WEBVTT

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Welcome back to The Deep Dive. We're here again

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wading through, you know, a mountain of information

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to pull out what you really need to know. That's

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the goal. And today we're tackling a really significant

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figure, someone who didn't just shape modern

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American fine dining, but kind of redefined the

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whole idea of what a chef could be. We're talking

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about Thomas Patrick Colicchio. Yeah, this is

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a crucial deep dive, I think, because Colicchio's

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story, it... mirrors the last, what, 30 years

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of American food culture almost perfectly. Oh,

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so? Well, he did just stick to being a chef,

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a restaurateur, right? He moved way beyond that.

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From the pressure cooker of high -end New York

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kitchens to being this incredibly recognizable

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face on TV. And then the really interesting bit,

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becoming this genuine, pretty vocal advocate

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for changing food policy. It's a journey from,

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like, star chef to what you might call the citizen

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chef. The citizen chef. I like that. So that's

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our mission for this deep dive then. Yeah. To

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unpack all of that. The full scope of his influence.

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Exactly. We need to look at how he built his

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whole crafted hospitality empire step by step.

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What's really at the heart of his cooking philosophy.

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Cracked hospitality, yeah. And then explore how

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deep his impact goes outside the kitchen. You

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know, TV, shore, but also policy, advocacy, maybe

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even Capitol Hill. Okay. But before we get to

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the policy stuff, we have to establish. His culinary

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chops, right? I mean, the foundation. Oh, absolutely.

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You can't understand the rest without knowing

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the baseline. This is someone whose skill, whose

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technique, it's been recognized at the highest

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level. Repeatedly. We're talking James Beard

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awards. Five of them. Specifically for cooking.

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What's a massive achievement for any chef, period.

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And yet, for so many people listening, maybe

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people who've never eaten at Kraft, he's just...

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The guy from TV, the head judge on Top Chef every

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single season. Right. He's instantly recognizable

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in that role. Stoic, demanding, knows his stuff.

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That dual identity is really fascinating, isn't

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it? It really is. Just so everyone's clear. The

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name, Colicchio, pronounced K -O -B -A -R -I

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-S -K -J -O -B -A -R -I -M -A -N. Got it. Colicchio.

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OK, so let's rewind. Where did this all start?

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The ambition, the drive, maybe even that sense

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of civic duty we see later. OK, so the beginning,

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like a lot of great American chefs, actually,

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it starts not in some fancy European kitchen,

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but New Jersey. Elizabeth, New Jersey, right?

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Born August 15th, 1962. That's the one, Thomas

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Patrick Colicchio. And his background, it's Italian

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-American on both sides, which, you know, often

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suggests a certain ingrained respect for ingredients,

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for tradition. Food is central. Yeah, but I think

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if you dig a little deeper into his family, specifically

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his parents' jobs. You see these hints, these

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maybe influences that seem to foreshadow that

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whole citizen chef thing later on. It's not just

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about Sunday dinner. You're absolutely right.

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It's fascinating. His mother, Beverly Ann Corvelli,

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she worked in a school lunchroom. A school lunchroom.

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Think about that. Yeah. It's a direct line to

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institutional food. It's about feeding lots of

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people, efficiency, budgets, and importantly,

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feeding kids, the public. That connection feels

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really significant when you look at his later

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work on school lunch reform and hunger issues.

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Totally. And then there's his father, maybe even

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more direct in terms of the advocacy piece. His

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father was a union organizer. Right. So you put

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those two things together, food service as a

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kind of public good and the fight for workers'

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rights for organization. It's a potent mix, isn't

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it? That kind of organizing spirit, that focus

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on fairness, on systems. You can see how he might

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later apply that same thinking to the food system,

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to the restaurant world itself. It definitely

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adds context. He wasn't just like laser focused

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on Michelin stars from day one. There were other

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values there. He was the middle son, right? Two

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brothers. Yep. Older brother, Michael. Younger

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brother, Philip John. Yeah. And his education

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was local. Graduated from Elizabeth High School

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in 1980. Yeah. And then straight into the kitchen.

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No messing around. Okay. So high school grad

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jumps right into the pro kitchen world and his

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apprenticeship phase. Wow. He lands in the kitchen

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of another absolute giant of American cooking.

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That had to set the tone. Oh, definitely. Mid-'80s

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Manhattan. Yeah. He's sous chef to Thomas Keller

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at a place called Raquel. Kelly! French laundry

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Keller. The very same. This was before the French

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laundry, but Keller's philosophy was already

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there. That intense precision, the technique,

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the almost relentless focus on quality. So Caligio's

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soaking all that up. The discipline, the execution.

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Exactly. That focus on doing things perfectly,

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respecting the ingredient above all else. Not

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fussy, just flawless technique applied to the

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absolute best stuff you could find. That becomes

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his bedrock. Which brings us pretty directly

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to the partnership that basically defined high

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-end New York dining for a generation, Gramercy

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Tavern. Ah, yes. July 1994. He co -founds Gramercy

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Tavern in, well, Gramercy Park. with Danny Meyer.

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And this wasn't just another restaurant opening.

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It felt like a shift. What made it so different?

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It was kind of revolutionary, really, because

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it took Colicchio's approach, you know, amazing

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ingredients, serious technique, and married it

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with Danny Meyer's whole thing, that enlightened

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hospitality. Right. Meyer's focus on service,

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warmth, making people feel genuinely looked after.

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Exactly. So Gramercy Tavern managed to bridge

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that gap. It was serious food, haute cuisine

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level, but it felt welcoming, approachable, not

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stuffy. And people loved it, not just the critics.

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Oh, the response was huge. And it lasted. You

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look at the Zagat survey. That's the voice of

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the dining public. Really voted most popular

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restaurant in New York City. Twice. 2003 and

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2005. That says a lot about the whole package.

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The food, the service, the vibe. Okay, so here's

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the pivotal moment then. It's a massive success.

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It's iconic. And yet, Colicchio leaves. sells

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his stake in 2006. That's the crucial turn, yeah.

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The move that really signals he's building his

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own brand. But why? I mean, why walk away from

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that? It seems like a huge gamble. Was it just

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money or was there a deeper split with Meyer?

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Well, the sources point more towards... Let's

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call it an ideological and strategic split. It

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was that control, really. Control over what?

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Think about it. Meyer and Colicchio were like

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two sides of the perfect restaurant coin, right?

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Meyer was obsessed with the front of house, the

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guest experience. Colicchio, deep down, he's

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a kitchen guy. Ingredient driven. Totally. He

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wanted complete say over the food philosophy,

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how it would expand, the sourcing, all of it.

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The kitchen had to be the absolute center. So

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it was kind of a hospitality first versus ingredient

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first situation. And Colicchio needed his own

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space to build an empire based entirely on his

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rules. The crafted hospitality rules. Precisely.

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It wasn't acrimonious necessarily, but it was

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a strategic parting of ways. He's no longer connected

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to Gramercy Tavern. Yeah. And that freed him

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up to focus entirely on the company he'd actually

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already started building five years before. Okay.

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So that departure from Gramercy Tavern allows

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him to fully commit to his own thing, which really

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kicked off in 2001 with the first craft restaurant.

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Yes. Spring 2001. And the location was, well.

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Strategic. Just one block south of Granbury Sea

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Tavern. Dining a message. I think you could say

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that, yeah. This is my vision now. And that opening,

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that's the official start of his own company,

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Crafted Hospitality. So what was so revolutionary

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about Craft back then? How did it shake things

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up in the New York dining scene of the early

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2000s? It was a big departure from the norm.

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At that time, fine dining often meant very elaborate,

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pre -plated dishes. Lots of components, often

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French techniques, multi -course tasting menus

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were king. Craft just... Threw a lot of that

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out. Colicchio built the menu around the ingredient

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itself, served family style or a la carte. Super

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simple presentation. So like instead of some

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complicated name, the menu might just say roasted

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beets or dry aged ribeye. Pretty much. Yeah.

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Often just listing the core ingredients. The

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genius was letting the craft, the perfect roasting,

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the sourcing, the technique speak for itself.

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You tasted the beet. You tasted the pork. No

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heavy sauces hiding things. So he's elevating

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humble stuff like root vegetables to the same

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level as the fancy protein. Exactly. That focus

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on seasonality, simplicity, letting the ingredients

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shine. It became hugely influential. You still

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see its impact everywhere. And he didn't waste

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any time extending on that vision. Almost immediately

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he showed. He wasn't just a chef. He was thinking

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like a businessman, too. Yeah. Just a year later,

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2002, the first Kraft Steak opens. Where? Las

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Vegas. At the MGM Grand. Smart move. Straight

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into that high -volume, high -profit resort dining

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world. It showed he could adapt the core idea,

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take that commitment to quality ingredients,

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the Kraft ethos, and scale it up for a different

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market. Vegas demands consistency. Volume. It's

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a different beast. But while all this expansion

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is happening, there's that moment that shows

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a different side. Right around when Kraft opened.

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You're talking about 9 -11. Yeah. The sources

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mention this specific, really powerful anecdote.

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They do. After the attacks, like many chefs in

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the city, Colicchio mobilized. He was down there,

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personally serving food to the rescue workers

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at Ground Zero. That wasn't about business. Not

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at all. It was just a human response. A civic

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response. And it really connects back to those

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family roots we talked about, that sense of community

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responsibility. Puts the business growth in perspective.

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Okay, back to the business side. 2003, another

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big innovation for the brand. He goes, accessible.

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Beastcraft. The sandwich shop. This was brilliant.

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Why? Brilliant. Sandwiches, right. Ah, but craft

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proved he could elevate fine dining technique.

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Witchcraft proved he could elevate something

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every day. Same philosophy. Amazing bread, house

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-made stuff, great ingredients. But in a sandwich.

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So it took the brand to a much wider audience.

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Yeah. Beyond the fancy dining room. Totally.

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Into the quick service market. Built massive

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brand recognition. Probably helped fund the more

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ambitious projects. It was smart scaling. The

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momentum kept building. The end of that decade,

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2010, seems like a huge year. Massive. He opens

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Colicchio and Sons, which was this sort of refined

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Italian -American spot. And also River Park,

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which had its own urban farm. Really pushing

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that farm -to -table idea. And amidst all that

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opening activity. The big award. Yep. 2010 is

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when he wins the James Beard Award for Outstanding

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Chef. The big one. It felt like everything coming

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together. The restaurants were hot. The critics

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loved him. The business was booming. Pete Colicchio,

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in a way. So let's fast forward to today. What

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does crafted hospitality look like now? It seems

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like he's consolidated things a bit. He definitely

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has. It's dynamic, for sure, but more focused.

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New York City is still the heart, no question.

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So the flagship craft is still there in NYC.

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Still there. You've got Temple Court downtown.

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People might remember that space as Fowler and

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Wells. Beautiful room. Witchcraft still has a

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presence. Yep. The sandwich shops are still going

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strong in New York. And he launched a more focused

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Italian spot, Vallotta, also in the city. Okay.

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And outside New York. Vegas is still key. Kraft

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Steak at the MGM Grand is a major anchor for

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the brand. And he's got Small Batch out on Long

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Island in Garden City. So it's a mix, high -end

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destination, neighborhood spots, retail. It feels

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more managed now. Right. But, and this is a big

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but, we have to talk about the flip side. The

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restaurant business is notoriously tough, even

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for someone like Colicchio. Oh, absolutely. You

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look at his history and the list of restaurants

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that are no longer operating under crashed hospitality,

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it's long. It really underlines how brutal the

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industry is, how constant the evolution has to

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be just to stay afloat. It's easy to see the

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awards, the TV fame, and assume it's all been

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smooth sailing financially. But the turnover

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is significant. It shows how hard it is to scale,

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especially nationally. Let's look at some specifics.

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The craft and craft bar concepts. The national

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expansion proved really challenging. Right. Craft

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Dallas closed back in 2012. Yep. And the craft

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locations in L .A. and Atlanta also closed. The

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more casual version, Craft Bar, shut down in

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both New York and Atlanta, too. And it wasn't

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just the craft brand. Some of the high -end places,

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the steakhouses, they had closures, too. Definitely.

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Beechcraft down Miami Beach, that's gone. The

00:12:09.169 --> 00:12:11.350
craft stake out at the Foxwoods Casino in Connecticut

00:12:11.350 --> 00:12:14.769
closed. Even a big 2010 opening, Colicchio and

00:12:14.769 --> 00:12:17.309
Sons in Chelsea, closed after about six years.

00:12:17.450 --> 00:12:19.909
Wow. And some high profile hotel partnerships

00:12:19.909 --> 00:12:22.350
didn't last either. Right. Like Tom Colicchio's

00:12:22.350 --> 00:12:24.690
Heritage Steak at the Mirage in Vegas. He's not

00:12:24.690 --> 00:12:26.789
affiliated with that anymore. And remember topping

00:12:26.789 --> 00:12:29.549
Rose House out in the Hamptons. Critically acclaimed,

00:12:29.549 --> 00:12:31.629
but no longer part of his group. It's important

00:12:31.629 --> 00:12:33.629
to stress this isn't always about failure in

00:12:33.629 --> 00:12:35.629
the traditional sense, is it? Sometimes it's

00:12:35.629 --> 00:12:37.990
strategic. Lease renewals, changing markets.

00:12:38.470 --> 00:12:40.629
Exactly. Sometimes walking away is the smart

00:12:40.629 --> 00:12:43.250
business move. But it shows the constant pressure.

00:12:43.470 --> 00:12:45.690
Yeah. And you have to add the places he's just

00:12:45.690 --> 00:12:47.250
no longer affiliated with, like the original.

00:12:47.529 --> 00:12:50.090
Gramercy Tavern and River Park. He really did

00:12:50.090 --> 00:12:52.509
trim things down, focus on the court. That focus

00:12:52.509 --> 00:12:54.470
even applied to witchcraft, didn't it? Outside

00:12:54.470 --> 00:12:56.690
of New York. It did. The New York shops are the

00:12:56.690 --> 00:12:59.289
main focus now. The outposts they tried in Vegas

00:12:59.289 --> 00:13:01.129
and San Francisco eventually closed too. It's

00:13:01.129 --> 00:13:03.950
just a tough model to replicate perfectly everywhere.

00:13:04.090 --> 00:13:08.059
Labor costs, rent, supply chains. It's relentless.

00:13:08.220 --> 00:13:10.320
The volume of turnover really paints a picture

00:13:10.320 --> 00:13:12.440
of the risk involved, even at the highest level.

00:13:12.600 --> 00:13:14.840
OK, let's shift gears. Let's talk about the thing

00:13:14.840 --> 00:13:16.960
that made Tom Colicchio a household name for

00:13:16.960 --> 00:13:20.379
millions, people who might never, ever step inside

00:13:20.379 --> 00:13:23.860
one of his restaurants, TV, specifically Top

00:13:23.860 --> 00:13:26.179
Chef. Yeah, Top Chef is. It's his monument in

00:13:26.179 --> 00:13:28.860
media, right? Dead judge since day one, 2006.

00:13:29.100 --> 00:13:32.320
And his whole persona on that show, it's distinct.

00:13:32.419 --> 00:13:34.840
It's not like a lot of other reality TV chefs.

00:13:35.259 --> 00:13:37.519
How would you describe it? He's not shouty, not

00:13:37.519 --> 00:13:40.720
overly dramatic. No, not at all. He's the quiet

00:13:40.720 --> 00:13:44.019
authority, the benchmark for quality, for technique.

00:13:44.299 --> 00:13:47.539
He carved out this role as the serious one. The

00:13:47.539 --> 00:13:50.360
arbiter. Exactly. It's kind of the stoic, maybe

00:13:50.360 --> 00:13:53.320
slightly stern culinary father figure of the

00:13:53.320 --> 00:13:55.759
show. You have Padma bringing the elegance, Ale

00:13:55.759 --> 00:13:58.440
Simmons offering context and maybe a more accessible

00:13:58.440 --> 00:14:02.820
viewpoint. But Colicchio was the voice of professional

00:14:02.820 --> 00:14:05.940
reality. His critiques weren't just, I don't

00:14:05.940 --> 00:14:08.899
like this. They were grounded in technique. He'd

00:14:08.899 --> 00:14:11.700
talk about flawless execution or understanding

00:14:11.700 --> 00:14:14.379
the method or respecting the ingredient. He gave

00:14:14.379 --> 00:14:17.019
the show its culinary credibility, really. His

00:14:17.019 --> 00:14:19.559
seriousness elevated it, stopped it from just

00:14:19.559 --> 00:14:22.080
being silly reality TV. Totally. He brought the

00:14:22.080 --> 00:14:24.320
gravitas, and his influence wasn't just sitting

00:14:24.320 --> 00:14:26.559
at the judges' table. He was also a main consulting

00:14:26.559 --> 00:14:29.279
producer on the spinoff, Top Chef Masters. So

00:14:29.279 --> 00:14:31.440
he was shaping the challenges, the integrity

00:14:31.440 --> 00:14:33.980
of the competition itself. Right, ensuring it

00:14:33.980 --> 00:14:36.100
met a certain standard. And that standard, that

00:14:36.100 --> 00:14:39.509
quality, it got recognized. The show won an Emmy

00:14:39.509 --> 00:14:42.750
in 2010, Outstanding Reality Competition Program.

00:14:43.009 --> 00:14:45.730
He won that as an executive producer. That speaks

00:14:45.730 --> 00:14:49.429
volumes about the show's quality. And a lot of

00:14:49.429 --> 00:14:51.509
that comes down to him. He did branch out a bit

00:14:51.509 --> 00:14:54.029
on TV, too, didn't he? Hosted another show. Yeah.

00:14:54.070 --> 00:14:57.149
In 2015, he hosted Best New Restaurant. It was

00:14:57.149 --> 00:14:59.169
based on a British show, one of Gordon Ramsay's

00:14:59.169 --> 00:15:01.590
formats, actually. So judging not just plates

00:15:01.590 --> 00:15:04.090
of food, but the whole restaurant, the concept,

00:15:04.230 --> 00:15:06.289
the operation. Exactly. Which makes total sense

00:15:06.289 --> 00:15:08.450
for him, given his background running a whole

00:15:08.450 --> 00:15:11.049
hospitality group. It was a natural fit. OK,

00:15:11.129 --> 00:15:12.610
now here's where it gets really interesting for

00:15:12.610 --> 00:15:15.830
me, how he sort of seeped into the wider culture

00:15:15.830 --> 00:15:19.809
beyond food TV. He became this shorthand for

00:15:19.809 --> 00:15:22.190
serious chef. Oh, yeah. He started popping up

00:15:22.190 --> 00:15:24.490
in fictional stuff, playing himself. It shows

00:15:24.490 --> 00:15:27.100
how recognizable he'd become. Like in Treme,

00:15:27.259 --> 00:15:29.759
the HBO show about New Orleans after Katrina.

00:15:30.039 --> 00:15:33.039
Right. He appeared in a couple of episodes. Alongside

00:15:33.039 --> 00:15:35.500
other huge names like Eric Ripper, David Chain,

00:15:35.700 --> 00:15:38.600
Wiley Dufresne, his presence just added instant

00:15:38.600 --> 00:15:41.399
culinary authenticity to those scenes about the

00:15:41.399 --> 00:15:43.539
food world there. And then the cameos get kind

00:15:43.539 --> 00:15:46.360
of wild. Animated Colicchia. The Simpsons. Season

00:15:46.360 --> 00:15:49.799
23 premiere. He voiced himself basically playing

00:15:49.799 --> 00:15:52.940
his top chef judge persona in Springfield. And

00:15:52.940 --> 00:15:54.759
he was in the live action Smurfs movie, too,

00:15:54.860 --> 00:15:58.759
in 2011. Being on The Simpsons, that's like peak

00:15:58.759 --> 00:16:01.120
cultural saturation, isn't it? Pretty much. And

00:16:01.120 --> 00:16:03.919
more recently, he showed up in Showtime's Billions

00:16:03.919 --> 00:16:06.500
playing a chef in a scene. These aren't just

00:16:06.500 --> 00:16:08.659
random cameos. They cement him as a figure people

00:16:08.659 --> 00:16:10.940
instantly recognize, even outside the food bubble.

00:16:11.100 --> 00:16:13.220
OK, but maybe the most significant part of his

00:16:13.220 --> 00:16:15.399
later career, the part that really defines the

00:16:15.399 --> 00:16:18.519
citizen chef idea, is his move into policy and

00:16:18.519 --> 00:16:21.720
advocacy. This feels like a major pivot. It is

00:16:21.720 --> 00:16:24.139
major. But if you look back, it also feels like

00:16:24.139 --> 00:16:25.659
a natural progression, right? Connects right

00:16:25.659 --> 00:16:27.840
back to that family history. The union organizer

00:16:27.840 --> 00:16:30.139
dad, the school lunchroom mom. So what issues

00:16:30.139 --> 00:16:32.600
specifically? He's been involved for a long time

00:16:32.600 --> 00:16:35.480
now, focusing on the food supply chain, issues

00:16:35.480 --> 00:16:37.940
facing restaurant workers, and hunger relief.

00:16:38.519 --> 00:16:42.299
He clearly realized his fame, his platform gave

00:16:42.299 --> 00:16:45.559
him access and a voice that most chefs just don't

00:16:45.559 --> 00:16:47.559
have. And he's not just tweeting about it. He's

00:16:47.559 --> 00:16:49.559
getting involved organizationally, trying to

00:16:49.559 --> 00:16:52.159
push for actual policy changes. Exactly. He's

00:16:52.159 --> 00:16:54.440
taken on formal roles. He's on the food council

00:16:54.440 --> 00:16:57.139
at City Harvest, the culinary council at Food

00:16:57.139 --> 00:16:59.679
Bank for New York City. These aren't just names

00:16:59.679 --> 00:17:02.259
on a letterhead. It means using his influence,

00:17:02.480 --> 00:17:05.599
his connections, fundraising. What specific policy

00:17:05.599 --> 00:17:08.420
areas does he hammer on? Okay, so one big one

00:17:08.420 --> 00:17:11.519
is restaurant labor. He's been really vocal about

00:17:11.519 --> 00:17:13.619
getting rid of the tipped minimum wage, a tip

00:17:13.619 --> 00:17:16.160
credit. He argues for one fair minimum wage for

00:17:16.160 --> 00:17:18.140
everyone in the restaurant. That's a controversial

00:17:18.140 --> 00:17:20.440
stance within the industry itself. Oh, hugely.

00:17:20.599 --> 00:17:24.180
But he argues it's about basic fairness, professionalizing

00:17:24.180 --> 00:17:26.920
the industry, making jobs more stable. Then there's

00:17:26.920 --> 00:17:29.420
food insecurity. The hunger relief side. Yeah,

00:17:29.500 --> 00:17:31.720
rooted in that family connection again, maybe.

00:17:32.200 --> 00:17:34.920
He's testified before Congress multiple times,

00:17:35.019 --> 00:17:38.660
especially around the Farm Bill, advocating for

00:17:38.660 --> 00:17:42.559
protecting and increasing funding for SNAP food

00:17:42.559 --> 00:17:46.200
stamps. He frames hunger as a systemic issue

00:17:46.200 --> 00:17:48.700
the government needs to address, not just charity.

00:17:49.069 --> 00:17:50.670
He's also talked about corporate concentration

00:17:50.670 --> 00:17:53.089
in the food system, right? Yeah. Big companies

00:17:53.089 --> 00:17:55.630
having too much control. Yes. He connects that

00:17:55.630 --> 00:17:59.089
to price volatility and fairness for both farmers

00:17:59.089 --> 00:18:01.170
and consumers. He's demanding more accountability

00:18:01.170 --> 00:18:04.150
there. And this advocacy work became very visible

00:18:04.150 --> 00:18:06.509
with that documentary film in 2013. Place at

00:18:06.509 --> 00:18:08.609
the Table. Yeah. That was a big public statement.

00:18:08.789 --> 00:18:11.289
It focused squarely on hunger and food insecurity

00:18:11.289 --> 00:18:13.630
in America. And it was a family affair. Oh, so.

00:18:14.160 --> 00:18:16.059
It was directed by his wife, Lori Silverbush.

00:18:16.099 --> 00:18:18.519
And Colicchio wasn't just in it appearing alongside

00:18:18.519 --> 00:18:21.079
people like Jeff Bridges and the activist Raj

00:18:21.079 --> 00:18:23.420
Patel. He was also an executive producer. It

00:18:23.420 --> 00:18:26.299
was a clear signal that they see these food issues

00:18:26.299 --> 00:18:29.420
as deeply social and political. That film definitely

00:18:29.420 --> 00:18:32.180
raised awareness. And he kept that momentum going,

00:18:32.319 --> 00:18:34.319
moving into the digital space to continue the

00:18:34.319 --> 00:18:37.480
conversation. Right. June 2020, he launches his

00:18:37.480 --> 00:18:40.759
own podcast, Citizen Chef. The name says it all.

00:18:41.410 --> 00:18:43.470
Explicitly linking food and politics. Exactly.

00:18:43.650 --> 00:18:45.730
It's on the iHeartRadio network, comes out seasonally.

00:18:45.750 --> 00:18:48.670
And the whole point is to dig into food, politics,

00:18:48.910 --> 00:18:51.990
policies, citizenship. He talks to lawmakers,

00:18:52.309 --> 00:18:55.539
activists, experts. covering everything from

00:18:55.539 --> 00:18:58.819
climate change impacts on farming to, you know,

00:18:58.819 --> 00:19:01.400
the nitty gritty of school lunch programs. It's

00:19:01.400 --> 00:19:03.539
really the culmination of that advocacy role.

00:19:03.660 --> 00:19:06.160
So to round out the picture, let's touch on his

00:19:06.160 --> 00:19:07.960
personal life and also his cookbooks, because

00:19:07.960 --> 00:19:09.960
they really map out his culinary thinking over

00:19:09.960 --> 00:19:12.579
the years. Gives you a sense of the person behind

00:19:12.579 --> 00:19:15.099
the brand. Yeah, absolutely. So personally, he's

00:19:15.099 --> 00:19:17.619
been married since 2001 to Lori Silverbush, the

00:19:17.619 --> 00:19:19.930
filmmaker we just mentioned. And their collaboration

00:19:19.930 --> 00:19:22.109
on A Place at the Table really highlights that

00:19:22.109 --> 00:19:24.190
shared interest in social issues, doesn't it?

00:19:24.250 --> 00:19:26.230
It seems like a real partnership beyond just

00:19:26.230 --> 00:19:28.309
marriage. It really does. Like their professional

00:19:28.309 --> 00:19:31.049
lives and their activism kind of merged. It's

00:19:31.049 --> 00:19:32.990
powerful. And they have a family. He has three

00:19:32.990 --> 00:19:35.970
sons. That's right. An older son, Dante, who

00:19:35.970 --> 00:19:38.069
was born in 93 from a previous relationship.

00:19:38.269 --> 00:19:42.230
And then two sons with Lori Silverbush. Luca

00:19:42.230 --> 00:19:46.509
Bodi, born 2009, and Matteo Lev, born 2011. You

00:19:46.509 --> 00:19:49.319
think about the demands. Running the restaurants,

00:19:49.619 --> 00:19:53.240
the TV shows, the advocacy work. That family

00:19:53.240 --> 00:19:55.799
structure must be incredibly important. Has to

00:19:55.799 --> 00:19:58.440
be. It's a balancing act, for sure. Okay, let's

00:19:58.440 --> 00:20:00.599
talk books. His cookbooks aren't just recipe

00:20:00.599 --> 00:20:03.960
collections. They're like milestones in his thinking.

00:20:04.079 --> 00:20:06.220
You can trace the evolution of his philosophy

00:20:06.220 --> 00:20:08.200
through them. The first one came out in 2000,

00:20:08.359 --> 00:20:10.759
just before Kraft opened, Think Like a Chef.

00:20:10.960 --> 00:20:13.230
Right. And the title is key. It wasn't just cook

00:20:13.230 --> 00:20:15.250
like a chef. It was about the mindset. So less

00:20:15.250 --> 00:20:17.349
about specific recipes, more about approach.

00:20:17.670 --> 00:20:20.170
Exactly. It was his manifesto. How to think about

00:20:20.170 --> 00:20:22.210
ingredients, how to understand techniques fundamentally,

00:20:22.430 --> 00:20:24.710
why things work together. It was teaching the

00:20:24.710 --> 00:20:26.809
reader the process of culinary thinking, not

00:20:26.809 --> 00:20:29.430
just how to follow steps A, B, and C. Okay, so

00:20:29.430 --> 00:20:32.630
that's the foundation. Then, 2003, comes Craft

00:20:32.630 --> 00:20:34.890
of Cricking. Notes and recipes from a restaurant

00:20:34.890 --> 00:20:37.509
kitchen. Now, this one is the application. This

00:20:37.509 --> 00:20:40.630
is taking that philosophy and showing how it

00:20:40.630 --> 00:20:42.769
works in the demanding environment of a high

00:20:42.769 --> 00:20:45.730
-end kitchen, specifically craft. It gave you

00:20:45.730 --> 00:20:47.809
a real peek behind the curtain. More technical

00:20:47.809 --> 00:20:49.910
than nuts and bolts. Yeah, the practical execution.

00:20:50.470 --> 00:20:53.450
The rigor involved in producing food at that

00:20:53.450 --> 00:20:56.109
level, night after night. It's the roadmap for

00:20:56.109 --> 00:20:58.670
the craft style. And then the third one, 2009,

00:20:58.950 --> 00:21:00.789
kind of brings it full circle back to accessibility.

00:21:01.690 --> 00:21:05.069
Witchcraft. Craft a sandwich into a meal. And

00:21:05.069 --> 00:21:07.269
a meal into a sandwich. Perfect title. Right.

00:21:07.589 --> 00:21:10.130
This mirrors that business move with the witchcraft

00:21:10.130 --> 00:21:13.049
shops. It takes the core craft idea, the focus

00:21:13.049 --> 00:21:16.609
on quality ingredients, technique, seasoning,

00:21:16.769 --> 00:21:18.710
and applies it to something totally familiar.

00:21:18.910 --> 00:21:20.910
A sandwich. Showing that craft isn't just for

00:21:20.910 --> 00:21:23.430
fancy food. Exactly. That the same principles

00:21:23.430 --> 00:21:25.730
apply whether you're making a $50 entree or a

00:21:25.730 --> 00:21:28.289
$10 sandwich. Quality matters at every level.

00:21:28.410 --> 00:21:30.529
So if you look at the three books together. You

00:21:30.529 --> 00:21:33.809
see the whole arc. Establish the thinking. Think

00:21:33.809 --> 00:21:36.490
like a chef. Apply it at the highest level, craft

00:21:36.490 --> 00:21:38.549
of cooking, then make it accessible and demonstrate

00:21:38.549 --> 00:21:41.910
its universality, witchcraft. It shows the completeness

00:21:41.910 --> 00:21:44.809
of his vision, really. Artist, technician, and

00:21:44.809 --> 00:21:47.410
entrepreneur. Hashtag tag, hashtag outro. Okay,

00:21:47.470 --> 00:21:49.950
so wrapping this all up, what's the big takeaway

00:21:49.950 --> 00:21:52.430
for you, the listener, when you boil down everything

00:21:52.430 --> 00:21:54.640
we've talked about? Thomas Colicchio's career

00:21:54.640 --> 00:21:58.460
is just, it's a fascinating study in how to evolve,

00:21:58.660 --> 00:22:00.759
how to diversify. Absolutely. You've got the

00:22:00.759 --> 00:22:03.519
core culinary achievement, five James Beard Awards,

00:22:03.759 --> 00:22:06.160
co -founding an iconic restaurant like Gramercy

00:22:06.160 --> 00:22:08.779
Tavern, building and constantly adapting crafted

00:22:08.779 --> 00:22:11.640
hospitality. That alone is a huge legacy. But

00:22:11.640 --> 00:22:13.519
it's the transformation that really stands out,

00:22:13.559 --> 00:22:15.680
isn't it? I think so. He went from being this

00:22:15.680 --> 00:22:18.420
highly respected but maybe somewhat niche chef

00:22:18.420 --> 00:22:22.240
to a major media figure, thanks mostly to the

00:22:22.240 --> 00:22:24.599
series. he brought to Top Chef. Right. And this

00:22:24.599 --> 00:22:27.000
is the crucial part. He leveraged that visibility.

00:22:27.339 --> 00:22:29.839
He didn't just cash checks. He used it to become

00:22:29.839 --> 00:22:32.759
a genuinely influential voice on policy through

00:22:32.759 --> 00:22:35.299
the documentary, the podcast, the whole Citizen

00:22:35.299 --> 00:22:37.640
Chef platform. So here's the question we want

00:22:37.640 --> 00:22:39.779
to leave you with. Think about that through line.

00:22:40.099 --> 00:22:42.690
We started way back with his family. The union

00:22:42.690 --> 00:22:45.190
organizer, father, the mother working in a school

00:22:45.190 --> 00:22:48.069
cafeteria. Yeah. When you look at his intense

00:22:48.069 --> 00:22:52.210
focus now on food policy, on hunger, on fighting

00:22:52.210 --> 00:22:54.589
for better wages and conditions in restaurants,

00:22:54.930 --> 00:22:58.049
doesn't it feel like a direct line? Like maybe

00:22:58.049 --> 00:23:01.349
that later activism was almost baked in from

00:23:01.349 --> 00:23:03.190
the start. It really makes you think. And it

00:23:03.190 --> 00:23:05.250
points to something broader about what a celebrity

00:23:05.250 --> 00:23:09.509
chef is now. Colicchio really embodies this shift,

00:23:09.630 --> 00:23:11.700
maybe more than anyone. How so? Well, they're

00:23:11.700 --> 00:23:13.799
not just cooks anymore, are they? Not just focused

00:23:13.799 --> 00:23:15.759
inward on their kitchens or their businesses.

00:23:15.940 --> 00:23:18.480
The most influential ones, like Colicchio, they're

00:23:18.480 --> 00:23:20.420
actively involved in shaping the conversation

00:23:20.420 --> 00:23:23.240
around food, culturally, politically. They understand

00:23:23.240 --> 00:23:25.140
the power they have. You realize their influence

00:23:25.140 --> 00:23:27.599
goes way beyond just what's on the plate. His

00:23:27.599 --> 00:23:29.579
career is almost a blueprint, showing how you

00:23:29.579 --> 00:23:31.799
can use media fame to become a serious player

00:23:31.799 --> 00:23:34.539
in policy debates. Talking about wages, health

00:23:34.539 --> 00:23:36.559
care for restaurant workers, school lunches,

00:23:36.559 --> 00:23:39.789
food deserts, big systemic issues. So the final

00:23:39.789 --> 00:23:41.470
thought we want to leave you mulling over is

00:23:41.470 --> 00:23:44.650
this. We're facing huge challenges, right? Climate

00:23:44.650 --> 00:23:47.829
change impacting agriculture, growing economic

00:23:47.829 --> 00:23:51.170
inequality affecting food access. How much more

00:23:51.170 --> 00:23:54.009
responsibility will fall on figures like Colicchio,

00:23:54.210 --> 00:23:56.869
chefs who have this public platform? Will his

00:23:56.869 --> 00:24:00.309
model become the expectation? Maybe. That combination

00:24:00.309 --> 00:24:02.650
maintaining true culinary craft and integrity

00:24:02.650 --> 00:24:06.769
while also being an active, engaged citizen using

00:24:06.769 --> 00:24:09.660
your voice for political change. That might just

00:24:09.660 --> 00:24:11.599
be the new standard for what it means to be a

00:24:11.599 --> 00:24:13.920
top chef in the 21st century. Something to definitely

00:24:13.920 --> 00:24:15.740
think about. Thanks for joining us for this deep

00:24:15.740 --> 00:24:17.920
dive on the really remarkable career of Thomas

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Colicchio. Yeah, fascinating stuff. We'll catch

00:24:19.779 --> 00:24:20.740
you next time on The Deep Dive.
