WEBVTT

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Welcome back to the Deep Dive. Our mission is

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always the same, to take a colossal figure, strip

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away the pop culture myths, and see what the

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raw source material reveals. And today we are

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plumbing the depths of a writer whose very name

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conjures darkness, terror, and the relentless

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tapping of a beak on a chamber door, Edgar Allan

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Poe. That's right. Poe, who lived from 1809 to

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1849, is instantly synonymous with the macabre.

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He is the central brooding architect of American

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Gothic. fiction and so critically the inventor

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of the detective story. He really is. But if

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you only know him as the mad genius who wrote

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The Raven, you are missing the most fascinating

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parts of his story. Our sources today take us

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far beyond the crypt, revealing a surprisingly

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modern, complex and intensely analytical mind.

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Yeah, analytical is the key word. So we're going

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on a deep dive to examine how this perpetually

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struggling writer managed not just to shape global

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literature, but also to function as a highly

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successful cryptologist. a caustic literary critic,

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and incredibly a cosmological theorist. And his

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work anticipated elements of the Big Bang Theory

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by nearly a century. It's wild. We're going to

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understand the calculation behind the chaos.

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And to understand the chaos, you really have

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to start with a perpetual struggle. It is the

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single most important lens through which to view

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his entire career. The money. Always the money.

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Yeah. Poe was, you could argue, the very first

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well -known American author who tried to sustain

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his life exclusively through his writing. And

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that was a bad idea back then. Oh, it was an

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act of financial self -destruction. In the mid

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-19th century American literary marketplace,

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it was basically impossible. We often talk about

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the starving artist, but why was the system so

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specifically rigged against him at that precise

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moment in American history? It boils down to

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a colossal legal loophole. The complete and utter

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lack of international copyright law. Ah, okay.

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So imagine trying to sell a product that a major

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competitor can just distribute globally for free.

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Right. American publishers, driven by pure economics,

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preferred to sell cheap, unauthorized copies

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of popular British authors. We're talking figures

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like Charles Dickens or Sir Walter Scott. Because

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they didn't have to pay them. They didn't have

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to pay them a cent in royalties. So this meant

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Poe, trying to sell original American content,

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was competing directly with literally free content

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from world -class established talent. That's

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an impossible situation. It made his existence

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a brutal decade -long scramble for scraps. His

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groundbreaking work, regardless of its literary

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merit, was instantly hampered by market forces

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that preferred piracy over paying their own domestic

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talent. This desperation, it dictates every failed

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magazine launch and every abrupt relocation we

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see in his life. OK, so let's unpack the biographical

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foundations of all this turmoil. He was born

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Edgar Poe in Boston on January 19th, 1809. His

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parents were traveling actors and his early life.

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I mean, it really does read like the prologue

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to a gothic novel. It's pure melodrama. His father

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abandoned the family in 1810. Just gone. Vanished.

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And then his mother died of consumption pulmonary

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tuberculosis just a year later. He was an orphan

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before he was three. Wow. And that profound,

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repeated, early loss of a mother figure to disease.

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It's not just a personal tragedy, is it? It becomes

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this massive, defining shadow over his entire

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literary output. Absolutely. The two -year -old

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Poe was taken in by John and Frances Allen in

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Richmond, Virginia. They were a wealthy merchant

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family involved in everything from cloth and

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tobacco to, and this is notable, the slave trade.

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But they never formally adopted him. Never. He

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gained the name Edgar Allan Poe, but he was always

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an outsider. And John Allen's role was intensely

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complicated, wasn't it? He wasn't exactly a stable

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parental figure. Far from it. The relationship

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was volatile and just completely inconsistent.

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Allen would alternately spoil Poe with an expensive

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European education and these extravagant gifts,

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but then he would aggressively discipline him

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and withhold affection. That's a classic push

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-pull. It is. This pattern of lavish support

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followed by cruel abandonment, it created an

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enduring psychological template for Poe. It fed

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right into his lifelong issues with stability

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and authority. That initial spoiling did, however,

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afford him a superior early education, right?

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Oh, absolutely, yes. From 1815, the Allens took

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him to the United Kingdom, where he attended

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grammar school in Scotland, which was Allen's

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birthplace, and then a boarding school in London.

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He returned to Richmond in 1820. So he gets this

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deep classical education fluency in languages

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that would serve him well later. Yes. But the

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psychological instability was already baked in.

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You can see it a few years later. Right. When

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the relationship with Alan completely fractures

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once Poe enrolls at the University of Virginia.

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So tell us about that descent into academic chaos

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and financial desperation. The University of

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Virginia, which was founded on Thomas Jefferson's

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ideals of self -governance, was a... A hot mess

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in 1826. A hot mess how? Well, students were

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supposed to govern themselves, but the strict

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rules against gambling, alcohol, and guns were

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utterly disregarded. The atmosphere was just

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chaos, and the dropout rate was astronomical.

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And Poe gets caught up in it. He does. Trying

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to keep up appearances among the wealthier students,

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he accumulated heavy gambling debts during his

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single year there. He was completely out of his

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depth. And he immediately cast the blame on Allen.

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Now... Was that justified or was that just a

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convenient narrative for his own self -sabotage?

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I think it's a mix. Poe accused Allen of not

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providing sufficient funds for tuition, texts

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and living expenses, which that was partially

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true. Allen was famously tightfisted. But Poe

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didn't help his own case. No, he significantly

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worsened his own position through reckless gambling

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and spending. The estrangement was complete enough

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that when he left the university after only one

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year, he couldn't return to Richmond. And his

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childhood sweetheart had moved on? Exactly. Sarah

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Elmora Royster had married another man during

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his absence. So he's broke, he's heartbroken,

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and he's got nowhere to go. Unable to support

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himself in Boston, he took the most drastic step,

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which resulted in this truly spectacular confluence

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of identity deception. He was completely desperate.

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By April 1827, he's living hand -to -mouth in

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Boston, even using the pseudonym Henri Le René.

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Henri Le René. By May, he enlists in the U .S.

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Army as a private. And get this. He signs up

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under the assumed name Edgar A. Perry and claims

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to be 22 years old, who's only 18. So the eventual

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literary titan starts his public life with a

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total flop, published under a false identity,

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while he's serving in the military under another

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false identity. It is the definition of Poe drama.

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While he was stationed at Fort Independence,

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his first book, Tamerlane and Other Poems, was

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published that year. A slim 40 -page collection

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credited only to a Bostonian. It just vanished.

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Completely. Only 50 copies were printed and it

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just disappeared without a trace. But... Despite

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this quiet, unrecognized literary debut, Poe

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was actually a competent soldier. He rose quickly

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to the rank of sergeant major for artillery.

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He eventually revealed his true identity to get

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a discharge, and this led to a temporary reconciliation

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with Allen. That reconciliation was primarily

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prompted by tragedy. Francis Allen, his foster

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mother, died in February 1829. The woman who'd

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been kind to him. Yes, John Allen. maybe softened

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by grief and recognizing Poe's potential, agreed

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to support Poe's application for an appointment

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to the United States Military Academy at West

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Point. So he's back on track, seemingly. For

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a moment. He was honorably discharged from the

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Army and entered West Point in July 1830. But

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that reconciliation was terminally fragile. It

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was doomed from the start. John Allen had remarried

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and bitter quarrels erupted, partly concerning

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children Allen had fathered outside of his marriage.

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Allen completely disowned him. Completely removed

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him from his will permanently. And Poe, recognizing

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that the military path was no longer a viable

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route to any kind of financial or social stability,

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intentionally got himself court -martialed. He

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engineered his own failure. He totally engineered

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his own academic and military failure. Exactly.

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He was found guilty in February 1831 of gross

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neglect of duty for refusing to attend classes,

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church, and formations. And what's wild is that

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he pleaded not guilty. Right, but that was just

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a tactic. It was to ensure the sentence was dismissal,

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which he achieved. This episode, it illustrates

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a crucial pattern. When Poe felt trapped or abandoned,

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he would ruthlessly self -sabotage to secure

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his freedom, regardless of the financial cost.

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So following this dramatic exit, he finds a new

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domestic nucleus in Baltimore with his widowed

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aunt, Maria Clem, and her daughter, Virginia,

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his cousin. And Maria Clem, whom he affectionately

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called Muddy, she really provided the emotional

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stability and domestic anchor that had been missing

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his entire life. But this stability was laced

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with unconventionality, to say the least. It

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was. In 1836, at age 27, Poe married Virginia

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Clem. The records show she was only 13 years

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old. Thirteen. Thirteen. And they had to get

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a witness to falsely attest that she was 21.

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Regardless of the unusual age difference, though,

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the relationship seemed to be built on a deep

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mutual dependency, which makes the subsequent

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tragedy all the more acute. It was a complex,

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loving, and just deeply tragic relationship.

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And tragedy struck in January 1842. While Virginia

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was singing and playing piano, she showed the

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first signs of consumption tuberculosis imposed

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description of it is just wrenching he described

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it as the sudden breaking of a blood vessel in

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her throat that moment must have been devastating

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i mean an almost exact horrible echo of his mother's

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fate It was crushing. And biographers widely

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agree the psychological toll was immense. Virginia

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suffered from this chronic illness for five years,

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dying in their small cottage in Fordham, New

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York, in January 1847. And this is when he starts

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drinking heavily. Allegedly, yes. The stress

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of watching the woman he loved, who was also

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his family connection and his cousin, slowly

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waste away is what pushed him into heavy drinking.

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And this triple -loss mother, foster mother,

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and then his wife. It fuels his most persistent

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literary theme. Absolutely. The repeated death

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of vital women in his life is the direct psychological

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source for his recurring theme, the death of

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a beautiful woman. It is a motif that defines

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so many of his most famous works. And after Virginia's

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death, his search for stability just became desperate

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and erratic. Completely. He attempted to court

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the poet Sarah Helen Whitman, which resulted

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in a failed engagement, mostly due to his erratic

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behavior and heavy drinking. Yet in the final

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months of his life, he was back in Richmond,

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having resumed a relationship with his childhood

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sweetheart, Sarah O'Meara Royster. He's forever

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seeking to recapture an idealized, stable past.

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A past that never really existed. So despite

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this continuous personal turbulence and financial

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peril, Poe manages to achieve something monumental.

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He pivots from being a failing poet to a successful

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prose writer and editor. And in doing so, he

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engineers the foundation of modern genre literature.

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The shift was absolutely essential. After the

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early failures in poetry, Poe focused permanently

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on prose. He needed immediate, practical wins.

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And that win came in 1833. That's right. October

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1833, his short story, Emma's Script Found in

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a Bottle, won a prize sponsored by the Baltimore

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Saturday Visitor. And that single victory was

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his ticket into the editorial world, which gave

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him the consistent income he craved. Precisely.

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It brought him to the attention of influential

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figures like John P. Kennedy, who mentored him

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and introduced him to Thomas W. White, the editor

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of the Southern Literary Messenger in Richmond.

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And this began the era of Poe. The tireless editorial

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entrepreneur. Mastering the system. Mastering

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the mechanics of the burgeoning American periodical

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system. He became assistant editor of the Southern

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Literary Messenger in 1835, but even this stability

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was immediately threatened. Oh, immediately.

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White discharged him within weeks, allegedly

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for drunkenness. And he came back. He came back.

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The undeniable quality of Poe's writing and his

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critical acumen meant White reinstated him after

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Poe promised to reform. He stayed there until

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1837. And during his tenure, he was a force multiplier.

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A force multiplier. He claimed the magazine's

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circulation shot up from 700 to 3 ,500. He wasn't

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just a writer. He was a circulation manager,

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a critic, and an ideas man all rolled into one.

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He continued this pattern, right? Moving through

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the centers of American publishing, Philadelphia,

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New York, working for Burton's Gentleman's Magazine,

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and later the highly successful Graham's Magazine.

00:12:40.120 --> 00:12:43.509
He did. But his true aspiration was always complete

00:12:43.509 --> 00:12:46.070
editorial control. That was the dream. That was

00:12:46.070 --> 00:12:48.230
the dream, the antidote to poverty and compromise.

00:12:48.549 --> 00:12:50.990
He yearned to produce his own journal, first

00:12:50.990 --> 00:12:53.889
called The Pen, and later rebranded as The Stylist.

00:12:54.129 --> 00:12:58.009
And he got so close. So close. He planned meticulously

00:12:58.009 --> 00:13:00.509
even buying advertising space in the Saturday

00:13:00.509 --> 00:13:03.830
Evening Post in 1840 to announce its prospectus.

00:13:04.269 --> 00:13:07.110
This failed dream, the financial security and

00:13:07.110 --> 00:13:09.990
critical platform of The Stylist. It just represents

00:13:09.990 --> 00:13:12.350
the constant tension between his massive ambition

00:13:12.350 --> 00:13:15.470
and his brutal economic reality. And it's such

00:13:15.470 --> 00:13:17.669
a profound irony that this man who lived hand

00:13:17.669 --> 00:13:20.090
to mouth essentially invented two incredibly

00:13:20.090 --> 00:13:23.269
lucrative global genres, the formalized short

00:13:23.269 --> 00:13:26.350
story and, most notably, detective fiction. He

00:13:26.350 --> 00:13:28.309
was instrumental in shaping the modern short

00:13:28.309 --> 00:13:30.909
story, codifying it as a genre with structure

00:13:30.909 --> 00:13:34.320
and rules. His 1839 collection, Tales of the

00:13:34.320 --> 00:13:36.960
Grotesque and Arabesque, that cemented his reputation.

00:13:37.279 --> 00:13:39.779
But his creation of detective fiction is arguably

00:13:39.779 --> 00:13:42.159
his greatest structural legacy to world literature.

00:13:42.419 --> 00:13:44.659
We credit him as the inventor, based on his three

00:13:44.659 --> 00:13:47.519
tales featuring C. Auguste Dupin, The Murders

00:13:47.519 --> 00:13:50.059
in the Rue Morgue, The Mystery of Marie Roget,

00:13:50.120 --> 00:13:52.899
and The Purloined Letter. So what specifically

00:13:52.899 --> 00:13:54.940
did Poe invent that didn't exist before? Okay,

00:13:54.980 --> 00:13:56.860
so before Poe, you had mysteries, certainly,

00:13:56.960 --> 00:13:58.840
but you didn't have detective fiction. Poe invented

00:13:58.840 --> 00:14:00.899
the entire blueprint. The whole formula. The

00:14:00.899 --> 00:14:04.399
entire formula. The brilliant, eccentric, amateur

00:14:04.399 --> 00:14:07.799
consulting detective that's Dupin, who solves

00:14:07.799 --> 00:14:10.500
crimes through pure intellect. The relatively

00:14:10.500 --> 00:14:14.740
dull, loyal sidekick who is the narrator. The

00:14:14.740 --> 00:14:17.200
incompetent official police force. The bumbling

00:14:17.200 --> 00:14:20.320
cops. The bumbling cops. And the mechanism of

00:14:20.320 --> 00:14:22.379
the locked room mystery. It's all there. And

00:14:22.379 --> 00:14:25.000
Dupin operates through a method Poe called ratiocination.

00:14:25.480 --> 00:14:28.600
Ratiocination. It's a cold, logical deduction

00:14:28.600 --> 00:14:31.360
that elevates reason above physical evidence.

00:14:31.980 --> 00:14:34.639
He doesn't rely on luck or brute force. He relies

00:14:34.639 --> 00:14:37.200
on analytical insight into the psychology of

00:14:37.200 --> 00:14:39.600
the criminal and the police alike. And that framework

00:14:39.600 --> 00:14:41.759
is the foundation for everything that comes after.

00:14:41.899 --> 00:14:44.080
It is the foundation upon which Sherlock Holmes

00:14:44.080 --> 00:14:46.059
and every single subsequent detective has been

00:14:46.059 --> 00:14:48.700
built. The impact is just undeniable. Sir Arthur

00:14:48.700 --> 00:14:51.580
Conan Doyle credited Poe directly, saying, Each

00:14:51.580 --> 00:14:54.100
of Poe's detective stories is a right from which

00:14:54.100 --> 00:14:56.179
a whole literature has developed. And the mystery

00:14:56.179 --> 00:14:58.440
writers of America acknowledging this by naming

00:14:58.440 --> 00:15:02.100
their annual awards the Edgars. it's a genre

00:15:02.100 --> 00:15:04.299
so essential today that it's easy to forget it

00:15:04.299 --> 00:15:06.500
was codified by a struggling magazine editor

00:15:06.500 --> 00:15:09.639
in the 1840s shifting now to his most famous

00:15:09.639 --> 00:15:13.370
mode gothic horror Poe wasn't just telling scary

00:15:13.370 --> 00:15:16.429
stories. He was psychologically dissecting terror,

00:15:16.690 --> 00:15:19.629
a key characteristic of dark romanticism. Exactly.

00:15:19.649 --> 00:15:23.269
Dark romanticism, a subgenre of American romanticism,

00:15:23.269 --> 00:15:26.990
emerged as a direct reaction to what they saw

00:15:26.990 --> 00:15:29.730
as the naive optimism of transcendentalism. So

00:15:29.730 --> 00:15:31.789
while transcendentalists saw inherent goodness

00:15:31.789 --> 00:15:34.730
in nature and humanity, the dark romantics like

00:15:34.730 --> 00:15:37.250
Poe, Hawthorne, and Melville, they focused on

00:15:37.250 --> 00:15:40.639
human fallibility. Inherent evil, decay, madness,

00:15:40.840 --> 00:15:43.519
and melancholy. And Poe's fiction is preoccupied

00:15:43.519 --> 00:15:45.259
with the physics of death. That's a great way

00:15:45.259 --> 00:15:47.580
to put it. He explores the psychological terror

00:15:47.580 --> 00:15:50.460
of decomposition, the fear of premature burial,

00:15:50.679 --> 00:15:53.220
which is a huge societal fear at the time, and

00:15:53.220 --> 00:15:55.620
the reanimation of the dead. It's horror that

00:15:55.620 --> 00:15:58.299
is deeply internal, focusing on the deterioration

00:15:58.299 --> 00:16:00.179
of the mind as much as the body. And during his

00:16:00.179 --> 00:16:02.240
lifetime, he was perhaps most widely known not

00:16:02.240 --> 00:16:05.019
as a fiction writer, but as a fiercely opinionated

00:16:05.019 --> 00:16:07.240
literary critic. That's a crucial point most

00:16:07.240 --> 00:16:10.120
people miss. The vast majority of his writings

00:16:10.120 --> 00:16:12.820
were actually non -fictional reviews and essays.

00:16:13.259 --> 00:16:17.000
He was revered, yet deeply feared, and critic

00:16:17.000 --> 00:16:19.799
James Russell Lowell called him the most discriminating,

00:16:19.820 --> 00:16:22.779
philosophical, and fearless critic who has written

00:16:22.779 --> 00:16:25.250
in America. And the fearless part led directly

00:16:25.250 --> 00:16:27.809
to his nickname, the Tomahawk Man. The Tomahawk

00:16:27.809 --> 00:16:30.169
Man. He was brutal. And he saved his sharpest

00:16:30.169 --> 00:16:32.309
attacks for the biggest names in American letters.

00:16:33.210 --> 00:16:36.610
Tell us about the Longfellow War. Ah, yes. This

00:16:36.610 --> 00:16:40.129
was Poe's most famous critical battle. Henry

00:16:40.129 --> 00:16:43.230
Wilesworth Longfellow was, at the time, America's

00:16:43.230 --> 00:16:45.470
most beloved and commercially successful poet.

00:16:45.850 --> 00:16:48.169
An absolute giant. And Poe just went after him.

00:16:48.350 --> 00:16:51.029
Relentlessly. He attacked him, accusing him of

00:16:51.029 --> 00:16:53.090
the heresy of the didactic. Meaning? Meaning

00:16:53.090 --> 00:16:55.789
Longfellow wrote poetry that was overly preachy,

00:16:55.830 --> 00:16:58.610
tried too hard to teach a moral lesson, and often

00:16:58.610 --> 00:17:01.110
lacked originality. Sometimes, you know, bordering

00:17:01.110 --> 00:17:03.070
on plagiarism. So it's interesting that Poe,

00:17:03.070 --> 00:17:05.430
a writer who struggled for money, was essentially

00:17:05.430 --> 00:17:08.269
attacking a poet who is universally popular and

00:17:08.269 --> 00:17:11.269
financially secure. It speaks to Poe's deep -seated

00:17:11.269 --> 00:17:14.460
elitism about art. He correctly predicted that

00:17:14.460 --> 00:17:17.299
Longfellow's reputation, while huge in the moment,

00:17:17.480 --> 00:17:20.319
would decline because his style lacked the necessary

00:17:20.319 --> 00:17:24.220
originality and depth. For Poe, popularity was

00:17:24.220 --> 00:17:26.880
a suspicious indicator. He often equated commercial

00:17:26.880 --> 00:17:30.259
success with artistic compromise. And his disdain

00:17:30.259 --> 00:17:32.259
for the transcendentalists went beyond literary

00:17:32.259 --> 00:17:34.940
theory and became deeply personal. Oh, absolutely.

00:17:35.200 --> 00:17:38.500
He ridiculed them as frog pondians, a reference

00:17:38.500 --> 00:17:41.440
to the Boston Common Pond, and mocked their style

00:17:41.440 --> 00:17:44.559
as metaphor run mad and lapsing into obscurity

00:17:44.559 --> 00:17:47.460
for obscurity's sake. Poe, the analytical engineer,

00:17:47.700 --> 00:17:49.599
couldn't tolerate what he perceived as their

00:17:49.599 --> 00:17:52.039
mystical vagueness and intellectual laziness.

00:17:52.299 --> 00:17:54.240
This brings us to his philosophy of art. How

00:17:54.240 --> 00:17:56.359
did his pursuit of of beauty reconcile with his

00:17:56.359 --> 00:18:00.099
frequently brutal critical style. For Poe, beauty

00:18:00.099 --> 00:18:02.480
was the critical standard. It was the only standard.

00:18:02.640 --> 00:18:04.819
In essays like The Poetic Principle, he argued

00:18:04.819 --> 00:18:06.819
that the ultimate goal of art is the attainment

00:18:06.819 --> 00:18:09.420
of beauty, not truth, not morals, and certainly

00:18:09.420 --> 00:18:12.420
not political messaging. And he emphasized originality.

00:18:12.480 --> 00:18:15.420
And the importance of achieving a single specific

00:18:15.420 --> 00:18:18.579
effect where every element of work, every word,

00:18:18.680 --> 00:18:22.089
every image. contributes meticulously to a preconceived

00:18:22.089 --> 00:18:24.630
emotional or psychological result, and everything

00:18:24.630 --> 00:18:27.640
extraneous is removed. This concept of the single

00:18:27.640 --> 00:18:30.319
specific effect feels incredibly modern. It's

00:18:30.319 --> 00:18:32.140
almost like he was pioneering user experience

00:18:32.140 --> 00:18:35.180
design. Exactly. Poe wasn't just influencing

00:18:35.180 --> 00:18:37.839
literature. He was essentially writing the rules

00:18:37.839 --> 00:18:40.720
for modern high impact content creation. If you

00:18:40.720 --> 00:18:43.420
think about a perfectly crafted short film or

00:18:43.420 --> 00:18:46.140
a tightly edited suspense trailer. Or even a

00:18:46.140 --> 00:18:49.240
viral video. That is Poe's unity of effect in

00:18:49.240 --> 00:18:51.940
action. He demanded ruthless efficiency in storytelling.

00:18:52.410 --> 00:18:54.410
He then formalized this concept of calculation

00:18:54.410 --> 00:18:57.289
in his controversial essay, The Philosophy of

00:18:57.289 --> 00:19:00.589
Composition. Ah, yes. That essay is legendary

00:19:00.589 --> 00:19:02.750
because Poe claimed to describe, in reverse,

00:19:03.009 --> 00:19:05.690
the precise, calculated, step -by -step, logical

00:19:05.690 --> 00:19:07.910
method he used to write his most famous poem,

00:19:08.210 --> 00:19:10.549
The Raven. He deconstructed his own creative

00:19:10.549 --> 00:19:13.529
process. It's an almost scientific deconstruction

00:19:13.529 --> 00:19:16.089
of creativity, arguing that no part of the poem

00:19:16.089 --> 00:19:18.369
was accidental. He claimed he chose the length,

00:19:18.470 --> 00:19:21.390
the meter, the central theme melancholy, and

00:19:21.390 --> 00:19:27.079
the refrain. But critics suspect this was perhaps

00:19:27.079 --> 00:19:31.099
Poe's greatest fictional work. Many do. Critics

00:19:31.099 --> 00:19:33.400
like Joseph Woodcrush suggest the essay was less

00:19:33.400 --> 00:19:37.039
a truthful memoir and more an ingenious exercise

00:19:37.039 --> 00:19:39.960
in the art of rationalization. So he wrote the

00:19:39.960 --> 00:19:42.099
poem first and then came up with the theory after.

00:19:42.460 --> 00:19:44.900
That's the idea. He wrote the poem organically.

00:19:45.210 --> 00:19:47.730
experienced its massive success, and then reverse

00:19:47.730 --> 00:19:50.009
engineered a perfect logical theory to prove

00:19:50.009 --> 00:19:52.589
his artistic genius was entirely premeditated.

00:19:52.990 --> 00:19:55.549
Either way, it underscores that his mind operated

00:19:55.549 --> 00:19:58.089
like an analytical engine, applying cold logic

00:19:58.089 --> 00:20:00.349
whether he was creating a terrifying poem or

00:20:00.349 --> 00:20:02.710
dissecting the literary failures of his peers.

00:20:02.890 --> 00:20:04.630
And whether it was calculated or spontaneous,

00:20:05.009 --> 00:20:07.410
the result was shattering. When The Raven was

00:20:07.410 --> 00:20:09.930
published in the Evening Mirror in January 1845,

00:20:10.349 --> 00:20:13.250
it made Poe an instant household name. Instant,

00:20:13.410 --> 00:20:16.990
vast, popular fame. Yet here's the ultimate punchline

00:20:16.990 --> 00:20:19.950
of his financial life. Despite achieving unprecedented

00:20:19.950 --> 00:20:22.809
notoriety that reached across the country, he

00:20:22.809 --> 00:20:25.710
was paid... Only $9 for its original publication.

00:20:25.950 --> 00:20:30.190
$9? $9. His fame was boundless, but his profit

00:20:30.190 --> 00:20:32.690
was microscopic. It's a perfect encapsulation

00:20:32.690 --> 00:20:34.910
of the market forces that were always working

00:20:34.910 --> 00:20:36.769
against him. Okay, here's where it gets really

00:20:36.769 --> 00:20:40.230
interesting. We transition from Poe, the literary

00:20:40.230 --> 00:20:43.410
engineer, to Poe, the scientific visionary. The

00:20:43.410 --> 00:20:46.009
ruthless calculation he applied to poetry and

00:20:46.009 --> 00:20:48.950
criticism, he also applied to the physical universe.

00:20:49.500 --> 00:20:51.539
This is the most surprising layer of his genius,

00:20:51.740 --> 00:20:54.819
his fierce analytical interest in hard science.

00:20:55.140 --> 00:20:57.779
We're talking specifically about his 1848 essay,

00:20:57.900 --> 00:21:01.359
Eureka, a prose poem. A prose poem? He intentionally

00:21:01.359 --> 00:21:03.539
called it that because he insisted it was a work

00:21:03.539 --> 00:21:06.380
of profound truth derived from pure intuition,

00:21:06.500 --> 00:21:08.839
which he considered superior to the laborious

00:21:08.839 --> 00:21:10.740
scientific method. He thought he could intuit

00:21:10.740 --> 00:21:13.980
his way to cosmic truth. He did. And this intuition

00:21:13.980 --> 00:21:16.980
led him to two extraordinary scientific anticipations.

00:21:17.720 --> 00:21:19.960
Let's start with Olber's Paradox. Okay, remind

00:21:19.960 --> 00:21:22.519
us what that is. Right, so Olber's Paradox asks

00:21:22.519 --> 00:21:25.500
a fundamental question. Why is the night sky

00:21:25.500 --> 00:21:28.000
dark if the universe contains an infinite number

00:21:28.000 --> 00:21:30.420
of stars? Right, if it's infinite, shouldn't

00:21:30.420 --> 00:21:32.920
we see a star in every direction? Exactly. If

00:21:32.920 --> 00:21:35.059
the universe were infinite and static, every

00:21:35.059 --> 00:21:37.299
line of sight from Earth should eventually terminate

00:21:37.299 --> 00:21:39.339
on the surface of a star, meaning the entire

00:21:39.339 --> 00:21:42.099
night sky should be blindingly bright. So how

00:21:42.099 --> 00:21:44.539
did Poe, the writer of horror, plausibly solve

00:21:44.539 --> 00:21:48.450
this paradox in 1848? Poe proposed the correct

00:21:48.450 --> 00:21:52.970
modern day solution. The night sky is dark because

00:21:52.970 --> 00:21:55.769
the universe is finite in age, not necessarily

00:21:55.769 --> 00:21:58.609
finite in size. Okay. There's a horizon of light

00:21:58.609 --> 00:22:00.890
determined by how far light has been able to

00:22:00.890 --> 00:22:03.670
travel since the universe began. So distant stars

00:22:03.670 --> 00:22:05.970
whose light hasn't reached us yet simply cannot

00:22:05.970 --> 00:22:08.940
illuminate our sky. That's a profound, simple

00:22:08.940 --> 00:22:12.259
insight that predated formal cosmology. It's

00:22:12.259 --> 00:22:14.339
an incredible leap of intuition. But the truly

00:22:14.339 --> 00:22:16.720
mind -bending prediction is his anticipation

00:22:16.720 --> 00:22:19.700
of the Big Bang theory. How did his theory in

00:22:19.700 --> 00:22:22.759
Eureka map onto that concept? Poe postulated

00:22:22.759 --> 00:22:25.420
that the universe originated from a single primordial

00:22:25.420 --> 00:22:27.859
particle, which he termed the original unity.

00:22:28.140 --> 00:22:31.200
The original unity. This particle, via divine

00:22:31.200 --> 00:22:34.039
volition, expanded outward due to a repulsive

00:22:34.039 --> 00:22:36.859
force, dispersing matter evenly across space.

00:22:37.200 --> 00:22:39.619
He further proposed that this expansion would

00:22:39.619 --> 00:22:42.559
eventually stop and reverse, contracting back

00:22:42.559 --> 00:22:45.440
into the single particle in an event we now know

00:22:45.440 --> 00:22:48.319
as the Big Crunch. So the universe starting from

00:22:48.319 --> 00:22:51.000
a single point and expanding. A pulsating universe

00:22:51.000 --> 00:22:53.559
model. It's remarkably close to modern Big Bang

00:22:53.559 --> 00:22:56.259
theory. He anticipated it by roughly 80 years.

00:22:56.640 --> 00:22:58.599
That is just extraordinary, especially since

00:22:58.599 --> 00:23:00.359
he threw out the scientific method entirely.

00:23:00.720 --> 00:23:02.920
You mentioned it wasn't perfect, though. No,

00:23:02.940 --> 00:23:05.240
not at all. While the intuition was powerful,

00:23:05.819 --> 00:23:08.319
Poe ignored established laws in favor of his

00:23:08.319 --> 00:23:10.900
unified theory. For instance, he disregarded

00:23:10.900 --> 00:23:13.160
Newtonian principles, specifically concerning

00:23:13.160 --> 00:23:15.880
the conservation of angular momentum, which led

00:23:15.880 --> 00:23:18.599
to inaccuracies about planetary density and rotation.

00:23:18.940 --> 00:23:21.359
But he believed in it. Oh, he was so convinced

00:23:21.359 --> 00:23:23.900
of its truth that he insisted Eureka was his

00:23:23.900 --> 00:23:26.369
masterpiece, a work of art that was also scientifically

00:23:26.369 --> 00:23:29.430
true okay so moving from the universe to secret

00:23:29.430 --> 00:23:32.829
communication the same analytical mind that created

00:23:32.829 --> 00:23:35.890
dupin was obsessed with cracking ciphers turning

00:23:35.890 --> 00:23:39.049
code breaking into a public sensation this was

00:23:39.049 --> 00:23:42.210
a magnificent promotional stunt that simultaneously

00:23:42.210 --> 00:23:44.910
highlighted his genius he publicly challenged

00:23:44.910 --> 00:23:47.549
readers of the philadelphia paper alexander's

00:23:47.549 --> 00:23:50.569
weekly express messenger to submit ciphers promising

00:23:50.569 --> 00:23:52.609
to solve them all and people sent them in they

00:23:52.609 --> 00:23:55.640
did and he solved them He then published the

00:23:55.640 --> 00:23:58.740
essay A Few Words on Secret Writing in 1841 and

00:23:58.740 --> 00:24:01.839
made ciphers a central, essential plot device

00:24:01.839 --> 00:24:05.140
in the gold bug. So was Poe actually a master

00:24:05.140 --> 00:24:07.259
cryptographer or was he just an acute observer

00:24:07.259 --> 00:24:09.519
of human ignorance? He was definitely the latter,

00:24:09.720 --> 00:24:12.579
utilizing his analytical edge. Poe's method was

00:24:12.579 --> 00:24:14.680
mostly limited to solving simple substitution

00:24:14.680 --> 00:24:17.119
ciphers, where one letter is consistently replaced

00:24:17.119 --> 00:24:19.539
by another. He wasn't solving the truly complex

00:24:19.539 --> 00:24:22.240
codes of the age. His brilliance lay in something

00:24:22.240 --> 00:24:24.619
else. His brilliance lay in realizing the general

00:24:24.619 --> 00:24:26.799
public was completely ignorant of frequency analysis.

00:24:27.220 --> 00:24:30.220
Explain frequency analysis for us. Sure. If you

00:24:30.220 --> 00:24:32.319
look at the English language, certain letters

00:24:32.319 --> 00:24:34.339
appear with far greater frequency than others.

00:24:34.779 --> 00:24:38.480
E is the most common, followed by T, A, O, and

00:24:38.480 --> 00:24:42.099
so on. So in a simple substitution cipher, the

00:24:42.099 --> 00:24:44.339
most frequently used symbol in the coded message

00:24:44.339 --> 00:24:48.049
must correspond to E. Poe used this analytical

00:24:48.049 --> 00:24:50.869
insight, the same kind Dupin uses in the Detectives

00:24:50.869 --> 00:24:53.470
stories, to quickly break ciphers that seemed

00:24:53.470 --> 00:24:55.950
impossibly complex to the average reader. The

00:24:55.950 --> 00:24:59.109
public was so easily fooled, and Poe just capitalized

00:24:59.109 --> 00:25:01.430
on that analytical edge. But the impact of this

00:25:01.430 --> 00:25:03.950
stunt was far -reaching. It truly was. Poe's

00:25:03.950 --> 00:25:06.250
theatrical code -breaking played a major role

00:25:06.250 --> 00:25:08.789
in popularizing cryptograms in American media.

00:25:09.029 --> 00:25:11.950
But more profoundly, America's foremost cryptologist

00:25:11.950 --> 00:25:14.569
of the 20th century, William Friedman. The guy

00:25:14.569 --> 00:25:16.650
who cracked the Perpetua Code. The very same.

00:25:16.990 --> 00:25:19.430
Friedman credited reading The Gold Bug as a child

00:25:19.430 --> 00:25:22.130
with inspiring his entire career. He later led

00:25:22.130 --> 00:25:24.089
the team that deciphered Japan's critical military

00:25:24.089 --> 00:25:26.730
and diplomatic Perpetua Code during World War

00:25:26.730 --> 00:25:29.869
II. An 1840 short story fueled a critical real

00:25:29.869 --> 00:25:32.269
-world intelligence victory. That's incredible.

00:25:32.509 --> 00:25:35.269
And just to add a fun footnote to his cryptographic

00:25:35.269 --> 00:25:39.190
expertise, two ciphers he published in 1841 under

00:25:39.190 --> 00:25:42.430
the pseudonym W .B. Tyler proved so challenging

00:25:42.430 --> 00:25:44.950
they defied professional efforts. And they weren't

00:25:44.950 --> 00:25:48.690
fully cracked until 1992 and 2000. So even when

00:25:48.690 --> 00:25:51.029
he tried to be simple, he could still hide complex

00:25:51.029 --> 00:25:53.630
secrets. He was a fascinating mixture of showmanship

00:25:53.630 --> 00:25:57.500
and profound insight. And speaking of defiance,

00:25:57.640 --> 00:25:59.400
we have to integrate his political opinions,

00:25:59.720 --> 00:26:02.579
which were as caustic as his literary criticism.

00:26:02.880 --> 00:26:05.140
They absolutely were. Poe was highly critical

00:26:05.140 --> 00:26:07.500
of the American political system, which he often

00:26:07.500 --> 00:26:11.339
labeled a mobocracy. How did this political elitism

00:26:11.339 --> 00:26:14.500
manifest? It's crucial to connect his political

00:26:14.500 --> 00:26:17.900
views back to his artistic ones. Just as he distrusted

00:26:17.900 --> 00:26:20.700
popular taste, like with Longfellow, he distrusted

00:26:20.700 --> 00:26:23.079
the masses politically. He viewed the government

00:26:23.079 --> 00:26:25.619
as being led by an ignorant, easily - manipulated

00:26:25.619 --> 00:26:28.119
electorate. Which got him labeled anti -American.

00:26:28.359 --> 00:26:31.059
Yes, and bitterly hostile by some contemporaries.

00:26:31.119 --> 00:26:33.140
But he didn't shy away from controversy, even

00:26:33.140 --> 00:26:35.640
speaking out against specific societal evils.

00:26:35.799 --> 00:26:38.579
No, he didn't. In the Southern Literary Messenger,

00:26:38.859 --> 00:26:41.180
he explicitly critiqued the practice of lynching,

00:26:41.259 --> 00:26:44.319
calling its proponents a trained band of villains

00:26:44.319 --> 00:26:47.700
and unlawful and abandoned wretches. This was

00:26:47.700 --> 00:26:51.079
a rare, unambiguous moral stance against a horrific

00:26:51.079 --> 00:26:53.210
practice of the time. And his critique extended

00:26:53.210 --> 00:26:55.269
to the point of proposing a political secession.

00:26:55.490 --> 00:26:58.950
He did in Graham's magazine in 1846. He proposed

00:26:58.950 --> 00:27:01.650
a geographical and political split. He suggested

00:27:01.650 --> 00:27:04.130
separating the Appalachian South from the existing

00:27:04.130 --> 00:27:07.250
United States and naming this new nation the

00:27:07.250 --> 00:27:11.500
United States of Alleghenia. This highly provocative

00:27:11.500 --> 00:27:14.319
thought just underscores his profound dissatisfaction

00:27:14.319 --> 00:27:16.240
with the structural flaws he perceived in the

00:27:16.240 --> 00:27:18.500
American experiment. So this intensely analytical,

00:27:18.960 --> 00:27:21.720
genre -inventing, politically defiant writer

00:27:21.720 --> 00:27:24.180
meets his end in what is arguably the most dramatic

00:27:24.180 --> 00:27:27.240
and confusing death in literary history. Let's

00:27:27.240 --> 00:27:29.519
talk about the final strange days of Edgar Allan

00:27:29.519 --> 00:27:32.500
Poe. The mystery of Poe's death is perfect material

00:27:32.500 --> 00:27:35.880
for one of his own stories. On October 3, 1849,

00:27:36.160 --> 00:27:38.900
he was found semi -conscious in Baltimore. by

00:27:38.900 --> 00:27:41.420
a man named Joseph W. Walker. And the details

00:27:41.420 --> 00:27:44.500
are just bizarre. Bizarre is the word. Crucially,

00:27:44.640 --> 00:27:47.480
he was found lying outside a polling place, described

00:27:47.480 --> 00:27:50.640
as being in great distress and wearing clothes

00:27:50.640 --> 00:27:53.740
that were conspicuously not his own, ill -fitting,

00:27:53.839 --> 00:27:57.240
dirty and cheap. He was completely incoherent.

00:27:57.299 --> 00:27:59.539
Unable to explain his condition. Not at all.

00:27:59.819 --> 00:28:01.839
And that detail about the clothes, the bizarre

00:28:01.839 --> 00:28:04.400
disguise, that is the key to some of the most

00:28:04.400 --> 00:28:06.839
sensational theories, isn't it? It is the most

00:28:06.839 --> 00:28:09.039
compelling detail. He was taken to Washington

00:28:09.039 --> 00:28:11.079
Medical College, where he remained confused,

00:28:11.500 --> 00:28:14.619
hallucinating, unable to endure light or sound.

00:28:15.230 --> 00:28:18.190
He repeatedly called out the name Reynolds before

00:28:18.190 --> 00:28:21.529
his death four days later on October 7th, 1849.

00:28:21.869 --> 00:28:25.049
He was 40 years old. And his final recorded words.

00:28:25.369 --> 00:28:27.890
Lord help my poor soul. And the mystery only

00:28:27.890 --> 00:28:30.170
deepened because the crucial evidence was immediately

00:28:30.170 --> 00:28:33.589
lost. Vanished. All relevant medical records,

00:28:33.730 --> 00:28:35.829
including his death certificate, have disappeared.

00:28:36.430 --> 00:28:38.650
Contemporary papers listed the vague cause as

00:28:38.650 --> 00:28:41.329
congestion of the brain or cerebral inflammation.

00:28:41.710 --> 00:28:44.150
Which were just euphemisms. Exactly. Euphemisms

00:28:44.150 --> 00:28:46.130
often used for deaths linked to intoxication

00:28:46.130 --> 00:28:48.490
or public scandal, usually to protect the reputation

00:28:48.490 --> 00:28:51.150
of the deceased's family. But modern medical

00:28:51.150 --> 00:28:53.970
speculation ranges wildly. It covers almost every

00:28:53.970 --> 00:28:57.099
severe ailment. Delirium tremens from alcoholism,

00:28:57.200 --> 00:29:00.960
epilepsy, syphilis, brain tumors, even rabies,

00:29:00.980 --> 00:29:04.380
a theory proposed in 1996 based on the description

00:29:04.380 --> 00:29:06.740
of his final symptoms. But the most compelling

00:29:06.740 --> 00:29:09.180
specific historical theory that accounts for

00:29:09.180 --> 00:29:12.259
the strange close is cooping. That's the one.

00:29:12.380 --> 00:29:15.539
We need to unpack cooping for the listener. What

00:29:15.539 --> 00:29:17.920
was this specific electoral fraud that might

00:29:17.920 --> 00:29:21.180
have killed him? Cooping was a horrific, violent

00:29:21.180 --> 00:29:23.599
form of voter fraud common in Baltimore in the

00:29:23.599 --> 00:29:27.319
19th century, especially around elections. Gangs

00:29:27.319 --> 00:29:29.559
working for political campaigns would kidnap

00:29:29.559 --> 00:29:32.059
vulnerable men off the street. Often homeless

00:29:32.059 --> 00:29:34.200
or drunk individuals. Right. They'd take them

00:29:34.200 --> 00:29:36.660
to a secluded room, the coop, give them heavy

00:29:36.660 --> 00:29:39.039
drugs or alcohol to ensure compliance, and often

00:29:39.039 --> 00:29:41.630
beat them. And then what? They would then forcibly

00:29:41.630 --> 00:29:43.549
disguise the victim in different sets of cheap

00:29:43.549 --> 00:29:45.890
clothes and parade them to multiple polling places,

00:29:46.150 --> 00:29:48.549
forcing them to vote repeatedly for the specific

00:29:48.549 --> 00:29:51.809
candidate. So Poe being found semi -conscious

00:29:51.809 --> 00:29:54.529
in strange, ill -fitting clothes near a polling

00:29:54.529 --> 00:29:57.150
place. The cooping theory provides a rational,

00:29:57.269 --> 00:30:00.369
historically specific explanation for the bizarreness

00:30:00.369 --> 00:30:03.130
of his final state. He was simply discarded once

00:30:03.130 --> 00:30:05.589
he was no longer useful, likely suffering from

00:30:05.589 --> 00:30:08.329
the drugs and trauma. It's a tragic, violent

00:30:08.329 --> 00:30:10.930
end for a man who often wrote about victims abandoned

00:30:10.930 --> 00:30:14.349
in bizarre, inexplicable circumstances. But the

00:30:14.349 --> 00:30:17.150
story doesn't end with his death. It ends with

00:30:17.150 --> 00:30:19.829
a literary smear campaign orchestrated by his

00:30:19.829 --> 00:30:22.410
rival. Tragically, Poe's final narrative was

00:30:22.410 --> 00:30:25.869
hijacked by Rufus Wilmot Griswold, a minor writer

00:30:25.869 --> 00:30:28.509
and editor whom Poe had mercilessly savaged in

00:30:28.509 --> 00:30:31.569
his criticism. Griswold held a deep, profound,

00:30:31.769 --> 00:30:34.549
years -long grudge. And Griswold struck immediately,

00:30:34.930 --> 00:30:37.349
starting a smear campaign on the very day Poe

00:30:37.349 --> 00:30:39.589
was buried. He did. He wrote a high -profile,

00:30:39.589 --> 00:30:42.369
vicious obituary under the pseudonym Ludwig that

00:30:42.369 --> 00:30:44.549
appeared in the New York Tribune. The opening

00:30:44.549 --> 00:30:47.680
line set the tone. Edgar Allan Poe is dead. This

00:30:47.680 --> 00:30:49.640
announcement will startle many, but few will

00:30:49.640 --> 00:30:52.220
be grieved by it. And then Griswold secured a

00:30:52.220 --> 00:30:53.900
position that allowed him to control the historical

00:30:53.900 --> 00:30:56.779
record. He somehow convinced Poe's aunt, Marie

00:30:56.779 --> 00:30:59.500
Clem, and others to appoint him Poe's literary

00:30:59.500 --> 00:31:03.460
executor. Griswold used this position to systematically

00:31:03.460 --> 00:31:07.299
attempt to destroy Poe's reputation. In the 1850

00:31:07.299 --> 00:31:09.900
collected edition of Poe's works, Griswold included

00:31:09.900 --> 00:31:12.940
a biographical article titled Memoir of the Author,

00:31:13.079 --> 00:31:16.450
where he depicted Poe as a depraved drunken drug

00:31:16.450 --> 00:31:19.349
addled madman but this depiction was built on

00:31:19.349 --> 00:31:22.849
massive distortion and outright falsehoods entirely

00:31:22.849 --> 00:31:25.670
for instance the claims that poe was a habitual

00:31:25.670 --> 00:31:28.539
drug addict are largely fabricated Those who

00:31:28.539 --> 00:31:31.240
knew Poe well, like his friend John Neal, immediately

00:31:31.240 --> 00:31:33.960
denounced Griswold in print, pointing out the

00:31:33.960 --> 00:31:36.559
gross exaggerations and lies. The letters. The

00:31:36.559 --> 00:31:38.960
most damning pieces of evidence, Poe's personal

00:31:38.960 --> 00:31:41.440
letters that Griswold presented, were later revealed

00:31:41.440 --> 00:31:43.660
to be outright forgeries. But the damage was

00:31:43.660 --> 00:31:46.690
already irreparable. Absolutely. Griswold's biography,

00:31:47.029 --> 00:31:49.569
though poisoned by malice, was the only comprehensive

00:31:49.569 --> 00:31:52.630
account available and was widely reprinted. It

00:31:52.630 --> 00:31:55.009
ensured the public consumed Poe's thrilling dark

00:31:55.009 --> 00:31:57.410
works through the sensationalized lens of an

00:31:57.410 --> 00:32:00.170
evil and tormented genius. In a perverse twist

00:32:00.170 --> 00:32:03.430
of fate, the man who tried to destroy him guaranteed

00:32:03.430 --> 00:32:06.849
his lasting popular notoriety. He did. He made

00:32:06.849 --> 00:32:09.250
Poe's biography as thrilling as his darkest fiction.

00:32:09.640 --> 00:32:12.640
the story of poe's life is just defined by mystery

00:32:12.640 --> 00:32:16.420
tragedy and relentless analytical genius his

00:32:16.420 --> 00:32:19.099
literary legacy is one of explosive enduring

00:32:19.099 --> 00:32:22.700
influence particularly across the atlantic Poe

00:32:22.700 --> 00:32:25.000
was one of the first 19th century American authors

00:32:25.000 --> 00:32:27.220
to become profoundly more popular in Europe,

00:32:27.339 --> 00:32:29.759
particularly France, than in his native United

00:32:29.759 --> 00:32:32.480
States. Why France specifically? This overseas

00:32:32.480 --> 00:32:35.180
fame was largely cemented by the early and deeply

00:32:35.180 --> 00:32:37.740
sympathetic French translations by the great

00:32:37.740 --> 00:32:41.140
poet Charles Baudelaire, who saw Poe as a kindred

00:32:41.140 --> 00:32:43.480
spirit. His renditions became the definitive

00:32:43.480 --> 00:32:45.819
versions of Poe's work in continental Europe.

00:32:45.960 --> 00:32:48.259
And that influence just rippled through major

00:32:48.259 --> 00:32:50.940
literary and cinematic figures for generations.

00:32:51.339 --> 00:32:53.779
Oh, for sure. It impacted the pioneering science

00:32:53.779 --> 00:32:56.160
fiction writer Jules Verne, who was so taken

00:32:56.160 --> 00:32:58.619
with Poe's only complete novel, The Narrative

00:32:58.619 --> 00:33:00.839
of Arthur Gordon Pym, that he wrote a sequel

00:33:00.839 --> 00:33:03.319
to it. And horror writers. American horror masters,

00:33:03.579 --> 00:33:06.559
most notably H .P. Lovecraft, called Poe his

00:33:06.559 --> 00:33:10.099
god of fiction. and directly utilize Poe's concept

00:33:10.099 --> 00:33:13.460
of the unity of effect in creating cosmic terror.

00:33:13.700 --> 00:33:16.700
And the thread extends directly to film. Directly.

00:33:16.700 --> 00:33:18.779
The famed director Alfred Hitchcock acknowledged,

00:33:19.000 --> 00:33:21.339
It's because I liked Edgar Allan Poe's story

00:33:21.339 --> 00:33:23.440
so much that I began to make suspense films.

00:33:23.559 --> 00:33:25.660
However, not all of his peers appreciated the

00:33:25.660 --> 00:33:28.619
calculation or the darkness. Far from it. As

00:33:28.619 --> 00:33:31.180
we noted, Transcendentalist Ralph Waldo Emerson

00:33:31.609 --> 00:33:34.869
a man Poe despised, derisively referred to Poe

00:33:34.869 --> 00:33:37.750
as the Jingle Man in reaction to the rhythmic,

00:33:37.849 --> 00:33:40.529
calculated nature of poems like The Raven. The

00:33:40.529 --> 00:33:42.849
Jingle Man. And Aldous Huxley, decades later,

00:33:42.970 --> 00:33:45.670
dismissed Poe's writing as vulgar, suggesting

00:33:45.670 --> 00:33:48.609
it was too poetical, equating his style to wearing

00:33:48.609 --> 00:33:51.069
a diamond ring on every finger gaudy and excessive.

00:33:51.430 --> 00:33:53.690
Despite the controversy and the criticism, Poe's

00:33:53.690 --> 00:33:56.529
physical legacy remains robust, immortalized

00:33:56.529 --> 00:33:58.849
in the mysterious narrative he left behind. You

00:33:58.849 --> 00:34:01.390
can trace his life through commemorations. The

00:34:01.390 --> 00:34:03.289
Edgar Allan Poe National Historic Site in Philadelphia,

00:34:03.609 --> 00:34:05.690
the Edgar Allan Poe Cottage in the Bronx where

00:34:05.690 --> 00:34:07.950
Virginia died, and the Poe Museum in Richmond.

00:34:08.210 --> 00:34:10.309
Though he never lived there. Right. Ironically,

00:34:10.329 --> 00:34:12.369
he never lived in that specific oldest standing

00:34:12.369 --> 00:34:15.130
house in the city. More recently, the memorial

00:34:15.130 --> 00:34:17.869
sculpture, Poe Returning to Boston, unveiled

00:34:17.869 --> 00:34:21.409
in his birthplace in 2014, captures this persistent

00:34:21.409 --> 00:34:24.789
sense of a solitary figure striding against the

00:34:24.789 --> 00:34:27.679
wind, his life's work trailing behind him. And

00:34:27.679 --> 00:34:30.260
nothing captures the enduring mystery more perfectly

00:34:30.260 --> 00:34:32.780
than the Poe toaster tradition. The toaster is

00:34:32.780 --> 00:34:35.500
perhaps the ultimate piece of anonymous, spontaneous

00:34:35.500 --> 00:34:39.019
mythology built around Poe. For exactly 60 years,

00:34:39.159 --> 00:34:43.199
between 1949 and 2009, an unknown visitor left

00:34:43.199 --> 00:34:46.139
a bottle of French cognac and three roses at

00:34:46.139 --> 00:34:49.199
Poe's original grave marker every January 19th,

00:34:49.199 --> 00:34:51.280
his birthday. A private ritual that became a

00:34:51.280 --> 00:34:53.579
public legend. It was a beautiful, deeply private

00:34:53.579 --> 00:34:55.880
ritual that added immensely to his cult status.

00:34:56.159 --> 00:34:58.239
And the anonymity, the fact that the tradition

00:34:58.239 --> 00:35:00.760
ended as mysteriously as it began on his bicentennial

00:35:00.760 --> 00:35:04.079
in 2009, ensures that Poe, the master of the

00:35:04.079 --> 00:35:06.440
macabre, continues to be defined by a permanent...

00:35:06.699 --> 00:35:08.840
unsolvable enigma. Which brings us back to that

00:35:08.840 --> 00:35:11.360
essential, brutal irony of his life that we began

00:35:11.360 --> 00:35:13.559
with. The man who tried to destroy his reputation,

00:35:13.940 --> 00:35:17.179
Rufus Wilmot Griswold, inadvertently guaranteed

00:35:17.179 --> 00:35:20.179
Poe's lasting popular appeal by sensationalizing

00:35:20.179 --> 00:35:22.760
his life and cementing the enduring myth of the

00:35:22.760 --> 00:35:25.880
tormented, depraved artist. So our final thought

00:35:25.880 --> 00:35:29.000
for you to explore is this. What if Poe had actually

00:35:29.000 --> 00:35:30.900
lived long enough to stabilize his finances,

00:35:31.280 --> 00:35:34.280
launch the stylus, and realize his dream of becoming

00:35:34.280 --> 00:35:36.900
America's ultimate literary gatekeeper? Could

00:35:36.900 --> 00:35:38.679
he have maintained a successful journal with

00:35:38.679 --> 00:35:41.159
his analytical demand for beauty and his caustic

00:35:41.159 --> 00:35:43.699
tomahawk man style? Or would his controversial

00:35:43.699 --> 00:35:45.820
political views and relentless critical attacks

00:35:45.820 --> 00:35:48.099
on the establishment have inevitably doomed that

00:35:48.099 --> 00:35:48.619
effort regardless?
