WEBVTT

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Welcome back to the Deep Dive. Our mission here

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is simple. We take the sack of source material

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you've gathered, strip away the noise, and give

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you the quickest, most thorough path to deep

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understanding. And today, we are opening up the

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files on a man whose voice I think has become

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almost more famous than his ratings. It's achieved

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this kind of digital immortality. Yeah. Decades

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after he died. We're talking about Alan Watts.

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That's right. Born in 1915, a British -American

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writer and speaker who you could argue is the

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single most influential popularizer of Eastern

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thought for the modern West. I mean, his cultural

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longevity is just staggering. He died in 1973,

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but you hear his lectures everywhere. They're

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sampled in. Indie music and heavy metal. STRFKR

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architects. You hear him in the Marvel series

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Loki, the movie Her, video games. He's this foundational

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voice of the counterculture, for sure. But his

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real legacy seems to be as this auditory philosopher.

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His work just completely transcended the page.

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And that's really what we're digging into today.

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He called himself not a guru, not an academic,

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but a philosophical entertainer. So the mission

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is to unpack that. How did this man manage to

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interpret and popularize Buddhist, Taoist and

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Hindu philosophy for a massive Western audience?

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Especially for that emerging beat generation

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and the whole counterculture movement. And he

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was doing it all while kind of operating on the

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fringes of academia and formal religion. It's

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an incredible story. Our sources track this journey

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from. a very curious English childhood through

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all these academic and even religious detours,

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to his sudden fame on West Coast radio, his explorations

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with psychedelics, and of course his notoriously

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complex personal life. And what's so fascinating,

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based on the materials, is that he wasn't just

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translating old texts. You call him a master

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synthesizer. He absolutely was. He understood

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the Western mind. He took this ancient wisdom

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and he connected it to the most cutting -edge

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ideas of the 20th century. Things like general

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semantics and, believe it or not... early cybernetics.

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Cybernetics. Wow. Okay. So he was a bridge builder,

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not just East and West, but spiritual and technological.

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That's the perfect way to put it. Okay. Let's

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unpack this. We have to start at the beginning,

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right? Yeah. Understand the soil where this philosophical

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seed was first planted. So Alan Wilson Watts,

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he was born January 6, 1915, in a little village

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called Chislehurst in Kent, just outside London.

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And his parents were pretty firmly middle class,

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right? Very. His dad, Lawrence, worked for the

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Michelin tire company. And his mother, Emily

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Mary, her family was deeply involved in missionary

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work. And the sources really emphasize that their

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finances, or lack thereof, meant they had to

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live out in the countryside. That seems so crucial

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to who he became. It's everything. He was an

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only child, and that rural setting became his

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first teacher, his first, you know, philosophical

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laboratory. He wasn't just playing outside. He

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was observing. Deeply. He talks about spending

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hours just walking, observing wildflowers, identifying

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butterflies, just paying this meticulous attention

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to the patterns of the natural world. This wasn't

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a hobby. It was the beginning of his entire non

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-dualistic philosophy. Nature taught him interconnectedness.

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And this spiritual curiosity, it started with

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his mother's religious family, but it took a

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sharp turn, didn't it, towards what he called

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the mysterious Far East. It did. And it wasn't

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just about books. For him, the entry point was

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visual. It was the aesthetic. What do you mean

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by that? He was completely captivated by Chinese

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and Japanese art landscape paintings, woodblock

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prints, embroideries that his mother had from

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her family's missionary connections. Those were

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the images that just unlocked his imagination.

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And what was it about that art that grabbed him

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so intensely? He used these wonderful words.

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He said it had clarity, transparency, and spaciousness.

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He felt that unlike a lot of Western art, these

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landscapes conveyed a sense of endless space.

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The subject and the empty space around it were

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equally important. A visual metaphor for non

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-duality, basically. Exactly. It's like the art

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seemed to float, which implied this lack of rigid

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definition. It was the opposite of the religion

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he was being taught in his boarding school. Right.

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It was this very specific brand of Anglican Christianity

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that he found. And I love this quote. rim and

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maudlin. I mean, could the contrast be any starker?

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On one hand, you have this rigid, guilt -ridden,

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dualistic religion, God versus man, soul versus

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body. And on the other, you have this art from

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the East that's offering expansive beauty and

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unity. So the teenager, he had to make a choice.

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A very definitive choice. He felt he had to choose

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between the faith of his birth and this Eastern

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wisdom he was just devouring. And, well. He chose

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Buddhism. And he didn't just dip a toe in. He

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dove right in. His incredible, zealous intensity.

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At just 16 years old, this is around 1931, he

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becomes the secretary of the London Buddhist

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Lodge. 16! That's amazing! It just shows you

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how headstrong and practical he was, but the

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most important thing is that he was a relentless

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autodidact. He never waited for a curriculum.

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He was reading everything, philosophy, psychology,

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history, and of course, these ancient Zen texts.

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And we can already see the seeds of his later,

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let's say, rascal nature in his choice of mentors.

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Yes. The sources point to this guy, Dmitry Mitranovich,

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who's described as a rascal guru. I love that

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term. And he was influenced by these esoteric

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Western thinkers, Gurdjieff and Uspensky. So

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this is really important. It shows that Watts

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wasn't just learning Buddhism. He was learning

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how to synthesize. So he's already connecting

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Eastern thought, not just to Western religion,

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but to the kind of rogue, psychological, esoteric

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fringes of the West. Exactly. He's learning to

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see patterns across different traditions from

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the very beginning. It kind of pre -programmed

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him to not be loyal to any single dogma. Which

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makes sense of what happened with his academic

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career. Yeah. Or, lack thereof, he had this shot

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at Oxford and completely fumbled it. He really

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did. He won a scholarship to the King School

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in Canterbury, a top tier school. But when he

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sat the exam for a scholarship to Trinity College,

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Oxford. He got too creative. That's a good way

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of putting it. He admitted it himself. He wrote

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an essay that was so unconventional it was just

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seen as presumptuous and capricious. He was too

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confident, too much himself to play the academic

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game. So it cost him Oxford, but it preserved

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his intellectual freedom. I think so. And despite

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that, he publishes his first book, The Spirit

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of Zen, in 1936. He's not even 21 yet. And what's

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fascinating about that book is how he felt about

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it later. Right. 20 years later, when he publishes

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his masterpiece, The Way of Zen, he basically

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throws that first book under the... bus, calls

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it unscholarly and misleading. That's some serious

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self -awareness. It is. He says it was just a

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summary of the ideas of the man who would become

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his mentor, D .T. Suzuki. Which brings us to

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this huge turning point. The 1936 World Congress

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of Faiths in London. This is where the 21 -year

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-old Watts meets the man himself. D .T. Suzuki

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was the academic voice of Zen in the West. Meeting

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him, hearing him speak, it just solidified everything

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for Watts. This wasn't just an interest anymore.

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No, this was his calling. And two years later...

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In 1938, he's on a boat to the United States.

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The intellectual adventurer had found his new

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continent. But the path he took next was not

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at all what you'd expect. Right. So he gets to

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New York. He's now surrounded by this traditional

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Zen circle. His mother -in -law was deeply involved.

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His mentor is a Zen master named Sokai and Sasaki.

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The logical next step is, you know, go full monk.

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It's the logical step. Yeah. But Watts, he was

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rarely logical in that way. He found the formal

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strict monastic training. It just didn't suit

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him. He wasn't a joiner. Not in that way. The

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sources say he didn't want to be a monk. He wanted

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a vocational, a public and intellectual outlet

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for all these ideas. So instead of the monastery,

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he goes to the seminary. He enrolls in an Episcopal

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seminary in Illinois. I mean, that feels like

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such a hard pivot. Well, it wasn't really a pivot

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for him. It was another attempt at synthesis.

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He was convinced there was a mystical core to

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Christianity that had just been lost. The part

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that wasn't. Grim and maudlin. Exactly. He wanted

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to use his Eastern knowledge to strip away the

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dogma and find that universal truth he believed

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was at the heart of the Christian tradition too.

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And this becomes his master's thesis, which gets

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published in 1947 as Behold the Spirit. And that

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book gets him established as a serious intellectual.

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He's ordained as an Episcopal priest in 1945.

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He actually served as a chaplain for a while.

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But the sources are clear. He was always a philosopher

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first. He was never actually ordained as a Zen

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monk. Never. And he keeps exploring this synthesis

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idea. In 1953, he publishes Myth and Ritual in

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Christianity, where he uses Eastern philosophy

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to sort of decode medieval Catholic rituals.

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What was his argument there? His thesis was that

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those old rituals contained profound psychological

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meaning, had just lost the key. It had become

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too literal, too dualistic. He saw parallels

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to Asian thought everywhere, but they were buried.

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This detour as a priest, though, it was temporary.

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He leaves the priesthood by 1950, and the next

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big move is to California. Yes. In 1951, he joins

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the faculty of the American Academy of Asian

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Studies in San Francisco. And this. This was

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his intellectual playground. It must have been

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the perfect environment for him. It really was.

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He was a professor and an administrator there

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until 57. The faculty was just this incredible

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mix of people and his own interests just exploded.

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It goes way beyond Zen at this point. Oh, far

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beyond. He's absorbing Vedanta, the new physics,

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you know, quantum mechanics, relativity process,

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philosophy, anthropology of sexuality. He's trying

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to synthesize the entire intellectual world of

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the 1950s. And there are two areas that you said

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were absolutely critical. for what he does next.

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Yeah. General semantics and cybernetics. Yes.

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These are the tools that allow him to modernize

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ancient wisdom for a new generation. He's reading

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Alfred Korzybski, who's famous for the idea that

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the map is not the territory. And Norbert Wiener,

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the father of cybernetics. Exactly. Cybernetics

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is the science of control and communication in

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systems, whether they're machines or animals.

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Okay, I have to stop you. Why is a spiritual

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philosopher getting deep into cybernetics? That

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just seems like such an odd turn. It was a stroke

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of genius, really. Cybernetics, with its focus

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on feedback loops, gave him a scientific non

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-mystical language to talk about interdependence.

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To talk about non -duality. Precisely. He saw

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the human body, the nervous system, and the outside

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world as one single, massive, interconnected

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feedback system. It gave him the technical vocabulary

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to dismantle the idea of the skin -encapsulated

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ego. So he could say, look, science itself is

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proving that the organism and its environment

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are not separate things. Yes. It's one system.

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That was a revolutionary intellectual leap. And

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at the same time, he's deepening his artistic

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side. He studies Chinese calligraphy with a scholar

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named Saburo Hasegawa. Which wasn't just about

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learning to write. No, no. Through calligraphy,

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he learned about the Japanese perception of nature,

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of spontaneity, of embracing accident in art.

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It showed him that philosophy wasn't just an

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idea in your head. It was an aesthetic. It was

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an applied, holistic way of living. So this period

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of the academy gives him all the tools he needs.

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The philosophy, the aesthetics, and now these

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scientific analogies to communicate it all to

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the masses. And that's exactly what he does next.

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He leaves the Academy in 1957, but he's already

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found the medium that's going to make him famous.

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Radio. In 1953, he starts this weekly, unpaid

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volunteer radio program on KPFA in Berkeley,

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a Pacifica station. And his voice was just perfect

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for it. That warm, articulate, slightly British

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conversational style. It was. And those broadcasts,

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which ran until 1962, they attracted what the

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sources call a legion of regular listeners. The

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Bay Area was already this hotbed of new ideas,

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and he became the voice of it. And the legacy

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of those shows is just, it's monumental. They

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were recorded, they're still broadcast today,

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and now they're all over YouTube and streaming

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services. That's what cemented him as an auditory

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philosopher. Absolutely. And that radio fame

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happens at the exact same time as his landmark

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book. 1957, The Way of Zen. Which was so much

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more than a book. It was a cultural event. Yeah.

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One of the first ever bestsellers on Buddhism.

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It was basically the instruction manual for the

00:12:14.990 --> 00:12:17.750
beat generation. It really was. For Kerouac,

00:12:17.909 --> 00:12:21.840
for Ginsburg, for Snyder. While they were exploring

00:12:21.840 --> 00:12:25.039
spontaneity and freedom from social norms, Watts

00:12:25.039 --> 00:12:28.159
gave them the philosophical framework. He validated

00:12:28.159 --> 00:12:30.779
their rebellion as a genuine spiritual quest.

00:12:31.120 --> 00:12:33.299
So what made the way of Zen so different? We

00:12:33.299 --> 00:12:35.460
touched on it, but how did he use those modern

00:12:35.460 --> 00:12:37.600
analogies you mentioned? this is the core of

00:12:37.600 --> 00:12:40.759
his genius he knew that a western audience which

00:12:40.759 --> 00:12:42.840
was becoming more and more scientific would be

00:12:42.840 --> 00:12:46.000
wary of purely mystical language so he used their

00:12:46.000 --> 00:12:48.779
language he used semantics and cybernetics so

00:12:48.779 --> 00:12:51.659
with semantics he used that idea the map is not

00:12:51.659 --> 00:12:55.779
the territory to explain zen yes he argued that

00:12:55.779 --> 00:12:58.259
our language especially english forces us into

00:12:58.259 --> 00:13:00.500
a dualistic view of the world we have to have

00:13:00.500 --> 00:13:03.649
a subject and a verb I see the tree. That little

00:13:03.649 --> 00:13:06.070
sentence grammatically separates the I from the

00:13:06.070 --> 00:13:08.610
tree. But Zen would say that separation is just

00:13:08.610 --> 00:13:12.230
a trick of the language. Exactly. Watts saw Zen

00:13:12.230 --> 00:13:14.629
as a way to get beyond the mental traps of our

00:13:14.629 --> 00:13:17.289
own grammar. It was a way to experience reality

00:13:17.289 --> 00:13:20.610
directly before you slap a label or a category

00:13:20.610 --> 00:13:24.149
on it. And then there's cybernetics. How did

00:13:24.149 --> 00:13:26.669
he use the idea of a feedback loop to explain

00:13:26.669 --> 00:13:29.480
enlightenment? He argued that our nervous system

00:13:29.480 --> 00:13:32.159
is just this incredibly complex feedback loop.

00:13:32.360 --> 00:13:34.759
When you think you're an ego inside your skin,

00:13:35.000 --> 00:13:38.139
you're misidentifying where the control is. So

00:13:38.139 --> 00:13:41.440
the feeling of I am controlling my body is an

00:13:41.440 --> 00:13:43.279
illusion. It's a misplacing of the boundary.

00:13:43.539 --> 00:13:45.799
He'd say, think of a thermostat. It gets data

00:13:45.799 --> 00:13:47.980
from the room. It's cold and it acts. It turns

00:13:47.980 --> 00:13:50.860
on the furnace. But that action changes the room,

00:13:50.980 --> 00:13:53.559
which feeds back new data, which prompts a new

00:13:53.559 --> 00:13:56.830
action. The thermostat and the room are one single

00:13:56.830 --> 00:13:59.029
operating system. And he applied that to us.

00:13:59.070 --> 00:14:01.029
He said, we are the same. We don't come into

00:14:01.029 --> 00:14:02.990
the world, we come out of it, like a wave comes

00:14:02.990 --> 00:14:04.970
out of the ocean. The wave and the ocean are

00:14:04.970 --> 00:14:08.029
one system. Cybernetics was the modern technical

00:14:08.029 --> 00:14:10.190
proof of that ancient idea. It's brilliant. It

00:14:10.190 --> 00:14:12.710
made Zen feel cutting edge, not ancient. And

00:14:12.710 --> 00:14:15.190
the establishment even started to recognize him,

00:14:15.230 --> 00:14:18.000
even though he was an outsider. He got an honorary

00:14:18.000 --> 00:14:21.500
doctor of divinity degree in 1958. Which is pretty

00:14:21.500 --> 00:14:23.759
ironic for a guy who'd quit the priesthood and

00:14:23.759 --> 00:14:26.080
was teaching a non -theistic philosophy. Very.

00:14:26.440 --> 00:14:29.960
And he toured Europe. He met Carl Jung. He then

00:14:29.960 --> 00:14:32.600
mastered television with two seasons of a show

00:14:32.600 --> 00:14:34.879
for public TV called Eastern Wisdom and Modern

00:14:34.879 --> 00:14:37.779
Life. He was everywhere. Yeah. And all this fame

00:14:37.779 --> 00:14:40.620
forced him to define what he was. Not a guru,

00:14:40.759 --> 00:14:44.220
not a professor. He chose philosophical entertainer.

00:14:44.480 --> 00:14:46.860
and that term is so important he rejected the

00:14:46.860 --> 00:14:49.139
seriousness and the moral baggage of a title

00:14:49.139 --> 00:14:52.100
like guru He knew his own flaws, which we'll

00:14:52.100 --> 00:14:54.960
get to. He saw his job as catalyzing thought,

00:14:55.120 --> 00:14:57.799
not leading a flock of devotee. And the entertainer

00:14:57.799 --> 00:15:00.639
part speaks to his style. It was witty. It was

00:15:00.639 --> 00:15:03.480
accessible. It was full of marable analogies.

00:15:03.559 --> 00:15:06.080
He knew you as an outsider to academia, and he

00:15:06.080 --> 00:15:08.080
leaned into it. He knew that freedom from the

00:15:08.080 --> 00:15:09.919
institution allowed him to speak directly to

00:15:09.919 --> 00:15:12.379
you, the listener, and your own spiritual hunger.

00:15:12.559 --> 00:15:14.240
And this is where he fully syncs up with the

00:15:14.240 --> 00:15:16.970
counterculture he's helping to create. his exploration

00:15:16.970 --> 00:15:20.129
of altered states of consciousness. Right. Starting

00:15:20.129 --> 00:15:22.830
in the mid -50s, he gets very interested in using

00:15:22.830 --> 00:15:25.590
psychedelic drugs for mystical insight. He wrote

00:15:25.590 --> 00:15:28.289
about it in The New Alchemy and then, more famously,

00:15:28.429 --> 00:15:32.049
in The Joyous Cosmology in 1962. He experimented

00:15:32.049 --> 00:15:34.669
with mescaline, LSD. With research teams, yes,

00:15:34.850 --> 00:15:38.529
and also cannabis. But he was much more cautious

00:15:38.529 --> 00:15:41.220
than, say, Timothy Leary. He had that famous

00:15:41.220 --> 00:15:43.440
analogy about psychedelics. If you get the message,

00:15:43.500 --> 00:15:46.139
hang up the phone. That's the one. It's a perfect

00:15:46.139 --> 00:15:48.379
summary of his view. He saw them as instruments,

00:15:48.480 --> 00:15:50.980
like a microscope or a telephone. Use them to

00:15:50.980 --> 00:15:52.740
get an insight, but you don't stay glued to them

00:15:52.740 --> 00:15:55.919
forever. The insight is the point, not the drug.

00:15:56.100 --> 00:15:59.220
Right. The biologist does not sit with eye permanently

00:15:59.220 --> 00:16:01.419
glued to the microscope. He goes away and works

00:16:01.419 --> 00:16:03.990
on what he has seen. They can show you reality,

00:16:04.210 --> 00:16:06.750
but they are not reality itself. And all this

00:16:06.750 --> 00:16:08.710
exploration, whether through drugs or meditation,

00:16:09.090 --> 00:16:11.909
it leads him to articulate his complete worldview.

00:16:12.370 --> 00:16:14.929
This is the core of his philosophy, which you

00:16:14.929 --> 00:16:17.870
find in books like the book, on the taboo against

00:16:17.870 --> 00:16:20.230
knowing who you are. This is where he weaves

00:16:20.230 --> 00:16:23.440
it all together. Hinduism, Taoism, Western science

00:16:23.440 --> 00:16:27.379
into this grand unified theory. And it starts

00:16:27.379 --> 00:16:29.460
with a fundamental attack on the Western idea

00:16:29.460 --> 00:16:32.379
of identity. The skin encapsulated ego. That

00:16:32.379 --> 00:16:34.870
myth, as he called it. The idea that you are

00:16:34.870 --> 00:16:37.610
a little isolated consciousness stuck behind

00:16:37.610 --> 00:16:39.730
your eyes, constantly fighting to control your

00:16:39.730 --> 00:16:41.909
body and the world around you. He thought this

00:16:41.909 --> 00:16:44.789
idea was the source of all our anxiety. So what's

00:16:44.789 --> 00:16:46.870
the alternative he offers? The alternative is

00:16:46.870 --> 00:16:49.970
a grand cosmic game. He pulls from Hindu concepts

00:16:49.970 --> 00:16:53.909
like Leela and Maya. Explain that. Okay. So he

00:16:53.909 --> 00:16:56.549
posits that the universe is fundamentally one

00:16:56.549 --> 00:16:59.269
single consciousness. He just called it IT. And

00:16:59.269 --> 00:17:01.309
this IT is playing a massive game of hide and

00:17:01.309 --> 00:17:04.200
seek with itself. So Leela is. the game hide

00:17:04.200 --> 00:17:07.240
and seek and maya or illusion is the hiding the

00:17:07.240 --> 00:17:09.880
cosmic self hides from itself by becoming everything

00:17:09.880 --> 00:17:12.099
in the universe stars mountains butterflies you

00:17:12.099 --> 00:17:14.140
me and then this is the key part deliberately

00:17:14.140 --> 00:17:16.599
forgetting that it's all one so the point of

00:17:16.599 --> 00:17:19.579
life then is to remember to wake up to realize

00:17:19.579 --> 00:17:23.000
that your individual self your ego is just i

00:17:23.000 --> 00:17:25.779
.t wearing a disguise the ultimate realization

00:17:25.779 --> 00:17:29.650
is what the hindus call tatavam asi Thou art

00:17:29.650 --> 00:17:32.670
that. You are not a separate part fighting the

00:17:32.670 --> 00:17:35.250
universe. You are the universe experiencing itself.

00:17:35.650 --> 00:17:38.650
And he connects this huge cosmic idea back to

00:17:38.650 --> 00:17:40.970
those patterns he saw in nature as a kid. Yes,

00:17:41.029 --> 00:17:43.109
the fractal patterns, the branching of a tree,

00:17:43.210 --> 00:17:45.869
the shape of a galaxy, the coastline. He saw

00:17:45.869 --> 00:17:48.490
those repeating patterns as the visual signature

00:17:48.490 --> 00:17:51.289
of the cosmic self, proving that the smallest

00:17:51.289 --> 00:17:53.710
part reflects the whole. Which means that all

00:17:53.710 --> 00:17:55.950
those opposites we struggle with, life and death,

00:17:56.069 --> 00:17:58.390
good and bad, they're not really opposites. They're

00:17:58.390 --> 00:18:00.710
two sides of the same coin. They're the necessary

00:18:00.710 --> 00:18:03.609
tension that makes the game possible. For Watts,

00:18:03.750 --> 00:18:05.849
understanding that the contradiction of opposites

00:18:05.849 --> 00:18:08.579
is the fundamental method of life. That's the

00:18:08.579 --> 00:18:10.519
key to peace. And in his later years, he really

00:18:10.519 --> 00:18:12.559
tried to make this practical. He did. He called

00:18:12.559 --> 00:18:15.039
himself a Zenist in spirit. His last book was

00:18:15.039 --> 00:18:17.700
Tao, The Watercourse Way. And he was focused

00:18:17.700 --> 00:18:19.859
on how you apply these ideas to child rearing.

00:18:23.759 --> 00:18:25.819
He was trying to bring the philosophy out of

00:18:25.819 --> 00:18:28.380
the clouds and into the kitchen. Exactly. Dissolving

00:18:28.380 --> 00:18:30.440
that boundary between the sacred and the everyday.

00:18:30.940 --> 00:18:33.180
And if you really believe you're the universe,

00:18:33.480 --> 00:18:35.640
then you have to treat the universe with respect.

00:18:36.349 --> 00:18:39.089
which naturally led him to social ethics and

00:18:39.089 --> 00:18:41.750
the environment. He was so ahead of his time

00:18:41.750 --> 00:18:44.089
on that, talking about an ecological predicament

00:18:44.089 --> 00:18:47.009
way back in the early 60s. Incredibly prescient.

00:18:47.250 --> 00:18:50.890
He argued that our spiritual belief that man

00:18:50.890 --> 00:18:53.589
is separate from nature is what allows us to

00:18:53.589 --> 00:18:55.769
destroy it without feeling like we're harming

00:18:55.769 --> 00:18:57.910
ourselves. He had that amazing quote about our

00:18:57.910 --> 00:19:00.769
consumerism. about the ever -rising mountains

00:19:00.769 --> 00:19:03.529
of ruin. Especially when the things we make and

00:19:03.529 --> 00:19:05.730
build are beginning to look more and more like

00:19:05.730 --> 00:19:08.789
rubbish even before they're thrown away. He saw

00:19:08.789 --> 00:19:11.390
our industrial output becoming trash in real

00:19:11.390 --> 00:19:13.710
time. Okay, so now we have to get into the complexity

00:19:13.710 --> 00:19:16.869
of the man himself. Because for any honest deep

00:19:16.869 --> 00:19:18.990
dive, you have to talk about the contradictions.

00:19:19.230 --> 00:19:21.789
The entertainer who was also, as the sources

00:19:21.789 --> 00:19:24.549
say, a bit of a rogue. A bit of a rogue is putting

00:19:24.549 --> 00:19:27.950
it mildly. He was open about it in his autobiography.

00:19:28.509 --> 00:19:32.009
in my own way he calls himself a sedentary and

00:19:32.009 --> 00:19:35.289
contemplative character a mystic and also somewhat

00:19:35.289 --> 00:19:38.329
of a disreputable epicurean who has three wives

00:19:38.329 --> 00:19:41.970
seven children and five grandchildren that disreputable

00:19:41.970 --> 00:19:44.710
epicurean part is doing a lot of work the sources

00:19:44.710 --> 00:19:47.809
confirm he struggled three marriages seven kids

00:19:47.809 --> 00:19:50.490
a lot of conflict and he had issues with substance

00:19:50.490 --> 00:19:53.200
use He was a heavy smoker his whole life, and

00:19:53.200 --> 00:19:55.660
after the mid -50s, he developed a serious problem

00:19:55.660 --> 00:19:57.839
with alcohol. And people close to him called

00:19:57.839 --> 00:20:00.640
him out on it. His lover, the poet Jean Burden,

00:20:00.720 --> 00:20:03.319
she called him a rogue and pointed out his moral

00:20:03.319 --> 00:20:05.920
hypocrisy. Right. And this is the central tension

00:20:05.920 --> 00:20:08.160
of his legacy. How could the great philosopher

00:20:08.160 --> 00:20:10.859
of non -duality live such a messy, dualistic

00:20:10.859 --> 00:20:14.339
personal life? But his family defended him. His

00:20:14.339 --> 00:20:16.460
daughter, Anne, admitted that people knocked

00:20:16.460 --> 00:20:17.880
him off the pedestal when they learned about

00:20:17.880 --> 00:20:20.400
the alcoholism and womanizing. But she insisted

00:20:20.400 --> 00:20:23.119
the work stands on its own. And that's the big

00:20:23.119 --> 00:20:25.759
question for you, for the listener. Can you separate

00:20:25.759 --> 00:20:28.880
the message from the messenger? This played out

00:20:28.880 --> 00:20:31.880
in the Zen community itself with a huge backlash

00:20:31.880 --> 00:20:34.339
from formal practitioners. They felt he was all

00:20:34.339 --> 00:20:37.420
talk, no walk. Pretty much. The core criticism

00:20:37.420 --> 00:20:40.319
was his dismissal of Zazen, formal sitting meditation.

00:20:40.940 --> 00:20:43.839
Masters like Philip Kaplow, even D .T. Suzuki

00:20:43.839 --> 00:20:46.539
to some extent, they felt he was misinterpreting

00:20:46.539 --> 00:20:49.319
key concepts. Just getting a superficial intellectual

00:20:49.319 --> 00:20:52.680
understanding. Exactly. They hated his casual

00:20:52.680 --> 00:20:55.480
approach. He famously said Zazen was just sitting

00:20:55.480 --> 00:20:58.549
but not sitting. said he only understood half

00:20:58.549 --> 00:21:01.289
a koan he was using it to justify not doing the

00:21:01.289 --> 00:21:03.670
hard work and his most infamous quote about it

00:21:03.670 --> 00:21:06.289
was a cat sits until it is tired of sitting then

00:21:06.289 --> 00:21:09.349
gets up stretches and walks away which to a zen

00:21:09.349 --> 00:21:11.430
master must have sounded like an endorsement

00:21:11.430 --> 00:21:14.170
for just being lazy it was seen as offering an

00:21:14.170 --> 00:21:17.150
easy way out a zen light for people who wanted

00:21:17.150 --> 00:21:19.839
the philosophy without the discipline The prominent

00:21:19.839 --> 00:21:22.359
Zen teacher Robert Aitken said that D .T. Suzuki

00:21:22.359 --> 00:21:25.319
himself told him flat out, Mr. Watts did not

00:21:25.319 --> 00:21:28.740
understand that story. Ouch. But he had his defenders,

00:21:28.819 --> 00:21:32.240
too. And a very powerful one. A very powerful

00:21:32.240 --> 00:21:35.019
one. Shunri Suzuki, the founder of the San Francisco

00:21:35.019 --> 00:21:38.619
Zen Center, a man famous for his rigor. When

00:21:38.619 --> 00:21:41.359
one of his students dismissed Watts, Suzuki apparently

00:21:41.359 --> 00:21:45.079
got very serious and called Watts a great bodhisattva.

00:21:45.160 --> 00:21:48.359
A bodhisattva, wow. Yeah, he insisted the student

00:21:48.359 --> 00:21:50.940
was missing the point, that Watts' vital work

00:21:50.940 --> 00:21:53.259
was opening the door for countless Westerners

00:21:53.259 --> 00:21:55.420
who would have never found it otherwise. So his

00:21:55.420 --> 00:21:57.980
mission was dissemination, not discipline. It

00:21:57.980 --> 00:22:00.359
was about building that bridge. And his life

00:22:00.359 --> 00:22:04.480
ended in 1973. He was only 58. And the circumstances

00:22:04.480 --> 00:22:07.200
of his death are almost like a final Zen teaching.

00:22:07.420 --> 00:22:09.740
He'd just gotten back from this grueling European

00:22:09.740 --> 00:22:11.940
lecture tour. Right. He was exhausted. He died

00:22:11.940 --> 00:22:14.339
in his cabin in Druid Heights, California. But

00:22:14.339 --> 00:22:17.299
what happened next was unusual. His body was

00:22:17.299 --> 00:22:20.000
cremated almost immediately on a woodpire on

00:22:20.000 --> 00:22:23.380
Muir Beach by Buddhist monks before the authorities

00:22:23.380 --> 00:22:25.730
could even get there. His son Mark later found

00:22:25.730 --> 00:22:27.690
out that his father had planned the whole thing

00:22:27.690 --> 00:22:30.890
meticulously. It was this deliberate, immediate

00:22:30.890 --> 00:22:33.609
return to nature, a final act of letting go.

00:22:34.109 --> 00:22:36.930
His wife, Mary Jane, said of him, the secret

00:22:36.930 --> 00:22:39.740
of life is knowing when to stop. And he stopped

00:22:39.740 --> 00:22:43.079
on his own terms. He's gone. But that cultural

00:22:43.079 --> 00:22:45.779
echo is louder than ever. All the music sampling,

00:22:45.839 --> 00:22:48.819
the movies. He provided the language for questioning

00:22:48.819 --> 00:22:51.480
reality. And that's a quest more people are on

00:22:51.480 --> 00:22:53.460
today than ever before. He was a philosopher

00:22:53.460 --> 00:22:56.240
who mastered audio. He recorded these talks that

00:22:56.240 --> 00:22:58.519
have become, in a way, a new kind of scripture

00:22:58.519 --> 00:23:00.799
for people seeking accessible wisdom outside

00:23:00.799 --> 00:23:03.640
of any institution. So wrapping this all up,

00:23:03.700 --> 00:23:05.839
what's the final takeaway? Yeah. Alan Watts'

00:23:05.980 --> 00:23:08.690
singular achievement was what? Taking Eastern

00:23:08.690 --> 00:23:10.470
philosophy out of the temple and putting it on

00:23:10.470 --> 00:23:12.390
the airwaves. I think so. Making the profound

00:23:12.390 --> 00:23:14.910
accessible. Making non -duality understandable

00:23:14.910 --> 00:23:17.789
to a profoundly dualistic and anxious Western

00:23:17.789 --> 00:23:20.809
culture. He was that crucial bridge. And he did

00:23:20.809 --> 00:23:23.630
it by trying to resolve that feeling of alienation,

00:23:23.650 --> 00:23:25.369
by insisting that you aren't just this fragile

00:23:25.369 --> 00:23:27.650
little ego, but an inseparable part of the whole

00:23:27.650 --> 00:23:30.750
cosmic dance. Exactly. That understanding the

00:23:30.750 --> 00:23:33.670
contradiction of opposites up and down life and

00:23:33.670 --> 00:23:36.170
death. That's the key. That's the path to real

00:23:36.170 --> 00:23:38.450
psychological peace. Which brings us right back

00:23:38.450 --> 00:23:41.269
to the man himself, the entertainer and the rogue,

00:23:41.549 --> 00:23:45.009
the mystic and the alcoholic. If Watts taught

00:23:45.009 --> 00:23:47.410
that the contradiction of opposites is the fundamental

00:23:47.410 --> 00:23:49.890
method of life. Then what does it mean for us

00:23:49.890 --> 00:23:51.930
that his most profound, most liberating teachings

00:23:51.930 --> 00:23:55.950
came directly from his own deeply flawed, contradictory

00:23:55.950 --> 00:23:58.769
and troubled personal life? It makes you wonder,

00:23:58.890 --> 00:24:02.829
was the rascal nature essential to his role as

00:24:02.829 --> 00:24:05.730
the entertainer? Did it allow him to sidestep

00:24:05.730 --> 00:24:07.549
the kind of spiritual arrogance that can come

00:24:07.549 --> 00:24:09.710
with being a pure teacher? He delivered this

00:24:09.710 --> 00:24:11.970
message of cosmic unity through a very messy,

00:24:12.109 --> 00:24:14.750
very human vessel. So we'll leave you with that

00:24:14.750 --> 00:24:17.369
provocative thought. Maybe the pursuit of this

00:24:17.369 --> 00:24:19.569
kind of transcendental knowledge can't be separated

00:24:19.569 --> 00:24:21.630
from the messy reality of the person pursuing

00:24:21.630 --> 00:24:24.380
it. Maybe the contradictions in Watts' life weren't

00:24:24.380 --> 00:24:26.740
a flaw in his teaching, but were actually the

00:24:26.740 --> 00:24:29.660
final, human, complicated evidence of it. Something

00:24:29.660 --> 00:24:31.460
to mull over until our next deep dive.
