WEBVTT

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Welcome back to the Deep Dive. Today, we are

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going to challenge a concept that I think most

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of us, especially in the modern world, sort of

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consider a gold standard. And that is interfaith

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dialogue. Exactly. It's a phrase that sounds

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incredibly civilized, doesn't it? It does. It

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evokes a very specific image. I always picture,

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you know, a round table, maybe a conference center

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somewhere. People from different religions, they're

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all politely nodding at one another. You have

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your tea. I have mine. You stay in your theological

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lane. I stay in mine. And we just agree to be

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nice. Right. It's safe. It's sanitized. It's

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what we call tolerance. But the stack of research

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we are unpacking today suggests that this version

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of dialogue, this polite, guarded exchange, might

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actually be a little superficial. Or at least

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it's not the only way to do it. And for that,

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we're traveling back in time today, about 600

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years, to the Valley of Kashmir. We're going

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to look at a radical experiment in how to bridge

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the gap between two totally different worldviews.

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And the central figure here isn't a diplomat.

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He's a mystic. And he didn't use polite conversation

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to bridge that gap. He used something much, much

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heavier. He used the concept of death. This is

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the Deep Dive on Nandrishi. also known as the

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Elimdar or flag bearer of Kashmir. And we're

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basing this conversation on the fascinating research

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of scholar Abir Bashir Bazaz, specifically his

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work on negative theology. And just to set the

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stakes here. Bazaz's argument is that Nun Rishi

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didn't just preach coexistence. No. He practiced

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interfaith translation. And that is a much messier,

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much more dangerous, and honestly a much more

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effective game than what we usually see today.

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Translation is the key word there. We aren't

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talking about swapping words in a dictionary.

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Not at all. We are talking about translating

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your entire soul into the language of the other.

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So let's set the scene. If we drop into Kashmir

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in the late 1300s. What are we walking into?

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It was a moment of just absolute seismic shifts.

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You have to imagine the ground literally moving

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beneath people's feet. For centuries, Kashmir

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had been this incredible intellectual powerhouse

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of Hinduism, specifically Shaivism and Buddhism,

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a real center of Sanskrit learning. But by the

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14th century, the political structures were collapsing.

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And you have the rise of the Muslim sultanate.

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So the king is now a sultan. The entire political

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order has just flipped. Exactly. And with that

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political flip, you get a new religion. Is Islam

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becoming the dominant political force? But, and

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this is crucial, the research highlights that

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there wasn't just one type of Islam arriving.

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It wasn't a monolith. Right. The sources distinguish

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between the elites and the vernacular. Let's

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start with the elites. Who were they? OK, so

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these were the immigrants. Think Persian Sufis,

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like the Kuberwiyah order. These guys were the

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cosmopolitan intellectuals of the medieval world.

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They came from Central Asia, they spoke Persian,

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and they headed straight for the royal court.

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They were the high church equivalent, if you

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will. So these are the top -down guys. They hang

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out with the sultan, they focus on Islamic la

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shara, and for them, being Muslim is about being

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distinct from the locals. Precisely. Their whole

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project was about boundaries. We are Muslims.

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You are non -Muslims. Here is the line. Cross

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it if you want to be saved, but otherwise, stay

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over there. Yes. They brought a kind of potted

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plant version of Islam, keeping it in the soil

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of Persia, just moving the pot to Kashmir. They

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didn't want to get their hands dirty with the

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local culture. And then on the complete other

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side of the spectrum, you have Nun Rishi. The

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vernacular, the little tradition. Nun Rishi wasn't

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an immigrant. He was born in a village in Kashmir

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around 1378. He didn't hang out in courts. He

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walked the forests. He didn't speak Persian.

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He spoke, and more importantly, he composed poetry

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in Kashmiri. That seems like a small detail.

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But in that context, speaking the local language

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was a political statement, wasn't it? Oh, it

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was a radical claim to authority. By speaking

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Kashmiri, he was saying, God speaks your language,

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too. He established the Rishi Order, which was

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an indigenous Muslim ascetic movement. But, and

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here is the kicker, he's so entangled with the

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local traditions that even today he has two names.

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The Muslims call him Shaikh Lalam, teacher of

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the world, and the Hindus call him Sahazanand,

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the bliss of the natural. There is a legend in

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the source material that just perfectly captures

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this entanglement. It involves Lal Dede, the

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famous Hindu mystic. I think this story really

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sets the tone for everything else. You absolutely

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cannot tell Nun Rishi's story without Lal Dede.

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She was a wandering yogini, a real giant of Kashmiri

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Shaivism. And legend says that when Nun Rishi

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was an infant, he refused to breastfeed. From

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his own mother, yeah. He wouldn't eat. The family

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was distraught. They thought the child was going

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to die. And then Laldeh enters the scene. Right.

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A Hindu ascetic enters a Muslim household. She

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picks up the baby Nun Rishi and whispers to him,

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You are not ashamed to be born, so why are you

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ashamed to drink? And then, in this incredibly

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potent, almost shocking image, she offers him

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her own breast. And he feeds. That is, wow. A

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Hindi yogini literally nursing the future Muslim

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saint of Kashmir. It's so intimate. It's the

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foundational myth of Kashmiri pluralism. It's

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saying that his spiritual DNA, his vitality,

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it flows directly from the Hindu past. He isn't

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erasing the old religion. He is imbibing it.

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He is nourished by it. And this gave him immense

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credibility with the common people. Which brings

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us to this concept of translation. Because Nandrishi

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didn't just borrow milk. He borrowed language.

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Yeah. Bazaaz talks a lot about this term sahaja.

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What does that mean here? Sahaja is a Sanskrit

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word. It means innate or spontaneous. In the

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local spiritual ecology, it meant the truth that

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you were born with something natural, not forced

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by rituals. It's the water, not the bottle. And

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Nun Rishi does something audacious here. He takes

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the Sanskrit concept and applies it to the Quran.

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He calls the Quran the sahaja Quran. Which changes

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everything. If the Quran is sahaja, then it's

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not a foreign import from Arabia. Right. It's

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an awakening of something you already have inside

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you. He's telling the Kashmiri peasant, you don't

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have to become an Arab or a Persian to follow

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this path. This path is already in your blood.

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He even gave the Prophet Muhammad a new title,

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didn't he? He called him the first rishi. That

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is bold. Taking the prophet of Islam and categorizing

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him as a rishi of Vedic sage, that feels like

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it would upset the orthodox elites. Oh, the elites

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hated it. But for the common person, it was a

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masterclass in translation. By calling Muhammad

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a rishi, he validates Islam through the lens

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of the ancestors. It creates a genealogy. It

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does. It says, look, this new message is just

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the latest chapter of our own story. It's interreligious

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entanglement at its best. He's refusing to let

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the religions be separate categories. Okay, so

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he hooks them with the local language and these

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familiar concepts. But once he has their attention,

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the actual message he delivers is, well, it's

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heavy. Yes. This is where we get to the negative

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theology. This is the core of the Zaz's research.

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So why negative? Is he just being pessimistic?

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Is this about being depressed about the world?

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No. Negative here doesn't mean bad or sad. It

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refers to the via negativa, the negative way.

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It's a theological method where you try to understand

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the ultimate reality, God, truth, whatever you

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call it, by stripping away everything that it

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is not. You clear the deck. You clear the deck,

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you negate the finite to find the infinite. And

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for Nun Rishi, the ultimate tool for clearing

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the deck was death. The sources say his poetry

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is obsessed with death and the void shunya. Why

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focus on that? Why not paradise or blessings

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or how great God is? Because blessings and rituals

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divide us. My rituals are better than yours.

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My heaven looks different than yours. My God

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has a beard, yours has many arms. Exactly. But

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death, death is the great equalizer. Nunon Rishi

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realized that if you strip away the labels, Hindu,

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Muslim, Brahmin, outcast what is left, we are

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all temporary. We are all going to die. There

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is this one shruk. That's what his verses are

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called, right? Shruks. Yes. Shruk implies a knot.

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They are like riddles you have to untie. Right.

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They aren't meant to be consumed easily. You

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have to chew on them. So there's this one shirk

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about shop closing. Yeah. It really stuck with

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me because it feels so modern. We're all so busy

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doing our thing. The shop closing metaphor is

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haunting. He compares human life to a bazaar.

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During the day, it's loud. It's busy. People

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are trading, cheating, arguing over prices. It

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feels so important. The hustle. Right. But then.

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Evening comes, the shutters go down, the shopkeepers

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leave, and the marketplace is just empty. Like

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water absorbed by new clay vessels. Yeah. That's

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the line he uses to describe how death takes

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youth. It just sucks it dry. It's about the suddenness

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of the end. He's forcing the listener to confront

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the fact that their business, their ego, their

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status, their religious arguments is all going

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to vanish when the sun sets. But isn't that just

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depressing? Hey, everyone, nothing matters. We're

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all dust. How is that a bridge between people?

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Usually we try to build bridges on hope, not

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despair. That's the genius of it. If we are all

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dust, then why are we fighting? If I admit that

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I am nothing and you admit that you are nothing,

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we suddenly have something profound in common,

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our shared fragility. It levels the playing field.

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It reminds me of that phrase the sources mentioned,

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die before you die. That sounds like a riddle.

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It is, and it's a concept found in both Sufism

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and Buddhism, which Nand Rishi harmonizes perfectly.

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Die before you die means dismantling your ego

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now. While you're alive. Don't wait for physical

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death. Kill your greed, kill your pride, kill

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your tribalism while you are still alive. So

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it's an active process. It's not just waiting

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for the end. Yes. He writes, death is a sweet

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drink without which you shall not heal. Without

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which you shall not heal. That flips the script.

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Usually we think of death as the sickness. He's

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saying the ego is the sickness and the awareness

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of death is the medicine. It's a call to kenosis,

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self -emptying. If you empty yourself of you,

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you make room for the divine. And in that empty

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space, a Hindu and a Muslim can actually meet.

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Because the walls of dogma have been knocked

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down. The walls which are built by the ego, yes.

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Now, this wasn't just mystical navel -gazing,

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though, was it? Bazaz argues that this negative

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theology had real -world political teeth. He

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calls it negative political theology. It was

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incredibly political. You have to remember the

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context. You have sultans building massive monuments

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claiming divine right. You have elites hoarding

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wealth. When Nun Rishi comes along and says,

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all of this is fleeting, the void is coming for

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everything, he is delegitimizing their power.

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It's the ultimate reality check for a dictator.

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You can't really intimidate a guy who's already

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focused on the void. Exactly. There's a poem

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where he describes the palaces of the rich. High

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walls, guarded gates, turning the poor away.

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They look so permanent. Right. But then he fast

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forwards the tape. He says, I saw those same

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palaces in ruins and now people are growing cotton

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over them. Cotton growing over the ruins of the

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palace. That is such a specific, humble image.

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Nature reclaiming the monument. It tells the

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peasant. Don't be intimidated by the sultan.

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His power is dust. And it tells the sultan, watch

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out. It's a critique of power rooted in the apocalypse.

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He also redefines what a true believer is. Yeah.

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And he does it in a way that seems designed to

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bypass the religious gatekeepers. This is the

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poem, He Alone is a True Muslim. Now remember

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the elites. To them, a true Muslim follows Shari,

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wears the right clothes, prays in Arabic. Nandrishi

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says, no. A true Muslim is one who conquers anger,

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one who conquers greed, one who shares his food

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with the hungry. Which are virtues that a Buddhist

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monk or a Hindu peasant would immediately nod

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along with. Exactly. He shifted the definition

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from tribal identity to ethical substance. He

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made it so that a non -Muslim could look at a

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Muslim and recognize shared values rather than

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just seeing a foreign conqueror. I want to go

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back to the poetry itself for a minute. You mentioned

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these are knots. They aren't linear lectures.

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Bazaz highlights a couple of metaphors that are

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really... Well, they're tricky. One is the pomegranate.

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The pomegranate and the fire. It's a complex

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image interpreted by the critic Rahman Rahi.

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Imagine a child who wants to steal pomegranates

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from a tree, but it's dark. Okay. So to see the

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fruit, the child lights a bundle of grass. Okay,

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so he's shedding light on the prize. Makes sense.

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But the fire gets out of control. It threatens

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the whole orchard. And suddenly the child is

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stuck. He has the desire for the fruit, but he's

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created a disaster, and now he's terrified of

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the return journey home. Afraid of the punishment.

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Yes. That feels like a metaphor for everything.

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We want the fruit, money, power, pleasure. We

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burn things down to get it, and then we're left

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staring at the ashes, terrified of the consequences.

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It captures the anxiety of existence. It's not

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a comforting, here's the answer poem. It's a

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poem that forces you to feel the tension between

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your desire and your inevitable end. And then

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there's the crow. That one felt very visual to

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me. The crow shedding its feathers. Imagine a

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bird standing there and all its beautiful plumage,

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the things that let it fly, the things that give

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it shape and identity, just fall off and pile

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up at its feet. That is a stark image. A naked

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bird. It's the shedding of the self. The feathers

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are our pretensions, our titles, our I -ness,

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I -am -that. When you face the truth, the nothing,

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you lose your feathers. And Bazaz calls what's

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left the form of the nothing, Shunyakar. Right.

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Nandrishi says that when life, zoo, and greed

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blob finally the stage, what remains is the form

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of the nothing. It implies that our true reality,

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our sahaja state, is what's left when the frantic

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noise of living stops. It's the silence after

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the song. So bringing this all together, we have

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a mystic who used the local language, bridged

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the gap with Hindu philosophy, and used the terrifying

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reality of death to level the playing field.

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between the powerful and the poor. That's a great

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summary, yes. Why does this matter to us sitting

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here today? We aren't in medieval Kashmir. But

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Bazaz seems to think this Nundurishi model is

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actually urgent for us. It is urgent because

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our current model of tolerance is failing. We

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built a world where we tolerate each other, but

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we don't engage. We just ignore the differences

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to keep the peace. Bazaz calls what Nonarishi

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did interreligious entanglement. Entanglement

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sounds messy. It sounds like something you get

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stuck in. It is messy, and that's the point.

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True pluralism isn't about ignoring differences

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or building walls. It's about being willing to

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translate your sacred concepts into the language

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of your neighbor. Nandrishi wasn't afraid to

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let his Islam be contaminated. And I use that

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word in a positive way, the way a scholar would.

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He wasn't afraid to let it be contaminated by

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the Hindu worldview. He risked his own purity

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to make a connection. Yes. He suggests that if

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we only speak our own theological language, we

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are just shouting into the void. But if we translate,

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if we say, okay, I call it monotheism, you call

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it the void, but let's look at what we both fear.

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Death. Suffering. Fragility. That's where you

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find the connection. That is where you find the

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sahaja, the innate connection. It's moving the

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conversation from my doctrine versus your doctrine

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to we are all in the same sinking boat. Or to

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use Nun Rishi's metaphor, we are all in the same

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shop and the shutters are coming down. So how

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do we want to treat each other in these final

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minutes? That is a powerful question. It shifts

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the stakes completely. It makes kindness urgent.

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It does. It reminds us that religion at its best

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isn't a fortress. It's a bridge. And sometimes

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the only way to cross that bridge is to leave

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your heavy armor, your ego, your rigid definitions

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behind. Bazaz uses a great phrase for this. Apophatic

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boldness. The boldness to speak about what cannot

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be spoken. And the boldness to cross frontiers.

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Nun Rishi negated the power structures of his

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time to open a space where a Hindu yogini could

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be the spiritual mother of a Muslim saint. That

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is a radical act of love. It's much harder than

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just sitting at a conference table sipping tea.

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So here is the challenge for you listening today.

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We often think of understanding someone else

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as learning their facts. Oh, they believe X,

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Y, and Z. But Nun Rishi challenges us to go deeper.

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He challenges us to translate. What would it

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look like for you to translate your core beliefs

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into the language of the person you disagree

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with most? Not to convert them. And not to lose

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yourself. But just to find that innate ground

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beneath all the arguments. If you stripped away

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the labels, the politics, and the jargon, and

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you were both just facing the nothing, what would

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you say to each other then? It's a scary question.

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But as Nandrishi would say, it's a sweet drink

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without which you shall not heal. Couldn't have

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said it better. Thanks for taking this deep dive

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into the mystic world of Kashmir with us. We'll

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catch you on the next one.
