WEBVTT

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Welcome back to the Deep Dive. Today we're taking

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on a, well, a truly formidable figure. We've

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got a whole stack of material here, biographies,

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her own foundational texts, letters, and our

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mission is to distill it all for you. We're plunging

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into the life, the work, and the intellectual

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fortress of Simone de Beauvoir. And she's not

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an easy subject to pin down, is she? Born in

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1908, died in 1986, a French existentialist,

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philosopher, novelist, social theorist. The list

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goes on. It really does. And the sources, you

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know, they paint this picture of a person defined

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by radical freedom, incredible intellectual rigor,

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but also a lot of controversy. Oh, immense controversy,

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both in her public life and her very private

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life. So that's our goal today. We're going to

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crank it beyond the cliches, unpack all that

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complexity. We want to synthesize her huge intellectual

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contributions, dig into her unconventional partnerships,

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and really measure the legacy of her most famous

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work, The Second Sex. And I think the first thing

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to get your head around is the paradox of her

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own identity. What do you mean by that? Well,

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Beauvoir herself didn't identify as a philosopher.

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Not really. She saw herself as a writer, an intellectual.

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And, you know, for most of her life, and even

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when she died in 86, they didn't really see her

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as a top -tier philosopher either. Seriously?

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They saw her as what, Sartre's companion? Pretty

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much. Sartre's companion may be a very skilled

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essayist, but not, you know, a capital -P philosopher

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in her own right. That just seems like a massive

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historical oversight, given her impact. It was.

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It absolutely was. But I think history has sort

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of corrected that. Her influence now, especially

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on existential phenomenology and, of course,

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on feminist theory, it's seen as maybe even more

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enduring than some of the famous men she studied

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with. Okay, so if we had to place her intellectually,

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where does she fit? She's firmly in the camp

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of continental philosophy. Existentialism, obviously.

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Yeah. Existential phenomenology. And then later

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in her life, she moved more towards a kind of

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Western Marxism as she got more focused on the,

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uh... the economic side of oppression. But the

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one thing you can't separate her from, the thing

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that defines her legacy, is her pioneering work

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in feminist philosophy. I mean, the name Simone

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de Beauvoir is basically synonymous with the

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second sex. Absolutely. And the second sex deserves

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all the attention it gets. It really does. But

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it's so important to remember the sheer weight

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of her other contributions. Her work on ethics,

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for instance. The ethics of ambiguity. Exactly.

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And feminist ethics. This wasn't just, you know,

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dusty academic stuff. Her books were public events.

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She won the Prix Goncourt in 1954. That's France's

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highest literary award for novel The Mandarins.

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Wow. And she also got the Jerusalem Prize in

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75 and the Austrian State Prize for European

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Literature in 78. So she was a major public intellectual

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recognized at the highest levels. Which just

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makes you wonder, how did this woman, born into

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the rigid Parisian upper middle class, become

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this radical, award -winning, atheist intellectual

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who basically defined existential feminism? Well,

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to understand that, you have to go right back

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to the beginning. To her childhood. So, Simone

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Lucie Ernestine Marie Bertrand de Beauvoir, born

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in Paris in 1908. Her family sounds like the

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absolute picture of the French bourgeoisie of

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that time. It really was. Her father, Georges,

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was a lawyer who secretly wanted to be an actor.

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Her mother, Françoise, was from a wealthy banking

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family, very devoutly Catholic. And Simone had

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one younger sister, Helene. And the sources say

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her father was a huge influence on her early

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intellectual development. Oh, pivotal. He was

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apparently incredibly proud of how smart she

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was, always encouraging her studies. There's

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this famous quote, and you can just feel the

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gender bias of the era dripping off it. He used

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to boast, Wow. That one quote just sets up the

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entire paradox she'd spent her life fighting,

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doesn't it? The idea that being brilliant is

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somehow inherently masculine, even when it's

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happening in a woman's mind. Precisely. And that

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encouragement, it gave her the ambition, but

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then her world kind of fell apart. After World

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War I, the family lost a huge chunk of their

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fortune. And that crisis, ironically, is what

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set her free. It was her great liberation. It

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really was. Her mother insisted on keeping up

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appearances. So Simone stayed in this prestigious

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convent school. But the big change was the dowry.

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It was gone. Which in that time in class was

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a disaster for a young woman's marriage prospects.

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A complete disaster. But Beauvoir, she saw it

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as an opportunity. She knew she had to work for

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a living now. And for her, that wasn't a punishment.

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It was the path to economic independence, which

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she saw as the only way to be truly free. So

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a social failure becomes the catalyst for her

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own intellectual success. And this was all happening

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while she was having this intense internal philosophical

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battle. She was raised Catholic. You know, she

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even wanted to be a nun at one point. But then

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around age 14, she just started questioning her

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faith. And when she let go, she really let go.

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Completely. She became a committed atheist for

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the rest of her life. And if you read her first

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autobiography, Memoirs of a Beautiful Daughter,

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she says her whole youth felt like a kind of

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endless disputation. A dispute between... between

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her parents' worldviews. Her father on one side

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with his sort of secular, cynical, almost pagan

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ethical standards, and her mother on the other

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with her rigidly moral conventionalism rooted

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in the church. And she couldn't reconcile the

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two. No. She said that conflict, that disequilibrium,

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was the main reason why I became an intellectual.

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She had to invent a new system for herself, a

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way to live where you're constantly making choices

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instead of following rules. And she had this...

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This really biting critique of faith, didn't

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she? Something about it being an evasion. Yes.

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She said, faith allows an evasion of those difficulties

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which the atheist confronts honestly. It's not

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just a rejection of God. It's a critique of any

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system that gives you easy answers. Which totally

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explains her drive. And that drive led to just,

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I mean, spectacular academic success. It really

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did. In the late 1920s, she's studying math,

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literature, languages, and crucially, she starts

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auditing courses at the École Normale Supérieure

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to prep for the aggregation. And we should probably

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explain what the aggregation is. It's not just

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a final exam. It's this incredibly brutal, nationwide

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competitive exam for the top teaching jobs in

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France. It's a trial by fire. It demands total

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mastery. And it was while she was studying for

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this that she met that whole circle. Jean -Paul

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Sartre, Paul Nizan, René Mahou. Right. And Mahou

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gave her the nickname Caster, which is French

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for beaver. Because her surname, Beauvoir, sounded

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a bit like the English word beaver. And because

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she was such a hard worker, I suppose, the name

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stuck. So 1929's the big year. She writes her

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thesis on Leibniz. But the real moment is the

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aggregation exam. And the results. I mean, they

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just speak for themselves. Sartre came in first.

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She came in second. At just 21 years old, she

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was the youngest person ever to pass the philosophy

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aggregation. And that did it. That secured her

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economic independence. It gave her the salary,

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the freedom she'd been fighting for. Exactly.

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She taught in high schools the laissez system

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for years until she could finally support herself

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just from her writing in 1943. So by 1929, she's

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got it all lining up. Financial stability. this

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incredible intellectual reputation, and she's

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in this lifelong relationship with Jean -Paul

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Sartre. A relationship that is probably the most

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famous non -marriage in intellectual history.

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It lasted 50 years, right up until he died in

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1980. And it started unconventionally from day

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one. Completely. Sartre was immediately fascinated

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by her mind. He even proposed marriage, but in

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this sort of tentative way, suggesting a two

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-year lease. A two -year lease on a marriage.

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And she turned him down flat. She did. And her

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reasons were deeply philosophical. She saw marriage

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as a very alienating institution. She thought

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it was dangerous for both people, but especially

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for women. What specifically did she object to?

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The whole concept of conjugal rights. The idea

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that the institution gave a man legal and sexual

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access to a woman's body. To her, it reduced

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a woman to property and would have just completely

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negated the independence she'd fought so hard

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for. So instead of marriage, they create this

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thing they call a soul partnership. It was their

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primary emotional and sexual relationship, but

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it was non -exclusive and they never lived together.

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Which gave her this radical freedom. She had

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the intellectual partner she needed, but also

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the time and space to write, to travel, to take

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other lovers. And to think. It allowed both of

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them to have this incredible freedom. Now their

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intellectual relationship, it's always been debated,

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hasn't it? Was she just his follower, his best

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editor, or was she a genuine influence on his

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thinking? History often tried to put her in that

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secondary role, but more recent scholarship,

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looking at their early letters and notes, shows

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how deeply grounded she was in philosophy on

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her own terms. She was reading Hegel and Leibniz

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before Sartre was, and some sources say she developed

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her own original critique of Hegel's master -slave

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dialectic. So they were true intellectual equals.

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They were. They always read each other's work

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before publication, gave each other feedback.

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The lines between their ideas were often, you

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know, intentionally blurry. Outside of Sartre,

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her other big famous relationship was with the

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American writer Nelson Algren. Yes. She met him

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in Chicago in 1947. She was on this four -month

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tour of the U .S., which she wrote about in her

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book America Day by Day. And that was a very

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different kind of relationship, wasn't it? It

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seems so. It was very intense, very passionate,

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but also very long distance. In her letters to

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him, she called him my beloved husband. And,

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you know, decades later, she was buried wearing

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a silver ring he'd given her. But this is where

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her philosophy of radical openness really clashes

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with, you know, personal feelings. Yeah. Because

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she used that relationship in her work. She did.

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Algren was the model for the character Louis

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Brogan in her novel The Mandarins. The novel

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that won the Prix Goncourt. Right. And while

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it was a huge literary success, it was a personal

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disaster for their relationship. Algren was reportedly

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just devastated. He was outraged by how frankly

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she described their sexual life in the novel

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and later in her autobiographies. He felt totally

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betrayed. It really highlights this constant

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tension in her life, doesn't it? This absolute

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commitment to authenticity, but then the collateral

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damage it could cause to people she cared about.

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Exactly. And that leads us directly to the most

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controversial part of her personal ethics, her

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relationships with her students. This is the

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really difficult stuff to talk about. We know

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she was bisexual, but these relationships crossed

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a serious line. They did. And this is where the

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gossip and controversy really intensified. It

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wasn't just about unconventional partnerships

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anymore. It was about documented exploitation.

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And it led to a major public scandal for her

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in 1943. That's right. Her teaching license was

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actually revoked after she was formally charged

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with debauching a minor. And this was in relation

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to her 17 -year -old student, Natalie Sorokin.

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Yes. The license was eventually reinstated, but

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the damage was done. And the allegations, well,

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they go much deeper when you read the accounts

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of another student, Bianca Lamblin. Lamblin wrote

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a memoir about this much later, right? She did.

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In it, she alleged that Beauvoir began grooming

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and sexually exploiting her when she was just

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16. She claims it turned into this exploitative

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three -way relationship, a menage a trois, with

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Sartre that lasted for years. That's a staggering

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accusation of an abuse of power. What made Lamlin

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finally come forward with that story? It was

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after Sarch's letters were published posthumously.

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She discovered that he'd written about her, using

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a pseudonym. And reading his detached clinical

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descriptions of what she had experienced, she

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said she felt nauseated and disgusted. And it

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wasn't just her. No, both Lamblin and Sorkin

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and another student named Olga Kosakivich. They

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all later said that their relationships with

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Beauvoir had caused them serious, lasting psychological

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harm. It's a profound contradiction, isn't it?

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Here's this philosopher who's about to write

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a masterpiece about freedom and the ethical need

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to will the freedom of others. While at the same

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time, she's engaging in these incredibly unequal,

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damaging relationships that are built on her

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own power and authority. You can't understand.

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the whole person without grappling with that

00:12:11.799 --> 00:12:13.919
tension. Right. So let's talk about how she translated

00:12:13.919 --> 00:12:16.440
her philosophy into public action. This idea

00:12:16.440 --> 00:12:18.879
of being an engaged intellectual. The key vehicle

00:12:18.879 --> 00:12:21.059
for that was the journal they founded, Les Temps

00:12:21.059 --> 00:12:24.299
Modernes, or Modern Times. She started it in

00:12:24.299 --> 00:12:28.100
1945 with Sarch and Maurice Merleau -Ponty. It

00:12:28.100 --> 00:12:30.340
was meant to be the intellectual engine of post

00:12:30.340 --> 00:12:32.340
-war France. They're not just an academic journal.

00:12:32.679 --> 00:12:35.279
A political one. Absolutely. Sartre wrote this

00:12:35.279 --> 00:12:38.000
famous preface for the first issue laying out

00:12:38.000 --> 00:12:40.279
their mission. He called it engaged literature.

00:12:40.659 --> 00:12:42.820
He basically said writers have a responsibility

00:12:42.820 --> 00:12:45.860
to act in the world. He even attacked Flaubert

00:12:45.860 --> 00:12:48.100
for not writing a single line to protest the

00:12:48.100 --> 00:12:50.279
violence after the Paris Commune. So the idea

00:12:50.279 --> 00:12:52.679
was to take a side. Exactly. The journal's mission

00:12:52.679 --> 00:12:56.039
was to influence the society we live in. And

00:12:56.039 --> 00:12:58.480
Beauvoir was central to this. She was an editor

00:12:58.480 --> 00:13:01.799
until she died. And she used its pages as a sort

00:13:01.799 --> 00:13:04.309
of laboratory to test out her own ideas before

00:13:04.309 --> 00:13:06.710
they became books. And her first real philosophical

00:13:06.710 --> 00:13:10.210
essay came out around this time, in 1944. Yes,

00:13:10.429 --> 00:13:12.929
Pyrrhus et Sineas. It's a fascinating piece,

00:13:13.090 --> 00:13:15.129
written as a dialogue, where she starts to explore

00:13:15.129 --> 00:13:18.289
these questions of ethical action. When is violence

00:13:18.289 --> 00:13:20.690
justified? What does it mean to act meaningfully?

00:13:20.730 --> 00:13:23.730
But the big one. The central statement of her

00:13:23.730 --> 00:13:26.850
existentialist ethics is the ethics of ambiguity

00:13:26.850 --> 00:13:30.710
from 1947. That's the one. In it, she argues

00:13:30.710 --> 00:13:33.190
that existentialism is the philosophy for our

00:13:33.190 --> 00:13:35.590
time because it's the only one that takes seriously

00:13:35.590 --> 00:13:38.289
the collapse of religious certainty. It starts

00:13:38.289 --> 00:13:41.149
from Dostoevsky's famous challenge. If God is

00:13:41.149 --> 00:13:44.110
dead, then all things are lawful. So if there

00:13:44.110 --> 00:13:46.929
are no pre -made rules, how do you build an ethical

00:13:46.929 --> 00:13:49.690
system from scratch? She says you start by confronting

00:13:49.690 --> 00:13:52.840
what she calls bad faith. This is the tendency

00:13:52.840 --> 00:13:55.279
we all have to run away from our own freedom.

00:13:55.399 --> 00:13:57.679
We pretend we don't have a choice. She has different

00:13:57.679 --> 00:13:59.460
categories for this, right? The serious man.

00:13:59.580 --> 00:14:02.100
The serious man, yes. He's the person who denies

00:14:02.100 --> 00:14:04.059
his freedom by saying, well, the rules are just

00:14:04.059 --> 00:14:07.220
the rules. He bows down to some external authority,

00:14:07.399 --> 00:14:10.120
the state, the church, his boss, to avoid taking

00:14:10.120 --> 00:14:12.740
personal responsibility for his choices. He hides

00:14:12.740 --> 00:14:15.049
in the system. Precisely. And then you have the

00:14:15.049 --> 00:14:17.370
nihilist who sees that there's no preordained

00:14:17.370 --> 00:14:19.250
meaning and just concludes that nothing matters

00:14:19.250 --> 00:14:21.590
at all. So why bother? Both are a flight from

00:14:21.590 --> 00:14:25.450
freedom. So the only truly moral or authentic

00:14:25.450 --> 00:14:29.429
way to live is to embrace that ambiguity, to

00:14:29.429 --> 00:14:31.970
accept that we are both fact and freedom at the

00:14:31.970 --> 00:14:34.950
same time. Yes. And this is her core ethical

00:14:34.950 --> 00:14:37.950
insight. The truly authentic person realizes

00:14:37.950 --> 00:14:40.389
that their own freedom depends on the freedom

00:14:40.389 --> 00:14:43.190
of others. You can't be free by oppressing someone

00:14:43.190 --> 00:14:45.610
else. Because their projects, their choices,

00:14:45.649 --> 00:14:48.169
interfere with yours. Exactly. She put it perfectly.

00:14:48.429 --> 00:14:51.450
No project can be defined except by its interference

00:14:51.450 --> 00:14:54.889
with other projects. My freedom to act is only

00:14:54.889 --> 00:14:57.210
meaningful in a world where you are also free

00:14:57.210 --> 00:15:00.409
to act. If I enslave you, I diminish the very

00:15:00.409 --> 00:15:03.049
meaning of my own freedom. It's a radical call

00:15:03.049 --> 00:15:05.820
for mutual responsibility. It wasn't just abstract

00:15:05.820 --> 00:15:07.899
theory for her. She applied it in some really

00:15:07.899 --> 00:15:10.059
high -stakes, difficult political situations.

00:15:10.279 --> 00:15:12.700
Very much so. After the war, during the trials

00:15:12.700 --> 00:15:14.519
of collaborators, there was the case of Robert

00:15:14.519 --> 00:15:16.899
Brossilock. He was a prominent writer who had

00:15:16.899 --> 00:15:18.879
supported fascism and genocide. And Beauvoir

00:15:18.879 --> 00:15:21.659
argued for his execution. She did. It was controversial,

00:15:21.879 --> 00:15:24.419
but she defended it in an essay called An Eye

00:15:24.419 --> 00:15:28.000
for an Eye. She argued that because he used his

00:15:28.000 --> 00:15:30.259
freedom as a writer to call for oppression and

00:15:30.259 --> 00:15:33.200
death, he was guilty of intellectual crimes that

00:15:33.200 --> 00:15:36.740
had real lethal consequences. It's a really stark

00:15:36.740 --> 00:15:38.679
application of her ethics of responsibility.

00:15:39.120 --> 00:15:41.679
That intensity, that direct application of philosophy

00:15:41.679 --> 00:15:45.399
to life, it all culminates in her 1949 masterpiece,

00:15:45.860 --> 00:15:48.940
The Second Sex. This is it. This is where existentialism

00:15:48.940 --> 00:15:51.350
and feminism fused together to create something

00:15:51.350 --> 00:15:53.909
totally new. It's the intellectual blueprint

00:15:53.909 --> 00:15:56.389
for what would become second wave feminism. And

00:15:56.389 --> 00:15:58.750
it all starts with that core existentialist idea.

00:15:59.610 --> 00:16:02.070
Existence precedes essence. She just takes that

00:16:02.070 --> 00:16:04.230
and applies it directly to gender. And in doing

00:16:04.230 --> 00:16:06.570
so, she produces probably the single most revolutionary

00:16:06.570 --> 00:16:09.370
sentence in 20th century feminist thought. One

00:16:09.370 --> 00:16:11.889
is not born, but becomes a woman. On n 'est pas

00:16:11.889 --> 00:16:14.840
femme, on le devient. It's so famous now, but

00:16:14.840 --> 00:16:17.139
what made it so explosive at the time? Because

00:16:17.139 --> 00:16:19.500
it drew this clean, sharp line between biological

00:16:19.500 --> 00:16:23.179
sex and socially constructed gender. Before Beauvoir,

00:16:23.279 --> 00:16:25.340
the assumption was that your anatomy was your

00:16:25.340 --> 00:16:27.779
destiny. Biology determined your personality,

00:16:28.080 --> 00:16:30.700
your role, your essence. And she just said no?

00:16:31.080 --> 00:16:33.639
She said, no, the biological facts of being female

00:16:33.639 --> 00:16:36.440
exist, sure. But everything we associate with

00:16:36.440 --> 00:16:39.259
womanhood, the stereotypes, the behaviors, the

00:16:39.259 --> 00:16:41.440
limitations, that's all historical and social

00:16:41.440 --> 00:16:43.360
construction. It's something that is taught,

00:16:43.480 --> 00:16:46.240
enforced, and conditioned from birth. And this

00:16:46.240 --> 00:16:48.940
conditioning, she argued, forces women into a

00:16:48.940 --> 00:16:52.009
state she called Imminence. Exactly. Imminence.

00:16:52.009 --> 00:16:55.490
It means to sort of remain within. It's a state

00:16:55.490 --> 00:16:57.809
of passive being, of being trapped in the domestic

00:16:57.809 --> 00:17:00.950
sphere, defined by biology and repetition, the

00:17:00.950 --> 00:17:03.610
endless cycle of housework, childcare, being

00:17:03.610 --> 00:17:06.250
an object rather than a subject. And the opposite

00:17:06.250 --> 00:17:08.950
of imminence is transcendence. Transcendence

00:17:08.950 --> 00:17:11.230
is what she saw as authentic human existence.

00:17:11.849 --> 00:17:14.569
It's actively choosing your future, taking risks,

00:17:14.829 --> 00:17:17.230
creating projects in the world, writing a book,

00:17:17.369 --> 00:17:20.710
starting a company, leading a movement. And her

00:17:20.710 --> 00:17:23.029
argument was that men are automatically granted

00:17:23.029 --> 00:17:25.509
transcendence, while women have historically

00:17:25.509 --> 00:17:28.970
been confined to imminence. Why? What's the mechanism?

00:17:29.369 --> 00:17:32.109
She argues it's because woman has been constructed

00:17:32.109 --> 00:17:35.849
as the ultimate other. The man is the self, the

00:17:35.849 --> 00:17:39.049
default, the absolute. The woman is defined only

00:17:39.049 --> 00:17:42.130
in relation to him. She is the second sex, the

00:17:42.130 --> 00:17:44.589
incidental, the inessential. And she backed this

00:17:44.589 --> 00:17:47.240
up with centuries of evidence. Oh, yeah. The

00:17:47.240 --> 00:17:49.519
first volume of the book is this massive historical

00:17:49.519 --> 00:17:52.660
deep dive. She quotes Aristotle viewing women

00:17:52.660 --> 00:17:55.660
as a certain lack of qualities, basically a defective

00:17:55.660 --> 00:17:58.079
male. She quotes Thomas Aquinas calling women

00:17:58.079 --> 00:18:01.039
an imperfect man. She showed this wasn't an accident.

00:18:01.119 --> 00:18:03.099
It was a deep -seated philosophical tradition.

00:18:03.319 --> 00:18:05.460
That's what gave the book its power. It wasn't

00:18:05.460 --> 00:18:08.319
just a polemic. It was a scholarly takedown of

00:18:08.319 --> 00:18:10.740
Western thought. Absolutely. Which is why it's

00:18:10.740 --> 00:18:12.660
such a tragedy that the first English translation

00:18:12.660 --> 00:18:15.569
was so, well, so bad. Right. This was done by

00:18:15.569 --> 00:18:17.829
Howard Parsley, who wasn't even a philosopher.

00:18:18.009 --> 00:18:20.509
He was a biology professor. And the publisher,

00:18:20.650 --> 00:18:23.029
Alfred A. Knopf, rushed him. He had, you know,

00:18:23.029 --> 00:18:26.750
pretty basic French. So he cut huge sections

00:18:26.750 --> 00:18:29.109
of the book, nearly a third of the original text.

00:18:29.349 --> 00:18:31.809
He took out the dense philosophical arguments,

00:18:32.089 --> 00:18:34.890
the history, the footnotes that were the entire

00:18:34.890 --> 00:18:38.509
foundation of her argument. So for decades. The

00:18:38.509 --> 00:18:41.470
entire English -speaking world was reading a

00:18:41.470 --> 00:18:44.029
dumbed -down, distorted version of her masterpiece.

00:18:44.390 --> 00:18:46.869
That's right. It hobbled the philosophical reception

00:18:46.869 --> 00:18:49.710
of her work for years. Scholars knew it was bad,

00:18:49.890 --> 00:18:52.670
but Knopf blocked a new translation for a very

00:18:52.670 --> 00:18:55.529
long time. The first complete, accurate English

00:18:55.529 --> 00:18:59.049
version didn't come out until 2010. 2010. That's

00:18:59.049 --> 00:19:00.869
incredible. So the feminist movement was literally

00:19:00.869 --> 00:19:03.849
built on a partial text. In many ways, yes. And

00:19:03.849 --> 00:19:06.109
speaking of feminism... It's interesting that

00:19:06.109 --> 00:19:08.369
Beauvoir herself was reluctant to even call herself

00:19:08.369 --> 00:19:10.970
a feminist at first. She was. Her primary political

00:19:10.970 --> 00:19:13.450
commitment was to socialism. She kind of believed

00:19:13.450 --> 00:19:15.849
that a full -scale class revolution would automatically

00:19:15.849 --> 00:19:18.950
solve the woman problem. She thought feminism

00:19:18.950 --> 00:19:21.109
on its own was a distraction. What changed her

00:19:21.109 --> 00:19:23.640
mind? Just seeing the women's liberation movement

00:19:23.640 --> 00:19:27.200
explode in the late 60s and early 70s, she realized

00:19:27.200 --> 00:19:29.380
that patriarchy was its own system of oppression

00:19:29.380 --> 00:19:33.880
separate from class. So in 1972, she finally

00:19:33.880 --> 00:19:36.700
publicly declared herself a feminist. She said,

00:19:36.700 --> 00:19:38.720
you know, a socialist revolution isn't enough

00:19:38.720 --> 00:19:40.940
on its own. And then she became a very active

00:19:40.940 --> 00:19:43.420
participant. Yeah. especially around abortion

00:19:43.420 --> 00:19:47.019
rights. In 1971, she was one of the main forces

00:19:47.019 --> 00:19:50.400
behind the Manifesto of the 343. It was this

00:19:50.400 --> 00:19:53.839
incredible public statement signed by 343 prominent

00:19:53.839 --> 00:19:56.799
French women, including her, all publicly admitting

00:19:56.799 --> 00:19:59.200
to having had an illegal abortion. Dearing the

00:19:59.200 --> 00:20:01.099
government to prosecute all of them. Exactly.

00:20:01.119 --> 00:20:03.880
It was a hugely powerful act of civil disobedience,

00:20:03.880 --> 00:20:06.519
and it worked. Abortion was legalized in France

00:20:06.519 --> 00:20:09.849
in 1974. So even as she got older... Her output

00:20:09.849 --> 00:20:12.509
never really slowed down. She kept writing novels,

00:20:12.750 --> 00:20:15.329
autobiographies, but her focus seemed to shift

00:20:15.329 --> 00:20:18.369
a bit towards aging and death. It did. The Mandarins,

00:20:18.369 --> 00:20:20.369
which we mentioned, came out in 54. But then

00:20:20.369 --> 00:20:23.089
in 1967, you get The Woman Destroyed, which is

00:20:23.089 --> 00:20:25.130
a collection of stories about older women grappling

00:20:25.130 --> 00:20:28.130
with aging and feeling invisible. And her book

00:20:28.130 --> 00:20:31.529
about her mother's death is supposed to be incredibly

00:20:31.529 --> 00:20:36.109
powerful. A very easy death from 1964. It's this

00:20:36.109 --> 00:20:39.490
almost brutally honest yet very moving account

00:20:39.490 --> 00:20:42.369
of her mother dying from cancer. And it was one

00:20:42.369 --> 00:20:45.049
of the first mainstream books to really tackle

00:20:45.049 --> 00:20:47.809
the ethics of end -of -life care, you know, the

00:20:47.809 --> 00:20:49.509
doctor -patient relationship when things are

00:20:49.509 --> 00:20:51.470
terminal. And then there was that novel that

00:20:51.470 --> 00:20:53.920
was only published a few years ago, right? Decades

00:20:53.920 --> 00:20:57.380
after she died. Yes. Les Inseparables. The Inseparables.

00:20:57.400 --> 00:21:00.380
It was published in 2020. It's a novelization

00:21:00.380 --> 00:21:02.900
of her intense, passionate childhood friendship

00:21:02.900 --> 00:21:05.480
and first love with a girl named Elizabeth LeCoin,

00:21:05.619 --> 00:21:08.660
who she called Zaza. And Zaza's death had a huge

00:21:08.660 --> 00:21:11.900
impact on her. A profound impact. Zaza died tragically

00:21:11.900 --> 00:21:13.859
young, but Beauvoir always believed it wasn't

00:21:13.859 --> 00:21:15.599
just the illness that killed her. She blamed

00:21:15.599 --> 00:21:18.000
the oppressive, conventional bourgeois society

00:21:18.000 --> 00:21:20.359
they grew up in for crushing Zaza's spirit and

00:21:20.359 --> 00:21:22.539
her will to live. It's like the origin story

00:21:22.539 --> 00:21:25.160
for her entire rebellion. But her public statements

00:21:25.160 --> 00:21:27.420
in her later life, they could be just as controversial

00:21:27.420 --> 00:21:29.440
as her early life. Absolutely. Especially her

00:21:29.440 --> 00:21:31.839
views on motherhood and housework. This is the

00:21:31.839 --> 00:21:35.579
1975 interview with Betty Frieden, right? It's

00:21:35.579 --> 00:21:37.940
often used to paint Beauvoir as being against

00:21:37.940 --> 00:21:41.319
women's choices. It's a very thorny moment. Friedan

00:21:41.319 --> 00:21:43.000
asked her if housewives should get a minimum

00:21:43.000 --> 00:21:46.359
wage, and Beauvoir's answer was shocking. She

00:21:46.359 --> 00:21:49.119
said, no woman should be authorized to stay at

00:21:49.119 --> 00:21:51.900
home and raise her children. Which sounds incredibly

00:21:51.900 --> 00:21:54.140
authoritarian, coming from the great philosopher

00:21:54.140 --> 00:21:57.140
of freedom. It does, but her reasoning, whether

00:21:57.140 --> 00:21:59.240
you agree with it or not, was philosophically

00:21:59.240 --> 00:22:02.000
consistent. She argued that as long as staying

00:22:02.000 --> 00:22:05.259
home is seen as a valid choice, societal pressure

00:22:05.259 --> 00:22:07.480
and conditioning will force too many women into

00:22:07.480 --> 00:22:09.700
it. She believed you had to remove the choice

00:22:09.700 --> 00:22:12.259
to create the conditions for real freedom from

00:22:12.259 --> 00:22:14.299
that conditioning. It's an extreme position.

00:22:14.619 --> 00:22:17.240
It is, but not nearly as unsettling as the other

00:22:17.240 --> 00:22:20.240
major controversy from her later years. Her signature

00:22:20.240 --> 00:22:23.119
on that 1977 petition. Yeah, this is this is

00:22:23.119 --> 00:22:26.059
really troubling. In 1977, she, along with Foucault,

00:22:26.200 --> 00:22:28.500
Search and a number of other French intellectuals,

00:22:28.500 --> 00:22:30.759
signed a petition to abolish the age of consent

00:22:30.759 --> 00:22:33.480
in France. It was in support of three men who

00:22:33.480 --> 00:22:35.519
had been arrested for sexual relations with minors

00:22:35.519 --> 00:22:38.740
between 12 and 13. It's just it's impossible

00:22:38.740 --> 00:22:41.059
to reconcile that with the philosophy of protecting

00:22:41.059 --> 00:22:43.160
the freedom of others. It really is. It stands

00:22:43.160 --> 00:22:45.440
as this profound and disturbing contradiction

00:22:45.440 --> 00:22:47.720
in her public life and one that's very difficult

00:22:47.720 --> 00:22:50.589
to explain away. A deeply complicated, flawed

00:22:50.589 --> 00:22:53.509
figure right to the end. Her last years were,

00:22:53.609 --> 00:22:55.950
of course, overshadowed by Sartre's decline and

00:22:55.950 --> 00:22:59.430
death in 1980. And she wrote about it in A Farewell

00:22:59.430 --> 00:23:02.670
to Sartre, a very painful, unflinching look at

00:23:02.670 --> 00:23:05.289
his final years. It was the only major work she

00:23:05.289 --> 00:23:07.670
ever published that he didn't read first. A final

00:23:07.670 --> 00:23:10.250
act of intellectual independence, in a way. Perhaps.

00:23:10.329 --> 00:23:12.890
But her final personal act was maybe the most

00:23:12.890 --> 00:23:15.329
rebellious of all. It involved her long -term

00:23:15.329 --> 00:23:18.660
partner, Sylvie Le Bon. Right. In 1980... When

00:23:18.660 --> 00:23:21.799
Beauvoir was 72, she legally adopted Sylvie Le

00:23:21.799 --> 00:23:24.680
Bon, who was in her late 30s at the time. Her

00:23:24.680 --> 00:23:27.160
partner, her companion, became her legal daughter.

00:23:27.339 --> 00:23:29.680
For someone who rejected the institution of marriage

00:23:29.680 --> 00:23:32.519
her entire life, this embrace of a legal institution,

00:23:32.839 --> 00:23:35.099
adoption, is just fascinating. So how do people

00:23:35.099 --> 00:23:37.299
interpret that? Was she giving in to the system?

00:23:37.480 --> 00:23:39.900
The common scholarly interpretation is the exact

00:23:39.900 --> 00:23:42.940
opposite. They see it as a final act of subversion.

00:23:43.480 --> 00:23:46.619
She used a legal structure designed for the traditional

00:23:46.619 --> 00:23:50.599
bio -heteronormative family and used it to legitimize

00:23:50.599 --> 00:23:53.740
and protect a queer, nontraditional kinship.

00:23:53.869 --> 00:23:56.910
It wasn't a surrender. It was a raid. It was

00:23:56.910 --> 00:23:59.269
her way of securing Sylvie's future and defining

00:23:59.269 --> 00:24:01.509
their relationship on her own terms one last

00:24:01.509 --> 00:24:05.970
time. She died a few years later in 1986. And

00:24:05.970 --> 00:24:08.470
she's buried right next to Sartre. A partnership

00:24:08.470 --> 00:24:10.569
right to the very end. So when you take a step

00:24:10.569 --> 00:24:12.789
back from all the personal chaos, all the controversy,

00:24:13.029 --> 00:24:14.650
and you just look at the intellectual legacy.

00:24:15.339 --> 00:24:17.779
It's undeniable, isn't it? It's profound. The

00:24:17.779 --> 00:24:20.079
second sex literally provided the philosophical

00:24:20.079 --> 00:24:22.660
vocabulary for second wave feminism around the

00:24:22.660 --> 00:24:25.119
world. Pioneers of the movement all said so themselves.

00:24:25.759 --> 00:24:28.279
Betty Friedan said Beauvoir's book led her directly

00:24:28.279 --> 00:24:30.299
to her own analysis in the feminine mystique.

00:24:30.440 --> 00:24:32.819
Kate Millett's sexual politics leans heavily

00:24:32.819 --> 00:24:36.140
on her. The debt is enormous and openly acknowledged.

00:24:36.259 --> 00:24:38.869
Her ideas just reshaped everything. The very

00:24:38.869 --> 00:24:41.109
concept of a sex -gender distinction became the

00:24:41.109 --> 00:24:43.369
starting point for decades of work in sociology,

00:24:43.730 --> 00:24:46.210
history, literary criticism. It all comes back

00:24:46.210 --> 00:24:49.890
to that one sentence. One is not born, but becomes

00:24:49.890 --> 00:24:53.089
a woman. It just keeps inspiring new generations

00:24:53.089 --> 00:24:56.170
of thinkers. Absolutely. Monique Wittig riffed

00:24:56.170 --> 00:24:58.029
on it directly. And then you get someone like

00:24:58.029 --> 00:25:00.549
Judith Butler, who takes that verb to become

00:25:00.549 --> 00:25:03.900
and pushes it. even further. This is Butler's

00:25:03.900 --> 00:25:06.200
theory of performativity. Right. Butler looks

00:25:06.200 --> 00:25:09.799
at to become and says, well, if gender is something

00:25:09.799 --> 00:25:11.799
you're always becoming and never something you

00:25:11.799 --> 00:25:14.119
just are, then it can't be a static thing. It's

00:25:14.119 --> 00:25:16.359
not a noun. It's a verb. It's an incessant and

00:25:16.359 --> 00:25:19.240
repeated action. So gender is this performance

00:25:19.240 --> 00:25:22.200
that we're all constantly doing every day reinforced

00:25:22.200 --> 00:25:24.779
by the culture around us. Exactly. And that whole

00:25:24.779 --> 00:25:26.559
line of thought, which has been so influential,

00:25:26.799 --> 00:25:28.960
it starts right there with Beauvoir applying

00:25:28.960 --> 00:25:31.480
an existentialist framework to the problem of

00:25:31.480 --> 00:25:33.970
gender. It's why she's still so relevant. And

00:25:33.970 --> 00:25:36.369
she's getting the recognition now. There's a

00:25:36.369 --> 00:25:39.009
square in Paris named after both her and Sarch.

00:25:39.369 --> 00:25:41.930
Time magazine named her Woman of the Year for

00:25:41.930 --> 00:25:46.329
1949. Her place is secure. Messy, complicated,

00:25:46.690 --> 00:25:49.869
but absolutely secure. So we've come to the end

00:25:49.869 --> 00:25:52.609
of our deep dive. We've traced Simone de Beauvoir's

00:25:52.609 --> 00:25:54.670
journey from this brilliant, rebellious daughter

00:25:54.670 --> 00:25:56.829
of the bourgeoisie to the architect of modern

00:25:56.829 --> 00:25:59.920
feminism. Her life was this constant, difficult

00:25:59.920 --> 00:26:02.960
synthesis of ideas and actions. A life defined

00:26:02.960 --> 00:26:05.359
by philosophical clarity on the one hand and

00:26:05.359 --> 00:26:08.200
deep personal ambiguity on the other. She showed

00:26:08.200 --> 00:26:10.740
us that living an authentic life is a messy business.

00:26:10.920 --> 00:26:13.339
It requires making hard choices, and sometimes

00:26:13.339 --> 00:26:15.819
those choices create a lot of friction. So as

00:26:15.819 --> 00:26:17.799
always, we want to leave you with a final thought

00:26:17.799 --> 00:26:19.740
to chew on, something that brings all this together.

00:26:20.059 --> 00:26:22.880
It centers on that final tension in her life

00:26:22.880 --> 00:26:26.460
between freedom and institutions. Beauvoir spent

00:26:26.460 --> 00:26:29.220
her entire life fiercely rejecting traditional

00:26:29.220 --> 00:26:32.200
structures like marriage, calling them alienating

00:26:32.200 --> 00:26:34.599
institutions. But then at the very end of her

00:26:34.599 --> 00:26:37.400
life, she used a highly restrictive legal institution

00:26:37.400 --> 00:26:40.519
adoption to formalize her relationship with Sylvie

00:26:40.519 --> 00:26:43.230
Le Bon. So the question for you is this. Given

00:26:43.230 --> 00:26:45.329
that her entire philosophy was about radical

00:26:45.329 --> 00:26:47.670
freedom and authentic choice, was that final

00:26:47.670 --> 00:26:50.549
decision to use the legal system to formalize

00:26:50.549 --> 00:26:53.509
a queer kinship the ultimate application of her

00:26:53.509 --> 00:26:55.950
existential ethics, subverting an institution

00:26:55.950 --> 00:26:58.490
from within, or was it a final contradiction

00:26:58.490 --> 00:27:01.049
of her lifelong opposition to those very constraints?

00:27:01.289 --> 00:27:03.730
That choice, using the system you hate to get

00:27:03.730 --> 00:27:05.809
the freedom you want, it's a fascinating and

00:27:05.809 --> 00:27:08.230
very human problem, isn't it? It is. That's our

00:27:08.230 --> 00:27:09.549
deep dive. We'll see you next time.
