocktail

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dress. Which is not an easy thing to do, by the

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way. A deadweight body of a grown man, that takes

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incredible physical effort. It takes time. A

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lot of time. Every second you spend doing that,

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you're at risk of being caught. So this wasn't

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an afterthought. This was a priority for her.

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This was part of the act. It was essential to

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her ritual. Psychologically, what is she doing?

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She is feminizing him. She's degrading him. In

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her mind and in the context of the sadomasochistic

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dynamics she operated in, she's stripping him

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of his masculinity. It's a final act of mockery.

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A profound act of mockery. It's her saying, you

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thought you were the man, the landlord, the one

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in charge. No, you are my toy. You are my doll

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to dress up. It's just... It's incredibly disturbing.

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It's just the pleasure for her wasn't just in

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the killing itself, but in the arrangement of

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the body afterwards. And that fits perfectly

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with that diagnosis of paraphiliocetomasochism.

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We'll get into the weeds of that later, but in

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simple terms, the pleasure, the arousal, is derived

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from the total domination and humiliation of

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the object. And to her, Kevin Lee was just an

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object. An object to be used and discarded. But

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Kevin Lee wasn't the only one. This is what makes

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it a spree. While the police are finding him,

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they start to realize other men are missing.

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Yes. The net widens and two more names come up.

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Lukas Lebojewski and John Chapman. OK, let's

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talk about Lukas first. He was a Polish national

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living in Peterborough. Right. 31 years old.

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And the sources say he met Denny Heath through,

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and I'm quoting here, shared interests in drink

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and drugs. Which is often a polite way of saying

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they were moving in very marginalized, vulnerable

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circles. He sounds like an easy target. Very

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much so. Lucas was vulnerable. He was likely

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isolated, you know, being a foreign national,

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maybe without a huge support network right there

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in Peterborough. He was an easy person to make

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disappear. And chronologically, he was killed

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first. That's right. Sometime between March 19th

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and March 29th. The timeline is a little fuzzy

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on it. And then there's John Chapman. John Chapman,

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56, a Falklands veteran. And he was her housemate.

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He lived with her. So even closer to home. killed

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on March 29th. The same day as Kevin Lee. Just

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stop and think about that for a second. March

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29th, that is a day of absolute carnage. It's

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an explosion. She kills her housemate, John Chapman,

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in the very place where they both live. And on

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the exact same day, she also kills her lover

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and landlord, Kevin Lee. It's a crescendo of

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violence. She's tying up loose ends, perhaps,

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but it's more than that. It's like a frenzy.

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And notice the disposal. Kevin Lee was found

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quickly the next day. But Slobozevsky and Chapman,

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they weren't found until April 3rd. No, their

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bodies were dumped later, also in ditches near

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a place called Thorny. So you have the fens,

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this quiet landscape, suddenly becoming this

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graveyard, this dumping ground for the men and

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her life. There is a detail about what happened

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to Lucas Slobozevsky that I found physically

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difficult to read. It honestly made my stomach

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turn. I know exactly what you're referring to.

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It's about what happened in that interim period.

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After she killed him, but before she dumped him

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in the ditch. You're talking about the bin. The

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wheelie bin. Yeah. This is one of the most chilling

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aspects of the entire case because it introduces

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a third party. Someone who is neither a victim

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nor an accomplice in the traditional sense. A

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witness. A child. A 14 -year -old girl. A 14

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-year -old girl. Dennehy had stored Lucas's remains

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in a bin. A standard residential wheelie bin.

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And then she brought this teenager, a girl she

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had befriended. to see the body. I just, I cannot

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get my head around that. Any normal criminal,

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their number one instinct is self -preservation.

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You hide the body, you bury it, you get rid of

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it. You certainly don't show it to a 14 -year

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-old girl who could run straight to the police.

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Why? Why would she do that? Because for Joanna

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Dennehy, the crime is a performance. If you perform

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a masterpiece in an empty theater, does it even

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matter? She needed an audience. She needed an

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audience. She needed someone to validate the

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horror she had created. But there's a much darker

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element to it as well. It's about corruption.

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Corruption. What do you mean? Grooming, in a

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sense. If you are a psychopath, you don't view

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a child as an innocent being to be protected.

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You view them as raw material. Clay to be molded.

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Oh, that's horrible. By showing that girl the

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body. She is dragging that child into her world.

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She is tainting her. She is making her complicit

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in the secret. It's a way of saying, look how

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powerful I am. Look what I can do. And now, you

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know too. It creates this bond of trauma and

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fear. It's monstrous. That's the only word for

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it. It paints this picture of her not just as

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a killer, but as a corruptor. Someone who spreads

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this darkness like a virus. Precisely. And that

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complete lack of fear, that willingness to show

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the body tells us everything we need to know.

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She wasn't operating out of panic. She was operating

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out of pure arrogance. So by the beginning of

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April, we have three bodies. The police are swarming

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all over Cambridgeshire. It's a major, major

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investigation. Kevin Lee's body found in that

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dress has obviously triggered a massive media

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and police response. It's headline news. Logically,

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this is the part of the story where the killer

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goes to ground. You dye your hair. You get a

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fake ID. You hide in a basement. You flee the

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country. Any rational criminal would do that.

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Any criminal motivated by money or revenge would

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absolutely do that. But Joanna Dennehy. She does

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the exact opposite. She goes on a road trip.

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She goes on a road trip. And this marks the transition

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to the next section of our deep dive. The shift

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from Peterborough to Hereford. And this is a

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really crucial pivot point in the story, isn't

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it? It's a huge escalation. Because up until

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now, however horrific, she has killed men she

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knew. Men she had some kind of relationship with.

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Right. They were in her orbit. But now she changes

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the game completely. She leaves the domestic

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sphere of killing and enters the predatory sphere.

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She gets in a car with her accomplice, Gary Stretch.

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And we will definitely get to him in a bit. And

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they drive 140 miles across the country to Hereford.

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Why Hereford? I mean, of all the places in the

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country, why there? Does she have enemies there?

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An ex -boyfriend? Some connection? None. Absolutely

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no connection whatsoever. It's random. And that

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is what makes this next phase so utterly terrifying.

00:12:24.409 --> 00:12:27.269
When she arrives in Hereford, she isn't looking

00:12:27.269 --> 00:12:29.269
for anyone in particular. She is hunting for

00:12:29.269 --> 00:12:31.889
anyone. And who does she find? Dog walkers. It's

00:12:31.889 --> 00:12:36.029
so painfully mundane. It's so innocent. The most

00:12:36.029 --> 00:12:38.710
normal activity imaginable. You're out walking

00:12:38.710 --> 00:12:40.789
your dog. You're probably thinking about what

00:12:40.789 --> 00:12:43.149
to have for dinner. You are in your own world.

00:12:43.580 --> 00:12:46.379
And suddenly you are face to face with a serial

00:12:46.379 --> 00:12:50.000
killer on a mission. She attacks two men completely

00:12:50.000 --> 00:12:53.360
separately. Robin Barisa and John Rogers. Total

00:12:53.360 --> 00:12:56.019
strangers. Complete strangers to her and to each

00:12:56.019 --> 00:12:59.440
other. And she stabs them. And miraculously,

00:12:59.500 --> 00:13:02.460
they both survived. Yes, through sheer luck and

00:13:02.460 --> 00:13:05.120
rapid medical intervention. But make no mistake,

00:13:05.360 --> 00:13:08.320
the intent was to kill. She stabbed them in broad

00:13:08.320 --> 00:13:10.259
daylight. This wasn't some shadowy assassination.

00:13:10.379 --> 00:13:13.279
This was a frenzy. And then just to cap off the

00:13:13.279 --> 00:13:15.860
surreal, bizarre nature of this violence, she

00:13:15.860 --> 00:13:18.759
steals one of their dogs. She steals John Rogers'

00:13:18.940 --> 00:13:21.759
dog, a whippet. It's this indelicate, almost

00:13:21.759 --> 00:13:24.879
petty act of theft on top of a brutal attempted

00:13:24.879 --> 00:13:27.580
murder. It feels chaotic, like a toddler knocking

00:13:27.580 --> 00:13:30.100
over a tower of blocks just to watch it fall,

00:13:30.220 --> 00:13:32.340
but with lethal weapons. I'm going to stab you

00:13:32.340 --> 00:13:35.600
and I'm taking your dog. It's absurd. It is absurd,

00:13:35.700 --> 00:13:37.620
but it speaks to that total lack of boundaries.

00:13:37.740 --> 00:13:40.259
I want it, so I take it, whether that's your

00:13:40.259 --> 00:13:42.190
life or your pet. There's no distinction. Okay,

00:13:42.230 --> 00:13:44.470
we have to drill down on the motive here. Because

00:13:44.470 --> 00:13:46.870
usually when we see an escalation like this,

00:13:46.970 --> 00:13:49.950
from killing known associates to random spree

00:13:49.950 --> 00:13:53.149
killing, something has snapped. But Dennehy seems

00:13:53.149 --> 00:13:57.330
lucid. She's in control. What was driving her?

00:13:57.409 --> 00:13:59.769
What was the fuel in the engine? We actually

00:13:59.769 --> 00:14:02.149
have a quote from Dennehy herself, spoken to

00:14:02.149 --> 00:14:04.210
her accomplice Gary Stretch during this drive.

00:14:04.809 --> 00:14:07.330
And it answers that question with chilling simplicity.

00:14:07.710 --> 00:14:09.590
What did she say? She turned to him and said,

00:14:10.000 --> 00:14:12.940
I want my fun. I need you to get my fun. Fun.

00:14:13.039 --> 00:14:15.519
Fun. She called stabbing random men in the street

00:14:15.519 --> 00:14:18.779
fun. Not just fun. Entertainment. Yeah. Stimulation.

00:14:18.879 --> 00:14:21.500
A hobby. I am genuinely struggling to process

00:14:21.500 --> 00:14:23.879
that. I can understand anger. I can understand

00:14:23.879 --> 00:14:26.179
greed. I can even, on some level, understand

00:14:26.179 --> 00:14:29.080
revenge, however twisted, but fun. It implies

00:14:29.080 --> 00:14:32.480
she was bored. Boredom is actually a huge factor

00:14:32.480 --> 00:14:34.860
in the psychopathic mindset. A very high boredom

00:14:34.860 --> 00:14:37.399
susceptibility. But it's more than that. Later,

00:14:37.539 --> 00:14:39.620
after her arrest, she spoke to a psychiatrist,

00:14:39.779 --> 00:14:42.100
and she described the act of killing as more

00:14:42.100 --> 00:14:45.440
-ish. More -ish, like a bag of crisps, like chocolate.

00:14:45.820 --> 00:14:50.620
Exactly. Once you pop, you can't stop. She told

00:14:50.620 --> 00:14:53.740
him she got a taste for it. This is a crucial

00:14:53.740 --> 00:14:56.700
insight. For Dennehy, violence wasn't a means

00:14:56.700 --> 00:14:59.259
to an end. It wasn't about silencing a witness

00:14:59.259 --> 00:15:02.019
or getting some money. The violence was the end.

00:15:02.220 --> 00:15:04.179
So the act of killing provided a physiological

00:15:04.179 --> 00:15:07.610
or psychological high. A rush. A thrill. And

00:15:07.610 --> 00:15:10.049
like any addiction, you start to build a tolerance.

00:15:10.370 --> 00:15:13.309
Killing Kevin Lee and the others. Maybe that

00:15:13.309 --> 00:15:15.850
initial high wore off. She needed a bigger hit.

00:15:15.970 --> 00:15:18.610
A stronger dose. So she needed the thrill of

00:15:18.610 --> 00:15:20.950
the hunt. The randomness. She needed the randomness

00:15:20.950 --> 00:15:23.830
of Hereford to get that same rush again. That

00:15:23.830 --> 00:15:26.090
is the stuff of nightmares. Because if the motive

00:15:26.090 --> 00:15:28.850
is fun and the trigger is just opportunity, then

00:15:28.850 --> 00:15:30.690
nobody is safe. You don't have to have wronged

00:15:30.690 --> 00:15:32.409
her to become her victim. You just have to be

00:15:32.409 --> 00:15:34.429
there. That is the very definition of a spree

00:15:34.429 --> 00:15:37.629
killer. The unpredictability is the weapon. OK,

00:15:37.710 --> 00:15:39.429
let's pivot. Let's get into the psychology of

00:15:39.429 --> 00:15:41.649
this. We've thrown around some heavy terms, psychopath,

00:15:42.009 --> 00:15:43.909
serial killer. But let's look at the specific

00:15:43.909 --> 00:15:46.809
profile. Who was Joanna Dennehy? She was born

00:15:46.809 --> 00:15:50.610
in August 1982 in St. Albans. And she was a mother.

00:15:50.690 --> 00:15:52.950
She has two children. An absent mother at the

00:15:52.950 --> 00:15:54.750
time of the crimes, but a mother nonetheless.

00:15:55.029 --> 00:15:57.230
Yes. And that actually plays into her victim

00:15:57.230 --> 00:15:59.970
selection in a very, very interesting way. Because

00:15:59.970 --> 00:16:02.059
we need to look at who she didn't kill. Women.

00:16:02.399 --> 00:16:05.679
Correct. She had a strict personal code. She

00:16:05.679 --> 00:16:07.539
told an acquaintance, a man named Mark Lloyd,

00:16:07.799 --> 00:16:09.820
who was also in the car during that Hereford

00:16:09.820 --> 00:16:12.460
trip, that she did not wish to kill a woman.

00:16:12.600 --> 00:16:15.519
Okay. And she was even more specific. She said

00:16:15.519 --> 00:16:17.539
she would never kill a woman with children. That

00:16:17.539 --> 00:16:20.340
is fascinating. So she has this absolute disregard

00:16:20.340 --> 00:16:22.740
for human life. She's stabbing dog walkers for

00:16:22.740 --> 00:16:27.139
fun. But she draws this hard moral line at killing

00:16:27.139 --> 00:16:30.080
mothers. It suggests a really complex and warped

00:16:30.080 --> 00:16:33.200
internal landscape. Maybe it's a form of narcissism.

00:16:33.259 --> 00:16:36.100
She sees herself in other mothers, so she spares

00:16:36.100 --> 00:16:38.399
them. Or she sees men as the enemy. Or she views

00:16:38.399 --> 00:16:40.259
men as the enemy or the oppressor that needs

00:16:40.259 --> 00:16:43.159
to be taken down. It could be that in her twisted

00:16:43.159 --> 00:16:45.759
worldview, killing a mother is bad, but killing

00:16:45.759 --> 00:16:48.360
a man is just sport. It's almost like she was

00:16:48.360 --> 00:16:51.039
trying to maintain some shred of... of moral

00:16:51.039 --> 00:16:53.440
superiority i'm a monster but i'm not that kind

00:16:53.440 --> 00:16:56.500
of monster exactly so many criminals have these

00:16:56.500 --> 00:16:59.639
bizarre personal codes to help them rationalize

00:16:59.639 --> 00:17:01.620
their behavior it's a way of looking in the mirror

00:17:01.620 --> 00:17:04.339
but she did have an ambition mark lloyd also

00:17:04.339 --> 00:17:06.640
mentioned she had a target number in mind she

00:17:06.640 --> 00:17:09.900
wanted to kill nine men nine why nine is there

00:17:09.900 --> 00:17:12.940
any significance to that number we don't really

00:17:12.940 --> 00:17:16.130
know if the number nine itself had a specific

00:17:16.130 --> 00:17:19.069
numerological meaning to her but the goal behind

00:17:19.069 --> 00:17:21.230
it was very clear she wanted to be like bonnie

00:17:21.230 --> 00:17:24.450
and clyde of course bonnie and clyde that keeps

00:17:24.450 --> 00:17:26.289
coming up in these kinds of cases the romantic

00:17:26.289 --> 00:17:29.490
outlaw myth it's the cinematic influence she

00:17:29.490 --> 00:17:31.890
didn't see herself as a grubby murderer in a

00:17:31.890 --> 00:17:35.690
ditch she saw herself as a star A legend, an

00:17:35.690 --> 00:17:38.170
outlaw hero fighting against the system. The

00:17:38.170 --> 00:17:40.289
reference to Bonnie and Clyde tells us everything

00:17:40.289 --> 00:17:42.549
about her craving for notoriety. She wanted the

00:17:42.549 --> 00:17:45.210
fame. She wanted to be remembered. She absolutely

00:17:45.210 --> 00:17:47.349
did. But here's the thing about Bonnie and Clyde.

00:17:47.430 --> 00:17:51.130
They were a duo, a genuine partnership. Clyde

00:17:51.130 --> 00:17:53.589
wasn't just Bonnie's driver. He was her equal

00:17:53.589 --> 00:17:55.970
partner in crime. Which brings us to the next

00:17:55.970 --> 00:18:00.269
section, the accomplices. Because Joanna Dennehy

00:18:00.269 --> 00:18:03.400
had these men around her. But they weren't exactly

00:18:03.400 --> 00:18:06.599
Clydes, were they? No, not at all. The dynamic

00:18:06.599 --> 00:18:09.019
was very, very different. Let's start with the

00:18:09.019 --> 00:18:11.220
main one, Gary Stretch. Gary Stretch, formerly

00:18:11.220 --> 00:18:13.619
Gary Richards. This guy is physically enormous.

00:18:13.799 --> 00:18:16.799
He's seven feet, three inches tall. He is physically

00:18:16.799 --> 00:18:21.559
imposing. A giant of a man. And yet, look at

00:18:21.559 --> 00:18:23.680
how the media and the courts described him. They

00:18:23.680 --> 00:18:26.299
called him Dennehy's nodding dog. That is, I

00:18:26.299 --> 00:18:29.180
mean, that's just humiliating. It is. But it

00:18:29.180 --> 00:18:32.289
captures the power dynamic. Perfectly. Here you

00:18:32.289 --> 00:18:34.549
have this relatively petite woman and this giant

00:18:34.549 --> 00:18:37.750
man, and yet she was holding the leash. So what

00:18:37.750 --> 00:18:40.069
was his role specifically? He was the driver.

00:18:40.190 --> 00:18:42.529
He was the getaway car. He drove her to Hereford.

00:18:42.650 --> 00:18:44.549
He was there when she jumped out of the car to

00:18:44.549 --> 00:18:46.569
stab people. He didn't wield the knife himself,

00:18:46.789 --> 00:18:49.049
but he facilitated the terror. And he was convicted

00:18:49.049 --> 00:18:51.450
for it. He was convicted of attempted murder

00:18:51.450 --> 00:18:54.220
for his role in that spree. Why? I mean, really,

00:18:54.299 --> 00:18:57.140
why? You're a 47 -year -old man. You are 7 '3".

00:18:57.140 --> 00:19:00.380
Why are you acting as a chauffeur for a serial

00:19:00.380 --> 00:19:03.460
killer half your size? Was he terrified of her?

00:19:03.519 --> 00:19:05.579
Was he in love with her? What was going on? It's

00:19:05.579 --> 00:19:07.619
the million -dollar question, isn't it? And the

00:19:07.619 --> 00:19:10.519
answer is likely a toxic cocktail of both, fear

00:19:10.519 --> 00:19:14.250
and infatuation. We see this in what are sometimes

00:19:14.250 --> 00:19:17.609
called folia de cases, a shared psychosis. Right.

00:19:17.750 --> 00:19:20.809
Denny was charismatic. She was incredibly manipulative.

00:19:20.910 --> 00:19:22.950
She could be charming one minute and terrifying

00:19:22.950 --> 00:19:25.930
the next. She probably alternated between seducing

00:19:25.930 --> 00:19:28.789
him and threatening him. If she can stab a man

00:19:28.789 --> 00:19:31.230
to death and dress him in sequence, imagine what

00:19:31.230 --> 00:19:33.329
she could threaten to do to Gary Stretch if he

00:19:33.329 --> 00:19:35.809
didn't comply. So he just becomes a tool, an

00:19:35.809 --> 00:19:38.549
extension of her will. Precisely. A nodding dog.

00:19:38.849 --> 00:19:41.430
He completely surrendered his own agency to her.

00:19:41.680 --> 00:19:43.519
And he wasn't the only one. There was also Leslie

00:19:43.519 --> 00:19:46.380
Layton. Leslie Layton, 36. He was more involved

00:19:46.380 --> 00:19:48.740
in the cover -up, perverting the course of justice,

00:19:49.000 --> 00:19:51.259
helping her dispose of evidence after the Peterborough

00:19:51.259 --> 00:19:53.740
murders. And a Robert Moore. Robert Moore, who

00:19:53.740 --> 00:19:56.839
was 55. His charge was assisting an offender.

00:19:57.640 --> 00:20:00.220
He basically provided her with shelter when she

00:20:00.220 --> 00:20:02.460
was on the run. It's like she had this gravitational

00:20:02.460 --> 00:20:05.579
pull. She collected these Menstretch, Layton,

00:20:05.700 --> 00:20:08.619
Moore, and they just orbited her, doing her bidding,

00:20:08.700 --> 00:20:11.490
and just... completely ruining their own lives

00:20:11.490 --> 00:20:14.049
in the process. And here's a really telling detail

00:20:14.049 --> 00:20:16.869
about their submission to her. When it came to

00:20:16.869 --> 00:20:19.869
the trial, both Stretch and Layton stood in the

00:20:19.869 --> 00:20:23.250
dock, but they both decided not to give evidence

00:20:23.250 --> 00:20:25.549
in their own defense. They just stayed silent.

00:20:25.670 --> 00:20:28.069
Total silence. They didn't try to explain themselves.

00:20:28.309 --> 00:20:30.450
They didn't try to blame her. They didn't offer

00:20:30.450 --> 00:20:32.839
any mitigation. They just... took it that feels

00:20:32.839 --> 00:20:35.259
like the ultimate sign of her control even when

00:20:35.259 --> 00:20:37.220
she's caught even when they're facing decades

00:20:37.220 --> 00:20:40.200
in prison they can't or won't break ranks her

00:20:40.200 --> 00:20:43.380
power over them was that absolute or maybe they

00:20:43.380 --> 00:20:45.200
just knew there was nothing they could say the

00:20:45.200 --> 00:20:47.400
evidence was just so overwhelming but either

00:20:47.400 --> 00:20:50.880
way that silence speaks volumes about the power

00:20:50.880 --> 00:20:53.960
she held so the spree ends the police finally

00:20:53.960 --> 00:20:56.720
catch up with them the car is stopped and we

00:20:56.720 --> 00:20:59.619
move to the trial now usually this is where we

00:20:59.619 --> 00:21:02.230
get the big legal drama The defense team trying

00:21:02.230 --> 00:21:04.589
to argue insanity or diminish responsibility.

00:21:04.809 --> 00:21:08.190
They try to find a loophole. Of course. So it's

00:21:08.190 --> 00:21:11.190
November 2013. We're at the old Bailey in London.

00:21:11.390 --> 00:21:14.269
The stage is set. The press are all there. The

00:21:14.269 --> 00:21:16.490
families, the victims are there. Everyone is

00:21:16.490 --> 00:21:19.809
bracing for weeks, maybe months of gruesome,

00:21:19.809 --> 00:21:22.710
painful testimony. Right. And Joanna Dennehy

00:21:22.710 --> 00:21:25.309
walks into the courtroom and drops an absolute

00:21:25.309 --> 00:21:28.279
bombshell. She pleads guilty. To everything.

00:21:28.400 --> 00:21:30.680
All three counts of murder, both counts of attempted

00:21:30.680 --> 00:21:33.859
murder, the whole lot. Just like that. No plea

00:21:33.859 --> 00:21:36.079
deal. No negotiation with the prosecution. Nothing.

00:21:36.140 --> 00:21:38.579
Just like that. Her own legal team was completely

00:21:38.579 --> 00:21:40.960
blindsided. The judge was visibly surprised.

00:21:41.339 --> 00:21:43.619
When she was asked by the court clerk to confirm

00:21:43.619 --> 00:21:46.079
her plea, she simply said, I have pleaded guilty

00:21:46.079 --> 00:21:49.299
and that's that. And that's that. It's so dismissive.

00:21:49.299 --> 00:21:51.140
It's like she's bored with the entire process.

00:21:51.500 --> 00:21:54.579
It's incredibly dismissive, but it's also highly

00:21:54.579 --> 00:21:57.759
strategic. Her sister, Maria, actually gave an

00:21:57.759 --> 00:21:59.920
interview where she just nailed it. She said,

00:22:00.000 --> 00:22:08.279
There's that word again, control. Think about

00:22:08.279 --> 00:22:11.779
it. By pleading guilty, she completely shuts

00:22:11.779 --> 00:22:15.240
down the show. She denies the prosecution the

00:22:15.240 --> 00:22:18.619
chance to lay out their entire case in painstaking

00:22:18.619 --> 00:22:22.109
detail. She denies the victims' families The

00:22:22.109 --> 00:22:24.730
catharsis of hearing a jury deliver a guilty

00:22:24.730 --> 00:22:27.109
verdict. She decides when it starts and she decides

00:22:27.109 --> 00:22:29.630
when it ends. She is the writer, director, and

00:22:29.630 --> 00:22:32.769
star of her own grim play. And everyone else

00:22:32.769 --> 00:22:34.829
is just a supporting character. And her behavior

00:22:34.829 --> 00:22:37.230
in court wasn't exactly what you'd call remorseful,

00:22:37.230 --> 00:22:39.930
was it? Far from it. She was seen laughing in

00:22:39.930 --> 00:22:42.569
the dock, smirking at the press, treating the

00:22:42.569 --> 00:22:44.890
old Bailey like it was a social club. Laughing

00:22:44.890 --> 00:22:46.650
while the court is hearing the details of how

00:22:46.650 --> 00:22:49.029
she butchered three men. It's the behavior of

00:22:49.029 --> 00:22:50.970
someone who is completely and utterly detached

00:22:50.970 --> 00:22:53.529
from the moral reality of their actions. And

00:22:53.529 --> 00:22:55.650
then she had an outburst. She couldn't help herself.

00:22:55.769 --> 00:22:58.049
She started shouting at the judge, Mr. Justice

00:22:58.049 --> 00:23:00.819
Spencer. What did she say to him? She shouted,

00:23:00.900 --> 00:23:02.839
I don't want to be controlled by anybody. I don't

00:23:02.839 --> 00:23:04.700
want to be controlled by my lawyers, by the police,

00:23:04.799 --> 00:23:08.000
by anybody. Wow. She literally said the quiet

00:23:08.000 --> 00:23:11.440
part out loud. That's the thesis statement for

00:23:11.440 --> 00:23:14.359
her entire life. I will not be controlled. And

00:23:14.359 --> 00:23:16.900
that is precisely why the sentence she received

00:23:16.900 --> 00:23:20.259
was so necessary and so fitting. Mr. Justice

00:23:20.259 --> 00:23:24.019
Spencer saw right through her. On February 28th,

00:23:24.019 --> 00:23:27.680
2014, he delivered his sentencing remarks. And

00:23:27.680 --> 00:23:30.759
he called her a cruel, calculating, selfish,

00:23:30.859 --> 00:23:33.440
and manipulative serial killer. He did not hold

00:23:33.440 --> 00:23:35.859
back. He couldn't. He highlighted the premeditation.

00:23:36.319 --> 00:23:38.599
He highlighted the sadomasochistic nature of

00:23:38.599 --> 00:23:41.359
the crimes. The complete and total lack of remorse.

00:23:41.819 --> 00:23:44.059
And he handed down the whole life order. You

00:23:44.059 --> 00:23:46.220
will never be released. The ultimate control

00:23:46.220 --> 00:23:48.839
placed upon the one woman who refused to be controlled

00:23:48.839 --> 00:23:52.380
by anyone. Justice. Finally. And usually this

00:23:52.380 --> 00:23:54.319
is where the story ends. The cell door slams.

00:23:54.319 --> 00:23:56.880
The credits roll. But with Joanna Dennehy, the

00:23:56.880 --> 00:23:59.099
story doesn't end with the sentence. If anything,

00:23:59.400 --> 00:24:01.539
the prison years are just the sequel. It really

00:24:01.539 --> 00:24:04.859
is Joanna Dennehy, the prison years. And it is

00:24:04.859 --> 00:24:07.220
just as chaotic and dramatic as the murders themselves.

00:24:07.480 --> 00:24:10.099
Because even in a maximum security prison, she

00:24:10.099 --> 00:24:12.079
found new ways to manipulate the environment

00:24:12.079 --> 00:24:14.299
and everyone in it. Okay, let's talk about the

00:24:14.299 --> 00:24:16.980
escape plot. This was at H &amp;P Bronzefield, and

00:24:16.980 --> 00:24:19.299
it happened while she was on remand, right? Even

00:24:19.299 --> 00:24:21.480
before she was sentenced. That's right. She wasn't

00:24:21.480 --> 00:24:23.799
sitting in her cell reflecting on her sins. She

00:24:23.799 --> 00:24:26.710
was writing a diary. And in that diary, she was

00:24:26.710 --> 00:24:29.710
meticulously plotting a breakout. And this wasn't

00:24:29.710 --> 00:24:32.490
a tie bedsheets together and climb out a window

00:24:32.490 --> 00:24:35.230
kind of plot, was it? No, this was gruesome.

00:24:35.230 --> 00:24:37.990
It was incredibly violent. The plan was to target

00:24:37.990 --> 00:24:41.950
a specific female prison officer to kill or seriously

00:24:41.950 --> 00:24:44.829
injure them. But the key detail of the plan.

00:24:45.259 --> 00:24:47.119
She intended to cut off the officer's finger.

00:24:47.259 --> 00:24:50.039
Why the finger? Biometrics. To use the amputated

00:24:50.039 --> 00:24:52.519
finger and its fingerprint to bypass the prison's

00:24:52.519 --> 00:24:55.019
electronic security systems to open the doors.

00:24:55.259 --> 00:24:57.279
That is, I mean, that is straight out of a really

00:24:57.279 --> 00:25:00.539
dark, gory spy thriller. It shows she was looking

00:25:00.539 --> 00:25:02.799
at the prison guards, not as human beings, but

00:25:02.799 --> 00:25:05.839
as keys. Literally, I need that finger to open

00:25:05.839 --> 00:25:08.799
that door. It is utilitarian psychopathy at its

00:25:08.799 --> 00:25:11.220
absolute worst. So the authorities found the

00:25:11.220 --> 00:25:13.579
diary. They foiled the plot. What was the consequence?

00:25:13.900 --> 00:25:16.279
They put her in segregation, solitary confinement.

00:25:16.759 --> 00:25:19.880
And she was there for two years, from September

00:25:19.880 --> 00:25:23.519
2013 to September 2015. So how did the woman

00:25:23.519 --> 00:25:27.039
who kills for fun handle being alone with her

00:25:27.039 --> 00:25:29.619
own thoughts? She hated it. And a twist that

00:25:29.619 --> 00:25:31.710
is just... almost laughable if it weren't so

00:25:31.710 --> 00:25:34.549
deeply infuriating, she sued the prison service.

00:25:34.769 --> 00:25:37.069
She sued them for what? She sued for damages.

00:25:37.509 --> 00:25:40.089
She claimed that the prolonged isolation violated

00:25:40.089 --> 00:25:42.869
her human rights. She told the court it had left

00:25:42.869 --> 00:25:45.490
her tearful and upset. Hold on. The woman who

00:25:45.490 --> 00:25:47.829
dressed a corpse in a sequined dress for a laugh,

00:25:48.069 --> 00:25:50.930
the woman who showed a dead body in a bin to

00:25:50.930 --> 00:25:53.710
a 14 -year -old, she was tearful and upset because

00:25:53.710 --> 00:25:56.190
she was lonely. The irony is absolutely blinding,

00:25:56.190 --> 00:25:59.369
but shows her profound narcissism. Her pain matters.

00:25:59.569 --> 00:26:02.509
Her discomfort is a human rights violation. The

00:26:02.509 --> 00:26:04.869
unimaginable pain she inflicted on dozens of

00:26:04.869 --> 00:26:07.670
people. Completely irrelevant. Did she win? Please

00:26:07.670 --> 00:26:09.670
tell me she didn't win that case. She did not.

00:26:10.190 --> 00:26:13.529
The high court, specifically a Mr. Justice Singh,

00:26:13.730 --> 00:26:17.069
rejected her claim. The government lawyers argued,

00:26:17.289 --> 00:26:20.170
quite rightly, that she posed a massive risk

00:26:20.170 --> 00:26:22.930
to the public. She had plotted to sever a person's

00:26:22.930 --> 00:26:26.210
finger. Segregation was deemed necessary and

00:26:26.210 --> 00:26:28.490
proportionate. Thank goodness for some sanity

00:26:28.490 --> 00:26:30.809
in the courts. But she didn't stay in solitary

00:26:30.809 --> 00:26:33.210
forever. She was eventually integrated back into

00:26:33.210 --> 00:26:36.890
the main prison population. And that led to romance.

00:26:37.369 --> 00:26:39.630
Romance might be a generous term for it, but

00:26:39.630 --> 00:26:42.890
yes, relationships. In 2018, she requested official

00:26:42.890 --> 00:26:45.630
permission to marry a fellow prisoner, a woman

00:26:45.630 --> 00:26:48.150
named Haley Palmer. Haley Palmer. I'm going to

00:26:48.150 --> 00:26:50.009
guess Haley's family wasn't buying a hat for

00:26:50.009 --> 00:26:52.400
the wedding. They were terrified. They gave interviews

00:26:52.400 --> 00:26:54.839
saying it would endanger her. And they were absolutely

00:26:54.839 --> 00:26:56.759
right. The relationship was incredibly volatile.

00:26:57.160 --> 00:26:59.980
In 2018, Dennehy and Palmer entered into a suicide

00:26:59.980 --> 00:27:02.500
pact together in prison. So it was just a destructive

00:27:02.500 --> 00:27:05.579
spiral. Completely. But even after that, as late

00:27:05.579 --> 00:27:08.420
as 2021, there were reports that they still intended

00:27:08.420 --> 00:27:11.299
to marry after Palmer was released. It's a bizarre

00:27:11.299 --> 00:27:14.700
codependent situation. But then, Dennehy seemed

00:27:14.700 --> 00:27:18.519
to move on. In 2020, she was linked to another

00:27:18.519 --> 00:27:21.299
murderer. Emma Aitken. And who is Emma Aitken?

00:27:21.519 --> 00:27:24.000
She was serving time for killing a man and dumping

00:27:24.000 --> 00:27:26.380
his body outside a social club. It's like a networking

00:27:26.380 --> 00:27:29.000
event for the UK's most dangerous women. She

00:27:29.000 --> 00:27:30.980
just finds the other predators and gravitates

00:27:30.980 --> 00:27:34.420
right toward them. Birds of a feather. But there

00:27:34.420 --> 00:27:36.680
is one interaction that really stands out above

00:27:36.680 --> 00:27:39.099
all others. And it involves the other member

00:27:39.099 --> 00:27:41.000
of that whole life order club we mentioned right

00:27:41.000 --> 00:27:43.519
at the start. Don't tell me Rose West. How is

00:27:43.519 --> 00:27:45.880
West? They ended up in the same prison. For a

00:27:45.880 --> 00:27:49.319
time, yes. At Lowe -Newton Prison in County Durham

00:27:49.319 --> 00:27:53.299
back in 2019. Now you might think, two female

00:27:53.299 --> 00:27:55.559
serial killers, both serving whole life orders,

00:27:55.779 --> 00:27:58.779
maybe they'd swap stories, bond over their shared

00:27:58.779 --> 00:28:01.339
infamy. Knowing Dennehy's absolute need to be

00:28:01.339 --> 00:28:04.299
the alpha in any situation, I seriously doubt

00:28:04.299 --> 00:28:07.539
that. You're spot on. Upon arrival, Dennehy allegedly

00:28:07.539 --> 00:28:09.700
made it known that she was going to kill Rose

00:28:09.700 --> 00:28:12.670
West. She threatened to kill the only other woman

00:28:12.670 --> 00:28:15.250
in the country with a sentence as heavy as hers.

00:28:15.490 --> 00:28:18.910
It's a pure dominance display. I'm the boss of

00:28:18.910 --> 00:28:21.250
this wing. I'm the most dangerous person here.

00:28:22.490 --> 00:28:25.049
Reports at the time said that West was so terrified

00:28:25.049 --> 00:28:27.450
she was moved to another prison shortly after,

00:28:27.630 --> 00:28:29.910
although the government officially denied the

00:28:29.910 --> 00:28:32.130
move was because of that specific threat. But

00:28:32.130 --> 00:28:34.869
the narrative is clear. Oh, absolutely. Joanna

00:28:34.869 --> 00:28:37.369
Dennehy cannot and will not share the spotlight.

00:28:37.549 --> 00:28:40.089
It's just exhausting hearing about it. The constant

00:28:40.089 --> 00:28:43.349
manipulation, the threats, the plots. It makes

00:28:43.349 --> 00:28:45.470
you realize that the whole life order isn't just

00:28:45.470 --> 00:28:48.369
about punishment. It's about containment. She

00:28:48.369 --> 00:28:50.710
is a force of nature that simply cannot be let

00:28:50.710 --> 00:28:53.309
out into the world. Which brings us to the final

00:28:53.309 --> 00:28:56.049
and in some ways the most frustrating part of

00:28:56.049 --> 00:28:59.259
this whole story. The systemic failures. Because

00:28:59.259 --> 00:29:01.519
before she was a maximum security prisoner, she

00:29:01.519 --> 00:29:03.720
was a probationer. Right. This came out after

00:29:03.720 --> 00:29:06.019
the trial. While she was killing Kevin Lee, while

00:29:06.019 --> 00:29:08.240
she was killing Lucas and John, she was actually

00:29:08.240 --> 00:29:10.539
under the official supervision of the probation

00:29:10.539 --> 00:29:13.559
service. She was. She had previous convictions

00:29:13.559 --> 00:29:16.960
for assault and for owning a dangerous dog. She

00:29:16.960 --> 00:29:19.119
was on their radar. She was a known quantity.

00:29:19.619 --> 00:29:22.680
So how? How does a woman on probation go on a

00:29:22.680 --> 00:29:24.980
triple murder spree over 10 days without anyone

00:29:24.980 --> 00:29:27.299
noticing something is very wrong? The official

00:29:27.299 --> 00:29:30.500
review of the case. done after the fact, concluded

00:29:30.500 --> 00:29:33.099
that the staff dealing with her were, and I quote,

00:29:33.779 --> 00:29:36.119
inexperienced. Inexperienced. That sounds like

00:29:36.119 --> 00:29:37.880
a very polite way of saying they were completely

00:29:37.880 --> 00:29:39.920
out of their depth. Mansedly out of their depth.

00:29:40.000 --> 00:29:42.000
You have to understand, probation officers are

00:29:42.000 --> 00:29:44.759
often overworked, dealing with huge caseloads

00:29:44.759 --> 00:29:47.640
of fairly standard offenders. And then in walks

00:29:47.640 --> 00:29:50.460
Joanna Dennehy. She's manipulative. She's charming

00:29:50.460 --> 00:29:52.500
when she wants to be. She's a pathological liar.

00:29:52.720 --> 00:29:55.609
An inexperienced officer just... Didn't stand

00:29:55.609 --> 00:29:58.009
a chance against that. They saw a woman with

00:29:58.009 --> 00:30:00.769
a dangerous dog charge and some assault priors.

00:30:00.910 --> 00:30:03.470
They didn't see the predator lurking just underneath

00:30:03.470 --> 00:30:05.829
the surface. They missed the signs. They missed

00:30:05.829 --> 00:30:08.269
the escalation. They missed the thirst for blood

00:30:08.269 --> 00:30:10.910
that she was developing. And three men paid the

00:30:10.910 --> 00:30:13.250
ultimate price for that bureaucratic blind spot.

00:30:13.470 --> 00:30:15.769
It's a tragedy. And it's a lesson, isn't it?

00:30:15.809 --> 00:30:18.509
You cannot treat every offender as just a tick

00:30:18.509 --> 00:30:21.450
box exercise. Some of them are wolves in sheep's

00:30:21.450 --> 00:30:24.859
clothing. or in this case, just wolves. It highlights

00:30:24.859 --> 00:30:27.279
the desperate need for specialized training when

00:30:27.279 --> 00:30:30.039
dealing with severe personality disorders. A

00:30:30.039 --> 00:30:32.480
standard weekly check -in is just not enough

00:30:32.480 --> 00:30:35.339
for a psychopath. So we've covered so much ground.

00:30:35.460 --> 00:30:37.319
We've been to the ditches of the Fens. We've

00:30:37.319 --> 00:30:39.079
seen the black sequined dress. We've been in

00:30:39.079 --> 00:30:41.579
that car to Hereford for fun. We've seen the

00:30:41.579 --> 00:30:43.640
nodding dog accomplices and the laughter in the

00:30:43.640 --> 00:30:45.960
courtroom. When you step back and you look at

00:30:45.960 --> 00:30:48.380
the whole horrifying picture of Joanna Dennehy,

00:30:48.559 --> 00:30:51.440
what is the single biggest takeaway for you?

00:30:51.950 --> 00:30:53.670
For me, it always goes back to that one word

00:30:53.670 --> 00:30:56.589
she used, more -ish. It's such a terrifyingly

00:30:56.589 --> 00:30:59.170
mundane word, but it's a profound insight into

00:30:59.170 --> 00:31:01.369
the mind of a thrill killer. We like to think

00:31:01.369 --> 00:31:04.529
of murder as having a reason, anger, money, jealousy.

00:31:04.990 --> 00:31:06.930
But Dennehy teaches us that for some people,

00:31:06.950 --> 00:31:09.829
the act itself is the reason. The suffering is

00:31:09.829 --> 00:31:12.490
the point. For me, it's the stark contrast between

00:31:12.490 --> 00:31:14.769
the fantasy she had in her head and the grim

00:31:14.769 --> 00:31:18.039
reality. She wanted to be Bonnie and Clyde. She

00:31:18.039 --> 00:31:20.559
wanted that cinematic glamour. But there was

00:31:20.559 --> 00:31:23.140
no glamour. There was just a dirty wheelie bin

00:31:23.140 --> 00:31:25.559
and a muddy ditch and a stolen dog and a sad

00:31:25.559 --> 00:31:28.240
giant man who couldn't say no to her. It wasn't

00:31:28.240 --> 00:31:31.700
a movie. It was just pathetic, ugly waste. That

00:31:31.700 --> 00:31:34.630
is the most important point to land on. These

00:31:34.630 --> 00:31:37.130
killers try to mythologize themselves. They want

00:31:37.130 --> 00:31:39.130
us to see the legend they've created. Our job

00:31:39.130 --> 00:31:41.690
is to strip all that away and see the sordid,

00:31:41.690 --> 00:31:44.529
sad reality underneath it all. And yet here we

00:31:44.529 --> 00:31:46.869
are, still talking about her. The documentaries

00:31:46.869 --> 00:31:49.650
are still being made. In a way, she got her wish.

00:31:49.829 --> 00:31:52.430
She is infamous. She is. And that is the central

00:31:52.430 --> 00:31:54.990
paradox of true crime, isn't it? We analyze them

00:31:54.990 --> 00:31:57.150
to understand them, to protect ourselves from

00:31:57.150 --> 00:31:59.349
them. But in doing so, we invariably give them

00:31:59.349 --> 00:32:01.549
the attention they so desperately crave. I want

00:32:01.549 --> 00:32:03.130
to leave our listener with one final thought

00:32:03.130 --> 00:32:05.990
today. We have a justice system that is designed,

00:32:06.150 --> 00:32:09.470
at least in theory, for rehabilitation. Or at

00:32:09.470 --> 00:32:11.390
the very least, for punishment that fits the

00:32:11.390 --> 00:32:14.029
crime. But how does any system actually cope

00:32:14.029 --> 00:32:16.529
with a Joanna Dennehy? Someone who explicitly

00:32:16.529 --> 00:32:19.990
states they kill for fun. Someone who views a

00:32:19.990 --> 00:32:22.289
prison sentence not as a punishment, but just

00:32:22.289 --> 00:32:25.789
as a new level in a game. A new stage for manipulation.

00:32:25.849 --> 00:32:28.799
It's the ultimate challenge for the system. When

00:32:28.799 --> 00:32:31.140
a human being so completely rejects their own

00:32:31.140 --> 00:32:34.059
humanity, how do we humanely manage them for

00:32:34.059 --> 00:32:36.640
the rest of their natural life? I'm not sure

00:32:36.640 --> 00:32:38.259
we have a perfect answer to that yet. It's a

00:32:38.259 --> 00:32:40.380
chilling thought to end on. We'll be back next

00:32:40.380 --> 00:32:42.000
time with another stack of sources and another

00:32:42.000 --> 00:32:45.059
deep dive. Until then, keep your eyes open and

00:32:45.059 --> 00:32:45.460
stay safe.
