WEBVTT

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Welcome back to the Deep Dive. Today we are looking

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at a cultural artifact that on paper sounds like

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the result of a fever dream. It really does.

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Or, you know, maybe a high stakes game of Mad

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Libs. played by Hollywood executives and Chinese

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investors during a particularly wild lunch meeting.

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That's a perfect way to put it. It's one of those

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projects where the elevator pitch alone must

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have been like five minutes of pure confusion,

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followed by a frantic, wait, really? Exactly.

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Picture this. It is the Han Dynasty in China.

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You have the Gobi Desert, vast, unforgiving,

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ancient. Right. And in the middle of this desert,

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you have martial arts legend Jackie Chan. Okay,

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standard territory so far. But standing across

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from him is John Cusack. In Roman armor. Wearing

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Roman armor. And lurking in the background is

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the big bad, Adrian Brody. It's just one of the

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most unusual casting lineups in recent action

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movie history. It's the kind of thing where you

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have to double check the poster to make sure

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your eyes aren't playing tricks on you. They're

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not. You expect Jackie Chan. You absolutely do

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not expect the guy from High Fidelity and say

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anything to be commanding a Roman legion. We

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are talking, of course, about the 2015 historical

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action epic, Dragon Blade. And honestly, I've

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been dying to unpack this one because it isn't

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just a movie. It is a massive... collision of

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worlds. A huge one. We've got a $65 million budget.

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We've got Roman legions fighting Chinese protection

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squads. And we have a reception history that

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is completely split down the middle, depending

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on which side of the planet you live on. It is

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a fascinating case study. I mean, you have this

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massive commercial success in China and then

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this confusing, often critical reception in the

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West. Right. But beyond the box office numbers,

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what we really have here is a film that's trying

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to do something very specific culturally. It's

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attempting to blend East and West styles of filmmaking

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while basing its entire narrative on this, this

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sliver of historical speculation that historians

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have been arguing about for decades. Exactly.

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And that is our mission today. We're going to

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dig into the source material, specifically the

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detailed breakdown of the film's production,

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its plot, its history, to figure out how this

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movie got made, what it's actually about, and

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the big question, did Roman soldiers really wander

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into ancient China? It's a valid question, and

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the answer is, well, it's more complex than a

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simple yes or no, though the movie certainly

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picks a lane. So grab your Gladius and your Dow.

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because we're heading to the Silk Road. Let's

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start with the setup, because for a movie with

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such big stars, the premise is surprisingly intricate.

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This isn't just good guys versus bad guys in

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a field. No, it's quite political, actually,

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to start with, which provides a lot of necessary

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context for the era. The year is set during the

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Han Dynasty period, and Jackie Chan plays a character

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named Hua An. Hua An, okay. Now, usually when

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we see Chan in a period piece, he's, you know,

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a general or a rebel, something like that. But

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here he has a very specific, almost bureaucratic

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job title. He is the captain of the Silk Road

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Protection Squad. Silk Road Protection Squad.

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That sounds almost like a modern government agency.

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It does, doesn't it? Or a specialized task force.

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you'd seen, like a procedural drama. And it functions

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like one. The source material describes the squad

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as a peacekeeping, customs clearing organization

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in the western regions. They aren't there to

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conquer territory for the emperor. They are there

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to stop battles between the diverse ethnic groups

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in the region. So their mandate is stability,

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not expansion. That's it. So he's basically a

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UN peacekeeper in the year 48 BC. That is a very

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apt comparison. A very apt one. The notes mention

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he's stopping fights between Indians and Xiongnu

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warriors. He's a super cop of the ancient desert.

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Wow. And this actually connects to something

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personal for Jackie Chan. How so? Is this like

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reflecting his own philosophy? Very much so.

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The source material highlights that Shan specifically

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wanted to make this film to express a message

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of peace for the world. He's quoted as saying

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he wanted to make a movie called Peace because

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of all the conflict he saw in the news at the

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time. Okay, that makes a lot of sense then. So

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Juan is really an embodiment of that philosophy.

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He creates a buffer zone where trade can happen,

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where different cultures can exist without killing

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each other. He fights, but only to stop others

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from fighting. Which is a noble goal. But...

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As is tradition in these kinds of action movies,

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no good deed goes unpunished. Never. You can't

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have a movie about peace without a massive conflict

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to kick it all off. Precisely. And the conflict

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begins internally. The protection squad gets

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framed. They find gold coins, bribes hidden inside

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the corpses of enemies they had neutralized.

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That's a gruesome place to hide money. It is.

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Also. Incredibly unsanitary. It's effective,

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though. It looks like corruption coming from

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within the ranks. I mean, the optics are terrible

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for a squad that claims to be neutral. So Juan

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and his entire squad are stripped of their rank.

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And this is the inciting incident that moves

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us to the main location of the song. Exactly.

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They aren't executed, but they are sentenced

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to hard labor at a place called the Wild Geese

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Gate. Which is described as a ruined fortress

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on the fringe of the western regions. It's a

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miserable place. You've got prisoners, peasants,

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and nomads all forced to rebuild this fort under

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a Turkic commander who isn't exactly friendly.

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A real melting pot of misery. Dust and forced

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labor. That's the vibe. So there they are, hauling

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stones, rebuilding walls, probably thinking their

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lives are over. And then, looking out over the

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horizon, they see a dust cloud. Yep. And in a

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movie like this, a dust cloud never means good

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news. Enter the Romans. This is the moment the

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trailer is built around. A Roman legion, battered

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and exhausted, shows up at the gate in the middle

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of China. And leading him is General Lucius,

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led by John Cusack. Now, in the film's logic,

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this is a highly tense moment. Yeah. The commander

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of the wild geese gate tries to stop them and

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fails. His arrows probably bounce right off the

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shields. Sure. The Romans are disciplined, they

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are desperate, and they are superior in formation.

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So, who on? even though he's a prisoner, rides

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out to duel Lucius. And I love the detail here.

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It's Jackie Chan versus John Cusack, East versus

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West, the G .N. Sword versus the Gladius. It's

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the matchup you never knew you needed. They fight,

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but the source notes it ends in a stalemate.

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Why? Is it just to show they are equals? Partly

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that, but there is an environmental factor. A

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massive sandstorm is coming. But that's not the

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only reason the fight stops. This is where we

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see that character trait of Juan we mentioned

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earlier, the peacemaker. Okay. He notices something

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about the Roman troops during the fight. They

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aren't just an invasion force. They're starving.

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Starving. And they're carrying a little boy,

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a blind boy named Publius. Right. This is the

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humanizing moment. Publius is actually the youngest

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son of Marcus Licinius Crassus. A very famous

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historical Roman figure known for his immense

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wealth and his disastrous military campaigns.

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Right. So Huon sees the child, sees the exhaustion

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in the soldier's eyes, and decides to let them

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into the fortress to take shelter. Defying the

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orders of the fortress commander, I should add.

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It's a classic enemy of my enemy is my friend,

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or rather, humanity before politics moment. This

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kicks off what I think is the most wholesome

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and perhaps the most Jackie Chan. Part of the

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movie. We move into segment two, which I'm calling

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Building Bridges. Literally. Because literally,

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that's what they do. They fix the fort. It is

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a full -on cross -cultural exchange montage.

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The Romans are inside, they recover, and the

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next day they see the Chinese workers struggling

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to rebuild the fortress walls. And the Chinese

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methods are not great. The film portrays them

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as slow, perhaps a bit outdated in this specific

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region, or maybe just disorganized due to the

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prison setting. So Lucius steps up. The Romans

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break out their superior engineering skills.

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They start showing the locals how to lay bricks,

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use pulleys, build fortifications the Roman way.

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It's highly symbolic. You have these two great

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empires, Han China and Rome, collaborating on

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infrastructure. The source mentions this boosts

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morale and happiness among all the inhabitants.

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It's suggesting that if we just put down our

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weapons and picked up our trowels, we could build

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something amazing. Infrastructure as diplomacy.

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And it cements the friendship between Juan and

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Lucius. They go from enemies to bros. There are

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scenes of them drinking together, training together.

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Yeah, that whole sequence. Juan even sends some

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of his men to help Lucius's envoys contact the

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Parthian Empire. It's this great guys being dudes

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moment, but on a geopolitical scale. And Juan

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is even made an honorary centurion by the little

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boy Publius. That's a huge deal. It implies a

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deep level of trust. Being named a centurion

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by a Roman noble is no small gesture. It signifies

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that Juan is seen as an equal in honor and capability.

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But as we know, this peace can't last. We have

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to find out why a Roman legion is wandering around

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the Gobi Desert. They're not on a sightseeing

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tour. Right, they didn't just take a wrong turn

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at Turkey. Unpack the backstory for us. Who are

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they running from? They are fleeing Tiberias.

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Played by Adrian Brody. And let's be honest.

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Adrian Brody's making choices in this movie.

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He certainly is. In the context of this film,

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Tiberius is painted as an absolute monster. He's

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a ruthless Roman consul. The film alleges he

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murdered his own father, Crassus. His own father.

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Yes. And blinded his younger brother, Publius,

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and is now marching on the Silk Road with 100

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,000 soldiers. Talk about family drama. He killed

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his dad and blinded his little brother. That

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is Shakespearean villainy. That's cartoonishly

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evil. It establishes the stakes perfectly, though.

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Lucius isn't just a deserter. He's a protector

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trying to save the rightful heir from a usurper.

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So it makes the Romans sympathetic figures rather

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than imperialist invaders. Exactly. And now that

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threat has arrived at Huan's doorstep. So we

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have the setup. We have the friendship. Now we

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need the tragedy. And Dragonblade apparently

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does not pull its punches here. I was surprised

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by how dark the synopsis gets after the fun -building

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montage. It takes a very sharp, very dark turn.

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This brings us to the climax of the film. Juan

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analyzes Tiberius as a threat to the entire Silk

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Road, not just the Romans. So he leaves to get

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reinforcements, thinking he can rally the other

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nations. But while he's gone. Yeah. Betrayal.

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Because of course. It turns out Juan's second

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-in -command was the one who framed the squad

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in the beginning. He wants to be the commanding

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prefect, so he cuts a deal with Tiberius. He

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sells out his own people for a promotion. And

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this leads to an attack on the home front. And

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this part sounds devastating. Quo An's wife,

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she king. She's a schoolteacher for orphans.

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Yes, she's like the moral center of the film.

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The source describes her as a gentle woman. When

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the traitor sends soldiers to attack, she tries

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to save the children under her care. And she's

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mortally wounded in the process. She is. And

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her dying wish is for Juan to protect the orphans.

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That is heavy. It shifts the movie from a fun

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historical romp into a revenge tragedy. And it

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gets worse for the Romans, doesn't it? Much worse

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from the sounds of it. Much worse. Lucius is

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betrayed and captured. He's taken to the city

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of Curon where Tiberius is camped. And the film

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commits to the villainy of Tiberius here. He

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forces the blind boy Publius to commit suicide.

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Whoa, okay. That is incredibly bleak. They killed

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the kid. They did. It destroys any possibility

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of redemption for the villain. And Lucius is

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brutally tortured. When Huan finally breaks into

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the cell to rescue him, it's too late. He's just

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broken. Burnt, broken, and too damaged to escape.

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This is the emotional peak the outline mentions.

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Lucius begs Huan to kill him. to end his suffering.

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And Juan, the man of peace, the man whose entire

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creed is about saving lives, has to tearfully

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agree. He performs a mercy killing on his friend.

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It's a pivotal moment for the character. Sometimes

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the only way to save someone from pain is to

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let them go. That sets the stage for the final

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showdown. You've got Juan grieving his wife and

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his friend. You've got the remaining Romans who

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have lost their general and their prince. And

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you've got... A massive army of bad guys. The

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final battle is described as overwhelming. Huan

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and the Romans are outnumbered. But then we get

00:12:09.730 --> 00:12:12.690
the cavalry arrives moment. Ah, the classic trope.

00:12:12.870 --> 00:12:15.210
Nomadic hordes, the people Huan had befriended

00:12:15.210 --> 00:12:17.330
earlier in the film, the Indians, the Xiongnu,

00:12:17.450 --> 00:12:20.129
they all join the fight. It's the Avengers assemble

00:12:20.129 --> 00:12:23.389
moment of the Silk Road. All the tribes uniting

00:12:23.389 --> 00:12:25.629
against the tyrant. But even that isn't enough,

00:12:25.730 --> 00:12:28.090
right? The source says they still suffer heavy

00:12:28.090 --> 00:12:31.490
casualties. Correct. It's not an easy win. The

00:12:31.490 --> 00:12:33.970
Shianu warriors, the wild geese gate commander,

00:12:34.330 --> 00:12:37.350
many of them fall. It looks like they are going

00:12:37.350 --> 00:12:40.409
to lose. But the true turning point comes from

00:12:40.409 --> 00:12:43.529
the west. A Parthian army arrives. These are

00:12:43.529 --> 00:12:45.409
the guys Lucius' envoys were trying to reach

00:12:45.409 --> 00:12:48.529
earlier. The very same. The actual empire that

00:12:48.529 --> 00:12:50.970
killed Crassus in real history. Exactly. But

00:12:50.970 --> 00:12:52.970
in the movie, they are there to avenge Crassus.

00:12:53.049 --> 00:12:55.769
Remember, Tiberius killed him and restore peace

00:12:55.769 --> 00:12:58.570
between Rome and Parthia. They turn the tide.

00:12:58.769 --> 00:13:01.690
So Tiberius realizes he's lost. He does. His

00:13:01.690 --> 00:13:03.529
generals, seeing the Parthians and realizing

00:13:03.529 --> 00:13:06.029
Tiberius is a usurper, tell him to surrender.

00:13:06.230 --> 00:13:08.850
But does Adrian Brody surrender? I don't think

00:13:08.850 --> 00:13:10.830
so. That's not how you play a villain like this.

00:13:10.950 --> 00:13:13.529
He refuses. He fights a duel with Juan, and in

00:13:13.529 --> 00:13:16.230
the end, Juan kills Tiberius. So the villain

00:13:16.230 --> 00:13:19.269
is dead, the battle is won, but the cost was

00:13:19.269 --> 00:13:22.210
massive. Which leads us to the resolution, the

00:13:22.210 --> 00:13:25.379
aftermath. The Chinese emperor is impressed by

00:13:25.379 --> 00:13:28.500
the bravery of these Roman survivors. He grants

00:13:28.500 --> 00:13:30.879
them the right to establish their own city. And

00:13:30.879 --> 00:13:35.299
they name it Regum, or in Chinese, Lichen. Which

00:13:35.299 --> 00:13:38.240
translates to something resembling legion. This

00:13:38.240 --> 00:13:40.220
is the key connection the movie is trying to

00:13:40.220 --> 00:13:42.139
make. It's the whole point. The survivors of

00:13:42.139 --> 00:13:44.399
the Wild Geese Gate join the protection squad,

00:13:44.519 --> 00:13:47.840
and they move a shrine to this new city to honor

00:13:47.840 --> 00:13:51.220
the fallen, specifically Lucius. But then, and

00:13:51.220 --> 00:13:53.080
this is one of those things that I find so fascinating

00:13:53.080 --> 00:13:55.480
about this movie, it doesn't just end there.

00:13:55.659 --> 00:13:58.320
We get a time jump. A massive time jump. Thousands

00:13:58.320 --> 00:14:01.240
of years. We cut to the present day. Archaeologists.

00:14:01.539 --> 00:14:04.320
They are uncovering the ruins of this city. They

00:14:04.320 --> 00:14:06.620
stumble upon the site. And the source mentions

00:14:06.620 --> 00:14:09.580
they learn of its tragic history via 3D reconstruction.

00:14:10.000 --> 00:14:12.120
Wait, via 3D reconstruction? Like they have a

00:14:12.120 --> 00:14:14.120
hologram machine or something? The source isn't

00:14:14.120 --> 00:14:16.360
specific on the technology, but it implies a

00:14:16.360 --> 00:14:19.379
high -tech visualization of the past. Upon seeing

00:14:19.379 --> 00:14:21.759
this reconstruction of the history, the bravery,

00:14:21.980 --> 00:14:24.960
the sacrifice, the archaeologists decide to leave

00:14:24.960 --> 00:14:27.299
the site undisturbed. They let Reckham rest in

00:14:27.299 --> 00:14:29.559
peace. They do. It's a very sentimental way to

00:14:29.559 --> 00:14:32.039
frame the story. It's telling the audience, this

00:14:32.039 --> 00:14:35.009
is real history you just watched. It frames the

00:14:35.009 --> 00:14:37.570
entire movie as a ghost story that we've just

00:14:37.570 --> 00:14:40.429
witnessed. Which is a bold claim considering,

00:14:40.590 --> 00:14:43.090
well, we'll get to the history in a moment. But

00:14:43.090 --> 00:14:44.750
first we have to talk about how this thing was

00:14:44.750 --> 00:14:46.789
actually made. Because the production context

00:14:46.789 --> 00:14:49.309
explains a lot about the film's scale and its

00:14:49.309 --> 00:14:51.309
quirks. Oh, absolutely. This wasn't some indie

00:14:51.309 --> 00:14:53.750
project shot in a backyard. This was a juggernaut.

00:14:53.879 --> 00:14:57.120
A beast of a production. U .S. $65 million budget.

00:14:57.220 --> 00:14:59.779
That's huge for a non -Hollywood production in

00:14:59.779 --> 00:15:02.580
2015. It was financed by a consortium including

00:15:02.580 --> 00:15:05.820
Sparkle Roll, Hawaii Brothers, and Tencent. At

00:15:05.820 --> 00:15:07.840
the time, this was a record -breaking budget

00:15:07.840 --> 00:15:10.720
for a Chinese -financed movie. They were swinging

00:15:10.720 --> 00:15:12.419
for the fences, trying to prove they could make

00:15:12.419 --> 00:15:14.519
a blockbuster that looked and felt as big as

00:15:14.519 --> 00:15:16.840
anything coming out of Los Angeles. And they

00:15:16.840 --> 00:15:19.700
filmed it in the real -deal locations. The Gobi

00:15:19.700 --> 00:15:23.879
Desert. Dunhuang. This wasn't all sound stages.

00:15:24.139 --> 00:15:27.419
No. And the conditions were reportedly grueling.

00:15:27.419 --> 00:15:30.279
Right. Extreme heat, sand getting into everything,

00:15:30.399 --> 00:15:33.700
heavy costumes. You can just imagine John Cusack

00:15:33.700 --> 00:15:36.399
and Adrian Brody in full Roman regalia armor,

00:15:36.559 --> 00:15:39.240
capes, heavy leather, sweating it out in the

00:15:39.240 --> 00:15:41.840
Gobi Desert. Oh, man. That adds a layer of realism

00:15:41.840 --> 00:15:44.299
or perhaps exhaustion you can't get on a green

00:15:44.299 --> 00:15:46.559
screen. And the release strategy was aggressive.

00:15:46.759 --> 00:15:49.679
They dropped this movie on February 19, 2015.

00:15:49.879 --> 00:15:52.320
Which is the first day of the Chinese New Year.

00:15:52.440 --> 00:15:55.679
That is the prime slot. It's like releasing a

00:15:55.679 --> 00:15:58.559
movie on Christmas Day in the U .S., but bigger.

00:15:59.309 --> 00:16:01.509
It's the time when families go to the cinema

00:16:01.509 --> 00:16:04.450
together. And in IMAX 3D. Maximizing the ticket

00:16:04.450 --> 00:16:06.789
price and the spectacle. I noticed in the notes

00:16:06.789 --> 00:16:09.230
that the U .S. release was a bit different. Lionsgate

00:16:09.230 --> 00:16:11.350
premiere picked it up later in September, but

00:16:11.350 --> 00:16:13.309
they took some scissors to it. They did. The

00:16:13.309 --> 00:16:16.850
original runtime was 127 minutes. The U .S. version

00:16:16.850 --> 00:16:20.230
was cut down to 103 minutes. That's nearly 25

00:16:20.230 --> 00:16:23.409
minutes of footage gone. 24 minutes. 24 minutes.

00:16:23.450 --> 00:16:26.169
That's an entire act of a movie. That's a massive

00:16:26.169 --> 00:16:28.870
amount of content. It is, and usually those cuts

00:16:28.870 --> 00:16:30.509
come at the expense of character development

00:16:30.509 --> 00:16:33.129
and pacing, which might explain some of the reception

00:16:33.129 --> 00:16:36.460
issues in the West. If you remove the bonding

00:16:36.460 --> 00:16:39.080
scenes, the building bridges moments, the slow

00:16:39.080 --> 00:16:41.860
conversations between Keysak and Chan. The ending

00:16:41.860 --> 00:16:44.480
tragedy feels less earned. Exactly. It becomes

00:16:44.480 --> 00:16:46.879
just an action movie rather than a character

00:16:46.879 --> 00:16:48.720
drama. Well, let's talk about that reception

00:16:48.720 --> 00:16:51.360
because this is truly a tale of two markets.

00:16:51.580 --> 00:16:55.019
The divide is stark. It really is. In China,

00:16:55.080 --> 00:16:57.759
Dragon Blade was a monster hit. Opening day,

00:16:57.960 --> 00:17:02.419
$18 .7 million. Opening weekend. $33 million.

00:17:02.700 --> 00:17:05.220
It topped the box office. In total, it earned

00:17:05.220 --> 00:17:08.779
over $120 million in China alone. By financial

00:17:08.779 --> 00:17:12.059
standards, this was a massive success. It validated

00:17:12.059 --> 00:17:14.460
Jackie Chan's pivot to these grand historical

00:17:14.460 --> 00:17:16.960
epics. It showed that the Chinese audience was

00:17:16.960 --> 00:17:19.460
hungry for this kind of East meets West spectacle,

00:17:19.599 --> 00:17:21.740
seeing their own history intertwined with the

00:17:21.740 --> 00:17:24.420
great Roman Empire. For sure. But then we look

00:17:24.420 --> 00:17:27.019
at the Western critics. And oh boy, it's like

00:17:27.019 --> 00:17:28.779
they watched a completely different film. A different

00:17:28.779 --> 00:17:31.299
story entirely. On Rotten Tomatoes, it sits at

00:17:31.299 --> 00:17:34.180
a 36 % approval rating. The phrases used are

00:17:34.180 --> 00:17:37.900
pretty brutal. Hot mess, dull story, choppy editing.

00:17:38.420 --> 00:17:41.220
IGN gave it a 6 out of 10, calling the story

00:17:41.220 --> 00:17:43.980
rubbish, but praising the fight scenes. Classic

00:17:43.980 --> 00:17:47.000
Jackie Chan caveat. The plot makes no sense,

00:17:47.019 --> 00:17:49.640
but look at him go. Movie Exclusive was even

00:17:49.640 --> 00:17:52.880
harsher, calling it a spectacular misfire for

00:17:52.880 --> 00:17:56.349
Cusack and Brody. There seems to be a disconnect

00:17:56.349 --> 00:17:58.609
where Western critics couldn't get past the tonal

00:17:58.609 --> 00:18:01.009
shifts. You know, Jackie Chan movies often oscillate

00:18:01.009 --> 00:18:03.849
between slapstick, melodrama, and serious action,

00:18:03.910 --> 00:18:06.769
or the editing, which was likely exacerbated

00:18:06.769 --> 00:18:08.630
by that U .S. cut we mentioned. Right, that cut

00:18:08.630 --> 00:18:10.789
is huge. Whereas the spectacle and the sentiment

00:18:10.789 --> 00:18:12.910
resonated much more with the domestic audience

00:18:12.910 --> 00:18:15.589
in China. Although Variety and The Hollywood

00:18:15.589 --> 00:18:18.170
Reporter were a bit nicer. They praised the technical

00:18:18.170 --> 00:18:20.150
details in the battle scene. So it wasn't universally

00:18:20.150 --> 00:18:23.250
hated, just mixed. They appreciated the craft,

00:18:23.410 --> 00:18:25.869
if not the story. There is one other reaction

00:18:25.869 --> 00:18:27.690
we need to mention, which is the Indian media

00:18:27.690 --> 00:18:30.529
response. Right. The source notes this was overwhelmingly

00:18:30.529 --> 00:18:34.490
negative. Yes. The Hindu criticized the lack

00:18:34.490 --> 00:18:37.089
of subtlety, calling the characters cardboard.

00:18:37.690 --> 00:18:39.930
And there were accusations of the film being

00:18:39.930 --> 00:18:43.470
Chinese propaganda. Propaganda? Why? Likely due

00:18:43.470 --> 00:18:45.569
to the portrayal of the Silk Road Protection

00:18:45.569 --> 00:18:48.450
Squad as these benevolent peacekeepers of the

00:18:48.450 --> 00:18:51.789
region, imposing order on the unruly tribes like

00:18:51.789 --> 00:18:54.619
the Indians and Xiongnu. I can see that. Yeah.

00:18:54.740 --> 00:18:57.420
It's interesting how a movie about peace managed

00:18:57.420 --> 00:18:59.640
to annoy so many different groups of critics

00:18:59.640 --> 00:19:01.799
for different reasons. That's the nature of international

00:19:01.799 --> 00:19:04.880
co -production sometimes. Cultural nuances don't

00:19:04.880 --> 00:19:07.420
always translate. What looks like patriotism

00:19:07.420 --> 00:19:09.700
and stability in one market looks like propaganda

00:19:09.700 --> 00:19:12.299
and control in another. Okay, we've delayed it

00:19:12.299 --> 00:19:14.339
long enough. We have to address the elephant

00:19:14.339 --> 00:19:16.980
in the room. Or rather, the Roman in the room.

00:19:17.390 --> 00:19:20.450
Is any of this true? Right. Did Romans actually

00:19:20.450 --> 00:19:23.410
fight alongside the Han Dynasty? Because if this

00:19:23.410 --> 00:19:25.650
is real, my history textbook skipped a really

00:19:25.650 --> 00:19:27.750
cool chapter. This is where we get into the historical

00:19:27.750 --> 00:19:30.809
truth segment. The short answer is almost certainly

00:19:30.809 --> 00:19:33.529
not like this, but it's not completely made up

00:19:33.529 --> 00:19:35.690
either. But there is a theory, right? The movie

00:19:35.690 --> 00:19:37.829
didn't just pull this out of thin air. Correct.

00:19:37.910 --> 00:19:40.670
The film relies heavily on a hypothesis proposed

00:19:40.670 --> 00:19:44.509
by a historian named Homer H. Dubs in 1941. Okay,

00:19:44.529 --> 00:19:47.039
let's unpack the Dubs theory. Because it's a

00:19:47.039 --> 00:19:49.619
fun one, even if it's controversial. So go back

00:19:49.619 --> 00:19:54.279
to 53 BC, the Battle of Cara. This was a disastrous

00:19:54.279 --> 00:19:57.140
defeat for Rome against the Parthians. Marcus

00:19:57.140 --> 00:19:59.759
Licinius Crassus, the father of the blind boy

00:19:59.759 --> 00:20:01.759
in the movie, was killed there. One of Rome's

00:20:01.759 --> 00:20:03.940
worst days. Definitely. And the theory goes,

00:20:04.180 --> 00:20:07.279
what? That some of the prisoners escaped the

00:20:07.279 --> 00:20:10.029
Parthians. Dubs speculated that Roman prisoners

00:20:10.029 --> 00:20:12.930
of war were moved by the Parthians to their eastern

00:20:12.930 --> 00:20:16.029
border to serve as border guards, basically mercenaries.

00:20:16.230 --> 00:20:18.109
And eventually these men might have clashed with

00:20:18.109 --> 00:20:20.329
Han troops or even defected to China to escape

00:20:20.329 --> 00:20:22.410
their Parthian captors. And the evidence for

00:20:22.410 --> 00:20:25.029
this is the town name. That's a big part of it,

00:20:25.089 --> 00:20:28.150
yes. There is a town named Likin in Gansu province.

00:20:28.750 --> 00:20:31.509
Dubs argued that Likin sounds like legion and

00:20:31.509 --> 00:20:34.029
therefore it was founded by Roman legionaries.

00:20:34.069 --> 00:20:36.190
That feels like a stretch. Likin sounds like

00:20:36.190 --> 00:20:38.920
legion. That's the smoking gun. Well, Dubs tried

00:20:38.920 --> 00:20:41.599
to connect a few other dots. There were historical

00:20:41.599 --> 00:20:44.519
records of a specific military formation used

00:20:44.519 --> 00:20:47.119
by foreign troops in a battle around that time

00:20:47.119 --> 00:20:49.579
that looked like a fish scale formation. Okay.

00:20:49.819 --> 00:20:52.799
Dubs interpreted this as the Roman testudo or

00:20:52.799 --> 00:20:55.079
tortoise formation where soldiers lock shields

00:20:55.079 --> 00:20:57.500
over their heads. Okay. That's a bit more compelling.

00:20:57.660 --> 00:21:00.390
Fish scales, tortoise shells. I can see the visual

00:21:00.390 --> 00:21:03.329
link. And there have been claims of local villagers

00:21:03.329 --> 00:21:06.450
in that region having Caucasian features, green

00:21:06.450 --> 00:21:10.349
eyes, lighter hair, aquiline noses. This has

00:21:10.349 --> 00:21:12.890
fueled the local tourism industry significantly.

00:21:13.009 --> 00:21:16.289
But does that hold up to modern science? Not

00:21:16.289 --> 00:21:18.569
really. Genetic testing has been done, and while

00:21:18.569 --> 00:21:20.809
it shows some mixed ancestry, the results have

00:21:20.809 --> 00:21:23.589
been inconclusive or attributed to other Silk

00:21:23.589 --> 00:21:25.509
Road travelers. You have to remember the Silk

00:21:25.509 --> 00:21:27.849
Road was a highway for jeans as well as silk.

00:21:28.029 --> 00:21:30.230
So people from all over were there. Sogdians,

00:21:30.430 --> 00:21:33.150
Persians, Turks, they were mixing there for centuries.

00:21:33.589 --> 00:21:36.349
The expert consensus today is pretty clear. Most

00:21:36.349 --> 00:21:38.329
historians do not accept the dub's theory as

00:21:38.329 --> 00:21:41.049
fact. So no lost legion building fortresses with

00:21:41.049 --> 00:21:43.589
Jackie Chan. Archaeological evidence is lacking.

00:21:44.049 --> 00:21:46.990
No Roman armor. No coins found in the specific

00:21:46.990 --> 00:21:49.289
context that would prove a legion was there.

00:21:49.789 --> 00:21:52.289
The first undisputed contact between Rome and

00:21:52.289 --> 00:21:55.170
China didn't happen until much later, 161 A .D.

00:21:55.470 --> 00:21:58.490
That was an embassy sent by Emperor Antoninus

00:21:58.490 --> 00:22:01.490
Pius or Marcus Aurelius. So Dragon and Blade

00:22:01.490 --> 00:22:04.089
is basically taking a very loose what if scenario

00:22:04.089 --> 00:22:07.849
and turning it into a definitive historical blockbuster.

00:22:08.109 --> 00:22:10.230
Precisely. It takes a footnote of speculation

00:22:10.230 --> 00:22:13.089
and builds an entire city named Ragam out of

00:22:13.089 --> 00:22:15.670
it. It prioritizes the myth over the math of

00:22:15.670 --> 00:22:17.670
history. It's creating a legend. But you know

00:22:17.670 --> 00:22:19.809
what? Even if it's fake, it's such a a cool concept.

00:22:19.930 --> 00:22:22.450
The idea that these two ancient superpowers touched

00:22:22.450 --> 00:22:24.750
fingertips in the desert. It is, and it serves

00:22:24.750 --> 00:22:27.210
a narrative purpose. So, bringing this all together,

00:22:27.410 --> 00:22:29.849
Dragon Blade is a weird beast. It's a massive

00:22:29.849 --> 00:22:32.410
hit in China, a critical flop in the West. It

00:22:32.410 --> 00:22:34.410
stars three major actors who feel like they're

00:22:34.410 --> 00:22:36.609
in different movies. They really do. Kan is doing

00:22:36.609 --> 00:22:38.970
a noble epic, Cusack is doing a solemn drama,

00:22:39.150 --> 00:22:42.730
and Brody is doing something very intense. And

00:22:42.730 --> 00:22:45.410
yet... It represents something significant. It's

00:22:45.410 --> 00:22:47.650
an attempt to bridge the gap between Hollywood

00:22:47.650 --> 00:22:50.329
storytelling and Chinese blockbuster filmmaking.

00:22:50.890 --> 00:22:54.890
It's messy, yes, but it's ambitious. It's trying

00:22:54.890 --> 00:22:57.410
to say that these two cultures, which often view

00:22:57.410 --> 00:23:00.029
each other with suspicion, have a shared history

00:23:00.029 --> 00:23:02.789
of cooperation, even if they have to invent a

00:23:02.789 --> 00:23:04.650
little bit of it to make the point. It's definitely

00:23:04.650 --> 00:23:07.390
not boring. If you want to see John Cusack teaching

00:23:07.390 --> 00:23:10.910
Roman engineering to Han Dynasty laborers, well...

00:23:11.119 --> 00:23:13.519
Adrian Brody chews the scenery so hard there's

00:23:13.519 --> 00:23:17.329
no set left. This is your movie. And it leaves

00:23:17.329 --> 00:23:19.710
us with a provocative thought. Even if the history

00:23:19.710 --> 00:23:22.349
is debunked, why does the idea of a lost legion

00:23:22.349 --> 00:23:25.569
in China fascinate us so much? Why do we keep

00:23:25.569 --> 00:23:27.710
coming back to this specific theory? Yeah, why

00:23:27.710 --> 00:23:29.609
do we want this to be true? I think it speaks

00:23:29.609 --> 00:23:32.509
to a desire to find ancient connections in a

00:23:32.509 --> 00:23:35.009
globalized world. We want to believe that even

00:23:35.009 --> 00:23:37.430
2 ,000 years ago, East and West weren't just

00:23:37.430 --> 00:23:39.589
isolated islands. We want to believe they met,

00:23:39.710 --> 00:23:42.910
they fought, and maybe... Just maybe they understood

00:23:42.910 --> 00:23:45.049
each other. Even if we have to invent the story

00:23:45.049 --> 00:23:47.589
to make it happen. We want validation that globalization

00:23:47.589 --> 00:23:50.750
isn't new. That is a great point. We want the

00:23:50.750 --> 00:23:53.089
world to be smaller than it was. We want to find

00:23:53.089 --> 00:23:55.410
that shared DNA. Exactly. It makes the world

00:23:55.410 --> 00:23:58.349
feel more connected. Well, if you have a chance,

00:23:58.490 --> 00:24:01.069
look up the images of the Roman armor fighting

00:24:01.069 --> 00:24:05.509
alongside Han armor. Historical accuracy aside,

00:24:05.750 --> 00:24:08.910
it looks incredible. Yeah. That's wrap on Dragonblade.

00:24:09.359 --> 00:24:10.920
Thanks for joining us on this trip down the Silk

00:24:10.920 --> 00:24:12.619
Road. We'll see you on the next deep dive.
