WEBVTT

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Welcome to the deep dive. We take your sources.

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And today, it's a really, really comprehensive

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look at one person. And we pull out the most

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vital bits of knowledge, the key insights, basically

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giving you a shortcut to being seriously well

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-informed. Yeah, getting you right up to speed.

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Exactly. And today, oh man, we are diving deep

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into a life that just completely defies any easy

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label. We're talking about someone who's managed

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to be like a pioneering Gangsta rapper right

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and then a really controversial heavy metal frontman

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and then a beloved TV detective for what decades

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now It's incredible plus a reality TV star often

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all at the same time So the big question is how

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does one person navigate all these totally different

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sometimes clashing worlds and stay so relevant

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for so long It is an amazing journey. It really

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is like you said a master class in adaptation

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and being authentic and just sheer staying power

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And that's exactly why our deep dive today is

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all about Tracy Lauren Marrow, who everyone of

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course knows as Ice -T. He's way more than just

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an artist, you know. He's this cultural force,

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his unique brand. It's left a mark on basically

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every medium he's touched. Always reinventing,

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but always somehow undeniably Ice -T. So our

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mission today is to kind of unravel that complex

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tapestry for you. We want to give you the crucial

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insights into how Ice -T became this enduring

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cultural icon. We've really dug into a single

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massive source. The Wikipedia entry on Ice -T.

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It is packed. Oh, it's a gold mine. Seriously,

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we're going to pull out the most unexpected twists,

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the surprising facts, and really get into the

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grit and the ingenuity behind the legend. This

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whole deep dive is designed to give you that

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shortcut. You'll understand the strategic pivots,

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the principles he stuck to, and just the sheer

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audacity behind his career. So get ready, because

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this is going to be fascinating. OK, let's unpack

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this incredible story, starting right, right

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at the beginning. So Tracy Lauren Marrow, born

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February 16, 1958. in Newark, New Jersey. His

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family background sounds pretty rich just in

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terms of American experience. His dad, Solomon

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Marrow from Virginia and Philly. His mom, Alice

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from Louisiana, both African -American. Right.

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And Ice -T himself has mentioned the differences

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in their complexions. His dad darker, his mom

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lighter. He even compared her looks to like Dorothy

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Dandridge or Lena Horne. Pretty striking. Wow.

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And his dad, Solomon, he was a conveyor belt

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mechanic, right? Yeah. worked for the same company

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for decades. Sounds like a stable working class

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foundation. Definitely. But what's really foundational,

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I think, are those early life experiences, how

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they shaped his whole worldview, his resilience.

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How so? Well, when he was young, the family moved

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to Summit, New Jersey, which is an upscale suburb,

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big contrast to Newark. OK. And it was there

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he was only seven. He had this really profound

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direct encounter with racism. He saw his white

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friends saying racist things to other black kids.

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Oh, wow. At seven. Yeah. And he realized they

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probably didn't say it to him because his lighter

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skin maybe made them think he was white. So he

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told his mom. And her response was just incredibly

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simple but powerful. She said, honey, people

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are stupid. Huh. People are stupid. Yeah. And

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he said that advice just stuck with him. It taught

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him how to control how other people's negativity,

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their ignorance, affected him. It was like this

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early tool for emotional self -preservation.

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Really shaped him. That's a heavy lesson for

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a kid. But his early life, it was also marked

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by some really derp loss, wasn't it? Oh, tragically

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so. His mother, Alice, she died of a heart attack

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when he was just in third grade. Oh, man. Huge

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loss. So for the next four years, his dad, Solomon,

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raised him as a single parent, sometimes with

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help from a housekeeper. Right. But then, when

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Ice -T was only 13, incredibly vulnerable age,

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his father also died. Another heart attack. Wow.

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Both parents gone by 13? Exactly. Suddenly, he's

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completely orphaned. And that just forces this

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dramatic shift in his life. Right. What happened

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then? Well, first, he stayed briefly with an

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aunt nearby in Jersey. But pretty quickly, he

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was sent across the country to live with another

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aunt and her husband in View Park Windsor Hills

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in L .A. OK, so L .A., what was that area like?

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It was... affluent, mostly black neighborhood

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in South LA. So a new home, but also a big cultural

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shift, new influences. He shared a room with

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his cousin Earl, who was apparently a big rock

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music fan. Ah, interesting. Yeah, and that was

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his first real exposure to heavy metal, which

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seems kind of funny now, knowing where he went

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with Body Count later. But those seeds were planted

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way back then. Oh, a big move geographically,

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and then socially too, right? Into the Crenshaw

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district. Yeah, by eighth grade. He's in the

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Crenshaw district, went to Palms Junior High

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first, which was mostly white, with black students

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bussed in. But then Crenshaw High School was

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the opposite, almost entirely black. So he's

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right there at the intersection of all these

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different social dynamics, academics, street

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culture. And Crenshaw High, that was deep in

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the gang culture era, Crips and Bloods. How did

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he navigate that? Well, what's interesting is,

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despite that environment, he made some really

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specific personal choices. He consciously avoided

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alcohol, tobacco, drugs. Really? That set him

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apart, I imagine. Totally. Now, the source says

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he was affiliated with the Crips. But, and this

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is important, it notes he was never an actual

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gang member. What's the difference, you think?

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It suggests he, you know, understood the codes,

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maybe needed some level of protection or belonging

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to navigate that world. But he kept a critical

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distance. He wasn't fully participating in the

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criminal side. He was observing, absorbing. Which

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you definitely hear later in his lyrics. Okay,

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this is where it gets really good. The name Ice

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-T. Where did that come from? Huh? Yeah, straight

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out of high school. Shows that mix of street

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smarts and like intellectual curiosity. He started

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reading novels by Iceberg Slim. The famous former

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pimp turned author. That's the one. Yeah. Pretty

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stuff. Apparently, Mero got so into it, he'd

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memorize whole passages and then recite them

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like dramatically to his friends. No way. Yeah.

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And his friends would be like, yo, kick some

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more of that by ice tea. Ah, here it is. Ice

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tea. Exactly. That's how the moniker was born.

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He even started writing his own stuff, called

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them Crip rhymes, performing them with other

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guys associated with the Crips, blending that

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literary influence with his reality. That's wild.

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But he was in a singing group, too, earlier.

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Yeah, briefly. The Precious Few at Crenshaw High,

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opening shows, dancing. So music was kind of

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there early on. even before the rap persona solidified.

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Such a mix of experiences. But then he took a

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totally different path for a while. The military.

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Right. A major detour. So he turned 17 and 75,

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started getting Social Security benefits after

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his dad died, rented an apartment, but needed

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more money. OK. So he admits to doing some minor

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stuff, selling weed, stealing car stereos. But

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the real turning point was when his girlfriend

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got pregnant, his daughter was born. Letitia.

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Yep. And suddenly he needed to support them.

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So October 1977, he enlists in the US Army. A

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pragmatic choice, really. Looking for stability.

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And his army time. Sounds like it wasn't exactly

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smooth sailing. There was something about a rug.

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Huh? Yeah, the stolen rug incident. Assigned

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to the 25th Infantry Division. He and some others

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got charged with stealing this rug. While waiting

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for trial, he got a big bonus check, like $2

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,500, and promptly went AWOL for a month. Oh,

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boy. Yeah. He came back after the rug was recovered,

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got nonjudicial punishment. But amidst all that

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drama, something huge happened musically. He

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heard Rapper's Delight. 1979. The Sugarhill Gang.

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Game changer. Totally captivated him. He immediately

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started trying to rap over instrumentals, though

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he did say later that the party vibe of that

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track didn't quite fit his style of stories he

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wanted to tell. Not yet, anyway. And Hawaii played

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a big role, too, right? Not just being stationed

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there. Yeah, kind of ironically. While stationed

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there, where apparently prostitution wasn't as

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strictly policed, he met a pimp. named Mack.

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Okay. And Mack was impressed that Murrow could,

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quote, iceberg slim so well. So Mack kind of

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took him under his wing, taught him about pimping.

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Seriously? Yeah. But Hawaii was also key because

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the military exchange let him buy stereo equipment

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cheap. Turntables, mixer. Ah, the tools of the

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trade. Exactly. That's where he really started

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honing the skills. Turntablism, rapping, laying

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the groundwork. And then he managed to get an

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early honorable discharge. PFC E3, after just

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over two years, used his status as a single dad

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to help get out early. OK, now we get to this

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really dangerous edge he was walking, the post

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-army crime phase. He's been pretty open about

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this later in life, right? Like, bank robbery.

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Incredibly open. Yeah. Yeah, on Adam Carolla's

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podcast back in 2012, he talked about a bank

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robbing career in the early to mid -80s, compared

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it to the movie Heat. Wow. Said they were class

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one felonies, and he was just grateful for statutes

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of limitations. I mean, this wasn't petty stuff.

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This was serious. And the jewelry store robberies,

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too. Right. Said he got back into crime with

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high school buddies. Their method was pretty

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bold. Pretend to be customers, get inside, then

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smash the cases with sledgehammers. Grab and

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run. That took some nerve. High risk. Extremely

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high risk. Shows the kind of edge he was living

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on. And his friends. Didn't they end up taking

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the fall? Yeah, really serious consequences for

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them. His friend Al P got caught for a massive

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jewelry store robbery in 82. Another friend,

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Sean E. Sean, got arrested for weed, but also

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for stuff Ice -T himself had stolen. Oh, man.

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And Sean, in this incredible act of loyalty,

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took the blame for Ice -T's stolen goods. Did

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two years in prison for it. Wow. Ice -T has said

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repeatedly that Sean's sacrifice is the only

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reason he got to pursue rap. felt this huge debt.

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It really fueled his drive. That's heavy. And

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then came the car accident, the John Doe moment.

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Yeah, another absolutely pivotal moment. He's

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in this car crash, ends up in the hospital, but

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he has no ID on him. My no ID. Deliberate. Didn't

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want to be linked to his criminal activities

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if caught. So he's lying there, literally nameless,

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a John Doe. Yeah. And that experience, staring

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into that anonymity, facing the reality of his

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choices, that was the epiphany. The final straw.

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Exactly. He decided right then to completely

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abandon the criminal life, full commitment to

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making it in rap. And he acted on it fast, didn't

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he? Like, really fast. Amazingly fast. Just two

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weeks after getting out of the hospital, he enters

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an open mic contest under the name DJ Tracy First.

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OK. At a club called Carolina West. And the judge...

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Curtis Blow. The Curtis Blow? Yep, and ICE -T1.

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Wow, talk about validation. Huge validation,

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like a sign he was finally on the right path,

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a second chance, literally. This whole period,

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it just shows incredible resilience, doesn't

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it? The losses, the racism, the military, the

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crime, then this huge pivot. Absolutely. It lays

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the groundwork for everything that follows, shows

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that drive, that ingenuity to just completely

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change course. It wasn't just reacting, was it?

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He was making his own chances. Totally. He wasn't

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just fearless, he was strategic. He understood

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how to use even negative attention, like later

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controversies, to build his platform, turning

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outrage into cultural capital. It's quite the

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foundation. OK, so criminal life ditched, path

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chosen, music. Let's track those early moves.

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Starting around 82, he jumps into the LA hip

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hop scene, but it's Electro first, right? Yeah,

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Electro was big then on the West Coast. He teams

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up with the producer, Willie Strong, from Saturn

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Records. And in 83, drops his first single, Cold

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Wind Madness, also known as the Coldest Rap.

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And that one made waves underground. Big time.

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The lyrics were pretty explicit for radio taking

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a woman to a motel, but became this huge underground

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hit. Really helped define that grittier West

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Coast sound. He followed it with body rock the

00:11:50.690 --> 00:11:53.950
same year. More electro, big in the clubs. And

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then came the break -in connection. Right, 1984.

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He's the featured rapper on DJ Chris the Glove

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Taylor's track, Reckless. And that song is all

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over the movie break -in. and the soundtrack.

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Wider audience. Exactly. Got a much more visibility.

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He was also in the sequel, Breaking 2, with Rectus

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Rivalry, even though, like you said before, he

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later called those movies wack. Right. But he

00:12:15.629 --> 00:12:17.710
was already showing political flashes too. A

00:12:17.710 --> 00:12:20.330
little bit. In the 85 movie Rapin, he performed

00:12:20.330 --> 00:12:23.289
a track called Killers. He considers that his

00:12:23.289 --> 00:12:25.889
first political rap, a hint of the commentary

00:12:25.889 --> 00:12:28.870
to come. And he was experimenting, working with

00:12:28.870 --> 00:12:31.259
unknown DJ on stuff like Yeah Don't Quit. which

00:12:31.259 --> 00:12:33.960
had more of a run DMC vibe, starting to move

00:12:33.960 --> 00:12:36.460
beyond pure electro. Okay, now the big shift.

00:12:36.700 --> 00:12:39.399
The birth of gangsta rap, for him at least. And

00:12:39.399 --> 00:12:41.820
it was inspired by someone else. Yeah, he directly

00:12:41.820 --> 00:12:45.240
credits Schoolie D, the Philly rapper, heard

00:12:45.240 --> 00:12:48.559
his track, PSK What Does It Mean, in a club.

00:12:48.840 --> 00:12:51.179
What was it about that trap? Just the raw sound,

00:12:51.200 --> 00:12:53.480
the aggressive delivery, the kind of vague but

00:12:53.480 --> 00:12:56.159
potent street references. It just hit him. And

00:12:56.159 --> 00:12:57.620
right after hearing it, he went home and wrote

00:12:57.620 --> 00:13:00.240
Six in the Morning. Just like that, in his apartment.

00:13:00.340 --> 00:13:03.200
Yep. crafted the lyrics, laid down this minimal

00:13:03.200 --> 00:13:05.440
kind of menacing beat with a Roland TR -808.

00:13:05.519 --> 00:13:08.620
The classic 808 sound. Oh, yeah. That booming

00:13:08.620 --> 00:13:11.559
bass, the crisp snare. It was the sound of early

00:13:11.559 --> 00:13:13.700
electro and gangster rap. Perfect sonic backdrop

00:13:13.700 --> 00:13:16.100
for the stories he was starting to tell. Raw,

00:13:16.460 --> 00:13:19.419
simple, powerful. And Six in the Morning. That

00:13:19.419 --> 00:13:21.659
was the game changer. Absolute game changer.

00:13:21.779 --> 00:13:24.759
Even though it started as a B -side. The lyrics,

00:13:25.340 --> 00:13:27.759
that first person story of a gang member's day.

00:13:28.039 --> 00:13:32.019
were just so violent and raw for the time, caused

00:13:32.019 --> 00:13:34.820
a stir even underground. Controversy fueled it.

00:13:34.840 --> 00:13:37.580
Totally. Became a massive underground hit, especially

00:13:37.580 --> 00:13:39.980
on the West Coast. It's widely seen now as one

00:13:39.980 --> 00:13:42.809
of the absolute foundational tracks. of gangsta

00:13:42.809 --> 00:13:44.789
rap. And he was smart about the gang stuff publicly

00:13:44.789 --> 00:13:46.850
too, wasn't he? The red and blue? Very smart.

00:13:47.330 --> 00:13:49.610
Deliberately wore both red and blue, kept it

00:13:49.610 --> 00:13:52.190
ambiguous, didn't want to alienate crypts or

00:13:52.190 --> 00:13:54.850
bloods. Strategic move to broaden his appeal

00:13:54.850 --> 00:13:57.250
in that really divided environment. That street

00:13:57.250 --> 00:13:59.509
cred and strategy worked. He got a major deal.

00:13:59.649 --> 00:14:02.289
Yeah, with Sire Records. Seymour Stein, the co

00:14:02.289 --> 00:14:05.090
-founder, hurt his demo. Apparently Stein compared

00:14:05.090 --> 00:14:07.549
him to Bob Dylan. Dylan? Wow, that's unexpected.

00:14:07.809 --> 00:14:09.980
Right. For his lyrical death. The storytelling.

00:14:10.360 --> 00:14:13.240
So 1987, Rhyme Pays comes out. His debut album

00:14:13.240 --> 00:14:16.700
goes gold. Got his DJs Evil E, Aladdin, producer

00:14:16.700 --> 00:14:19.500
Africa Islam on board. Established his sound

00:14:19.500 --> 00:14:21.720
kind of party oriented, but still gritty. And

00:14:21.720 --> 00:14:25.940
the colors movie theme too. Same year, 87. Recorded

00:14:25.940 --> 00:14:28.120
the title track for Dennis Hopper's movie Colors

00:14:28.120 --> 00:14:31.220
about LA gang life. Really cemented that connection

00:14:31.220 --> 00:14:34.539
to street narratives. Then Power in 88 on his

00:14:34.539 --> 00:14:37.259
own Rhyme Syndicate label. Critically acclaimed,

00:14:37.519 --> 00:14:39.480
another gold record. He was huge. And getting

00:14:39.480 --> 00:14:42.220
more political. Definitely. The iceberg freedom

00:14:42.220 --> 00:14:45.320
of speech. Just watch what you say. In 89, really

00:14:45.320 --> 00:14:48.379
hammered home the social commentary. Blending

00:14:48.379 --> 00:14:50.240
that abrasive music with these really pointed

00:14:50.240 --> 00:14:52.980
lyrics, he found his voice. Then came the move

00:14:52.980 --> 00:14:55.279
that probably blew everyone's minds. Body Count.

00:14:55.460 --> 00:14:59.159
Oh yeah. 1991, his album OG Original Gangster

00:14:59.159 --> 00:15:01.860
has a track called Body Count. And on it, he

00:15:01.860 --> 00:15:04.019
introduces his heavy metal band of the same name.

00:15:04.090 --> 00:15:06.730
Just out of nowhere on a rap album. Pretty much.

00:15:06.990 --> 00:15:09.149
Revolutionary crossover. A black rapper fronting

00:15:09.149 --> 00:15:11.309
a metal band. None heard of, really. And he didn't

00:15:11.309 --> 00:15:13.409
just record it. He took them on tour. Famously

00:15:13.409 --> 00:15:15.990
on the first Lollapalooza in 91. Lollapalooza.

00:15:16.190 --> 00:15:18.789
So he's playing to alternative rock crowds. Exactly.

00:15:19.169 --> 00:15:21.830
Super smart move. Expanded his appeal massively.

00:15:22.309 --> 00:15:24.350
Reached middle -class kids, alternative fans.

00:15:24.889 --> 00:15:26.590
Showed this incredible artistic fearlessness

00:15:26.590 --> 00:15:29.149
way ahead of the curve on crossing genres. And

00:15:29.149 --> 00:15:31.350
he got mainstream recognition too. A Grammy.

00:15:31.740 --> 00:15:34.740
Not for Body Count, though. Right, also in 91.

00:15:34.860 --> 00:15:37.740
Won a Grammy for best rap performance by a duo

00:15:37.740 --> 00:15:40.100
or group. But it was for being on Quincy Jones'

00:15:40.279 --> 00:15:42.820
big collaborative track, Back on the Block. Ah,

00:15:42.879 --> 00:15:46.019
that massive project with Ray Charles and everyone.

00:15:46.200 --> 00:15:48.799
Yeah, incredible roster. So he's getting accolades

00:15:48.799 --> 00:15:51.659
across the board. But then another Body Count

00:15:51.659 --> 00:15:54.559
song sparks the firestorm. Cop Killer. Cop Killer,

00:15:54.720 --> 00:15:57.700
the big one. From Body Count's debut album in

00:15:57.700 --> 00:16:01.009
92. It's a rock song, not rap. And Ice -T said

00:16:01.009 --> 00:16:02.929
it was written from the perspective of a character

00:16:02.929 --> 00:16:06.029
seeking revenge on racist cops. But the lyrics?

00:16:07.029 --> 00:16:09.889
About to bust some shots off. Pretty intense.

00:16:10.169 --> 00:16:12.730
Incredibly intense. And the reaction was immediate

00:16:12.730 --> 00:16:14.490
and furious. We're talking President Bush calling

00:16:14.490 --> 00:16:16.870
it sickening, Vice President Quayle demanding

00:16:16.870 --> 00:16:20.090
Time Warner drop him, police unions organizing

00:16:20.090 --> 00:16:22.190
boycotts. It wasn't just song controversy, it

00:16:22.190 --> 00:16:24.370
was a national flashpoint. Police brutality,

00:16:24.509 --> 00:16:27.570
race, free speech. All of it exploded. Did he

00:16:27.570 --> 00:16:29.909
back down? Not at all. He doubled down defending

00:16:29.909 --> 00:16:32.490
it. Told journalists it was artistic expression,

00:16:32.769 --> 00:16:35.730
a character's voice. He called out the hypocrisy

00:16:35.730 --> 00:16:38.250
like, Arnold Schwarzenegger kills cops in movies.

00:16:38.470 --> 00:16:41.269
Nobody complains. Fair point. And he hit hard

00:16:41.269 --> 00:16:43.850
on the racial bias angle. Argued it was being

00:16:43.850 --> 00:16:46.730
mislabeled as rap, not rock, because he was black.

00:16:47.429 --> 00:16:49.690
Famously said something like, the Supreme Court

00:16:49.690 --> 00:16:52.090
says a white man can burn a cross, but a black

00:16:52.090 --> 00:16:55.259
man can't write a song about a cop killer. powerful

00:16:55.259 --> 00:16:57.399
stuff. So what happened with the label, Warner

00:16:57.399 --> 00:16:59.899
Brothers? Well, Time Warner, the parent company,

00:17:00.019 --> 00:17:02.139
faced immense pressure. They refused to release

00:17:02.139 --> 00:17:04.579
his next solo album, Home Invasion, because of

00:17:04.579 --> 00:17:07.460
the controversy. So Ice -T and Sire Warner Bros.

00:17:07.940 --> 00:17:10.539
parted ways. Amicably, apparently. But did that

00:17:10.539 --> 00:17:12.859
hurt him? Ironically, no. It turned him into

00:17:12.859 --> 00:17:16.079
this huge icon for free speech advocates. His

00:17:16.079 --> 00:17:18.759
album sales actually doubled. He went on Oprah

00:17:18.759 --> 00:17:21.240
with Jello Biafra to debate Tipper Gore about

00:17:21.240 --> 00:17:23.599
censorship. He became this major voice on the

00:17:23.599 --> 00:17:25.160
First Amendment. So he eventually pulled the

00:17:25.160 --> 00:17:28.019
song? He did withdraw Cop Killer from the Body

00:17:28.019 --> 00:17:29.900
Count album, replaced it with a metal version

00:17:29.900 --> 00:17:32.220
of his rap track, Freedom of Speech. Some saw

00:17:32.220 --> 00:17:35.119
it as caving, but he framed it as strategic,

00:17:35.599 --> 00:17:37.940
stop the corporate fight, refocus on the bigger

00:17:37.940 --> 00:17:40.160
issue of censorship itself, not just one song.

00:17:40.500 --> 00:17:42.900
Wow. Navigating that must have been intense.

00:17:43.480 --> 00:17:45.259
So post Warner Bros, what was the next move?

00:17:45.420 --> 00:17:48.450
Move fast. signed with Priority Records, released

00:17:48.450 --> 00:17:51.069
Home Invasion in 93, and it still did really

00:17:51.069 --> 00:17:54.150
well. Top 10 R &B hip hop, top 15 Billboard 200.

00:17:54.349 --> 00:17:57.309
And it had 99 problems on it, the original. Yeah,

00:17:57.430 --> 00:17:59.890
the original 99 problems, which of course Jay

00:17:59.890 --> 00:18:02.559
-Z famously flipped years later. shows that lasting

00:18:02.559 --> 00:18:04.759
influence. And he kept up the metal clabs too.

00:18:05.279 --> 00:18:07.200
Did a track with Slayer for the Judgment Night

00:18:07.200 --> 00:18:10.380
soundtrack. Slayer? Yeah, Disorder. And guested

00:18:10.380 --> 00:18:13.779
on a Black Sabbath album, Forbidden, in 95. Kept

00:18:13.779 --> 00:18:16.119
building that cross -genre cred. What about his

00:18:16.119 --> 00:18:19.200
solo rap career after that? Kept going. V .I.

00:18:19.220 --> 00:18:21.440
Return of the Real in 96, The Seventh Deadly

00:18:21.440 --> 00:18:25.890
Sin in 99, Gangsta Rap in 2006. That last one

00:18:25.890 --> 00:18:28.309
had a bit of cover art controversy, too suggestive

00:18:28.309 --> 00:18:30.809
for some stores. Reviews were kind of mixed on

00:18:30.809 --> 00:18:33.589
these later solo albums. Some fans wanted that

00:18:33.589 --> 00:18:36.589
earlier political edge back. But Body Count kept

00:18:36.589 --> 00:18:40.170
going strong. Oh yeah. Body Count had this amazing

00:18:40.170 --> 00:18:44.089
resurgence. Bloodlust in 2017, Carnivore in 2020,

00:18:44.890 --> 00:18:48.210
and Bumrush from Carnivore won them their second

00:18:48.210 --> 00:18:51.529
Grammy. Best metal performance in 2021. A second

00:18:51.529 --> 00:18:53.490
Grammy for metal. That's incredible. Totally

00:18:53.490 --> 00:18:55.589
remarkable. And they just dropped a new album,

00:18:55.789 --> 00:18:58.750
Merciless, in 2024. Still going. He hasn't totally

00:18:58.750 --> 00:19:01.190
abandoned solo rap, though. Nope. Came back with

00:19:01.190 --> 00:19:03.549
some tracks in 2019 like Fed's In My Rear View,

00:19:03.650 --> 00:19:05.869
Too Old For The Dumb Shit. Still got the lyrical

00:19:05.869 --> 00:19:08.109
chops, still commenting. Featured on other tracks,

00:19:08.210 --> 00:19:10.390
too, like The Slayer's Club. Plus more collabs

00:19:10.390 --> 00:19:12.430
with bands like Motorhead, Megadeth. He even

00:19:12.430 --> 00:19:14.609
did a documentary about rap, Something From Nothing,

00:19:14.789 --> 00:19:17.700
the art of rap. The man does not stop. It really

00:19:17.700 --> 00:19:19.579
is this story or relentless drive, isn't it?

00:19:19.599 --> 00:19:22.259
Pushing boundaries lyrically, musically, turning

00:19:22.259 --> 00:19:25.519
controversy into a platform, just constant evolution.

00:19:26.019 --> 00:19:29.400
Absolutely. Shaping genres, adapting, staying

00:19:29.400 --> 00:19:32.440
relevant for decades. It's a masterclass in creative

00:19:32.440 --> 00:19:34.839
longevity and impact, not just changing with

00:19:34.839 --> 00:19:37.000
the times, but often being ahead of them. OK,

00:19:37.019 --> 00:19:40.440
so the music career alone is legendary. But Ice

00:19:40.440 --> 00:19:44.339
-T built this whole other massive career. beyond

00:19:44.339 --> 00:19:47.579
the mic, acting. His very first movie roles,

00:19:47.859 --> 00:19:49.779
though, back in the break -in days, right? Yeah,

00:19:49.960 --> 00:19:52.680
mid-'80s, break in and enter in, break in two.

00:19:52.960 --> 00:19:54.880
He was basically playing a rapper, a break dancer.

00:19:55.160 --> 00:19:58.420
And he wasn't too proud of those later. No. He's

00:19:58.420 --> 00:20:00.740
been very blunt. Call the films and his performances

00:20:00.740 --> 00:20:04.019
whack. Classic Ice -T honesty. He saw them as

00:20:04.019 --> 00:20:06.920
stepping stones, maybe. but not high art. But

00:20:06.920 --> 00:20:08.880
then he got serious about acting in the 90s.

00:20:08.920 --> 00:20:11.119
Totally pivoted. His breakout role was definitely

00:20:11.119 --> 00:20:13.740
Detective Scotty Appleton in New Jack City. 1991,

00:20:14.000 --> 00:20:16.079
Mario Van Peebles film. Huge movie. And he was

00:20:16.079 --> 00:20:18.200
great in it. He showed real dramatic chops. Exactly.

00:20:18.279 --> 00:20:19.779
Surprised a lot of people. And he followed it

00:20:19.779 --> 00:20:22.119
up quickly. Played the gang leader Odessa in

00:20:22.119 --> 00:20:24.819
Ricochet that same year. King James in Trespass

00:20:24.819 --> 00:20:28.519
in 92, with Ice Cube. By 94, he's getting lead

00:20:28.519 --> 00:20:31.299
roles like in Surviving the Game. He proved he

00:20:31.299 --> 00:20:34.039
could carry a film. He was also in Johnny Mnemonic

00:20:34.039 --> 00:20:38.160
and Tank Girl as a mutant kangaroo. T -Saint.

00:20:38.420 --> 00:20:41.359
Yeah, memorable roles, showing range. He became

00:20:41.359 --> 00:20:44.720
a legit screen presence. Now, there's that interesting

00:20:44.720 --> 00:20:47.579
bit from the documentary Pimp's Up, Hose Down,

00:20:47.960 --> 00:20:49.660
where he talks about his pimping background,

00:20:49.839 --> 00:20:51.980
giving him skills for business, and saying he

00:20:51.980 --> 00:20:55.640
can't act. It's all game. Right. Super controversial,

00:20:56.000 --> 00:20:58.059
fascinating statement. It blurs the lines, doesn't

00:20:58.059 --> 00:21:02.529
it? Is he being literal about pimping? Or using

00:21:02.529 --> 00:21:05.390
it as a metaphor for street smarts, negotiation,

00:21:05.990 --> 00:21:07.809
reading people skills he applied to Hollywood.

00:21:08.009 --> 00:21:10.549
Yeah, like saying real world hustle beats formal

00:21:10.549 --> 00:21:13.390
training. Exactly. It feeds into that persona

00:21:13.390 --> 00:21:15.869
of the ultimate strategist, the guy who understands

00:21:15.869 --> 00:21:18.730
the game on a duper level than maybe classically

00:21:18.730 --> 00:21:20.950
trained actors. Whether literal or metaphor,

00:21:21.349 --> 00:21:23.549
it reinforces his brand. And it definitely didn't

00:21:23.549 --> 00:21:25.750
slow down his TV career. He worked with Dick

00:21:25.750 --> 00:21:28.230
Wolf early on. Yeah, that connection was crucial.

00:21:28.400 --> 00:21:30.759
He had a recurring role on Wolf's show New York

00:21:30.759 --> 00:21:34.119
Undercover in 95. Played Danny Court, a drug

00:21:34.119 --> 00:21:36.359
dealer. Him won an award for that. His first

00:21:36.359 --> 00:21:40.019
NAACP image award. Outstanding supporting actor

00:21:40.019 --> 00:21:44.180
in a drama series, 1996. Huge recognition. Then

00:21:44.180 --> 00:21:47.740
he co -created a show called Players in 97. Was

00:21:47.740 --> 00:21:51.259
in the exiled. A Law and Order movie in 98. All

00:21:51.259 --> 00:21:53.140
setting the stage for the big one. Finn Tituola,

00:21:53.240 --> 00:21:57.299
Law and Order. SVU. Detective? No, Sergeant.

00:21:57.549 --> 00:22:00.849
Vodafone Finn Tutuola joined SVU in 2000, its

00:22:00.849 --> 00:22:03.730
second season, and he's still there. It's unbelievable.

00:22:03.789 --> 00:22:06.750
Longest -running male actor on a primetime drama

00:22:06.750 --> 00:22:08.730
series in U .S. history. That's what Deadline

00:22:08.730 --> 00:22:11.069
reported. An incredible run. Sticks to the volumes

00:22:11.069 --> 00:22:12.670
about his appeal, the character's resonance.

00:22:13.109 --> 00:22:16.049
People love Finn. He got another NAACP award

00:22:16.049 --> 00:22:19.750
for SVU. Yep. Won again in 2002. Nominated several

00:22:19.750 --> 00:22:22.250
more times. Consistent acclaim for that role.

00:22:22.569 --> 00:22:24.589
But beyond Finn, he's popped up in so many other

00:22:24.589 --> 00:22:26.859
memorable TV spots. Like Chappelle's show. The

00:22:26.859 --> 00:22:29.539
player haters ball. Original player hater. Hilarious.

00:22:29.980 --> 00:22:32.000
And the Geico commercial. No, it's lemonade.

00:22:32.420 --> 00:22:34.400
Instantly iconic. He's got such great comedic

00:22:34.400 --> 00:22:36.799
timing and self -awareness. Holy. He leans into

00:22:36.799 --> 00:22:39.460
the public perception. He hosted Ice -T's rap

00:22:39.460 --> 00:22:41.859
school on VH1 teaching rich kids about hip hop.

00:22:41.900 --> 00:22:43.980
Right. I remember that. Hosted the true crime

00:22:43.980 --> 00:22:47.000
show in ice cold blood on Oxygen. Leveraged that

00:22:47.000 --> 00:22:49.900
persona. He even did the mass dancer as disco

00:22:49.900 --> 00:22:53.279
ball. No way. Disco ball. Yep. And people were

00:22:53.279 --> 00:22:55.740
genuinely surprised when he was revealed. He

00:22:55.740 --> 00:22:57.819
was also interviewed in Chris Rock's documentary,

00:22:58.000 --> 00:23:00.720
Good Hair, talking about going to cool and curlers.

00:23:00.900 --> 00:23:03.539
Just great anecdotes. His voice is so distinctive,

00:23:03.539 --> 00:23:05.680
it makes sense he'd do animation and voice acting,

00:23:05.900 --> 00:23:08.440
too, like Rick and Morty. Oh, yeah. Played himself

00:23:08.440 --> 00:23:10.880
as an alien water tea character. His reaction

00:23:10.880 --> 00:23:13.480
on Twitter was classic. This happens with cartoonists

00:23:13.480 --> 00:23:16.220
after lots of drugs. Oh, crazy. Perfect. Just

00:23:16.220 --> 00:23:18.779
totally self -aware. He even came back later

00:23:18.779 --> 00:23:21.400
to voice the character's fictional father, Magma

00:23:21.400 --> 00:23:24.009
Q. He just rolls with the absurdity. And video

00:23:24.009 --> 00:23:26.329
games, too. He's been in some big ones. Definitely.

00:23:26.750 --> 00:23:29.210
Mad Dog and Grand Theft Auto. Sam and Dre is

00:23:29.210 --> 00:23:31.609
a huge role. Yeah, I remember that. Agent Kane

00:23:31.609 --> 00:23:34.630
in Sanity. Aiken's Artifact. Aaron Griffin in

00:23:34.630 --> 00:23:38.529
Gears of War 3. Balex in Borderlands 3. Mac in

00:23:38.529 --> 00:23:41.470
Payday 3. Plus playing himself in Def Jam. Fight

00:23:41.470 --> 00:23:45.109
for NY in UFC. Tap Out. He really engages with

00:23:45.109 --> 00:23:48.769
that world. So music, movies, TV, voice acting.

00:23:49.259 --> 00:23:51.980
than podcasting. It jumped into podcasting back

00:23:51.980 --> 00:23:56.099
in 2013. Ice -T Final Level co -hosted with his

00:23:56.099 --> 00:23:59.099
friend Mick Benzo. They talk issues, movies,

00:23:59.240 --> 00:24:02.160
games, behind the scenes, SVU stuff. Guests like

00:24:02.160 --> 00:24:05.119
Jim Norton, just another platform for his voice.

00:24:05.319 --> 00:24:07.680
And we have to mention the reality TV with Coco.

00:24:07.960 --> 00:24:11.900
Ice Loves Coco on E ran for three seasons, 2011,

00:24:12.140 --> 00:24:14.920
2013. Gave people this glimpse into their home

00:24:14.920 --> 00:24:17.420
life, their dynamic, led to another show, Eyes

00:24:17.420 --> 00:24:21.220
on Coco, in 2015. He really understands building

00:24:21.220 --> 00:24:23.519
that multifaceted public presence. It really

00:24:23.519 --> 00:24:25.500
is incredible versatility, isn't it? And that

00:24:25.500 --> 00:24:27.599
entrepreneurial spirit, leveraging his fame,

00:24:27.660 --> 00:24:30.359
constantly trying new things, adapting. Exactly.

00:24:30.819 --> 00:24:33.140
It shows how a strong, authentic brand, even

00:24:33.140 --> 00:24:35.819
a controversial one, can open so many doors.

00:24:36.359 --> 00:24:39.099
It's about adaptability, self -awareness, and

00:24:39.099 --> 00:24:41.480
just refusing to be put in one box. His honesty

00:24:41.480 --> 00:24:43.700
about his past, even the tricky stuff, just adds

00:24:43.700 --> 00:24:45.819
another layer to that story of reinvention. OK,

00:24:45.819 --> 00:24:47.819
let's shift focus a bit from the career to the

00:24:47.819 --> 00:24:50.539
man himself. Personal life, activism, that public

00:24:50.539 --> 00:24:52.359
persona he's built. He's a father, right? Three

00:24:52.359 --> 00:24:54.680
kids? That's right. His oldest daughter, Letitia

00:24:54.680 --> 00:24:56.819
Marrow, born back in 76 with his high school

00:24:56.819 --> 00:25:00.240
girlfriend, Adrienne. Then his son, Ice. Crazy

00:25:00.240 --> 00:25:03.740
Marrow Jr. Little Ice, born in 91 with Darlene

00:25:03.740 --> 00:25:06.279
Ortiz. She was on his album covers, remember?

00:25:06.339 --> 00:25:08.599
Yeah, iconic covers. And Little Ice is involved

00:25:08.599 --> 00:25:10.880
in music, too. Yeah, he's actually a backing

00:25:10.880 --> 00:25:13.660
vocalist for Body Count now. Was on the Grammy

00:25:13.660 --> 00:25:16.430
-winning Carnivore album. Following in his dad's

00:25:16.430 --> 00:25:19.009
footsteps, in a way. And then his youngest, with

00:25:19.009 --> 00:25:21.890
Coco. Right. He married Nicole Coco Austin back

00:25:21.890 --> 00:25:24.930
in January 2002. They renewed their vows publicly

00:25:24.930 --> 00:25:28.109
in 2011. And their daughter, Chanel Nicole, was

00:25:28.109 --> 00:25:30.390
born in 2015. They live in New Jersey now, right?

00:25:30.710 --> 00:25:32.710
Featured on the reality shows. Kind of bringing

00:25:32.710 --> 00:25:34.829
him back to his East Coast roots. Seems like

00:25:34.829 --> 00:25:36.809
it. But one thing about his personal life that

00:25:36.809 --> 00:25:39.329
often surprises people is his lifestyle. He's

00:25:39.329 --> 00:25:42.369
famously straight -edge. Damn. Teetotler. Doesn't

00:25:42.369 --> 00:25:44.910
drink alcohol. He's also said he's never smoked

00:25:44.910 --> 00:25:48.529
weed or cigarettes, ever. Wow. That really contrasts

00:25:48.529 --> 00:25:51.089
with the whole gangster rap image, doesn't it?

00:25:51.250 --> 00:25:53.750
Hugely. And it's reflected in his discipline

00:25:53.750 --> 00:25:56.630
elsewhere. He does Brazilian Jiu Jitsu, boxing.

00:25:56.990 --> 00:25:59.869
He's a big UFC fan. There's this really focused,

00:26:00.150 --> 00:26:02.150
physically disciplined side to him. How do you

00:26:02.150 --> 00:26:05.109
think he squares that? The discipline with the

00:26:05.109 --> 00:26:08.769
rebellious image? Is it a performance or just

00:26:08.769 --> 00:26:11.750
him? That's a great question. I tend to think

00:26:11.750 --> 00:26:14.720
it's just authentically him. Maybe the discipline

00:26:14.720 --> 00:26:17.700
required to survive his early environment without

00:26:17.700 --> 00:26:20.539
fully succumbing to drugs or alcohol is the root

00:26:20.539 --> 00:26:22.779
of that straight edge choice. It's not an act.

00:26:23.059 --> 00:26:25.240
It's who he had to become. Both sides are real.

00:26:25.759 --> 00:26:27.960
Makes sense. And activism has always been part

00:26:27.960 --> 00:26:30.099
of his platform too, linked with public enemy

00:26:30.099 --> 00:26:33.059
early on. Yeah, ideologically very close. They

00:26:33.059 --> 00:26:35.279
even called him the soldier of the highest degree

00:26:35.279 --> 00:26:38.460
in the fear of a black planet liner notes. High

00:26:38.460 --> 00:26:41.759
praise from P .E. Wow. And after cop killer,

00:26:42.029 --> 00:26:44.529
He really leaned into being a free speech advocate.

00:26:44.869 --> 00:26:46.750
Gave lectures at colleges about the First Amendment,

00:26:47.150 --> 00:26:49.650
using his own story. Really powerful. And his

00:26:49.650 --> 00:26:52.349
music often tackled issues directly. Oh yeah.

00:26:52.730 --> 00:26:55.730
OG original gangster. Had tracks condemning the

00:26:55.730 --> 00:26:58.029
Gulf War. Talking about mass incarceration way

00:26:58.029 --> 00:27:00.289
back then. He signed a petition for criminal

00:27:00.289 --> 00:27:03.049
justice reform in 2017. It's a consistent thread.

00:27:03.569 --> 00:27:06.289
His 1994 book, The Ice Opinion, laid out his

00:27:06.289 --> 00:27:08.630
political views too. Criticized the targeting

00:27:08.630 --> 00:27:11.029
of Koreans during the L .A. riots. Not afraid

00:27:11.029 --> 00:27:13.640
to speak out. even if it's complex. He's got

00:27:13.640 --> 00:27:15.900
a sarcastic side to his politics, too, though.

00:27:16.039 --> 00:27:19.799
The John McCain joke. Oh, yeah. 2008. Joked he'd

00:27:19.799 --> 00:27:21.539
vote for McCain just because his endorsement

00:27:21.539 --> 00:27:24.119
would ruin the campaign. Sort of an inverse endorsement

00:27:24.119 --> 00:27:26.799
for Obama. Clever. Later, he just admired Obama

00:27:26.799 --> 00:27:28.579
for taking the shot, making it to president.

00:27:28.980 --> 00:27:32.119
And recently, 2022, he narrated an ad for Fire

00:27:32.119 --> 00:27:35.460
E, the free speech group, still championing that

00:27:35.460 --> 00:27:37.579
cause. Of course, with a public persona like

00:27:37.579 --> 00:27:40.859
his, there have been clashes, feuds. The LL Cool

00:27:40.859 --> 00:27:43.000
J beef was a big one back in the day. Oh, yeah.

00:27:43.140 --> 00:27:45.420
Late 80s, early 90s. Apparently started because

00:27:45.420 --> 00:27:48.180
LL claimed he was the baddest rapper. Ice T wasn't

00:27:48.180 --> 00:27:51.089
having it. So he dissed him on Power. Yep. I'm

00:27:51.089 --> 00:27:53.309
Your Pusher had a character refusing an L .L.

00:27:53.390 --> 00:27:56.349
record. Girls OGBNAF was like the anti -LL love

00:27:56.349 --> 00:28:00.049
song, direct lyrical shots. And L .L. fired back

00:28:00.049 --> 00:28:03.930
hard. Brutally. On to the break of dawn. Mocked.

00:28:03.930 --> 00:28:06.789
Ice -T's rapping, his background, his hair, the

00:28:06.789 --> 00:28:09.309
perm. Said the power album only sold because

00:28:09.309 --> 00:28:12.309
Darlene was on the cover. Ouch. Did Ice -T keep

00:28:12.309 --> 00:28:14.670
it going? Mostly ignored it, actually. Even defended

00:28:14.670 --> 00:28:17.930
L .L. after an arrest. Years later. Ice -T said

00:28:17.930 --> 00:28:20.269
the beef was never serious, just an exciting

00:28:20.269 --> 00:28:22.670
dispute for hip -hop. He kind of saw the theater

00:28:22.670 --> 00:28:24.849
in it. Understood the game. What about the Soulja

00:28:24.849 --> 00:28:27.470
Boy thing? That felt different. Yeah, 2008. More

00:28:27.470 --> 00:28:30.930
generational. Ice -T went after Soulja Boy, said

00:28:30.930 --> 00:28:33.670
he was killing hip -hop called Crank That Garbage,

00:28:34.289 --> 00:28:36.170
compared him unfavorably to Rakim, Big Daddy

00:28:36.170 --> 00:28:38.130
Kane. That sparked a reel back and forth. Oh

00:28:38.130 --> 00:28:40.450
yeah. Video's flying. Ice -T told him to eat

00:28:40.450 --> 00:28:43.019
a dick. Kanye West even stepped in to defend

00:28:43.019 --> 00:28:45.700
Soulja Boy's independent success. It highlighted

00:28:45.700 --> 00:28:48.000
that shift in hip -hop sound and business. So

00:28:48.000 --> 00:28:49.819
looking at his overall style, his influences.

00:28:50.359 --> 00:28:52.700
Icebrick Slim for lyrics, Schoolie D for the

00:28:52.700 --> 00:28:54.759
gangsta style, we covered those. But the rock

00:28:54.759 --> 00:28:57.759
influence was always there too. Deeply. He loves

00:28:57.759 --> 00:29:00.369
Edgar Winter, Led Zeppelin, Black Sabbath. said

00:29:00.369 --> 00:29:02.809
that passion for heavy guitar is why he put guitar

00:29:02.809 --> 00:29:05.150
sounds on his rap albums, even before Body Count.

00:29:05.769 --> 00:29:08.150
One of that edge, that power. He definitely built

00:29:08.150 --> 00:29:10.490
on what Rick Rubin was doing with Beastie Boys,

00:29:10.630 --> 00:29:14.089
Run DMC, that rock hip hop fusion. Sure. Though

00:29:14.089 --> 00:29:16.950
he's specific about Body Count, calls it a rock

00:29:16.950 --> 00:29:19.849
album with a rap mentality, not strictly rap

00:29:19.849 --> 00:29:21.970
rock like say Limp Bizkit or Kid Rock later.

00:29:22.309 --> 00:29:25.349
He sees Body Count as purely a rock band, which

00:29:25.349 --> 00:29:28.109
is an interesting distinction he makes, but they

00:29:28.109 --> 00:29:30.960
absolutely paved the way. And his impact on gangster

00:29:30.960 --> 00:29:33.680
rap itself, Six in the Morning, is seen as foundational.

00:29:33.960 --> 00:29:36.279
Undeniably. Journalists trace artists like Tupac,

00:29:36.400 --> 00:29:38.900
Biggie, Eminem, N .W .A. directly back to the

00:29:38.900 --> 00:29:41.200
groundwork laid by Six in the Morning. He's a

00:29:41.200 --> 00:29:43.420
true patriarch of that West Coast sound. And

00:29:43.420 --> 00:29:45.319
his own favorite rap albums give some insight,

00:29:45.579 --> 00:29:47.680
too. Yeah, he's listed classics. B .C. Boy's

00:29:47.680 --> 00:29:50.440
Licensed to Ill, Eric B. and Rakim's Paid in

00:29:50.440 --> 00:29:53.279
Full, N .W .A.'s Straight Outta Compton, Public

00:29:53.279 --> 00:29:55.559
Enemies, It Takes a Nation of Millions. Shows

00:29:55.559 --> 00:29:58.200
his taste, his roots in that golden era he helped

00:29:58.200 --> 00:30:00.859
shape. This whole section really gets into his

00:30:00.859 --> 00:30:03.920
core values, doesn't it? How he handles relationships,

00:30:04.319 --> 00:30:07.000
politics, conflict, all while staying true to

00:30:07.000 --> 00:30:09.500
himself. Absolutely. It shows that complexity,

00:30:09.640 --> 00:30:11.819
but also that consistency. Navigating it all

00:30:11.819 --> 00:30:14.220
with his clear personal code, it explains a lot

00:30:14.220 --> 00:30:17.259
about his staying power. Authenticity and conviction,

00:30:17.619 --> 00:30:20.259
even when it's controversial. Hashtag tag out,

00:30:20.299 --> 00:30:23.339
tag outro. Wow. What a journey we've covered

00:30:23.339 --> 00:30:25.859
today. Seriously sprawling. From that really

00:30:25.859 --> 00:30:30.259
tough start. the losses, the crime, to changing

00:30:30.259 --> 00:30:32.779
music forever, becoming this fixture on TV, being

00:30:32.779 --> 00:30:36.019
this outspoken activist. Iced tea is just...

00:30:35.880 --> 00:30:39.039
something else he really is reinvention authenticity

00:30:39.039 --> 00:30:41.200
adaptability those aren't just buzzwords for

00:30:41.200 --> 00:30:43.279
him they're the absolute definition of his career

00:30:43.279 --> 00:30:45.819
constantly pushing constantly being himself yeah

00:30:45.819 --> 00:30:48.240
and his story it's more than just about him isn't

00:30:48.240 --> 00:30:50.299
it it's really about the power of shaping your

00:30:50.299 --> 00:30:52.660
own narrative having the guts to evolve but not

00:30:52.660 --> 00:30:55.039
losing who you are at your core and maybe some

00:30:55.039 --> 00:30:57.440
serious strategic thinking too absolutely yeah

00:30:57.440 --> 00:30:59.000
so hopefully you the listener have gained this

00:30:59.000 --> 00:31:02.039
unique understanding now how talent resilience

00:31:02.039 --> 00:31:04.859
and just refusing to be defined by others can

00:31:04.859 --> 00:31:07.220
lead to the this incredible decades -long influence

00:31:07.220 --> 00:31:09.940
across so many different areas. So here's a final

00:31:09.940 --> 00:31:12.380
thought to leave you with. Thinking about Ice

00:31:12.380 --> 00:31:14.880
-T's constant reinvention, his relevance across

00:31:14.880 --> 00:31:18.779
music, TV, everything. What does his career maybe

00:31:18.779 --> 00:31:21.799
teach you about embracing change, about keeping

00:31:21.799 --> 00:31:23.759
your own voice authentic, whether it's in your

00:31:23.759 --> 00:31:26.099
job or just your life? What's that pivot you've

00:31:26.099 --> 00:31:28.279
been hesitant about or that truth you haven't

00:31:28.279 --> 00:31:31.440
quite spoken? Definitely something to think about.

00:31:31.640 --> 00:31:33.519
Something to chew on. Thanks for deep diving

00:31:33.519 --> 00:31:34.119
with us.
