WEBVTT

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If you've ever felt curious about the Quran,

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but didn't quite know where to start, or maybe

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even felt a little intimidated by it, well, you

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are definitely not alone. For most non -Muslims,

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this text is. It's a complete mystery. We really

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only know it through media headlines, through

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conflict. It just feels like this. this black

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box and that anxiety you know when it's coupled

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with a real lack of acquaintance with the actual

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text it just creates the perfect storm for misunderstanding

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right so for this deep dive our mission is really

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to offer you a way past that anxiety we're going

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to use a literary and a historical approach to

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read the quran okay and by doing that we can

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sort of shift it away from the frame of theological

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authority and instead see it as this really sophisticated

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literary text that's part of a much larger shared

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civilization, one that includes the Bible. That

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reframing seems absolutely essential because

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the default way we approach it now is, well,

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it's so frustrating for anyone new to it. We

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kind of assume it has this one simple meaning,

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but then you pick up a translation, you start

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at page one and you are just immediately lost.

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You're immediately lost. And what's so fascinating

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is that the structural problem, and it starts

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right there on page one. The official arrangement

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of the 114 surahs or chapters, well, it puts

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the longest and the latest parts of the text

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right at the very front. The ones dealing with

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all the complex legal issues. Exactly. So reading

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the Quran that way is, and this is not an exaggeration,

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it's like starting a novel by reading the last

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chapter first. It's genuinely confusing. So I

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start at the beginning. I get completely lost

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in these long, dense passages. I can't follow

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the vocabulary or the themes. just give up. And

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that frustration, as the sources talk about,

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it can also feed a much more hostile way of reading,

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too. Oh, it absolutely does. The hostile approach

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is like using a blunt instrument. It's really

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an ignorance multiplier. How so? People will

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take isolated verses completely out of context,

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both their textual context and their historical

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one, give them the most extreme interpretation

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you can imagine, and then claim that over a billion

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Muslims just robotically follow that reading.

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Without any nuance. Without any nuance at all.

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And it produces this massive amount of misinformation,

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but it also completely hides the actual complexity

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and the literary beauty of the text itself. Okay,

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so we need a better tool. For anyone who's genuinely

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curious, what's the solution? You mentioned a

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literary and historical approach from scholars

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like Carl W. Ernst. That's the one. But what

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does that mean in practice? How do we actually

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rearrange the text so that it makes sense? Well,

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the key is the chronological method. We simply

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follow the sequence of delivery. This is based

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on... a structure first proposed by Theodore

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Noldeck about 150 years ago. He organized the

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text into four main periods, the early, middle,

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and later Meccan periods, and then that's followed

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by the Medaman period. That seems like a huge

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project, but I can only imagine that reading

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it that way must reveal these incredible stylistic

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differences that we just... We completely miss

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otherwise. You're right. It reveals a total transformation.

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I mean, in style and in function. The early mechansuras,

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the first ones revealed, are incredibly short,

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rhythmic, really powerful. Almost like poems?

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Very much so. They were really designed for the

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worship services of a very small and very pressured

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community. Think of themes like creation, judgment,

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personal piety. They're meant to be chanted,

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to be felt. And then the metanensuras, the ones

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that came later. That must have been a totally

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different experience for listeners because by

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then, Mohammed had a whole community. Precisely.

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The Medan and Surahs are lengthy. They're much

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more prosaic. And they're dealing with community

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building, with legal questions, with debates,

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with other religious groups, you know, Jews and

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Christians. The text's function literally shifts

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from existential devotion to, well, to a set

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of governing principles for a community trying

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to survive. So seeing it chronologically. isn't

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just a bit of historical trivia it actually shows

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how the text developed over time in constant

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you call it dialogical communication with its

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audience that is the crucial insight yes this

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approach lets you see the different parts of

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the text the short fiery verses versus the long

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legal ones not as contradictions but as tensions

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that are mediated by the structure itself you

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don't have to see them as inconsistencies that

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need to be explained away Explained away by something

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like the doctrine of abrogation. Exactly. Can

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you just unpack abrogation for us really quickly?

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I feel like that's a term that gets thrown around

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a lot, often by hostile critics. Sure. Abrogation

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is a theological idea that developed later on.

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It basically says that if two verses seem to

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contradict each other, the verse that was revealed

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later cancels out or abrogates the earlier one.

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So it's a way to keep the text perfectly consistent.

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It's a theological mechanism for consistency.

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But the chronological reading says, hold on.

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We don't have to cancel anything out. We can

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hold both of these ideas, these different emphases

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in tension and just see them as different stages

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of development. OK, that makes so much sense.

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And that structural discussion, it leads right

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into context. I mean, who were they talking to

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in Medina? The Koran has so often been treated

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as this completely foreign, exotic text in the

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West. Right. But the sources you're drawing from

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show that it's actually deeply, deeply engaged.

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with the religious literature of its time. It's

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aimed at an audience that was keenly aware of

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a huge range of ancient religious writing, especially

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the Bible and the relationship between the Koran

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and the Bible. It's not borrowing or plagiarism,

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which is what you hear from critics. So what

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is it? The scholarly term is prophetic rewriting.

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Prophetic rewriting. What does that actually

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look like? It's the same thing we see happening

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all through the Bible itself. I mean, think about

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the New Testament. It completely rereads the

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Old Testament, right? It finds Christological

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meaning everywhere. And even within the Hebrew

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Bible, a later prophet like Deutero -Isaiah will

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revise earlier prophecy. The Quran is just stepping

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into that existing tradition. It's telling familiar

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stories, Abraham, Moses, Jesus, but it's claiming

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them for new universal monotheistic vision. So

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why did later Muslim traditions seem to downplay

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or disregard those biblical connections? Why

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frame it as something totally separate? That

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really was a conscious theological decision made

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by later authorities. They developed the idea

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that the biblical texts were corrupted. The term

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is tarif. And that provided a really easy way

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to sort of firewall the Quran from earlier scriptures.

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It ensured its own unique final authority. But

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the early text itself tells a different story.

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The early textual evidence shows a deep, deep

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familiarity. So if we look at those Medanin scores,

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you mentioned 3, 4, and 5. What's the specific

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evidence of that familiarity with Christianity

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and Judaism, beyond just mentioning names like

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Jesus and Moses? The evidence is just overwhelming

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that Christians were incredibly important conversation

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partners, maybe even more so than the traditional

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biographies let on. The Quran shows this detailed

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knowledge of the actual ritual performance of

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a Christian worship service. Wait, down to the

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actual prayers? Down to the actual canticles

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used. We see echoes of the Magnificat and the

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Benedictus. These are New Testament psalms. essentially

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being quoted and then revised in Syros 3 and

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5. So the Magnificat, that's Mary's prayer from

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the Gospel of Luke. It is. It's that powerful

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prayer where Mary praises God's power. The Quran

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echoes that feeling, but it transforms her words

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into this much broader proclamation about divine

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favor that goes beyond any one religious community.

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It assumes you know the Christian context, but

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then it gives you a fresh perspective on Jesus

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and Mary. That detail about the canticles. It

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really makes you wonder about the audience in

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Medina. Were the religious lines as sharp back

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then as we imagine them today? Not at all. The

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historical audience, who are called the believers,

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was incredibly fluid. The evidence really supports

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the idea that this community included not just

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converted pagans, but probably Jews and Christians

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as well. We have to be so careful not to project

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our modern, rigid religious identities back onto

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7th century Arabia. Okay, this is already opening

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up so much. But let's shift to another tool,

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one you mentioned that helps unlock the internal

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structure of those long medinansuras, ring composition.

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Yes. Ring composition is an ancient literary

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structure. You find it all across Near Eastern

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literature, including in parts of the Bible.

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It's a symmetrical organization. Symmetrical

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how? A text is built around a central point.

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And the sections leading up to that point are

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mirrored almost exactly by the sections that

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follow it. You can think of it like ABC, then

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you have your main point X, and then this is

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followed by C prime, B prime, A prime. So the

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whole thing is balanced, like looking in a mirror.

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Exactly like a mirror. And once you see that

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symmetry... It gives you a profound insight into

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the meaning, especially in those long, complicated

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surahs. It basically tells you where the author

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has placed the most important points of emphasis.

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The structure itself is the key. So it's a kind

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of interpretive map. The central points have

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priority, and they give you the principles to

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understand all the surrounding statements that

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might seem to conflict. Precisely. When you analyze

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these surahs rhetorically, the most crucial messages...

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They're not at the beginning. They're not at

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the end. They emerge literally at the center.

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The message is structurally embedded. Okay, so

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this is the crucial question. When scholars apply

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this analysis to those final late Medinian surahs,

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the ones with some of the most challenging verses,

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what is the central point that keeps emerging?

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It is the firm articulation of the principle

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of religious pluralism. That is the really stunning

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finding of this kind of structural analysis,

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these broad statements on the fact of religious

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pluralism. They literally hold the central places

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in the final surahs of the Quran. That is a stunning

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claim, especially given how the Quran is so often

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used today to argue for just the opposite, for

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exclusivity. What does that central message actually

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look like in the text? Let's take surah 5. It's

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likely one of the very last revelations the community

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received. And at its rhetorical center, its bullseye,

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you find this declaration. For everyone, we have

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established a law and a way. If God had wished,

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he would have made you a single community, but

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this was so, he might test you regarding what

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he sent you. So strive to be first in good deeds.

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Wow. So religious pluralism is presented as divine

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intention. It's not some unfortunate accident.

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Exactly. And the command, the command isn't to

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convert everyone. It's to compete in ethical

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excellence. That is the core finding. The proper

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response to the diversity that God deliberately

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created is not conflict, but a competition in

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doing good. And reading the Quran this way from

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this literary perspective, it really promises

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to increase communication between people from

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different backgrounds because you recognize the

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central message. Let's meet on the field of ethics.

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So the big takeaway here is that the frustration

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that so many people feel when they first pick

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up the Quran is. It's completely understandable.

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It's almost built into the canonical order. It

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is. But this literary and chronological approach,

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when you pair it with understanding these ancient

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structures like ring composition, it lets you...

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the reader understand the text as it was first

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received right before all the layers of later

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interpretation were added which kind of obscured

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its development and its vibrant dialogue with

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the world around it so the goal of this kind

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of humanistic study is to understand how the

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quran functioned as a literary document in history

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yes and given the quran's explicit central message

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of religious diversity, which is actually quite

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hard to find a direct parallel for in the biblical

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texts it's talking to, it leaves us with a real

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challenge. What does this commitment to ethical

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excellence over uniform belief challenge us to

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consider today about the very nature of Revelation

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itself?
