WEBVTT

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I want you to try a little visualization exercise

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with me. Picture a head of state. Close your

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eyes, if you have to. Unless you're driving,

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please don't close your eyes if you're driving.

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But picture a president. You are probably imagining,

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you know, a sharp suit, a silk tie, maybe a flag

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pin on the lapel. Right. Someone with perfect

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posture, hair that never moves. Exactly. And

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a way of speaking that sounds like it's been

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focus grouped to death. The standard model. The

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politician. That's the one. I want you to delete

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that image. Critch alt delete. Instead, I want

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you to picture a man in a rumpled sweater, hair

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kind of messy, chain -smoking cigarettes, like

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his life depends on it. He looks a little bit

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terrified, honestly. He's standing on a balcony

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staring out at a sea of people, and he has just

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been handed the keys to an entire country. And

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his qualifications. Oh, and his previous job

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experience, rolling beer barrels in a brewery

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and writing plays about people who talk in complete

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gibberish. It sounds like fiction. If you pitch

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this script to a Hollywood studio, they would

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probably tell you it's too on the nose. It's

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too perfect of an underdog story. But this is

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the actual reality of Vaclav Havel. It is. Welcome

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back to the Deep Dive. Today we are unpacking

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what I think is one of the most improbable stories

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of the 20th century. We are looking at the life

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of Vaclav Havel, the bourgeois child, the lab

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assistant, the playwright, the prisoner, and

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eventually the president. The philosopher king,

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as he was sometimes called, though... As we will

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see, he probably would have rolled his eyes at

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that title. He rolled his eyes at a lot of titles.

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But we have a specific mission today. We aren't

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just doing a biography. We have a massive stack

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of sources here. His letters from prison, his

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absurdist plays, historical records of the Velvet

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Revolution, and his own dense philosophical essays.

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And we are trying to answer one central question.

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How? How? How does a shy, socially awkward intellectual

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who just wanted to listen to the Velvet Underground

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and write weird theater... end up dismantling

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a totalitarian empire without firing a single

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shot. And more importantly, how does his philosophy,

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this idea of living in truth, actually work?

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Because it sounds nice on a bumper sticker, live

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in truth, but in practice. In practice, as we

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go through the sources, it turns out to be actually

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kind of terrifying. It is. It is a weaponized

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philosophy. It demands everything from you. And

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to understand how he arrived at it, we have to

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understand the sheer absurdity of the world he

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was born into. So let's get into it. Part one.

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the bourgeois outsider. If we are talking about

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the People's Republic and the communist takeover

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of Czechoslovakia, you usually assume the heroes

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of the story start at the bottom. Right. The

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down -fraud worker fighting the power. Generally,

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yes. That is the standard revolutionary narrative.

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But Havel starts at the complete opposite end

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of the spectrum. The 1%. Oh, way beyond that.

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If you were looking for a candidate least likely

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to survive, let alone lead under a communist

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regime, you would build Vaclav Havel in a lab.

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The sources emphasize this bourgeois background.

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But I feel like that term is a bit dry. It doesn't

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really capture it. We need to paint the picture.

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How rich are we talking here? We are talking.

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the Rockefellers of Prague levels of influence.

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I mean, his grandfather, Václav Havel, didn't

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just own property, he built the cultural heart

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of the city. Have you ever seen photos of the

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Lucerna Palace in Prague? I looked it up while

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prepping. It looks like something out of the

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Great Gatsby. It's huge. It is massive. It's

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this Art Nouveau entertainment complex right

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on Wenceslas Square. It has a cinema, a theater,

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a grand ballroom, restaurants, arcades. The center

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of the universe for Prague society. It was the

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place to be seen in the early 20th century. And

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his uncle, Millie Havel, He built the Barandov

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Film Studios, which was essentially the Hollywood

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of Central Europe. So young Vaclav, born in 1936,

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is growing up surrounded by movie stars, directors,

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intellectuals, and servants. He's the little

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prince of Prague. Exactly. He described his childhood

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as being in a golden cage. He actually felt guilty

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about it later in life. There's this anecdote

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where he talks about being a child and feeling

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ashamed that he had a governess while other kids

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were playing in the street. He felt isolated

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by it. Totally isolated by his own privilege.

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He wanted to be normal, you know, but he was

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walled off by wealth. Which is deeply ironic

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because that privilege was about to be stripped

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away very, very violently. 1948. The Communist

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Who. The victorious February. The iron curtain

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slams down and almost overnight, the Havel family

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goes from being cultural royalty to being class

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enemies. Class enemy. Yeah. That's a specific

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legal and social designation, right? It's not

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just people being mean to him on the playground.

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No, no. This is systemic. It's a formal label.

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The regime confiscates the Lucerna Palace. They

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confiscate the studios. The family is evicted

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from their properties. They lose everything.

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They lose the wealth, yes. But the real punishment

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wasn't financial. It was existential. The regime

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decided that because of his bloodline, Vaclav

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Havel did not deserve a future. This is the part

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of the sources that really frustrated me. We

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had this kid who is obviously brilliant. He's

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reading Kafka and Philosophy at age 15. And the

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state says, no, you can't go to high school.

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It was a strategy of cadre assessment. The state

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controlled all education, all opportunities.

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If your profile was bourgeois, you were barred

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from the humanities. Why? What were they so afraid

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of? They didn't want the old elite infecting

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the new socialist generation with their dangerous

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ideas. They wanted to break the intellectual

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lineage completely. So they deny him an education.

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What does he do? Does he just give up? No. And

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this is the first instance of a pattern we're

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going to see his whole life. He doesn't just

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quit. He finds a workaround. He gets a job as

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a chemical laboratory assistant. A chemical lab

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assistant? Can you imagine a teenage boy who

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dreams of being a poet? who is obsessed with

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theater and metaphysics, is forced to spend four

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years washing beakers and staring at test tubes.

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Talk about a fish out of water. Completely. But

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he works the lab job by day, and then he enrolls

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in evening classes at a gymnasium, basically

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night school, to get his secondary diploma. He

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just chips away at it. He finally finishes in

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1954. So he gets a diploma. Does that open the

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doors? Is he finally allowed in? Not at all.

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Not even a little bit. He applies to university

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for philosophy, for history, for drama. Rejected,

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rejected, rejected. That cadre report, that class

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enemy label, it follows him everywhere. It's

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almost comical how afraid the state was of this

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one teenager reading books. It feels like they

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knew even then that he was trouble. They were

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afraid of independent thought in any form. So

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he tries a Hail Mary. He enrolls in the Faculty

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of Economics at the Czech Technical University.

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Economics. That does not sound like him. He hated

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it. He barely understood the math. He later said

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he spent most of his time looking out the window

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or writing poems in the margins of his ledger.

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He dropped out after two years. He just couldn't

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fake it. And thank God he couldn't. Because if

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he had become a mediocre economist, we wouldn't

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have the halfway note. Exactly. The failure of

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his academic career pushed him toward the only

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place that would take him. the theater but not

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through the front door no through the stage door

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he starts as a state hand a stage hand so he's

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moving props pulling ropes weeping the floor

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first at the theater abc and then at the legendary

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theater on the bell street and this is crucial

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He wasn't learning theater from a textbook in

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a lecture hall. He was learning it from the floorboards

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up. He saw the mechanics of it. He saw how the

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lights worked, how the actors moved, how the

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audience breathed. He understood the machinery

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of communication from the inside out. And this

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is the 1960s now. The atmosphere is starting

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to thaw a little bit, right? The Prague Spring

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is on the horizon. Just a little. There's a buzzing

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energy in the air. Small avant -garde theaters

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are popping up, pushing the boundaries of what

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the censors would allow. And Havel starts writing.

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OK, let's talk about the plays, because when

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I hear absurdist theater, I think of Samuel Beckett

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waiting for Godot guys sitting around doing nothing,

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questioning existence. Is that what Havel was

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doing? Yes and no. He was definitely influenced

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by Beckett. In fact, they became distant admirers

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of each other, which we'll get to. But Havel's

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absurdism was much more political. It wasn't

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just about the meaninglessness of life in general.

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It was about the specific manufactured meaninglessness

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of life under communism. Can you give us an example?

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The source material highlights the memorandum

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from 1965. This is his masterpiece of that era.

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It's brilliant. Imagine an office, a typical

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boring bureaucracy. Suddenly, the management

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introduces a new official language called TIDIP.

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Tidepi. Even the name sounds impossible to pronounce.

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It's meant to. The premise is that natural human

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language is too emotional, too imprecise. It

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leads to misunderstandings. So they want to fix

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language. Exactly. The bureaucrats engineer Tidep

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to be scientifically perfect. Every word has

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a precise definition. The only problem is the

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words are incredibly long and complex, and the

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grammar is impossible. So nobody can actually

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speak it. No one. The main character, Gross,

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receives a memo written in Taibis, but he can't

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read it. To get it translated, he needs authorization

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from a Taidei specialist. But to get the authorization,

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he needs to file a request. Which must be written

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in Taidei. You got it. It's a catch -22. It's

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a loop of total paralysis. People are running

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around with dictionaries, terrified of using

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the wrong word, while the actual work of the

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office stops completely. It creates chaos in

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the name of order. That's the perfect way to

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put it. He is holding up a mirror to the regime.

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The audience at the theater on the balustrade

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would watch this and roar with laughter. But

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it was that laughter of recognition. They lived

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this every day. They lived in a world where the

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party slogans meant nothing, where the rules

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changed yesterday, where you needed a stamp to

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get a stamp. You took the terrifying reality

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of the police state and turned it into a joke.

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And that is a very dangerous thing to do. Because

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if you can laugh at the monster, the monster

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becomes less scary. The authorities knew this.

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They watched him very closely. But here's the

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kicker. The play was so good, it crossed the

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Iron Curtain. It went to New York, right. In

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1968, the Public Theater in New York puts on

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the memorandum. He wins an Obie Award. Suddenly,

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this class enemy stagehand is the toast of the

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Western theater world. He's finding his voice.

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He's successful. He's relatively young. It feels

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like he's on an upward trajectory. And then history

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interferes again. August 21st, 1968. The Prague

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Spring ends, not with a whimper, but with a bang.

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Or rather, the rumble of Soviet tanks. The brief

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period of freedom is crushed. 200 ,000 Warsaw

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Pact troops and 2 ,000 tanks invade Czechoslovakia

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to restore order. And where was Havel when this

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happened? He was in Liberec, a town in the north.

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And this is where he stops being just an observer,

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just a playwright. He goes to the local radio

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station. Oh, wow. Now, remember. The Soviets

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are taking over the broadcast towers. But Havel

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and his friends keep broadcasting. He's on the

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air narrating the invasion as it happens, telling

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people what's going on, urging nonviolent resistance.

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He's the voice of the resistance. Really? For

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a week, yes. But the tanks win. The hardliners

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take over. And this begins the era known as normalization.

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Normalization? Sounds so benign. It sounds terrifying.

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It means we're going to flatten everything until

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it fits. A return to total conformity. And Havel,

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he is erased. His plays are banned. He is forbidden

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from leaving the country. His passport is confiscated.

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He goes from Broadway success back to zero. He's

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a non -person? A non -person. Shut out of a cultural

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life completely. And this leads to what I think

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is the most cinematic visual of his life. The

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famous playwright, the guy who just won an Obie

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Award in New York, rolling barrels in a brewery.

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The Krakenow Brewery in Trutnoff. 1974. Why a

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brewery? I mean, why not a library or a bookstore?

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Something closer to his world. Because he needed

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a job where he could be invisible. And under

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communism, unemployment was illegal. It was called

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parasitism. If you didn't have a stamp in your

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ID card saying you were employed, you went to

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prison. Like she had to have a job, any job.

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Any job. So the intellectuals, the philosophers,

00:12:08.720 --> 00:12:11.580
the writers, they became window washers, stokers,

00:12:11.620 --> 00:12:14.340
and in Havel's case, brewery workers. But he

00:12:14.340 --> 00:12:16.840
didn't stop writing. This is where the Wannick

00:12:16.840 --> 00:12:18.600
plays come from. And I want to dig into audience

00:12:18.600 --> 00:12:21.360
because the dynamic there is just so weird. It's

00:12:21.360 --> 00:12:24.580
incredibly meta. Havel writes a play called Audience.

00:12:24.659 --> 00:12:27.600
The main character is Ferdinand Wannick. And

00:12:27.600 --> 00:12:30.039
Wannick is a playwright who has been forced to

00:12:30.039 --> 00:12:32.860
work in a brewery. Subtle. Very. And the whole

00:12:32.860 --> 00:12:35.019
play is just a conversation between Wannick and

00:12:35.019 --> 00:12:37.200
the brewmaster. Okay, so what's the setup? The

00:12:37.200 --> 00:12:39.740
brewmaster is this earthy, functional alcoholic

00:12:39.740 --> 00:12:43.480
who is terrified of the secret police. The secret

00:12:43.480 --> 00:12:45.639
police have told the brewmaster that he has to

00:12:45.639 --> 00:12:49.220
write weekly reports on Vonick. What is he saying?

00:12:49.320 --> 00:12:51.870
Who is he meeting? But the brewmaster is too

00:12:51.870 --> 00:12:54.610
drunk and uneducated to write the report. Exactly.

00:12:55.029 --> 00:12:58.110
So the brewmaster, in this moment of just pathetic

00:12:58.110 --> 00:13:01.870
desperation, asks Vonick, the dissident, if he

00:13:01.870 --> 00:13:03.809
would mind writing the secret police reports

00:13:03.809 --> 00:13:06.350
on himself. Please spy on yourself for me because

00:13:06.350 --> 00:13:08.850
I'm too tired. It's perfect. Right. It captures

00:13:08.850 --> 00:13:11.529
the moral rot of the system perfectly. It's not

00:13:11.529 --> 00:13:13.559
about hate. The brewmaster doesn't hate Vonnick.

00:13:13.639 --> 00:13:15.440
He actually likes him. He wants to drink with

00:13:15.440 --> 00:13:18.919
him. But the system forces them into this absurd

00:13:18.919 --> 00:13:21.600
betrayal. It's not about good versus evil. It's

00:13:21.600 --> 00:13:24.379
about the system making everyone complicit. Everyone

00:13:24.379 --> 00:13:27.059
is trapped in the lie. And these plays spread

00:13:27.059 --> 00:13:29.679
like wildfire. But they weren't in theaters.

00:13:29.899 --> 00:13:32.759
No. Semizdat. We need to explain this because

00:13:32.759 --> 00:13:34.740
in the age of the internet, it's hard to grasp.

00:13:35.159 --> 00:13:37.960
Imagine typing a manuscript on a typewriter with

00:13:37.960 --> 00:13:41.100
12 sheets of carbon paper. You have to hit the

00:13:41.100 --> 00:13:43.379
keys incredibly hard to make the letters show

00:13:43.379 --> 00:13:45.480
up on the bottom sheet. Click, click, click.

00:13:45.620 --> 00:13:46.919
And if you get caught with those papers, you

00:13:46.919 --> 00:13:49.220
go to jail. But people did it. They typed them,

00:13:49.340 --> 00:13:51.940
bound them, and passed them hand to hand in bags,

00:13:52.039 --> 00:13:55.860
in coats. Vonneg became a folk hero. Everyone

00:13:55.860 --> 00:13:58.080
knew who Vonneg was, even if they had never seen

00:13:58.080 --> 00:14:00.399
the play performed. So he's a celebrity of the

00:14:00.399 --> 00:14:02.519
underground. But he's not a political organizer

00:14:02.519 --> 00:14:05.379
yet. He's an artist. What turns him into the

00:14:05.379 --> 00:14:08.600
leader of a movement? Rock and roll. I love this.

00:14:08.759 --> 00:14:11.159
It wasn't a tax hike. It wasn't a border dispute.

00:14:11.399 --> 00:14:14.840
It was a psychedelic rock band. The Plastic People

00:14:14.840 --> 00:14:17.379
of the Universe. Great name. They were these

00:14:17.379 --> 00:14:20.200
long -haired, scruffy kids who loved the Velvet

00:14:20.200 --> 00:14:23.360
Underground, Frank Zappa. Their lyrics were weird,

00:14:23.500 --> 00:14:25.460
sometimes vulgar. They just wanted to play their

00:14:25.460 --> 00:14:28.500
music. But the regime arrested them in 1976.

00:14:29.240 --> 00:14:31.879
Why? Were they singing down with communism? No!

00:14:32.259 --> 00:14:34.200
That's the point. They were singing about...

00:14:34.570 --> 00:14:37.590
Nothing political. But in a totalitarian state,

00:14:37.730 --> 00:14:40.350
ignoring the state is a political act. By acting

00:14:40.350 --> 00:14:42.210
like they were free, they were challenging the

00:14:42.210 --> 00:14:45.049
state's monopoly on reality. Their crime was

00:14:45.049 --> 00:14:47.909
nonconformity. And Havel saw this trial, and

00:14:47.909 --> 00:14:49.889
something clicked for him. He sat in the courtroom,

00:14:50.169 --> 00:14:52.950
he looked at these kids, and he realized, if

00:14:52.950 --> 00:14:55.450
the system can put these boys in jail just for

00:14:55.450 --> 00:14:59.210
singing songs, then nobody is safe. He realized

00:14:59.210 --> 00:15:01.769
that the freedom to write high philosophy and

00:15:01.769 --> 00:15:04.360
the freedom to sing rock and roll are the same

00:15:04.360 --> 00:15:06.720
freedom. It's the freedom to be yourself. That

00:15:06.720 --> 00:15:10.000
is the spark for Charter 77. It is. And Charter

00:15:10.000 --> 00:15:12.360
77 changes everything. It changes the game from

00:15:12.360 --> 00:15:15.059
art to action. So let's talk about Charter 77

00:15:15.059 --> 00:15:17.539
because I think people hear Manifesto and they

00:15:17.539 --> 00:15:20.480
think it was a call for revolution, for, you

00:15:20.480 --> 00:15:23.149
know, storming the barricades. Was it? Not at

00:15:23.149 --> 00:15:25.629
all. That's the brilliance of it. Charter 77

00:15:25.629 --> 00:15:28.590
was a document signed by a loose group of dissidents,

00:15:28.629 --> 00:15:30.990
intellectuals, fired politicians, priests, artists.

00:15:31.429 --> 00:15:34.509
And all it said was, hey, government, you signed

00:15:34.509 --> 00:15:36.769
the Helsinki Accords on human rights in 1975.

00:15:37.029 --> 00:15:39.389
Which they did. We just want you to obey your

00:15:39.389 --> 00:15:41.490
own laws. That's it. Follow the laws you sign.

00:15:41.629 --> 00:15:43.649
That's it. They weren't asking for the overthrow

00:15:43.649 --> 00:15:45.870
of socialism. They were just pointing out the

00:15:45.870 --> 00:15:48.629
huge gap between the law on paper and the reality

00:15:48.629 --> 00:15:51.649
on the street. But to the regime, this was high

00:15:51.649 --> 00:15:54.529
treason. Because it exposed the lie. It exposed

00:15:54.529 --> 00:15:56.750
the fundamental hypocrisy of the whole system.

00:15:57.090 --> 00:16:00.830
And the crackdown was immediate. Brutal. Signatories

00:16:00.830 --> 00:16:03.889
were fired from their jobs, interrogated, harassed.

00:16:03.889 --> 00:16:06.409
Their kids were kicked out of school. And Howell

00:16:06.409 --> 00:16:08.870
was one of the three spokespersons for the charter.

00:16:09.029 --> 00:16:11.429
They came for him hard. And this eventually leads

00:16:11.429 --> 00:16:14.970
to his longest imprisonment. Yes. From 1979 to

00:16:14.970 --> 00:16:18.690
1983, nearly four years. Four years. That is

00:16:18.690 --> 00:16:20.950
a long time to sit in a cell, especially for

00:16:20.950 --> 00:16:23.610
a guy who, by all accounts, was a gentle soul.

00:16:23.710 --> 00:16:25.830
He wasn't a street fighter. No, he was a chain

00:16:25.830 --> 00:16:29.309
-smoking intellectual. And prison nearly broke

00:16:29.309 --> 00:16:31.809
him physically. He had hemorrhoids. He had recurring

00:16:31.809 --> 00:16:34.750
pneumonia. He was treated terribly. But mentally,

00:16:34.909 --> 00:16:38.070
mentally, he turned the prison cell into a university.

00:16:38.350 --> 00:16:41.330
This brings us to the letters to Olga. Yes. He

00:16:41.330 --> 00:16:43.110
was allowed to write one letter a week to his

00:16:43.110 --> 00:16:45.389
wife, Olga. But he couldn't write about prison

00:16:45.389 --> 00:16:47.929
conditions or they would be censored. So he couldn't

00:16:47.929 --> 00:16:50.450
say the food is terrible. I'm sick. Nothing like

00:16:50.450 --> 00:16:53.809
that. So he wrote about philosophy. He wrote

00:16:53.809 --> 00:16:57.250
about identity, responsibility. God, the human

00:16:57.250 --> 00:17:00.409
spirit. These letters, which were later published,

00:17:00.590 --> 00:17:03.070
are some of the most dense, profound, existential

00:17:03.070 --> 00:17:05.450
writings of the 20th century. It's amazing. He's

00:17:05.450 --> 00:17:07.890
sitting in a concrete box and he's exploring

00:17:07.890 --> 00:17:11.230
the cosmos of the human mind. But I want to pivot

00:17:11.230 --> 00:17:13.269
to the essay he wrote just before prison because

00:17:13.269 --> 00:17:15.630
I think this is the key to understanding everything

00:17:15.630 --> 00:17:19.849
else. The Power of the Powerless, 1978. If you

00:17:19.849 --> 00:17:22.490
read One Thing by Havel. Make it this. Absolutely.

00:17:22.690 --> 00:17:25.190
We have to unpack the central analogy here, the

00:17:25.190 --> 00:17:28.349
greengrocer, because it explains why totalitarian

00:17:28.349 --> 00:17:31.009
regimes work and maybe more importantly, how

00:17:31.009 --> 00:17:33.930
they fail. OK, so imagine a greengrocer. He manages

00:17:33.930 --> 00:17:36.210
a fruit and vegetable shop. Every morning he

00:17:36.210 --> 00:17:38.269
arranges the onions and the carrots and then

00:17:38.269 --> 00:17:40.430
he takes a sign out of a box and puts in the

00:17:40.430 --> 00:17:43.109
window. The sign says workers of the world unite.

00:17:43.369 --> 00:17:46.910
OK. Does he believe it? Is he thinking, yes,

00:17:47.130 --> 00:17:49.789
I hope the workers unite today as he puts it

00:17:49.789 --> 00:17:52.559
up? No. That's Havel's point. The greengrocer

00:17:52.559 --> 00:17:54.380
doesn't care about the workers of the world.

00:17:54.420 --> 00:17:56.259
He probably doesn't even read the sign. It's

00:17:56.259 --> 00:17:58.500
just part of the background scenery. So why does

00:17:58.500 --> 00:18:00.279
he put it up? He puts it up because that's what

00:18:00.279 --> 00:18:02.940
you do. It's expected. If he puts it up, the

00:18:02.940 --> 00:18:05.480
store manager won't yell at him. The secret police

00:18:05.480 --> 00:18:08.119
won't put him on a list. His children will be

00:18:08.119 --> 00:18:10.240
allowed to go to school. He puts it up to be

00:18:10.240 --> 00:18:12.799
left alone. It's a signal. It says, I am obedient.

00:18:13.119 --> 00:18:16.460
I am not trouble. Exactly. But Havel says that

00:18:16.460 --> 00:18:19.200
by putting up that sign, the greengrocer is living

00:18:19.200 --> 00:18:23.319
within a lie. He is confirming the system. The

00:18:23.319 --> 00:18:25.900
system relies on millions of greengrocers putting

00:18:25.900 --> 00:18:28.299
up signs they don't believe in. They create the

00:18:28.299 --> 00:18:31.259
facade that the system is popular and unanimous.

00:18:31.319 --> 00:18:34.420
So the greengrocer is the victim, but he's also

00:18:34.420 --> 00:18:36.900
the enforcer. He is holding up the very system

00:18:36.900 --> 00:18:39.519
that oppresses him. Yes. But then Havel asks

00:18:39.519 --> 00:18:43.279
the crucial question. What happens if one day

00:18:43.279 --> 00:18:46.720
the greengrocer snaps? What if he doesn't put

00:18:46.720 --> 00:18:49.180
up the sign? The system panics. The system has

00:18:49.180 --> 00:18:52.019
to punish him. Not because the sign itself matters,

00:18:52.079 --> 00:18:55.119
but because if one greengrocer refuses to lie,

00:18:55.279 --> 00:18:58.000
he shows everyone else that it's possible. He

00:18:58.000 --> 00:19:00.440
reveals that the emperor is naked. He breaks

00:19:00.440 --> 00:19:02.559
the spell. He breaks the spell. He threatens

00:19:02.559 --> 00:19:05.539
the entire structure of the appearance of agreement.

00:19:06.079 --> 00:19:09.240
And that is living in truth. Yes. It's not about

00:19:09.240 --> 00:19:11.700
storming the palace with a gun. It's about simply

00:19:11.700 --> 00:19:14.380
refusing to participate in the lie, refusing

00:19:14.380 --> 00:19:17.259
to vote in the rigged election, refusing to sign

00:19:17.259 --> 00:19:19.519
the loyalty pledge, saying what you actually

00:19:19.519 --> 00:19:22.460
think, even in a small way. It sounds so simple,

00:19:22.539 --> 00:19:25.519
but the consequences are huge. The green grocer

00:19:25.519 --> 00:19:27.819
will lose his job. He won't go on that vacation.

00:19:28.140 --> 00:19:30.500
His kids might have trouble. Exactly. It's a

00:19:30.500 --> 00:19:33.559
huge personal risk. But Havel argues that this

00:19:33.559 --> 00:19:35.980
power of the powerless is the only thing that

00:19:35.980 --> 00:19:37.640
can actually destroy the system from within.

00:19:37.839 --> 00:19:40.759
And he was right, because eventually the cost

00:19:40.759 --> 00:19:43.200
of enforcing the lie becomes too high for the

00:19:43.200 --> 00:19:45.660
regime. So while Havel is in prison thinking

00:19:45.660 --> 00:19:48.700
about greengrocers, his fame is growing internationally.

00:19:49.099 --> 00:19:51.980
And Samuel Beckett, the actual king of absurdism,

00:19:52.000 --> 00:19:55.140
gets involved. That was a huge moment. In 1982,

00:19:55.559 --> 00:19:57.839
Beckett writes a short play called Catastrophe.

00:19:58.319 --> 00:20:00.500
It's about a protagonist who stands silent on

00:20:00.500 --> 00:20:03.660
a pedestal while a director molds him, abuses

00:20:03.660 --> 00:20:06.900
him. And Beckett dedicated it to Havel. Wow.

00:20:07.200 --> 00:20:09.819
It was a message from the free world. We see

00:20:09.819 --> 00:20:12.880
you. We haven't forgotten. Fast forward to 1989,

00:20:13.319 --> 00:20:15.880
the year the world turned upside down. The Berlin

00:20:15.880 --> 00:20:19.099
Wall falls. Regimes are crumbling across Eastern

00:20:19.099 --> 00:20:21.799
Europe. What is happening in Prague? November

00:20:21.799 --> 00:20:25.660
17th, 1989. A student demonstration is brutally

00:20:25.660 --> 00:20:28.289
suppressed by riot police. This is the spark.

00:20:28.470 --> 00:20:30.309
People are tired of being the greengrocer. They

00:20:30.309 --> 00:20:32.490
start coming out into the streets. First thousands,

00:20:32.549 --> 00:20:35.049
then hundreds of thousands. And they gather on

00:20:35.049 --> 00:20:37.190
Wenceslas Square. Right in front of the Lucerna

00:20:37.190 --> 00:20:39.730
Palace his grandfather built. The symbolism is

00:20:39.730 --> 00:20:41.869
just incredible. The square is packed with people

00:20:41.869 --> 00:20:44.430
jingling their keys. Jingling keys. What was

00:20:44.430 --> 00:20:46.490
that about? It was a symbol. It meant goodbye,

00:20:46.609 --> 00:20:49.690
boys. Time to go home. It was the sound of the

00:20:49.690 --> 00:20:52.410
final bell ringing on the regime. A beautifully

00:20:52.410 --> 00:20:54.930
nonviolent sound. And Havel is right in the eye

00:20:54.930 --> 00:20:57.450
of the storm. He's just been released from another

00:20:57.450 --> 00:21:00.390
shorter prison term. He helps found the Civic

00:21:00.390 --> 00:21:03.849
Forum. It's a chaotic mix of everyone who hates

00:21:03.849 --> 00:21:06.769
the communists. They are meeting in theater basements,

00:21:06.769 --> 00:21:09.910
in smoke -filled rooms, negotiating the transfer

00:21:09.910 --> 00:21:12.269
of power with a government that is just dissolving

00:21:12.269 --> 00:21:14.890
in front of their eyes. And then on December

00:21:14.890 --> 00:21:18.970
29th, 1989, we get the moment that I still struggle

00:21:18.970 --> 00:21:22.049
to wrap my head around. The Federal Assembly

00:21:22.049 --> 00:21:25.029
needs to vote for a new president. Now, who is

00:21:25.029 --> 00:21:26.829
sitting in this assembly? This is the best part.

00:21:26.970 --> 00:21:29.430
The assembly is still 100 franc controlled by

00:21:29.430 --> 00:21:31.750
the Communist Party. These are the same people

00:21:31.750 --> 00:21:34.190
who banned Hubble's plays, who sent him to prison,

00:21:34.309 --> 00:21:36.710
who called him a class enemy his entire life.

00:21:36.890 --> 00:21:40.150
And they vote for Vaclav Havel. Unanimously.

00:21:40.490 --> 00:21:42.210
That is, I mean, talk about absurdist theater.

00:21:42.309 --> 00:21:44.369
That is the plot of one of his plays. He couldn't

00:21:44.369 --> 00:21:46.710
have written it better. It is the ultimate Havelian

00:21:46.710 --> 00:21:49.109
irony. The pressure from the hundreds of thousands

00:21:49.109 --> 00:21:51.269
of people in the streets was so intense, the

00:21:51.269 --> 00:21:53.549
collapse was so total, that the communists voted

00:21:53.549 --> 00:21:56.369
for their own executioner just to try and save

00:21:56.369 --> 00:21:58.710
their own skins. They raised their hands for

00:21:58.710 --> 00:22:01.349
the man they had persecuted for 20 years. And

00:22:01.349 --> 00:22:03.470
Havel, the man who just wanted to write plays,

00:22:03.630 --> 00:22:06.089
becomes the president. The reluctant president.

00:22:06.349 --> 00:22:08.450
He absolutely was. He kept insisting he didn't

00:22:08.450 --> 00:22:10.589
want the job. He said, I'll do it for six months

00:22:10.589 --> 00:22:13.779
until we have free elections. He wore pants that

00:22:13.779 --> 00:22:16.640
were too short for him to his inauguration. Intentionally

00:22:16.640 --> 00:22:18.900
or not, it became a symbol. He wasn't a slick

00:22:18.900 --> 00:22:22.359
politician. He's just a guy. But the guy is now

00:22:22.359 --> 00:22:25.240
in the Prague Castle. And reality hits hard.

00:22:25.500 --> 00:22:29.259
The party is over and the hangover begins. Because

00:22:29.259 --> 00:22:32.059
governing is not the same as dissenting. Governing

00:22:32.059 --> 00:22:35.289
in reality. That's the hard part. It's easy to

00:22:35.289 --> 00:22:37.650
be morally pure when you have no power. When

00:22:37.650 --> 00:22:39.390
you have power, you have to compromise. You have

00:22:39.390 --> 00:22:41.750
to make choices that affect millions of people.

00:22:41.910 --> 00:22:44.089
One of the first major crises is the breakup

00:22:44.089 --> 00:22:48.069
of the country. The Velvet Divorce. Yes. Czechoslovakia

00:22:48.069 --> 00:22:50.690
was a federation of two peoples, the Czechs and

00:22:50.690 --> 00:22:53.589
the Slovaks. But once the heavy hand of Moscow

00:22:53.589 --> 00:22:56.269
was lifted, the Slovaks wanted more autonomy.

00:22:57.109 --> 00:22:59.609
Nationalism bubbled up. Havel fought this, right?

00:22:59.809 --> 00:23:02.539
He didn't want the country to split. He hated

00:23:02.539 --> 00:23:05.299
the idea. He believed in a multi -ethnic federal

00:23:05.299 --> 00:23:08.640
state. He campaigned for it. But the political

00:23:08.640 --> 00:23:11.579
momentum driven by Václav Klaus in the Czech

00:23:11.579 --> 00:23:15.299
lands and Vladimir Maitcher in Slovakia was unstoppable.

00:23:15.680 --> 00:23:17.980
They wanted to split the assets and go their

00:23:17.980 --> 00:23:20.380
separate ways. So what did Havel do when he saw

00:23:20.380 --> 00:23:23.460
he couldn't stop it? He resigned. In July 1992,

00:23:23.900 --> 00:23:25.660
when it became clear the split was happening,

00:23:25.839 --> 00:23:28.140
he stepped down. He said he would not preside

00:23:28.140 --> 00:23:30.299
over the death of the country he swore to protect.

00:23:30.480 --> 00:23:32.380
That's a principled move. He walked away. He

00:23:32.380 --> 00:23:35.799
did. But he came back. Czechoslovakia ended on

00:23:35.799 --> 00:23:40.380
December 31st, 1992. And in January 1993, the

00:23:40.380 --> 00:23:42.319
new Czech Republic was born. And they needed

00:23:42.319 --> 00:23:44.559
a president. So Havel ran again, and he won.

00:23:45.069 --> 00:23:46.890
He became the first president of the Czech Republic.

00:23:47.109 --> 00:23:48.829
So he survived the breakup. But let's talk about

00:23:48.829 --> 00:23:51.089
the policies, because the sources show he made

00:23:51.089 --> 00:23:52.990
some decisions that really angered people. The

00:23:52.990 --> 00:23:55.329
great amnesty, for example. This was huge. And

00:23:55.329 --> 00:23:57.369
it happened right after the revolution in 1990,

00:23:57.670 --> 00:24:00.109
one of his first acts. He declared a massive

00:24:00.109 --> 00:24:02.490
amnesty. He released about two thirds of the

00:24:02.490 --> 00:24:05.529
prison population. Two thirds. That's thousands

00:24:05.529 --> 00:24:07.210
of people. Why? What was the thinking there?

00:24:07.349 --> 00:24:10.950
His logic was moral. It was pure Havel. He argued

00:24:10.950 --> 00:24:13.670
that the communist courts were corrupt and illegitimate.

00:24:14.370 --> 00:24:16.490
Therefore, the verdicts they handed out were

00:24:16.490 --> 00:24:20.009
suspect. He also said the prison conditions were

00:24:20.009 --> 00:24:23.029
inhumane. He wanted to signal that the new state

00:24:23.029 --> 00:24:26.529
was built on mercy, not vengeance. A clean slate?

00:24:26.809 --> 00:24:29.490
A very clean slate. But I assume the public didn't

00:24:29.490 --> 00:24:31.450
love having thousands of convicts back on the

00:24:31.450 --> 00:24:34.190
streets overnight. They hated it. The sources

00:24:34.190 --> 00:24:36.210
mentioned that crime rates tripled in the years

00:24:36.210 --> 00:24:39.349
following 1989. Now, some of that was just the

00:24:39.349 --> 00:24:41.710
chaos of opening the borders and economic transition.

00:24:42.069 --> 00:24:44.589
But the amnesty was blamed for a lot of it. Were

00:24:44.589 --> 00:24:47.549
there specific cases? Oh, yes. There were high

00:24:47.549 --> 00:24:50.029
profile cases where released prisoners committed

00:24:50.029 --> 00:24:52.750
murders or rapes shortly after getting out. Yeah.

00:24:52.829 --> 00:24:54.650
And the press was all over it. That must have

00:24:54.650 --> 00:24:57.009
been heavy for him, knowing that his act of living

00:24:57.009 --> 00:24:59.589
in truth and mercy resulted in innocent people

00:24:59.589 --> 00:25:02.109
getting hurt. It was a brutal lesson in consequences,

00:25:02.490 --> 00:25:05.190
a moral idea colliding with a messy reality.

00:25:05.789 --> 00:25:08.390
But he stuck to his guns. He believed it was

00:25:08.390 --> 00:25:10.289
the right thing to do, even if it was unpopular.

00:25:10.490 --> 00:25:12.589
Another controversy was the Sudeten Germans.

00:25:12.849 --> 00:25:16.470
This is a deep historical wound. Right. So after

00:25:16.470 --> 00:25:21.190
WWII, Czechoslovakia expelled millions of ethnic

00:25:21.190 --> 00:25:23.289
Germans as punishment for the Nazi occupation.

00:25:24.049 --> 00:25:27.190
It was a violent, ugly process. People lost their

00:25:27.190 --> 00:25:30.049
homes, their lives. For decades, the official

00:25:30.049 --> 00:25:32.849
check line was they deserved it. And Havel apologized.

00:25:33.269 --> 00:25:36.829
He did. He called the expulsion immoral. He said

00:25:36.829 --> 00:25:38.950
collective guilt is wrong. I can imagine that

00:25:38.950 --> 00:25:40.990
didn't play well at home. People probably called

00:25:40.990 --> 00:25:43.349
him a traitor. They did. It was political dynamite.

00:25:43.349 --> 00:25:45.990
It's still a sensitive topic today. But internationally,

00:25:46.369 --> 00:25:49.690
it was viewed as incredibly brave. It showed

00:25:49.690 --> 00:25:51.609
that the Czech Republic was mature enough to

00:25:51.609 --> 00:25:54.430
face its own dark history. It smoothed the path

00:25:54.430 --> 00:25:56.569
for relations with Germany, which was crucial.

00:25:56.829 --> 00:25:59.390
Seems like he often chose the moral path over

00:25:59.390 --> 00:26:01.390
the political path. But then we get to foreign

00:26:01.390 --> 00:26:04.039
policy and he becomes surprisingly hawkish. This

00:26:04.039 --> 00:26:06.759
surprises a lot of people. Havel was a pacifist

00:26:06.759 --> 00:26:09.700
at heart. In 1989, he wanted to dissolve both

00:26:09.700 --> 00:26:12.400
the Warsaw Pact and NATO. He wanted a Europe

00:26:12.400 --> 00:26:14.500
without blocks. But he ended up being the guy

00:26:14.500 --> 00:26:16.960
pushing hardest for NATO expansion to the east.

00:26:17.140 --> 00:26:19.559
He learned fast. He looked at the chaos in the

00:26:19.559 --> 00:26:22.400
Balkans, the instability in Russia, and he realized

00:26:22.400 --> 00:26:27.259
we need security. He pivoted completely. He became

00:26:27.259 --> 00:26:29.259
the biggest cheerleader for bringing the Czech

00:26:29.259 --> 00:26:32.220
Republic, Poland, and Hungary into NATO. And

00:26:32.220 --> 00:26:35.059
he considered the end of the Warsaw Pact his

00:26:35.059 --> 00:26:37.319
biggest achievement. He said that specifically,

00:26:37.640 --> 00:26:40.400
dismantling the Soviet military alliance that

00:26:40.400 --> 00:26:43.000
had occupied his country for decades. That was

00:26:43.000 --> 00:26:45.980
the closure of 1968. That was personal. But then,

00:26:46.119 --> 00:26:50.039
the Iraq War. 2003. This is a stain for a lot

00:26:50.039 --> 00:26:52.420
of his fans. It is. Just before leaving office,

00:26:52.599 --> 00:26:55.140
he signed the Letter of the Eight. It was a statement

00:26:55.140 --> 00:26:57.400
from several European leaders supporting the

00:26:57.400 --> 00:26:59.799
U .S. position on Iraq, supporting the invasion.

00:27:00.119 --> 00:27:02.869
Why? Why would the man of peace support a war

00:27:02.869 --> 00:27:05.789
that so many Europeans opposed? Two reasons based

00:27:05.789 --> 00:27:08.109
on the sources. One, he valued the alliance with

00:27:08.109 --> 00:27:10.529
America deeply. He never forgot that the U .S.

00:27:10.529 --> 00:27:12.250
stood against the Soviets. He felt a sense of

00:27:12.250 --> 00:27:15.069
loyalty. And two, he had a visceral hatred of

00:27:15.069 --> 00:27:17.529
dictators. He looked at Saddam Hussein and saw

00:27:17.529 --> 00:27:19.630
a totalitarian monster just like the ones he'd

00:27:19.630 --> 00:27:21.690
fought his whole life. He thought removing him

00:27:21.690 --> 00:27:24.490
was a moral imperative. It's complicated. And

00:27:24.490 --> 00:27:25.970
then there's the humanitarian bombing, quote,

00:27:26.130 --> 00:27:29.569
regarding Yugoslavia. That is a famous and very

00:27:29.569 --> 00:27:32.369
bitter controversy. During the NATO intervention

00:27:32.369 --> 00:27:36.490
in Kosovo in 1999, critics claimed Havel used

00:27:36.490 --> 00:27:39.049
the term humanitarian bombing to justify the

00:27:39.049 --> 00:27:42.789
airstrikes. Havel vehemently denied ever using

00:27:42.789 --> 00:27:45.009
those two words together. He called it a lie,

00:27:45.150 --> 00:27:47.789
a piece of propaganda spread by his opponents.

00:27:48.089 --> 00:27:50.769
But his critics, especially on the far left,

00:27:50.990 --> 00:27:54.849
used it to paint him as a hypocrite, a warmonger

00:27:54.849 --> 00:27:57.089
in philosopher's clothing. It just goes to show

00:27:57.089 --> 00:27:58.609
that when you step out of the world of essays

00:27:58.609 --> 00:28:00.890
and into the world of cruise missiles, moral

00:28:00.890 --> 00:28:03.269
purity gets very muddy very fast. Absolutely.

00:28:03.430 --> 00:28:06.089
Governing in reality is a messy business. Let's

00:28:06.089 --> 00:28:08.450
pivot to the man himself. Yeah. Because while

00:28:08.450 --> 00:28:11.069
he's dealing with NATO and amnesties, his personal

00:28:11.069 --> 00:28:14.250
life is chaotic. To say the least. First, there

00:28:14.250 --> 00:28:16.009
was his health. The man was a chimney. He lived

00:28:16.009 --> 00:28:18.049
in a cloud of smoke for decades. And it caught

00:28:18.049 --> 00:28:20.440
up with him. Big time. He was diagnosed with

00:28:20.440 --> 00:28:23.359
lung cancer in 1996. He had half a lung removed.

00:28:23.660 --> 00:28:26.720
Then in 1998, he nearly died from a ruptured

00:28:26.720 --> 00:28:29.480
colon while on vacation in Austria. He spent

00:28:29.480 --> 00:28:31.819
a significant part of his presidency in and out

00:28:31.819 --> 00:28:35.299
of hospitals. He was frail. And amidst all this,

00:28:35.519 --> 00:28:38.299
tragedy struck his family. His wife Olga passed

00:28:38.299 --> 00:28:42.059
away from cancer in January 1996. Olga was his

00:28:42.059 --> 00:28:44.359
anchor. She was the one who kept him grounded.

00:28:44.599 --> 00:28:47.400
She was a formidable dissident in her own right.

00:28:47.819 --> 00:28:51.039
Tough, no nonsense. When she died, the nation

00:28:51.039 --> 00:28:53.380
mourned her deeply. She was revered. And then

00:28:53.380 --> 00:28:56.640
rather quickly, he remarried. Yes, in 1997 to

00:28:56.640 --> 00:29:00.019
Dagmar Viskrava, a popular comedic actress. That

00:29:00.019 --> 00:29:01.359
must have been a bit of a shock for the public.

00:29:01.680 --> 00:29:04.039
It was a massive culture shock. Olga was this

00:29:04.039 --> 00:29:07.859
saintly, stoic figure. Dagmar was colorful, flamboyant,

00:29:07.859 --> 00:29:10.759
a celebrity. The tabloids went crazy. A lot of

00:29:10.759 --> 00:29:12.740
people felt he had moved on too fast, that it

00:29:12.740 --> 00:29:15.180
was disrespectful to Olga's memory. It damaged

00:29:15.180 --> 00:29:17.880
his popularity for a while. And speaking of damage,

00:29:18.000 --> 00:29:19.880
we have to talk about the Lucerna Palace scandal.

00:29:20.059 --> 00:29:21.980
This feels like a plot point from a soap opera,

00:29:22.079 --> 00:29:24.859
but it's real. It's a messy family business saga.

00:29:25.559 --> 00:29:28.960
Remember, the Lucerna was restituted, given back

00:29:28.960 --> 00:29:31.650
to the Havel family after the revolution. Havel

00:29:31.650 --> 00:29:33.630
owned half, and his brother's wife owned the

00:29:33.630 --> 00:29:35.430
other half. But they couldn't get along. It was

00:29:35.430 --> 00:29:38.789
a bitter public dispute. To resolve it, Havel

00:29:38.789 --> 00:29:41.930
sold his 50 % stake. But he sold it to a man

00:29:41.930 --> 00:29:44.710
named Vaclav Junik, the head of a company called

00:29:44.710 --> 00:29:47.569
Shemapol. And who was Junik? That's the problem.

00:29:47.890 --> 00:29:50.390
Junik was a former communist spy and a businessman

00:29:50.390 --> 00:29:54.289
with a very shady reputation. Ouch. So the moral

00:29:54.289 --> 00:29:56.410
leader of the nation, the man who preached living

00:29:56.410 --> 00:29:59.470
in truth, sells his family heritage to a former

00:29:59.470 --> 00:30:02.269
communist spy. It looked terrible. It was a moment

00:30:02.269 --> 00:30:04.589
where the practical reality of needing to settle

00:30:04.589 --> 00:30:07.430
a messy property dispute collided violently with

00:30:07.430 --> 00:30:09.789
his moral image. It didn't destroy him, but it

00:30:09.789 --> 00:30:12.329
certainly humanized him in a flawed way. It showed

00:30:12.329 --> 00:30:14.910
he could make bad calls. But despite the scandals,

00:30:14.910 --> 00:30:18.390
the health scares, the messy politics, he remained

00:30:18.390 --> 00:30:20.890
this massive cultural icon. He wasn't just a

00:30:20.890 --> 00:30:23.740
politician. He was... the cool president. He

00:30:23.740 --> 00:30:26.500
brought a bohemian vibe to the Broadcastle. He

00:30:26.500 --> 00:30:28.740
hated the pomp and circumstance. I heard he used

00:30:28.740 --> 00:30:30.680
to ride a scooter through the ancient hallways.

00:30:30.900 --> 00:30:33.619
I love that image. He also hosted Frank Zappa

00:30:33.619 --> 00:30:35.720
as a cultural ambassador. He was friends with

00:30:35.720 --> 00:30:38.000
Lou Reed. And that famous moment with Bill Clinton.

00:30:38.160 --> 00:30:42.819
The Reduda Jazz Club in Prague, 1994. Havel takes

00:30:42.819 --> 00:30:45.460
Clinton there. Clinton borrows a saxophone and

00:30:45.460 --> 00:30:48.119
plays Summertime. It was the defining image of

00:30:48.119 --> 00:30:51.440
the 90s era of optimism. the U .S. president

00:30:51.440 --> 00:30:53.539
and the playwright president jamming in a jazz

00:30:53.539 --> 00:30:56.119
club. It signaled to the world the Cold War is

00:30:56.119 --> 00:31:00.039
over. We are free. We are cool. And he also established

00:31:00.039 --> 00:31:03.359
the Forum 2000 conference. Yes, starting in 1997.

00:31:03.819 --> 00:31:06.660
He wanted a space to discuss the really big questions,

00:31:06.859 --> 00:31:09.980
civilization, religion, human rights. He brought

00:31:09.980 --> 00:31:11.980
together Nobel laureates, religious leaders,

00:31:12.160 --> 00:31:14.759
thinkers from all over the world. It showed that

00:31:14.759 --> 00:31:16.900
he never stopped being an intellectual at heart.

00:31:17.000 --> 00:31:18.859
He wanted to solve the world's problems through

00:31:18.859 --> 00:31:21.720
dialogue, not just legislation. So his presidency

00:31:21.720 --> 00:31:26.180
ends in 2003. Vaclav Klaus takes over his political

00:31:26.180 --> 00:31:28.789
arch rival, by the way. What does Havel do? Does

00:31:28.789 --> 00:31:31.170
he retire to a golf course? No, Havel didn't

00:31:31.170 --> 00:31:33.069
golf. He goes back to his roots. He goes back

00:31:33.069 --> 00:31:35.710
to the theater. The final act. Literally. He

00:31:35.710 --> 00:31:38.190
writes a new play called Leaving Ochazany, published

00:31:38.190 --> 00:31:41.549
in 2007. And what is it about? It is about a

00:31:41.549 --> 00:31:44.789
chancellor who is leaving power and has to move

00:31:44.789 --> 00:31:48.400
out of the government villa. Laughs. I sense

00:31:48.400 --> 00:31:51.059
a theme here. It's painfully autobiographical,

00:31:51.240 --> 00:31:54.039
but mixed with King Lear and Chekhov's The Cherry

00:31:54.039 --> 00:31:57.359
Orchard. It explores the loss of influence, the

00:31:57.359 --> 00:31:59.559
sycophants who disappear when you lose power,

00:31:59.839 --> 00:32:03.299
the emptiness of stepping down. It was art imitating

00:32:03.299 --> 00:32:06.160
life, imitating art. And he even directed the

00:32:06.440 --> 00:32:09.420
film version of it. He did in 2011. Even in his

00:32:09.420 --> 00:32:12.099
70s, with failing health, he was still creating.

00:32:12.400 --> 00:32:14.900
There is also a mention of a hunger strike in

00:32:14.900 --> 00:32:17.839
2007. This really stood out to me. He's an ex

00:32:17.839 --> 00:32:20.099
-president, an elder statesman, and he goes on

00:32:20.099 --> 00:32:22.240
a hunger strike. It was in support of a Kurdish

00:32:22.240 --> 00:32:25.380
doctor and activist named Yekta Uzunoglu, who

00:32:25.380 --> 00:32:27.640
was facing a protracted legal battle in the Czech

00:32:27.640 --> 00:32:30.519
Republic. Havel felt it was a grave injustice.

00:32:30.779 --> 00:32:33.400
So yes, the former head of state went on a symbolic

00:32:33.400 --> 00:32:35.640
hunger strike. That's incredible. It's unprecedented.

00:32:35.940 --> 00:32:38.059
It showed that the dissident inside him never

00:32:38.059 --> 00:32:40.220
really retired. He couldn't just watch an injustice

00:32:40.220 --> 00:32:42.640
happen even if he was old and frail. And he was

00:32:42.640 --> 00:32:45.599
getting frail. Yes. His respiratory problems

00:32:45.599 --> 00:32:49.140
were severe. But he kept working. A week before

00:32:49.140 --> 00:32:52.319
he died in December 2011, he met with the Dalai

00:32:52.319 --> 00:32:54.960
Lama in Prague. The source mentions he was in

00:32:54.960 --> 00:32:57.279
a wheelchair for that meeting. He was, but the

00:32:57.279 --> 00:32:59.759
photo of that meeting is powerful. Two spiritual

00:32:59.759 --> 00:33:02.240
giants, both of whom led their people through

00:33:02.240 --> 00:33:04.940
moral resistance, sharing a final moment. And

00:33:04.940 --> 00:33:08.299
then, on December 18, 2011, he passed away at

00:33:08.299 --> 00:33:10.980
his country home, Produsk. Rochek is important.

00:33:11.180 --> 00:33:13.559
That was his sanctuary. It was a cottage in the

00:33:13.559 --> 00:33:16.000
woods. It was where he held underground concerts,

00:33:16.099 --> 00:33:17.819
where he wrote his plays, where the dissidents

00:33:17.819 --> 00:33:20.059
met during the bad years when the police were

00:33:20.059 --> 00:33:22.839
parked outside. It was fitting he died there.

00:33:23.160 --> 00:33:26.480
The reaction was massive. A state funeral. A

00:33:26.480 --> 00:33:29.940
21 -gun salute. And in true Havel fashion, a

00:33:29.940 --> 00:33:33.500
rock tribute concert at the Lucerna. At his grandfather's

00:33:33.500 --> 00:33:35.980
palace. It was the perfect send -off. The pomp

00:33:35.980 --> 00:33:38.000
of the state and the spirit of the underground

00:33:38.000 --> 00:33:40.440
all coming together in one place. And today,

00:33:40.599 --> 00:33:43.720
his name is everywhere. The airport. The Prague

00:33:43.720 --> 00:33:47.200
airport was renamed Václav Havel Airport Prague.

00:33:47.950 --> 00:33:50.210
That was actually a petition started by a film

00:33:50.210 --> 00:33:53.609
director, Fero Fenich. It got over 80 ,000 signatures

00:33:53.609 --> 00:33:55.789
in a week. And there are the benches. I love

00:33:55.789 --> 00:33:57.789
the Howell's Place memorials. They are beautiful

00:33:57.789 --> 00:34:01.210
designs by Busek Shipik. Two garden chairs facing

00:34:01.210 --> 00:34:03.490
each other across a round table with a linden

00:34:03.490 --> 00:34:05.869
tree, a Czech national tree growing through the

00:34:05.869 --> 00:34:07.930
center of the table. It's an invitation to talk.

00:34:08.110 --> 00:34:10.610
Exactly. It's not a statue of him on a horse

00:34:10.610 --> 00:34:13.170
looking heroic with a sword. It's an empty chair

00:34:13.170 --> 00:34:15.010
waiting for you to sit down and have a conversation.

00:34:15.369 --> 00:34:18.329
That encapsulates his legacy perfectly. Dialogue,

00:34:18.329 --> 00:34:20.710
connection, living in truth. You can find these

00:34:20.710 --> 00:34:23.349
benches in Washington, D .C., Dublin, Barcelona.

00:34:24.429 --> 00:34:26.610
It's a global network of conversation spots.

00:34:26.929 --> 00:34:29.050
So let's bring this all together. We have walked

00:34:29.050 --> 00:34:31.530
through the life of a boy born into privilege,

00:34:31.710 --> 00:34:34.369
cast down to the brewery floor, raised up by

00:34:34.369 --> 00:34:36.789
his own pen to the presidency, and who left us

00:34:36.789 --> 00:34:39.289
as a legend. But what does this all mean for

00:34:39.289 --> 00:34:42.110
us? Why should the listener, sitting in traffic

00:34:42.110 --> 00:34:44.289
or doing dishes right now, care about a Czech

00:34:44.289 --> 00:34:46.489
playwright from the 80s? I think it comes back

00:34:46.489 --> 00:34:49.079
to that concept of living in truth. We live in

00:34:49.079 --> 00:34:52.559
an era that feels very different from 1970s Czechoslovakia.

00:34:52.619 --> 00:34:55.139
But in some ways, the challenges are similar.

00:34:55.280 --> 00:34:58.539
We are bombarded with information disinformation.

00:34:59.420 --> 00:35:02.639
Pressure to conform, pressure to just go along

00:35:02.639 --> 00:35:05.400
with things we know aren't quite right. The greengrocer's

00:35:05.400 --> 00:35:08.039
sign. Exactly. We all have our versions of the

00:35:08.039 --> 00:35:09.800
greengrocer's sign. Maybe it's not a communist

00:35:09.800 --> 00:35:12.519
slogan. Maybe it's performative behavior on social

00:35:12.519 --> 00:35:14.960
media. Maybe it's silence in the face of corporate

00:35:14.960 --> 00:35:17.940
malpractice at your job. Maybe it's just cynicism,

00:35:18.000 --> 00:35:20.139
you know, saying nothing matters. Havel teaches

00:35:20.139 --> 00:35:22.639
us that the antidote to a powerless situation

00:35:22.639 --> 00:35:26.119
isn't necessarily a grand revolution. It's the

00:35:26.119 --> 00:35:29.480
small daily act of refusing to lie. The power

00:35:29.480 --> 00:35:32.219
of the powerless. It's the idea that your integrity

00:35:32.219 --> 00:35:34.199
matters even when you think you are insignificant,

00:35:34.599 --> 00:35:37.320
even when you are just rolling barrels in a brewery.

00:35:37.340 --> 00:35:39.239
And that politics doesn't have to be just about

00:35:39.239 --> 00:35:42.099
power and transaction. Havel believed politics

00:35:42.099 --> 00:35:44.480
should be moral. He believed that conscience

00:35:44.480 --> 00:35:47.440
should drive policy. Now, did he always succeed?

00:35:47.699 --> 00:35:50.880
No. We discussed his failures, the amnesty, the

00:35:50.880 --> 00:35:53.309
property deals. He wasn't a saint. But he tried.

00:35:53.469 --> 00:35:55.610
He brought a human soul into the machinery of

00:35:55.610 --> 00:35:57.349
the state. He proved that you don't have to be

00:35:57.349 --> 00:36:00.110
a shark to be a leader. Which leads to the provocative

00:36:00.110 --> 00:36:02.449
thought I want to leave everyone with. You look

00:36:02.449 --> 00:36:06.130
at Havel, a chain -smoking philosopher, absurdist

00:36:06.130 --> 00:36:09.469
playwright, a man who apologized for his country's

00:36:09.469 --> 00:36:12.590
history, a man who admitted his doubts openly.

00:36:13.190 --> 00:36:16.300
Could someone like that be elected today? That

00:36:16.300 --> 00:36:18.840
is the big question. In our current world of

00:36:18.840 --> 00:36:21.739
hyper -pragmatism, soundbites, big data, and

00:36:21.739 --> 00:36:24.519
polished image consultants, Havel seems like

00:36:24.519 --> 00:36:27.599
a glitch in the matrix. Was he a historical accident

00:36:27.599 --> 00:36:30.400
that can never be repeated? Or is he a model

00:36:30.400 --> 00:36:32.840
that we have forgotten how to look for? A historical

00:36:32.840 --> 00:36:35.639
accident or a blueprint for the future. That

00:36:35.639 --> 00:36:38.260
is something to chew on. Indeed. Thank you for

00:36:38.260 --> 00:36:40.139
listening to this deep dive into the incredible

00:36:40.139 --> 00:36:42.840
life of Václav Havel. Go find a bench, sit down

00:36:42.840 --> 00:36:44.940
with a friend, and tell the truth. We'll see

00:36:44.940 --> 00:36:45.360
you next time.
