WEBVTT

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Welcome back to the Deem Dive. Today we are opening

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a dossier on a man who is arguably the most paradoxical

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figure in the entire history of Western thought.

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That's a big claim, but I think it holds up.

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It really does. We're looking at a philosopher

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who is, for all intents and purposes, the patron

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saint of gloom. I mean, this is the man who argued

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that existence is a business that doesn't cover

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its costs. Right. Not exactly a motivational

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speaker. Not at all. And yet, and this is the

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part that hooked me immediately, he was the primary

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source of comfort for people like Albert Einstein,

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Leo Tolstoy, and Erwin Schrödinger. It's a fascinating

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contradiction, isn't it? We are talking, of course,

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about Arthur Schopenhauer. the so -called godfather

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of pessimism. Right. And usually when you hear

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pessimism, you think of, I don't know, a teenager

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in a dark room listening to sad music or maybe

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a nihilist who thinks nothing matters. Yeah,

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very simplistic, almost cartoonish idea of it.

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But Schopenhauer is doing something much, much

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more rigorous and strangely much more vibrant

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than that. We have a massive stack of sources

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here today. His biography, his essays from Parerga

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and Paralapamana, and of course this absolute

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brick of a masterpiece, The World as Will and

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Representation. It is a doorstop, that one. It

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really is. And the mission for this deep dive

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is to figure out how this guy, who is by all

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accounts a misanthropic... curmudgeon who literally

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pushed his neighbor down the stairs. We will

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definitely get to that. How that guy developed

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a theory of the universe that is so strangely

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comforting that it sat on Einstein's wall. Exactly.

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If we only look at the label pessimist or, you

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know, the caricature of the grumpy old man, we

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miss the treasure. Schopenhauer is really the

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missing link between the cold logic of Western

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science, the world of Newton and Kant. And the

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spiritual depth of Eastern philosophy. That's

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a great way to put it. He connects those two

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worlds. He really does. He's the guy who connects

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the European Enlightenment to the Upanishads.

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Decades. I mean, decades before it was cool to

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do so. And to understand him, we have to go deep.

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We have to talk about his rivalry at Hegel. We

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have to talk about the will. And yes, we absolutely

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have to talk about his obsession with poodles.

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I cannot wait to get to the poodles. But I really

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want to get to the will. Because that is the

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engine of his whole system. And frankly, it changes

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how you look at everything from gravity to your

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own cravings. It's a total paradigm shift. But

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let's start with the man himself. Because you

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can't really separate Schopenhauer's philosophy

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from his life. He wasn't the guy sitting in an

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ivory tower just, you know, speculating on logic.

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He was a guy with some serious family trauma

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and a chip on his shoulder the size of Berlin.

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That is putting it mildly. Understand, Arthur,

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you have to understand the world he was born

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into. It's 1788. He's born in Danzig, which is

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modern -day Gask. And the first thing to note,

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which distinguishes him from so many other starling

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artists or philosophers, is that this is not

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a rags -to -riches story. Not at all. No, he

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was born with a silver spoon. A platinum spoon.

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Arthur was born into the absolute 1%. He was

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a trust fund baby, essentially. He was. His father,

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Heinrich Flores Schopenhauer, was a patrician

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merchant. He was part of the Henseatic League

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elite. Extremely wealthy, very international,

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very Republican in the anti -monarchy sense.

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Okay, so a powerful family. Immensely. And his

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mother, Johanna Schopenhauer, was this lively,

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artistic socialite who would go on to be famous

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in her own right. But the atmosphere in the house,

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well... The sources describe it as heavy. The

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sources mention the father, Heinrich, cast a

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very, very long shadow over Arthur's early life.

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It sounds like he was a pretty intense guy. Heinrich

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was a complicated man, incredibly successful

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in business, but prone to severe bouts of anxiety

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and depression. He was described as moody, exacting,

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and controlling. And he had a very specific vision

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for Arthur. And it wasn't philosopher. Oh, God,

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no. He didn't care about Arthur's inner life.

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He wanted a successor. He wanted a little Heinrich.

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He wanted a merchant prince who could take over

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the international shipping business. This leads

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to that famous merchant's trap story in the biography.

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I found this really manipulative, honestly. It's

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like a master class in how to guilt trip your

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kid. It was a classic devil's bargain. So Arthur

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is a teenager, maybe around 15 or 16, and he's

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starting to show these signs of intellectual

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curiosity. He's bored by ledgers and shipping

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manifestos. He wants to read books. He wants

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to go to the gymnasium, which is the academic

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high school track in Germany, to prepare for

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university. He wants to read poets. He wants

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to study Latin and Greek. Heinrich sees this

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happening and he panics. He thinks, I'm losing

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my air to the clouds. Right. He's getting soft.

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Exactly. So he sits Arthur down and makes him

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an offer. And it's a clever offer. A really clever

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offer. It's diabolical. He says, OK, Arthur.

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You have a choice. We can stay here in Hamburg

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and you can go to that boring school with the

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strict teachers and learn your Latin or R. Here

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it comes. We can go on a glamorous grand tour

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of Europe. We'll go to London. We'll see Paris.

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We'll cross the Alps. We'll stay in the best

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hotels. But if we go, you have to promise me

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that when we return, you will enter a merchant

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apprenticeship and never mention the university

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again. That is dirty. He dangled the entire world

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in front of a curious kid to kill his dream.

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Of course, a teenager is going to pick the road

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trip. How could he not? And he did. He chose

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the travel. And to be fair, the travel was educational,

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but perhaps not in the way his father intended.

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What do you mean? Well, he spent two years touring

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Europe. He saw the slums of London, which horrified

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him. He saw the galleys in Toulon where prisoners

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were chained to benches, rowing until they died.

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He saw the suffering of the world firsthand.

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This wasn't just a vacation. It was his first

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exposure to the raw misery of humanity. So it

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hardened his pessimistic worldview even then.

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It planted the seeds. But when he came back,

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he had to pay the piper. He had to sit in the

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counting house. For two years. He sat in a merchant's

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office in Hamburg, stacking receipts, checking

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cargo lists, bored out of his mind. He called

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it a galley slave existence. He felt he was selling

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his soul. He wrote later that he spent those

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years grieving for his lost life. Just watching

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his potential wither away. Exactly. Under the

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fluorescent lights, metaphorically speaking,

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of the family business. But then the story takes

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a very dark turn. And this is the event that...

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ironically sets him free. It's a moment of tragedy

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that becomes the catalyst for his entire career.

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Yes. In 1805, when Arthur is just 17, his father

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Heinrich falls into a canal behind their warehouse

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in Hamburg and drowns. And the sources suggest

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this wasn't just an accidental slip on a wet

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dock. It is widely believed and was certainly

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believed by Arthur at the time to be suicide.

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Heinrich had been spiraling mentally. He was

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becoming paranoid, thinking he was going bankrupt,

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even though he was incredibly rich. Arthur was

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devastated, but he also interpreted this through

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a very specific lens. He believed that he had

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inherited his father's darkness. He thought that

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mental anguish, that gloom, was in his blood.

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So he sees himself as the heir to this psychological

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burden. But practically speaking, the death changed

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everything for his future. It did. It was a tragedy,

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but it was also a liberation. His mother, Johanna,

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didn't waste much time gruiting. She took her

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share of the money and moved to Weimar to start

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a new life as a literary figure. She got out

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of town fast. Immediately! And Arthur? Well,

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after a brief period of trying to stick to the

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promise he made his father, his mother eventually

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told him, don't be an idiot, follow your dream.

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He quit the apprenticeship. And crucially, he

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was left with a massive fortune. Forget the merchant

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life, I'm rich. Exactly. He invested his inheritance

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in government bonds. The returns gave him an

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annual income that was roughly double what a

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tenured university professor made at the time.

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I think this is such a crucial detail for the

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listener to grasp. We often hear about philosophers

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who are struggling or who are dependent on patronage.

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Schopenhauer never had to work. He never had

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to please a dean or a publisher or a bishop.

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That is the absolute key to his intellectual

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ferocity. You have to remember, most philosophers

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of his day, like Hegel, Fichte, Schelling were

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academics. They were civil servants. They had

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to tow the line of the Prussian state or the

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Lutheran church. They couldn't rock the boat.

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They couldn't just say, God is dead, or the world

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is meaningless without risking their livelihood.

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Schopenhauer was intellectually sovereign. He

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could say whatever he wanted, no matter how offensive,

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bleak, or atheistic, because nobody could fire

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him. He was writing for the truth, not for tenure.

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So he's free. He finally gets his education.

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He learns his Greek and Latin at record speed.

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But now we have to talk about his mother, Johanna,

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because if the father gave him the money and

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the depression, the mother gave him the neurosis

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and, well, the misogyny. It's a relationship

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that Freud would have had a field day with. Johanna

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Schopenhauer was a remarkable woman, actually.

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When she moved to Weimar, she reinvented herself.

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She became a literary celebrity. She was a novelist.

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a very successful romance novelist. Her books

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were bestsellers across Europe. She ran the hottest

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salon in town. Goethe, the Goethe, the most famous

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man in Germany, was a regular guest at her tea

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parties. She was optimistic, social, fun, and

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very modern. And then you have Arthur. Enter

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Arthur. He catches up with her in Weimar, and

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he is the polar opposite. He's gloomy. He's critical.

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He's arrogant. He walks into her parties and

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starts lecturing people on the misery of existence

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and how shallow they all are. That must have

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gone over well. Like a lead balloon. They moved

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in together for a while, right? Which sounds

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like a sitcom premise, The Pessimist and The

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Socialite. I'd watch that show. It was a disaster.

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It lasted only a short time before they realized

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they couldn't stand each other. We have letters

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where Johanna just unloads on him. She wrote,

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Ouch. She told him that all his intelligence

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was worthless because he had no grace. She said

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his propensity to pick holes in people overshadowed

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everything else. She essentially told him, you're

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smart, but you're a jerk and nobody likes you.

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Wow. That is brutal coming from your mom. But

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the tension really exploded with the famous argument

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over his dissertation. The rubbish argument.

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This is legendary. So Arthur completes his first

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major philosophical work. It has this incredibly

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clunky academic title on the fourfold root of

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the principle of sufficient reason. Catchy. I

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can see the movie poster now. Right. He brings

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a copy to Johanna. Now, remember, she writes

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light romantic fiction. She's a pop culture icon

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of her day. She picks up this dense philosophical

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text, looks at the title and just sneers. She

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makes fun of it. openly mocks him she says the

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fourfold root what is the something for apothecaries

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is it a turnip is it a root crop she's just belittling

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his life's work and arthur being arthur doesn't

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just take it he doesn't say mom it's a metaphor

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no he snaps back with incredible venom he says

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my work will be read long after your rubbish

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is rotting in the recycling bin of history talk

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about a mic drop yeah but the crazy thing is

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he was right he was 100 accurate Today, nobody

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reads Johanna Schopenhauer's romance novels unless

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they are studying Arthur's biography. But the

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fourfold root is standard reading in any doctoral

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philosophy program. He won the War of Legacy,

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but he lost the mother. That exchange pretty

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much ended the relationship, didn't it? It was

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the final nail. She eventually threw him out.

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She took a lover, a man named Gerstenberg, who

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was significantly younger than her. Arthur, who

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idolized his father, saw this as a betrayal of

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his father's memory. He viewed it as disgusting.

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So you just cut her off. Completely. He left

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Weimar in disgust and basically never spoke to

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his mother again. She lived for another 24 years

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and he didn't even go to her funeral. So let's

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take stock here. He's alienated his mother. His

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father is dead by suicide. He has no job, no

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wife, no kids. He is completely alone with his

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money and his dark thoughts. Yeah. This seems

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like the perfect laboratory for a philosophy

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about how the world is a miserable, lonely place.

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It certainly set the emotional stage, but we

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have to give him credit. He didn't just wallow

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in his apartment. He took that isolation and

00:12:16.009 --> 00:12:18.490
channeled it into one of the most ambitious systems

00:12:18.490 --> 00:12:21.110
of thought ever built. He moved to Dresden, and

00:12:21.110 --> 00:12:24.649
between 1814 and 1818, he wrote The World as

00:12:24.649 --> 00:12:27.830
Will and Representation. Okay, let's unpack this

00:12:27.830 --> 00:12:31.360
book. The World as Will and Representation. It

00:12:31.360 --> 00:12:33.940
sounds intimidating, but the core concept is

00:12:33.940 --> 00:12:36.659
actually very graspable if we take it step by

00:12:36.659 --> 00:12:39.019
step. Where do we start? We have to start with

00:12:39.019 --> 00:12:41.700
Immanuel Kant. Schopenhauer worshipped Kant.

00:12:41.879 --> 00:12:43.600
He thought everyone else was an idiot, but Kant

00:12:43.600 --> 00:12:46.419
was a genius. He saw himself as Kant's only true

00:12:46.419 --> 00:12:49.059
heir. So you need to get Kant to get Schopenhauer.

00:12:49.220 --> 00:12:51.559
You need the basic Kantian distinction, Kant

00:12:51.559 --> 00:12:54.059
said. We don't see the world as it actually is.

00:12:54.139 --> 00:12:56.340
We only see phenomena. This is the rose -colored

00:12:56.340 --> 00:12:58.620
glasses idea, right? Or maybe VR headset is a

00:12:58.620 --> 00:13:01.399
better modern analogy. A VR headset is a perfect

00:13:01.399 --> 00:13:04.399
analogy. Kant argued that our brains are not

00:13:04.399 --> 00:13:07.419
passive mirrors reflecting reality. We have built

00:13:07.419 --> 00:13:10.580
in software specifically space, time and causality.

00:13:10.820 --> 00:13:12.700
So our brains are actively building the world

00:13:12.700 --> 00:13:15.440
we see. Constantly. Everything we experience,

00:13:15.700 --> 00:13:17.559
the microphone in front of me, the wall over

00:13:17.559 --> 00:13:20.539
there, the flow of seconds on the clock, we only

00:13:20.539 --> 00:13:22.899
experience because our brain formats it that

00:13:22.899 --> 00:13:26.039
way. It imposes that structure. So the real microphone,

00:13:26.179 --> 00:13:28.700
the thing that exists independently of my brain.

00:13:29.259 --> 00:13:31.840
processing it, I can never know it. Exactly.

00:13:32.200 --> 00:13:34.740
Kant called that the noumena or the thing in

00:13:34.740 --> 00:13:37.899
itself. Ding and switch. And for Kant, the noumena

00:13:37.899 --> 00:13:41.000
is locked away. We are trapped in our own simulation.

00:13:41.120 --> 00:13:43.240
We can never take the headset off. We can never

00:13:43.240 --> 00:13:45.820
know what reality is like outside of space and

00:13:45.820 --> 00:13:48.580
time. And this is where Schopenhauer steps in

00:13:48.580 --> 00:13:51.139
and says, hold my beer. He does. He says, Kant,

00:13:51.379 --> 00:13:53.120
you were right about the simulation. You were

00:13:53.120 --> 00:13:55.340
right about the headset, but you missed a back

00:13:55.340 --> 00:13:58.200
door. Schopenhauer argues there is one object

00:13:58.200 --> 00:14:00.440
in the entire universe that we experience from

00:14:00.440 --> 00:14:03.039
two different angles. Ourselves. Our own bodies.

00:14:03.139 --> 00:14:04.960
Think about your hand. You can look at your hand.

00:14:05.019 --> 00:14:06.539
You can see it in space. You can move it. You

00:14:06.539 --> 00:14:08.799
can measure it. In that sense, it's just an object

00:14:08.799 --> 00:14:11.600
like a tool or a cup. That is the representation

00:14:11.600 --> 00:14:14.179
part. The outside view. The world of phenomena.

00:14:14.700 --> 00:14:17.080
Right. But you also feel your hand. You feel

00:14:17.080 --> 00:14:19.019
it from the inside out. I have an internal experience

00:14:19.019 --> 00:14:20.919
of it. Precisely. You experience it from the

00:14:20.919 --> 00:14:22.899
inside. When you decide to pick up a coffee cup,

00:14:23.019 --> 00:14:25.500
you don't calculate the geometry or the firing

00:14:25.500 --> 00:14:29.580
of neurons. You feel a strive, an urge, an intent.

00:14:29.840 --> 00:14:33.120
You want the coffee. Schopenhauer calls this

00:14:33.120 --> 00:14:36.720
inner experience will. Will. Now we need to be

00:14:36.720 --> 00:14:39.519
really careful with this word will. Because when

00:14:39.519 --> 00:14:43.169
I hear will, I think of free will. I think of

00:14:43.169 --> 00:14:45.570
making a rational choice. I will go to the gym

00:14:45.570 --> 00:14:48.519
today or I will write this report. And that is

00:14:48.519 --> 00:14:51.159
the biggest trap for new readers. Schopenhauer

00:14:51.159 --> 00:14:53.580
does not mean rational free will. He means the

00:14:53.580 --> 00:14:56.179
exact opposite. He means a blind, unconscious

00:14:56.179 --> 00:14:59.340
driving force. It's a hunger. It's a craving.

00:14:59.500 --> 00:15:02.179
It's the feeling of thirst before you even think

00:15:02.179 --> 00:15:04.679
the word water. Like an impulse. Yes. It's the

00:15:04.679 --> 00:15:06.559
impulse that makes you pull your hand away from

00:15:06.559 --> 00:15:08.340
a hot stove before you've even processed the

00:15:08.340 --> 00:15:10.720
pain. It's pre -rational. It's the engine, not

00:15:10.720 --> 00:15:13.100
the driver. Okay, so deep down, the core of me,

00:15:13.220 --> 00:15:15.340
the thing that powers the robot, is just this

00:15:15.340 --> 00:15:19.730
desperate, blind... Striving. Yes. That is the

00:15:19.730 --> 00:15:21.929
thing in itself of the human being. But here

00:15:21.929 --> 00:15:24.549
is the massive leap. This is the moment Schopenhauer

00:15:24.549 --> 00:15:27.450
goes cosmic, he says. If the inside of me is

00:15:27.450 --> 00:15:30.070
will, and my body is just a physical object made

00:15:30.070 --> 00:15:32.509
of atoms like everything else. Then the inside

00:15:32.509 --> 00:15:34.129
of everything else must be will too. Then the

00:15:34.129 --> 00:15:36.490
inside of everything else must be will too. Everything.

00:15:36.570 --> 00:15:40.129
Like the dog. Right. The tree outside. The rock.

00:15:40.409 --> 00:15:42.970
Everything. He argues that the force that makes

00:15:42.970 --> 00:15:45.730
a crystal grow into a specific shape. The magnetic

00:15:45.730 --> 00:15:48.350
force that pulls iron, the gravity that pulls

00:15:48.350 --> 00:15:50.730
a stone to the earth, and the desire that drives

00:15:50.730 --> 00:15:53.450
a tiger to kill a gazelle. It is all the same

00:15:53.450 --> 00:15:57.649
stuff. It's all will. It's one singular, undifferentiated

00:15:57.649 --> 00:16:01.190
force. So the universe isn't a rational clockwork

00:16:01.190 --> 00:16:03.590
machine like Newton thought. And it's not a divine

00:16:03.590 --> 00:16:06.549
plan like the Christians thought. It's a monster.

00:16:07.100 --> 00:16:09.720
a blind hungry thing it's a seething boiling

00:16:09.720 --> 00:16:13.139
ocean of energy he calls this metaphysical volunteerism

00:16:13.139 --> 00:16:15.940
he argues that the intellect our ability to think

00:16:15.940 --> 00:16:18.480
do math record this deep dive is just a tiny

00:16:18.480 --> 00:16:20.860
flicker it's a tool that the will evolved to

00:16:20.860 --> 00:16:23.399
help it get what it wants it's a servant we think

00:16:23.399 --> 00:16:25.279
we are in charge we think we are the writers

00:16:25.279 --> 00:16:27.860
but we are just the horse the will is the writer

00:16:27.860 --> 00:16:31.179
or maybe better We are the lame man riding on

00:16:31.179 --> 00:16:33.559
the shoulders of a blind giant. The giant is

00:16:33.559 --> 00:16:36.000
the will and we're just the guide trying to steer

00:16:36.000 --> 00:16:38.320
it away from cliffs. That is a spooky thought.

00:16:38.379 --> 00:16:41.289
It makes gravity sound almost alive. The rock

00:16:41.289 --> 00:16:43.970
wants to go down. He explicitly makes that connection.

00:16:44.210 --> 00:16:46.669
He uses the analogy of a blind man feeling a

00:16:46.669 --> 00:16:49.309
cube. The blind man feels the resistance of the

00:16:49.309 --> 00:16:52.190
object. That resistance, that refusal to be pushed

00:16:52.190 --> 00:16:55.149
aside, is the object's will asserting its existence.

00:16:55.809 --> 00:16:58.090
Gravity is just the will of the earth reaching

00:16:58.090 --> 00:17:01.190
out to pull things toward its center. Wow. Okay,

00:17:01.309 --> 00:17:03.129
so we have this picture of the universe. It's

00:17:03.129 --> 00:17:05.829
one giant, blind, hungry force called the will.

00:17:06.150 --> 00:17:08.450
And we're just little fragments of it, thinking

00:17:08.450 --> 00:17:11.089
we are individuals. This leads us directly to

00:17:11.089 --> 00:17:13.670
why he is the godfather of pessimism. Because

00:17:13.670 --> 00:17:15.869
if the universe is made of wanting, that's a

00:17:15.869 --> 00:17:18.329
huge problem. It is a catastrophe. Because what

00:17:18.329 --> 00:17:21.609
does it mean to want? To strive. It means you

00:17:21.609 --> 00:17:24.349
lack something. You are in a state of deficiency.

00:17:24.809 --> 00:17:27.710
I want that sandwich because I'm hungry. I want

00:17:27.710 --> 00:17:29.990
that promotion because I feel unappreciated.

00:17:30.430 --> 00:17:33.390
I want a new car because mine is old. The wanting

00:17:33.390 --> 00:17:36.589
comes from a negative state. Right. So as long

00:17:36.589 --> 00:17:38.910
as you are willing, which is always, because

00:17:38.910 --> 00:17:41.650
you are in pain. You are suffering the pain of

00:17:41.650 --> 00:17:44.630
lack. But let's say you get the sandwich. You

00:17:44.630 --> 00:17:47.150
get the promotion. What happens then? You feel

00:17:47.150 --> 00:17:50.910
good. You celebrate. For a bit. For how long?

00:17:51.450 --> 00:17:54.319
Ten minutes. Maybe a day. If it's a really good

00:17:54.319 --> 00:17:57.359
sandwich, maybe 20 minutes. Exactly. Schopenhauer

00:17:57.359 --> 00:17:59.900
says satisfaction is negative. It's not a real

00:17:59.900 --> 00:18:02.259
thing added to you. It's just the removal of

00:18:02.259 --> 00:18:04.599
the pain. It's like scratching an itch. It feels

00:18:04.599 --> 00:18:06.799
good only because the itch was annoying. But

00:18:06.799 --> 00:18:09.160
once the itch is gone, you don't stay happy.

00:18:09.299 --> 00:18:11.220
No, you just look for the next thing or you just

00:18:11.220 --> 00:18:13.819
sit there and feel empty. And that sitting there

00:18:13.819 --> 00:18:15.859
is what Schopenhauer calls the second enemy,

00:18:16.059 --> 00:18:19.650
boredom. If you aren't suffering from wanting,

00:18:19.789 --> 00:18:21.829
you are suffering from boredom. The will has

00:18:21.829 --> 00:18:24.009
nothing to chew on, so it starts eating itself.

00:18:24.329 --> 00:18:26.309
This is the famous pendulum analogy. I have it

00:18:26.309 --> 00:18:29.069
here in the notes. I love this. Yes, it's one

00:18:29.069 --> 00:18:32.509
of his most powerful images. He writes, life

00:18:32.509 --> 00:18:35.029
swings like a pendulum backward and forward between

00:18:35.029 --> 00:18:38.029
pain and boredom. That's it. That's the whole

00:18:38.029 --> 00:18:40.210
human condition in one sentence. When you want

00:18:40.210 --> 00:18:42.829
something, you are in pain. When you get it,

00:18:42.890 --> 00:18:45.930
you are bored. And then you invent a new want

00:18:45.930 --> 00:18:48.470
to escape the boredom. And you are back in pain.

00:18:48.930 --> 00:18:51.890
It's an endless cycle. That is incredibly bleak.

00:18:51.890 --> 00:18:54.440
It basically says happiness is impossible. Or

00:18:54.440 --> 00:18:56.319
at least sustainable happiness is impossible.

00:18:56.700 --> 00:18:59.299
He argues that happiness is a mirage. It's just

00:18:59.299 --> 00:19:01.519
the fleeting moment of transition when the pain

00:19:01.519 --> 00:19:04.019
stops before the boredom sets in. And because

00:19:04.019 --> 00:19:06.859
of this, he does this grim accounting. He treats

00:19:06.859 --> 00:19:09.359
life like a business balance sheet. Life is a

00:19:09.359 --> 00:19:12.559
business that does not cover its costs. That's

00:19:12.559 --> 00:19:14.940
the line. He argues that the quantity of suffering

00:19:14.940 --> 00:19:17.339
in the world so vastly outweighs the quantity

00:19:17.339 --> 00:19:19.700
of pleasure that non -existence would be preferable.

00:19:19.799 --> 00:19:22.349
He challenges the listener. If you want to know

00:19:22.349 --> 00:19:24.470
if pleasure or pain is stronger, compare the

00:19:24.470 --> 00:19:26.509
feelings of an animal eating another animal to

00:19:26.509 --> 00:19:28.490
the feelings of the animal being eaten. Wow.

00:19:28.670 --> 00:19:30.609
Yeah, the pleasure of the tiger does not match

00:19:30.609 --> 00:19:33.789
the terror of the gazelle. Not even close. Exactly.

00:19:33.930 --> 00:19:37.109
The tiger eats for 10 minutes. The gazelle loses

00:19:37.109 --> 00:19:40.789
its entire existence in agony. So the net result

00:19:40.789 --> 00:19:43.609
of the universe is suffering. This sounds a lot

00:19:43.609 --> 00:19:45.789
like antinatalism, the idea that we shouldn't

00:19:45.789 --> 00:19:48.890
have kids. Was he an antinatalist? Philosophically,

00:19:48.890 --> 00:19:51.440
yes. He didn't go out and pick at maternity wards,

00:19:51.519 --> 00:19:55.240
but his logic led there. He argued that if procreation

00:19:55.240 --> 00:19:58.000
was done out of pure reason instead of the blinding

00:19:58.000 --> 00:20:00.339
sexual impulse, which is the will at its most

00:20:00.339 --> 00:20:03.339
powerful, the human race would die out. Because

00:20:03.339 --> 00:20:06.160
no rational person would choose to create more

00:20:06.160 --> 00:20:09.119
suffering. He asks, would a truly compassionate

00:20:09.119 --> 00:20:12.160
person force the burden of existence onto someone

00:20:12.160 --> 00:20:15.099
else? He says we cold -bloodedly impose life

00:20:15.099 --> 00:20:17.980
on our children. But wait, if life is a bad business

00:20:17.980 --> 00:20:19.859
deal, if the costs are higher than the revenue,

00:20:20.019 --> 00:20:23.420
did he advocate suicide? Because that seems like

00:20:23.420 --> 00:20:25.700
the logical conclusion to his accounting. This

00:20:25.700 --> 00:20:27.920
is a very common misconception, and it's a really

00:20:27.920 --> 00:20:30.339
important one to clear up. People assume Schopenhauer

00:20:30.339 --> 00:20:32.460
says kill yourself, but he actually condemned

00:20:32.460 --> 00:20:35.319
suicide. Why? If the store is losing money, why

00:20:35.319 --> 00:20:37.619
not close it down? Because Schopenhauer looked

00:20:37.619 --> 00:20:39.900
at the motivation. He said the person who commits

00:20:39.900 --> 00:20:42.759
suicide doesn't hate life itself. They hate their

00:20:42.759 --> 00:20:45.160
life. They hate the pain. They actually want

00:20:45.160 --> 00:20:47.319
a better life. They want happiness. They're just

00:20:47.319 --> 00:20:49.460
frustrated. They can't get it. So it's an act

00:20:49.460 --> 00:20:52.279
of frustrated desire. It's an act of will, a

00:20:52.279 --> 00:20:54.460
massive act of will. It's a tantrum of the will.

00:20:54.599 --> 00:20:57.140
You are destroying the body because you are frustrated.

00:20:57.319 --> 00:21:00.240
You can't satisfy the will. You haven't silenced

00:21:00.240 --> 00:21:02.700
the desire. You've just broken the machine. So

00:21:02.700 --> 00:21:06.019
you can't rage quit the game. You have to. Beat

00:21:06.019 --> 00:21:09.079
it or transcend it. Exactly. You have to transcend

00:21:09.079 --> 00:21:11.599
it. You have to deny the will, not destroy the

00:21:11.599 --> 00:21:14.359
body. Okay, so we are trapped on this pendulum.

00:21:14.720 --> 00:21:18.740
The universe is a blind monster. Please tell

00:21:18.740 --> 00:21:21.079
me he offers a way out. Or is this deep dive

00:21:21.079 --> 00:21:23.299
just going to end with us staring into the abyss?

00:21:23.519 --> 00:21:26.200
Don't worry. He does offer an escape. Two escapes,

00:21:26.319 --> 00:21:28.559
actually. A temporary one and a more permanent

00:21:28.559 --> 00:21:30.359
one. Let's start with the temporary one. I think

00:21:30.359 --> 00:21:32.779
we all need a break right now. The temporary

00:21:32.779 --> 00:21:36.160
escape is art. Schopenhauer had a profound theory

00:21:36.160 --> 00:21:39.079
of aesthetics. He believed that when we truly

00:21:39.079 --> 00:21:41.880
get lost in a work of art, a painting, a tragedy,

00:21:42.019 --> 00:21:44.900
a symphony, something neurological shifts, for

00:21:44.900 --> 00:21:47.740
a moment we stop asking, how can I use this?

00:21:47.779 --> 00:21:50.059
Or what can I get from this? We stop striving.

00:21:50.200 --> 00:21:53.180
We stop striving. We stop wanting. We just perceive.

00:21:53.259 --> 00:21:57.900
We become, in his words, a pure, will -less subject

00:21:57.900 --> 00:22:00.079
of cognition. That's the phrase. He calls it

00:22:00.079 --> 00:22:02.569
a holiday from the will. A holiday from the prison

00:22:02.569 --> 00:22:05.150
of our own desires. Think about a beautiful sunset.

00:22:05.470 --> 00:22:07.250
If you are a real estate developer, you look

00:22:07.250 --> 00:22:09.269
at it and think, I could build condos here and

00:22:09.269 --> 00:22:12.009
make millions. That is the will. That is striving.

00:22:12.089 --> 00:22:14.349
You are trapped in the business of life. What

00:22:14.349 --> 00:22:16.029
if you're not trying to profit from it? But if

00:22:16.029 --> 00:22:17.829
you are an artist or just a lover of beauty,

00:22:17.890 --> 00:22:19.789
you look at it and you see the colors, the form,

00:22:19.910 --> 00:22:21.990
the idea. You want nothing from it. You don't

00:22:21.990 --> 00:22:24.349
want to eat the sun or own the sky. And in that

00:22:24.349 --> 00:22:27.349
moment, the pain stops. He had a specific love

00:22:27.349 --> 00:22:30.769
for Dutch Golden Age still lifes, right? which

00:22:30.769 --> 00:22:32.890
I always found funny, those paintings of lemons

00:22:32.890 --> 00:22:35.490
and dead pheasants and shiny goblets. It seems

00:22:35.490 --> 00:22:37.390
mundane, but he loved them because they were

00:22:37.390 --> 00:22:40.549
mundane. He said these artists took insignificant

00:22:40.549 --> 00:22:43.950
objects, things that usually trigger our appetite,

00:22:44.069 --> 00:22:46.990
our will, and painted them with such objective

00:22:46.990 --> 00:22:49.670
beauty that we stop thinking about eating the

00:22:49.670 --> 00:22:52.549
fruit and just look at the form. It calms the

00:22:52.549 --> 00:22:55.279
beast inside us. It proves that we can detach

00:22:55.279 --> 00:22:58.359
from our cravings. But painting was lower on

00:22:58.359 --> 00:23:00.279
the ladder for him. He had a whole hierarchy

00:23:00.279 --> 00:23:03.519
of art. He did. And at the very top, above all

00:23:03.519 --> 00:23:07.019
else, was music. Right. This is crucial for understanding

00:23:07.019 --> 00:23:10.140
his influence on culture. He argued that other

00:23:10.140 --> 00:23:13.599
arts, sculpture, painting, poetry, they copy

00:23:13.599 --> 00:23:16.539
the ideas of nature. They copy the platonic forms,

00:23:16.640 --> 00:23:18.660
which are themselves just objectifications of

00:23:18.660 --> 00:23:20.500
the will. They're one step removed. They're a

00:23:20.500 --> 00:23:23.259
copy of a copy. A copy of a copy. But music,

00:23:23.420 --> 00:23:26.019
music is different. Music is a copy of the will

00:23:26.019 --> 00:23:28.799
itself. What does that mean? How is music a copy

00:23:28.799 --> 00:23:31.140
of the will? It means music bypasses the intellect.

00:23:31.609 --> 00:23:34.269
It bypasses the visual world. It speaks directly

00:23:34.269 --> 00:23:36.549
to the gut, to the emotions, to the striving.

00:23:36.690 --> 00:23:39.289
Think about a melody. It starts. It wanders.

00:23:39.289 --> 00:23:41.569
It builds tension. It gets to striving. It hits

00:23:41.569 --> 00:23:44.369
a dissonance. That's the pain. And then it resolves

00:23:44.369 --> 00:23:46.710
into a chord. And that's the satisfaction. And

00:23:46.710 --> 00:23:49.829
then it starts again. It moves again. Music mimics

00:23:49.829 --> 00:23:52.349
the ebb and flow of desire perfectly. It's the

00:23:52.349 --> 00:23:54.710
emotional soundtrack to existence. That makes

00:23:54.710 --> 00:23:56.650
so much sense. You can look at a painting and

00:23:56.650 --> 00:23:59.410
feel detached. But a piece of music can make

00:23:59.410 --> 00:24:02.089
you cry before you even know why. It hits you

00:24:02.089 --> 00:24:05.349
viscerally. Exactly. He said music is the language

00:24:05.349 --> 00:24:08.750
of the engine room of the universe. While other

00:24:08.750 --> 00:24:11.130
arts show you the movie, music shows you the

00:24:11.130 --> 00:24:13.369
projector. It's a direct line to the thing in

00:24:13.369 --> 00:24:16.569
itself. Okay, so art gives us a holiday. It's

00:24:16.569 --> 00:24:19.450
a nice weekend break. But holidays end. What

00:24:19.450 --> 00:24:21.809
is the permanent solution? How do we stop the

00:24:21.809 --> 00:24:23.750
pendulum for good? This is where we have to travel

00:24:23.750 --> 00:24:27.009
east. And we have to talk about how weird Schopenhauer

00:24:27.009 --> 00:24:29.809
was for his time. In the early 19th century,

00:24:29.970 --> 00:24:32.829
European philosophy was very, well, European.

00:24:33.309 --> 00:24:36.430
It was Christian or it was Greek. But Schopenhauer

00:24:36.430 --> 00:24:38.690
was obsessed with Indian philosophy. He didn't

00:24:38.690 --> 00:24:40.349
just dabble, right? He didn't just read a summary.

00:24:40.609 --> 00:24:44.150
No, he was a devotee. He had a Latin translation

00:24:44.150 --> 00:24:47.079
of the Upanishads called the Upnakat. He read

00:24:47.079 --> 00:24:49.099
a few pages of it every single night before bed,

00:24:49.200 --> 00:24:51.960
like a Bible. He called it the solace of my life

00:24:51.960 --> 00:24:54.299
and the solace of my death. That is incredibly

00:24:54.299 --> 00:24:57.299
high praise for a German atheist in the 1800s.

00:24:57.380 --> 00:25:00.680
What did he find in these ancient Sanskrit texts

00:25:00.680 --> 00:25:03.059
that the Germans were missing? He found confirmation.

00:25:03.400 --> 00:25:06.180
He realized that the Hindu sages had figured

00:25:06.180 --> 00:25:08.339
out his system thousands of years before them.

00:25:09.160 --> 00:25:11.920
Specifically, he latched on to the concept of

00:25:11.920 --> 00:25:15.240
Maya and Tattvamasi. Let's break those down.

00:25:15.299 --> 00:25:17.579
Start with Maya. Maya is the illusion of the

00:25:17.579 --> 00:25:20.220
physical world. The idea that this world of separate

00:25:20.220 --> 00:25:22.660
objects and separate people is a veil, a trick

00:25:22.660 --> 00:25:25.240
of the light. Schopenhauer connected this directly

00:25:25.240 --> 00:25:27.920
to Kant's phenomena. So our mental software space

00:25:27.920 --> 00:25:30.180
and time, that's the illusion. He said space

00:25:30.180 --> 00:25:32.700
and time are the veil of Maya. They are the scissors

00:25:32.700 --> 00:25:34.779
that chop the world up into little pieces. They

00:25:34.779 --> 00:25:37.539
make me think I am me and you are you. They create

00:25:37.539 --> 00:25:39.859
the illusion of individuality. But that is the

00:25:39.859 --> 00:25:42.900
illusion. Right. Because in the noumena, in the

00:25:42.900 --> 00:25:46.039
will, there is no space. There is no time. And

00:25:46.039 --> 00:25:47.960
if there is no space, there can be no separation.

00:25:48.180 --> 00:25:52.039
There is just the one. The single, unified will.

00:25:52.299 --> 00:25:56.880
That leads to Tattiva Masi. That art thou. It's

00:25:56.880 --> 00:25:59.259
the profound realization that you are the other.

00:25:59.339 --> 00:26:02.319
You are the universe. Schopenhauer argued that

00:26:02.319 --> 00:26:05.140
individuality is a joke. It's a temporary ripple

00:26:05.140 --> 00:26:07.259
in the ocean. The ripple thinks it's special,

00:26:07.400 --> 00:26:11.000
but it's just water. So deep down, I am you and

00:26:11.000 --> 00:26:13.200
I am the listener and I'm the poodle we're going

00:26:13.200 --> 00:26:15.779
to talk about. Precisely. We are all the same

00:26:15.779 --> 00:26:17.980
actor in different costumes. The will is playing

00:26:17.980 --> 00:26:20.400
hide and seek with itself. And this metaphysical

00:26:20.400 --> 00:26:23.180
realization isn't just trippy stoner talk. For

00:26:23.180 --> 00:26:26.180
Schopenhauer, it is the basis of his entire system

00:26:26.180 --> 00:26:28.480
of ethics. This is the part of Schopenhauer I

00:26:28.480 --> 00:26:31.970
find. genuinely moving. For a guy who is so grumpy

00:26:31.970 --> 00:26:34.670
in real life, his theory of morality is incredibly

00:26:34.670 --> 00:26:36.910
beautiful. It is, and it's a direct attack on

00:26:36.910 --> 00:26:39.309
Kant. He hated the way Kant did ethics. Kant

00:26:39.309 --> 00:26:41.369
was all about rules, the categorical imperative.

00:26:41.609 --> 00:26:43.769
You do the right thing because it's your rational

00:26:43.769 --> 00:26:46.509
duty. It's a cold, logical calculation. Schopenhauer

00:26:46.509 --> 00:26:48.970
said that's nonsense. You don't help an old lady

00:26:48.970 --> 00:26:50.809
across the street because you solved a logic

00:26:50.809 --> 00:26:52.569
puzzle or because you want to follow a rule.

00:26:52.769 --> 00:26:54.849
You do it because you feel something. You feel

00:26:54.849 --> 00:26:59.279
mitleid. compassion, literally suffering with,

00:26:59.539 --> 00:27:02.640
Schopenhauer asks. How is it possible for me

00:27:02.640 --> 00:27:05.259
to feel another person's pain? It shouldn't be

00:27:05.259 --> 00:27:07.839
possible if we are separate, isolated entities.

00:27:08.279 --> 00:27:11.279
If I pinch you, I shouldn't feel it. But we do

00:27:11.279 --> 00:27:13.859
feel it. When we see a child fall, we wince.

00:27:14.200 --> 00:27:17.539
When we see a disaster on the news, we cry. Schopenhauer

00:27:17.539 --> 00:27:19.940
says that wince is the metaphysics breaking through.

00:27:20.099 --> 00:27:23.690
For a split second, the veil of Maya slips. You

00:27:23.690 --> 00:27:26.450
realize on a gut level that the child is you.

00:27:26.589 --> 00:27:29.170
The barrier of individuality dissolves. That

00:27:29.170 --> 00:27:31.490
is why you help. Compassion isn't a rule. It's

00:27:31.490 --> 00:27:33.769
an insight into the true nature of reality. It's

00:27:33.769 --> 00:27:36.450
the moment you realize you are hurting yourself.

00:27:36.710 --> 00:27:38.710
And this naturally extended to animals. And this

00:27:38.710 --> 00:27:40.450
is where Schopenhauer was light years ahead of

00:27:40.450 --> 00:27:42.890
his time. Light years. You have to remember the

00:27:42.890 --> 00:27:45.670
prevailing view in the West, coming from Descartes

00:27:45.670 --> 00:27:48.089
and the church, was that animals were biological

00:27:48.089 --> 00:27:52.730
machines. Automata. They had no souls. If a dog

00:27:52.730 --> 00:27:55.730
cried out in pain, it was just like a gear grinding

00:27:55.730 --> 00:27:58.109
in a clock. Schopenhauer hated that view. He

00:27:58.109 --> 00:28:00.970
called it revolting and barbarous. He said it

00:28:00.970 --> 00:28:04.009
was a stain on Western civilization. He pointed

00:28:04.009 --> 00:28:06.230
out that in the East, animals were respected.

00:28:06.490 --> 00:28:09.009
He hated how the English language uses the pronoun

00:28:09.009 --> 00:28:12.390
it for animals. He wanted to use he or she. Yes.

00:28:12.509 --> 00:28:15.410
He said using it treats them like objects when

00:28:15.410 --> 00:28:17.490
in fact they are subjects. They are manifestations

00:28:17.490 --> 00:28:20.720
of the will just like us. He saw the will in

00:28:20.720 --> 00:28:22.960
them just as clearly as in humans. He writes

00:28:22.960 --> 00:28:24.980
these heartbreaking descriptions. The source

00:28:24.980 --> 00:28:27.059
mentions him looking at a baby elephant whose

00:28:27.059 --> 00:28:29.480
mother had been killed by a hunter. He saw the

00:28:29.480 --> 00:28:31.500
grief and said, that is the same suffering I

00:28:31.500 --> 00:28:34.140
feel. That is the same will. And he walked the

00:28:34.140 --> 00:28:37.579
walk. We have to talk about the poodles. Finally.

00:28:37.720 --> 00:28:40.359
The poodles. Schopenhauer was never without a

00:28:40.359 --> 00:28:42.380
poodle. For his entire adult life, he usually

00:28:42.380 --> 00:28:44.700
named them Atman. Which is the Sanskrit word

00:28:44.700 --> 00:28:47.259
for world soul. Exactly. Or sometimes he called

00:28:47.259 --> 00:28:49.759
them butts. which is a more common German dog

00:28:49.759 --> 00:28:53.440
name. But imagine walking in the park in Frankfurt

00:28:53.440 --> 00:28:56.660
in 1850. You see this wild -haired, terrifying

00:28:56.660 --> 00:28:59.619
philosopher who scares the local children just

00:28:59.619 --> 00:29:02.980
cooing over a poodle named World Soul. Why poodles

00:29:02.980 --> 00:29:05.299
specifically? Was there a reason? He thought

00:29:05.299 --> 00:29:07.740
they were incredibly intelligent, but more importantly,

00:29:07.920 --> 00:29:10.339
he felt dogs were better companions than humans.

00:29:10.599 --> 00:29:13.960
He said dogs live entirely in the present. They

00:29:13.960 --> 00:29:15.880
don't torture themselves with the past or the

00:29:15.880 --> 00:29:18.700
future. They are transparent. He said looking

00:29:18.700 --> 00:29:21.259
into a dog's eyes was a relief from the duplicity

00:29:21.259 --> 00:29:23.599
and acting of human society. I think a lot of

00:29:23.599 --> 00:29:25.819
our listeners can relate to that. Be the person

00:29:25.819 --> 00:29:28.160
your dog thinks you are. Schopenhauer would say

00:29:28.160 --> 00:29:30.059
you can't be that person because you are human

00:29:30.059 --> 00:29:31.940
and therefore tortured by intellect, but you

00:29:31.940 --> 00:29:34.119
can learn from the dog. Okay, so we have this

00:29:34.119 --> 00:29:36.900
image of this saintly poodle lover who believes

00:29:36.900 --> 00:29:40.240
all life is one. It sounds great, but we have

00:29:40.240 --> 00:29:42.039
to pivot. We have to talk about the other guy.

00:29:42.750 --> 00:29:44.549
The guy who lived down the hall from a certain

00:29:44.549 --> 00:29:47.529
seamstress. The contradiction. The man versus

00:29:47.529 --> 00:29:50.569
the philosophy. This is the juicy stuff. So set

00:29:50.569 --> 00:29:53.210
the scene. It's the 1820s. He's living in a boarding

00:29:53.210 --> 00:29:56.329
house in Berlin. Right. He's young. He's arrogant.

00:29:56.529 --> 00:29:59.589
And he's incredibly sensitive to noise. He values

00:29:59.589 --> 00:30:02.849
silence above all else for his thinking. He once

00:30:02.849 --> 00:30:05.690
wrote a whole essay called On Noise, where he

00:30:05.690 --> 00:30:07.470
just complains about the cracking of whips in

00:30:07.470 --> 00:30:10.220
the street. A man after my own heart. and there

00:30:10.220 --> 00:30:13.180
is a seamstress named caroline louise marquet

00:30:13.180 --> 00:30:15.400
she is standing in the entryway of his apartment

00:30:15.400 --> 00:30:18.019
chatting loudly with a friend and schopenhauer

00:30:18.019 --> 00:30:20.460
comes out and asks her to leave she refuses they

00:30:20.460 --> 00:30:22.759
argue he goes back inside comes out again she's

00:30:22.759 --> 00:30:26.500
still there still chatting and then the great

00:30:26.500 --> 00:30:29.740
philosopher of compassion the man who says we

00:30:29.740 --> 00:30:32.700
are all one grabs her and physically throws her

00:30:32.700 --> 00:30:35.220
out of the entryway And she falls. She falls.

00:30:35.339 --> 00:30:37.500
She claims she is permanently injured, paralyzed

00:30:37.500 --> 00:30:40.359
on one side. She sues him. And she wins. She

00:30:40.359 --> 00:30:43.059
wins. The court accepts that he caused her injury.

00:30:43.279 --> 00:30:46.039
They order Schopenhauer to pay her a quarterly

00:30:46.039 --> 00:30:48.339
pension for the rest of her life. He had to pay

00:30:48.339 --> 00:30:51.319
her for 20 years. It was a constant financial

00:30:51.319 --> 00:30:54.059
reminder of his failure to live up to his own

00:30:54.059 --> 00:30:57.480
ideals. But it's his reaction to her death that

00:30:57.480 --> 00:31:00.079
really shows the disconnect. It's what he wrote

00:31:00.079 --> 00:31:02.710
on the death certificate. Yes. When she finally

00:31:02.710 --> 00:31:05.710
died, years later, Schopenhauer received the

00:31:05.710 --> 00:31:08.309
certificate, and he wrote a note on it in Latin.

00:31:08.930 --> 00:31:12.250
Obit anus, abit onus? Translate that for us.

00:31:12.430 --> 00:31:15.609
The old woman dies, the burden departs. Wow.

00:31:16.379 --> 00:31:19.819
Cold. That is ice cold. Incredibly cold. It shows

00:31:19.819 --> 00:31:21.839
that while he understood compassion intellectually

00:31:21.839 --> 00:31:24.500
as the basis of the universe, he struggled to

00:31:24.500 --> 00:31:26.960
practice it with actual human beings. He was

00:31:26.960 --> 00:31:28.960
a misanthrope. He didn't like people. And he

00:31:28.960 --> 00:31:31.440
was deeply paranoid. Paranoid how? Oh, deeply.

00:31:31.720 --> 00:31:34.240
He slept with loaded pistols next to his bed.

00:31:34.339 --> 00:31:36.900
He kept a sword nearby. He hid his valuables

00:31:36.900 --> 00:31:39.259
and secret hollows in his furniture. He lived

00:31:39.259 --> 00:31:41.720
in constant fear of thieves and revolutionaries.

00:31:41.720 --> 00:31:43.859
He trusted no one. He would check the register

00:31:43.859 --> 00:31:45.839
at hotels to see who else was staying there before.

00:31:45.900 --> 00:31:49.000
he checked in. It's such a strange duality. He

00:31:49.000 --> 00:31:51.859
loves humanity in the abstract. He weeps for

00:31:51.859 --> 00:31:54.099
the baby elephant, but he hates his neighbor.

00:31:54.319 --> 00:31:56.920
It's a common failing of intellectuals, I think,

00:31:56.920 --> 00:31:59.700
to love the idea but despise the particular.

00:32:00.480 --> 00:32:03.960
But his ego was also a massive problem. We have

00:32:03.960 --> 00:32:05.920
to talk about the Hegel rivalry. This is one

00:32:05.920 --> 00:32:08.019
of the funniest failures in academic history.

00:32:08.779 --> 00:32:11.339
This is the mean girls of 19th century philosophy.

00:32:11.559 --> 00:32:14.759
It really is. So Georg Wilhelm Friedrich Hegel

00:32:14.759 --> 00:32:18.000
was the absolute rock star of German philosophy

00:32:18.000 --> 00:32:20.960
at the time. He was the state philosopher. Everyone

00:32:20.960 --> 00:32:23.359
loved Hegel. His lectures were packed. Hundreds

00:32:23.359 --> 00:32:26.240
of students, standing room only, people hanging

00:32:26.240 --> 00:32:28.180
from the rafters. And he was an optimist, right?

00:32:28.259 --> 00:32:30.380
Totally. He was explaining history as the rational

00:32:30.380 --> 00:32:32.880
march of progress, the world spirit coming to

00:32:32.880 --> 00:32:35.200
self -consciousness. It was optimistic. It was

00:32:35.200 --> 00:32:37.500
patriotic. The Prussian government loved it.

00:32:38.119 --> 00:32:40.119
Schopenhauer arrives at the University of Berlin

00:32:40.119 --> 00:32:43.779
as a young lecturer. He's just written The World

00:32:43.779 --> 00:32:46.519
is Will. He thinks he is the next messiah of

00:32:46.519 --> 00:32:49.180
thought. And he decides, out of pure spite and

00:32:49.180 --> 00:32:51.680
arrogance, to schedule his lectures at the exact

00:32:51.680 --> 00:32:54.579
same time as Hegel's. He wanted a showdown, a

00:32:54.579 --> 00:32:57.339
philosophical cage match. He thought once the

00:32:57.339 --> 00:32:59.319
students hear the truth of the will, they will

00:32:59.319 --> 00:33:02.519
abandon the charlatan Hegel. He really believed

00:33:02.519 --> 00:33:04.359
the students would choose the difficult truth

00:33:04.359 --> 00:33:07.049
over the popular trend. And what happened? Hegel

00:33:07.049 --> 00:33:10.910
had 200 students. Schopenhauer had five. Five.

00:33:11.109 --> 00:33:13.769
That is humiliating. It was devastating. He taught

00:33:13.769 --> 00:33:16.549
the semester to an essentially empty room, and

00:33:16.549 --> 00:33:19.450
then he just quit academia entirely. He took

00:33:19.450 --> 00:33:21.710
his ball and went home. He spent the rest of

00:33:21.710 --> 00:33:24.069
his life hating university philosophy professors.

00:33:24.450 --> 00:33:27.450
He called them sophists who just wanted a paycheck.

00:33:27.809 --> 00:33:31.069
He called Hegel a clumsy charlatan and said his

00:33:31.069 --> 00:33:33.630
writing was presumptuously scribbled nonsense.

00:33:34.250 --> 00:33:36.619
I mean, have you read Hegel? He's not entirely

00:33:36.619 --> 00:33:38.960
wrong about the nonsense part. Hegel is hard.

00:33:39.220 --> 00:33:42.240
Hegel is notoriously difficult, but Schopenhauer's

00:33:42.240 --> 00:33:44.960
hatred was personal. He felt ignored, and for

00:33:44.960 --> 00:33:47.259
most of his life, he was. That's the sad part

00:33:47.259 --> 00:33:49.279
of the story. He wrote his masterpiece in his

00:33:49.279 --> 00:33:53.839
20s, and then nothing. Silence. Decades of silence.

00:33:54.140 --> 00:33:56.599
The world is Will was a commercial flop. At one

00:33:56.599 --> 00:33:58.359
point, the publisher told him they were pulping

00:33:58.359 --> 00:34:01.039
the unsold copies to use as waste paper. Imagine

00:34:01.039 --> 00:34:02.980
hearing that your life's work is being turned

00:34:02.980 --> 00:34:06.539
into scrap. It made him bitter. He settled in

00:34:06.539 --> 00:34:09.179
Frankfurt and became this eccentric village elder

00:34:09.179 --> 00:34:13.139
figure. He lived a rigid routine. He woke up,

00:34:13.159 --> 00:34:16.280
had coffee, wrote, played the flute. He played

00:34:16.280 --> 00:34:18.659
the flute every day, usually Rossini, which is

00:34:18.659 --> 00:34:21.380
surprisingly cheerful music for a pessimist.

00:34:21.460 --> 00:34:23.920
I find that hilarious. And then went to the Englischer

00:34:23.920 --> 00:34:26.320
Hof for dinner every evening. Yeah, people would

00:34:26.320 --> 00:34:28.639
come to watch him eat. Like a tourist attraction.

00:34:28.820 --> 00:34:31.300
Towards the end of his life, yes. Because, and

00:34:31.300 --> 00:34:33.619
this is the twist, he eventually became famous.

00:34:33.820 --> 00:34:35.820
It took a long time, though. What was the catalyst?

00:34:36.099 --> 00:34:40.400
It took until 1851. He was in his 60s. He published

00:34:40.400 --> 00:34:43.539
a collection of essays called Parerga and Paralapomena.

00:34:44.000 --> 00:34:46.960
Appendices and Omissions. Another great title.

00:34:47.079 --> 00:34:50.099
Terrible title. Great book. It was wittier, more

00:34:50.099 --> 00:34:52.780
accessible. It had essays on ghosts, on dueling,

00:34:52.820 --> 00:34:54.579
on women, which were terrible, we should mention.

00:34:55.019 --> 00:34:57.340
Absolutely misogynistic. Right. He viewed them

00:34:57.340 --> 00:35:00.079
as big children, probably stemming from his mother

00:35:00.079 --> 00:35:02.920
issues. Almost certainly. But the book was a

00:35:02.920 --> 00:35:06.099
hit. And suddenly, the zeitgeist caught up with

00:35:06.099 --> 00:35:10.079
him. The 1848 revolutions had failed. European

00:35:10.079 --> 00:35:13.639
optimism was dead. People were ready for pessimism.

00:35:13.659 --> 00:35:15.699
They were ready to hear that the world wasn't

00:35:15.699 --> 00:35:18.070
getting better. And Schopenhauer became a celebrity.

00:35:18.230 --> 00:35:20.969
He loved it. For a guy who claimed to deny the

00:35:20.969 --> 00:35:23.769
will and seek nothingness, he really enjoyed

00:35:23.769 --> 00:35:26.070
the ego boost. He read every review. He told

00:35:26.070 --> 00:35:28.230
his friends to cut out articles about him. The

00:35:28.230 --> 00:35:30.570
Buddha of Frankfurt finally got his due. Let's

00:35:30.570 --> 00:35:32.849
talk about that legacy, because even if he was

00:35:32.849 --> 00:35:35.630
a flawed man, the ideas exploded. Who did he

00:35:35.630 --> 00:35:38.699
influence? The list is staggering. First, the

00:35:38.699 --> 00:35:41.079
artists. We mentioned music earlier. Richard

00:35:41.079 --> 00:35:43.840
Wagner became a total devotee. He sent Schopenhauer

00:35:43.840 --> 00:35:46.239
a copy of his opera The Reign. Schopenhauer didn't

00:35:46.239 --> 00:35:48.579
really write back. He preferred Mozart and Rossini.

00:35:48.699 --> 00:35:51.059
Still with the Rossini. But Magner said Schopenhauer's

00:35:51.059 --> 00:35:52.780
philosophy was the only thing that made sense

00:35:52.780 --> 00:35:55.139
of his music. Tristan and Isolde is basically

00:35:55.139 --> 00:35:57.960
Schopenhauer set to music unending longing that

00:35:57.960 --> 00:36:01.280
can only be resolved in death. And writers. Tolstoy

00:36:01.280 --> 00:36:03.619
called him the greatest genius. Thomas Mann,

00:36:03.980 --> 00:36:07.099
Marcel Proust, Thomas Hardy, even Jorge Luis

00:36:07.099 --> 00:36:10.300
Borges, they all love that dark, realistic view

00:36:10.300 --> 00:36:13.059
of human psychology. Schopenhauer was the first

00:36:13.059 --> 00:36:15.079
to really say, we are not rational creatures.

00:36:15.420 --> 00:36:17.780
And that leads us to the scientists. This is

00:36:17.780 --> 00:36:20.380
the connection that always surprises me. Einstein.

00:36:20.719 --> 00:36:22.960
Einstein kept a portrait of Schopenhauer in his

00:36:22.960 --> 00:36:25.820
study right next to Faraday and Maxwell. He said

00:36:25.820 --> 00:36:28.239
Schopenhauer's writing was a continual consolation

00:36:28.239 --> 00:36:31.019
in the face of the hardships of life. I think

00:36:31.019 --> 00:36:33.300
Einstein liked the idea that the world works

00:36:33.300 --> 00:36:36.280
according to these vast, impersonal forces. It

00:36:36.280 --> 00:36:38.980
wasn't a personal god judging you. It was a magnificent,

00:36:39.199 --> 00:36:42.340
coherent system. It helped Einstein detach from

00:36:42.340 --> 00:36:44.760
the chaos of politics and focus on the laws of

00:36:44.760 --> 00:36:47.179
nature. And Schrodinger. Yeah. The quantum mechanics

00:36:47.179 --> 00:36:50.460
guy. Berwyn Schrodinger, yes. He was deeply influenced

00:36:50.460 --> 00:36:52.920
by the one will idea. He used it to think about

00:36:52.920 --> 00:36:55.800
the unity of consciousness. The idea that I and

00:36:55.800 --> 00:36:58.480
the universe are not separate. That's very Schopenhauerian.

00:36:58.539 --> 00:37:01.099
In fact, Schrodinger's interest in the Upanishads

00:37:01.099 --> 00:37:04.260
came directly through Schopenhauer. And we can't

00:37:04.260 --> 00:37:06.880
forget Freud. It seems so obvious. Freud basically

00:37:06.880 --> 00:37:10.340
took Schopenhauer's will and renamed it the id.

00:37:10.480 --> 00:37:13.739
Think about it. An unconscious, driving sexual

00:37:13.739 --> 00:37:16.820
force that dominates our rational mind. That

00:37:16.820 --> 00:37:19.420
is pure Schopenhauer. Freud claimed he discovered

00:37:19.420 --> 00:37:22.460
it independently, but the resemblance is suspicious.

00:37:23.300 --> 00:37:25.139
Schopenhauer drew the map of the unconscious.

00:37:25.900 --> 00:37:28.780
Ford just colonized it. So as we wrap up this

00:37:28.780 --> 00:37:31.840
deep dive into the abyss, what is a takeaway?

00:37:31.940 --> 00:37:34.579
Why should a modern listener who maybe isn't

00:37:34.579 --> 00:37:37.739
depressed care about this 19th century curmudgeon?

00:37:38.059 --> 00:37:41.159
I think Schopenhauer offers a very powerful antidote

00:37:41.159 --> 00:37:43.739
to the toxic positivity of our culture. We are

00:37:43.739 --> 00:37:45.619
constantly told that if we just buy the right

00:37:45.619 --> 00:37:47.539
thing, achieve the right goal, find the perfect

00:37:47.539 --> 00:37:50.159
partner, we will be permanently happy. Manifest

00:37:50.159 --> 00:37:52.539
your best life. Good vibes only. Exactly. And

00:37:52.539 --> 00:37:54.780
Schopenhauer says, stop. That is a lie. You will

00:37:54.780 --> 00:37:56.699
never be permanently satisfied. Suffering and

00:37:56.699 --> 00:37:58.920
dissatisfaction are features, not bugs. They're

00:37:58.920 --> 00:38:00.780
the default setting. That sounds depressing,

00:38:01.000 --> 00:38:03.920
but it's also a relief. But it's liberating.

00:38:03.920 --> 00:38:06.059
If you accept that life is difficult and that

00:38:06.059 --> 00:38:08.519
winning is impossible, you can stop beating yourself

00:38:08.519 --> 00:38:11.239
up. You can step off the treadmill. You can lower

00:38:11.239 --> 00:38:13.480
your expectations and actually enjoy the small

00:38:13.480 --> 00:38:16.340
things. You can find solace in art. You can cultivate

00:38:16.340 --> 00:38:18.639
compassion for others because you know they are

00:38:18.639 --> 00:38:21.460
struggling just as hard as you are in this penal

00:38:21.460 --> 00:38:24.340
colony of existence. It's a strange kind of comfort.

00:38:24.639 --> 00:38:26.519
We are all in the gutter, but some of us are

00:38:26.519 --> 00:38:28.780
looking at the stars. Or at least looking at

00:38:28.780 --> 00:38:31.989
a nice painting of a lemon. Precisely. His solution

00:38:31.989 --> 00:38:34.530
wasn't to change the world. He thought the world

00:38:34.530 --> 00:38:36.929
was unfixable. His solution was to change the

00:38:36.929 --> 00:38:40.849
self, to deny the will, to find moments of peace.

00:38:41.190 --> 00:38:43.150
I want to leave the listeners with a final image.

00:38:44.230 --> 00:38:47.090
Schopenhauer died in 1860. He was sitting on

00:38:47.090 --> 00:38:50.010
his couch. His heart just stopped. And his grave

00:38:50.010 --> 00:38:52.650
is in Frankfurt. It's a very simple grave, a

00:38:52.650 --> 00:38:55.579
heavy slab of granite. And on it, there is no

00:38:55.579 --> 00:38:57.940
date of birth, no date of death, no epitaph,

00:38:57.960 --> 00:39:00.800
no here lies a philosopher. Just the name. Arthur

00:39:00.800 --> 00:39:03.480
Schopenhauer. As if to say, I am the will. I

00:39:03.480 --> 00:39:05.840
am inevitable. You know who I am. Or perhaps,

00:39:05.960 --> 00:39:08.599
as he suggested in his philosophy, the individual

00:39:08.599 --> 00:39:11.320
details don't matter. The dates don't matter.

00:39:11.480 --> 00:39:14.420
The form has dissolved. He has returned to the

00:39:14.420 --> 00:39:17.280
one. Here is a provocative thought to end on.

00:39:18.400 --> 00:39:20.440
Schopenhauer said life is like a dream we were

00:39:20.440 --> 00:39:24.300
all sharing. If that's true. then your curiosity,

00:39:24.460 --> 00:39:26.920
you listening to this right now, is just the

00:39:26.920 --> 00:39:29.880
universe trying to understand itself. Maybe the

00:39:29.880 --> 00:39:31.980
will isn't just blind hunger. Maybe it's also

00:39:31.980 --> 00:39:34.079
blind curiosity. I like that. A little optimistic

00:39:34.079 --> 00:39:35.820
for Schopenhauer, but I like it. He's not here

00:39:35.820 --> 00:39:38.199
to argue with me. Thanks for listening to The

00:39:38.199 --> 00:39:39.360
Deep Dive. We'll see you next time.
