Imagine waking up one day to discover your song
is number one on global charts. I mean, breaking
records sparking this huge phenomenon. Yeah,
like Bruno. Exactly. Now, imagine that same person's
name was inspired by this really poignant poem
about the Vietnam War. almost as if destiny itself
had a hand in shaping a storyteller who would
go on to reshape Broadway, Hollywood, and even,
you know, political discourse. It's kind of an
amazing setup, isn't it? It really is. Welcome
to the deep dive. Today we're unearthing the
extraordinary journey of Lin -Manuel Miranda,
an American songwriter, actor, singer, filmmaker,
rapper, and, uh, librettist. Right, the person
who writes the words, the story for musicals
and operas. Exactly. His creative explosion has
touched nearly every corner of entertainment
and beyond, making him truly, well, a maestro
of modern storytelling. And our mission today
is really to dive deep into the stack of sources
detailing his multifaceted life and career. We'll
pull out the most important nuggets of knowledge,
the insights, connect the dots to understand
not just what he achieved, but the why. Why it
resonates. Precisely. Why his groundbreaking
work resonates so profoundly. We'll explore how
he became such a singular voice in contemporary
culture, offering you, our listeners, a shortcut
to being truly well -informed about his immense
impact. And we've curated a fantastic collection
of sources for this deep dive. We're exploring
comprehensive biographical information, tracing
his remarkable career highlights across theater,
film, television, delving into personal details
about his family and his really passionate activism,
and of course taking a thorough look at his long
- list of numerous accolades. Get ready for an
engaging and illuminating exploration. Let's
do it. The formative years, roots, rhymes, and
early sparks. OK. Let's begin at the very start
of this incredible journey. Lin -Manuel Miranda
was born on January 16, 1980, right here in New
York City. Yep. Well, you might know him primarily
as a Broadway sensation or maybe a Disney hit
maker. Sure. That's the headline now. Right.
But understanding his roots, this rich cultural
tapestry, is really central to grasping the core
of his artistic identity. It really is. And what's
compelling right away is the insight into his
heritage and family background. His mother, Lews
Towns Miranda, she's an accomplished clinical
psychologist. Okay. And his father, Luis Miranda
Jr., is a prominent political consultant. I mean,
think about that unique combination. Yeah, psychology
and politics. Exactly. A grounding in human psychology
and the sharp understanding of political strategy,
communication. These influences, they must have
profoundly shaped his perspective on, like, character
development, narrative arcs, and even how he
approaches advocacy later in his career. He's
predominantly of Puerto Rican descent, but there's
also distant Mexican, English, and African American
ancestry, a truly American story woven right
into his DNA. It reflects the diversity he often
portrays. Absolutely. It reflects the diverse
fabric of the nation he so often portrays and
celebrates in his work. And his name itself is
a story, one that I find absolutely captivating.
Lin -Manuel. Yeah, tell us about that. It was
inspired by this poignant poem about the Vietnam
War by the Puerto Rican writer Jose Manuel Torres
Santiago. The poem's called Nana Roja para mi
hijo Lin Manuel, which translates to Red Lullaby
for my son Lin Manuel. Wow. It isn't just a beautiful
personal detail. It's almost prophetic, you know?
It sort of imbued him with his subconscious connection
to politically charged narratives and the power
of words from birth, really laying the groundwork
for a career that would later use art to explore
history, identity, social justice on a massive
scale. That's right. It suggests a destiny intertwined
with powerful narratives from the very beginning.
This early association with a politically resonant
poem, especially one from his heritage, it sort
of set a subconscious tone for his future work,
even before he knew he'd be telling stories on
such a grand stage. It really underscores the
idea that identity and cultural background are
often deeply embedded in an artist's trajectory,
shaping their worldview and their chosen themes.
Growing up in the vibrant Inwood neighborhood
of Manhattan, he was raised Catholic. But New
York City wasn't his only home. And this is where
his connection to his roots becomes even clearer,
I think, and more influential. His frequent trips
to Puerto Rico were absolutely key. Key to his
development. Miranda spent at least one month
each year with his grandparents in Vega Alta.
Every year. Every year. These weren't just family
vacations, they were an immersion. They shaped
a world view that would later allow him to masterfully
translate multiple cultural nuances into his
art and fuel his passionate activism for the
island. This constant connection to his Puerto
Rican heritage from a young age clearly informs
so much of his later work, providing him with
this rich understanding of diverse perspectives,
cultural nuances, which he then masterfully weaves
into his art. sister Luz, who's the chief financial
officer of the Miram Group, a strategic consulting
firm, which again just illustrates he comes from
a family with a strong sense of community, influence,
and a deep understanding of strategy and communication.
Yeah, you see those elements reflected in his
own career, right? Totally. Whether it's building
a theatrical phenomenon or navigating political
advocacy. Yeah. For many, his theatrical journey
seems to have just burst onto the scene with
us in the Heights. Like it came out of nowhere.
Right. But for Miranda, The seeds of a performer
and writer were planted much, much earlier. He
attended Hunter College Elementary School and
Hunter College High School. Which are pretty
prestigious institutions. Exactly. Renowned for
fostering intellectual curiosity and creative
exploration. So this begs the question. How early
did his talent actually manifest? And, you know,
what did it look like? Right. Interestingly,
one of his classmates, who's now the journalist,
Chris Hayes. Oh, really? Chris Hayes? Yeah. He
directed Miranda in what was described as his
first musical. And Hayes vividly characterized
it as, get this, a 20 -minute musical that featured
a maniacal, fetal pig in a nightmare. A maniacal,
fetal pig? Seriously. Seriously. Can you imagine?
It's this early, wonderfully quirky indicator
of his unique creative voice, right? And his
willingness to experiment with unconventional
themes, strange narrative structures right from
the beginning. Wow. It shows a young artist unafraid
to be different, to push boundaries even in high
school. And here's a surprising twist. Yeah.
He was actually bullied by the rapper Immortal
Technique in high school. No way. Yeah, but they
apparently later became friends. Imagine that
concentration of diverse talent and future influence
in one high school. That's wild. It just shows
the varied paths people take, how things evolve.
Exactly. He began writing musicals at school,
setting the stage, quite literally for his future.
It proves that the creative spark was there,
honing his skills long before the public spotlight
found him. And these early experiences, the blend
of academic rigor at Hunter, the theatrical experimentation,
even the social dynamic. They all contributed
to keeping his artistic sensibility. They were
laying the groundwork for his ability to connect
with diverse audiences, tackle complex themes,
and ultimately redefine musical theater. So the
earliest draft of what would become his first
Broadway musical, In the Heights, was actually
written in 1999 during his sophomore year at
Wesleyan University. That's a remarkably rapid
start for such a groundbreaking work, don't you
think? Shows an early maturity. It's truly remarkable,
yeah. How quickly his vision took shape and gained
traction. The show was accepted by Wesleyan's
student theater company, Second Stage, and there
he consciously added elements of freestyle rap,
salsa numbers, premiering it there in 1999. This
blend of traditional musical theater with contemporary
style, specifically the vibrant energy of hip
-hop and Latin rhythms, It wasn't an afterthought.
It was baked in from the start. It was baked
in from the very first iteration, this early
success, this immediate blending of genres. It's
significant because it established the unique
boundary pushing voice that would later captivate
Broadway. And he wasn't just writing and composing
at Wesleyan. He was actively directing, acting
in many other productions too. Musicals, Shakespeare.
The whole spectrum. The whole spectrum. He truly
embraced it all before graduating in 2002. gaining
hands -on experience in every facet of the craft,
from behind the scenes to center stage. The significance
of these formative years, you really can't overstate
it. They were a crucible where his distinct artistic
voice, combining deep narrative storytelling
with contemporary musical forms was forged. These
years provided him with that rich cultural foundation,
right? Through his family, the trips to Puerto
Rico, alongside the early creative experimentation
at Hunter and Wesleyan, and the academic rigor
that would fuel his future, well, revolutionary
work. The Broadway blueprint from In the Heights
to a cultural milestone. OK, so after college,
the real work began on In the Heights. In 2002,
he teamed up with John Buffalo Mailer and director
Thomas Kail. Tommy Kail, yeah. A key collaborator.
Right. To revise the show. refining what had
started as the successful college project. Then
in 2004, playwright Quiara Alegria -Hudas joined
the team. And that was huge. Yeah. Further solidifying
the creative brain trust and bringing a vital
new perspective to the story's dramatic structure.
This collaborative development process is absolutely
crucial to understanding his approach. It wasn't
a solo endeavor, right? It was a collective effort
that rigorously refined the musical after its
initial college run. Hoods, a Pulitzer Prize
-winning playwright herself, brought this keen
eye for character and narrative, transforming
the collegiate piece into a really robust theatrical
work. This ability to work effectively with others,
to bring in diverse talents and perspectives
to enhance a singular vision, it would become
a hallmark of his career, especially later with
Hamilton. Yeah, totally. It speaks volumes about
his open -mindedness and commitment to the artistic
process, not just his personal vision. The musical
debuted in Connecticut in 2005, giving it a crucial
proving ground, finding its legs, connecting
with professional audiences outside of, like,
a university setting. Right. Castron. Then it
moved off Broadway in 2007 at the 37 Arts Theater,
building significant buzz and critical acclaim
before its anticipated big Broadway opening in
March 2008. And the recognition was immediate.
Undeniable. Yeah. In the Heights was a genuine
hit. It received 13 Tony Award nominations, which
is incredibly impressive for a debut musical.
A huge number. And won four, including Best Musical
and Best Original Score. It also secured a Grammy
Award for Best Musical Theater Album. This flood
of accolades signaled the arrival of a fresh,
vital voice in American theater, one that was
resonating broadly with critics and audiences.
And Miranda's personal commitment was clear.
He starred in the demanding leading role of Osnavi.
Right, he wasn't just the writer. No, he earned
himself a Tony nomination for best actor for
it. He was front and center, pouring his heart
and soul into the performance, showcasing his
incredible energy and stage presence. He even
returned to the role of Osnavi multiple times.
He rejoined the national tour when it played
in LA and San Juan, Puerto Rico, a personal nod
to his roots, right? Definitely. Bringing it
home. Then he returned for the final Broadway
performances from December 2010 until its closing
on January 9, 2011, after an impressive run of,
what, 11 ,185 regular performances. Wow. That's
a solid run. It is. A testament to his dedication,
the show's enduring appeal, and his deep connection
to the story and its community. Yeah. While in
the Heights was making waves and establishing
him as this major force on Broadway, Lin -Manuel
Miranda wasn't just, you know, resting on his
laurels. Not his style, apparently. Seems not.
He was constantly creating, often engaging in
surprising side projects that honed his craft
in unexpected ways and showcased his remarkable
versatility. This period truly demonstrates his
incredible work ethic and adaptability across
different theatrical landscapes. For instance,
he was tapped to write Spanish language dialogue
and collaborate with the legendary Stephen Sondheim.
Stephen Sondheim? Yes. To translate song lyrics
for the 2009 Broadway revival of West Side Story,
imagine that call. translating for a titan like
Sondheim. Unbelievable. It speaks to the high
regard he was already held in within the industry
and his deep understanding of both languages.
musical theater traditions, allowing him to kind
of bridge generations of theatrical genius. And
it wasn't just Sondheim, he also contributed
two new songs to a revised version of the 1978
musical Working in 2008. Right, the Studs Terkel
piece. Yeah, that classic ensemble piece based
on interviews with American workers. He was clearly
embracing every opportunity to expand his compositional
skills, explore different styles of storytelling
through song. And here's where we truly see the
roots of his improvisational genius, the stuff
that would become so famous with Hamilton. OK.
In 2003, he co -founded Freestyle Love Supreme.
Ah, yes. The hip -hop improv group. Exactly.
This wasn't just a casual hobby. This group toured
extensively. Edinburgh Festival Fringe, Comedy
Festivals in Aspen, Melbourne, Montreal. Wow,
serious touring. Yeah. They eventually had a
limited TV series on Pivot in 2014, and even
made their Broadway debut in 2019. It's a powerful
testament to his versatility and the joy he finds
in creative spontaneity, showcasing his ability
to think on his feet, blend rap with live performance,
connect with an audience in this unscripted,
electrifying way. What's even more mind -boggling
is that during these years, while all this was
happening in the Heights developing, West Side
Story revisions, Freestyle Love Supreme touring,
he was also working as an English teacher at
his old high school. No way! Teaching too? Yeah.
And on top of that, writing columns and restaurant
reviews for the Manhattan Times and composing
music for commercials. Talk about a hustle. That
is incredible. He was truly immersed in a wide
variety of creative and professional endeavors,
each one undoubtedly feeding his broader artistic
growth. It seems like it. This multi -havenate
approach is key to understanding his development.
He wasn't just a theater artist, he was a working
artist in many forms, constantly flexing different
creative muscles, sharpening his skills in diverse
fields. This breadth of experience undoubtedly
fed into his later masterpieces, allowing him
to approach storytelling with a diverse toolkit,
an understanding of various media, and a deep
appreciation for the craft from multiple angles.
His work continued to expand, with significant
projects leading up to his magnum opus, Hamilton.
He co -wrote music and lyrics for Bring It On,
the musical. Oh, yeah, the cheerleading musical.
Exactly. Premiered in Atlanta in 2011, toured
nationally, played a limited Broadway engagement
in 2012. The show earned Tony nominations for
Best Musical and Best Choreography. So another
success. Yep, further solidifying his place as
a versatile and sought after musical theater
composer. And this project clearly demonstrated
his continued growth as a composer and lyricist
in a different style, right? More contemporary
pop rock, distinct from the Latin rhythms of
In the Heights. Totally different vibe. It broadened
his reach within the musical theater world and
proved he wasn't, you know, a one trick pony.
Showed his ability to craft catchy character
driven songs for high energy, youth focused production.
In 2014, he earned a Primetime Emmy Award for
the song bigger. Ah, for the Tony's opening number.
Yes, which he co -wrote with Tom Kitt for the
energetic opening of the 67th Tony Awards. It
was a significant recognition for his TV writing
work, showcasing his ability to create compelling
musical moments even for a broadcast audience.
He also wrote and narrated this one -act musical,
21 Chump Street, for a single impactful performance
at BAM, the Brooklyn Academy of Music. Right,
based on a true story? Yeah, about a student
entrapped by an undercover cop. He was then broadcast
on NPR's This American Life, reaching a whole
different audience. Wow. And simultaneously he
starred in an encore's revival of Jonathan Larson's
Tick. tick, boom, in June 2014. Larson, the creator
of Rent, a hero of his. Exactly. These smaller,
more experimental projects kept his creative
muscles flexing, letting him explore different
narrative forms, tackle challenging themes, immerse
himself in the work of a theatrical hero, making
him incredibly sharp and ready for what was coming
next. Yeah. These diverse experiences were all
threads leading to the tapestry of Hamilton.
Hamilton the Revolution will not be televised.
but it will be sung. Okay, here's where the story
takes a truly seismic turn. The origin story
of Hamilton. It's almost as legendary as the
show itself now. It really is. While on vacation
in 2008, Lin -Manuel Miranda picked up Ron Chernow's
massive biography of Alexander Hamilton. Just
casually reading on vacation. Laughs. Right.
That seemingly simple act ignited a cultural
phenomenon that would redefine American theater.
It begs the question though, what was it about
that biography that ignited such a spark in Miranda?
revolutionary idea. Good question. It wasn't
just any biography. It was the story of an immigrant,
an outsider, a wordsmith, who literally wrote
his way out of poverty and shaped a nation themes
that clearly resonated with Miranda's own heritage.
His understanding of the power of language, self
-creation. Easy the connection. Totally. Miranda
was so inspired that he wrote a rap about Hamilton,
which he famously performed at the White House
evening of poetry, music, and spoken word on
May 12, 2009. The White House performance. Iconic.
accompanied by Alex Lacamoire. That moment, performing
a hip hop narrative about a founding father in
front of President Obama. It was a seismic shift.
It signaled to the world that history could be
reimagined in this incredibly fresh, compelling,
utterly contemporary way. It fundamentally changed
how people perceived both hip hop and historical
storytelling. He later revealed the meticulous
process behind his songwriting. He said he spent
a year writing just one song, My Shot. A whole
year on one song. A whole year, revising it countless
times to perfectly reflect Alexander Hamilton's
intellect, his ambition, that relentless drive.
That's an extraordinary level of dedication to
craft and character. It really illustrates his
profound commitment to historical accuracy and
character depth, blending rigorous research with
his unique musical language. By 2012, he was
performing an extended set of pieces, which he
called the Hamilton Mixtape, at various workshops,
presentations. Right, the mixtape phase. And
the New York Times accurately called it an obvious
game changer, recognizing the potential for groundbreaking
work long before it hit the mainstream. This
blend of academic thoroughness, street -smart
musicality, revolutionary narrative. It was completely
new and utterly captivating. Miranda not only
wrote the book and score, but he famously starred
as the title character, fully embodying his vision
on stage. And the reviews were overwhelmingly
positive. Its engagement was completely sold
out, built immense, unprecedented anticipation
for its Broadway transfer. The buzz was electric.
Ron Chernow himself and Lin -Manuel Miranda even
received the 2015 History Makers Award from the
New York Historical Society for their collaboration
before it even hit Broadway. Yeah. Highlighting
the academic and cultural significance of the
project even before its major Broadway run, recognizing
its impact on how history is perceived and presented.
The show began previews on Broadway in July 2015
at the Richard Rodgers Theater and officially
opened on August 6, 2015 to continued rave reviews.
It wasn't just a hit. It was an instant cultural
event. Absolutely. Drawing audiences from every
walk of life. On the very first night of Broadway
previews, over 700 people lined up for lottery
tickets. 700 people for previews. Unheard of.
for a new show. This overwhelming enthusiasm
led to a surprising and utterly brilliant initiative,
Ham4Ham. Ah, Ham Forham. What's truly remarkable
here is how the production genuinely embraced
its audience, fostered this unique, accessible
connection. Ham Forham became a series of impromptu
outdoor mini -performances for lottery participants.
Right outside the theater. Hosted daily by Miranda
and various cast members for over a year, until
August 31st, 2016. It wasn't just marketing,
it transformed the pre -show lottery line into
its own unique event. It was amazing. It was
a brilliant grassroots way to democratize a famously
exclusive Broadway experience, creating this
unparalleled sense of community direct interaction
between the cast and their most dedicated fans,
extending the show's magic beyond the stage door.
The financial success of Hamilton was equally
staggering, right? Solidifying its status as
a commercial juggernaut alongside the critical
acclaim. Oh, yeah. Miranda earned a 3 % royalty
on each performance, amassing $12 .7 million
by July 2017. Wow. That demonstrated the immense
profitability of a show that just captivated
the nation. Completely. And Hamilton absolutely
dominated the awards. Nathan broke barriers,
set new precedents. It won the Pulitzer Prize
for drama. Which is incredibly rare for a musical.
Incredibly rare, a prestigious honor, recognizing
Hamilton not just as entertainment, but as a
significant literary and dramatic work of profound
cultural importance. It was nominated for a record
16 Tony Awards and ultimately 111, including
Miranda's first wins for best book of a musical
and best original score. This flood of awards
just cemented its place in theatrical history.
And beyond Broadway. Right. The cast album was
also a massive success. won a Grammy for best
musical theater album, spent an incredible 10
weeks, a top billboards, top rap albums chart,
a first for a Broadway cast recording. That's
wild. A Broadway album on the rap charts. Exactly.
And it became the 11th biggest album of the entire
2010s. This unprecedented crossover success into
the mainstream music charts truly solidified
its cultural status, proving its appeal far beyond
traditional Broadway audiences and reshaping
perceptions of musical theater. Miranda received
the Drama League Distinguished Performance Award
in May 2016 for his iconic role as Alexander
Hamilton. Well deserved. And in a powerful testament
to the collective genius behind the show, the
Hamilton creative team Miranda Cale, choreographer
Andy Blankenbuehler, and musical director Alex
Lacamoire received the Kennedy Center honor in
2018. One of the nation's highest awards for
artistic excellence, truly recognizing the whole
team. The show even made it to the highest office.
March 15, 2016, cast members performed at the
White House, hosted workshops for students. And
the freestyle rap? Yes, with Miranda memorably
performing a freestyle rap. from prompts held
up by none other than President Obama himself.
That image, a modern rap battle with the president,
it truly captured the zeitgeist, symbolized the
show's profound cultural impact. To connect this
to the broader picture, Hamilton didn't just
redefine musical theater. It demonstrated how
history and education could be made profoundly
engaging, relevant, even cool to a modern, diverse
audience. It broke down barriers between genres,
between high art and popular culture, between
different demographics, becoming a true phenomenon
that transcended typical theatrical boundaries
and sparked this national conversation about
who gets to tell American history. In April 2016,
Miranda and Jeremy McCarter published Hamilton,
The Revolution. The Hamilton. Right. The lavish
behind -the -scenes book chronicling the show's
incredible journey from conception to Broadway
success, its cultural impact, offering fans an
intimate look at its creation. Miranda gave his
last performance as Alexander Hamilton on July
9, 2016, a moment that left many fans heartbroken.
Oh, definitely. But he famously vowed to return,
and he did, for a special one -night reprise
in 2017 to celebrate President Obama's commutation
of Oscar Lopez Rivera's sentence. Showing his
commitment to social justice. Exactly. Even after
stepping away from the regular run. The story
of its creation was also documented in Hamilton's
America, an insightful film that premiered at
the New York Film Festival in 2016, aired on
PBS. Allowing more people to see Behind the Curtain.
Right. And for those who missed it on Broadway,
a full taping of the original production was
released on Disney Plus on July 3, 2020. Which
was huge during the pandemic. Huge, bringing
the electrifying experience to millions globally.
In a fun, full -circle twist that reviews his
deep -seated love for theater. January 24, 2016,
Miranda performed the offstage cameo role of
Loud Haler in the Broadway production of Les
Miserables. Oh, wow. This wasn't just random.
It was fulfilling a childhood dream. Lace Beast
was the very first production he ever saw on
Broadway. That's amazing. This small but poignant
detail, this personal full circle moment, it
reveals the deep -seated love for theater that
underpins all his groundbreaking work. Yeah.
It reminds us that even revolutionary artists
are often inspired by the traditions that came
before them and that his passion for the stage
is genuinely lifelong, driving him to return
to it in meaningful ways. He did eventually return
to the title role in Hamilton for a three -week
limited engagement in Puerto Rico. Right, the
Puerto Rico run, January 2019. Tickets sold out
in a remarkable three hours. Critics praised
his deeper onstage emotions and improved vocal
and dance technique, showing his continued dedication
to the role and his commitment to bringing the
show to the island. Still honing the role even
then. Seems so. More recently, he played King
Arthur in a benefit concert of Camelot in March
2019. Showing his range beyond his own stuff.
Yeah. He also wrote additional lyrics for the
Broadway musical New York, New York in 2023,
expanding the score for New Generation. And he's
even working on a stage musical adaptation of
Saul Yurick's novel, The Warriors. Warriors,
wow. Yeah, with a concept album released in October
2024. He clearly continues to engage with the
stage in exciting and varied ways, constantly
pushing his creative boundaries. His continued
involvement in theater, whether originating new
works, contributing to revivals, starring in
classics, it underscores his enduring passion
for the medium that launched his career. He constantly
seeks new challenges, collaborates on diverse
projects that keep him creatively stimulated,
demonstrating a commitment to the art form that
goes far beyond any hit. The screen's savvy from
Disney hits to directorial debuts. Okay, so as
his theater career blossomed into this global
phenomenon, Lin -Manuel Miranda also began to
venture into the world of film, broadening his
artistic horizons, reaching entirely new audiences.
Expanding the Empire. Kind of. His feature film
debut was in the Walt Disney Pictures live action
film, The Odd Life of Timothy Green, back in
2012. A gentle fantasy drama. This early entry
into film, particularly with Disney, it really
foreshadows a significant collaboration that
would shape a large part of his career, right?
Establishing that relationship with the studio
that would become incredibly fruitful. It shows
an early willingness to explore different creative
avenues beyond the stage. He also appeared in
200 Cartas in 2013, a romantic comedy filmed
in Puerto Rico. Connecting with his heritage
through film, too. Yep, exactly. The Disney connection
truly cemented itself after he interviewed with
the studio in the winter of 2013, submitting
this comprehensive six -song demo package to
Walt Disney Animation Studios. That feels like
a pivotal moment. It does. A chance to align
his unique musical voice with one of the most
iconic storytelling powerhouses in the world.
What's truly fascinating here is the strategic
alignment and how committed he was to these new
projects. This led to him being hired in spring
2014 to help write and perform music for Moana,
the 2016 animated feature. He dedicated himself
so fully to Moana and Hamilton during this period
that he actually turned down other projects.
He later reflected on this, saying that while
Hamilton became this unprecedented hit, Moana
proved to be an ego check because he poured so
much of himself into it simultaneously. Wow,
juggling both at once. Yeah. This dedication
to specific projects, even at the expense of
others, highlights his artistic integrity and
immense work ethic. Moana was a massive box office
hit. Critics widely praise Miranda's songwriting,
recognizing his unique ability to craft memorable,
emotionally resonant songs that beautifully blended
Polynesian cultural elements with contemporary
pop sensibilities. He nailed that blend. He sang
We Know the Way in the film, recorded a duet
with Jordan Fisher for the end credits, and for
the incredibly popular Oscar nominated song How
Far I'll Go. Huge song. He won a Grammy and received
Golden Globe, Critics Choice, and Academy Award.
This partnership with Disney clearly opened up
new avenues for his storytelling, allowing him
to reach a global audience with his distinct
musical voice. The success of Moana proved that
his talent for crafting compelling narratives
through song, rich with character and emotion,
translated beautifully and universally to the
animated film medium. It was a clear demonstration
of his mastery of cross -cultural appeal. You
know how cool is this, while simultaneously working
on Hamilton and Moana? Which is already insane.
Right. Miranda even contributed music for the
Disney -distributed film Star Wars, The Force
Awakens in 2015. Sweet, Star Wars 2. Yeah. Writing
a song for Maz Kanasa's Cantina scene, a deliberate
homage to the classic Maz Isley Cantina. He continued
this playful involvement for The Rise of Skywalker
in 2019, where he also had a delightful cameo
as a resistance trooper. That's amazing. It highlights
his incredible range and the almost playful way
he integrates his diverse talents across different
franchises and genres, often in surprising fan
-pleasing ways. Yeah. It's a surprising fact
many fans might not realize. His involvement
with Star Wars, showcasing his ability to contribute
effectively, even in unexpected roles, behind
the scenes capacities, all while maintaining
this deep love for the material. His Disney work
continued with voice acting. He debuted as the
distinctive voice of Fenton Gizmoduck, Crackshell
Cabrera, in the 2017 reboot of DuckTales. Gizmoduck.
Love that. Bringing his unique vocal energy to
a beloved animated character in May 2018. Then
came a major acting role as Jack, the charming
lamp lighter, in Mary Poppins Returns in 2018.
His first big film role after leaving Hamilton
on Broadway. Exactly. He even traveled to London
to shoot his scenes, fully immersing himself
in the new production. His performance earned
him a Golden Globe nomination. Yeah, and while
some critics noted, you know, maybe an occasional
inconsistency in his talkney accent. Laughs.
A notoriously tricky accent. Right. His performance
was widely praised for its warmth, energy, genuine
charm, demonstrated his capability to command
the screen in a demanding live -action musical.
Definitely held his own. This period illustrates
a significant pivot in his career, moving from
predominantly a stage performer and writer to
a prominent figure in live -action film. His
ability to hold his own alongside seasoned actors
like Emily Blunt was a testament to his talent.
his adaptability across different acting mediums,
further solidifying his status as a multi -talented
force in Hollywood. In July 2018, Imagine Entertainment
announced that Miranda would make his directorial
debut. Ah, stepping behind the camera. With an
adaptation of Jonathan Larson's semi -autobiographical
musical Tick Tick Boom, scripted by Steven Levinson.
This is a deeply personal project for Miranda,
right? A longtime admirer of Larson's work. Absolutely.
This move into directing was a significant evolution
in his career, showcasing his desire to tell
stories from behind the camera and to interpret
the work of another influential musical theater
artist whose own premature death tragically cut
short a brilliant career. The film, which he
also produced, was released on Netflix in 2021.
Met with critical acclaim for its energetic direction,
heartfelt tribute to Larsen's legacy. further
solidifying his multi -faceted talents in the
industry. The same year, he starred as the titular
character, provided 11 original songs, and served
as an executive producer for Vivo. The animated
kinkajou. Yes. The Sony Pictures animation film
released on Netflix in August 2021. The film,
a colorful musical adventure set in Cuba and
Florida, was this heartfelt love letter to Latin
music. It really was. And in a delightful personal
touch, his son, Francisco, is even listening
as a production baby in the credits. Oh, that's
sweet. A heartwarming industry tradition. It
is. And then came in Kanto in November 2021.
He collaborated again with Walt Disney Animation
Studios. And boom, another phenomenon. A massive,
unprecedented global success. The song We Don't
Talk About Bruno just defied all expectations.
Ruz to number one on both the US Billboard Hot
100 and the UK Singles charts. His first number
one song as a writer. Yeah, and a first for Disney
in decades. He also received an Academy Award
nomination for Dos Orguitas, further cementing
his place as a master of contemporary Disney
songwriting. The immense unexpected popularity
of Encanto and Bruno truly demonstrated his universal
appeal, his uncanny knack for crafting songs
that are not only deeply integrated into the
narrative, but also incredibly catchy, resonant
with a global audience. It was everywhere. It
became a genuine cultural phenomenon, dominating
social media, radio waves, highlighted his unparalleled
ability to capture the public's imagination with
his distinct musical voice. Now, the film adaptation
of his first major work in the had a long and
winding journey to the screen. Oh yeah, that
took a while. Announced by Universal way back
in 2008, it was tragically canceled in 2011,
then revived in 2012 with the Weinstein Company,
before rights eventually went to Warner Bros.
for $50 million after the Weinstein allegations.
This complex development really highlights the
inherent challenges and the ethical complexities
of bringing successful Broadway properties to
Hollywood. Absolutely. This prolonged development
saga highlights the tenacity required to see
such a project through, especially with all the
studio changes, the ethical considerations. Miranda,
while originating the iconic role of Usnavi on
stage, felt he was too old for the film version.
Right, he stepped aside. He made the conscious
decision to step aside, instead playing the smaller,
beloved role of Piroguero. the Paragua guy, which
was a beautiful nod to his roots and a way to
pass the torch to a new generation. He beautifully
articulated his decision, too. He said, I went
from substitute teacher to Broadway composer.
I will never make a leap that big again in my
life. I was very content to let Anthony Ramos
and this incredible cast have their own experience.
That's classy. It is. The film was eventually
released in theaters and on HBO Max in June 2021,
finally bringing his first major work to the
big screen for a new generation. His humiliation
His ability and generosity in stepping aside
for a new generation of talent speak volumes
about his character, his focus on the integrity
of the storytelling rather than personal stardom
in every iteration. He wanted the film to be
its own entity, allowing new artists to make
the roles their own, which is a rare and admirable
quality in an industry often driven by ego. His
Disney collaborations continue, showcasing a
lasting partnership. In August 2016, he agreed
to write songs with the legendary Alan Menken.
Ellen Menken, wow. For the live action remake
of The Little Mermaid. And what's deeply personal
and truly delightful here is the connection.
His son, Sebastian, was actually named after
the Jamaican crab from the original Little Mermaid.
Oh, way. Yeah. It was one of Miranda's favorite
films growing up. This personal passion for the
source material clearly drove his involvement.
He and Menken, a living Disney legend, wrote
four new songs for the film, which premiered
in May 2023, bringing new musical life to a cherished
classic while honoring its legacy. That's fantastic.
He's also a longtime fan of The Lion King. Of
course. And started writing songs for the Prinkle
sequel Mufasa, The Lion King, in early 2022.
He even made his first in -person appearance
at a D23 fan event in August 2024 to present
the theatrical trailer for the film. Which is
coming out soon, right? December 2024. Yep, December
2024. So what all this means for us, the audience,
is that Miranda possesses this insatiable creative
hunger, an uncanny ability to translate complex
narratives, historical, fantastical, whatever,
into compelling, catchy, musical, and dramatic
experiences across every imaginable medium. He
really does it all. He's not just a composer
or a writer. He's a true cross -platform storyteller,
constantly pushing the boundaries of what's possible
in entertainment. Television and music, the versatility
continues. Lin -Manuel Miranda's reach extends
deeply into television as well, and it started
earlier than you might think, often in surprising
roles that showcase his versatility. In 2007,
he made a small but memorable appearance on The
Sopranos as a bellman. A bellman on The Sopranos.
That's a fun fact. Indeed, and his early television
forays illustrate his willingness to explore
different mediums without necessarily seeking
the spotlight. He also played Juan Alvi Alvarez,
Gregory House's roommate in a psychiatric hospital
in -house from 2009 to 2010. Oh, I remember that.
Yeah. Beyond dramatic roles, he returned repeatedly
for Sesame Street in various capacities. Playing
roles, even singing the theme song for Murray
Has a Little Lamb, showing his commitment to
educational children's programming. Love that.
He was also a composer and actor on The Electric
Company from 2009 to 2010. These roles, even
minor ones, demonstrate his early willingness
to explore different mediums, lend his talents
to projects he admired and believed in. You might
have spotted him in a 2011 episode of Modern
Family adding his comedic timing to the popular
sitcom. He also had a recurring role as Ruben
Marcato in NBC's medical drama Do No Harm in
2013. Right. And in a unique showcase of his
linguistic talents and quick wit, he even appeared
in an all -verse episode of How I Met Your Mother
in November 2013. The rhyming episode, where
he spoke entirely in rhyme. Exactly. These diverse
roles, sitcoms, medical dramas, experimental
verse episodes, clearly show his adaptability
as an actor, his keen ear for dialogue, regardless
of the format. He wasn't afraid to take on varied
acting challenges, which undoubtedly honed his
performance skills for his later larger roles
and his ability to embody a wide range of characters.
Beyond pure entertainment, Miranda has this remarkable
knack for engaging in socially relevant comedy,
leveraging his platform for advocacy. This was
powerfully seen when he performed that emotional,
passionate rap about the debt crisis in Puerto
Rico on Last Week Tonight with John Oliver. That
was incredible. April. 2016, he truly uses his
art to shed light on important, often complex
issues. This exemplifies his profound ability
to use his platform and artistic skill to highlight
important issues, masterfully balancing entertainment
with crucial advocacy. He leverages his celebrity
to bring attention to causes he deeply cares
about, particularly those affecting Puerto Rico
without sacrificing the quality or impact of
his art. It's a powerful demonstration of engaged
artistry. He also famously hosted Saturday Night
Live in October. Which he crushed. He did. Yeah.
Showcasing his incredible comedic timing, versatility
across live sketches, musical numbers, delivered
a memorable opening monologue. He also had a
standout guest role on Curb Your Enthusiasm in
2017. Oh, the Curb episode was hilarious. He
earned Primetime Emmy nominations for both appearances,
further cementing his status as a multi -talented
performer in television. His voice acting career
also includes memorable characters like Cracker
Jack Sugarman in the critically acclaimed animated
series BoJack Horseman. Such a great, dark role.
Yeah, from 2017 to 2020. And the charming Major
Tom in the popular children's show Bluey in 20
- Showcasing his ability to bring animated characters
to life with distinct personality and humor.
He sang the theme song for the Magic School Bus
rides again. Fun! And guest starred as Amy's
brother, David Santiago, in Brooklyn Nine -Nine
in 2019. Further illustrating his expansive presence
across the television landscape. Beyond acting,
he's also moved into executive producing in television,
demonstrating a deeper, more comprehensive creative
involvement. In 2019, he served as an executive
producer on the FX limited series, Fossa Verdon.
About Bob Foss and Gwen Verdon, great series.
Yeah, he even made a brief but impactful appearance
playing Roy Scheider, the actor from Fossa's
All That Jazz. The series received widespread
critical acclaim, and he was nominated for a
primetime Emmy for his work as an executive producer.
Recognizing his influence behind the camera,
this demonstrates a deeper engagement with the
craft of television, moving beyond performance
to help shape the narrative and production of
projects he believes in. It shows a commitment
to storytelling in all its forms and his ability
to contribute significantly behind the scenes,
offering his expertise and vision to bring complex
stories to life. He took on a significant dramatic
role as Lee Scoresby, the Texan aeronaut and
adventurer in the BBC series adaptation of Philip
Pullman's His Dark Materials. A very different
kind of role for him from 2019 to 2022. Totally.
Critics like Daniel Feinberg of The Hollywood
Reporter praised his performance, noting how
he forced audiences to reconstruct an image of
American manliness around him, making him exactly
what the series needs, offering this fresh, nuanced
take on the character. his willingness to take
on complex, even potentially miscast roles that
challenge audience expectations. It speaks to
his artistic courage and commitment to pushing
himself. Yeah, definitely brave. He doesn't shy
away from characters that require him to stretch
his acting muscles or force audiences to reconsider
their perceptions, which is a hallmark of truly
innovative and fearless artists. In 2019, he
teamed with legendary producer Norman Lear to
make an American Masters documentary about the
iconic Rita Moreno, just a girl who decided to
go for it, premiered at Sundance in 2021. Yeah.
He also collaborated on lyrics for Checks and
Balances for the 2021 Netflix animated civic
series, We the People, continuing his commitment
to educational and culturally significant projects.
Always circling back to that kind of work. Most
recently, you can catch him as Hermes, the witty
messenger of the gods in the Disney Plus series,
Percy Jackson and the Olympians, which premiered
in December 2023. He continues to pop up in projects
that are both high profile and deeply engaging,
showcasing his enduring appeal. His influence
even reaches into the music production world.
He was listed as a producer on the track Peanuts
2 and Elephant from Lil Wayne's 14th solo studio
album, Fy Carter the Six. Lil Wayne. It's unexpected.
A surprising cross -genre collaboration, right?
And he also provided backing vocals for several
tracks on the upcoming 2025 Mountain Goats album
through this fire across from Peter Balkan. Wow,
the Mountain Goats too. Further reinforcing his
versatile musicality and collaborative spirit
across the entire spectrum of music, not just
musical theater or mainstream pop. So what does
this all mean for us, the listener? It means
Miranda has this insatiable creative hunger and
uncanny ability to translate complex narratives,
historical, fantastical, whatever, into compelling
and catchy musical and dramatic experiences across
every imaginable medium. He's truly a creative
force that knows no bounds, constantly seeking
new forms of expression. Activism and personal
connections. A voice for change. Beyond the stage
and screen, Lin -Manuel Miranda's personal life
reveals deeper motivations for his work and activism,
showcasing how his private world profoundly influences
his public contributions. He and his wife, Vanessa
Nadal, actually attended high school together
and married in 2010, a testament to a long -standing
deep connection. And Vanessa Nadal is not just
his wife. She's an accomplished individual in
her own right, graduate of MIT and Fordham University
School of Law, was a lawyer at Jones Day for
six years. Wow, MIT and law school, that's impressive.
That kind of sharp analytical mind must bring
a truly unique grounding and perspective to his
incredibly creative, often whirlwind life. This
partnership clearly grounds him. brings a different,
highly analytical perspective to his life, creating
this powerful balance between artistic inspiration
and practical grounding. And here's a sweet detail
that speaks volumes about their connection. At
their wedding reception, Miranda and the wedding
party performed the beloved Fiddler on the Roof
song to life. Of course they did. This personal
connection to musical theater alongside his wife's
Dominican and Austrian heritage even gave him
some German language familiarity, which unexpectedly
came in handy years later when collaborating
on the German translation of Hamilton. No way.
That's amazing. A wonderful example of how personal
connections, seemingly small details, can serendipitously
inform professional work. They have two sons,
Sebastian, born in 2014, and Francisco, born
in 2018. was actually named after the charming
Jamaican crab from The Little Mermaid, one of
Miranda's all -time favorite films, which, as
we mentioned, famously led to him taking on the
job of composing for its live -action version.
That makes so much sense now. Right. Sebastian
even appeared, in that heartwarming tradition,
in the production baby's credits of Moana, another
film Miranda wrote songs for. Their second son,
Francisco, is similarly listed in the credits
for Vivo. Keeping it in the family. Yeah. Sebastian
is already bilingual in English. in Spanish and
knows some German, demonstrating the rich, multicultural,
multi -linguistic environment they are raised
in, mirroring Miranda's own diverse heritage.
These personal details are invaluable because
they show the deeply intertwined nature of his
family life and his creative work. His children,
his wife, they're not just part of his private
world. They actively inspire and influence his
professional choices, often appearing in subtle
but meaningful ways in his projects. showcasing
a beautiful integration of his personal and professional
worlds. Here's a truly surprising fact. Miranda
discovered he is related to artist Residente
and I of the acclaimed Puerto Rican band Calle
13. Calle 13, wow, how? During a concert in San
Juan, Puerto Rico in 2009 where he was invited
to perform, their mother revealed the connection
to Gilberto Concepcion de Gracia, founder of
the Puerto Rican Independence Party. Whoa. That
highlights the deep cultural and political connections
embedded in his family history, which profoundly
resonates with his own activism. It's not just
a familial tie. It's a connection to a significant
political and cultural lineage within Puerto
Rico, underscoring the long history of advocacy
and artistry in his bloodline. Right. Miranda
and Residante have since collaborated, with Miranda
performing on the opening track of Residante's
self -titled debut album in 2017, further strengthening
those artistic and familial bonds, creating powerful
new music. And in another fun connection to the
world of sports, he's also a cousin of professional
baseball player Jose Miranda. that talent pool
and that family. His family tree is certainly
full of accomplished individuals across various
fields. Beyond his artistic endeavors, Lin -Manuel
Miranda has been a vocal and incredibly active
advocate for Puerto Rico, especially concerning
its persistent debt crisis and the devastating
aftermath of natural disasters. His commitment
to his ancestral home runs deep. It's a defining
aspect of his public persona. After a crucial
meeting with President Barack Obama in March
2016, Miranda joined U .S. Senators Kirsten Gillibrand,
Chuck Schumer, Elizabeth Warren, and other Democratic
lawmakers to call for congressional action on
a bill allowing Puerto Rico to declare bankruptcy.
Which would significantly ease its staggering
$70 billion government debt burden. Yeah. He
powerfully used his voice beyond the stage, publishing
influential articles in The New York Times in
2016. Right, like stop the bots from killing
Broadway and give Puerto Rico its chance to thrive.
the latter directly addressing the island's economic
future with urgency and passion. This was a direct,
powerful use of his platform for tangible policy
change. His activism intensified dramatically
after Hurricane Maria devastated Puerto Rico
in 2017. A terrible time for the island. In a
truly remarkable collective effort, proceeds
from his heartfelt charity single, Almost Like
Praying, which featured this star -studded lineup
of artists from the Latin music world. So many
great artists on that track. Helped the Hispanic
Federation raise an impressive $22 million for
rescue efforts and disaster relief by December
2017. That's substantial impact. This raises
an important question, though. How does one effectively
balance celebrity with the complexities of political
advocacy and disaster relief, navigating potential
pitfalls, ensuring real impact? It's tricky.
Miranda took Hamilton to Puerto Rico in January
2019 specifically to raise money for the island's
reconstruction. channeling at least $15 million
through the Flamboyant Foundation, which he co
-founded. The Miranda family even personally
donated approximately $1 million to upgrade the
University of Puerto Rico Theater. Wow. However,
due to warnings of potential disruptions by a
university workers labor organization, performances
ultimately moved to the Luis A. Ferre Performing
Arts Center, where the production made further
significant improvements. demonstrating their
unwavering commitment and adaptability despite
obstacles and complex local dynamics. His political
involvement wasn't without its challenges or
controversy, though. In 2016, Miranda initially
advocated for the Puerto Rico Oversight Management
and Economic Stability Act, known as PROMESA.
Right. Viewing it at the time as the only bipartisan
option for addressing the dire debt crisis, an
attempt to bring stability. However, the law
Designed to manage the debt led to significant,
deeply painful austerity measures. Over 200 public
schools closed. Terrible. Government labor benefits
were severely reduced. The University of Puerto
Rico faced drastic budget reductions. This sparked
widespread protests, deep resentment, and Miranda,
having publicly supported the bill, became a
target of criticism. Especially when Hamilton
played on the island, right? given the musical's
theme of American history and revolution, which
some viewed with bitter irony in light of Promessa's
impact on their lives. Yeah. What's truly compelling
here is his response to this criticism, his willingness
to engage directly. He met with protesters. They
did. Yeah. Explaining that while he had initially
supported Promessa as a pathway to stability,
he explicitly did not support the subsequent
austerity measures and now believes full debt
relief should be pursued for the island's true
recovery. So he evolved his stance. He openly
acknowledged that the 2016 act hadn't delivered
the promised relief and has since passionately
advocated for full debt relief for the island.
This shows a leader who is willing to listen,
reflect, admit when a policy he supported didn't
achieve its intended positive outcome and adapt
their stance based on real world outcomes and
the lived experiences of the people he champions.
Which is a rare and commendable quality in public
life. His ability to publicly evolve his position,
admit that a policy he supported didn't work
out as intended. especially in such a high -profile
manner. It speaks to a deep sense of accountability
and humility. It adds a crucial layer of depth
to his activism. moving beyond simple advocacy
to a more nuanced, responsive engagement with
complex political realities and the profound
impact of policy on people's lives. His philanthropy
isn't limited to Puerto Rico. It also beautifully
intertwines with the very history that inspired
his greatest work. He uses proceeds from Hamilton
to support Graham Windham, which is a nonprofit
adoption agency originally founded by Elizabeth
Schuyler Hamilton. Eliza herself, the very historical
figure who inspired one of his central characters.
He often performs at their fundraising galas,
providing direct support, bringing his art full
circle. That is a beautiful full circle moment,
directly connecting his art to the historical
figure who inspired it, extending the legacy
of the Schuyler sisters into modern day social
impact. It's a tangible way he ensured the themes
of his work resonate beyond the stage and contribute
to real world change, honoring history through
contemporary. action. He also performed the powerful
song found tonight with fellow Broadway star
Ben Platt at the March for Our Lives anti -gun
violence rally in Washington DC in March 2018
showing his unwavering commitment to broader
social issues that affect communities across
the nation using his voice to amplify calls for
change. A symphony of accolades the weight of
recognition. It's no exaggeration to say Lin
-Manuel Miranda is an award -winning force a
true prodigy of our time. His trophy shelf is,
well, overflowing with some of the most prestigious
honors in arts and entertainment, recognizing
his profound impact across multiple mediums.
We're talking about a Pulitzer Prize for drama,
an incredibly rare and significant honor for
a musical, placing Hamilton alongside literary
classics. He's also garnered five Grammy Awards,
three Tony Awards, two Primetime Emmy Awards,
and two Laurence Olivier Awards. Grimmettish
Tonys. Exactly. And he's been nominated for two
Academy Awards. This breadth of recognition across
theater, music, film, television. It's truly
exceptional. Speaks to his unparalleled versatility
and the consistent quality of his groundbreaking
work. Very few artists achieve that rage. Very
few. Such widespread and deep acclaim across
so many distinct fields. Beyond the competitive
awards, he's received significant special honors
that underscore his broader cultural importance.
In 2015, he was a recipient of a highly prestigious
Genius Grant from the MacArthur Fellows Program.
The Genius Grant. An award given to individuals
who have shown extraordinary originality and
dedication in their creative pursuits. fits him
perfectly. He was rightly included in Time magazine's
annual Time 100 as one of the most influential
people in the world in 2016, a testament to his
global impact. That same year, he received a
star on the Puerto Rico Walk of Fame. Nice. And
in November 2018, he received a star on the iconic
Hollywood Walk of Fame. In December 2018, the
entire Hamilton creative team, Miranda, Cale,
Blankenbuehler, Lacamoire, received the Kennedy
Center Honor. One of the nation's highest awards
for artistic excellence, recognizing their collective
groundbreaking contribution. Yeah. His contributions
have also been recognized by esteemed academic
and cultural institutions. He received Smithsonian
Magazine's American Ingenuity Award in the history
category in 2015. For making history vibrant
and accessible. And the portrait of a nation
prize from the Smithsonian National Portrait
Gallery in 2019, further solidifying his place
in American cultural history as an artist who
has fundamentally shaped the national narrative.
These special honors underscore that his impact
extends far beyond mere entertainment. recognizing
his profound role as a cultural commentator and
innovator, a historian who has fundamentally
reshaped how we engage with narrative and history
in the 21st century. He's also received numerous
honorary doctorates from some of the nations
and the world's most respected institutions.
In 2009, he received an honorary degree from
Yeshiva University, becoming, remarkably, the
youngest person to receive such an honor from
that institution. Wow, youngest ever. He received
a Doctor of Humane Letters from his alma mater,
Wesleyan University, in 2015, where he also delivered
their commencement address, imparting wisdom
and inspiration to a new generation of graduates.
Must have been a great speech. He delivered another
impactful commencement speech in 2016 after receiving
an Honorary Doctorate of the Arts from the University
of Pennsylvania. The University of Puerto Rico
granted him a doctorate, honoris causa, in July
2016. A poignant recognition from his ancestral
home. Definitely. And most recently, July 2022.
He received an honorary doctorate from the Royal
Academy of Music in London, England, highlighting
his international impact and influence on the
global stage. His impact is also profoundly evident
in the commercial success of his music, his cast
albums, consistently topping charts, achieving
unprecedented certifications. The cast album
for In the Heights went gold, which was significant
for a new Broadway musical at the time. But the
Hamilton cast recording truly broke barriers.
Achieve Diamond Certification over 10 million
units sold, and hitting number 2 on the Billboard
200. An astonishing feat for a musical. What's
truly remarkable here is the consistent commercial
success alongside the widespread critical acclaim.
The Moana soundtrack is 5x platinum, hit number
two on the Billboard 200, showcasing its massive
appeal across generations. The Encanto soundtrack
is 2x platinum and hit number one on the Billboard
200 with We Don't Talk About Bruno, becoming
that record -breaking number one single in both
the US and the UK, a phenomenon that captivated
the world. It really did. Even the Hamilton Nix
tape, a collection of songs inspired by the musical,
reached number one on the Billboard 200. And
his singles, like We Know the Way from Moana,
have gone 2x platinum. Almost like praying, his
charity single for Puerto Rico hit number 20
on the Billboard Hot 100. So what does this all
mean for us, the listener? It means his work
isn't just critically acclaimed, it resonates
deeply and broadly with audiences worldwide.
leaving an indelible mark on popular culture
and the music industry itself, constantly redefining
what a successful soundtrack or theatrical album
can achieve. The sheer volume and consistent
high performance of his discography demonstrate
a unique ability to connect with audiences on
a mass scale, transcending genre, age demographics.
His music truly becomes part of the cultural
fabric, a testament to his innate ability to
craft compelling, universally appealing songs
that stick with you long after the curtain falls
or the credits roll. What an incredible journey
we've taken today. From a curious child in Inwood,
with a poet's name inspired by history and hip
hop, to a global cultural force who has seamlessly
blended the worlds of Broadway, Hollywood, and
advocacy. It's quite a trajectory. Lin -Manuel
Miranda is, well, a maestro of modern storytelling.
Demonstrating how diverse influences, relentless
curiosity, and a deep commitment to innovation
can truly revolutionize the creative landscape.
He's redefined what it means to be a modern artist
in like every sense. This deep dive leaves us
with an important question for you, our listener.
In an era of increasing specialization, can Lin
-Manuel Miranda's multifaceted career as a writer,
actor, composer, director, activist be seen as
a blueprint for the modern artist, demonstrating
the power of cross -disciplinary talent? Or is
he a singular phenomenon whose unique blend of
gifts and opportune timing is simply, you know,
unreplicable? That's a great question, something
to chew on. It's a fascinating thought to consider
as you reflect on his incredible impact. We hope
this deep dive gave you a shortcut to being truly
well informed about the incredible world of Lin
-Manuel Miranda. There's so much more to explore
within his expansive body of work. Definitely
dive into the cast albums. Watch his films or
explore the causes he champions. Until next time,
keep exploring, keep questioning, and keep connecting
the dots in the amazing world of knowledge.