WEBVTT

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Okay, let's unpack this. We usually dive into

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topics, you know, concepts, history, technology.

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But today, we're diving into a person. Yeah.

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And not just any person, but someone who has

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effectively become a genre unto himself. That's

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the perfect way to put it, a genre. Because there

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are authors, right? People who write books, maybe

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they hit a bestseller list for a week, you see

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them on a morning show, and then life goes on.

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Right. And then there's Malcolm Gladwell. Completely

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different category. Yeah. You're so right to

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call him a genre. You don't just read a Gladwell

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book. Yeah. You inhabit a world he constructs

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for you. It's like putting on a specific pair

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of glasses to see reality. The very specific

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lens. Yeah. He gives you this framework. Exactly.

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It's the Gladwellian phenomenon. You know, you're

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in it when you're at a dinner party. The wine

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is flowing and someone leans in with this like

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conspiratorial look and says, actually, did you

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know that most plane crashes aren't caused by

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mechanical failure? Oh, here he comes. They're

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caused by the pilot's inability to communicate

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with air traffic control because of cultural

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hierarchies in the cockpit. Yeah. And everyone

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just stops eating and goes. That is the signature

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move. It is. He takes social science, which,

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let's be honest, is usually incredibly dry. So

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dry. It's academic. It's full of p -values, regression

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analyses, standard deviations. Things that make

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your eyes blaze over. And he transforms it into

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a thriller. He makes sociology feel like a detective

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novel where you are. solving the case of human

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behavior. But here's where it gets really, really

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interesting. Our mission today is to unpack the

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life and the mind of the man who essentially

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invented the modern smart thinking book genre.

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He really did. He coined the tipping point. He

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popularized the 10 ,000 hour rule. He made us

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all obsessed with the idea of outliers. And we

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have to appreciate the sheer scale of this. This

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isn't just a one -hit wonder. He has been a staff

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writer for The New Yorker since 1996. Almost

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30 years. A lifetime. He's published eight books.

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He co -founded an entire audio empire, Prishkin

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Industries. He hosts Revisionist History. He's

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everywhere. He is, you could argue, the most

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visible public intellectual of the last 25 years.

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But, and this is the twist, this is the core

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of our deep dive today, he's also a massive paradox.

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That is the tension we need to explore. Absolutely.

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Because on one hand, you have Time magazine naming

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him one of the hundred most influential people

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in the world. And that was way back in 2005.

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Right. He is without a doubt one of the most

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significant nonfiction writers of the 21st century.

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But on the other hand. On the other hand, he

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faces this intense. I mean, relentless criticism.

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Yes. The cherry picking accusation. Exactly.

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Critics argue he oversimplifies complex science,

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that he picks the facts that fit his perfect

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little story and just ignores the ones that don't.

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And that he prioritizes a good narrative over

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rigorous truth. It's the classic battle, isn't

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it? The tension between it makes for a great

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story and is it scientifically watertight? We

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are going to get into all of it. We're going

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to talk about why he was rejected from literally

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every single advertising agency he applied to.

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Which is just so ironic. It's unbelievable. And

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thank goodness for that, by the way. A real sliding

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doors moment for publishing, for sure. We'll

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talk about how his haircut, his actual hair,

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inspired a bestseller. And we absolutely have

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to talk about the Igon value problem. Oh, the

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Igon value problem, which is just a fascinating,

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slightly cringeworthy case study in the limits

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of, you know, being a journalistic translator

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of science. Totally. So what does this all mean?

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How did a guy from rural Canada become the chief

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interpreter of our social reality? Let's start

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at the very beginning. The origin story. And

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it is, if you'll excuse the very obvious pun,

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an outlier of an origin story. Don't allow it.

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Malcolm Timothy Gladwell was born on September

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3rd, 1963 in Farram, England. But to really understand

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how his brain works, you have to look at his

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parentage. It's this fascinating collision of

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worlds. Right. Usually people are kind of firmly

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planted in one demographic or another. But Gladwell

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is. He's this bridge. He is. His mother, Joyce

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Gladwell, was a Jamaican psychotherapist. Okay.

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And his father, Graham Gladwell, was a mathematics

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professor from Kent, England. Wow. Math and psychology.

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Think about that combination for a second. If

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you look at every single book Malcolm Gladwell

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has ever written, that's the DNA right there.

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I see it now. It's the rigorous, structural,

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pattern -seeking thinking of mathematics combined

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with the empathetic, human behavior -focused

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lens of psychotherapy. He's constantly trying

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to find the mathematical equation for human feelings.

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That's it. That's his whole project. And the

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heritage goes even deeper than just their professions.

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I was reading about this. The research Henry

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Louis Gates Jr. did for that PBS show, Finding

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Your Roots. Yes. It turns out he has a great,

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great, great, great grandmother of Igbo ethnicity

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from Nigeria. Right. And on the maternal side,

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there's a very complex, very heavy history. He

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has an ancestor who was a Jamaican free woman

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of color, so mixed black and white, who actually

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owned slaves. Which is, I mean, that's a complicated

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piece of history to carry in your own family

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tree. It's incredibly complicated. And Gladwell,

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to his credit, acknowledges this complexity he

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doesn't shy away from it in the epilogue of outliers

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he actually analyzes his own family history through

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the lens of his own theories of course he does

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the most gladwellian thing possible exactly he

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describes the series of lucky circumstances things

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like skin tone privileges in colonial jamaica

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specific educational opportunities opening up

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at just the right time that allowed his ancestors

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to move up the social ladder so he doesn't attribute

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his own existence to just Grandma's grit. He's

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looking at the structural advantages his family

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accumulated over generations. Precisely. It wasn't

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just individual effort. It was the demographic

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shifts of the 19th century that gave them a tailwind.

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Now, the geography is also super important. When

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he was six, the family moved from England to

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Elmira, Ontario. And for our listeners who don't

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know Ontario, we need to be clear. Elmira isn't

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downtown Toronto. Not even close. This is rural.

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This is deep Mennonite country. It is. We're

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talking horse and buggies, barns, very quiet,

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very religious. He grew up attending a Mennonite

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church. That is just, it's a crucial detail.

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It is. Because we often picture Gladwell as this

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quintessential New York intellectual, you know,

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sitting in a cafe in the West Village with a

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velvet blazer on. Right, with the hair. But his

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formation, his entire childhood, was in a quiet,

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religious, rural Canadian community. It paints

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such a different picture, doesn't it? Yeah. You

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imagine this kid with a British math professor

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dad and a Jamaican therapist mom sitting in a

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Mennonite pew in the middle of nowhere in Ontario.

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He must have felt like an observer from day one.

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An outsider. And being an outsider is a superpower

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for a sociologist or for a writer like him. You

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notice things the locals take for granted. The

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water the fish swim in. Exactly. And that environment

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fostered his intellectual curiosity in a very

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specific way. His father was a professor at the

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University of Waterloo. And when Malcolm was

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just 11 years old, his father would bring him

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to the university and just let him wander. Just

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let him wander the offices. No iPad, no babysitter.

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Just go on, son. Explore the math department.

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Pretty much. He would just wander around. the

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offices, the libraries, the hallways. It developed

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this deep comfort with academic spaces and a

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profound love for reading. That's a huge advantage.

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A massive one. Most kids see a university library

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as a scary, distant fortress of solitude. He

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saw it as a playground. Right. He wasn't intimidated

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by professors or dense books. He was raised among

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them. Exactly. But, and this is the part that

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surprises people who only know him from his author

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photos where he looks very cerebral, very slight.

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Malcolm Gladwell was and still is an elite athlete.

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This blew my mind when I read it. I knew he was

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a runner. He has that runner's build. But I did

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not realize he was fast. Exceptionally fast.

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He was an Ontario high school champion in track.

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At age 13, just 13 years old, he ran the 1500

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meters in 4 minutes and 14 seconds. Wait, wait.

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14 at age 13? Yes. That is absurdly fast. It's

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not just good for his age. That's national class

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speed. It is. In university, he brought that

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down to three minutes and 55 seconds. That is

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legitimate elite territory. That's not, I run

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on weekends. That is, I am a biological engine.

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And he didn't stop. This isn't just a glory days

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story where he talks about how fast he used to

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be. This is a lifelong obsession. In 2014, at

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the age of 51, he ran a 4 .54 mile at the Fifth

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Avenue Mile in New York. A sub -five mile at

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51. And even at 57, a few years ago, he ran a

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5 .15 mile. A 5 .15 mile at 57. I'm pretty sure

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I couldn't run a 5 .15 mile if I was being chased

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by a bear, and I am nowhere near 57. It speaks

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to a level of discipline and single -mindedness

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that is just... off the charts. His father actually

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noted that about him as a boy. He said he was

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unusually single -minded and ambitious. He once

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said he'd rather be a mediocre runner than a

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good one, which is a funny quote. That sounds

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like some serious false modesty. Frankly, if

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you're running a sub -five mile in your 50s,

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you are not mediocre. Not by any stretch of the

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imagination. Okay, let's pivot to his career.

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Because for a guy who seems to have the Midas

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touch now, he started with a pretty significant

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face plant. He did. After graduating from Trinity

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College at the University of Toronto in 1984

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with a history degree, he had his heart set on

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a career in advertising. Which makes total sense.

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He's the guy who explains why things are cool,

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why trends spread virally. He would be the ultimate

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ad man. He literally understands the sticky idea.

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You would think so. It seems like a perfect fit.

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He applied to 18 advertising agencies. What happened?

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He was rejected by... Every single one. Not one

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interview turned into an offer. 18 rejections.

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18. Imagine if one of them had said yes. We wouldn't

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have the tipping point. We just have a really,

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really catchy slogan for a soft drink or a car

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insurance company. It is a classic sliding doors

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moment. That absolute failure forced him to pivot

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into journalism. And interestingly, given his

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reputation today as a darling of the liberal

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NPR listening intelligentsia, he started out

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in conservative media. Really? I did not know

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that. Yes. He moved to Indiana, of all places,

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to work for the American Spectator, which is

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a well -known conservative magazine. Then he

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wrote for Insight on the News, which is a magazine

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owned by the Unification Church. Wait, the Moonies?

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The Moonies. That is a wild resume entry. Previous

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employer. The Unification Church. It's definitely

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an unusual path. I think those early years in

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conservative media were really important, though.

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They taught him how to be a contrarian. He learned

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to look at the mainstream consensus and say,

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hang on, is that actually true? That's a great

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point. He learned to question the dominant narrative.

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And it wasn't until 1987 that he moved to a more

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mainstream outlet, The Washington Post, where

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he covered business and science for nearly a

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decade. And at The Post. This is where the Gladwellian

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style starts to cook, right? He's covering science,

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covering business, but always looking for the

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story underneath the data. Exactly. And he was

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learning his craft. He later looked back on this

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period, and he actually validated his own 10

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,000 -hour rule with his own experience. Oh,

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that's perfect. He said, I was a basket case

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at the beginning, and I felt like an expert at

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the end. It took 10 years exactly that long.

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That is so satisfying when the theory fits the

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life. 1996 comes around. He gets the call. He

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moves to the New Yorker. This is the big leagues.

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This is the pinnacle for a nonfiction writer.

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And he goes in with a very specific philosophy,

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a mission statement almost. He did. His stated

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goal was to, quote, mine current academic research

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for insights, theories, direction, or inspiration.

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To be the bridge. It'd be the bridge. He realized

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there were thousands of brilliant academics writing

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fascinating papers that nobody was reading because

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they were locked away in journals written in

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this dense, impenetrable language. He decided

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he would be the translator. And I love, love

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the story of his first assignment. They tell

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him to write about fashion. Now, normally that

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means Paris runways, haute couture, million -dollar

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models, the whole devil wears Prada thing. Right,

00:12:18.690 --> 00:12:21.529
the glamour, the high -end stuff. But Gladwell,

00:12:21.590 --> 00:12:24.009
being Gladwell, wasn't interested in the $100

00:12:24.009 --> 00:12:26.909
,000 dress. He decided to write about a man who

00:12:26.909 --> 00:12:29.529
made t -shirts for $8. Why? What was the logic

00:12:29.529 --> 00:12:31.929
there? His logic was fascinating, and it's the

00:12:31.929 --> 00:12:34.629
key to his whole method. He said that anyone

00:12:34.629 --> 00:12:37.870
can make a beautiful dress for $100 ,000. If

00:12:37.870 --> 00:12:40.730
you have unlimited resources, quality is easy.

00:12:40.830 --> 00:12:42.730
You just buy the best silk, you hire the best

00:12:42.730 --> 00:12:45.399
seamstresses. No challenge in that. But... To

00:12:45.399 --> 00:12:48.940
make a T -shirt for $8 that's durable, profitable,

00:12:49.279 --> 00:12:52.779
and decent quality, that is an incredibly difficult

00:12:52.779 --> 00:12:56.299
engineering and economic problem. That's where

00:12:56.299 --> 00:12:58.740
the real story is. That is the Gladwell twist.

00:12:59.379 --> 00:13:02.320
Finding the extraordinary complexity in the seemingly

00:13:02.320 --> 00:13:05.000
ordinary object. And that perspective is what

00:13:05.000 --> 00:13:07.539
launched him into the stratosphere. In 1996,

00:13:07.840 --> 00:13:10.350
he wrote two articles for them. One was called

00:13:10.350 --> 00:13:12.330
The Tipping Point. The other was The Cool Hunt.

00:13:12.649 --> 00:13:15.110
These went viral before viral was really a term

00:13:15.110 --> 00:13:17.190
people used. They became the basis for his first

00:13:17.190 --> 00:13:19.629
book. And that brings us to the big hits, the

00:13:19.629 --> 00:13:21.429
books that are probably on your shelf right now.

00:13:21.590 --> 00:13:23.169
Let's talk about The Tipping Point, published

00:13:23.169 --> 00:13:25.429
in 2000. This was a bring through. He received

00:13:25.429 --> 00:13:27.529
a million dollar advance for it, which was just

00:13:27.529 --> 00:13:29.909
unheard of for a relatively unknown writer at

00:13:29.909 --> 00:13:33.110
the time. A million dollars. Wow. And the inspiration

00:13:33.110 --> 00:13:36.269
for the book came from the sudden, dramatic drop

00:13:36.269 --> 00:13:39.269
in crime in New York City in the 1990s. Right.

00:13:39.720 --> 00:13:41.399
Everyone is trying to explain that. Was it the

00:13:41.399 --> 00:13:44.399
economy? Was it better policing? What was it?

00:13:44.720 --> 00:13:46.600
Gladwell wanted to look at it through the lens

00:13:46.600 --> 00:13:49.539
of epidemiology. He had covered the AIDS epidemic

00:13:49.539 --> 00:13:51.860
at the Washington Post, and he was struck by

00:13:51.860 --> 00:13:54.679
how ideas and behaviors spread just like viruses.

00:13:55.139 --> 00:13:57.519
They simmer along under the surface, then they

00:13:57.519 --> 00:14:00.279
hit a critical mass, and boom, they tip. The

00:14:00.279 --> 00:14:02.779
curve goes vertical. Hence the tipping point.

00:14:03.559 --> 00:14:06.259
But this book also popularized the broken windows

00:14:06.259 --> 00:14:08.720
theory, right? It did. The idea that if you fix

00:14:08.720 --> 00:14:10.679
the small things like broken windows, graffiti,

00:14:11.000 --> 00:14:13.559
turnstile jumping, you prevent the big crimes

00:14:13.559 --> 00:14:15.480
from happening. Yes. And this is where we have

00:14:15.480 --> 00:14:17.399
to add some nuance and some historical perspective.

00:14:17.980 --> 00:14:20.559
Gladwell was credited with packaging this theory

00:14:20.559 --> 00:14:22.980
in a way that made it incredibly attractive to

00:14:22.980 --> 00:14:25.559
policymakers and the public. It sounds so intuitive.

00:14:26.120 --> 00:14:28.399
It does. Stop the turnstile jumpers. You stop

00:14:28.399 --> 00:14:30.740
the murders. It felt like simple common sense.

00:14:31.019 --> 00:14:33.320
History hasn't been entirely kind to that theory,

00:14:33.440 --> 00:14:36.240
has it? No, it hasn't. It became the intellectual

00:14:36.240 --> 00:14:39.100
bedrock for tactics like stop and frisk policing,

00:14:39.360 --> 00:14:42.179
which, as we now know, disproportionately targeted

00:14:42.179 --> 00:14:44.879
minority communities. Right. Years later, critics

00:14:44.879 --> 00:14:47.299
and data analysts argued that the link between

00:14:47.299 --> 00:14:50.399
broken windows policing and the crime drop was.

00:14:51.000 --> 00:14:53.679
tenuous at best? I mean, crime dropped in cities

00:14:53.679 --> 00:14:55.960
that didn't use those tactics as well. Other

00:14:55.960 --> 00:14:58.620
factors were at play. So has Gladwell ever addressed

00:14:58.620 --> 00:15:01.600
that criticism? The fact that his popularization

00:15:01.600 --> 00:15:03.960
of this idea had some really serious real world

00:15:03.960 --> 00:15:07.600
consequences? He has. In 2013, he was interviewed

00:15:07.600 --> 00:15:10.559
by the journalist John Ronson. And in that interview,

00:15:10.700 --> 00:15:13.460
Gladwell admitted he was too in love with the

00:15:13.460 --> 00:15:15.679
broken windows notion. Too in love with it. Those

00:15:15.679 --> 00:15:18.419
were his words. He said he was enamored by the

00:15:18.419 --> 00:15:20.879
metaphorical simplicity of that idea. and that

00:15:20.879 --> 00:15:23.919
in retrospect he overstated its importance. That's

00:15:23.919 --> 00:15:25.600
a rare admission from a public intellectual.

00:15:25.860 --> 00:15:28.600
I loved the metaphor so much I might have ignored

00:15:28.600 --> 00:15:31.419
the complexity of the data. It is a key insight

00:15:31.419 --> 00:15:34.220
into his process. He is a storyteller, first

00:15:34.220 --> 00:15:37.179
and foremost. Sometimes the beauty of the story,

00:15:37.340 --> 00:15:40.039
the elegance of the metaphor, can overshadow

00:15:40.039 --> 00:15:42.779
the messiness of the real world. He wants the

00:15:42.779 --> 00:15:45.679
world to be elegant even when it's chaotic. Okay,

00:15:45.720 --> 00:15:49.500
so then comes Blink in 2005. The power of thinking.

00:15:50.240 --> 00:15:53.139
without thinking. This book is all about rapid

00:15:53.139 --> 00:15:55.879
cognition, how our unconscious mind makes these

00:15:55.879 --> 00:15:59.360
incredibly fast, powerful snap judgments. Well,

00:15:59.379 --> 00:16:01.860
the origin story for this book is just, it's

00:16:01.860 --> 00:16:04.120
so personal. It's the hair store. It is. It's

00:16:04.120 --> 00:16:06.360
a great story. So Gladwell decided to grow his

00:16:06.360 --> 00:16:08.419
hair out. He let it get long and curly, this

00:16:08.419 --> 00:16:10.960
big kind of untamed halo of hair. And suddenly,

00:16:11.039 --> 00:16:13.159
his life changed. In what way? What happened?

00:16:13.360 --> 00:16:15.179
He started getting speeding tickets. He said

00:16:15.179 --> 00:16:16.559
he had never gotten them before in his life.

00:16:16.639 --> 00:16:18.299
He started getting pulled out of airport security

00:16:18.299 --> 00:16:20.919
lines for special screening constantly. But the

00:16:20.919 --> 00:16:23.159
clincher, the moment it all clicked, was when

00:16:23.159 --> 00:16:25.799
he was walking in downtown Manhattan. What happened?

00:16:25.960 --> 00:16:29.019
He was stopped by three police officers. They

00:16:29.019 --> 00:16:32.379
were looking for a rapist. Now, the suspect looked

00:16:32.379 --> 00:16:34.860
nothing like Gladwell. Different height, different

00:16:34.860 --> 00:16:37.240
build, different features, except for one thing.

00:16:37.500 --> 00:16:39.740
The curly hair. The curly hair. So the police

00:16:39.740 --> 00:16:43.110
saw the hair. They thin sliced him as the suspect

00:16:43.110 --> 00:16:46.370
and they just ignored everything else that contradicted

00:16:46.370 --> 00:16:48.769
that first impression. Exactly. And that terrifying

00:16:48.769 --> 00:16:51.590
moment of being judged instantly and wrongly

00:16:51.590 --> 00:16:55.039
based on one single visual cue. That was the

00:16:55.039 --> 00:16:58.259
aha moment that led him to research Blink. He

00:16:58.259 --> 00:17:00.500
wanted to understand how we make these split

00:17:00.500 --> 00:17:03.000
-second decisions, both when they save our lives,

00:17:03.120 --> 00:17:05.599
like a firefighter instinctively knowing a building

00:17:05.599 --> 00:17:08.519
is about to collapse, and when they lead us terribly,

00:17:08.519 --> 00:17:11.480
terribly astray, like in cases of racial profiling.

00:17:11.599 --> 00:17:13.559
It's amazing how he takes a personal annoyance,

00:17:13.579 --> 00:17:15.720
you know, getting a ticket or being stopped by

00:17:15.720 --> 00:17:17.720
the cops, and turns it into a multi -million

00:17:17.720 --> 00:17:20.539
copy bestseller about cognitive psychology. That

00:17:20.539 --> 00:17:23.079
is the gift. He generalizes from his own experience

00:17:23.079 --> 00:17:25.930
and finds... the universal principle. Then in

00:17:25.930 --> 00:17:29.049
2008, we get Outliers. This one might be my favorite.

00:17:29.069 --> 00:17:31.349
I think it's his most influential book because

00:17:31.349 --> 00:17:34.190
it takes the American dream, the whole myth of

00:17:34.190 --> 00:17:37.349
the self -made man and just completely dismantles

00:17:37.349 --> 00:17:39.269
it. It does. It's a radical book in its own way.

00:17:39.450 --> 00:17:42.029
The core argument is that success isn't just

00:17:42.029 --> 00:17:44.730
about being smart or ambitious or hardworking.

00:17:44.829 --> 00:17:46.869
It's about when you were born, where you were

00:17:46.869 --> 00:17:49.789
born, your culture and the random opportunities

00:17:49.789 --> 00:17:52.410
you were given. It's about luck. A huge amount

00:17:52.410 --> 00:17:54.450
of it is about luck. The famous example is the.

00:17:54.569 --> 00:17:57.869
Right. Yes. Tell that story. He asked, why do

00:17:57.869 --> 00:18:00.269
the most powerful corporate lawyers in New York

00:18:00.269 --> 00:18:02.609
City all have the same biography? Which is what?

00:18:02.730 --> 00:18:05.289
They were Jewish men born in a very specific

00:18:05.289 --> 00:18:09.069
window of years in the 1930s in the Bronx or

00:18:09.069 --> 00:18:11.809
Brooklyn. And their parents did garment work.

00:18:11.970 --> 00:18:14.250
Such a specific demographic. What was the connection?

00:18:14.549 --> 00:18:17.069
He traced how all the specific conditions mattered.

00:18:17.349 --> 00:18:20.250
They were locked out of the polite. white shoe

00:18:20.250 --> 00:18:22.809
law firms on Wall Street because of anti -Semitism

00:18:22.809 --> 00:18:26.230
in the 50s and 60s. So they had to take the dirty

00:18:26.230 --> 00:18:28.509
work that those firms wouldn't touch, things

00:18:28.509 --> 00:18:31.170
like litigation and hostile takeover. The scrappy

00:18:31.170 --> 00:18:34.690
stuff? Exactly. But then in the 1980s, the market

00:18:34.690 --> 00:18:37.769
completely shifted and suddenly hostile takeovers

00:18:37.769 --> 00:18:39.569
and corporate raiding were the most profitable

00:18:39.569 --> 00:18:41.970
thing in the world. And these guys were the only

00:18:41.970 --> 00:18:44.430
ones who had put in their 10 ,000 hours of practice.

00:18:44.690 --> 00:18:46.990
They were ready right when the golden age arrived.

00:18:47.559 --> 00:18:49.759
And the Bill Gates example, too. It wasn't just

00:18:49.759 --> 00:18:52.079
that Bill Gates was a genius. No, Gates was obviously

00:18:52.079 --> 00:18:54.960
brilliant, yes. But Lidewell points out that

00:18:54.960 --> 00:18:57.559
Gates attended a private school, Lakeside, that

00:18:57.559 --> 00:18:59.119
just happened to have a computer terminal in

00:18:59.119 --> 00:19:02.240
1968. Which was incredibly rare at the time.

00:19:02.299 --> 00:19:04.700
It was almost non -existent. A university might

00:19:04.700 --> 00:19:08.680
have one. A high school. Unheard of. So he had

00:19:08.680 --> 00:19:11.279
effectively unlimited access to programming time

00:19:11.279 --> 00:19:13.700
when almost no one else on the planet did. By

00:19:13.700 --> 00:19:15.819
the time he dropped out of Harvard to start Microsoft,

00:19:16.099 --> 00:19:18.440
he had already logged thousands and thousands

00:19:18.440 --> 00:19:21.160
of hours of coding practice. His 10 ,000 hours.

00:19:21.460 --> 00:19:23.920
Precisely. If he had been born five years earlier,

00:19:24.019 --> 00:19:25.839
the technology wouldn't have been there. Five

00:19:25.839 --> 00:19:27.900
years later, and everyone would have had access.

00:19:28.160 --> 00:19:31.279
The timing, that lucky break, was the outlier.

00:19:31.480 --> 00:19:35.549
End. People just ate this up. Outliers was number

00:19:35.549 --> 00:19:37.750
one on the New York Times list for 11 straight

00:19:37.750 --> 00:19:40.710
weeks. By that point, between tipping point and

00:19:40.710 --> 00:19:43.490
blink, he'd already sold 4 .5 million copies

00:19:43.490 --> 00:19:46.529
in the U .S. alone. He wasn't just a writer anymore.

00:19:46.609 --> 00:19:48.990
He was a full -blown phenomenon. But he didn't

00:19:48.990 --> 00:19:52.349
stop there. He's not someone who rests. He continued

00:19:52.349 --> 00:19:55.210
to churn out these big idea books, David and

00:19:55.210 --> 00:19:58.029
Goliath in 2013, which looked at underdogs and

00:19:58.029 --> 00:20:00.869
the advantages of disadvantages. Then Talking

00:20:00.869 --> 00:20:03.069
to Strangers in 2019, which I think is one of

00:20:03.069 --> 00:20:06.029
his darker, more serious, more important works.

00:20:06.390 --> 00:20:08.470
That was one inspired by the Sandra Bland case,

00:20:08.609 --> 00:20:10.710
wasn't it? Yes. He said he was just struck by

00:20:10.710 --> 00:20:13.289
the profound tragedy of Sandra Bland. A woman

00:20:13.289 --> 00:20:15.609
pulled over for a minor traffic violation. An

00:20:15.609 --> 00:20:17.430
argument escalates and she ends up dead in a

00:20:17.430 --> 00:20:19.529
jail cell three days later. It was a horrific

00:20:19.529 --> 00:20:21.940
story, just a... Complete breakdown of communication.

00:20:22.400 --> 00:20:24.579
And Gladwell wanted to understand the mechanics

00:20:24.579 --> 00:20:27.460
of that interaction. How did a conversation between

00:20:27.460 --> 00:20:30.740
a police officer and a civilian go so wrong so

00:20:30.740 --> 00:20:34.440
fast? His thesis was that as a species, we are

00:20:34.440 --> 00:20:36.200
terrible at detecting lies and understanding

00:20:36.200 --> 00:20:39.500
people we don't know. We default to truth or

00:20:39.500 --> 00:20:41.839
we misinterpret body language and it leads to

00:20:41.839 --> 00:20:44.200
disaster. It's almost like a rebuttal to Blink

00:20:44.200 --> 00:20:47.960
in a way. In Blink, our snap judgments are this

00:20:47.960 --> 00:20:50.759
secret superpower. And talking to strangers,

00:20:50.940 --> 00:20:53.160
those same snap judgments get people killed.

00:20:53.279 --> 00:20:55.180
That's a great observation. It's a much more

00:20:55.180 --> 00:20:57.779
cautious book. He's constantly refining and questioning

00:20:57.779 --> 00:21:00.599
his own worldview. Then came The Bomber Mafia

00:21:00.599 --> 00:21:03.400
in 2021, and most recently, Revenge of the Tipping

00:21:03.400 --> 00:21:07.029
Point in 2024. A sequel. A sequel, 25 years after

00:21:07.029 --> 00:21:08.769
the original. Why go back to that? Well, he said

00:21:08.769 --> 00:21:11.029
he wanted to focus on the dark side of contagious

00:21:11.029 --> 00:21:13.309
phenomena. So things like the opioid epidemic,

00:21:13.549 --> 00:21:15.190
the spread of COVID, the rise of misinformation.

00:21:15.910 --> 00:21:17.890
He wanted to look at how tipping points can be

00:21:17.890 --> 00:21:20.009
engineered for bad outcomes, not just good ones

00:21:20.009 --> 00:21:21.670
like crime dropping. And with that one receipt.

00:21:21.869 --> 00:21:24.069
It was a bestseller, of course, but it got mixed

00:21:24.069 --> 00:21:26.410
reviews. Some felt it was a bit of a rehash.

00:21:26.960 --> 00:21:29.119
But it shows he's still wrestling with these

00:21:29.119 --> 00:21:32.720
core ideas a quarter century later. Now we have

00:21:32.720 --> 00:21:35.640
to talk about the massive shift to audio. Because

00:21:35.640 --> 00:21:37.940
for the last decade, I feel like I hear Malcolm

00:21:37.940 --> 00:21:40.799
Gladwell's voice more than I read his words.

00:21:41.059 --> 00:21:43.700
That was a very deliberate and very smart pivot.

00:21:43.839 --> 00:21:46.940
Around 2016, he launched his podcast, Revisionist

00:21:46.940 --> 00:21:49.380
History. He was recruited by Jacob Weisberg,

00:21:49.500 --> 00:21:52.180
who was at Slate at the time. And Gladwell realized

00:21:52.180 --> 00:21:54.480
that the audio medium allowed for something that

00:21:54.480 --> 00:21:57.130
text just didn't. What was that? He called it

00:21:57.130 --> 00:21:59.289
whimsy and emotionality. You can hear it in his

00:21:59.289 --> 00:22:01.609
voice. Yeah. When he gets excited about an idea

00:22:01.609 --> 00:22:03.829
or when he pauses for dramatic effect, you can't

00:22:03.829 --> 00:22:06.269
do that on a page in the same way. And he uses

00:22:06.269 --> 00:22:09.019
music. Archival tape. His shows are very produced,

00:22:09.140 --> 00:22:11.259
very cinematic. And he didn't just make a podcast.

00:22:11.339 --> 00:22:15.299
He built a business, a big one. In 2018, he co

00:22:15.299 --> 00:22:17.880
-founded Pushkin Industries with Weisberg. They

00:22:17.880 --> 00:22:19.839
produced Revisionist History, Broken Record.

00:22:20.099 --> 00:22:21.619
That's the one where he interviews musicians

00:22:21.619 --> 00:22:24.039
with Rick Rubin. Yeah, amazing conversations.

00:22:24.279 --> 00:22:26.220
And they produced a whole slew of other shows.

00:22:26.319 --> 00:22:29.019
He became a media mogul. And just this year.

00:22:29.369 --> 00:22:33.390
In 2025, he launched a new one, The Unusual Suspects.

00:22:33.390 --> 00:22:35.829
Yes, interviewing people like Dr. Dre and the

00:22:35.829 --> 00:22:39.369
former Xerox CEO Ursula Burns about their unconventional

00:22:39.369 --> 00:22:42.730
paths to success. It's very on brand. He is constantly

00:22:42.730 --> 00:22:45.529
obsessively hunting for that hidden pattern of

00:22:45.529 --> 00:22:49.099
success. But. And here's the but we've been building,

00:22:49.160 --> 00:22:51.160
too. You don't get this famous and you don't

00:22:51.160 --> 00:22:54.119
simplify complex ideas this much without making

00:22:54.119 --> 00:22:57.700
some enemies in academia and journalism. We need

00:22:57.700 --> 00:22:59.900
to talk about the criticism. We do. And we have

00:22:59.900 --> 00:23:02.059
to start with the Eigon value problem. Laughs.

00:23:02.440 --> 00:23:04.900
The Eigon value. Please explain this because

00:23:04.900 --> 00:23:06.759
it's kind of a legendary mistake in journalism

00:23:06.759 --> 00:23:09.079
circles. It's a perfect encapsulation of the

00:23:09.079 --> 00:23:11.460
critique against him. It really is. So Steven

00:23:11.460 --> 00:23:13.859
Pinker, the famous cognitive psychologist from

00:23:13.859 --> 00:23:15.920
Harvard, has been one of Gladwell's fiercest

00:23:15.920 --> 00:23:18.660
and most articulate critics for years. He once

00:23:18.660 --> 00:23:21.140
called Gladwell a minor genius, but then heavily

00:23:21.140 --> 00:23:24.019
criticized his statistical reasoning. A backhanded

00:23:24.019 --> 00:23:26.240
compliment if I have ever heard one minor genius.

00:23:26.799 --> 00:23:30.359
Indeed. So Pinker pointed out a specific and

00:23:30.359 --> 00:23:33.519
kind of hilarious error in one of Gladwell's

00:23:33.519 --> 00:23:36.619
pieces for The New Yorker. Gladwell was quoting

00:23:36.619 --> 00:23:40.140
someone who was referring to an eigenvalue, a

00:23:40.140 --> 00:23:43.240
pretty standard concept in linear algebra spelled

00:23:43.240 --> 00:23:46.579
E -I -G -E -N. Right, eigenvalues. I vaguely

00:23:46.579 --> 00:23:48.619
remember them from a math class. But Gladwell

00:23:48.619 --> 00:23:52.059
in the article wrote it as eigenvalue, I -G -O

00:23:52.059 --> 00:23:55.500
-N, as if it were a person's name, like Mr. Eigenvalue.

00:23:55.880 --> 00:23:58.670
Oh. no, that is, that's bad. That implies he

00:23:58.670 --> 00:24:01.430
heard the word, had no idea what it was, didn't

00:24:01.430 --> 00:24:03.650
bother to check it, and just phonetically spelled

00:24:03.650 --> 00:24:06.039
it out thinking it was some guy. That is exactly

00:24:06.039 --> 00:24:08.720
what it implies. And Pinker seized on this. He

00:24:08.720 --> 00:24:11.279
used it as a symbol for the broader issue. He

00:24:11.279 --> 00:24:13.839
called it the Igon value problem. And the problem

00:24:13.839 --> 00:24:16.160
is what exactly? The problem, Pinker argued,

00:24:16.299 --> 00:24:18.319
is that when a writer's education on a topic

00:24:18.319 --> 00:24:20.980
consists only of interviewing a few experts,

00:24:21.240 --> 00:24:23.880
they often repeat things that are banal, obtuse

00:24:23.880 --> 00:24:26.819
or flat wrong because they don't actually understand

00:24:26.819 --> 00:24:28.960
the underlying mechanics of the field. It's the

00:24:28.960 --> 00:24:31.240
danger of being a tourist in someone else's profession.

00:24:31.519 --> 00:24:33.440
You get the postcard, you learn a few phrases,

00:24:33.480 --> 00:24:35.029
but you don't actually speak the language. language

00:24:35.029 --> 00:24:37.789
that's a perfect analogy and other critics have

00:24:37.789 --> 00:24:40.950
piled on they argue he dresses up vacuous truths

00:24:40.950 --> 00:24:43.789
with flowery language and compelling anecdotes

00:24:43.789 --> 00:24:46.609
the new republic once called him america's best

00:24:46.609 --> 00:24:50.190
paid fairy tale writer ouch fairy tale right

00:24:50.190 --> 00:24:52.730
and the register a tech publication accused him

00:24:52.730 --> 00:24:55.650
of having an aversion for fact that is harsh

00:24:56.349 --> 00:24:59.369
But what's the core of that critique? Is it just

00:24:59.369 --> 00:25:01.609
that he gets things wrong sometimes? It's deeper

00:25:01.609 --> 00:25:04.329
than that. The criticism is that he has a formula.

00:25:04.549 --> 00:25:06.569
He starts with the counterintuitive conclusion

00:25:06.569 --> 00:25:09.450
he wants to reach, like underdogs actually have

00:25:09.450 --> 00:25:12.390
the advantage or success is mostly luck. And

00:25:12.390 --> 00:25:14.569
then he goes out and finds the studies and anecdotes

00:25:14.569 --> 00:25:17.069
to support it while conveniently ignoring all

00:25:17.069 --> 00:25:19.069
the data that contradicts it. It's storytelling,

00:25:19.250 --> 00:25:22.289
not science. That's the accusation, that the

00:25:22.289 --> 00:25:25.269
narrative comes first and the facts are marshaled

00:25:25.269 --> 00:25:27.500
to serve it. There was also an ethics dust -up

00:25:27.500 --> 00:25:30.220
involving Bank of America, wasn't there? This

00:25:30.220 --> 00:25:32.119
gets into the business of being Malcolm Gladwell.

00:25:32.259 --> 00:25:35.799
It does. This was back in 2011. Gladwell did

00:25:35.799 --> 00:25:37.960
a three -city speaking tour that was sponsored

00:25:37.960 --> 00:25:40.119
by Bank of America. Now, you have to remember

00:25:40.119 --> 00:25:42.420
the context. This was right after the 2008 financial

00:25:42.420 --> 00:25:45.940
crisis. Bank of America's brand was toxic. They

00:25:45.940 --> 00:25:48.079
were dealing with foreclosure scandals, public

00:25:48.079 --> 00:25:51.079
anger. And here comes the cool guy, the intellectual

00:25:51.079 --> 00:25:53.880
rock star Malcolm Gladwell, lending them his

00:25:53.880 --> 00:25:57.059
halo. That's exactly how it was seen. Publications

00:25:57.059 --> 00:25:59.319
like the Columbia Journalism Review and Mother

00:25:59.319 --> 00:26:02.759
Jones called out the terrible optics. They asked

00:26:02.759 --> 00:26:05.039
if he was basically becoming a spokesman for

00:26:05.039 --> 00:26:07.640
the bank. Was he selling his journalistic credibility?

00:26:08.079 --> 00:26:10.500
What was Gladwell's defense? How did he respond

00:26:10.500 --> 00:26:13.440
to that? He essentially claimed ignorance or

00:26:13.440 --> 00:26:16.079
perhaps naivete. He said he just did a talk on

00:26:16.079 --> 00:26:18.119
innovation for a group of entrepreneurs that

00:26:18.119 --> 00:26:20.400
happened to be sponsored by the bank. He said

00:26:20.400 --> 00:26:22.660
he didn't know the bank was bragging about him

00:26:22.660 --> 00:26:24.880
in their press releases. To him, it was just

00:26:24.880 --> 00:26:27.420
another speaking gig. A speaking gig that presumably

00:26:27.420 --> 00:26:31.000
paid tens of thousands of dollars. Yes. And that's

00:26:31.000 --> 00:26:32.880
the reality of being a public intellectual at

00:26:32.880 --> 00:26:35.720
his level. You become a brand. And corporations

00:26:35.720 --> 00:26:38.440
want to buy a piece of that brand's credibility.

00:26:38.619 --> 00:26:40.960
It becomes very difficult to separate the journalism

00:26:40.960 --> 00:26:43.380
from the business. It's a very tricky line to

00:26:43.380 --> 00:26:46.220
walk. But I wanted to pivot again to the personal

00:26:46.220 --> 00:26:50.000
side. Because for a long, long time, Gladwell

00:26:50.000 --> 00:26:53.279
seemed like this solitary figure, the workaholic

00:26:53.279 --> 00:26:55.619
in the New York apartment, just churning out

00:26:55.619 --> 00:26:58.940
ideas. That has changed dramatically in recent

00:26:58.940 --> 00:27:01.660
years, almost a complete reinvention of his personal

00:27:01.660 --> 00:27:04.299
life. First, there's the faith aspect. We mentioned

00:27:04.299 --> 00:27:06.480
he grew up in a Mennonite church, but he drifted

00:27:06.480 --> 00:27:08.940
away when he moved to New York. He did. He wandered

00:27:08.940 --> 00:27:10.900
away from his religious roots, as many people

00:27:10.900 --> 00:27:13.599
do. But while he was writing David and Goliath,

00:27:13.700 --> 00:27:17.140
he interviewed a woman named Wilma Dirksen, and

00:27:17.140 --> 00:27:19.980
her story profoundly affected him. What was her

00:27:19.980 --> 00:27:22.140
story? She was a Mennonite woman whose child

00:27:22.140 --> 00:27:25.220
had been murdered. Oh, wow. Unimaginable. And

00:27:25.220 --> 00:27:28.099
her reaction to this horror was not what he expected.

00:27:28.890 --> 00:27:31.009
She spoke about her capacity for forgiveness

00:27:31.009 --> 00:27:33.990
and her refusal to be consumed by vengeance.

00:27:34.289 --> 00:27:36.509
She explained that she didn't want the murderer

00:27:36.509 --> 00:27:39.269
to destroy her spirit, too, and Gladwell hearing

00:27:39.269 --> 00:27:42.089
this was just deeply, deeply moved. It touched

00:27:42.089 --> 00:27:44.809
something in him from his past. It did. He said

00:27:44.809 --> 00:27:47.150
that through that interaction, he rediscovered

00:27:47.150 --> 00:27:49.490
the value and the power of his own faith tradition.

00:27:49.710 --> 00:27:53.240
He now identifies as a Christian again. It's

00:27:53.240 --> 00:27:55.619
fascinating. It wasn't an intellectual argument

00:27:55.619 --> 00:27:57.779
that brought him back to faith. It was a story

00:27:57.779 --> 00:27:59.779
of human grace in the face of suffering. That's

00:27:59.779 --> 00:28:02.420
a powerful arc from the cynical city back to

00:28:02.420 --> 00:28:04.579
a return to faith, not through doctrine, but

00:28:04.579 --> 00:28:07.519
through a story, which is so Gladwell. It is.

00:28:07.579 --> 00:28:09.859
And the other big, huge change is fatherhood.

00:28:10.140 --> 00:28:12.779
Yes. For the longest time, I just assumed he'd

00:28:12.779 --> 00:28:15.450
be this perennial bachelor intellectual. And

00:28:15.450 --> 00:28:18.289
then suddenly he's a dad. Very late in life.

00:28:18.430 --> 00:28:21.049
For decades, he was the singular work -obsessed

00:28:21.049 --> 00:28:24.230
bachelor. Then starting around 2019 or 2020,

00:28:24.589 --> 00:28:27.009
everything shifted. In a span of about five years,

00:28:27.210 --> 00:28:29.529
he got engaged, had two children, and moved out

00:28:29.529 --> 00:28:31.890
of Manhattan. Where'd he go? Back to Canada.

00:28:32.130 --> 00:28:35.089
To Hudson, New York, a small town upstate. So

00:28:35.089 --> 00:28:37.410
he's gone from the West Village to a small town.

00:28:37.549 --> 00:28:40.089
He's raising kids. He's reengaged with his faith.

00:28:40.369 --> 00:28:42.589
It's almost like he's circled back to the Elmira

00:28:42.589 --> 00:28:44.829
of his childhood in a way. It's a remarkable

00:28:44.829 --> 00:28:49.230
third act. He turns 61 in 2024. He has a toddler.

00:28:49.569 --> 00:28:52.390
His life looks completely and totally different

00:28:52.390 --> 00:28:53.970
than it did when he wrote The Tipping Point.

00:28:54.150 --> 00:28:56.990
Though, as one reviewer of his latest book noted,

00:28:57.210 --> 00:28:59.809
while his life has profoundly changed, he has

00:28:59.809 --> 00:29:03.190
not. Meaning he's still the same curious, obsessive

00:29:03.190 --> 00:29:05.670
thinker. Exactly. He's just thinking about diapers

00:29:05.670 --> 00:29:07.789
and school systems now, too. So let's try and

00:29:07.789 --> 00:29:10.319
wrap this all up. Let's synthesize. We've looked

00:29:10.319 --> 00:29:12.980
at the runner, the outsider, the ad agency failure,

00:29:13.240 --> 00:29:16.720
the bestselling author, the podcaster, the lightning

00:29:16.720 --> 00:29:19.599
rod for criticism. If we synthesize his legacy,

00:29:19.880 --> 00:29:22.740
it's complicated, but it's undeniable. I think

00:29:22.740 --> 00:29:25.519
his single biggest contribution is that he democratized

00:29:25.519 --> 00:29:27.680
access to academic research. He broke the lock

00:29:27.680 --> 00:29:30.119
on the ivory tower. He did. Before Gladwell,

00:29:30.279 --> 00:29:32.440
sociology and psychology were locked away in

00:29:32.440 --> 00:29:34.500
journals that no normal person ever read. He

00:29:34.500 --> 00:29:37.460
kicked the door down. And even if the details

00:29:37.460 --> 00:29:39.720
are sometimes contested. even if he gets the

00:29:39.720 --> 00:29:42.220
eigenvalue wrong every now and then. Even then,

00:29:42.240 --> 00:29:44.839
he changed how the public talks about human behavior.

00:29:45.180 --> 00:29:48.160
He gave us a shared vocabulary. We all talk about

00:29:48.160 --> 00:29:51.059
tipping points, outliers, and thin slicing. Now,

00:29:51.059 --> 00:29:52.480
because of him, they're part of the culture.

00:29:52.720 --> 00:29:54.819
He made us look at our own lives differently.

00:29:55.359 --> 00:29:57.319
He made us question the story we tell ourselves

00:29:57.319 --> 00:30:00.279
about our own success, making us realize that

00:30:00.279 --> 00:30:02.380
we are products of our environment, our timing,

00:30:02.480 --> 00:30:05.460
our hidden biases. And that is a significant

00:30:05.460 --> 00:30:08.460
contribution, however you slice it. He made us

00:30:08.460 --> 00:30:11.180
think about how we think. So here's my final

00:30:11.180 --> 00:30:12.819
thought, the final question for you to chew on.

00:30:13.819 --> 00:30:15.960
Malcolm Gladwell spends a huge amount of his

00:30:15.960 --> 00:30:18.480
career telling us that success is about luck

00:30:18.480 --> 00:30:21.579
and timing and hidden advantages. He consistently

00:30:21.579 --> 00:30:23.660
downplays the role of the heroic individual.

00:30:23.920 --> 00:30:26.319
Right. Greatness is circumstance, not just willpower.

00:30:26.440 --> 00:30:28.599
That's the core message of Outliers. But then

00:30:28.599 --> 00:30:30.960
you look at the man himself. He runs elite level

00:30:30.960 --> 00:30:33.400
mile times in his 50s. He writes eight massive

00:30:33.400 --> 00:30:36.440
bestsellers. He starts a media company. He works

00:30:36.440 --> 00:30:39.539
relentlessly. He fails 18 times at ad agencies

00:30:39.539 --> 00:30:42.119
and just keeps going. So the question is this.

00:30:42.730 --> 00:30:45.450
How much of the Gladwell effect is actually just

00:30:45.450 --> 00:30:48.150
the result of a man who, unlike the rest of us,

00:30:48.269 --> 00:30:51.609
has a truly outlier level of ambition and simply

00:30:51.609 --> 00:30:54.630
never, ever stopped running? That is the ultimate

00:30:54.630 --> 00:30:56.769
Gladwellian paradox, isn't it? The man whose

00:30:56.769 --> 00:30:59.450
life seems to both prove and disprove his own

00:30:59.450 --> 00:31:01.569
theories at the same time. Thanks for taking

00:31:01.569 --> 00:31:03.650
the deep dive with us. It was a pleasure. A lot

00:31:03.650 --> 00:31:04.130
to think about.
