WEBVTT 00:00:03.079 --> 00:00:07.419 Ladies and gentlemen, welcome to violence. Welcome, 00:00:07.599 --> 00:00:10.240 welcome. It's a brand -new season of Pop Rocks 00:00:10.240 --> 00:00:14.259 Radio, and as always, I am still your host, Bijan. 00:00:14.560 --> 00:00:16.800 I'll be dragging you lovingly through the margins 00:00:16.800 --> 00:00:19.339 of Power Pop, punk, indie rock, and the weird 00:00:19.339 --> 00:00:21.780 movies that raised us. Why did we start a new 00:00:21.780 --> 00:00:25.059 season? Well, seemed like a good idea. If you 00:00:25.059 --> 00:00:27.500 think it's way too arbitrary, I suppose you could 00:00:27.500 --> 00:00:30.940 take it up with the management. Alrighty then. 00:00:31.519 --> 00:00:34.880 So what's ahead? Well, more of what you've hopefully 00:00:34.880 --> 00:00:37.880 come to love here at Pop Rocks Radio. More indie 00:00:37.880 --> 00:00:40.960 gems, deep cuts, power pop anthems, and some 00:00:40.960 --> 00:00:43.380 cult movies you probably saw to sleep over in 00:00:43.380 --> 00:00:46.840 1989. Speaking of which, this week's pick is 00:00:46.840 --> 00:00:49.399 like That Thing You Do's drunk cousin who still 00:00:49.399 --> 00:00:55.380 thinks the vines are about to blow up. This is 00:00:55.380 --> 00:00:57.979 the latest from the band Lola's released by our 00:00:57.979 --> 00:01:00.740 friends at cool cat music from their new album 00:01:00.740 --> 00:01:03.679 big hits and freak disasters This is underneath 00:01:03.679 --> 00:06:24.920 the waves The Sharkeologists from Seattle would 00:06:24.920 --> 00:06:27.220 forget about it from their self -titled debut 00:06:27.220 --> 00:06:30.420 album. Now, long -time listeners know this spot 00:06:30.420 --> 00:06:33.000 has always been reserved for a song by my favorite 00:06:33.000 --> 00:06:36.779 band, 2020. And look, they are still my favorite 00:06:36.779 --> 00:06:39.160 band, and one of the reasons I started doing 00:06:39.160 --> 00:06:42.019 this show in the first place. Those guys are 00:06:42.019 --> 00:06:45.660 legends. This season, however, I'm shaking things 00:06:45.660 --> 00:06:48.439 up a little bit. For this season, song number 00:06:48.439 --> 00:06:52.790 two will be dedicated to bands from the Pacific 00:06:52.790 --> 00:06:56.110 Northwest. Why? Well, because I live here. And 00:06:56.110 --> 00:06:58.569 because the rain makes people write great songs. 00:06:59.129 --> 00:07:01.569 Trust me, if it didn't belong on Pop Rocks Radio, 00:07:01.670 --> 00:07:04.569 it would not be here. Call it pride, call it 00:07:04.569 --> 00:07:07.850 bias, I just call it home. And if you want to 00:07:07.850 --> 00:07:09.689 learn more about Power Pop in the Northwest, 00:07:10.009 --> 00:07:12.230 Kurt Vance from Power Pop Overdose just did a 00:07:12.230 --> 00:07:14.870 great guest blog post on SW Loudon's Remember 00:07:14.870 --> 00:07:17.790 the Lightning blog you should check out. I will 00:07:17.790 --> 00:07:21.740 put a link for that in the show notes. man's 00:07:21.740 --> 00:07:24.800 been blasted out of his wheels and your king 00:07:24.800 --> 00:07:27.459 -sized brother has been twisted like a pretzel. 00:07:28.199 --> 00:07:30.459 You're all that's left, lover, and you ain't 00:07:30.459 --> 00:07:33.720 gonna be around for long. Okay, kicking off this 00:07:33.720 --> 00:07:36.660 set, here is another one from Seattle. Just worked 00:07:36.660 --> 00:07:39.459 out that way for this week. This is Acapulco 00:07:39.459 --> 00:07:42.319 Lips from their new album Now. This is Slowly 00:07:42.319 --> 00:17:42.700 Disappearing. Josephine Network from last year 00:17:42.700 --> 00:17:45.720 with Static Walls, a track recorded and mixed 00:17:45.720 --> 00:17:48.319 by Brian and Michael D 'Addario of the Lemon 00:17:48.319 --> 00:17:51.240 Twigs. Before that, we had Help Me Janie from 00:17:51.240 --> 00:17:53.720 the Sponge Tones from North Carolina with their 00:17:53.720 --> 00:17:57.180 latest Big Stir Records release, the 40th anniversary 00:17:57.180 --> 00:18:00.759 concert, and beyond. As maybe you can tell from 00:18:00.759 --> 00:18:03.460 the name, the album includes 18 tracks from their 00:18:03.460 --> 00:18:06.460 40th anniversary performance, plus a few great 00:18:06.460 --> 00:18:27.779 new singles as well. But what if you finally 00:18:27.779 --> 00:18:32.339 get your big break and you just plain suck? I 00:18:32.339 --> 00:18:38.240 envy musicians. No cares. No money worries. No 00:18:38.240 --> 00:18:42.220 money. Released in 2002 and directed by Alex 00:18:42.220 --> 00:18:45.460 Proyes, Garage Days feels like one of the last 00:18:45.460 --> 00:18:49.500 gasps of a pre -YouTube rock movie era, back 00:18:49.500 --> 00:18:51.740 when you could still believe that one great gig 00:18:51.740 --> 00:18:55.380 might change your life. It's messy, it's loud, 00:18:55.579 --> 00:18:58.579 it doesn't take itself too seriously, and that's 00:18:58.579 --> 00:19:01.220 exactly why it works. The film follows Freddie, 00:19:01.420 --> 00:19:04.660 played by Kit Gury and his ragtag band of misfits 00:19:04.660 --> 00:19:06.720 trying to make their mark on the Sydney music 00:19:06.720 --> 00:19:09.960 scene. There's Tanya, the bassist and maybe girlfriend, 00:19:10.640 --> 00:19:13.779 Lucy, the perpetually zoned out drummer, and 00:19:13.779 --> 00:19:16.880 Joe, Freddie's best friend and lead guitarist, 00:19:17.000 --> 00:19:19.240 whose mental health struggles have gifted him 00:19:19.240 --> 00:19:22.180 both an imaginary girlfriend and a baby that 00:19:22.180 --> 00:19:27.160 is actually a melon. Bruno is their clueless 00:19:27.160 --> 00:19:29.920 manager, Kevin is a washed up rocker mourning 00:19:29.920 --> 00:19:33.460 the days when groupies did his laundry, and then 00:19:33.460 --> 00:19:36.740 there's Kate, Freddy's dream girl who also happens 00:19:36.740 --> 00:19:39.940 to be Joe's real and not very imaginary girlfriend. 00:19:40.539 --> 00:19:43.059 The band hustles for that one gig that will change 00:19:43.059 --> 00:19:45.720 their lives, and when they finally land one, 00:19:46.079 --> 00:19:51.269 no one shows up. They accidentally befriend the 00:19:51.269 --> 00:19:54.069 manager of a major rock band who agrees to listen 00:19:54.069 --> 00:19:56.470 to their demo, but they let their own internal 00:19:56.470 --> 00:19:59.210 drama get in the way and miss the meeting. Over 00:19:59.210 --> 00:20:02.150 and over, they fumble the ball. And yet, Freddie 00:20:02.150 --> 00:20:04.990 won't give up. This is all I've ever wanted, 00:20:05.390 --> 00:20:07.430 to be up on stage and have everyone loving my 00:20:07.430 --> 00:20:10.849 music as much as I do. You know, about halfway 00:20:10.849 --> 00:20:13.009 through the movie, I realized we still actually 00:20:13.009 --> 00:20:15.549 haven't heard them play. But the thing is, we're 00:20:15.549 --> 00:20:18.710 not here for their music yet. We are here because 00:20:18.710 --> 00:20:21.829 we want the underdog to win. Because we want 00:20:21.829 --> 00:20:24.430 the dream to matter. Let's be honest, most of 00:20:24.430 --> 00:20:27.150 us are not destined to be rock stars. But that 00:20:27.150 --> 00:20:29.329 doesn't mean you have to iron your khakis and 00:20:29.329 --> 00:20:32.309 give up on the person you are. Garage Days isn't 00:20:32.309 --> 00:20:35.789 about making it. It's about doing it. Not for 00:20:35.789 --> 00:20:38.349 the fame, not for the likes, just because it 00:20:38.349 --> 00:20:41.819 feels right. And the soundtrack is a perfect 00:20:41.819 --> 00:20:45.599 time capsule of early 2000s alt -cool David Bowie, 00:20:45.839 --> 00:20:49.519 Sparkle Horse, The Hives, UMI, Travis, The Jam, 00:20:49.640 --> 00:20:57.700 ACDC, and yes, Tom Jones. Okay, spoiler alert, 00:20:57.980 --> 00:20:59.880 just skip ahead if you're planning on watching 00:20:59.880 --> 00:21:04.019 this fresh. Freddie does not become a rock star. 00:21:04.740 --> 00:21:07.279 When all their determination finally puts them 00:21:07.279 --> 00:21:10.440 on stage in front of 40 ,000 people, we finally 00:21:10.440 --> 00:21:13.480 get to hear them play. And they're terrible. 00:21:14.380 --> 00:21:16.640 But by this point, I'm not sure that bothered 00:21:16.640 --> 00:21:20.099 me because you get something just as good. To 00:21:20.099 --> 00:21:23.440 quote Freddie, he says, Rockstar not in my destiny. 00:21:23.819 --> 00:21:26.680 Still, you don't need to be a rockstar to feel 00:21:26.680 --> 00:21:29.359 like one. And that's what Garage Daze is really 00:21:29.359 --> 00:21:32.619 about. The bands who make it in this movie, they're 00:21:32.619 --> 00:21:35.630 the punchline. The real story is what it means 00:21:35.630 --> 00:21:38.589 to feel like a rock star, for one night, one 00:21:38.589 --> 00:21:41.569 song, or for the rest of your life. If you're 00:21:41.569 --> 00:21:43.869 doing what you love, then it's like that one 00:21:43.869 --> 00:21:46.250 fleeting set that always reminds you that you're 00:21:46.250 --> 00:21:55.509 alive. You can rent garage days from all your 00:21:55.509 --> 00:21:57.849 favorite streamers, so pick a good one, okay? 00:22:08.559 --> 00:24:42.180 yourself. with their 2016 single, Anybody's Girl. 00:24:42.700 --> 00:24:44.799 I chatted briefly with Tipper Newton from the 00:24:44.799 --> 00:24:46.700 band and she said they're starting to play live 00:24:46.700 --> 00:24:50.059 again and have a new album done. I am really 00:24:50.059 --> 00:24:52.960 looking forward to that. Their catalog so far 00:24:52.960 --> 00:24:55.940 is on Bandcamp and if you haven't seen them already, 00:24:56.019 --> 00:24:58.240 there are some live performances on YouTube. 00:24:58.460 --> 00:25:01.640 Just love their sound and their energy. We'll 00:25:01.640 --> 00:25:03.920 be back after this quick message. Support the 00:25:03.920 --> 00:25:06.700 show by sticking around. No, we don't have a 00:25:06.700 --> 00:25:09.279 sponsor yet, but these ads help keep the lights 00:25:09.279 --> 00:25:12.779 on and the coffee brewing. This week's featured 00:25:12.779 --> 00:25:16.900 artist is a godfather of Aussie power pop, Dom 00:25:16.900 --> 00:25:19.859 Mariani. Whether fronting the stems, cranking 00:25:19.859 --> 00:25:22.740 out jangly fuzz with DM3, or channeling surf 00:25:22.740 --> 00:25:26.000 noir with the majestic kelp, this man has never 00:25:26.000 --> 00:25:28.619 stopped moving forward. And he's still at it, 00:25:28.619 --> 00:25:32.500 recording, designing buildings, seriously, and 00:25:32.500 --> 00:25:35.220 reminding us that melody never goes out of style. 00:25:35.289 --> 00:25:38.490 If you don't know Dom's work yet, let's fix that. 00:25:42.630 --> 00:25:44.890 While most bands were leaning into New Wave and 00:25:44.890 --> 00:25:47.650 AOR, these guys came roaring out of Perth with 00:25:47.650 --> 00:25:51.069 a turbocharged garage sound. Equal parts 60's 00:25:51.069 --> 00:25:53.369 grit and Aussie revivalists like The Scientists 00:25:53.369 --> 00:25:57.150 and The Hitmen. From their explosive 1987 debut, 00:25:57.529 --> 00:25:59.950 At First Sight, Violets Are Blue, this is The 00:25:59.950 --> 00:29:11.750 Stems with The Other Side. The Stamps split up 00:29:11.750 --> 00:29:14.109 just before a European tour and the release of 00:29:14.109 --> 00:29:17.730 their album in 1987. Even so, at first sight, 00:29:17.930 --> 00:29:20.529 Violets Are Blue went on to national and international 00:29:20.529 --> 00:29:23.490 critical acclaim and was a huge seller in Australia. 00:29:24.289 --> 00:29:26.690 But even during his time with the band, Dom was 00:29:26.690 --> 00:29:30.069 already branching out. In 1986, he teamed up 00:29:30.069 --> 00:29:32.869 with Darrell Mather to form the Someloves. From 00:29:32.869 --> 00:29:36.349 their 1989 album, Something or Other hears Know 00:29:36.349 --> 00:33:17.740 You Now. from the Someloves was originally from 00:33:17.740 --> 00:33:20.319 the Lime Spiders and later the Orange Humble 00:33:20.319 --> 00:33:22.539 Band. We'll spend some more time on each of those 00:33:22.539 --> 00:33:26.380 bands in another show. Not one to stand still, 00:33:26.539 --> 00:33:31.500 in 1992 Dom started DM3 with Tony Italiano, Pascal 00:33:31.500 --> 00:33:35.019 Bartolone, and Ian Campbell. This is a tune that 00:33:35.019 --> 00:33:38.460 was originally released on 1996 Road to Rome, 00:33:38.599 --> 00:33:41.619 which was produced by Mitch Easter. This version, 00:33:41.700 --> 00:33:44.759 however, was released on a compilation in 2001. 00:33:45.069 --> 00:33:48.369 This is mixed by Jeff Murphy of Shoes. This one 00:33:48.369 --> 00:37:18.769 is called second floor. DM3 released three studio 00:37:18.769 --> 00:37:21.849 albums in their run till disbanding in 1999, 00:37:22.369 --> 00:37:24.809 though they did regroup and tour Europe in 2013. 00:37:25.630 --> 00:37:28.449 From there, he joined the Stone Age Hearts, started 00:37:28.449 --> 00:37:31.730 Dom Mariani and the majestic Kelp, which is the 00:37:31.730 --> 00:37:33.409 music you've been hearing in the background throughout 00:37:33.409 --> 00:37:36.550 this episode, by the way, and he also formed 00:37:36.550 --> 00:37:39.369 the DomNicks with Nick Sheppard from The Clash. 00:37:40.130 --> 00:37:43.929 His first solo album was 2004's Homespun Blues 00:37:43.929 --> 00:37:46.909 and Greens. To play one from that, this one is 00:37:46.909 --> 00:40:38.110 called at full speed. And that is just gorgeous. 00:40:38.550 --> 00:40:42.190 Melodic, rich, and totally unhurried. Dom Mariani 00:40:42.190 --> 00:40:45.150 really knows how to let his song breathe. So 00:40:45.150 --> 00:40:47.170 pretty, I almost forgot I'm supposed to be a 00:40:47.170 --> 00:40:51.610 jaded punk guy. Almost anyway. Sure, Jan. This 00:40:51.610 --> 00:40:54.369 one is from Datura 4, another project that he 00:40:54.369 --> 00:40:56.349 has going on that is actually still running. 00:40:56.789 --> 00:40:59.489 I've heard they have another album in the can 00:40:59.489 --> 00:41:02.030 that will be coming out later this year on Alive 00:41:02.030 --> 00:41:05.719 Natural Sound. Each of these bands are a showcase 00:41:05.719 --> 00:41:08.440 for the various pieces of his musical personality. 00:41:09.280 --> 00:41:12.280 This one is from 2020's West Coast Highway Cosmic. 00:41:12.840 --> 00:48:00.719 This one is called Get Out. My last one was Only 00:48:00.719 --> 00:48:02.820 If You Want It from the Stem's second album, 00:48:02.860 --> 00:48:06.239 Heads Up, released in 2007. That was the last 00:48:06.239 --> 00:48:08.820 album released with the original lineup. Unfortunately, 00:48:09.039 --> 00:48:13.059 we lost Richard Lane in 2020. The Stems have 00:48:13.059 --> 00:48:15.420 continued to record and perform from time to 00:48:15.420 --> 00:48:18.159 time. They just released Deep Freeze, a single 00:48:18.159 --> 00:48:20.340 on Cheer Squad Records and Tapes, which we had 00:48:20.340 --> 00:48:23.659 played on the show before. Dom continues to write 00:48:23.659 --> 00:48:26.539 and record across his many active projects. I 00:48:26.539 --> 00:48:29.519 didn't cover all of them, believe it. And he 00:48:29.519 --> 00:48:32.280 has his own architectural firm. Not sure how 00:48:32.280 --> 00:48:35.280 he has time to do anything, really. And now the 00:48:35.280 --> 00:48:38.079 latest single also on Alive Natural Sound. This 00:48:38.079 --> 00:52:19.199 is Apple of Life. featured artists this week. 00:52:19.579 --> 00:52:22.000 Thanks to Dom Mariani for just creating some 00:52:22.000 --> 00:52:25.219 amazing music over the last 40 years. If there 00:52:25.219 --> 00:52:27.320 is someone you'd like to see us feature here 00:52:27.320 --> 00:52:31.440 on Pop Rocks Radio, just shoot me a note at bijanbignan 00:52:31.440 --> 00:52:46.960 at poprocksradio .com. This is your gentleman's 00:52:46.960 --> 00:52:49.260 first visit to a military facility? Fine, may 00:52:49.260 --> 00:52:51.480 I start by saying how thrilled we are to have 00:52:51.480 --> 00:52:54.000 you here. We are such fans of your music and 00:52:54.000 --> 00:52:56.440 all of your records. I'm not speaking of yours 00:52:56.440 --> 00:52:58.599 personally, but the whole genre of the rock and 00:52:58.599 --> 00:53:00.460 roll and so many of the exciting things that 00:53:00.460 --> 01:01:23.550 are happening in music today. from Hotel Saturn 01:01:23.550 --> 01:01:26.230 off the new international pop overthrow compilation 01:01:26.230 --> 01:01:28.809 out this year. By the time you're hearing this, 01:01:29.030 --> 01:01:31.530 IPO would have just taken place at the Redwood 01:01:31.530 --> 01:01:34.110 Bar in Los Angeles, with Hotel Saturn playing 01:01:34.110 --> 01:01:37.289 on August 3rd. I was there last year, couldn't 01:01:37.289 --> 01:01:40.989 make it down this year. As always though, David 01:01:40.989 --> 01:01:43.409 Bash put on an impressive lineup over the 11 01:01:43.409 --> 01:01:46.670 days that they were there. Before that, we played 01:01:46.670 --> 01:01:49.789 The Frigs with Palmyra Delran, you know her from 01:01:49.789 --> 01:01:53.599 her awesome show on SiriusXM. Palmyra's Trash 01:01:53.599 --> 01:01:57.519 Pop Shindig, that was their 1993 single Shake. 01:01:58.179 --> 01:02:00.539 And of course we kicked off the set with the 01:02:00.539 --> 01:02:04.400 Kowalskis with their new track ODD. More to come 01:02:04.400 --> 01:02:07.460 here on Pop Rocks Radio, but first a word from 01:02:07.460 --> 01:02:10.179 our sponsor. Since we don't really have a sponsor, 01:02:10.659 --> 01:02:14.280 we still don't really have a sponsor. It's really 01:02:14.280 --> 01:02:19.880 just a word. You like DIY? Razor Cake is DIY. 01:02:20.480 --> 01:02:22.820 They're the longest -running all -volunteer punk 01:02:22.820 --> 01:02:26.360 zine in America, fiercely independent, anti -corporate, 01:02:26.519 --> 01:02:30.019 and totally community -driven. No ads, no algorithms, 01:02:30.199 --> 01:02:33.019 just real voices, underground bands, and punk 01:02:33.019 --> 01:02:35.659 lifers keeping the zine alive in print and online. 01:02:36.219 --> 01:02:38.059 If you believe punk is more than a phase and 01:02:38.059 --> 01:02:40.159 you want to support independent journalism that 01:02:40.159 --> 01:02:43.340 actually gives a damn, go to razorkake .org and 01:02:43.340 --> 01:02:45.880 throw them a few bucks. Buy a zine or become 01:02:45.880 --> 01:02:49.940 a monthly donor. Razorkake, punk printed persistent. 01:02:50.300 --> 01:02:53.519 Okay, back to the show. Listen, young lady, I 01:02:53.519 --> 01:02:55.860 don't know who you are or where you came from, 01:02:55.880 --> 01:02:58.260 but you most certainly don't fit in this town. 01:02:58.599 --> 01:03:02.079 Why, you don't even fit in that dress. Listen, 01:03:02.159 --> 01:03:05.019 sister, if I want your opinion, I'll beat it 01:03:05.019 --> 01:03:08.340 out of you. This is Mono Groove, a band we've 01:03:08.340 --> 01:03:10.760 played here before on the show. Rin Lennon from 01:03:10.760 --> 01:03:13.579 the band. You also know her from the 80s power 01:03:13.579 --> 01:03:16.420 pop band On the Air. This is from Mono Groove's 01:03:16.420 --> 01:03:19.260 latest popsicle drive -through. This is Hello, 01:03:19.440 --> 01:11:15.659 Everyone. That was Juliette from the new album 01:11:15.659 --> 01:11:18.720 Superette from Beta Trip, the project of Toronto 01:11:18.720 --> 01:11:21.380 -based Steve Lewin, who wrote, performed, and 01:11:21.380 --> 01:11:24.359 produced the entire album himself. Before that, 01:11:24.460 --> 01:11:26.939 we had Daisy from the band Beauty, they are from 01:11:26.939 --> 01:11:29.800 New Jersey. Their album, I Do Almost Anything 01:11:29.800 --> 01:11:32.779 For You, just dropped and is available on Bandcamp. 01:11:33.340 --> 01:11:36.439 You see, I'm writing in the style of an Indonesian 01:11:36.439 --> 01:11:39.960 folk tune, so this is not one you've heard. So 01:11:39.960 --> 01:11:43.770 if it sounds familiar, it's not. Up next is an 01:11:43.770 --> 01:11:45.989 artist from Argentina who I learned about from 01:11:45.989 --> 01:11:49.550 social media. Jeff McDonald from Red Cross posted 01:11:49.550 --> 01:11:51.590 a video of this gentleman recording a Red Cross 01:11:51.590 --> 01:11:54.750 tune for an upcoming tribute album, and I just 01:11:54.750 --> 01:11:58.569 stopped in my tracks. It sounded awesome. I'm 01:11:58.569 --> 01:12:00.909 looking forward for that to come out. In the 01:12:00.909 --> 01:12:05.090 meantime, this is Nahuel Pizano with his 2020 01:12:05.090 --> 01:22:36.819 single, Birds in the Night. We heard from the 01:22:36.819 --> 01:22:39.220 memos from Liverpool with their new single, Born 01:22:39.220 --> 01:22:42.340 Again, and we closed out that set with Deadlights, 01:22:42.520 --> 01:22:45.380 another project of Jeff Shelton, also from The 01:22:45.380 --> 01:22:47.520 Well Wishers, who we have played several times 01:22:47.520 --> 01:22:50.640 on the show. Deadlights is his vehicle for exploring, 01:22:50.699 --> 01:22:53.760 as he says, the shoegaze, dream pop, and brick 01:22:53.760 --> 01:22:56.800 pop corner of his musical palette. The EP is 01:22:56.800 --> 01:22:58.880 called Blue Sides, and that's available now on 01:22:58.880 --> 01:23:25.659 Bandcamp. to the end of another episode of Pop 01:23:25.659 --> 01:23:29.039 Rocks Radio. Join us again next time as we keep 01:23:29.039 --> 01:23:31.039 digging through the crates for all the good stuff, 01:23:31.180 --> 01:23:34.920 new, old, and everything in between. You know, 01:23:35.039 --> 01:23:37.560 no matter how far I come on this journey, I can 01:23:37.560 --> 01:23:40.439 never forget what brought me here. Artful Dodger 01:23:40.439 --> 01:23:42.520 was a band ahead of its time and their music 01:23:42.520 --> 01:23:45.979 still sounds timeless to me. This is off their 01:23:45.979 --> 01:23:49.199 second album, Honor Among Thieves. This is Remember. 01:23:50.060 --> 01:23:52.279 And this is Bijan from Pop Rocks Radio. Thanks 01:23:52.279 --> 01:23:55.420 for listening. Be good. Be weird, and we'll see 01:23:55.420 --> 01:23:56.079 you next time.