WEBVTT

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Welcome back to The Deep Dive, where we take

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complex sources, articles, research papers, field

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notes, extract the gold, and hand you the key.

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And today, the key is the topic. It really is.

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Okay, so let's get into it. We are doing a deep

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dive on an object that isn't just an artifact,

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it's, well, it's the ultimate key to a forgone

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world. We're talking about the Rosetta Stone.

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It's hard to overstate its importance. I mean,

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before this one piece of stone was found, you

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had over 1 ,400... Years of Egyptian history

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just locked away. A total black box. Completely.

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All of that amazing culture, the literature,

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the dynasties, the pharaohs, the Ptolemaic period.

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It was all behind a script that nobody on earth

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could read. It was like a library had been sealed

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shut for a millennium and a half. And our mission

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today is to trace that incredible journey. We're

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going to start with its original purpose, which

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was actually pretty mundane, a political decree

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in 1996 BC. Yeah, just politics. Then we'll follow

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its rediscovery, which was, you know, incredibly

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dramatic, found by Napoleon's army in 1799. The

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total accident of war. Exactly. And then we'll

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get into the intellectual battle to decipher

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it. And finally, its complicated modern legacy,

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the repatriation debates and how it's become

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this global metaphor. And this is so crucial

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for you, the learner. Because the story of the

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Rosetta Stone is really the story of knowledge

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recovery. It shows how one sort of fragmented

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piece of evidence can just completely change

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our entire understanding of the ancient world.

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It basically resurrected a civilization from

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silence. It's this perfect storm of, you know,

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archaeology, human intellect and a healthy dose

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of rivalry. A lot of rivalry, yeah. Okay. So

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let's start with the object itself. When you

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picture the Rosetta Stone, you think of this

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huge black imposing slab in the British Museum.

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But the reality is a little different, isn't

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it? It is. That image of a solid black stone

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is actually a longstanding misconception. Really?

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Yeah. For most of its time in London, the curators,

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they would rub white chalk into the inscriptions

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to make them easier for visitors to read. Okay,

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that makes sense. And they also coated the whole

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thing in a layer of carnauba wax to protect it.

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So that combination gave it that dark, uniform,

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waxy look, which led everyone to think it was

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black basalt. But that's not what it's made of

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at all. Not at all. In 1999, they did this huge

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cleaning project. They stripped all those layers

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away, and underneath, they found its true nature.

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It's a steel of dark gray granodiorite. Granodiorite.

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What is that exactly? It's a much harder, more

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crystalline rock. The cleaning revealed this

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sort of sparkle in its texture. And most importantly,

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it showed this really distinct pink vein running

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across the top left corner. And that pink vein

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is a clue. It's the geological fingerprint. That

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specific coloration is characteristic of rock

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from the quarries at Gebeltingar, which is near

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Aswan in southern Egypt. So we know exactly where

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the stone came from. And it certainly wasn't

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small. I mean, the numbers are staggering. It's

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112 .3 centimeters high. Almost four feet tall.

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And it weighs around 760 kilograms. That's what,

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nearly 1 ,700 pounds? Yeah, this was meant to

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be a permanent, very public monument. You don't

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carve something that heavy for a temporary notice.

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And that's just a fragment. Right. And that's

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the thing. What we have is only a piece of the

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original. We know from comparing it to other

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similar stelae from that period, like the Decree

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of Canopus, that the original was probably much

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taller. How much taller? Estimates put it closer

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to 149 centimeters, so almost five feet high.

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It would have had a rounded top of lunette, which

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almost certainly would have had a carved scene

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on it. A scene of what? Probably King Ptolemy

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V. being presented to the Egyptian gods with

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a winged disc symbol above them. The piece we

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have is just the bottom two -thirds of that original

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monument. And the damage is just, it's so unfortunate,

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especially where the most important text was.

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It's the great irony of the whole thing. The

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top section, which had the ancient Egyptian hieroglyphs,

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the sacred language of the gods, is the most

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heavily damaged part. How much is left? We only

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had the last 14 lines. Every single one of them

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is broken on the right side and some on the left

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as well. It's a mess. So the most mysterious

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script is the most incomplete. Exactly. The middle

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text, the demotic script, is actually the best

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preserved. We have 32 lines of that. And then

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the bottom text, the ancient Greek, which was

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the one they could already read, is mostly intact

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until it breaks off at the corner. So we have

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this incredible object with three different scripts

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on it. A trifecta. Yeah. At the very top, you

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have the formal hieroglyphs written in this sort

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of archaic style to give it religious weight.

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In the middle, you have demotic. That was the

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everyday cursive script used for administrative

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documents. It was the language people actually

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used. The language of documents, I think I read.

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That's a perfect way to put it. Yeah. And then

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at the bottom, of course, Ancient Greek. That

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was the language of the government of the ruling

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Ptolemaic dynasty. And the absolute genius of

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it, or maybe just the spectacular luck, was that

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the text itself says that all three inscriptions

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are versions of the same decree. That was the

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light bulb moment. That's what Lieutenant Bouchard

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and the French savants realized almost immediately.

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It wasn't just three random texts. It was a key.

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It made the stone this indispensable comparative

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text. It was the only way to figure out the unknown

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scripts using the known one as a guide. OK, so

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let's get into the context of that decree. Why

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was this thing even made in the first place?

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back in 1996 bc it was issued for king ptolemy

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the epiphanies and it sounds like his kingdom

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was not in a great place not at all instability

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is the defining word for that era Ptolemy Veth

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was officially crowned when he was 12. 12 years

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old. But he had technically been king since he

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was five, after his parents died very suddenly

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and very suspiciously. Assassinated. It's widely

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believed they were murdered in a palace coup

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by the king's mistress, Agathoclea, and her brother.

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So you have a child king and a bunch of powerful,

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scheming regents running the show. That sounds

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like a recipe for disaster. It was total chaos.

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For years, the kingdom was run by the secession

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of warring guardians who were mostly interested

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in their own power. And I'm guessing their rivals

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on the outside saw this weakness and pounced.

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Immediately. The big threat came from the north.

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The Seleucid Emperor Antiochus III and Philip

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V of Macedon basically made a pact to carve up

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Egypt's overseas territories. So the empire was

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shrinking. It was hemorrhaging territory. And

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at the same time... there was an even bigger

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problem at home. The revolt in the south. Yes,

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a massive long -running revolt in Upper Egypt.

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The southern part of the country was an open

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rebellion against the Greek rulers. I mean, the

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instability was existential. So this decree,

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issued in March of 96 BC, it wasn't really a

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celebration. It was more like a political transaction.

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It was a desperate attempt to buy stability and

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legitimacy. And it's so telling that the Congress

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of Priests who issued it met in Memphis, not

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the Ptolemaic capital of Alexandria. What's the

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significance of that? Well, by going to Memphis,

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the ancient spiritual heart of Egypt, the rulers

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were signaling how much they needed the support

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of the Egyptian priesthood. These priests had

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immense influence. If they endorsed Ptolemy V,

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it would help bridge that legitimacy gap. The

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fact that he was a Greek ruling over Egyptians.

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So what was the deal exactly? What did the priests

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get for their support? It's a classic quid pro

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quo. The priests pledged to establish a divine

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cult for the young king to celebrate him every

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year. And in return, Ptolemy V gave them huge

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gifts of silver and grain, canceled debts, handed

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out tax exemptions. Anything to solidify their

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power and buy their loyalty. And he also made

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a point of mentioning his public works to show

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he was a good king for the common people. He

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did, and it's remarkably specific. The decree

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talks about this one unusually high Nile flood.

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And Ptolemy claims he personally directed the

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damming of the excess water to protect the farmers.

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A bit of political PR. Classic PR. It was a tangible

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benefit that people would understand. The message

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was clear. This king, backed by the priests and

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the gods, protects your livelihood. It's just

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so interesting how these foreign rulers had to

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constantly use these multilingual decrees to

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communicate. This wasn't a one -time thing. Not

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at all. It was standard practice for the Ptolemies.

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We know there were other copies of this exact

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decree, and it was part of a whole series of

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similar decrees issued by earlier kings. So this

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object that unlocked all of ancient history was,

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at its heart, just a piece of government propaganda.

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A mandatory government announcement, yeah. An

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eternal key hidden in a temporary political crisis.

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And it lay buried for almost 2 ,000 years until

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another war brought it back into the light. Right.

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We fast forward to 1799. Napoleon invades Egypt.

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And this wasn't just a military campaign. Napoleon

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was smart. He brought 151 scientists and technical

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experts with him, the savants. He was trying

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to conquer Egypt intellectually as well as militarily.

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And the discovery itself was just this incredible

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accident. So what happened? It's July 1799. French

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soldiers are reinforcing this old Ottoman fort

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near the town of Rashid, which they called Rosetta.

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They were tearing down an old wall to build new

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defenses. And a soldier just spots it in the

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rubble. Lieutenant Pierre -Francois Bouchard

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sees this big, dark slab with writing on it being

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pulled out of the demolition. And he knew right

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away it was something special. Because of the

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three scripts. Exactly. He realized it was probably

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three versions of the same text. So the stone

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gets sent down to Cairo, and the news spreads

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like wildfire through the French scientific community

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there. And they figured out what they had pretty

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quickly. Amazingly quickly. Jean -Joseph Marcel,

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a printer, was the first to correctly identify

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the middle text as demonic, which was a huge

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step. But now they have this single, massive,

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heavy object. The challenge must have been, how

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do we share this with scholars back in Europe?

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That was the next big problem. So in 1800, a

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few of the French experts came up with some really

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clever ways to make copies. One of them, Nicolas

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-Jacques Conte, actually figured out how to use

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the stone itself as a printing block. Like a

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giant stamp. Pretty much. They'd ink the stone

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and press paper onto it. And those prints were

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vital. They were rushed back to Paris so scholars

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could start working on it long before the stone

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itself ever left Egypt. Which was good thinking

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because the French weren't going to hold onto

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it for long. No. The British landed in 1801,

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defeated the French, and laid siege to Alexandria.

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And the stone was in Alexandria with the French

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commander, General Manu. Right. And when Manu

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was forced to surrender, the stone became this

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huge point of contention. This is where the ownership

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dispute kicks off. It gets incredibly tense.

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Menuh actually tried to claim the Rosetta Stone

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as his personal private property to keep it from

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being surrendered. You're kidding? Nope. He argued

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it wasn't a military or state artifact. But the

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British were determined. The scholars with the

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British army, like Edward Daniel Clark, were

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absolutely adamant that it belonged to the British

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crown. So the academics were driving the conflict.

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They were at the heart of it. And this led to

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this incredibly dramatic moment. The French scholars...

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furious at the idea of handing over their discoveries,

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basically threatened to burn everything. They

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said they'd rather throw it all into the sea

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than surrender it to the English, invoking the

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destruction of the Library of Alexandria. Wow.

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So history itself was the bargaining chip. It

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was. Eventually a compromise was reached and

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all the antiquities, including the stone, were

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handed over to the British. And the story of

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the actual handover is a bit theatrical itself.

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There are a couple of different versions, right?

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There are. Colonel Turner, the British officer

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in charge, claimed he just marched in and seized

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it from Manu. But the more interesting account

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is from Clark, the scholar. He said he was secretly

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led by a French officer who apparently didn't

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like Manu to where the stone was hidden. Hidden

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where? Under some carpets mixed in with Manu's

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personal baggage in the back streets of Alexandria.

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So they grabbed it, put it on a captured friendship,

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and sent it to England. And its public life in

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Britain began almost the second it landed. Immediately.

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It arrived in Portsmouth in February 1802. It

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was presented to King George III, who directed

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it be placed in the British Museum. But first,

00:12:18.990 --> 00:12:21.169
it was shown to the scholars at the Society of

00:12:21.169 --> 00:12:23.409
Antiquaries of London. And they made copies right

00:12:23.409 --> 00:12:26.470
away. That was the priority. They made four high

00:12:26.470 --> 00:12:29.389
-quality plaster casts and sent them to Oxford,

00:12:29.629 --> 00:12:32.570
Cambridge, Edinburgh, and Dublin. And prints

00:12:32.570 --> 00:12:34.990
were sent all over Europe. They knew this had

00:12:34.990 --> 00:12:36.850
to be an international effort. When it finally

00:12:36.850 --> 00:12:39.230
got to the British Museum, they made its origins

00:12:39.230 --> 00:12:41.750
very clear. Oh, yeah. They painted inscriptions

00:12:41.750 --> 00:12:44.169
right on the side of it in white paint. Captured

00:12:44.169 --> 00:12:47.370
in Egypt by the British Army in 1801 and presented

00:12:47.370 --> 00:12:51.110
by King George III. Not subtle. Not at all. And

00:12:51.110 --> 00:12:52.690
it's been on display pretty much continuously

00:12:52.690 --> 00:12:55.330
ever since. It's the museum's single most visited

00:12:55.330 --> 00:12:57.929
object. It's so important that they've even moved

00:12:57.929 --> 00:13:00.470
it for safety. Only once, really. During World

00:13:00.470 --> 00:13:03.269
War I in 1917, there was a real fear of German

00:13:03.269 --> 00:13:05.769
bombing raids over London. So they moved the

00:13:05.769 --> 00:13:08.610
stone 50 feet underground into an unused station

00:13:08.610 --> 00:13:11.269
of the Postal 2 Railway. Incredible. Just to

00:13:11.269 --> 00:13:13.870
keep it safe. For two years. A testament to its

00:13:13.870 --> 00:13:16.149
value. Okay, so this brings us to the intellectual

00:13:16.149 --> 00:13:19.870
heart of the story. Reading the unreadable. Before

00:13:19.870 --> 00:13:22.590
the stone, Egyptian history was just silent.

00:13:23.169 --> 00:13:26.110
How did that happen? How does a whole civilization's

00:13:26.110 --> 00:13:29.679
writing system just... It was a slow death, really,

00:13:29.720 --> 00:13:31.919
driven by cultural and religious shifts in the

00:13:31.919 --> 00:13:35.240
late Roman Empire. The last known hieroglyphic

00:13:35.240 --> 00:13:39.659
inscription is dated to 394 AD. That's it. The

00:13:39.659 --> 00:13:42.220
end of the line. That's the end. As Christianity

00:13:42.220 --> 00:13:44.940
spread, the old Egyptian religious practices,

00:13:45.039 --> 00:13:47.159
which were completely tied to the hieroglyphs,

00:13:47.159 --> 00:13:50.340
were suppressed. The temples were closed, and

00:13:50.340 --> 00:13:52.519
the script lost its reason for being. So the

00:13:52.519 --> 00:13:53.980
culture that supported the script disappeared.

00:13:54.320 --> 00:13:57.120
Exactly. The language evolved into Coptic, which

00:13:57.120 --> 00:13:59.940
used the Greek alphabet. And for the next thousand

00:13:59.940 --> 00:14:02.639
years, all these misleading ideas about what

00:14:02.639 --> 00:14:05.039
hieroglyphs were took hold. You're talking about

00:14:05.039 --> 00:14:07.539
Hor Apollo. He's the main culprit. His book,

00:14:07.559 --> 00:14:09.679
Hieroglyphica, argued that the symbols were purely

00:14:09.679 --> 00:14:11.980
allegorical. You know, a picture of a goose meant

00:14:11.980 --> 00:14:14.659
sun because geese are loving parents. That kind

00:14:14.659 --> 00:14:16.379
of thing. So everyone thought it was a picture

00:14:16.379 --> 00:14:18.820
language, not a sound language. Exactly. And

00:14:18.820 --> 00:14:21.919
that one idea blocked any real progress for centuries

00:14:21.919 --> 00:14:24.580
until the Rosetta Stone provided the proof they

00:14:24.580 --> 00:14:27.600
needed. So the stow arrives. Step one is the

00:14:27.600 --> 00:14:29.860
Greek text. Right. That's the starting point.

00:14:29.940 --> 00:14:32.759
It's the known quantity. Scholars like Stephen

00:14:32.759 --> 00:14:35.399
Weston in England and Hubert Pascal Amelian in

00:14:35.399 --> 00:14:38.639
France quickly produced translations. They knew

00:14:38.639 --> 00:14:41.100
what the decree said. So once they have the meaning,

00:14:41.259 --> 00:14:43.559
they can attack the other scripts. And they start

00:14:43.559 --> 00:14:46.220
with the middle one, Demotic. That was step two.

00:14:46.600 --> 00:14:50.059
A Swedish scholar, Johan Akerblad, and the French

00:14:50.059 --> 00:14:53.059
Orientalist, Sylvester de Sassy, had a brilliant

00:14:53.059 --> 00:14:56.320
idea. Which was? Use the proper names. They took

00:14:56.320 --> 00:14:59.159
the foreign names from the Greek text, Ptolemaeos,

00:14:59.179 --> 00:15:02.039
Alexandros, and looked for similar looking groups

00:15:02.039 --> 00:15:04.120
of symbols in the demonic text. Because names

00:15:04.120 --> 00:15:05.840
have to be spelled out phonetically. Exactly.

00:15:05.899 --> 00:15:08.519
And it worked. To a point. Archibald managed

00:15:08.519 --> 00:15:10.659
to identify about half of the demonic alphabet

00:15:10.659 --> 00:15:13.379
correctly. It was a huge first step. But they

00:15:13.379 --> 00:15:15.480
got stuck. But they did. Because they made a

00:15:15.480 --> 00:15:17.980
wrong assumption. They thought the entire script

00:15:17.980 --> 00:15:20.600
must be purely alphabetic. They didn't understand

00:15:20.600 --> 00:15:23.639
that Egyptian writing is a hybrid. It uses phonetic

00:15:23.639 --> 00:15:26.799
signs and ideograms, which are signs that represent

00:15:26.799 --> 00:15:29.659
whole words or ideas. Which is where Thomas Young

00:15:29.659 --> 00:15:32.600
comes in, step three. Right. Thomas Young, this

00:15:32.600 --> 00:15:35.419
brilliant British polymath, he decided to focus

00:15:35.419 --> 00:15:38.159
on the hieroglyphs, specifically the ovals, the

00:15:38.159 --> 00:15:40.679
cartouches. The theory being that cartouches

00:15:40.679 --> 00:15:43.740
always contained royal names. Exactly. So he

00:15:43.740 --> 00:15:46.600
took the one name he knew was there. Ptolemy.

00:15:46.600 --> 00:15:48.940
And he managed to isolate the phonetic signs

00:15:48.940 --> 00:15:54.240
for P -T -O -L -M -N -S. It was a massive breakthrough.

00:15:54.480 --> 00:15:56.820
He proved hieroglyphs had a phonetic component.

00:15:57.059 --> 00:15:59.700
But he got stuck too, for a similar reason. A

00:15:59.700 --> 00:16:02.059
very similar reason. Young assumed that phonetic

00:16:02.059 --> 00:16:04.059
spelling was only used for foreign names, like

00:16:04.059 --> 00:16:06.860
the Greek Ptolemies. He thought that for native

00:16:06.860 --> 00:16:09.100
Egyptian words, the script went back to being

00:16:09.100 --> 00:16:11.860
purely symbolic. Like Cor Apollo said. So he

00:16:11.860 --> 00:16:13.840
could read the name of the ruler, but he couldn't

00:16:13.840 --> 00:16:16.059
read what the ruler was actually doing. Precisely.

00:16:16.279 --> 00:16:18.899
He had a key, but he thought it only opened one

00:16:18.899 --> 00:16:22.120
very specific lock. And that sets the stage for

00:16:22.120 --> 00:16:25.399
the final breakthrough. Jean -Francois Champollion.

00:16:25.580 --> 00:16:28.759
Champollion. He was obsessed with Egypt and was

00:16:28.759 --> 00:16:31.179
fluent in Coptic, which he was convinced was

00:16:31.179 --> 00:16:34.200
the descendant of the ancient language. He knew

00:16:34.200 --> 00:16:36.740
Young's work, but the final piece of the puzzle

00:16:36.740 --> 00:16:39.320
came from another artifact. The Philae obelisk.

00:16:39.600 --> 00:16:41.559
Right. It had another bilingual inscription,

00:16:41.879 --> 00:16:44.639
this time with the names Ptolemaeus and Cleopatra.

00:16:44.759 --> 00:16:47.039
Having a second name was the key. It was everything.

00:16:47.639 --> 00:16:49.659
Because he could cross -reference the letters.

00:16:50.120 --> 00:16:53.620
The P and the T and the L appeared in both names,

00:16:53.720 --> 00:16:56.279
so he could confirm their sounds and quickly

00:16:56.279 --> 00:16:58.899
build out a whole alphabet. He announced it in

00:16:58.899 --> 00:17:02.429
1822. But the real eureka moment, the thing that

00:17:02.429 --> 00:17:04.430
unlocked everything, wasn't a Greek name, was

00:17:04.430 --> 00:17:06.210
it? No. And this is the crucial distinction.

00:17:06.490 --> 00:17:09.569
In 1823, he got copies of cartouches from much

00:17:09.569 --> 00:17:12.009
older temples with the names of native pharaohs.

00:17:12.190 --> 00:17:14.430
And he was able to sound out the names Remesis

00:17:14.430 --> 00:17:18.250
and Thutmose. Wow. And that was it. That proved

00:17:18.250 --> 00:17:20.109
that the phonetic system wasn't just for foreigners.

00:17:20.410 --> 00:17:22.769
It was used for native Egyptian names from a

00:17:22.769 --> 00:17:25.250
thousand years before the Greeks. It shattered

00:17:25.250 --> 00:17:28.240
Jung's assumption. And the entire 1 ,400 years

00:17:28.240 --> 00:17:31.319
of silence just ended. The floodgates opened.

00:17:31.740 --> 00:17:34.400
Because he knew Coptic, he could start to reconstruct

00:17:34.400 --> 00:17:37.220
the grammar and the vocabulary. He had cracked

00:17:37.220 --> 00:17:39.200
the entire system. Of course, this incredible

00:17:39.200 --> 00:17:43.200
intellectual race was not always friendly. There

00:17:43.200 --> 00:17:45.500
was a lot of rivalry. Oh, a huge amount. Yeah.

00:17:45.599 --> 00:17:48.099
The British accused Champollion of plagiarizing

00:17:48.099 --> 00:17:51.799
Young's initial work. It was a very nasty nationalistic

00:17:51.799 --> 00:17:54.710
fight that went on for... And there was even

00:17:54.710 --> 00:17:57.230
scandal inside the French camp. The Salvallini

00:17:57.230 --> 00:18:00.230
affair. One of Champollion's own students basically

00:18:00.230 --> 00:18:02.769
stole his notes after he died and tried to pass

00:18:02.769 --> 00:18:05.490
the work off as his own. It was a cutthroat world.

00:18:05.670 --> 00:18:07.789
So even with the code cracked, the work wasn't

00:18:07.789 --> 00:18:09.630
done. It took decades to refine the translations.

00:18:09.789 --> 00:18:11.930
The initial decipherment was just the framework.

00:18:12.440 --> 00:18:15.039
It took until the 1850s for scholars to produce

00:18:15.039 --> 00:18:18.680
really reliable revised translations. And there's

00:18:18.680 --> 00:18:20.660
still debate today about which of the three texts

00:18:20.660 --> 00:18:22.880
was the original. The source code, so to speak.

00:18:23.099 --> 00:18:26.240
Right. Was it written in Greek first and then

00:18:26.240 --> 00:18:29.900
translated? Or did it start with the sacred hieroglyphs?

00:18:30.799 --> 00:18:33.140
The most likely answer is that it was all drafted

00:18:33.140 --> 00:18:35.920
at the same time by a committee, blending the

00:18:35.920 --> 00:18:37.720
three traditions together. Which makes sense.

00:18:37.720 --> 00:18:39.799
It feels like a document created by a committee.

00:18:40.200 --> 00:18:43.519
It really does. The Rosetta Stone is now probably

00:18:43.519 --> 00:18:46.420
the most famous rock in the world. It's so famous

00:18:46.420 --> 00:18:48.619
that its name has become part of our language.

00:18:48.839 --> 00:18:51.900
It's a huge cultural achievement. The term Rosetta

00:18:51.900 --> 00:18:55.599
Stone. Now just means the key to cracking any

00:18:55.599 --> 00:18:58.000
kind of code, the one clue that lets you understand

00:18:58.000 --> 00:19:00.019
a much bigger system. And you see that metaphor

00:19:00.019 --> 00:19:03.019
everywhere. Everywhere. In physics, the spectrum

00:19:03.019 --> 00:19:05.240
of the hydrogen atom is called the Rosetta Stone

00:19:05.240 --> 00:19:08.019
of modern physics because understanding it allowed

00:19:08.019 --> 00:19:10.160
us to understand all other atoms. And in biology,

00:19:10.339 --> 00:19:12.440
too. Yeah, a little plant called Arabidopsis

00:19:12.440 --> 00:19:15.019
is the Rosetta Stone of flowering time because

00:19:15.019 --> 00:19:17.299
its simple genetics provided the key to how all

00:19:17.299 --> 00:19:20.099
flowers work. Even the European Space Agency

00:19:20.099 --> 00:19:23.039
named their comet -chasing probe. Rosetta. Because

00:19:23.039 --> 00:19:25.539
they hoped the comet would hold the key to the

00:19:25.539 --> 00:19:27.980
origins of the solar system. Exactly. The metaphor

00:19:27.980 --> 00:19:30.339
is perfect. And it's important to remember, as

00:19:30.339 --> 00:19:33.019
a concept, it's not totally unique. There have

00:19:33.019 --> 00:19:35.420
been other bilingual texts that have unlocked

00:19:35.420 --> 00:19:38.220
languages. That's a great point. The Rosetta

00:19:38.220 --> 00:19:41.039
Stone is the most famous, but the Behistun inscription

00:19:41.039 --> 00:19:43.980
in Iran did the same thing for cuneiform scripts,

00:19:44.279 --> 00:19:46.380
which was just as important for Mesopotamian

00:19:46.380 --> 00:19:49.200
history. So it's part of a larger story of decipherment.

00:19:49.339 --> 00:19:51.920
It is a very important part. But that brings

00:19:51.920 --> 00:19:55.019
us to its complicated modern life and the calls

00:19:55.019 --> 00:19:58.930
for its repatriation. Yes. This has been a consistent

00:19:58.930 --> 00:20:02.470
call since the early 2000s, led by Dr. Zahi Hawass

00:20:02.470 --> 00:20:05.589
in Egypt. He's called it the icon of our Egyptian

00:20:05.589 --> 00:20:08.450
identity and argued that it belongs in Egypt.

00:20:08.630 --> 00:20:10.849
And he's proposed compromises, right? Not just

00:20:10.849 --> 00:20:13.529
demanding it back permanently. He has. He's asked

00:20:13.529 --> 00:20:15.630
for temporary loans, for example, for the opening

00:20:15.630 --> 00:20:17.809
of the new Grand Egyptian Museum. The British

00:20:17.809 --> 00:20:20.630
Museum did give Egypt a full -size replica, but

00:20:20.630 --> 00:20:22.509
the original has stayed in London. And what is

00:20:22.509 --> 00:20:24.250
the position of the British Museum and other

00:20:24.250 --> 00:20:26.490
big international museums? They have a unified

00:20:26.490 --> 00:20:29.720
defense. They argue that these objects were acquired

00:20:29.720 --> 00:20:32.059
in a different era with different values and

00:20:32.059 --> 00:20:35.640
that now they serve as world objects in world

00:20:35.640 --> 00:20:37.619
museums. The argument being that more people

00:20:37.619 --> 00:20:40.359
can see it in London, that it belongs to humanity.

00:20:40.680 --> 00:20:42.900
That's the core of their position, that they

00:20:42.900 --> 00:20:45.319
serve the people of every nation by making these

00:20:45.319 --> 00:20:48.240
treasures of global heritage accessible. It's

00:20:48.240 --> 00:20:50.680
a really complex debate with no easy answers.

00:20:50.940 --> 00:20:53.380
A clash between national identity and global

00:20:53.380 --> 00:20:55.740
access. And it leads to this great little irony

00:20:55.740 --> 00:20:58.319
that the scholars... John Ray pointed out. He

00:20:58.319 --> 00:21:01.079
noted that the day is coming when the Rosetta

00:21:01.079 --> 00:21:03.079
Stone will have spent more time in the British

00:21:03.079 --> 00:21:06.079
Museum than it ever did in Rosetta or anywhere

00:21:06.079 --> 00:21:09.079
else in ancient Egypt. Its modern life as an

00:21:09.079 --> 00:21:11.839
icon has now completely eclipsed its original

00:21:11.839 --> 00:21:15.019
purpose. So when you boil it all down, what does

00:21:15.019 --> 00:21:17.900
this all mean? We've traced this journey from

00:21:17.900 --> 00:21:20.279
a piece of rock made for a nervous teenage king

00:21:20.279 --> 00:21:23.180
all the way to the tool that brought a civilization

00:21:23.180 --> 00:21:26.160
back to life. The deep dive really shows that

00:21:26.160 --> 00:21:28.680
the genius wasn't just finding the stone. It

00:21:28.680 --> 00:21:31.160
was the incredible intellectual effort that followed.

00:21:31.259 --> 00:21:33.980
That moment of realizing that a single name,

00:21:34.099 --> 00:21:38.720
Halimaos, held the phonetic key to unlock. Everything

00:21:38.720 --> 00:21:41.059
else. That one connection was the thread that

00:21:41.059 --> 00:21:43.799
unraveled the whole mystery. It gave us back

00:21:43.799 --> 00:21:46.140
a millennium of history. And proved that even

00:21:46.140 --> 00:21:48.019
the most difficult codes can be broken if you

00:21:48.019 --> 00:21:50.359
just find the right key. Absolutely. Right. And

00:21:50.359 --> 00:21:51.940
the final thought to leave you with is this.

00:21:52.460 --> 00:21:54.839
That original decree was made for one reason

00:21:54.839 --> 00:21:57.599
and one reason only. To secure the power of King

00:21:57.599 --> 00:22:00.880
Ptolemy V. It was pure political propaganda designed

00:22:00.880 --> 00:22:03.880
for immediate local relevance in a very turbulent

00:22:03.880 --> 00:22:07.400
time. Meant to glorify one king. For a fleeting

00:22:07.400 --> 00:22:10.059
moment. But consider the incredible irony. This

00:22:10.059 --> 00:22:12.299
routine political document designed to solve

00:22:12.299 --> 00:22:14.940
a short -term crisis instead became the eternal

00:22:14.940 --> 00:22:17.480
key to understanding the entire religious and

00:22:17.480 --> 00:22:19.960
historical world of the various civilization

00:22:19.960 --> 00:22:23.140
it was meant to govern. This object, intended

00:22:23.140 --> 00:22:26.259
to elevate a single king's cult, ended up resurrecting

00:22:26.259 --> 00:22:27.599
an entire ancient world.
