WEBVTT

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okay so let's just jump right in we're looking

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at a figure today who i can only really describe

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as i guess the literary rock star of despair

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that's a great way to put it And I don't use

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rock star lightly here. I mean, you have to picture

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this. Here's a guy born into absolute, almost

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feudal level luxury. I'm talking the son of a

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wealthy politician living in this enormous mansion

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that would make, you know, Downton Abbey look

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cozy. And he somehow becomes the poster child

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for post -war disillusionment, for addiction,

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for tragedy. It's just it's a huge contradiction.

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It is a study in contradictions, isn't it? We

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are talking about Osamu Dazai or born Shuji Tsushima.

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And you're right. Right. That rock star comparison,

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it really holds up because his life hits all

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those tragic notes. It really does. You've got

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the drugs, the fame, the scandals, the women

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and the eventual almost inevitable early death.

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But I mean, underneath all that sensationalism,

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there's a writer of just profound and sometimes

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terrifying depth. And what's so wild to me is

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that his most famous book, No Longer Human or

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Ningen Shikaku in Japanese, is still this massive

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cultural touchstone. I was looking into the sales

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figures, and it's still one of the best -selling

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books in Japanese history. It's incredible. You

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can walk into a bookstore in Tokyo today, and

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it's right there. It's widely read all over the

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world. And the title, I mean, it... literally

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translates to disqualified from being human.

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That is a heavy, heavy title for a bestseller.

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It's not exactly, you know, chicken soup for

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the soul. It is the anti -chicken soup. And I

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think that speaks to the universality of what

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Dazai was tapping into, that very specific feeling

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of alienation. But to really get the book. You

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have to understand the man. You just have to.

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Because with Dazai, you can't separate the art

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from the artist. Right. He was a central figure

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of the Buraiha school. Okay, the Buraiha. That's

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usually translated as the decadent school, right?

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Or the libertines. Yes, but decadent almost sounds

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too fun. Like they were just out partying all

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the time. The Buraiha were these writers who...

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In the absolute chaos of post -World War II Japan,

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they just rejected all the traditional established

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values. Everything. They embraced aimlessness,

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identity crisis, and this sort of performative

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self -destruction. And Dazai was the absolute

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king of this. He was also deeply, deeply entrenched

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in the iNovel tradition, the Shishusetsu. Let's

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pause on that term, i -novel, because I think

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for a lot of us in the West, we can sometimes

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misunderstand it. You know, we're used to autobiography

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and we're used to fiction. But the i -novel in

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Japan at that time was something else, wasn't

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it? It wasn't just based on a true story. Exactly.

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Think of it less like a memoir and more like

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a public confession booth. In the Western tradition,

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fiction is so often about constructing a narrative,

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a hero's journey, something with an arc. A neat

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little package. Right. The Shishitsetsu was about

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exposing the author's own dark side, their sins,

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their shame, with an almost uncomfortable honesty.

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It's the literary equivalent of modern, you know,

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oversharing on social media, but with just incredible

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artistic merit. The goal was sincerity. through

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self -exposure. And Daze did that better than

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anyone. He blurred the lines so completely that

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you could hardly tell where the character ends

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and the real person, Shuji Tsushima, begins.

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That is exactly what we're here to explore today.

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Our mission for this deep dive is to figure out

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how this man, born into the lap of luxury, became

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the voice of gritty urban despair. We're going

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to look at how he annoyed the legendary Yukio

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Mishima just by breathing. Which is a fantastic

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story. It's hilarious and we'll get to it. We're

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going to talk about how he survived multiple

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suicide attempts and how in this bizarre twist

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he ended up writing fairy tales while the world

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was literally burning down around him during

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World War II. It's a journey from From the very

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top of society, I mean, the absolute pinnacle

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to the very bottom and then into this strange

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kind of immortality. So let's go back to the

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start. We really need to set the scene because

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his childhood wasn't just rich kid rich. It was

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something else entirely. We're in Kanagi, Aomori

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Prefecture, June 19, 1909. Right. And Aomori

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is the far north of Honshu, the main island of

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Japan. It's snowy. It's rural. And at that time,

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it was still very traditional. And he was born

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Shuji Tsushima. To give you a sense of the scale

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of his isolation from the gecko, he was the 10th

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of 11 children. 11 kids, wow. That is a full

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soccer team with a sub on the bench. It is. And

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they lived in a mansion that was, quite frankly,

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ridiculous. Yeah. It was this newly completed

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estate that housed about 30 people at any given

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time. 30 people. 30. You have the immediate family,

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the extended relatives, grandmothers, aunts,

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and then a small army of servants. You would

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think that would be a lively, chaotic, warm environment.

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Just, you know, constant noise and big family

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dinners. You'd think so. But for Dazai. All the

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sources suggest it was incredibly isolating.

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You have to look at the hierarchy of it all.

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The Tsushima family was running a massive operation.

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His father, Kanemon, wasn't just a dad coming

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home at 5 p .m. He was a busy politician, a member

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of the House of Peers. Which is, what's the equivalent?

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Like the House of Lords in the UK or the Senate

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in the U .S.? He's a national player. Exactly.

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He was one of the four wealthiest landowners

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in the entire prefecture. He was constantly absent

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either... in Tokyo for politics or off managing

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his vast estates. He was this distant, towering

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figure, not the kind of father you, you know,

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played catch with. And his mother. In these big

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families, usually the mother becomes the emotional

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core, the center of gravity. Not in this case.

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Yeah. His mother, Tane. was chronically ill and,

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well, exhausted from bearing 11 children, which

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is understandable. Of course. So you have this

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young boy, Shuji, the 10th child, and he's effectively

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raised by servants and his aunt, a woman named

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Kie. He didn't sleep in his parents' room. He

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slept with his aunt. He didn't often eat with

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his parents. He was raised by staff. It sounds

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like that classic rich kid neglect trope, but

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just dialed up to 11. But there's a specific

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Japanese cultural layer here too, isn't there?

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The Anji system, the family system. That's a

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crucial point. The Tsushima family adhered to

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what Dazai later called exceedingly feudal traditions.

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In that system, the eldest son is everything.

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He's the heir. He is the future head of the household

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who will control the wealth and the ancestors'

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legacy. And the younger sons? They're spare parts.

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Spare heirs. Just insurance policies in case

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the big brother dies or something. Precisely.

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Being the eighth surviving child and the younger

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son at that, Dazai was structurally irrelevant

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to the family's dynastic ambitions. He was surrounded

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by people, 30 of them, yet he was profoundly

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alone. That psychological impact isolation within

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a crowd is something that just haunts his later

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work. He wrote about feeling like an imposter

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in his own home, like he was just taking up space.

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And there's a bit of irony in where all this

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money came from. I mean, they acted like this

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ancient aristocracy, but they weren't, were they?

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Not at all. The sources mentioned the family

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had obscure peasant origins. The great -grandfather

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was a moneylender who built up the family fortune

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ruthlessly. So by the time Dazai is born, yes,

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they're respectable, they're powerful, but the

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foundation is new money. It's a rags -to -riches

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story for the family, but for Dazai personally,

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it feels more like a riches -to -isolation story.

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He was born at the peak, but he never felt he

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earned it, and he never ever felt he belonged

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there. He was a guest in his own life right from

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the start. So you have this isolated kid in a

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crowded mansion feeling like a ghost. You'd expect

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him to rebel immediately, right? But looking

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at his early school records, he actually starts

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out on a completely different path. He does.

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He was a model student initially. He went to

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Kanagi Elementary, then Aomori Junior High, and

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got into Hirosaki Higher School. I mean, these

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are elite tracks. He was bright. He was engaged.

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He wasn't the class clown. He was the kid at

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the top of the class. And he had these really

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sophisticated cultural interests early on. I

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read he was into Edo period culture and something

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called Gidae. Can you explain what Gidae is?

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Yeah, Gidae is a style of chanted narration that's

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used in Bunraku puppet theater. Think of it as

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a mix between opera recitative... and maybe slam

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poetry. It's very rhythmic, very dramatic, and

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it requires a lot of vocal control. The chanter

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has to do all the voices, the weeping heroine,

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the angry samurai, everyone. So he's basically

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a theater kid. He is absolutely a theater kid.

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And it shows he had an ear for performance and

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for storytelling from a very early age. He was

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editing student publications, writing for a magazine

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he and his friends made called Cell Literature.

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He was totally on the path to being a respectable

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intellectual. He was doing everything right to

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become a professor or... a writer within the

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establishment. So what broke him? When does the

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good student Dai and the decadent artist take

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over? Because the shift is just so drastic. The

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year is 1927, and the event is what's often called

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the Akutagawa Shock. Ryunosuke Akutagawa, the

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author of Rashomon, the guy they named the biggest

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literary prize in Japan after. The very same.

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Akutagawa was Dazai's absolute idol. his hero.

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He was the pinnacle of modern Japanese literature

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at the time. He was brilliant. He was sharp.

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He was modern. And in 1927, Okutagawa committed

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suicide at the age of 35. Why was this such a

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massive deal? I mean, people die, authors die.

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Why did this specifically break Dazai? You have

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to understand the cultural context. Akutagawa's

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suicide wasn't just seen as a personal tragedy.

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It was interpreted by the entire intellectual

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class as a statement that modern life is unlivable.

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Akutagawa wrote about having this vague anxiety

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about the future. For Dazai, who worshipped him,

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it was a full -blown existential crisis. Right.

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If the greatest writer of the age the man Dazai

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aspired to be, found life to be essentially void

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of meaning, then what was the point of studying?

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What was the point of being a good boy? It's

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like when Kurt Cobain died for the grunge generation,

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but maybe even more intellectualized. It validated

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Dazai's own darkness. Exactly. That's a great

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comparison. Dazai began neglecting his studies

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almost immediately. He started spiraling. The

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allowance from his wealthy family wasn't going

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to textbooks anymore. It was going to custom

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-made clothes, expensive alcohol, and prostitutes.

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He was trying to fill that void that Akutagawa

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left behind. And then he tries to follow his

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idol. He does. On the night of December 10th,

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1929, Dazai made his first suicide attempt. This

00:10:14.840 --> 00:10:16.519
is the first of many we're going to discuss.

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And he's just a kid, really. 20 years old. Yeah.

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He overdosed on Kalmotin, which was a sedative.

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He took a massive amount. But he survived. He

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woke up. And in a bizarre twist of fate, and

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this is where Dazai's life gets almost darkly

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comedic in his tragedy, he actually managed to

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graduate from Hirosaki Higher School the following

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year. That is just wild. He tries to kill himself,

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fails, wakes up groggy, and school's like, okay,

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see you in class on Monday. It speaks to his

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resilience, or maybe just the momentum of his

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privilege at that point. He couldn't even fail

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at dying properly. So he survives, he graduates,

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but he's definitely not fixed. This leads us

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into a really murky period of his life. He heads

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to Tokyo to enroll in university, but he finds

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a new obsession. Communism. Right. He enrolls

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in Tokyo Imperial University to study French

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literature. But study is a very generous word.

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He hardly ever attended class. Instead, he got

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completely swept up in the leftist movement.

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No. We need to clarify the stakes here. Being

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a communist in a Western democracy today is one

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thing. Being a communist in 1930s imperial Japan

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was something else entirely. It was life -threatening.

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The peace preservation laws were in full effect.

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The thought police, the toko, they were active.

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Marxism was heavily suppressed by the government

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as a direct threat to the emperor system. People

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were arrested, they were tortured, and they were

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imprisoned for this. It was not just a college

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phase, it was a crime. But does Ai, I mean, he's

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the son of a wealthy landowner, he's living off

00:11:44.860 --> 00:11:47.159
an allowance that's generated by the very peasants

00:11:47.159 --> 00:11:49.519
the communists claim they want to liberate. Was

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he a true believer? Or was this just, you know,

00:11:52.080 --> 00:11:54.279
champagne socialism? That is the big debate.

00:11:55.139 --> 00:11:58.379
He met an activist named Aizou Kudo and started

00:11:58.379 --> 00:12:01.200
contributing 10 yen a month to the Japanese Communist

00:12:01.200 --> 00:12:03.919
Party. That was a decent chunk of money back

00:12:03.919 --> 00:12:06.860
then. But there's a specific incident that really

00:12:06.860 --> 00:12:09.240
makes me question his sincerity. There was a

00:12:09.240 --> 00:12:11.820
student strike against a principal who had misappropriated

00:12:11.820 --> 00:12:14.639
funds. A classic cause. Stick it to the man.

00:12:14.899 --> 00:12:18.159
Right. But Dazai hardly participated in the actual

00:12:18.159 --> 00:12:20.919
strike. He didn't do the grunt work. He wasn't

00:12:20.919 --> 00:12:22.980
out there handing out flyers in the rain or manning

00:12:22.980 --> 00:12:25.580
the barricades. Instead, he sat in his room and

00:12:25.580 --> 00:12:27.879
wrote a novel about it called Student Group to

00:12:27.879 --> 00:12:30.460
impress the activists. He wanted the aesthetic

00:12:30.460 --> 00:12:33.120
of the revolutionary without the sweat. Precisely.

00:12:33.120 --> 00:12:35.539
It highlights his nature as a dramatist of his

00:12:35.539 --> 00:12:38.259
own life. He mimicked proletarian literature

00:12:38.259 --> 00:12:40.340
because it was the counterculture of the time.

00:12:40.379 --> 00:12:42.899
He's the rebellious thing to do. But this play

00:12:42.899 --> 00:12:45.440
acting had real consequences because his name

00:12:45.440 --> 00:12:48.500
was Tsushima. Right. His family back in Aomori,

00:12:48.659 --> 00:12:50.980
the wealthy politicians, they must have been

00:12:50.980 --> 00:12:53.379
absolutely horrified. Their son is funding the

00:12:53.379 --> 00:12:55.139
people who want to overthrow them. They were

00:12:55.139 --> 00:12:58.960
apoplectic. But interestingly, The final straw

00:12:58.960 --> 00:13:01.480
for the family wasn't the politics. It was the

00:13:01.480 --> 00:13:04.960
woman. In 1930, he ran away with a geisha named

00:13:04.960 --> 00:13:08.600
Hatsuya Oyama. Of course. The classic scandal.

00:13:08.940 --> 00:13:11.460
For a respectable, aristocratic family in Aomori,

00:13:11.620 --> 00:13:13.879
having a son running around with a geisha was

00:13:13.879 --> 00:13:16.159
unacceptable. It brought shame on the house.

00:13:16.519 --> 00:13:20.080
And this led to his formal disownment. The Tsushima

00:13:20.080 --> 00:13:22.580
family cut him off. They effectively said, you

00:13:22.580 --> 00:13:24.700
are no longer one of us. That must have been

00:13:24.700 --> 00:13:27.519
terrifying for him. He's 21, cut off from the

00:13:27.519 --> 00:13:29.480
money spigot, playing at being a revolutionary.

00:13:29.940 --> 00:13:32.419
But they didn't leave him entirely alone. And

00:13:32.419 --> 00:13:34.820
this is how powerful families work. His brother,

00:13:34.879 --> 00:13:36.840
Bunji, who was also a politician, he tracked

00:13:36.840 --> 00:13:38.899
him down later. They made a deal. The family

00:13:38.899 --> 00:13:40.620
would basically handle the mess. They'd reinstate

00:13:40.620 --> 00:13:42.919
a stipend. But Dozai had to sign a pledge at

00:13:42.919 --> 00:13:45.000
the prosecutor's office to completely withdraw

00:13:45.000 --> 00:13:49.029
from all leftist activities. Wow. That is fascinating.

00:13:49.110 --> 00:13:51.389
So when push came to shove, when he had to choose

00:13:51.389 --> 00:13:53.529
between the revolution and the safety net, he

00:13:53.529 --> 00:13:56.809
chose the safety net. He did. It shows that for

00:13:56.809 --> 00:13:59.309
all his posturing, he was still tethered to that

00:13:59.309 --> 00:14:02.929
privilege. He couldn't survive without it. But

00:14:02.929 --> 00:14:05.110
before that resolution, we have to talk about

00:14:05.110 --> 00:14:07.850
the Kamikori incident. Because this is the moment

00:14:07.850 --> 00:14:10.370
that I think truly broke him forever. This is

00:14:10.370 --> 00:14:13.250
the darkest moment in his early life. It's just

00:14:13.250 --> 00:14:15.450
nine days after he gets expelled from university.

00:14:16.220 --> 00:14:18.519
This is the defining tragedy that hangs over

00:14:18.519 --> 00:14:22.600
no longer human. Nine days after expulsion, feeling

00:14:22.600 --> 00:14:25.620
hopeless, Dazai travels to a beach in Kamakura.

00:14:26.360 --> 00:14:28.659
And he isn't alone. He's with a 19 -year -old

00:14:28.659 --> 00:14:31.440
bar hostess named Shimeiko Tanabe. They had only

00:14:31.440 --> 00:14:32.940
known each other for a very short time, right?

00:14:33.000 --> 00:14:35.179
A few days. A matter of days. It was this impulsive,

00:14:35.240 --> 00:14:37.460
desperate connection. They went to the beach

00:14:37.460 --> 00:14:39.720
and they attempted a double suicide. They tried

00:14:39.720 --> 00:14:41.600
to drown themselves in the sea. And this is where

00:14:41.600 --> 00:14:44.120
the story splits. Yes. And here's the horror

00:14:44.120 --> 00:14:47.059
of it. Shimeiko Tanabe died. Dazai lived. He

00:14:47.059 --> 00:14:48.980
was rescued by a fishing boat. He was pulled

00:14:48.980 --> 00:14:52.059
out of the water, coughing and sputtering. And

00:14:52.059 --> 00:14:54.480
she was gone. I just can't even imagine the headspace

00:14:54.480 --> 00:14:57.240
you'd be in. You try to die, you fail, but the

00:14:57.240 --> 00:14:59.899
person you convince to do it with you is dead.

00:15:00.519 --> 00:15:03.259
And technically, legally, he was an accomplice

00:15:03.259 --> 00:15:06.360
to her death. That's a crime. He assisted suicide.

00:15:06.700 --> 00:15:09.100
He was charged. The police were involved. But

00:15:09.100 --> 00:15:11.600
again, the family name comes into play. The privilege

00:15:11.600 --> 00:15:14.019
card, as you might call it. The Tsushima family

00:15:14.019 --> 00:15:16.500
was shocked. But they intervened. They pulled

00:15:16.500 --> 00:15:18.700
strings. They stopped the police investigation.

00:15:19.139 --> 00:15:21.620
His allowance was reinstated, and he was released

00:15:21.620 --> 00:15:24.200
without any charges. That is sickening in a way,

00:15:24.220 --> 00:15:27.440
the guilt. You survive, the girl dies, and your

00:15:27.440 --> 00:15:29.659
rich family just sweeps it under the rug like

00:15:29.659 --> 00:15:31.480
a broken vase. You're free, but you're carrying

00:15:31.480 --> 00:15:33.899
that ghost forever. And he did carry it. If you

00:15:33.899 --> 00:15:36.580
read his later works, specifically No Longer

00:15:36.580 --> 00:15:39.720
Human, that guilt is palpable. The protagonist,

00:15:39.940 --> 00:15:42.870
Obiozo, feels like a fraud. A murderer. Someone

00:15:42.870 --> 00:15:44.850
who has no right to exist among human beings.

00:15:45.269 --> 00:15:48.070
This incident is the bedrock of that self -hatred.

00:15:48.250 --> 00:15:50.309
He felt he had stolen a life he didn't deserve.

00:15:50.470 --> 00:15:53.149
He was living on borrowed time, paid for by a

00:15:53.149 --> 00:15:56.049
dead girl. So he's disowned, then he's reinstated,

00:15:56.090 --> 00:15:58.090
he's traumatized, branded a criminal but not

00:15:58.090 --> 00:16:00.929
punished. And now he has to actually try to be

00:16:00.929 --> 00:16:03.149
a writer. He can't just be a rich screw -up anymore.

00:16:03.490 --> 00:16:07.620
And he finds a mentor, Masuji Ibuse. Ibius was

00:16:07.620 --> 00:16:10.679
this established, respected writer, very different

00:16:10.679 --> 00:16:13.159
from Dazai, very grounded, who took Dazai under

00:16:13.159 --> 00:16:15.899
his wing. He helped him get published. And this

00:16:15.899 --> 00:16:18.879
is when Shuji Tsushima officially becomes Osamu

00:16:18.879 --> 00:16:23.139
Dazai. 1933. The short story, Russia, or Train.

00:16:23.480 --> 00:16:25.179
That's the first appearance of the pen name.

00:16:25.549 --> 00:16:27.889
And it marks the start of that trademark iNovel

00:16:27.889 --> 00:16:30.230
style we talk about. He's mining his own trauma

00:16:30.230 --> 00:16:32.750
for content. He realized his life was his best

00:16:32.750 --> 00:16:34.929
material. But things don't exactly smooth out

00:16:34.929 --> 00:16:37.750
just because he has a pen name. The years 1935

00:16:37.750 --> 00:16:40.529
and 1936, I was looking at the timeline, and

00:16:40.529 --> 00:16:43.009
it just reads like a comedy of errors if it wasn't

00:16:43.009 --> 00:16:45.450
so horrific. It's often called his year of despair.

00:16:45.809 --> 00:16:48.190
It was a cascade of failures, a total collapse.

00:16:48.409 --> 00:16:51.110
By 1935, it became clear he wasn't going to graduate

00:16:51.110 --> 00:16:53.470
university. He'd gone back but failed again.

00:16:54.069 --> 00:16:56.210
He failed to get a job at a Tokyo newspaper,

00:16:56.450 --> 00:16:58.490
which was his last hope for a normal income.

00:16:58.750 --> 00:17:01.169
He felt he had hit a dead end. So he writes a

00:17:01.169 --> 00:17:03.970
book called The Final Years, or Bannon. The title

00:17:03.970 --> 00:17:06.869
says it all, The Final Years. And he was in his

00:17:06.869 --> 00:17:10.210
mid -20s. He wrote it intending it to be his

00:17:10.210 --> 00:17:13.150
suicide note. He wrote it thinking, this is it,

00:17:13.170 --> 00:17:16.549
I'm leaving this as my legacy. And in March 1935,

00:17:16.869 --> 00:17:20.130
he tries to hang himself. And fails. Again. The

00:17:20.130 --> 00:17:22.750
rope broke, or the knot slipped. The details

00:17:22.750 --> 00:17:25.450
vary, but he survived. He woke up with a sore

00:17:25.450 --> 00:17:28.650
neck and a bruised ego. But then, almost immediately,

00:17:28.910 --> 00:17:31.789
fate just kicks him while he's down. Three weeks

00:17:31.789 --> 00:17:33.910
later, he gets acute appendicitis. Talk about

00:17:33.910 --> 00:17:36.369
bad timing. You try to kill yourself, fail, and

00:17:36.369 --> 00:17:38.049
then your body tries to kill you with an infected

00:17:38.049 --> 00:17:40.269
organ. It was disastrous. He's hospitalized for

00:17:40.269 --> 00:17:43.130
surgery. And in the hospital, to manage the severe

00:17:43.130 --> 00:17:45.589
post -op pain, the doctors give him Pavanol.

00:17:45.730 --> 00:17:48.130
Which is a morphine -based painkiller. And highly,

00:17:48.170 --> 00:17:50.130
highly addictive. Dazai takes to it immediately.

00:17:50.539 --> 00:17:52.579
He becomes a serious addict. For the next year,

00:17:52.599 --> 00:17:54.299
he is fighting this addiction. He's borrowing

00:17:54.299 --> 00:17:56.940
money from everyone he knows. He's lying. He's

00:17:56.940 --> 00:17:59.660
in a haze. His mentor, Eye Abuse, is trying to

00:17:59.660 --> 00:18:03.599
help. But Dazai is spiraling. Finally, in October

00:18:03.599 --> 00:18:06.460
1936, he is taken to a mental institution. No,

00:18:06.500 --> 00:18:08.140
he didn't check himself into rehab, right? He

00:18:08.140 --> 00:18:10.740
was tricked into it. Essentially. He was told

00:18:10.740 --> 00:18:12.799
he was going to a nice sanatorium to rest and

00:18:12.799 --> 00:18:15.819
recover. Instead, he was locked in a room in

00:18:15.819 --> 00:18:18.279
a mental ward and forced to quit cold turkey.

00:18:19.079 --> 00:18:21.440
for over a month he suffered through withdrawal

00:18:21.440 --> 00:18:24.680
in a place he felt was a prison he felt deeply

00:18:24.680 --> 00:18:26.559
betrayed by his wife and his friends who put

00:18:26.559 --> 00:18:28.059
him there even if they were trying to save his

00:18:28.059 --> 00:18:31.319
life to him the asylum was the ultimate rejection

00:18:31.319 --> 00:18:34.240
he was officially marked as a madman and while

00:18:34.240 --> 00:18:36.599
he's locked up this is the part that sounds like

00:18:36.599 --> 00:18:40.470
a soap opera but is just tragic reality His wife,

00:18:40.650 --> 00:18:42.890
Hatsuyo, the geisha he ran away with, the one

00:18:42.890 --> 00:18:45.230
he fought his family for, she cheats on him.

00:18:45.309 --> 00:18:48.109
With his best friend's Zenchir Kodake. That is

00:18:48.109 --> 00:18:51.390
brutal. Just brutal. When Dazai gets out of the

00:18:51.390 --> 00:18:54.009
asylum, clean but incredibly fragile, and he

00:18:54.009 --> 00:18:56.670
finds this out, it just breaks whatever was left

00:18:56.670 --> 00:18:59.569
of their bond. He attempts Shinju a joint suicide

00:18:59.569 --> 00:19:02.190
with Hatsuyo. They take sleeping pills. Neither

00:19:02.190 --> 00:19:04.470
died. They survived. And soon after, they divorced.

00:19:04.940 --> 00:19:06.720
Okay, let's just recap this sequence because

00:19:06.720 --> 00:19:10.900
it's insane. Failed career, failed hanging, appendix

00:19:10.900 --> 00:19:13.680
rupture, morphine addiction, locked in an asylum,

00:19:13.940 --> 00:19:17.420
wife cheats with best friend, failed double suicide,

00:19:17.839 --> 00:19:22.079
and a divorce. All in about 18 months. It completely

00:19:22.079 --> 00:19:24.700
cemented his worldview. You can see why he viewed

00:19:24.700 --> 00:19:26.720
the world as a place of relentless betrayal and

00:19:26.720 --> 00:19:29.279
isolation. He felt he couldn't trust his family,

00:19:29.359 --> 00:19:31.960
his body, his wife, or his friends. He felt that

00:19:31.960 --> 00:19:34.880
human beings were inherently deceitful. But then,

00:19:35.119 --> 00:19:36.960
and this is where his story takes such a weird

00:19:36.960 --> 00:19:39.380
turn, things kind of stabilize. We enter the

00:19:39.380 --> 00:19:42.460
war years. It's the great paradox of Dazai. When

00:19:42.460 --> 00:19:46.019
the world goes mad, he gets sane. In 1939, he

00:19:46.019 --> 00:19:48.140
remarries, this time to a middle school teacher

00:19:48.140 --> 00:19:50.920
named Michiko Ishihara. It's an arranged marriage,

00:19:51.079 --> 00:19:53.440
encouraged by his mentor Ibuse, who probably

00:19:53.440 --> 00:19:55.440
thought, we need to get this guy a stable environment.

00:19:55.680 --> 00:19:58.519
Stat. And it works. For a time, it works. They

00:19:58.519 --> 00:20:00.660
move to Metaka, a suburb of Tokyo. They have

00:20:00.660 --> 00:20:03.319
children. A daughter, Sonoko, a son, Masaki,

00:20:03.460 --> 00:20:05.599
and another daughter, Satoko, who actually grew

00:20:05.599 --> 00:20:07.579
up to be the very famous writer Yuko Tsushima.

00:20:07.980 --> 00:20:10.299
And this is all happening as World War II is

00:20:10.299 --> 00:20:13.940
ramping up. 1941, Japan attacks the U .S. The

00:20:13.940 --> 00:20:16.599
entire country mobilizes. Most men are getting

00:20:16.599 --> 00:20:19.319
drafted. Dazai was excused. He had chronic chest

00:20:19.319 --> 00:20:21.319
problems and was diagnosed with tuberculosis.

00:20:21.759 --> 00:20:23.880
So while his entire generation went off to die

00:20:23.880 --> 00:20:26.279
in the Pacific, he stayed home. And the censorship

00:20:26.279 --> 00:20:28.420
back then was intense. I mean, you had to write

00:20:28.420 --> 00:20:30.759
things that supported the national spirit, the

00:20:30.759 --> 00:20:33.980
war effort. If you wrote about despair or individualism,

00:20:34.019 --> 00:20:37.099
you were going to jail. But Dazai... He pivoted.

00:20:37.119 --> 00:20:39.140
He did. He started writing retellings of fairy

00:20:39.140 --> 00:20:42.619
tales. Otogijishi. He retold stories by Ihara

00:20:42.619 --> 00:20:46.359
Sekaku, an old Edo period writer. He wrote Suguru,

00:20:46.460 --> 00:20:49.079
which is this beautiful, almost nostalgic travelogue

00:20:49.079 --> 00:20:51.619
of his home region. Why fairy tales? Was it just

00:20:51.619 --> 00:20:54.359
pure escapism? In a way, yes. While Tokyo is

00:20:54.359 --> 00:20:56.660
being firebombed, and Dazai's house burned down

00:20:56.660 --> 00:20:59.240
twice, by the way, he is retreating into folklore.

00:20:59.809 --> 00:21:02.230
Imagine him sitting in a bomb shelter, the ground

00:21:02.230 --> 00:21:05.089
shaking from B -29 raids, writing a story about

00:21:05.089 --> 00:21:07.650
a talking badger or a red demon. That's an amazing

00:21:07.650 --> 00:21:10.410
image. But it was also a way to preserve a kind

00:21:10.410 --> 00:21:12.990
of humor and humanity when the current reality

00:21:12.990 --> 00:21:15.789
was so grim. He couldn't write about the war

00:21:15.789 --> 00:21:18.130
honestly without getting arrested. So he wrote

00:21:18.130 --> 00:21:20.390
about demons and badgers and ancient heroes.

00:21:20.589 --> 00:21:23.569
It was a form of quiet resistance. He refused

00:21:23.569 --> 00:21:26.220
to let the war kill his art. I love that. The

00:21:26.220 --> 00:21:28.140
world is ending and he's writing about a badger.

00:21:28.220 --> 00:21:30.700
It shows his dedication to the craft. He was

00:21:30.700 --> 00:21:33.240
writing to stay sane. It kept him tethered to

00:21:33.240 --> 00:21:36.200
life. And because he kept publishing during the

00:21:36.200 --> 00:21:38.400
war, when a lot of other writers fell silent

00:21:38.400 --> 00:21:40.519
or just wrote propaganda, by the time the war

00:21:40.519 --> 00:21:43.839
ended in 1945, he was perfectly positioned. Which

00:21:43.839 --> 00:21:46.500
leads us to the post -war era. Japan has surrendered.

00:21:47.079 --> 00:21:49.500
The cities are ash. The emperor has renounced

00:21:49.500 --> 00:21:52.279
his divinity. All the old values are shattered.

00:21:52.460 --> 00:21:54.980
And suddenly, Dazai is the voice of the era.

00:21:55.160 --> 00:21:58.039
He was. He wrote Vian's Wife in 1947, which depicts

00:21:58.039 --> 00:22:00.500
a dissolute poet and his long -suffering wife

00:22:00.500 --> 00:22:02.960
in post -war Tokyo. It resonated so powerfully,

00:22:03.039 --> 00:22:05.259
people felt. This man understands our exhaustion,

00:22:05.460 --> 00:22:07.900
our moral confusion. And then came The Setting

00:22:07.900 --> 00:22:11.079
Sun, or She. A massive hit. It depicts a decline

00:22:11.079 --> 00:22:14.079
of the Japanese nobility after the war. The aristocracy

00:22:14.079 --> 00:22:16.440
was being dismantled, losing their money and

00:22:16.440 --> 00:22:20.380
their status. The term shesoku, or setting sun

00:22:20.380 --> 00:22:23.140
tribe, actually entered the language to describe

00:22:23.140 --> 00:22:27.799
these declining aristocratic families. Dazai

00:22:27.799 --> 00:22:30.259
captured the melancholy of a dying class perfectly.

00:22:30.539 --> 00:22:32.380
And this book was based on real life too, right?

00:22:32.440 --> 00:22:34.559
He was getting messy again. Oh, very messy. It

00:22:34.559 --> 00:22:37.529
was based on the diary of Shizuko. an admirer

00:22:37.529 --> 00:22:39.450
of his that he had an affair with. They even

00:22:39.450 --> 00:22:41.289
had a child together, a daughter named Haruko.

00:22:41.829 --> 00:22:44.049
Dazai was juggling his wife, his mistress, his

00:22:44.049 --> 00:22:45.890
fame, and his return to very heavy drinking.

00:22:46.130 --> 00:22:48.930
But not everyone was a fan of this saint of sadness

00:22:48.930 --> 00:22:51.470
act. And this is where we get to bring in Yukio

00:22:51.470 --> 00:22:54.289
Mishima. The feud. This is legendary in Japanese

00:22:54.289 --> 00:22:56.769
literary circles. So paint the picture for us.

00:22:56.970 --> 00:22:59.170
Mishima is the young upstart. He's obsessed with

00:22:59.170 --> 00:23:01.450
beauty, with strength, with discipline, with

00:23:01.450 --> 00:23:03.869
bodybuilding later on. He wants to restore the

00:23:03.869 --> 00:23:08.639
samurai spirit. And then you have Dazai. They

00:23:08.639 --> 00:23:11.099
are polar opposites. They met for dinner on December

00:23:11.099 --> 00:23:15.259
14, 1946. It was literary gathering. Mishima

00:23:15.259 --> 00:23:17.720
was there, probably in a crisp suit, very composed.

00:23:17.960 --> 00:23:19.480
Dazai was there probably already a few drinks

00:23:19.480 --> 00:23:22.980
in. And Mishima, being Mishima, reportedly looked

00:23:22.980 --> 00:23:27.359
Dazai in the eye across a table and said, He

00:23:27.359 --> 00:23:32.319
said that to his face. At a dinner party, that

00:23:32.319 --> 00:23:35.440
is some serious hostility. Yeah. Pass the soy

00:23:35.440 --> 00:23:38.200
sauce. And by the way, I loathe your very existence.

00:23:38.819 --> 00:23:41.240
To his face. The room must have gone dead silent.

00:23:41.460 --> 00:23:43.220
What was his problem with Dazai? What was it

00:23:43.220 --> 00:23:45.940
about him? Mishima later listed three specific

00:23:45.940 --> 00:23:49.720
reasons. One, he disliked Dazai's face. He just

00:23:49.720 --> 00:23:52.440
thought he looked weak. Wow. Two, he disliked

00:23:52.440 --> 00:23:54.880
his rustic preference for urban sophistication.

00:23:54.980 --> 00:23:56.799
He was basically calling him a country bumpkin

00:23:56.799 --> 00:23:59.240
trying to act cool. And three, and this is the

00:23:59.240 --> 00:24:01.880
most important one, he disliked that Dazai played

00:24:01.880 --> 00:24:04.059
roles inappropriate for him. He called it clowning.

00:24:04.900 --> 00:24:07.740
Mishima hated weakness, and he saw Dazai as a

00:24:07.740 --> 00:24:09.900
man who celebrated his own weakness, who wallowed

00:24:09.900 --> 00:24:13.039
in it. It's the clash of two philosophies. Mishima

00:24:13.039 --> 00:24:15.180
wanted to overcome human flaw through discipline.

00:24:15.799 --> 00:24:18.700
Dazai wanted to expose human flaw through confession.

00:24:19.119 --> 00:24:22.279
Exactly. Mishima thought Dazai was pathetic.

00:24:22.779 --> 00:24:25.460
Dazai probably thought Mishima was rigid and

00:24:25.460 --> 00:24:28.390
uptight. And Dazai's defense at the dinner was

00:24:28.390 --> 00:24:31.130
apparently just to smile and say, but you're

00:24:31.130 --> 00:24:33.450
here, so you must like me a little bit, and then

00:24:33.450 --> 00:24:36.390
try to argue about another writer, Gaimori. He

00:24:36.390 --> 00:24:38.589
didn't fight back with anger, he just deflected.

00:24:38.750 --> 00:24:41.490
Which probably made Mishima hate him even more.

00:24:41.710 --> 00:24:43.970
Oh, absolutely. And amidst all this fame and

00:24:43.970 --> 00:24:47.170
fighting, Dazai writes his masterpiece, No Longer

00:24:47.170 --> 00:24:49.650
Human. Written in an onsen in Itami and finished

00:24:49.650 --> 00:24:52.190
in Numia. It is the culmination of everything

00:24:52.190 --> 00:24:54.509
we've talked about. The suicide attempts, the

00:24:54.509 --> 00:24:56.470
leftist posturing, the addiction, the feeling

00:24:56.470 --> 00:24:59.190
of being an outsider. It's a quasi -autobiography

00:24:59.190 --> 00:25:02.970
of a man, Oboioso, who feels disqualified from

00:25:02.970 --> 00:25:05.309
being human. I reread it recently for this, and

00:25:05.309 --> 00:25:07.250
what really struck me is that clowning aspect

00:25:07.250 --> 00:25:09.890
that Mishma hated. The main character creates

00:25:09.890 --> 00:25:12.890
this funny, goofy persona to hide his terrifying

00:25:12.890 --> 00:25:15.690
social anxiety. He acts like a goofball so people

00:25:15.690 --> 00:25:18.009
won't see how empty he feels inside. That is

00:25:18.009 --> 00:25:21.039
the core of the book, the mask. It resonates

00:25:21.039 --> 00:25:23.480
so hard with people today because we all wear

00:25:23.480 --> 00:25:26.920
masks. We all perform happiness. Dazai just admitted

00:25:26.920 --> 00:25:29.180
it. He wrote that famous line, I have always

00:25:29.180 --> 00:25:32.319
been shaking with fear. It was a confession that

00:25:32.319 --> 00:25:34.059
he had never, ever felt comfortable in the world

00:25:34.059 --> 00:25:36.180
of human beings. It was completed just before

00:25:36.180 --> 00:25:37.599
his death. It's almost like he had to get that

00:25:37.599 --> 00:25:39.640
out of his system before the end. It stands as

00:25:39.640 --> 00:25:42.079
a suicide note in novel form. He poured every

00:25:42.079 --> 00:25:44.400
last drop of his pain into that book, and once

00:25:44.400 --> 00:25:46.720
it was done, he was empty. Which brings us to

00:25:46.720 --> 00:25:50.549
the end, the final act. The final spiral. By

00:25:50.549 --> 00:25:53.789
1948, Dazai's health was deteriorating rapidly.

00:25:54.109 --> 00:25:56.650
The alcoholism was rampant. He was drinking sake

00:25:56.650 --> 00:25:59.430
by the gallon. The tuberculosis was worsening.

00:25:59.430 --> 00:26:02.150
He was coughing blood. And he met a woman named

00:26:02.150 --> 00:26:04.750
Tomi Yamazaki. She was a beautician and a war

00:26:04.750 --> 00:26:07.289
widow. Someone who was also, you know, damaged

00:26:07.289 --> 00:26:10.390
by life. And in classic Dazai fashion, he abandons

00:26:10.390 --> 00:26:12.029
his wife and children to move in with her. He

00:26:12.029 --> 00:26:14.839
just repeats the cycle. Yes. He does. And on

00:26:14.839 --> 00:26:18.299
June 13, 1948, late at night, they leave their

00:26:18.299 --> 00:26:21.220
apartment. This is the event, the Tamagawa Aqueduct.

00:26:21.339 --> 00:26:24.400
It had been raining heavily. The aqueduct, which

00:26:24.400 --> 00:26:26.599
runs through Tokyo, was swollen, the water was

00:26:26.599 --> 00:26:29.740
muddy, and the current was fast. This wasn't

00:26:29.740 --> 00:26:32.660
a peaceful stream. It was a torrent. They walked

00:26:32.660 --> 00:26:34.460
along the bank. And they didn't just jump. They

00:26:34.460 --> 00:26:36.960
tied themselves together. Yes, with a red sash,

00:26:37.259 --> 00:26:41.640
a kimono sash. It's a very dramatic, very literary

00:26:41.640 --> 00:26:45.130
image. Bound together in death. Their bodies

00:26:45.130 --> 00:26:47.789
weren't found immediately, were they? No. They

00:26:47.789 --> 00:26:50.690
disappeared on the 13th. The police and his friends

00:26:50.690 --> 00:26:53.250
searched for days. They eventually found the

00:26:53.250 --> 00:26:56.230
bodies on June 19th. Which incredibly would have

00:26:56.230 --> 00:26:59.250
been his 39th birthday. A macabre birthday present

00:26:59.250 --> 00:27:01.849
to the world. He was found dead on the day he

00:27:01.849 --> 00:27:04.049
was born. Now, there's some speculation about

00:27:04.049 --> 00:27:06.750
this, right? It wasn't as clear cut as they both

00:27:06.750 --> 00:27:09.829
wanted to die happily ever after. There's a haunting

00:27:09.829 --> 00:27:12.569
theory from Kikichi Nakahata, who was a kimono

00:27:12.569 --> 00:27:14.650
merchant who knew the family and saw the scene

00:27:14.650 --> 00:27:17.430
when the bodies were pulled out. He speculated

00:27:17.430 --> 00:27:19.809
that Dazai might have been pressured into it

00:27:19.809 --> 00:27:22.269
by Tommy. Pressured. Nakahata said, and this

00:27:22.269 --> 00:27:25.470
is a quote, Dazai was asked to die, and he simply

00:27:25.470 --> 00:27:28.470
agreed, but just before his death, he suddenly

00:27:28.470 --> 00:27:31.329
felt an obsession with life. What makes him think

00:27:31.329 --> 00:27:33.410
that? Is there any evidence? Well, the physical

00:27:33.410 --> 00:27:36.049
evidence. There were scratch marks on the ground

00:27:36.049 --> 00:27:38.289
at the edge of the bank and on the bodies themselves.

00:27:38.769 --> 00:27:40.650
It looked like someone had tried to claw their

00:27:40.650 --> 00:27:42.670
way back up the slippery mud bank at the last

00:27:42.670 --> 00:27:46.490
second. It suggests a moment of regret, a panic.

00:27:46.730 --> 00:27:49.490
That is a terrifying image. You jump in, the

00:27:49.490 --> 00:27:51.910
cold water hits you, the reality hits you, and

00:27:51.910 --> 00:27:53.589
suddenly you think, wait, I want to write another

00:27:53.589 --> 00:27:55.349
book, but you're tied to someone else and the

00:27:55.349 --> 00:27:57.549
current is just too strong. We will never truly

00:27:57.549 --> 00:28:00.730
know. But it adds this layer of tragic ambiguity.

00:28:01.269 --> 00:28:03.789
Did the man who spent 20 years trying to die

00:28:03.789 --> 00:28:06.250
finally want to live exactly at the moment when

00:28:06.250 --> 00:28:08.230
it was too late? And he left work unfinished.

00:28:08.609 --> 00:28:12.430
Yes, a novella called Goodbye, or Goodabye. He

00:28:12.430 --> 00:28:14.109
was writing it for the Asahi Shimbun newspaper.

00:28:14.670 --> 00:28:16.930
It was meant to be a lighthearted comedy about

00:28:16.930 --> 00:28:18.890
a man trying to break up with all his mistresses.

00:28:19.029 --> 00:28:22.390
A comedy, after all that. Yes. He wanted to write

00:28:22.390 --> 00:28:25.269
something light, but it just breaks off mid -sentence.

00:28:25.430 --> 00:28:28.319
Goodbye. You couldn't write a more fitting ending

00:28:28.319 --> 00:28:31.000
if you tried. It is the ultimate unfinished business.

00:28:31.279 --> 00:28:34.400
So what does this all mean? We look at this whole

00:28:34.400 --> 00:28:37.859
trajectory from the mansion in Omori to the muddy

00:28:37.859 --> 00:28:40.779
aqueduct in Tokyo. From the prince to the corpse,

00:28:41.000 --> 00:28:43.390
what's the takeaway? I think it's the story of

00:28:43.390 --> 00:28:45.970
a man who was just too sensitive for the world

00:28:45.970 --> 00:28:48.829
he was born into. He lacked the skin that protects

00:28:48.829 --> 00:28:51.670
the rest of us from the small and large cruelties

00:28:51.670 --> 00:28:54.829
of life. He tried to numb that sensitivity with

00:28:54.829 --> 00:28:57.769
alcohol, with drugs, with women, with politics.

00:28:58.109 --> 00:29:00.369
But the only thing that really worked, the only

00:29:00.369 --> 00:29:02.470
thing that gave his suffering shape and meaning,

00:29:02.569 --> 00:29:05.250
was the writing. He turned his pain into art

00:29:05.250 --> 00:29:07.390
that has comforted millions of people who feel

00:29:07.390 --> 00:29:10.599
the same way. His legacy is undeniable. His grave

00:29:10.599 --> 00:29:13.000
at Zenrinji Temple in Mitaka is still covered

00:29:13.000 --> 00:29:15.420
in offerings today. I've seen photos of it. Cigarettes,

00:29:15.579 --> 00:29:18.559
one cup of zekisek, flowers, cherries. People

00:29:18.559 --> 00:29:21.119
visit him like a patron saint of sadness. They

00:29:21.119 --> 00:29:23.460
go there to say, I feel broken too and you make

00:29:23.460 --> 00:29:25.920
me feel less alone. So here's a thought to leave

00:29:25.920 --> 00:29:28.720
you with. Imagine that final moment at the aqueduct.

00:29:28.980 --> 00:29:32.920
He spent 20 years fetishizing suicide. He wrote

00:29:32.920 --> 00:29:35.059
about it. He attempted it. He built his entire

00:29:35.059 --> 00:29:38.059
brand on it. But that speculation that he tried

00:29:38.059 --> 00:29:40.960
to climb back up, it makes me wonder if No Longer

00:29:40.960 --> 00:29:43.319
Human was his way of finally saying goodbye to

00:29:43.319 --> 00:29:45.660
that persona so he could start living. But the

00:29:45.660 --> 00:29:48.099
momentum of his own legend just dragged him into

00:29:48.099 --> 00:29:50.700
the water. That is the tragedy. Goodbye remained

00:29:50.700 --> 00:29:52.900
unfinished because he finally said it for real.

00:29:53.119 --> 00:29:55.380
If you haven't read No Longer Human, pick it

00:29:55.380 --> 00:29:58.000
up. But don't just read it as a story. Read it

00:29:58.000 --> 00:30:01.390
as a survival log that abruptly ends. Thanks

00:30:01.390 --> 00:30:03.210
for listening to this deep dive. Thank you.
