WEBVTT

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Welcome to the promo playbook, the podcast where

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suppliers come to win in the promotional products

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industry. We're your hosts, Lisa Faustik and

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Adrienne Barker, bringing you insider insights,

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expert strategies, and no fluff advice to help

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suppliers navigate the promo channel like pros.

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From marketing to distributors to mastering software

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onboarding, we cover it all. Whether you're new

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to the industry or ready to scale up, this is

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your playbook for success. Let's get started.

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Hey, everybody. Welcome to this episode of the

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promo playbook podcast. We're so excited today

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to dive into the idea of artwork and using an

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amazing offshore team to provide great quality

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artwork to keep your business moving and running.

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We have a great guest today, Mark from Vector

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Art. Many of our audience may already know Mark

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or already work with Mark. We are big supporters

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of using offshore teams for small and boutique

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or really any supplier of any size to create

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quality artwork. And we're going to dive into

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this topic. But first, I want to let Mark introduce

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himself. Mark. Take it away. Thank you so much,

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Lisa, for giving this opportunity. I'm so overwhelmed

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that you've given me a chance to speak on your

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podcast. Yes, of course, we are in the industry.

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A lot of suppliers distributed to users, 16 years

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in the industry. We serve the top suppliers,

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specialize in network, virtual proof, mock -up

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complex production artwork, order entry, embroidery,

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customer service. We do email campaign and social

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media as well for a larger crew of belt of America.

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Fantastic. Thank you for that background. We

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also have Adrian and Kim on the call today. Hi.

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Hello. Hello. I want to start off by thanking

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you, Mark, for all of the amazing work you guys

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do in promo. Your company has allowed many companies

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and many companies that I've worked with be able

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to function in the industry at a high level.

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Tell us a little bit about your teams. How many

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people do you have working in your office? Where

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are you located? Yeah Sorry, take it away So

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we have 120 people plus members, right? You aren't

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asked me how many people we our headquarters

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in New York My contact center in India the production

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house New York only four people sits the owner

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John Akash who was handling the CFO Me, Rohit

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Jaishwar and Kapil Baloch handle the India Centre

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and then below them there is a 120 people team

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whose artwork, digitize, order entry, sales people,

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everything is banked there at the floor. And

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then doing this for 16 years and I'm loving it,

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loving the spirit, loving the energy of the supplier.

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When I win a sales for him, I love the energy

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and I want to do more, more for him because I

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want him to win more. When he wins, he will help

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me win too. It's a great success story. It's

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a great success story in the industry so to give

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some context to our audience We're going to focus

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mostly today on high quality production art vector

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art and You know as many of our audience may

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know Clients and users send us all kinds of different

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artwork that we need to turn into What used to

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be called camera ready? vector art. And that's

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what our suppliers really need to imprint quality

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imprints, right? So Mark, tell us about some

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of the types of artwork that you receive on a

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daily basis and what your process is to transform

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that art into good artwork for suppliers to be

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able to go ahead and print. Sure, sure Liza.

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So we use Adobe Illustrator. We have a creative

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cloud suite that we use at the floor. Every system

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is having a special software where it's a paid

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organization but nobody's working on a piracy,

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piracy. Plus we have a chat GDP paid version

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to three of them. We have given Envato paid.

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for image, for make the image give motion, let

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the image walk, we use EnvatoPaid. And of course,

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to meet the current trend that people has to

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be AI and use all those tools that is meant to

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use. And of course, using all those tools, I

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have a special team who is very experienced,

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well veteran in the industry. Thanks to the boys

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at Florida doing hard work day and night and

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making every supplier happy there. Excellent.

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Thank you. Thank you. Adrian, do you want to

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share some of your experience using offshore

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teams? I think you can be very successful as

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a supplier using an offshore team. You just have

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to learn a couple of things, right, Mark? So

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let's talk about the communication. So do you

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keep hours same as the USA? Yes, so I work as

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per US time culture. I follow federal holidays.

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Everybody's here does not take a Diwali or Holi

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holiday in India. We take Christmas, Labor Day,

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we take all the federal holidays, Martin Luther

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Day. And accordingly, we wake up at the EST time

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and we go till the California end time. So we

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serve all the four time zones. That's fantastic.

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I think just some of the other things is making

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sure that The artwork is approved right on time.

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And often that's up to the distributor to make

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sure. So if distributors, if you're listening,

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don't be fooling around. Approve that artwork

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as fast as you can. You can hold up your own

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order, which is like just F 'ing crazy. And approve

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the artwork. Don't keep that. Don't keep artwork

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with you. Just send it to the printer. Let it

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print. Send it to the customer. Take feedback.

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Grow, grow, grow. I do think Mark, I think that

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it makes sense for a boutique supplier, a new

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supplier coming in the industry to have the initial

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talk with their supplier of artwork. And the

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reason for that is that you want to get everything

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correctly because, well, at least for me as growing

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up in a distributor, I was taught to read the

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general information, how important that is. And

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still as their distributors out there, they're

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going to go right to that page. They want to

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know. how much proofs charge, how much all of

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that cost is. And so as a supplier, you've got

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to have it down pat and correctly. And so that

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means you've got to really make sure you have

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a signed contract. It's a business partnership.

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So just consider all of that. Thank you, Lisa.

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Yeah, thanks, Adrienne. So process, put a process

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in place, a standard operating procedure for

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how you work with someone like Vector Art. Do

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you have one email that you use for your art?

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I want to bring up. Yes, Mark. We have like six,

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eight mailbox set up in four orders. Art Org

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is a special one. Now other suppliers like NC

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Custom, NC Custom, Gary Line, Bullet Line, they

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have given me a different like vector art at

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bulletline .com. I use the mail set up here.

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All the Art Org comes to like virtual request

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at NC Custom. Lanko has a different address.

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Like these, we have like 120, 124 suppliers email

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address at floor. Bison Coolers. Like on the

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PPR exhibitor, maximum like 40 % are my client.

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Excellent. So your suggestion is have a dedicated

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email address to manage artwork, and I totally

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support that. I think it's a great idea. Kim,

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you want to weigh in on with any tips? Yeah,

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I mean, I think You know, you can't underestimate

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a bad file, artwork file. You know, it might

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look, you know, it looks on your screen, hey,

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I see it, but if you blow it up and it's granular,

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you know, at Quirksicle, not only through the

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promo market, but even retail, I would say 60,

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70 % of the artwork, especially on the retail

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side that came through the door just was not

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It wasn't that dirt. It wasn't high quality.

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If you put it to print, it would be grainy. Nobody

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would be happy. And we used Offshore even as

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a big supplier because our internal team was

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dedicated to new product, our own designs. And

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it takes time to do that. So we did have an Offshore

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supplier that we could send them to for overflow.

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and send back, because you really need to have

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that artwork right. It's also essential, I agree

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with Adrian, collect the information up front.

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If there is a specific PMS color, all of that,

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because there's nothing worse than going back

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and forth, well, that red is a little bit more

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orange than the red that I want. The blue is

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a little off. And now you're on version five

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and you're like, well, do you have the Pantone

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color, the PMS colors? I do. Well, that could

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have saved us one email. Wow. You could have

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asked first time. That's all stuff that I think

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is super helpful. That is what our virtual proof

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template helps you for. Yes. Yes, exactly. Having

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that template. So I think sometimes when we jump

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into it, we don't realize just how critical that

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art quality is. Yes. And it can be a big time

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stock for an internal team too. So I think Mark's

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company or anyone in that space is a great alternative.

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So good, good stuff. So do your homework with

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your client as much as you can, have the brand

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guidelines if you can get them, the PMS color.

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Our industry is fast moving along to digital

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print. And so I want to use this phrase that,

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you know, our industry has used many years, garbage

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in, garbage out. Right. And that has been the

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moniker. But I want to shout out to Vector Art.

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We're working at Granded Treats. We did a lot

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of full -color digital images, which is a trend

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in the industry. And you guys were magicians

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and still are magicians. Not that you want to

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have to redraw our logo or turn it into Vector

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Art. It was you. It was you who got the information

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in place clearly first time. OK, so let's talk

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about Vector Art. You sent to me and I made a

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virtual proof with your brief. You win the customer

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for life It created an impact when the product

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deliver it created a Experience for that customer

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and nobody did anything wrong here So you wanna

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say you want a customer for life? If I would

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have if I go to the first place wrong color bad

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color bad product. You would have lost a sale

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So branded treats was so grateful for that support

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and what? Mark is referencing for our audiences.

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We created an SOP brief training brief for branded

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treats artwork because it was out of the norm

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of the regular, you know, EPS file type of deal.

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And we worked together to get a training document

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created. I give a shout out to Nicole Blanchard,

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who really drove the production and really nailed

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the details. And Mark's team was incredible at

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following that brief. So for the audience, take

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the time to train your team. and then get over

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to Mark what your high points are and what his

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team needs to do to get that artwork just right

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for the types of printing processes that you

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use, whether that's laser, full color digital,

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traditional screen printing. You know, our industry

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runs the gamut these days in terms of weight.

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Every supplier has a guidelines laser. artwork

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guidelines and we follow that art line guidelines

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for every other supplier we first when we close

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the process we ask him your guidelines like we

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ask your brand guidelines first day we went and

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not every new supplier has that yet mark we can

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make a custom guideline for you if you give me

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information fabulous that's great great to hear

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so um let's talk a little bit about um Making

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money on artwork because I think what we're hearing

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in this segment is it is an effort art, you know

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time effort goes into it and even though offshore

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teams are relatively inexpensive compared to

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other resources like a traditional graphic designer

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for this type of artwork Suppliers, it's okay

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to make money on the artwork. So right in When

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you say offshore, pros and cons, if I can explain

00:13:22.210 --> 00:13:24.649
on this podcast today. Okay, take it away, Matt.

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Pros are cost -effective solutions for your high

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-volume artwork production. Flexible, scalable

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workflows across time zones, if you'd ask me,

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vector out experience. Enabling 24 -hour productivity.

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Experienced designer for both standard and complex

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artwork and every possible thing. Cons are initial

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learning curve for complex creative briefs when

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I make custom presentation become challenge sometime.

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Require structure, template and clear communication,

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fully captured design intent. Like I've covered

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virtual proof, I've covered logo, everything,

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but when it comes to custom presentation to win

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a sale, that has to be defined. That becomes

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a challenge, but however, you're working on it

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and you'll be over with it and you'll still see

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us making more and more presentation for suppliers

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to help them win sales. Fantastic. Thank you.

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Adrian, did you want to comment? No, I think

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that is really great information. And just repeating

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again, suppliers, don't wait for your first order.

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And now you got to worry about the artwork. It

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should be immediately as you're setting up your

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business, you get your art department set up.

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And vector art can be your art department. Train

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your internal folks. Yes. Help train vector art.

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And Mark is a great resource to help you do that,

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set up your training. I could be your power.

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If you're a supplier, I am your power. Love that.

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And you are. You are. I've had awesome, amazing

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experiences with your team. Thank you. Thank

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you, Leela. So we talked about a lot of things.

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We do want to touch on other, I guess I would

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call them, artwork tools or programs that you

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can use like Canva, for example, where, you know,

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a lot of suppliers and distributors go into Canva,

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which is an amazing tool, by the way, to do designs,

00:15:21.259 --> 00:15:23.840
create flyers and things like that. But what

00:15:23.840 --> 00:15:28.200
Canva doesn't do is create vector art. So that's

00:15:28.200 --> 00:15:31.639
where you still need a company like Vector Art

00:15:31.639 --> 00:15:36.940
to flip your designs and concepts and things

00:15:36.940 --> 00:15:40.480
into artwork that suppliers can actually use.

00:15:52.059 --> 00:15:54.899
It's a good tool for other things, let's say

00:15:54.899 --> 00:15:58.200
that. And let's talk about storage of art, Mark.

00:15:58.340 --> 00:16:01.320
It is storage. I'm using Google Drive. I have

00:16:01.320 --> 00:16:03.919
a 10 terabyte Google Drive. I have a server room

00:16:03.919 --> 00:16:08.340
here. I have a cloud network for saving files

00:16:08.340 --> 00:16:10.919
for my people who's working from home. And yes,

00:16:10.919 --> 00:16:12.820
of course, for my clients, when I use Google

00:16:12.820 --> 00:16:15.320
Drive, it's more safe and secure, no? And the

00:16:15.320 --> 00:16:19.500
cloud is more better. So if a supplier or a distributor,

00:16:19.700 --> 00:16:22.039
we're focusing on suppliers, but distributors

00:16:22.039 --> 00:16:25.500
absolutely can use your services as well. Yes.

00:16:25.799 --> 00:16:30.350
You offer storage. as part of your package, so

00:16:30.350 --> 00:16:33.450
a supplier or distributor doesn't have to have

00:16:33.450 --> 00:16:36.929
separate storage for the art files. I can give

00:16:36.929 --> 00:16:40.210
you a login of partnerproof .com, make a login

00:16:40.210 --> 00:16:43.009
ID for you where you can go upload artwork, see

00:16:43.009 --> 00:16:45.470
your artwork, five, six years, 10 years, your

00:16:45.470 --> 00:16:48.309
data is just there. Okay, cool. And you're not

00:16:48.309 --> 00:16:51.370
paying me for that space. You're paying me only

00:16:51.370 --> 00:16:55.009
for the artwork. So you can have redundancy,

00:16:55.049 --> 00:16:57.610
you can have your own storage, your own way of

00:16:57.610 --> 00:17:00.250
storing, whether that's with NetSuite, Dropbox,

00:17:00.409 --> 00:17:03.389
WeTransfer. There's lots of services, Google

00:17:03.389 --> 00:17:06.829
Drive, as Mark mentioned. And then you can also

00:17:06.829 --> 00:17:10.210
have it stored with VectorArt. So then you have

00:17:10.210 --> 00:17:12.769
redundancy there, which I think is fabulous.

00:17:14.430 --> 00:17:18.509
So what am I missing? Language barrier. Oh, Adrienne?

00:17:19.009 --> 00:17:21.450
I was just going to say. It's not just like the

00:17:21.450 --> 00:17:23.210
storing of artwork, right? Like if I'm going

00:17:23.210 --> 00:17:26.190
to pull up a piece that was a reorder from two

00:17:26.190 --> 00:17:29.250
years ago, it also, and Mark, I'm sure you have

00:17:29.250 --> 00:17:31.150
it, you know, that piece of artwork would have

00:17:31.150 --> 00:17:34.349
on it the PMS colors that were used, right? Any

00:17:34.349 --> 00:17:36.730
other breakdown of information. So this is why

00:17:36.730 --> 00:17:40.170
I just want to say suppliers, if you're not understanding

00:17:40.170 --> 00:17:42.529
what that means, like artwork, it's not just

00:17:42.529 --> 00:17:46.230
taking that PDF or that EPS vector file and saving

00:17:46.230 --> 00:17:49.029
as is, make sure you've got the information you

00:17:49.029 --> 00:17:52.299
need. along with it and also mark saving any

00:17:52.299 --> 00:17:55.400
of the proofs too so that the approved proofs

00:17:55.400 --> 00:17:57.660
at the end so that there's a visual i think that's

00:17:57.660 --> 00:18:00.839
really important because a lot of a lot of times

00:18:00.839 --> 00:18:02.900
when suppliers are making mistakes they're making

00:18:02.900 --> 00:18:05.880
mistakes on repeat orders when repeat artwork

00:18:05.880 --> 00:18:08.920
is pulled or the request is repeat artwork but

00:18:08.920 --> 00:18:11.380
change the date you know change the year or something

00:18:11.380 --> 00:18:15.160
like that so it's you know don't just think it's

00:18:15.160 --> 00:18:19.019
all up uh suppliers to to market vector art You

00:18:19.019 --> 00:18:21.220
have to take some of that yourself and make sure

00:18:21.220 --> 00:18:25.859
that your stories you did your own company to

00:18:25.859 --> 00:18:28.599
And one thing lisa I know we talked about before

00:18:28.599 --> 00:18:31.079
we jump on to the next topic to circle back on

00:18:31.079 --> 00:18:34.799
the make money on artwork Yeah, um, and you know,

00:18:35.039 --> 00:18:38.940
so we started I was avoiding this topic Yeah,

00:18:38.940 --> 00:18:42.359
well now it's more it's more not on your end.

00:18:42.359 --> 00:18:46.259
It's just more for the for the suppliers It's

00:18:46.259 --> 00:18:49.339
not a typical, like it is common for people to

00:18:49.339 --> 00:18:53.380
charge an artwork fee. So you don't have, it

00:18:53.380 --> 00:18:55.200
doesn't have to be apples to apples. Like you

00:18:55.200 --> 00:18:58.079
can do a slight markup on that and actually be

00:18:58.079 --> 00:19:01.539
part of your profit center. So, you know, don't

00:19:01.539 --> 00:19:04.140
look at, oh, I don't know that I have, I can

00:19:04.140 --> 00:19:08.660
afford to continually send my artwork out at,

00:19:08.799 --> 00:19:10.980
you know, cause I may get a bill, it's invoice

00:19:10.980 --> 00:19:12.859
to the end of the month for the a hundred logos

00:19:12.859 --> 00:19:16.140
that got done. you should be recouping that money,

00:19:16.440 --> 00:19:19.680
either a part, you know, built in to your pricing

00:19:19.680 --> 00:19:23.119
structure or as a separate charge. And there's

00:19:23.119 --> 00:19:25.779
an opportunity to, you know, add a couple bucks

00:19:25.779 --> 00:19:28.599
on top of that. So just something I wanted to

00:19:28.599 --> 00:19:31.740
just circle back on so we didn't lose sight on.

00:19:31.839 --> 00:19:33.740
You're like, hey, someone listening just might

00:19:33.740 --> 00:19:36.960
be thinking expense, expense, expense, expense.

00:19:37.779 --> 00:19:40.539
The reality is you should be recouping it in...

00:19:40.720 --> 00:19:44.059
you know, one of many different ways. So don't

00:19:44.059 --> 00:19:47.339
be shy in doing that. Of course. Thank you. Thank

00:19:47.339 --> 00:19:50.299
you for bringing that up. Great point. And you

00:19:50.299 --> 00:19:52.819
can wrap that into a setup fee. As Kim said,

00:19:52.880 --> 00:19:55.400
you can have it as a separate charge. And then

00:19:55.400 --> 00:19:58.720
you can decide to not charge for it if it's appropriate.

00:19:58.839 --> 00:20:01.140
So it just depends on what type of arrangement

00:20:01.140 --> 00:20:03.759
you might have with Vector Art. I know they can

00:20:03.759 --> 00:20:07.240
charge by the job. They can do a monthly charge.

00:20:07.339 --> 00:20:10.240
So there's different ways you can set up your

00:20:10.240 --> 00:20:14.720
finance stream with Vector Art. So all really

00:20:14.720 --> 00:20:18.579
good stuff. Just to sort of give our audience,

00:20:18.779 --> 00:20:21.839
you know, the workflow is really art comes in

00:20:21.839 --> 00:20:24.910
from your end user. goes to the distributor,

00:20:25.329 --> 00:20:29.069
then goes to the supplier. And in between there,

00:20:29.309 --> 00:20:31.710
it goes from the distributor back to the end

00:20:31.710 --> 00:20:35.269
user for approval before it goes to the supplier.

00:20:35.390 --> 00:20:37.869
And then the supplier has an approval process.

00:20:38.410 --> 00:20:41.029
So there's a couple of steps in the workflow.

00:20:41.529 --> 00:20:44.750
So make sure your team is dialed into how your

00:20:44.750 --> 00:20:48.549
workflow is going to work with Vector Art. and

00:20:48.549 --> 00:20:50.990
how you're gonna handle the back and forth. And

00:20:50.990 --> 00:20:54.970
I do wanna mention with any communication related

00:20:54.970 --> 00:20:59.109
to orders, document the communication in your

00:20:59.109 --> 00:21:01.609
system. However you do that, whether you do it

00:21:01.609 --> 00:21:03.730
in your order management system, whether you

00:21:03.730 --> 00:21:06.950
do it through email chains, it's important to

00:21:06.950 --> 00:21:11.029
document the communication. So if in this situation

00:21:11.029 --> 00:21:13.529
occasionally where something might go wrong,

00:21:13.549 --> 00:21:16.049
you can look back and see where you were off

00:21:16.049 --> 00:21:18.950
track and you can fix it. Mark, I see you want

00:21:18.950 --> 00:21:22.710
to jump in there. No, so I was just visiting

00:21:22.710 --> 00:21:24.930
around. I was saying, you just said some time

00:21:24.930 --> 00:21:28.130
back, language and availability. So I want to

00:21:28.130 --> 00:21:30.970
clear that point about language. Thank you, Mark.

00:21:31.490 --> 00:21:34.750
Yeah. Our team communicates effectively in English

00:21:34.750 --> 00:21:38.710
and is trained to interrupt creative instructions

00:21:38.710 --> 00:21:42.539
accurately. We maintain 24 -hour availability

00:21:42.539 --> 00:21:46.079
for creative jobs, virtual proof 15 minutes,

00:21:46.420 --> 00:21:49.619
raster vector one hour. We maintain 24 -hour

00:21:49.619 --> 00:21:52.359
availability, ensuring prompt turnaround, urgent

00:21:52.359 --> 00:21:54.619
projects, and seamless collaboration with client

00:21:54.619 --> 00:22:03.549
in multiple regions. some reluctance to try an

00:22:03.549 --> 00:22:06.710
offshore team. We hope this segment puts that

00:22:06.710 --> 00:22:09.630
to rest. You can see that Mark's organization

00:22:09.630 --> 00:22:12.529
and there are other organizations. Sorry, Mark.

00:22:12.529 --> 00:22:15.950
I'm going to mention Office Beacon, DCX. There's

00:22:15.950 --> 00:22:20.269
other resources out there. There is Philippines,

00:22:20.650 --> 00:22:23.630
there is Bangladesh, Pakistan, there is Dubai,

00:22:23.930 --> 00:22:28.170
there's Nepal. Oh, come on, Lisa. There is competition

00:22:28.170 --> 00:22:33.910
everywhere. Who does fast, who understands you,

00:22:34.009 --> 00:22:36.269
who understands your language, who understands

00:22:36.269 --> 00:22:40.250
your speed is your right partner. Agreed, agreed.

00:22:40.269 --> 00:22:42.809
You find the right partner for your organization.

00:22:43.769 --> 00:22:46.069
And, you know, we have Mark on today because

00:22:46.069 --> 00:22:49.089
we have had experience with him and his team

00:22:49.089 --> 00:22:53.259
is unbelievable. If we put these processes in

00:22:53.259 --> 00:22:56.960
place and we follow some training, we give good

00:22:56.960 --> 00:23:00.420
creative briefs, we're clear communication, we

00:23:00.420 --> 00:23:04.059
have reasonable expectations. This can all work

00:23:04.059 --> 00:23:06.680
beautifully, especially for a small supplier

00:23:06.680 --> 00:23:10.539
just starting out. It gives you a leg up and

00:23:10.539 --> 00:23:15.880
helps you really jumpstart your company. So we

00:23:15.880 --> 00:23:19.430
have a few minutes left. Mark, can you talk a

00:23:19.430 --> 00:23:22.970
little bit about your expanded services beyond

00:23:22.970 --> 00:23:26.609
traditional, what I call production art? What

00:23:26.609 --> 00:23:29.230
are the other services that you offer? That's

00:23:29.230 --> 00:23:30.769
what I said at the start of the call that we

00:23:30.769 --> 00:23:33.210
not only do offshore, offshore artwork, virtual

00:23:33.210 --> 00:23:36.549
proof, embroidery. We have come up with customer

00:23:36.549 --> 00:23:39.869
service sales, email setup, handling your customer

00:23:39.869 --> 00:23:44.609
care email box here. Doing the social media posting

00:23:44.609 --> 00:23:48.430
for you, doing the email blast for you. and you're

00:23:48.430 --> 00:23:50.970
busy doing exhibitions. The supplier, owner,

00:23:51.170 --> 00:23:53.490
president is traveling doing exhibitions. I am

00:23:53.490 --> 00:23:56.329
posting this for him on his tools. I have all

00:23:56.329 --> 00:23:58.569
the credentials for him. Like I mentioned before,

00:23:58.869 --> 00:24:03.089
the pen guy in Perumahal. Toro Tent, my super

00:24:03.089 --> 00:24:05.589
one, which I do every year, every day two posts.

00:24:07.029 --> 00:24:09.970
In a week, one video to JPG. Federal Holidays

00:24:09.970 --> 00:24:14.210
goes as a package. So for our audience, you can

00:24:14.210 --> 00:24:18.299
also have a marketing arm. with vector art. So

00:24:18.299 --> 00:24:21.279
for Lisa and other people who are listening to

00:24:21.279 --> 00:24:26.200
this podcast, $100 a month. Let's start. Wow.

00:24:26.279 --> 00:24:30.440
So that's a great deal. Check out Vector Art.

00:24:30.519 --> 00:24:35.299
He'll be at PPAI. He'll be at ASI Orlando. If

00:24:35.299 --> 00:24:38.200
anyone in the audience has questions about offshore

00:24:38.200 --> 00:24:41.339
support, any one of us on the podcast is happy

00:24:41.339 --> 00:24:45.660
to dive into that with you. And we all have worked

00:24:45.660 --> 00:24:48.480
with other offshore teams. They're all good.

00:24:49.519 --> 00:24:52.319
Many of them are great in many different ways,

00:24:52.559 --> 00:24:55.670
but, you know, Mark is a favorite. So we wanted

00:24:55.670 --> 00:24:57.630
to have him on the podcast today. Thank you.

00:24:57.630 --> 00:24:59.690
Thank you, Lisa, for building this relationship

00:24:59.690 --> 00:25:02.210
over the years. And you have seen success. We

00:25:02.210 --> 00:25:04.589
have worked together, not one, two projects over

00:25:04.589 --> 00:25:07.009
a couple of years, years, years. And we met.

00:25:07.349 --> 00:25:09.509
We know each other. You've seen our aura on the

00:25:09.509 --> 00:25:11.990
floor. And I'm sure you've seen the aura of others,

00:25:11.990 --> 00:25:15.730
other competitors as well. But God grace, customer

00:25:15.730 --> 00:25:19.009
love working like how you made me favorite. Others

00:25:19.009 --> 00:25:21.470
also have been made me favorite. They loved me

00:25:21.470 --> 00:25:24.029
hard working for you. And I mean, same for you,

00:25:24.109 --> 00:25:28.410
I work for them as well. The love is built. Yes,

00:25:28.410 --> 00:25:31.049
you have supported many, many companies in promo

00:25:31.049 --> 00:25:36.569
and helped them be successful. So any last comments,

00:25:36.750 --> 00:25:39.630
Adrian and Kim, before we wrap up this topic?

00:25:41.089 --> 00:25:44.049
I just want to say, Mark, I love what you said

00:25:44.049 --> 00:25:47.210
and I love the saying, you know, I will work

00:25:47.210 --> 00:25:51.019
at your speed. I think that is great. I also

00:25:51.019 --> 00:25:54.119
have a lot of respect for artists because I am,

00:25:54.440 --> 00:25:57.019
I don't have the talent and I recognize that

00:25:57.019 --> 00:25:59.819
at an early age, it's a talent. It's not anyone

00:25:59.819 --> 00:26:03.220
can just hop on a platform and create artwork.

00:26:03.559 --> 00:26:05.859
You really have to have an eye for it. And there's

00:26:05.859 --> 00:26:10.700
a difference between artwork and wow, that is

00:26:10.700 --> 00:26:14.660
some pen or that is some product, right? So thank

00:26:14.660 --> 00:26:17.079
you, Mark. I really, Lisa, awesome job with all

00:26:17.079 --> 00:26:19.720
the questions. Thank you so much, all you guys,

00:26:19.799 --> 00:26:23.519
making it happen. And the audience listening

00:26:23.519 --> 00:26:26.559
this, availing the social media offer, saying

00:26:26.559 --> 00:26:34.279
that I heard it on Lisa's podcast. Oh. No, I'm

00:26:34.279 --> 00:26:39.079
good. You know, vector art is always scary and

00:26:39.079 --> 00:26:43.059
artwork in general, but it is really the linchpin

00:26:43.059 --> 00:26:46.640
of what we do. Right. Everything has artwork

00:26:46.640 --> 00:26:50.329
on it. 90 percent of workers out the door. It's

00:26:50.329 --> 00:26:52.990
just a nice easy way not to have to stress over

00:26:52.990 --> 00:26:56.750
it and to make sure your customers are happy.

00:26:58.210 --> 00:27:02.730
Kim, I love the way you end and encapsulate with

00:27:02.730 --> 00:27:06.569
such an important statement, which is, our work

00:27:06.569 --> 00:27:10.390
powers the industry. Don't diminish the importance

00:27:10.390 --> 00:27:13.910
of it. It really is make or break for your company,

00:27:14.250 --> 00:27:17.269
for your distributors, for end users. We cannot

00:27:17.269 --> 00:27:20.450
overstate the importance of having a strong partner

00:27:20.450 --> 00:27:24.390
that can do the artwork correctly. I'd like to

00:27:24.390 --> 00:27:27.529
say to everyone listening, happy holidays, whatever

00:27:27.529 --> 00:27:30.680
you celebrate. You know, have some light and

00:27:30.680 --> 00:27:33.980
hope in your world. We're so grateful that you

00:27:33.980 --> 00:27:37.119
are listeners to our podcast and we look forward

00:27:37.119 --> 00:27:41.940
to PPAI and Beyond in 2026. So stay successful.

00:27:42.339 --> 00:27:45.839
Don't give up. Keep working hard. It's all good

00:27:45.839 --> 00:27:49.460
stuff. Thank you. Thank you. See you next time.

00:27:49.839 --> 00:27:53.119
See you next time. Thank you all. Bye bye. It

00:27:53.119 --> 00:27:56.400
was great. It's a recorded set, right? You guys

00:27:56.400 --> 00:28:00.660
will do the editing, right? So we have an editor

00:28:00.660 --> 00:28:03.940
and it's um, not as like wild as yours We have

00:28:03.940 --> 00:28:06.980
a nice intro and then we have an outro that is

00:28:06.980 --> 00:28:09.920
pre -recorded Uh and and you know, but we don't

00:28:09.920 --> 00:28:12.039
do it. This is not on video, but i'm just thinking

00:28:12.039 --> 00:28:16.140
because I think we have Maybe 15 20 episodes.

00:28:16.359 --> 00:28:18.859
So if we and I don't think we're recording now

00:28:18.859 --> 00:28:21.420
till the beginning of the year or whatever kim

00:28:21.420 --> 00:28:25.440
does Yeah, jan jan and I yeah January 9th, we

00:28:25.440 --> 00:28:28.000
do have a recording on the 9th. And then, yes,

00:28:28.099 --> 00:28:34.200
I will be on the street at PPAI. Are you doing

00:28:34.200 --> 00:28:37.119
anything in PPAI, guys? I'm going to be walking

00:28:37.119 --> 00:28:40.859
the show floor and doing some on -the -spot interviews

00:28:40.859 --> 00:28:44.240
and stuff like that. Do stop by my booth also.

00:28:44.359 --> 00:28:48.460
Let's do a podcast with Lisa. Adrian is not coming.

00:28:48.640 --> 00:28:52.000
Lisa and you at the booth. We plan three questions.

00:28:52.299 --> 00:28:55.660
We record. I send it to my team. And we do a,

00:28:55.660 --> 00:28:57.460
that's what I was discussing with Lisa the other

00:28:57.460 --> 00:29:00.359
day on the call. Yeah. Well, at least then I

00:29:00.359 --> 00:29:02.259
can hook up and we can figure that out when we're

00:29:02.259 --> 00:29:05.309
there. Super, super. I make a note of it. I'll

00:29:05.309 --> 00:29:07.789
cook around the content, make questions too for

00:29:07.789 --> 00:29:10.430
Lisa, too for Kim, add the PPI floor, add the

00:29:10.430 --> 00:29:14.309
vector art booth and release the same day. I

00:29:14.309 --> 00:29:17.190
love it. I love it. Lisa and Kim, we will, I'm

00:29:17.190 --> 00:29:19.029
going to go back and make sure all the episodes

00:29:19.029 --> 00:29:21.950
are not how I have them and then so that they

00:29:21.950 --> 00:29:24.029
all go in order. Because I do think we have,

00:29:24.069 --> 00:29:27.809
we have about 15, 20. So if you pull or think

00:29:27.809 --> 00:29:31.410
- Do I have that many? Damn, we're good. I'm

00:29:31.410 --> 00:29:35.509
just thinking, because if we can have the book

00:29:35.509 --> 00:29:41.170
in early spring, that would be amazing. But the

00:29:41.170 --> 00:29:43.349
only thing I would say is to look at what pieces

00:29:43.349 --> 00:29:46.029
are missing. So maybe match it up to your own

00:29:46.029 --> 00:29:48.410
playbook that you have, and then what pieces

00:29:48.410 --> 00:29:51.029
you think you can have a little piece of it.

00:29:51.329 --> 00:29:55.440
Yeah, that's a good call. Amazing. And this way

00:29:55.440 --> 00:29:58.220
it's the end of season once i'll get this produced

00:29:58.220 --> 00:30:01.240
and out and then we then it's it's a normal But

00:30:01.240 --> 00:30:03.180
yeah, let me look really quickly. I'm just going

00:30:03.180 --> 00:30:08.240
to search it by um Bye But no, we're not doing

00:30:08.240 --> 00:30:10.740
like what you're doing mark with a lot of your

00:30:10.740 --> 00:30:14.420
um You had a lot of you know editing going on

00:30:14.420 --> 00:30:19.380
yeah We're more kind of like a uh around the

00:30:19.380 --> 00:30:23.619
you know table or our living room That was kind

00:30:23.619 --> 00:30:26.839
of like the flow that we have so I say one two

00:30:26.839 --> 00:30:33.119
by your side chat By your side chat, let's do

00:30:33.119 --> 00:30:36.960
that. I like your hat stay classy That is the

00:30:36.960 --> 00:30:40.299
supplier from PPI. I bought it. I saw it. I bought

00:30:40.299 --> 00:30:45.000
it from him. Can I buy these? That's funny 16

00:30:45.000 --> 00:30:49.460
episodes and that is actually three months. So

00:30:49.460 --> 00:30:52.490
that is definitely considered a season Some people

00:30:52.490 --> 00:30:56.670
do 10, 10 episodes a season. So we start. What

00:30:56.670 --> 00:31:00.650
was that? I also do 10 episodes a season. Well,

00:31:00.789 --> 00:31:04.009
episodes. That's awesome. Oh, I'm really excited.

00:31:04.390 --> 00:31:06.829
OK, this is a great one. This was this was great.

00:31:07.569 --> 00:31:10.009
So, Mark, where do we listen to your podcast?

00:31:11.369 --> 00:31:17.769
Oh, I'll give you a link here. I listened to

00:31:17.769 --> 00:31:22.240
me last night. Did you? Yeah, first I was like,

00:31:22.420 --> 00:31:26.000
when did we record it? I had to go back. We recorded

00:31:26.000 --> 00:31:31.000
it October 25th, because honestly, what has transpired

00:31:31.000 --> 00:31:33.400
from just that? I just gave you the link in here,

00:31:33.480 --> 00:31:36.539
in Chelsea. Oh, thank you. What transpired was

00:31:36.539 --> 00:31:39.559
a lot. I was like, wow, OK. What I was talking

00:31:39.559 --> 00:31:43.099
about, even back October 25th, has changed from

00:31:43.099 --> 00:31:46.599
right now. So this is great. I was putting the

00:31:46.599 --> 00:31:51.339
industry forward. I'm excited to listen to it.

00:31:51.700 --> 00:31:53.740
Super, super. And I'm going to make a trailer

00:31:53.740 --> 00:31:56.640
promo of this podcast that I did with you guys.

00:31:56.740 --> 00:31:59.119
I've recorded from my phone that I'm fidgeting

00:31:59.119 --> 00:32:03.240
around with my phone here or there. And that's

00:32:03.240 --> 00:32:05.220
why I was asking permission for Adrian to record

00:32:05.220 --> 00:32:08.200
so I can give this content to my editor and ask

00:32:08.200 --> 00:32:10.319
him to make a trailer or, you know, something

00:32:10.319 --> 00:32:12.539
is coming up, something is coming up. Oh, yeah.

00:32:12.799 --> 00:32:15.259
Well, I mean, it just so happens I literally

00:32:15.259 --> 00:32:17.420
woke up. Looked in the bag. I like I thought

00:32:17.420 --> 00:32:20.420
I was gonna look horrible. I I woke up at 855

00:32:20.420 --> 00:32:23.799
After tax ran to the bathroom and I said to my

00:32:23.799 --> 00:32:26.000
husband I go, oh my god, I actually look okay.

00:32:26.240 --> 00:32:29.700
I don't mean that's a weirdest thing So it is

00:32:29.700 --> 00:32:31.559
I colored my hair purple the other night. So

00:32:31.559 --> 00:32:36.460
a little purple tip So Lisa and Kim before we

00:32:36.460 --> 00:32:39.099
go I just want to um, I want to put this in your

00:32:39.099 --> 00:32:44.079
ear and I want to I'm thinking that next that

00:32:44.079 --> 00:32:47.579
maybe we do the promo supplier playbook summit

00:32:47.579 --> 00:32:51.799
and come up with. And since I've been doing this,

00:32:51.819 --> 00:32:54.559
I'm almost like just it just goes so smoothly,

00:32:54.559 --> 00:32:58.019
you know, picking eight or eight, nine really

00:32:58.019 --> 00:33:01.359
good speakers to come in, having it be unlike

00:33:01.359 --> 00:33:03.700
anyone else's. So the theme being, you know,

00:33:03.720 --> 00:33:07.839
very different, whatever that looks like. I was

00:33:07.839 --> 00:33:09.740
thinking one I was thinking of almost like a

00:33:09.740 --> 00:33:15.440
series what they don't tell you. Like I think

00:33:15.440 --> 00:33:17.759
like you what they don't tell you like like,

00:33:17.980 --> 00:33:20.099
you know what like it's powerful people want

00:33:20.099 --> 00:33:23.660
to hear all those challenges and struggles and

00:33:23.660 --> 00:33:26.980
So if we hit that straight on that could be interesting

00:33:26.980 --> 00:33:29.099
and and then that could be turned into a book,

00:33:29.339 --> 00:33:32.119
too So I think it's so nice way. Yeah, I love

00:33:32.119 --> 00:33:37.700
that. Can I done that? Okay What we've been experiencing

00:33:37.700 --> 00:33:40.859
Kim and I and I I work hard at not coming off

00:33:40.859 --> 00:33:45.630
negative but Helping people understand the reality

00:33:45.630 --> 00:33:49.990
of what it takes to be successful in promo and

00:33:49.990 --> 00:33:53.470
that's what people don't tell you and How do

00:33:53.470 --> 00:33:57.029
you deliver that message in a way? That doesn't

00:33:57.029 --> 00:34:00.049
sound negative doesn't make the person that you're

00:34:00.049 --> 00:34:02.630
speaking with feel like they can't be successful

00:34:02.630 --> 00:34:06.529
Like it's a tricky And I'd love some help from

00:34:06.529 --> 00:34:09.090
you guys on that. It's a tricky conversation.

00:34:09.489 --> 00:34:12.650
I guess it's about managing expectations of success

00:34:12.650 --> 00:34:16.250
in the industry. I mean, Mark, 15 years to build

00:34:16.250 --> 00:34:20.750
your business, right? It's an interesting topic.

00:34:21.530 --> 00:34:24.329
And I think if you straight out ask, like if

00:34:24.329 --> 00:34:27.309
we, if you know for Kim and what Kim and you

00:34:27.309 --> 00:34:30.769
guys are, I pay BAI asking that question, you

00:34:30.769 --> 00:34:33.210
know, what, what's been your biggest challenge?

00:34:33.360 --> 00:34:35.599
You know this year. Okay. Well, what's been your

00:34:35.599 --> 00:34:37.059
biggest challenge since you've actually been

00:34:37.059 --> 00:34:40.639
in business? You know even covid And and how

00:34:40.639 --> 00:34:42.619
you know, what if it happens again? I hate to

00:34:42.619 --> 00:34:44.800
say it and a lot of people get very sick at these

00:34:44.800 --> 00:34:47.760
shows So like I think just finding out what that

00:34:47.760 --> 00:34:50.400
challenge is and then um, I know I also think

00:34:50.400 --> 00:34:53.760
kim there's some of those smaller First, I think

00:34:53.760 --> 00:34:56.980
you should be you know, like Opening enough to

00:34:56.980 --> 00:34:59.900
maybe your clients too, right your own supplier

00:34:59.900 --> 00:35:03.050
playbook clients because they may be They may

00:35:03.050 --> 00:35:05.190
be interested in sharing where they went from

00:35:05.190 --> 00:35:07.170
the struggle to the success that they have now

00:35:07.170 --> 00:35:09.909
those everyone loves those stories So just just

00:35:09.909 --> 00:35:12.590
think about it, but I can I could do all the

00:35:12.590 --> 00:35:15.389
work on it So all you have to do is just come

00:35:15.389 --> 00:35:17.610
up with who you feel would be the great speakers

00:35:17.610 --> 00:35:20.869
You know and even if they you know 45 minutes

00:35:20.869 --> 00:35:23.469
with 15 minutes we do it live on chatter So they've

00:35:23.469 --> 00:35:25.329
got some live people even asking questions or

00:35:25.329 --> 00:35:29.170
we do it We figure out a way to go live in like

00:35:29.170 --> 00:35:31.739
promotional products Facebook page so we can

00:35:31.739 --> 00:35:35.380
have some interaction. Go ahead, Mark. Like you

00:35:35.380 --> 00:35:41.360
said, PPI or Lisa, just a suggestion, they must

00:35:41.360 --> 00:35:43.699
go live from their Instagram and Facebook as

00:35:43.699 --> 00:35:50.559
well. Live. Yep. So I just I'm thinking that's

00:35:50.559 --> 00:35:52.159
and I'm actually thinking I'm going to carry

00:35:52.159 --> 00:35:54.739
that theme. So that theme could be in the promotional

00:35:54.739 --> 00:35:57.760
products industry. It could also be. for coaches

00:35:57.760 --> 00:36:00.420
and consultants because people want to know and

00:36:00.420 --> 00:36:02.460
that's the only because I just I don't want to

00:36:02.460 --> 00:36:06.940
do anything. I can help Liza and Kim, the cast

00:36:06.940 --> 00:36:11.579
crew, helping them with following them, shooting

00:36:11.579 --> 00:36:20.679
things up. At the show, you mean? Well Claire,

00:36:20.739 --> 00:36:25.019
we love you. I am not having a triage with me.

00:36:25.019 --> 00:36:28.519
Britney Spears. I love that though. Mark, we

00:36:28.519 --> 00:36:30.960
would actually look at, we want some help with

00:36:30.960 --> 00:36:32.840
the market. Maybe it'll make me more marketable.

00:36:34.920 --> 00:36:36.900
I love that. No, I mean, if you want to meet

00:36:36.900 --> 00:36:38.800
through suppliers, ask a question, what they

00:36:38.800 --> 00:36:42.599
don't tell you. I mean, it's a great, great topic.

00:36:42.820 --> 00:36:44.420
I mean, if I take an example, if I think I can

00:36:44.420 --> 00:36:47.539
ask this question to the owner of Sawdust, Mark

00:36:47.539 --> 00:36:51.000
or Jackie. Yeah, and Kim, maybe I could do that.

00:36:51.000 --> 00:36:53.880
Maybe I could earmark two hours away from the

00:36:53.880 --> 00:36:59.000
Hydra Peak booth. Create a walk map. Identify

00:36:59.000 --> 00:37:03.500
three or four specific suppliers. Seated in advance,

00:37:03.559 --> 00:37:07.860
let them know we're coming. Yes, yes. Yeah, we

00:37:07.860 --> 00:37:10.519
can do that. We'll definitely talk. We'll do

00:37:10.519 --> 00:37:13.719
some PPAI prep for her. Yeah, that could be interesting,

00:37:13.860 --> 00:37:16.039
Mark. Thank you for the offer. We really appreciate

00:37:16.039 --> 00:37:19.039
it. I want to be always a part of the good team,

00:37:19.260 --> 00:37:22.239
good work, success stories. There I am and there

00:37:22.239 --> 00:37:25.280
my teammates. Yeah, I've got to I've got to do

00:37:25.280 --> 00:37:28.320
some work for another client, but I love this

00:37:28.320 --> 00:37:31.539
idea. I could go Why are you doing artwork? Send

00:37:31.539 --> 00:37:35.840
it to me. I'm there one email of it Okay, I appreciate

00:37:35.840 --> 00:37:39.300
that And then yes, if we when we do it, we'll

00:37:39.300 --> 00:37:41.340
need the whole artwork for the social media the

00:37:41.340 --> 00:37:43.360
book We'll need artwork for the book. I see this

00:37:43.360 --> 00:37:45.320
as being something really cool. All right, you

00:37:45.320 --> 00:37:48.280
guys All right, Adrian, you're awesome. Thank

00:37:48.280 --> 00:37:52.079
you for keeping us. You're like I am so sorry

00:37:52.079 --> 00:37:55.559
for being. I like what I really know. I feel

00:37:55.559 --> 00:38:01.500
better. You're amazing. No, you're amazing. You

00:38:01.500 --> 00:38:03.820
were better than all of us. I mean, come on.

00:38:04.179 --> 00:38:07.400
Okay, bye bye bye bye bye bye bye bye bye bye

00:38:07.400 --> 00:38:15.719
bye bye. Thanks for tuning into the promo playbook.

00:38:16.159 --> 00:38:19.119
If you found value in today's episode, be sure

00:38:19.119 --> 00:38:22.460
to subscribe and leave us a review. Got a topic

00:38:22.460 --> 00:38:25.019
you'd love us to cover? Connect with us on LinkedIn.

00:38:25.219 --> 00:38:28.960
We want to hear from you. Until next time, stay

00:38:28.960 --> 00:38:32.000
smart, stay strategic, and keep growing your

00:38:32.000 --> 00:38:32.980
supplier success.
