WEBVTT

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Welcome back to the Deep Dive. We have a stack

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of sources today that is thick enough to stop

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a door and honestly the contents are volatile

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enough to blow the door right off its hinges.

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It's a good way to put it. We are tackling a

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subject that everyone, and I mean absolutely

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everyone, has an opinion on. But the thing is,

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usually those opinions are based on headlines,

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tweets, or just pure vibes. Right. Not on the

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documentation. Exactly. Today, we are looking

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at the actual documentation. We are talking about

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Meghan, Duchess of Sussex. And, you know, it

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is the ultimate modern case study. I mean, if

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you really look at the source material we have

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in front of us, the biographies, the financial

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filings, the court transcripts, it really stops

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being a story about a princess. It starts being

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a story about brand management, about cultural

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collision, and really about survival. Survival.

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That's a strong word, but I think it's accurate.

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And before we dive in, we really need to set

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the scene because the context here is everything.

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It's critical. Today is January 24th, 2026. And

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the reason we are pulling this particular file

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right now is because the narrative has just,

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well, it's shifted on its axis again. It has

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massively. If you thought the story ended with

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Oprah or the Netflix documentary or even the

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book spare, you were just, you were wrong. The

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story keeps evolving. It does. And the sources

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we're looking at, they bring us right up to this

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very month, and what they paint is a picture

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of a very, very different strategic phase for

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the Sussexes. Okay, so let's look at the recent

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breaking news section of our notes first, because

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this, I think, is the hook. It's the perfect

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entry point. As of late 2025, Meghan Markle has

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officially returned to acting. She was cast in

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a project called Close Personal Friends. This

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is her first scripted role in eight years. Eight

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years, which is a lifetime in Hollywood. And

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it is a massive development. I mean, for nearly

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a decade, the whole narrative was that she had

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sort of ascended beyond Hollywood. She was a

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royal. Then she was a philanthropist, a producer,

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a global advocate. So for her to go back to being

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a working actress, that signals something huge.

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What do you think it signals? It signals that

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the royal chapter, at least in its previous form,

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is truly closed. And the Hollywood chapter is

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being fully and very deliberately reopened. And

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there's another detail from this month, January

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2026, that I think is maybe even more telling.

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Okay. The Sussexes have rehired Sunshine Sacks.

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Which is just... It's fascinating. For those

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who don't follow the inside baseball of PR, Sunshine

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Sacks is the crisis firm Meghan used before the

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royal wedding. Right. Before everything exploded.

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They're the heavy hitters. They are who you call

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when you want to be a celebrity superstar, a

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major player in Hollywood. They're not who you

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call when you want to be a, you know, a discreet

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member of the British aristocracy. So bringing

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them back now feels like a full circle moment.

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A very intentional one. It's like they're saying,

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OK, that detour. is interesting, but we're back

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on the original flight path. It feels like they're

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getting the old band back together. It's a rebrand

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that is actually a return to basics. That's a

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perfect way to phrase it. So our mission today

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is to move past the polarization. We are not

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here to pick a side. We are here to really understand

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the arc of this life, how a mixed race girl from

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L .A. became a British royal and then pivoted

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to build this modern media and lifestyle empire.

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And to really understand that arc, you cannot

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start at Windsor Castle. You can't even start

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in Toronto on the set of Suits. You have to start

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in Canoga Park, Los Angeles. Let's go there.

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Section one, the origin story, because the sources

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here. They really dismantle this idea that she

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was just some, you know, generic actress who

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got lucky. There is a lot of grit in these early

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years. There is a tremendous amount. She was

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born Rachel Megan Markle in 1981. And her family

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dynamic was, well, it was complex from day one.

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Her parents, Doria Ragland and Thomas Markle

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Sr., they divorced when she was six. Right. And

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you have these two very different influences.

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You have Doria, a yoga instructor and makeup

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artist who is African -American. And then you

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have Thomas, a lighting director for television

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who is. And that lighting director detail, it's

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actually really key, isn't it? It's not like

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he was a movie star. No, not at all. She didn't

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grow up in front of the camera. She grew up behind

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the scenes. Our source biography mentions her

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dad worked on shows like General Hospital and

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married with children. So she was on set. But

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not in the way people imagine. Exactly. She was

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a below -the -line kid. She spent her afternoons

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on set, but not in the Starz trailer with a tutor.

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She was probably in the lighting booth or the

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craft services tent. So she saw the mechanics

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of the industry. The mechanics, the long hours,

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the unglamorous reality of making TV. Yeah. It

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really demystifies fame when you see... You know,

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Ed O 'Neill eating a sandwich between takes.

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It's a job. That feels important for everything

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that comes later. But then you have the identity

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piece, which is layered on top of all that. The

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biography quotes her directly. My dad is Caucasian

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and my mom is African -American. I'm half black

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and half white. And while that sounds like a

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very simple factual statement today, in the context

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of the 1990s and 2000s in Los Angeles, especially

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in the entertainment industry, it was a source

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of constant friction. The sources describe her

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struggle as being ethnically ambiguous. That

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was the industry term. Right. I remember reading

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that she talked about going out for auditions

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and being told she wasn't black enough for the

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black roles. But then she wasn't white enough

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for the white roles. She was stuck in this bizarre.

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casting limbo, the best friend role, the quirky

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neighbor. That must have been incredibly frustrating.

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And it forces a certain kind of hustle. It means

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you can't just rely on your type. You have to

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outwork everyone. And that's what I really see

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in this early section of the biography, the hustle.

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She wasn't just sitting around waiting to be

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discovered. She was grinding. The list of odd

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jobs is actually pretty impressive when you lay

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it all out. It is. She was a freelance calligrapher,

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apparently a very good one. She did the invitations

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for celebrity weddings. like Robin Thicke's.

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No way. Yep. She taught bookbinding. She worked

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in a yogurt shop. And, of course, the one that

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everyone remembers. She's a briefcase girl on

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Deal or No Deal. Case number 24. Case number

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24. And I think it's easy for people to look

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down on that gig, to see it as just being a model.

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People are very dismissive of it. But imagine

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the sheer discipline required to stand there

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in five -inch heels, smiling at a piece of metal

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luggage for hours on end. knowing that you were

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essentially a prop. All while holding a university

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degree from Northwestern. That's the other thing

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people forget. She wasn't uneducated. This wasn't

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her only option. She double majored in theater

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and international studies at a top university.

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I read she even interned at the U .S. Embassy

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in Buenos Aires. She did. She apparently spoke

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fluent Spanish, had a security clearance. For

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a while, she seriously considered a career in

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politics or diplomacy. So standing on that stage

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holding briefcase number 24. That must have felt

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like a massive disconnect from her perceived

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potential. A huge disconnect. But it paid the

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bills while she went on auditions. It was means

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to an end. It was part of the grind. But she

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had that activist streak very early on. The dish

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soap story. We have to unpack this because the

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sources confirm it's 100 % true, not just some

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PR myth they cooked up later. It is absolutely

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true. And it's foundational to understanding

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her. So she's 11 years old. She sees a commercial

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for a Procter &amp; Gamble dish soap. And the tagline

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was something like women all over America are

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fighting greasy pots and pans. Exactly. And at

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11 years old, you know, most kids are worried

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about recess or homework. She's worried about

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gender syntax and advertising. She took offense

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to it. The implication that only women do dishes.

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So she didn't just complain to her mom about

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it. She took. action. What did she do? She wrote

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letters, a whole letter writing campaign. She

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wrote to the company, Procter &amp; Gamble. She wrote

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to news anchors, including Linda Ellerbee. She

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wrote to the famous lawyer, Gloria Allred. She

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wrote to Gloria Allred at age 11. At age 11.

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And you know what? It worked. It actually worked.

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It did. Procter &amp; Gamble changed the word in

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the commercial from women to people, people all

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over America. That is a foundational moment.

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It has to be. Think about the lesson that teaches

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an 11 -year -old girl. It teaches you that if

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you don't like the script, you can challenge

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it. It teaches you that if you apply pressure

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to the right leverage points, you can actually

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change the narrative. You can force a multi -billion

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dollar corporation to rewrite their ad. That's

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a lesson she seems to have carried with her for

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the rest of her life. For better or for worse,

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yes. It's a core part of her operating system.

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So she grinds through the odd jobs, she fights

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the casting directors, and then finally in 2011

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she lands Suits. The breakthrough. She's cast

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as Rachel Zane, and this changes her entire financial

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reality overnight. What were the numbers on that?

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The sources say she was making about $50 ,000

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per episode. That's the figure, which over an

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18 -episode season is roughly $450 ,000 a year.

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Which for a working actor in Toronto, where the

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show filmed, is a fortune. It's life -changing

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money. She was independently wealthy. The biography

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talks about how she was driving a nice car. She

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was buying her own home. She was traveling internationally

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on her own dime. She had made it. And crucially,

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she didn't just sit back and enjoy the acting

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paycheck. She started The Tig. This is the part

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that I think is most relevant to what she's doing

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now in 2026. Oh, absolutely. The Tig was her

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lifestyle blog. which she launched in 2014. And

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you have to understand, this wasn't just, you

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know, a diary of her thoughts. This was business.

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It was a brand. She was curating content on food,

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travel, fashion, beauty. She was doing interviews.

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She was establishing herself as a tastemaker.

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Like a proto -goop. Exactly, a proto -goop. And

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it had a massive, very engaged following. This

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proved her ability to build an audience and curate

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a specific kind of taste long before her current

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ventures. It was the blueprint. So let's just

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put it. a pin in that for a second. When she

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meets Prince Harry in mid -2016, she is not Cinderella.

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She is not some naive girl being plucked from

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obscurity. Not even close. She is a 35 -year

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-old self -made millionaire with a successful

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acting career, her own media platform with a

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huge following, and a very clear, established

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public voice. And that right there is exactly

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why the collision with the royal family was so

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violent, so explosive. Because it was two completely

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different worlds colliding. You have a woman

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who is used to controlling her own image, negotiating

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her own contract, speaking her mind, building

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her own brand, and she marries into an institution

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that relies on hierarchy, silence, and total

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submission to the firm. It was never going to

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be a smooth transition. Okay, that's the perfect

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pivot. Let's move to section two, the royal collision.

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Because the timeline here is just breathless.

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It happens so fast. It's incredibly compressed.

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They meet in mid -2016, a blind date set up by

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a mutual friend. The sources say it was via an

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Instagram connection, which is so modern. Very

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modern. And by November of that same year, just

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a few months in, Harry is already issuing this

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unprecedented statement defending her. That statement

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in November 2016, that was the first real red

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flag that this wasn't going to be a normal royal

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romance. Oh, absolutely. A senior royal had never

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done anything like it. He publicly condemned

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what he called the wave of abuse and harassment

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she was facing from the press and the public.

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And he didn't mince words. He explicitly called

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out the racial undertones of the commentary and

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the outright sexism and racism of social media

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trolls. He was drawing a line in the sand from

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day one. He was basically shouting to the world,

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I am not going to let you do to her what you

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did to my mother. Which is noble. But it also

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raises stakes immediately. It put a target on

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their backs. This wasn't just a marriage anymore.

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It was a crusade against the media culture that

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he felt had destroyed his childhood. And yet,

00:11:48.750 --> 00:11:51.809
despite all that early turmoil, the wedding in

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May 2018, I mean, it looked perfect. It felt

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like a fairy tale. It was a global spectacle.

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St. George's Chapel, the gospel choir singing

00:11:59.970 --> 00:12:02.909
Stand By Me. It genuinely felt for a moment like

00:12:02.909 --> 00:12:05.370
a real modernization of the monarchy. It did.

00:12:05.409 --> 00:12:07.600
It felt like a hinge point in history. But even

00:12:07.600 --> 00:12:09.659
within that perfection, the sources show there

00:12:09.659 --> 00:12:11.139
were already cracks forming. Do you remember

00:12:11.139 --> 00:12:13.720
the private vows controversy? Oh, right. This

00:12:13.720 --> 00:12:16.259
came out in the Oprah interview later. Meghan

00:12:16.259 --> 00:12:18.419
said that she and Harry had actually gotten married

00:12:18.419 --> 00:12:20.500
three days before the public wedding, just the

00:12:20.500 --> 00:12:22.580
two of them in their backyard with the Archbishop

00:12:22.580 --> 00:12:25.000
of Canterbury. Right. She said, we called the

00:12:25.000 --> 00:12:27.179
Archbishop and we just said, look, this thing,

00:12:27.200 --> 00:12:29.940
this spectacle is for the world, but we want

00:12:29.940 --> 00:12:33.379
our union between us. Which sounds very romantic

00:12:33.379 --> 00:12:36.009
and personal. It does. But then the Archbishop

00:12:36.009 --> 00:12:38.129
of Canterbury had to come out and issue a clarification.

00:12:38.549 --> 00:12:41.289
He confirmed that legally the public wedding

00:12:41.289 --> 00:12:44.230
was the real binding one. The backyard ceremony

00:12:44.230 --> 00:12:46.889
was just a private exchange of vows. And that

00:12:46.889 --> 00:12:49.509
detail, it's so revealing of Meghan's mindset,

00:12:49.590 --> 00:12:52.409
isn't it? It's everything. To her, the real marriage

00:12:52.409 --> 00:12:54.870
was the private, authentic moment between two

00:12:54.870 --> 00:12:57.590
people. The public ceremony, the one the British

00:12:57.590 --> 00:12:59.970
taxpayers helped pay for, the one that made her

00:12:59.970 --> 00:13:02.669
a duchess, that was just a show. And that shows

00:13:02.669 --> 00:13:05.039
such a fundamental disconnect. Because to the

00:13:05.039 --> 00:13:08.840
royal family, the public show is the job. The

00:13:08.840 --> 00:13:12.159
ceremony is the point. Precisely. To Meghan,

00:13:12.399 --> 00:13:15.320
the public aspect was an intrusion on her private

00:13:15.320 --> 00:13:18.919
reality. To the monarchy, the public aspect is

00:13:18.919 --> 00:13:22.059
the reality. That's the deal. And that friction,

00:13:22.120 --> 00:13:24.940
that clash of worldviews, started to erode the

00:13:24.940 --> 00:13:27.539
relationships inside the palace almost immediately.

00:13:27.960 --> 00:13:30.830
We all remember the Fab Four era. The pictures

00:13:30.830 --> 00:13:33.710
of William, Kate, Harry and Meghan. The hope.

00:13:33.870 --> 00:13:35.769
There was so much hope. We thought there were

00:13:35.769 --> 00:13:38.029
going to be this unstoppable superhero team of

00:13:38.029 --> 00:13:40.980
modern royals. And it lasted for about. What,

00:13:41.039 --> 00:13:43.419
15 minutes? It felt like it. It dissolved almost

00:13:43.419 --> 00:13:45.480
immediately into stories of tension and rifts.

00:13:45.580 --> 00:13:47.820
And this is where we have to talk about the Dutchess

00:13:47.820 --> 00:13:49.559
difficult narrative versus the smear campaign

00:13:49.559 --> 00:13:51.940
theory. Because the source material is very,

00:13:52.019 --> 00:13:54.100
very split on that. It is one of the most contentious

00:13:54.100 --> 00:13:55.940
parts of this whole story. And there's evidence

00:13:55.940 --> 00:13:57.879
on both sides. OK, so let's unpack this carefully.

00:13:58.000 --> 00:13:59.799
On one side, you have the bullying allegations.

00:14:00.279 --> 00:14:03.220
Right. In 2018, their own communications secretary,

00:14:03.600 --> 00:14:06.500
a man named Jason Knopf, sent a formal email

00:14:06.500 --> 00:14:09.870
to his superior. In it, he expressed serious

00:14:09.870 --> 00:14:12.309
concern that Meghan was bullying two personal

00:14:12.309 --> 00:14:15.169
assistants out of the household. And his wording

00:14:15.169 --> 00:14:18.269
was strong. He said their treatment was totally

00:14:18.269 --> 00:14:20.809
unacceptable and that he was concerned the Duchess

00:14:20.809 --> 00:14:23.830
seems intent on always having someone in her

00:14:23.830 --> 00:14:26.490
sights. It was a bombshell email. The palace

00:14:26.490 --> 00:14:29.549
eventually launched an internal inquiry. But,

00:14:29.549 --> 00:14:32.330
and this is classic royal management style, they

00:14:32.330 --> 00:14:35.049
buried the results in 2022. Why? What was the

00:14:35.049 --> 00:14:36.830
official reason? They said it was to protect

00:14:36.830 --> 00:14:39.289
the privacy of those involved, which sounds reasonable.

00:14:39.570 --> 00:14:42.470
But the effect was that it left this permanent

00:14:42.470 --> 00:14:45.009
cloud of suspicion. No one was ever formally

00:14:45.009 --> 00:14:47.629
cleared or condemned. It just hangs there. Okay,

00:14:47.690 --> 00:14:49.889
so that's one side. But then you have to look

00:14:49.889 --> 00:14:52.210
at the counter evidence. You do. And it's compelling

00:14:52.210 --> 00:14:55.529
in its own way. Even as recently as January 2025,

00:14:56.129 --> 00:14:59.110
a Vanity Fair deep dive on her management style

00:14:59.110 --> 00:15:02.110
found that opinion among former staff is incredibly

00:15:02.110 --> 00:15:04.470
polarized. It's not a consensus. Not at all.

00:15:04.529 --> 00:15:06.509
You have some staff on the record or anonymously

00:15:06.509 --> 00:15:08.610
saying she is lovely, genuine. She remembers

00:15:08.610 --> 00:15:10.529
your birthday, your dog's name, just a wonderful

00:15:10.529 --> 00:15:12.929
boss. And then in the same article, you have

00:15:12.929 --> 00:15:15.450
others describing her as cold withholding and

00:15:15.450 --> 00:15:17.590
that they literally needed therapy after working

00:15:17.590 --> 00:15:20.409
for her. So how do you square that? How can both

00:15:20.409 --> 00:15:23.269
be true? I think it points to a massive cultural

00:15:23.269 --> 00:15:26.370
clash in management styles. Think about it. In

00:15:26.370 --> 00:15:28.830
Hollywood, if you are the star of the show and

00:15:28.830 --> 00:15:31.529
the car isn't there at 5 a .m. sharp, you are

00:15:31.529 --> 00:15:34.429
expected to send a fiery email. That's seen as

00:15:34.429 --> 00:15:37.129
being a professional, as demanding excellence.

00:15:37.230 --> 00:15:40.450
Right. You're the talent. Your time is money.

00:15:40.830 --> 00:15:43.429
But in the culture of Kensington Palace, if you

00:15:43.429 --> 00:15:46.690
send a demanding email at 5 a .m., that is seen

00:15:46.690 --> 00:15:50.370
as abrasive, as rude, as bullying. It's a completely

00:15:50.370 --> 00:15:52.610
different set of norms. So she was trying to

00:15:52.610 --> 00:15:55.950
run a Silicon Valley startup inside a 1 ,000

00:15:55.950 --> 00:15:57.929
-year -old museum. That is a perfect analogy.

00:15:58.129 --> 00:16:00.690
And the museum fought back. The institution has

00:16:00.690 --> 00:16:03.230
its own immune system, and it saw her as a foreign

00:16:03.230 --> 00:16:05.769
body. And all this is happening while the external

00:16:05.769 --> 00:16:08.129
pressure is mounting. The press is relentless.

00:16:08.549 --> 00:16:10.669
Relentless. And she was pregnant during this

00:16:10.669 --> 00:16:13.149
period. They were on these high -profile royal

00:16:13.149 --> 00:16:16.029
tours of Australia and southern Africa, doing

00:16:16.029 --> 00:16:19.289
something like 179 official engagements in two

00:16:19.289 --> 00:16:22.190
years. It's an insane schedule. And on top of

00:16:22.190 --> 00:16:24.549
it all, she was struggling profoundly with her

00:16:24.549 --> 00:16:26.600
mental health. Which she later revealed in the

00:16:26.600 --> 00:16:29.340
Oprah interview. She spoke about having active

00:16:29.340 --> 00:16:31.379
suicidal thoughts while pregnant with Archie.

00:16:31.460 --> 00:16:33.639
She said she went to the institution for help

00:16:33.639 --> 00:16:35.679
and was told it wouldn't be good for their image

00:16:35.679 --> 00:16:38.600
if she sought treatment. Which, if true, is a

00:16:38.600 --> 00:16:40.799
devastating indictment of the system. It is.

00:16:40.820 --> 00:16:43.200
So you have the internal clashes, the external

00:16:43.200 --> 00:16:46.639
media war, the mental health crisis. It all leads

00:16:46.639 --> 00:16:49.600
to the breaking point. January 2020. The Instagram

00:16:49.600 --> 00:16:53.440
post. Megxit. the decision to step back as senior

00:16:53.440 --> 00:16:56.580
working royals. But we need to look at the terms

00:16:56.580 --> 00:16:59.159
of the exit agreement because the deal they struck

00:16:59.159 --> 00:17:01.580
with the queen explains everything that happened

00:17:01.580 --> 00:17:03.620
afterwards. He wasn't just a friendly resignation.

00:17:04.079 --> 00:17:05.920
Far from it. This wasn't them just saying we

00:17:05.920 --> 00:17:07.920
quit and walking away. There were conditions.

00:17:08.220 --> 00:17:10.160
They were effectively cut off. So what were the

00:17:10.160 --> 00:17:13.019
key terms? Okay, first, they lost the right to

00:17:13.019 --> 00:17:15.539
use their HRH titles, his or her royal highness,

00:17:15.759 --> 00:17:18.779
in any public or commercial capacity. They still

00:17:18.779 --> 00:17:21.190
hold the titles legally. but they can't use them.

00:17:21.269 --> 00:17:25.309
A huge symbolic demotion. Huge. Second, they

00:17:25.309 --> 00:17:27.329
lost their public funding, the sovereign grant.

00:17:27.390 --> 00:17:29.950
That was their salary, essentially. Gone. And

00:17:29.950 --> 00:17:32.869
perhaps most painfully, financially. They had

00:17:32.869 --> 00:17:35.390
to repay the full cost of the renovations on

00:17:35.390 --> 00:17:38.470
Frogmore Cottage, their UK home. The bill was

00:17:38.470 --> 00:17:42.049
2 .4 million pounds. That is a massive check

00:17:42.049 --> 00:17:44.569
to write when you have just quit your job and

00:17:44.569 --> 00:17:46.990
lost your income. It's a staggering amount of

00:17:46.990 --> 00:17:50.180
money. And it completely necessitated the next

00:17:50.180 --> 00:17:52.660
pivot. It forced their hand. They went from a

00:17:52.660 --> 00:17:54.859
model of public service to one of commercial

00:17:54.859 --> 00:17:57.079
independence. Because they had to. They had to

00:17:57.079 --> 00:17:58.799
make money. They had to pay for their own security,

00:17:59.079 --> 00:18:02.180
which the sources estimate costs millions of

00:18:02.180 --> 00:18:05.140
dollars a year. So the big money content deals

00:18:05.140 --> 00:18:08.319
with Netflix and Spotify. They weren't just vanity

00:18:08.319 --> 00:18:10.740
projects. They were, at their core, survival

00:18:10.740 --> 00:18:13.240
mechanisms. And once they were out of the institution

00:18:13.240 --> 00:18:15.500
and financially independent, the gloves really

00:18:15.500 --> 00:18:18.079
came off. Completely. Which brings us into Section

00:18:18.079 --> 00:18:21.099
3, the media war. Because they didn't just take

00:18:21.099 --> 00:18:23.119
the bad press lying down anymore. They went on

00:18:23.119 --> 00:18:25.700
the offensive. They went to court. This section

00:18:25.700 --> 00:18:28.119
of the source material reads like a legal textbook.

00:18:28.799 --> 00:18:31.440
It's just a constant battlefield. It is. And

00:18:31.440 --> 00:18:35.700
the most significant case by far was Megan suing

00:18:35.700 --> 00:18:38.339
Associated Newspapers, that's the publisher of

00:18:38.339 --> 00:18:40.720
the Mail on Sunday and Mail Online, for publishing

00:18:40.720 --> 00:18:42.980
a private handwritten letter she sent to her

00:18:42.980 --> 00:18:45.519
father. And she won that case, right? She did.

00:18:45.740 --> 00:18:48.720
After a long fight, she won on the grounds of

00:18:48.720 --> 00:18:51.539
invasion of privacy and copyright infringement.

00:18:51.720 --> 00:18:55.039
But the details of the damages award. This is

00:18:55.039 --> 00:18:56.779
the part that really sticks with me. What were

00:18:56.779 --> 00:18:59.359
they? She was awarded a confidential sum for

00:18:59.359 --> 00:19:01.619
the copyright part, which likely covered her

00:19:01.619 --> 00:19:04.680
legal fees. But for the actual invasion of privacy,

00:19:05.000 --> 00:19:08.160
she was awarded one pound. One single pound?

00:19:08.259 --> 00:19:10.900
One pound. It was entirely symbolic. The judge

00:19:10.900 --> 00:19:12.720
was basically acknowledging the privacy breach,

00:19:12.920 --> 00:19:15.420
but the minimal award was, well, it was a bit

00:19:15.420 --> 00:19:17.819
of a zinger. It was her saying, this wasn't about

00:19:17.819 --> 00:19:20.119
the money. This was about the principle. You

00:19:20.119 --> 00:19:23.660
broke the law. A Pyrrhic victory. In some ways,

00:19:23.720 --> 00:19:26.460
yes, but it set a precedent. But the lawsuits

00:19:26.460 --> 00:19:28.220
weren't just coming from her side. They were

00:19:28.220 --> 00:19:30.740
coming at her, too. Her half -sister, Samantha

00:19:30.740 --> 00:19:32.940
Markle, has sued her for defamation multiple

00:19:32.940 --> 00:19:35.359
times in the U .S. What's the basis of those

00:19:35.359 --> 00:19:37.940
suits? Samantha claims that Meghan's rags -to

00:19:37.940 --> 00:19:40.579
-riches narrative The story she told on Oprah

00:19:40.579 --> 00:19:43.299
and in the biography, finding freedom about growing

00:19:43.299 --> 00:19:46.039
up as an only child with little money, defamed

00:19:46.039 --> 00:19:48.240
her father and half -siblings by painting them

00:19:48.240 --> 00:19:50.700
in a negative light. But those cases haven't

00:19:50.700 --> 00:19:53.160
gone anywhere. They keep getting dismissed. The

00:19:53.160 --> 00:19:55.720
most recent one was thrown out in March of 2024.

00:19:56.160 --> 00:19:59.180
The judge's ruling was fascinating. He basically

00:19:59.180 --> 00:20:01.819
ruled that Megan's descriptions of her own childhood

00:20:01.819 --> 00:20:05.460
are opinions and subjective impressions. And

00:20:05.460 --> 00:20:07.859
you can't be sued for having an opinion about

00:20:07.859 --> 00:20:10.200
your own life. So she's fighting these battles

00:20:10.200 --> 00:20:12.859
in court. But it feels like the real war was

00:20:12.859 --> 00:20:15.099
happening online. Oh, without a doubt. And this

00:20:15.099 --> 00:20:17.319
is where it gets really dark. The bot sentinel

00:20:17.319 --> 00:20:20.119
report from 2021. This actually terrified me

00:20:20.119 --> 00:20:21.420
when I read through the finding. It's chilling.

00:20:21.789 --> 00:20:24.430
It should be. Bot Sentinel is a firm that analyzes

00:20:24.430 --> 00:20:27.549
social media activity. They did a deep dive on

00:20:27.549 --> 00:20:29.190
the Twitter activity around Harry and Meghan.

00:20:29.390 --> 00:20:32.990
What they found was that just 83 accounts. 83.

00:20:33.650 --> 00:20:38.759
Not 83 ,000. Just 83. Just... 83 accounts were

00:20:38.759 --> 00:20:41.859
responsible for 70 % of the original negative

00:20:41.859 --> 00:20:44.700
and hateful content directed at them. That is

00:20:44.700 --> 00:20:47.400
insane. That's not a groundswell of public opinion.

00:20:47.480 --> 00:20:50.259
That is a coordinated campaign. It's an orchestrated,

00:20:50.339 --> 00:20:53.000
targeted campaign. It wasn't that millions of

00:20:53.000 --> 00:20:55.400
people spontaneously hated her. It was that a

00:20:55.400 --> 00:20:58.140
tiny handful of people were working very, very

00:20:58.140 --> 00:21:00.140
hard to make it look like millions of people

00:21:00.140 --> 00:21:02.400
hated her. It's an algorithm of hate. That's

00:21:02.400 --> 00:21:04.759
exactly what it is. But it wasn't just anonymous

00:21:04.759 --> 00:21:07.369
bots and trolls in the shadows. have to talk

00:21:07.369 --> 00:21:09.849
about the mainstream media vitriol and specifically

00:21:09.849 --> 00:21:12.890
the Jeremy Clarkson column in the Sun newspaper

00:21:12.890 --> 00:21:16.329
in 2022. Oh, God. I remember this. It was shocking.

00:21:16.509 --> 00:21:19.269
It was beyond shocking. He wrote, and I'm quoting

00:21:19.269 --> 00:21:21.470
from the source here, that he hated her on a

00:21:21.470 --> 00:21:24.170
cellular level. And then he wrote that he dreamed

00:21:24.170 --> 00:21:26.690
of the day she is made to parade naked through

00:21:26.690 --> 00:21:29.009
the streets of every town in Britain while the

00:21:29.009 --> 00:21:31.990
crowds chant shame and throw lumps of excrement

00:21:31.990 --> 00:21:35.569
at her. It's just, it's violent, misogynistic

00:21:35.569 --> 00:21:39.109
imagery. It's incitement. It was. And the public

00:21:39.109 --> 00:21:43.029
backlash was immense. It received over 25 ,000

00:21:43.029 --> 00:21:45.410
complaints to the independent press regulator,

00:21:45.609 --> 00:21:48.789
IBSO. A record number. And the regulator did

00:21:48.789 --> 00:21:51.190
rule that the column was sexist. They did. But

00:21:51.190 --> 00:21:53.509
the fact that it was written by a major columnist

00:21:53.509 --> 00:21:55.990
and published in one of the UK's biggest newspapers,

00:21:56.349 --> 00:22:00.210
it just shows the level of toxicity she was dealing

00:22:00.210 --> 00:22:02.650
with. This wasn't just bad press or critical

00:22:02.650 --> 00:22:06.150
commentary. It was visceral, personal hatred.

00:22:06.450 --> 00:22:09.049
So you've got this incredibly hostile environment,

00:22:09.329 --> 00:22:11.789
particularly in the UK. You have the immense

00:22:11.789 --> 00:22:14.970
financial pressure back in the US. This all leads

00:22:14.970 --> 00:22:18.180
them. post -2020 to start building the archwell

00:22:18.180 --> 00:22:20.440
empire this is section four the commercial era

00:22:20.440 --> 00:22:22.339
begins and looking at the business record here

00:22:22.339 --> 00:22:24.579
from the sources it seems well it's a bit mixed

00:22:24.579 --> 00:22:26.759
isn't it it's volatile it's a record of big swings

00:22:26.759 --> 00:22:29.160
some hits some misses let's start with the content

00:22:29.160 --> 00:22:31.539
deals they signed a massive reported hundred

00:22:31.539 --> 00:22:33.619
million dollar deal with netflix and the first

00:22:33.619 --> 00:22:36.059
big project out of that was the docuseries harry

00:22:36.059 --> 00:22:39.359
and megan in late 2022 which by the numbers,

00:22:39.460 --> 00:22:42.539
was a huge success. It broke viewership records

00:22:42.539 --> 00:22:45.640
for a Netflix documentary. It dominated the cultural

00:22:45.640 --> 00:22:48.579
conversation for weeks. Love it or hate it, everyone

00:22:48.579 --> 00:22:50.980
was watching it. Exactly. But then there are

00:22:50.980 --> 00:22:53.259
follow -up projects like Heart of Invictus and

00:22:53.259 --> 00:22:55.700
Live to Lead. They didn't really make as much

00:22:55.700 --> 00:22:57.920
noise. They kind of came and went. So there were

00:22:57.920 --> 00:22:59.799
questions about the longevity of that partnership.

00:23:00.200 --> 00:23:03.460
There were. But the relationship held. In August

00:23:03.460 --> 00:23:06.319
of 2025, our sources confirmed that Archwell

00:23:06.319 --> 00:23:08.859
renewed their partnership with Netflix. They

00:23:08.859 --> 00:23:12.039
signed a new multi -year first look deal. That

00:23:12.039 --> 00:23:14.819
is a huge vote of confidence from Netflix. It

00:23:14.819 --> 00:23:16.859
is. It means Netflix is betting that Meghan and

00:23:16.859 --> 00:23:18.759
Harry still have stories to tell that people

00:23:18.759 --> 00:23:22.240
want to watch. Spotify, however, that was a very

00:23:22.240 --> 00:23:24.400
different story. That was a failure. Let's just

00:23:24.400 --> 00:23:26.279
be honest about it. The sources are pretty clear

00:23:26.279 --> 00:23:28.599
on this. What happened there? They signed a reported

00:23:28.599 --> 00:23:32.400
$20 million deal in 2020. And in the nearly three

00:23:32.400 --> 00:23:35.140
years of that deal, Megan produced one single

00:23:35.140 --> 00:23:37.759
podcast, Archetypes. And Archetypes was actually

00:23:37.759 --> 00:23:40.579
pretty good. It was. It won awards. She interviewed

00:23:40.579 --> 00:23:43.500
Serena Williams, Mariah Carey, major stars. The

00:23:43.500 --> 00:23:45.980
content itself was high quality, but the output

00:23:45.980 --> 00:23:48.579
was just too slow. 12 episodes in three years.

00:23:48.660 --> 00:23:51.019
It wasn't enough to justify the price tag. And

00:23:51.019 --> 00:23:54.220
the deal ended in June 2023. It mutually ended,

00:23:54.339 --> 00:23:56.960
was the official line. But then a senior Spotify

00:23:56.960 --> 00:24:00.160
executive, Bill Simmons, went on his own podcast

00:24:00.160 --> 00:24:03.900
and just... He called them effing gristers. He

00:24:03.900 --> 00:24:07.160
did, which was a absolutely brutal PR blow. It

00:24:07.160 --> 00:24:09.059
fed directly into the narrative that they were

00:24:09.059 --> 00:24:11.259
all talk and no work, that they take the money

00:24:11.259 --> 00:24:13.259
but don't deliver the product. But again, look

00:24:13.259 --> 00:24:15.160
at the resilience because that wasn't the end

00:24:15.160 --> 00:24:18.200
of her audio career. No. By early 2025, she is

00:24:18.200 --> 00:24:21.460
back in the audio game. She launched a new independent

00:24:21.460 --> 00:24:23.940
podcast with a different network, Lemonada Media.

00:24:24.220 --> 00:24:26.460
And the title of this new podcast is so telling.

00:24:26.579 --> 00:24:28.980
It's called Confessions of a Female Founder.

00:24:29.200 --> 00:24:31.619
The title signals the shift perfectly. It's not

00:24:31.619 --> 00:24:33.819
about archetypes of women anymore. It's about

00:24:33.819 --> 00:24:36.480
founders. It's about business. It's about entrepreneurship.

00:24:36.900 --> 00:24:39.099
Which leads us directly to the big lifestyle

00:24:39.099 --> 00:24:41.759
pivot. This has really been the major story of

00:24:41.759 --> 00:24:44.880
2024 through to where we are now in 2026. The

00:24:44.880 --> 00:24:47.240
launch of the As Ever brand. Which was originally

00:24:47.240 --> 00:24:50.680
teased as American Riviera Orchard. Which, let's

00:24:50.680 --> 00:24:52.579
be honest, sounded a bit like a high -end retirement

00:24:52.579 --> 00:24:54.880
home. Or a very expensive salad dressing. The

00:24:54.880 --> 00:24:56.740
name didn't quite land. No, it didn't. So they

00:24:56.740 --> 00:24:59.640
rebranded it to As Ever. and launched officially

00:24:59.640 --> 00:25:04.109
in April 2025. And this is pure focus commercial

00:25:04.109 --> 00:25:08.009
strategy. She is selling home goods, jams, oils,

00:25:08.210 --> 00:25:11.450
cutlery. She is positioning herself as the new

00:25:11.450 --> 00:25:14.609
American Martha Stewart. But for a younger, more

00:25:14.609 --> 00:25:17.029
ethically minded generation. Precisely. And she

00:25:17.029 --> 00:25:19.509
is backing it up with a portfolio of personal

00:25:19.509 --> 00:25:22.410
investments that align with that brand. The list

00:25:22.410 --> 00:25:24.509
is fascinating. What's in the portfolio? The

00:25:24.509 --> 00:25:26.910
sources list Clever Blends, which is an instant

00:25:26.910 --> 00:25:29.769
oat milk latte company. There's Sesta Collective,

00:25:29.930 --> 00:25:32.299
which sells ethically made. handbags. And most

00:25:32.299 --> 00:25:35.339
recently, in November 2024, highbrow hippie,

00:25:35.339 --> 00:25:38.400
a hair care brand. So it's a whole curated ecosystem

00:25:38.400 --> 00:25:41.380
of ethical luxury. She's building a world where

00:25:41.380 --> 00:25:45.099
she is the ultimate arbiter of taste. Yes. And

00:25:45.099 --> 00:25:47.799
she's not afraid to monetize that directly. The

00:25:47.799 --> 00:25:50.700
sources mentioned she briefly ran a curated shopping

00:25:50.700 --> 00:25:54.180
site called Shop Me in 2025, where she would

00:25:54.180 --> 00:25:56.799
earn affiliate commissions on products she recommended.

00:25:57.000 --> 00:25:59.519
That is pure influencer economics. It's a modern

00:25:59.519 --> 00:26:01.680
media playbook. She's not just a brand ambassador.

00:26:01.960 --> 00:26:05.140
She is the brand. So you have the jam, you have

00:26:05.140 --> 00:26:07.119
the podcast, you have the Netflix deal, you have

00:26:07.119 --> 00:26:09.480
the investments. It really looks like she is

00:26:09.480 --> 00:26:12.900
settling into this lifestyle mogul role. But

00:26:12.900 --> 00:26:16.960
then the curveball. The big one. Section 5. Yeah.

00:26:17.259 --> 00:26:19.200
The return to Hollywood. This is the news that

00:26:19.200 --> 00:26:22.400
changes the whole equation. Late 2025. After

00:26:22.400 --> 00:26:24.740
all this, she gets cast in a new movie, Close

00:26:24.740 --> 00:26:26.980
Personal Friends. So the big question is, why

00:26:26.980 --> 00:26:30.000
now? After eight years away, why go back to acting?

00:26:30.240 --> 00:26:32.599
I think. I think it's an admission that the royal

00:26:32.599 --> 00:26:35.180
brand is ultimately a depreciating asset. What

00:26:35.180 --> 00:26:37.079
do you mean by that? You can only sell your trauma

00:26:37.079 --> 00:26:38.779
for so long. You can only be the duchess who

00:26:38.779 --> 00:26:40.940
left for so long. Eventually, that story gets

00:26:40.940 --> 00:26:43.440
old. You have to pivot from telling the story

00:26:43.440 --> 00:26:46.000
of your life to just... Living your life. You

00:26:46.000 --> 00:26:47.980
have to do something. And acting is the thing

00:26:47.980 --> 00:26:50.170
she knows how to do. It's her original skill.

00:26:50.329 --> 00:26:52.490
It's a return to competence. It's a way to be

00:26:52.490 --> 00:26:55.410
judged on her craft, not on her personal drama.

00:26:55.690 --> 00:26:58.049
And she is reassembling the machinery to support

00:26:58.049 --> 00:27:00.490
that comeback. She signed with the major talent

00:27:00.490 --> 00:27:05.549
agency WOME back in 2023. A huge move. Ari Emanuel's

00:27:05.549 --> 00:27:07.529
agency. They represent the biggest stars in the

00:27:07.529 --> 00:27:10.150
world. And now, as we said at the top, rehiring

00:27:10.150 --> 00:27:13.210
Sunshine Sachs in 2026. That tells me everything.

00:27:13.490 --> 00:27:15.730
It tells me she wants to be a star again. Not

00:27:15.730 --> 00:27:18.710
a figurehead, not a diplomat, not a... lifestyle

00:27:18.710 --> 00:27:22.670
guru, a capital S star. Sunshine Sachs knows

00:27:22.670 --> 00:27:24.490
how to get you on the cover of magazines for

00:27:24.490 --> 00:27:27.670
your work, not for your latest scandal. But it's

00:27:27.670 --> 00:27:29.670
interesting because she hasn't completely abandoned

00:27:29.670 --> 00:27:32.730
the global advocacy stage. The two still seem

00:27:32.730 --> 00:27:34.640
to be running in parallel. We have to mention

00:27:34.640 --> 00:27:37.859
the Nigeria trip in May 2024. That was such a

00:27:37.859 --> 00:27:40.099
fascinating counter -narrative. At the same time

00:27:40.099 --> 00:27:42.299
the UK press was relentlessly omnecking her,

00:27:42.420 --> 00:27:45.259
she and Harry went on a quasi -royal tour of

00:27:45.259 --> 00:27:47.640
Nigeria. And this was linked to her discovering

00:27:47.640 --> 00:27:50.180
her own heritage. Yes, she had revealed she is

00:27:50.180 --> 00:27:53.539
43 % Nigerian based on a genealogy test. And

00:27:53.539 --> 00:27:56.940
the reception there was just rapturous. It was

00:27:56.940 --> 00:27:58.940
the complete opposite of her reception in London.

00:27:59.160 --> 00:28:01.380
It was. She was treated like visiting royalty.

00:28:02.029 --> 00:28:04.490
She received chieftaincy titles. She was named

00:28:04.490 --> 00:28:06.750
Ada Mozzie, which means daughter of the Mozzie.

00:28:06.849 --> 00:28:09.549
It was a huge success. And what that trip really

00:28:09.549 --> 00:28:12.599
highlighted. is that while she might be incredibly

00:28:12.599 --> 00:28:15.319
polarizing in the West, in parts of the global

00:28:15.319 --> 00:28:17.680
South and the Commonwealth, she's often seen

00:28:17.680 --> 00:28:20.400
as a very powerful symbol of representation.

00:28:20.859 --> 00:28:23.319
A completely different lens. And she's still

00:28:23.319 --> 00:28:25.680
doing the high -level advocacy work. In late

00:28:25.680 --> 00:28:28.839
2025, she and Harry signed a public letter with

00:28:28.839 --> 00:28:31.619
other tech leaders calling for a ban on artificial

00:28:31.619 --> 00:28:34.240
superintelligence. And they won a humanitarian

00:28:34.240 --> 00:28:36.440
award for their mental health work around the

00:28:36.440 --> 00:28:38.579
same time. Right. So they are trying to straddle

00:28:38.579 --> 00:28:41.460
these two worlds. high -minded, Davos -level,

00:28:41.539 --> 00:28:44.660
global humanitarian work, and the much more commercial

00:28:44.660 --> 00:28:47.339
hustle of selling jam and acting in movies. Which

00:28:47.339 --> 00:28:49.480
is a very difficult tightrope to walk. Why? So

00:28:49.480 --> 00:28:51.460
we have reached the conclusion, section six,

00:28:51.759 --> 00:28:55.660
the synthesis. When you take all these pieces

00:28:55.660 --> 00:28:57.799
and lay them out, when you look at this entire

00:28:57.799 --> 00:29:00.880
arc, from the activist kid to the briefcase girl

00:29:00.880 --> 00:29:03.819
to the duchess to the royal outcast to the lifestyle

00:29:03.819 --> 00:29:08.079
mogul slash actress, what is the through line?

00:29:08.140 --> 00:29:09.990
What connects it all? I think the through line

00:29:09.990 --> 00:29:12.589
is a pattern of creation and destruction, or

00:29:12.589 --> 00:29:15.109
maybe more charitably, creation and reinvention.

00:29:15.250 --> 00:29:17.769
Explain that. It's a pattern of constant, restless

00:29:17.769 --> 00:29:20.950
reinvention. She builds a successful blog, The

00:29:20.950 --> 00:29:23.829
Tig. She shuts it down. She joins the royal family,

00:29:23.990 --> 00:29:26.569
a thousand -year -old brand. She leaves it. She

00:29:26.569 --> 00:29:28.670
starts a podcast deal with Spotify. It ends.

00:29:28.769 --> 00:29:30.730
She starts another one. She launches a brand.

00:29:30.829 --> 00:29:34.279
She renames it. So is that instability? Or is

00:29:34.279 --> 00:29:36.440
that adaptability? That is the multi -million

00:29:36.440 --> 00:29:38.599
dollar question, isn't it? In Silicon Valley,

00:29:38.680 --> 00:29:41.240
they would call it pivoting. It's seen as a strength.

00:29:41.440 --> 00:29:43.839
In an ancient institution like the royal family,

00:29:43.920 --> 00:29:46.119
they would call it instability or not being a

00:29:46.119 --> 00:29:48.660
stair. She operates with a startup mindset. She

00:29:48.660 --> 00:29:51.240
absolutely does. If the product isn't working

00:29:51.240 --> 00:29:54.079
or the market conditions change, you change the

00:29:54.079 --> 00:29:56.480
team, you change the name, you relaunch. You

00:29:56.480 --> 00:29:58.079
don't just keep doing the same thing because

00:29:58.079 --> 00:29:59.859
you've always done it. And whatever you think

00:29:59.859 --> 00:30:02.180
of her, the Megan effect is still very real.

00:30:02.490 --> 00:30:05.750
Oh, undeniably. Whether people love her or hate

00:30:05.750 --> 00:30:08.089
her, they are paying attention. She crashes a

00:30:08.089 --> 00:30:10.750
website just by wearing a dress. She sparks a

00:30:10.750 --> 00:30:12.690
record -breaking number of off -com complaints

00:30:12.690 --> 00:30:15.369
with an interview. She moves the needle. It's

00:30:15.369 --> 00:30:18.049
a fascinating duality. The sources note she is

00:30:18.049 --> 00:30:20.509
statistically one of the most disliked celebrities

00:30:20.509 --> 00:30:23.430
in the U .S., according to a 2025 ranker poll.

00:30:23.589 --> 00:30:26.009
And yet, in that same period, she signed a new

00:30:26.009 --> 00:30:29.490
Netflix deal and got cast in a major movie. Hate

00:30:29.490 --> 00:30:32.119
clicks are still clicks. Outrage is still engagement.

00:30:32.440 --> 00:30:34.640
The algorithm doesn't care why you're watching.

00:30:34.819 --> 00:30:36.859
Right. So let's end with a provocative thought

00:30:36.859 --> 00:30:39.920
for you, the listener. With this return to acting

00:30:39.920 --> 00:30:42.059
in close personal friends and the launch of the

00:30:42.059 --> 00:30:44.779
as -ever lifestyle brand, are we finally seeing

00:30:44.779 --> 00:30:46.579
the version of Meghan she was always meant to

00:30:46.579 --> 00:30:49.460
be? The final form. Yeah. I mean, if she had

00:30:49.460 --> 00:30:52.019
never met Prince Harry, is this more or less

00:30:52.019 --> 00:30:53.900
where she would have ended up anyway, just, you

00:30:53.900 --> 00:30:56.119
know, with a smaller bank account and less security?

00:30:56.799 --> 00:30:59.529
That's a great question. Maybe she was always

00:30:59.529 --> 00:31:02.269
destined to be this ultimate American lifestyle

00:31:02.269 --> 00:31:06.109
mogul, a kind of mashup of Goop and Oprah and

00:31:06.109 --> 00:31:08.730
Martha Stewart. Maybe the royal chapter wasn't

00:31:08.730 --> 00:31:11.069
the destination. Maybe it was just a massive,

00:31:11.130 --> 00:31:14.309
incredibly painful detour that gave her the global

00:31:14.309 --> 00:31:17.549
platform she needed to finally execute the business

00:31:17.549 --> 00:31:19.730
plan she probably had in her head back in 2014.

00:31:20.250 --> 00:31:23.109
So is she a duchess who is now playing an actress?

00:31:23.579 --> 00:31:25.779
Or was she always an actress who, for a few years,

00:31:25.799 --> 00:31:28.200
played a duchess? I think based on this timeline,

00:31:28.480 --> 00:31:30.640
she's an entrepreneur who realized that the title

00:31:30.640 --> 00:31:33.460
was just the ultimate brand accelerator. It gave

00:31:33.460 --> 00:31:36.200
her global name recognition overnight. And now

00:31:36.200 --> 00:31:38.140
that she has the platform, she's jettisoning

00:31:38.140 --> 00:31:40.160
the parts that didn't work and going back to

00:31:40.160 --> 00:31:42.400
the work she actually seems to enjoy. Well, one

00:31:42.400 --> 00:31:45.160
thing is for sure. With Sunshine Sacks back on

00:31:45.160 --> 00:31:48.319
the payroll and a movie in production, 2026 is

00:31:48.319 --> 00:31:50.619
going to be anything but quiet for the Sussexes.

00:31:50.660 --> 00:31:53.269
It never is. The story is never over. That is

00:31:53.269 --> 00:31:55.809
all the time we have for this deep dive. We've

00:31:55.809 --> 00:31:57.829
unpacked the source material as best we can.

00:31:58.049 --> 00:32:00.309
But as you said, the story is still being written.

00:32:00.390 --> 00:32:01.690
Thanks for listening. Thank you.
