WEBVTT

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Welcome. I'm E .G. Marshall. Welcome to the shadowy

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land of the imagination where all things are

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possible. Would you believe that a husband and

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wife could look at the same woman and the wife

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would see her as an old lady almost in her dotage

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while the husband sees a beautiful woman in her

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early thirties? Impossible, you say? Of course,

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Ray. You know I'm going to bewitch you. You've

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been trying, haven't you? Only half -heartedly.

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Remember you're married. I never forget it for

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a moment. You're the one who seems to want to

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forget it. You won't even meet my wife. Well,

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of course I will. Let's all attend a witch's

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Sabbath together. You, your wife, and I, your

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favorite witch. You almost make me believe you're

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serious, Clarissa. Dare to make the date. And

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then you'll find out. I'd love to see you at

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a witch's Sabbath. Our mystery drama, The Young

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Die Good, was written especially for the mystery

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theater by Murray Burnett and stars Patricia

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Elliott and Carol Titel. I'll be back shortly

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with Act One. I've never been able to figure

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out why it's customary to tie strings of empty

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tin cans to the car of newlyweds. What do the

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empty cans signify? I can't go along with the

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cynic who suggested... that the cans symbolize

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the extent of home -cooked meals that the poor

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groom is going to get for the remainder of his

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lifetime. I know for a fact that this wasn't

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true of the young newlyweds we're about to meet,

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Lisa and Ray Bissonnette. Lisa happened to be

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a good enough cook to be able to win prizes.

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And on the day our story opens, she'd left a

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roast in the oven while she went out and explored

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the small grounds of the Bissonnette's little

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dream house. A high hedge ran alongside the driveway

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that separated the Bissonnette house from their

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neighbor. And Lisa, with the curiosity that all

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daughters of Eve have had since the Garden of

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Eden, poked her head through an opening in the

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hedge. Hello there. Come on through and get acquainted.

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Hello. I'm Lisa Bissonnette. I'm your new neighbor.

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I'm Clarice Wenderby. It's good to see young

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people next door again. I hope you and your husband

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will be very happy. Thank you. Have you lived

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here long? Well, I was here before your house

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was built. Of course, my husband was alive then.

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And now you're alone. Yes. And happy to see you.

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You're welcome to drop in any time, child. I'd

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be glad if the company... That's very neighborly.

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And I'll return the invitation. Oh, but I have

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to run now. Take a look at my roast. I expect

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my husband in less than an hour. Hi there, neighbor.

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Oh, hi. I'm Ray Bittonett. Well, I'm Clarissa

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Jaffe. Can I offer you a cocktail before dinner?

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Sounds delightful, but my wife's expecting me.

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She heard me drive up. Oh, say no more. Just

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remember you have a rain check any time. I'll

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remember. Thanks. It's nice to have neighbors

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again. Be seeing you. Welcome, my lord and master,

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to your home in California. Hey there, doll.

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Don't let women's lib hear that greeting. You

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know I didn't mean it. You didn't. Just the welcome

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part. Hey, something smells delicious. And yours

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was the second welcome I got since I came home.

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Oh? You can say that again. The dish who lives

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next door was at that hedge opening in the driveway

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and asked me in for a drink. That's why we're

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married, darling. I love you and your sense of

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humor. What's so funny? She really did ask me.

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I'm sure she did, darling. She's a lonely old

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lady. I'm sorry to spoil your little game because

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I saw her earlier this afternoon and you can't

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hope to make me jealous of a woman in her 80s.

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Well, I don't know what woman you saw, Lisa.

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But the lady who spoke to me wasn't anywhere

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near 30, let alone 80. I know what I saw and

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who I saw. Well, I'm sure you saw what you told

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me, honey, but... Well, at least give me the

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same break you asked for yourself. I know what

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I saw, too. But it's crazy. Well, there's probably

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some simple explanation. I'll bet there is. And

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I'm the one who's going to get it from Mrs. Wendaby

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the first thing tomorrow morning. Sir, how nice

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of you to come visiting so soon and so early.

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Would you like a cup of coffee? Coffee would

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be nice. Well, let's go into the kitchen. I always

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find it cruiser. Do you take cream and sugar?

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Just black, thank you. Tell me, are you getting

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used to the neighborhood? Do you find the shopping

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center exciting? As a matter of fact, yes. But

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if you don't, I get out so infrequently. There

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used to be a farmer's market on DeWayne Street

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that had the loveliest, freshest vegetables.

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DeWayne Street is just one block past the station.

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Of course you don't meet your husband at the

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train, so... My husband's really the reason I

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came over. Oh, how interesting. You didn't meet

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him yesterday, did you? Did he say he did? Well,

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he said he met a beautiful 30 -year -old woman

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here in my house. Who's the woman my husband

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saw last night? My dear child, don't tell me

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you're jealous. Goodbye, Mrs. Wendaby. I'm sorry

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I bothered you. Please, please, please don't

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go. I'll try to help you. Why should it be so

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difficult? There's something here I don't understand,

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and I'm going to get to the bottom of it. It

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might be best. If you move. What? It really might

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be best. That's ridiculous. Well, do you know

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what you're saying? Yes. But Ray and I looked

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for a house for almost six months. We could never

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find a house like this at the price we pay. I

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know. Perhaps you'll do well to find out why

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this house went so cheaply. I'm glad you decided

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to pick up your rain check on that drink, sir,

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quickly. No drink, thanks. Oh, come in anyway.

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It's only neighborly today. I left the office

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early today just to straighten something out.

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This shouldn't really take more than a minute.

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Are you afraid of me? Sit down. Thank you. It

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may sound silly, but last night my wife and I

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got into a ridiculous argument. Not over me.

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Yes, you see... Lisa says you're an old lady.

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Well, how could she, since we've never met? Well,

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that's what I told her. But she insists she was

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here before me yesterday and spoke with an old

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lady who said she lived here. Oh, now I understand.

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What a silly, silly mistake. The old lady your

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wife met is my mother, Clarice Windaby. Your

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mother lives with you? But not all the time.

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But she's here a good deal. My husband's wonderful

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about it. Well, Lisa told me she was very definite

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about saying she lived here alone. Well, now

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you know that isn't so, don't you, Ray? I know,

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but how do I convince Lisa? Well, being a woman,

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I think Lisa will understand when you tell her

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my mother's vain. Vain? Yes, as ridiculous as

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it sounds for a woman her age. She just hates

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to admit that she has a daughter my age. I find

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that hard to believe. Are either of your parents

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living, Ray? My dad, he's 68. Well, you find

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that the older a person gets, the more childish

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their behavior can become. I'm glad you said

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can, because I don't think my dad is... Well,

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let's hope not. But can you understand why my

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mother lied to your wife? No, not completely,

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but... At least I'll be able to calm Lisa down.

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No, no, no. It's the most ridiculous story I've

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ever heard. But darling, I tell you that I...

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I know what you tell me. You've been telling

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me for the past half hour. And I tell you it's

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nonsense. Did you ask to see her mother it never

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occurred to me? Why not? Well, I didn't take

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my word seriously enough to question this beautiful

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dame. You say lives next door. That's why now

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Lisa I mean I I Can't know why you're making

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this personal. I Believe you I believe you met

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and spoke with an 83 year old woman who said

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she lived in the house next door alone alone

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Now why won't you believe that this woman is

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the mother of the young woman who spoke with

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me? Because Mrs. Wenderby said she didn't have

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a daughter. But I've already explained that.

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And I don't buy it. For the hundredth time, why

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not? Because when I spoke to Mrs. Wenderby today

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and told her your story about meeting the young

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lady, what do you think she said to me? I can't

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imagine. She told me to move. Move out of this

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house. Well, that proves it. The old girl is

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slightly batty. I know how to settle this. We're

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going over there, the two of us, and straighten

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this out once and for all. It is possible that

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they're afraid to answer the door. That's not

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possible. But it is possible. that no one's home.

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You said you were just talking to her. I think

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we've been arguing at least 15 minutes. She could

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have gone out during that time. But there are

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lights upstairs. Well, some people leave lights

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on when they go out because they're afraid that

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an unlighted house is an invitation to a burglar.

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I can't understand why you're so dead set against

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admitting that for some reason she doesn't want

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to meet me. And I can't understand why we're

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standing outside an obviously empty house ringing

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a doorbell when we could go back to our place.

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I'm sorry, Ray. It's okay. I don't know what's

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happening to us. I guess I should say what's

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happening to me. I'm behaving like all the wives

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I've hated all my life. Oh, forget it, love.

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Ray? Hmm? Why was this house such a good buy?

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What? Mrs. Wenderby told me to ask you why we

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got this house so cheap. Well, I thought we were

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going to stay off this subject. I just want a

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simple answer to a simple question. Is that really

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all you're asking? Yes. Why won't you answer

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me? All right, I have my reasons I'm sure you

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have and I guess it's because of the attractiveness

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of that 30 year old woman you say lives next

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door Are you jealous? That's what this whole

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thing is about You're jealous. Don't be ridiculous

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For Pete's sake Lisa the reason I don't want

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to tell you is Well, it's because I'm afraid

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you'll get upset I'll be more upset if you don't

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tell me. Okay. Superstitious people around here

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think there's some kind of jinx on this house.

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Jinx? It's silly, but there you are. Why? Why

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do they think there's a jinx? Something about

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the last two couples who lived here. Both husbands

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are dead. They died under peculiar... I don't

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know. Don't worry about it. It's all a lot of

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nonsense. How did they die, Ray? I don't know.

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Nobody knows. They just disappeared. Disappearing

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husbands have always been a problem to the wives

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they leave behind. And houses with a reputation

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for bringing tragedy to families that dwell in

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them have always been a problem to those. who

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want to dispose of them. Behind both problems,

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there's always a reason. And that's what Lisa

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Bissonnette intends to discover when I return

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shortly with Act Two. Today's civilization is

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replete with problem solvers of various kinds.

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We have our priests, ministers, rabbis, and gurus.

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And we have the psychoanalysts, the newspaper

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columnists, the palm readers, soothsayers, and

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astrologists, all doing their best to clear up

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the riddles of the living. Some strong -minded

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people prefer to do their own problem -solving.

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Ray Bissonnette was one of these. And he faced

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his problem by coming home early, leaving his

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car around the corner, and walking across the

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lawn. of a house next door to his. Hi there,

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neighbor. You look like a man with a problem.

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All right, you are. Can I help? You bet. Because

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you're the problem. Oh, don't tell me it's your

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wife and my mother again. That's exactly what

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it is, and I'd be grateful if you'd just walk

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across to my house with me right now and let

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me introduce you to Lisa. Well, of course. You

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will? Well, you sound surprised. Forgive me,

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but this thing has Lisa so uptight, I... I guess

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some of her nonsense is rubbed off on me. What

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seems to be bothering her? Is she jealous? It's

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hard to tell. She finds the situation strange.

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What happened? It's my ankle. I turned it in

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this hole. I told Harry we've got to do something

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about the moles. They tunnel everywhere. Can

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you walk? I'll try. Would you let me lean on

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you? No, no, no. This is no good. Let me carry

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you. I'm certainly not going to meet your wife

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with you carrying me. No, I'll take you back

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to your place. Just put your hand around my neck.

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Do you want the couch or the chair? I think the

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couch, if you don't mind. I can put my foot up.

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There you are. Anything I can get you? No. No,

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thanks. Oh, Ray, I'm truly sorry. Well, accidents

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happen. Are you angry? Oh, no. Oh, it was an

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accident. You should be. Why? Well, isn't it

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obvious? You and your pretty wife are quarreling,

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and I'm the cause. Oh, it'll pass. Ray, do you

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find me fascinating? Interesting. But not irresistible.

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Come on, Clarissa, what are you trying to do?

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Find out if I'm attractive to you. You know you

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are. Good. That makes me happy. Just knowing

00:16:43.000 --> 00:16:46.700
that I'm still attractive. Hey, you talk like

00:16:46.700 --> 00:16:50.740
an old lady. Oh, women are funny. I wish I could

00:16:50.740 --> 00:16:53.019
tell when you're leveling. You will when you

00:16:53.019 --> 00:16:55.340
get to know me better. Well, that's not going

00:16:55.340 --> 00:16:58.500
to be until Lisa meets you. I promise you that

00:16:58.500 --> 00:17:03.200
we'll meet. What I don't know. Hey, how about

00:17:03.200 --> 00:17:05.160
you and Harry getting together with us for an

00:17:05.160 --> 00:17:07.700
evening? Maybe you dinner and to show I'd love

00:17:07.700 --> 00:17:10.660
it But well Harry's really pretty much of a stick

00:17:10.660 --> 00:17:12.779
in the mud. Oh, I'm sure you can talk him into

00:17:12.779 --> 00:17:15.480
going out with us Well, I'll try how about the

00:17:15.480 --> 00:17:17.619
Saturday? You must prove to your pretty wife

00:17:17.619 --> 00:17:21.339
that there really is a Clarissa. That's one reason

00:17:21.339 --> 00:17:23.839
I'll try to get Harry to go along. Where shall

00:17:23.839 --> 00:17:26.680
we meet? Well, if you don't hear from me, um

00:17:26.680 --> 00:17:30.460
Let's make it Theodore. The food is good The

00:17:30.460 --> 00:17:39.900
lights are low, and the music romantic. Your

00:17:39.900 --> 00:17:43.019
Clarissa and Harry are almost one hour late.

00:17:43.039 --> 00:17:45.900
I guess so, but, well, relax. This is a lovely

00:17:45.900 --> 00:17:48.480
restaurant. We can have another cocktail. No,

00:17:48.519 --> 00:17:51.160
thank you. I'm sure they'll be here any minute.

00:17:51.400 --> 00:17:55.680
Why am I sure they won't be? Darling. I spoke

00:17:55.680 --> 00:17:58.119
with Clarissa this morning. It's just inconceivable

00:17:58.119 --> 00:18:00.079
they won't show. After all, we're neighbors.

00:18:00.279 --> 00:18:02.079
There's no reason for them. Mr. Bissonnette.

00:18:02.299 --> 00:18:04.579
Yes. Telephone for you, sir. Shall I bring it

00:18:04.579 --> 00:18:06.500
to your table? I'll see you at home, Ray. Now,

00:18:06.799 --> 00:18:08.759
wait a minute. I've waited too long as it is.

00:18:09.119 --> 00:18:10.819
Both of us know what that phone call means, and

00:18:10.819 --> 00:18:13.140
I've had it. If you want to talk to me, you can

00:18:13.140 --> 00:18:14.720
reach me at home. And if you're not at home in

00:18:14.720 --> 00:18:19.599
an hour, don't bother to come at all. Here's

00:18:19.599 --> 00:18:39.059
your phone, sir. Oh, thank you. Hello? It's been

00:18:39.059 --> 00:18:42.000
strange knowing you but we better forget the

00:18:42.000 --> 00:18:59.079
whole thing By Lisa, child. What brings you here

00:18:59.079 --> 00:19:01.900
at this time of night? Your sick son -in -law,

00:19:01.900 --> 00:19:05.339
Harry. I thought maybe he'd like... Harry? Sick.

00:19:05.920 --> 00:19:09.380
Isn't he? No, not that I know of. At least we're

00:19:09.380 --> 00:19:12.380
getting somewhere. If you admit that you have

00:19:12.380 --> 00:19:15.000
a daughter and a son -in -law, come in, child.

00:19:17.819 --> 00:19:21.440
All right. Now, perhaps you'll tell me why your

00:19:21.440 --> 00:19:24.299
daughter Clarissa doesn't want to meet me. Did

00:19:24.299 --> 00:19:29.000
you, um... Find out why your house was such a

00:19:29.000 --> 00:19:32.299
bargain. Yes. And you're still not thinking of

00:19:32.299 --> 00:19:34.079
moving. I want to see your daughter. There's

00:19:34.079 --> 00:19:37.480
no way you can. Unless you're willing to take

00:19:37.480 --> 00:19:40.700
my advice. Are you trying to fight me? I am trying

00:19:40.700 --> 00:19:43.420
to help you. Believe me, my child, I'm trying

00:19:43.420 --> 00:19:47.859
to help you. And I should know better. What's

00:19:47.859 --> 00:19:50.779
that thunder? I'm afraid we're in for a storm.

00:19:51.109 --> 00:19:53.029
You'd best be getting back to your house. But

00:19:53.029 --> 00:19:54.750
you still haven't told me what I... I've done

00:19:54.750 --> 00:19:59.309
more than I should. Now take my advice and take

00:19:59.309 --> 00:20:03.549
your handsome young husband and move out of that

00:20:03.549 --> 00:20:15.609
house. My dear Mrs. Bissonnette, I understand

00:20:15.609 --> 00:20:17.789
a little bit of what you're trying to tell me.

00:20:17.960 --> 00:20:21.160
But I still don't understand how you found me.

00:20:21.700 --> 00:20:24.559
Professor Cooper, I told you. I was looking at

00:20:24.559 --> 00:20:26.859
these books on witchcraft in the library. And

00:20:26.859 --> 00:20:29.779
I came across your name several times. And everyone

00:20:29.779 --> 00:20:31.940
seems to agree that you're the foremost authority

00:20:31.940 --> 00:20:34.579
on witches. So I checked with the publishers

00:20:34.579 --> 00:20:39.400
and they gave me your address. And what is it

00:20:39.400 --> 00:20:43.160
you want me to do? Tell my husband that at least

00:20:43.160 --> 00:20:47.230
there is the possibility that... Well, but something

00:20:47.230 --> 00:20:50.390
very strange is going on at the house next door.

00:20:50.690 --> 00:20:53.549
I couldn't possibly do that, Mrs. Bissonnette.

00:20:53.930 --> 00:20:57.309
Not until I've done some investigating on my

00:20:57.309 --> 00:21:00.309
own. Oh, would you, Professor? I'll pay, I'll

00:21:00.309 --> 00:21:03.170
pay whatever you... It's not a question of money.

00:21:03.349 --> 00:21:07.829
It's time. Of which I have very little. But if

00:21:07.829 --> 00:21:11.369
what you say is true, this might be very productive

00:21:11.369 --> 00:21:14.690
for my research for a book I'm doing on witchcraft

00:21:14.690 --> 00:21:24.890
now. I'll check it out. This is my husband, Professor

00:21:24.890 --> 00:21:26.950
Linus Cooper. Pleased to meet you. Professor,

00:21:27.029 --> 00:21:29.569
please tell him what's happening next door. I'm

00:21:29.569 --> 00:21:33.390
not exactly sure what's happening, but I have

00:21:33.390 --> 00:21:36.329
gathered enough evidence to make me suspicious

00:21:36.329 --> 00:21:39.329
and worried. What do you call evidence, Professor?

00:21:39.710 --> 00:21:43.730
I called at the house yesterday. And I saw the

00:21:43.730 --> 00:21:46.049
80 -year -old lady. Oh, that doesn't prove anything.

00:21:47.069 --> 00:21:51.529
And no one else. However, I am going to make

00:21:51.529 --> 00:21:55.630
one further test. Mrs. Bissonnette, tell me,

00:21:55.890 --> 00:21:58.869
do you remember seeing any clocks in the house

00:21:58.869 --> 00:22:03.609
when you visited? I really can't say. I was only

00:22:03.609 --> 00:22:05.569
in the kitchen and walked through the living

00:22:05.569 --> 00:22:08.250
room. What's all this about clocks? Just this.

00:22:08.680 --> 00:22:11.960
I intend to get back into that house somehow

00:22:11.960 --> 00:22:15.099
in the next few days and explore it thoroughly.

00:22:15.880 --> 00:22:19.940
And if I find that there are no clocks in the

00:22:19.940 --> 00:22:24.799
house... What? I should then advise you to move,

00:22:25.140 --> 00:22:37.920
Mr. Bissonette, and move fast. Very Bissonette.

00:22:39.690 --> 00:22:43.109
Clarissa, I'm very busy, really. I know. I apologize

00:22:43.109 --> 00:22:45.289
for calling you at your office, but I just have

00:22:45.289 --> 00:22:47.569
to explain... No, I've told you that... Please,

00:22:48.150 --> 00:22:52.170
please meet me for lunch today. At Whitley's.

00:22:52.329 --> 00:22:54.589
Anytime. At your convenience. On one condition.

00:22:55.490 --> 00:22:57.289
That you promise to meet Lisa and talk with her.

00:22:57.490 --> 00:22:59.670
I can't go into that again. Not on the phone.

00:23:00.349 --> 00:23:10.190
What time? 1 .30. It's less crowded then. I just

00:23:10.190 --> 00:23:12.269
hope I'm not making another mistake. Well, I'm

00:23:12.269 --> 00:23:14.670
the one who made the mistake, thinking I could

00:23:14.670 --> 00:23:17.069
play this crazy game. I don't understand. But

00:23:17.069 --> 00:23:19.630
there is no Harry. That's why I couldn't meet

00:23:19.630 --> 00:23:21.910
you in Lisa last night. You mean you're not married?

00:23:22.529 --> 00:23:25.650
Divorced. You see, there was a Harry that lied

00:23:25.650 --> 00:23:29.049
to you. Yes. Well, because I like you. Well,

00:23:29.049 --> 00:23:30.750
that explains everything. You like a guy, so

00:23:30.750 --> 00:23:33.630
you lie to him. Well, you do if you're a divorcee

00:23:33.630 --> 00:23:36.589
and you want to see him again without, well,

00:23:36.809 --> 00:23:39.130
without problems. You're still not making sense.

00:23:39.400 --> 00:23:42.359
Maybe this lunch wasn't such a good idea after

00:23:42.359 --> 00:23:45.099
all. Because when I tell you about my mother,

00:23:45.740 --> 00:23:47.839
it's going to sound like something out of a...

00:23:47.839 --> 00:23:52.480
a confession magazine. Try me. Well, my mother...

00:23:52.480 --> 00:23:58.380
Why is it so hard for me to say this? My mother...

00:23:58.380 --> 00:24:01.839
isn't well. You mean... there's something wrong

00:24:01.839 --> 00:24:04.359
with her physically? No, no, no. She's old and

00:24:04.359 --> 00:24:07.380
she gets... Well, you know how some old people

00:24:07.380 --> 00:24:12.019
get. So now? Little more than that as a matter

00:24:12.019 --> 00:24:16.440
of fact the doctor has told me to Institutionalize

00:24:16.440 --> 00:24:21.279
her, but I just can't I won't okay. I understand

00:24:21.279 --> 00:24:24.140
your problem and even why you don't want to solve

00:24:24.140 --> 00:24:26.980
it by sending your mother away, but Can't you

00:24:26.980 --> 00:24:30.680
understand mine of course Ray? And I promise

00:24:30.680 --> 00:24:33.180
to do something about it all you have to do is

00:24:33.180 --> 00:24:36.299
meet Lisa and explain it to her And you also

00:24:36.299 --> 00:24:38.079
ought to tell your mother to quit telling people

00:24:38.079 --> 00:24:40.579
horror stories and scaring the wits out of them.

00:24:48.240 --> 00:24:53.700
I'm home, Clarice. I'm home. And I'm alone. And

00:24:53.700 --> 00:24:59.700
I must talk to you. I know. Then you must know

00:24:59.700 --> 00:25:07.099
what I want to talk to you about. Please, be

00:25:07.099 --> 00:25:13.079
kind. How can I be anything else? Aren't we one

00:25:13.079 --> 00:25:15.460
and the same, just an older and a younger version

00:25:15.460 --> 00:25:19.980
of the same woman? That's why I know how angry

00:25:19.980 --> 00:25:24.980
you are, and it's also so... so useless somehow.

00:25:26.539 --> 00:25:30.519
Useless? Then why don't you appear, Clarice,

00:25:30.519 --> 00:25:36.190
before Ray? Let him see the old woman! For the

00:25:36.190 --> 00:25:39.710
same reason you don't meet Lisa and show her

00:25:39.710 --> 00:25:45.930
the young woman. Right, Clarice. You remember

00:25:45.930 --> 00:25:53.069
our bargain with him, our master. I only have

00:25:53.069 --> 00:25:57.730
so much of the energy, and it must be reserved

00:25:57.730 --> 00:26:02.349
for the young men whom we need to stay young.

00:26:03.289 --> 00:26:09.680
And I took... to the young women. But Clarissa,

00:26:09.680 --> 00:26:15.359
this one, I like. And you frightened her, Clarice.

00:26:16.079 --> 00:26:19.400
You scared her so much, she went and talked to

00:26:19.400 --> 00:26:25.640
our old friend. Who do you mean? Professor Linus

00:26:25.640 --> 00:26:28.619
Cooper. And do you know what he's been talking

00:26:28.619 --> 00:26:34.099
about, Clarice? No, no, no, leave me alone. He

00:26:34.099 --> 00:26:37.859
has been He's asking about clocks. He wants to

00:26:37.859 --> 00:26:41.380
know if there are any clocks in our house. Clocks

00:26:41.380 --> 00:26:44.900
to tell the passage of time. You know what clocks

00:26:44.900 --> 00:26:50.519
are, you old fool. Please, please. And he is

00:26:50.519 --> 00:26:52.920
going to come here and he's going to look around

00:26:52.920 --> 00:27:07.880
unless... unless I stop him. All the house was

00:27:07.880 --> 00:27:11.579
right around the corner. Let's see that street

00:27:11.579 --> 00:27:16.460
sign. Yes, Green Tree Lane. That was the name

00:27:16.460 --> 00:27:19.859
of the street. I'll just drive over the hill

00:27:19.859 --> 00:27:40.680
and turn the corner and... Hey! Was that the

00:27:40.680 --> 00:27:46.500
sound of a car crash? I don't think Professor

00:27:46.500 --> 00:27:52.579
Cooper will come visiting. I'm too old. Too old,

00:27:52.880 --> 00:27:58.440
Clarissa. And too tired. I know all about it,

00:27:58.480 --> 00:28:04.619
Clarice. I know how old you are. And silly. And

00:28:04.619 --> 00:28:09.559
soft. You told Lisa Bissonnette to move. Although

00:28:09.559 --> 00:28:12.880
you knew very well that a nice young husband

00:28:12.880 --> 00:28:17.599
would move with her, didn't you, Clarice? I've

00:28:17.599 --> 00:28:22.799
told you, Clarice, I'm very old and very, very

00:28:22.799 --> 00:28:29.099
tired. Just remember, you'll be a lot older and

00:28:29.099 --> 00:28:33.359
a lot more tired if Ray Bissonnette moves away.

00:28:34.660 --> 00:28:45.240
You, Clarice, might even be dead. From our first

00:28:45.240 --> 00:28:48.359
arithmetic class, we're taught that one and one

00:28:48.359 --> 00:28:52.759
make two, two and two make four, and so on. Until

00:28:52.759 --> 00:28:55.799
today, we're living in the computer society where

00:28:55.799 --> 00:28:58.799
giant adding machines solve all our problems

00:28:58.799 --> 00:29:03.359
for us. However, our minds would boggle and the

00:29:03.359 --> 00:29:06.240
computer would break down in a world where one

00:29:06.240 --> 00:29:11.630
and one made only one. I'll explain that strange

00:29:11.630 --> 00:29:16.289
arithmetic when I return shortly with Act 3.

00:29:27.089 --> 00:29:30.369
Jealousy is one characteristic that is just as

00:29:30.369 --> 00:29:34.599
prevalent among males as females. Jealous feelings

00:29:34.599 --> 00:29:37.819
often conceal themselves behind other facades,

00:29:37.819 --> 00:29:40.319
and Ray Bissonnette is convinced that his wife

00:29:40.319 --> 00:29:43.900
Lisa is overreacting to their somewhat eccentric

00:29:43.900 --> 00:29:47.000
neighbors because she's jealous of the lady next

00:29:47.000 --> 00:29:50.500
door. Lisa's willing to admit there may be some

00:29:50.500 --> 00:29:53.319
truth in that, but she's also convinced there's

00:29:53.319 --> 00:29:56.740
a lot more to it than jealousy, even though she

00:29:56.740 --> 00:29:59.660
can't put a name to it. There's something so

00:29:59.660 --> 00:30:03.579
very wrong. I know it. I... I feel it in my bones.

00:30:03.900 --> 00:30:05.799
It just doesn't justify our giving up this house

00:30:05.799 --> 00:30:07.779
and paying a lot more for something nowhere near

00:30:07.779 --> 00:30:10.559
as nice. And what about Professor Cooper? Are

00:30:10.559 --> 00:30:12.319
you going to try and blame an automobile accident

00:30:12.319 --> 00:30:15.579
on Clarissa? Clarissa's just a name. I still

00:30:15.579 --> 00:30:17.720
haven't met her. And you know why not. Would

00:30:17.720 --> 00:30:20.900
you please, please listen to Clarisse? Why should

00:30:20.900 --> 00:30:23.220
I listen to an old lady who would be in an institution

00:30:23.220 --> 00:30:25.039
except for the kindness of her daughter? You

00:30:25.039 --> 00:30:28.410
believe that? Why not? A lot of old people get

00:30:28.410 --> 00:30:31.109
funny ideas. Particularly when they live right

00:30:31.109 --> 00:30:33.509
next door to a house from which two young men

00:30:33.509 --> 00:30:35.990
have disappeared in the last year and a half.

00:30:37.589 --> 00:30:43.230
My honey, you're really scared. Yes. Yes, you

00:30:43.230 --> 00:30:49.009
big lug, I am. Okay. Short of packing up and

00:30:49.009 --> 00:30:52.529
moving us out of here, what can I do to unscare

00:30:52.529 --> 00:30:56.079
you? Listen to Clarice when you meet her. And

00:30:56.079 --> 00:30:59.440
when will that be? As soon as I can arrange it.

00:31:04.000 --> 00:31:06.339
I see your little lady friend from next door

00:31:06.339 --> 00:31:09.440
is coming to visit, Clarice. And I must say I'm

00:31:09.440 --> 00:31:12.579
glad to get a chance to rest. It's quite tiring

00:31:12.579 --> 00:31:19.259
for me. And no, Clarissa. And no. Now remember,

00:31:20.039 --> 00:31:26.000
we need Ray Bissonnette. I know that too. I'm

00:31:26.000 --> 00:31:29.839
even more tired than you, Clarissa. Much more.

00:31:32.420 --> 00:31:35.640
I'm so glad you're home, Mrs. Wendaby. I have

00:31:35.640 --> 00:31:37.420
a lot that I want to... Well, why don't you just

00:31:37.420 --> 00:31:40.660
come in and have some tea? I was just making

00:31:40.660 --> 00:31:45.519
myself a cup. Oh, thank you. You don't mind the

00:31:45.519 --> 00:31:50.980
kitchen? Not at all. My dear, what is it you

00:31:50.980 --> 00:31:54.160
want from me? I think you should come with me

00:31:54.160 --> 00:31:56.940
to my house and... Tell Ray what you told me.

00:31:57.140 --> 00:32:00.420
Do you think your husband will move out? Because

00:32:00.420 --> 00:32:05.680
I tell him he should. You're very wise. And forgive

00:32:05.680 --> 00:32:11.500
me, but very strange too. Just very old. You

00:32:11.500 --> 00:32:16.220
don't think about growing old, do you? Well,

00:32:16.220 --> 00:32:20.220
of course not. You're too young and too alive.

00:32:21.279 --> 00:32:24.279
You're not worried about the lines and the wrinkles.

00:32:25.419 --> 00:32:31.759
You wouldn't look for some way for any way to

00:32:31.759 --> 00:32:39.220
stay young forever Come on baby, this is the

00:32:39.220 --> 00:32:42.640
20th century the atomic age the computer controlled

00:32:42.640 --> 00:32:45.759
society Don't give me this stuff about witches.

00:32:45.759 --> 00:32:48.420
How else can you explain what's been going on?

00:32:48.519 --> 00:32:50.819
I wish you'd tell me just what you think has

00:32:50.819 --> 00:32:54.539
been going on. Hey Why is it that I only see

00:32:54.539 --> 00:32:58.099
Mrs. Wendebe and you only see Clarissa? I don't

00:32:58.099 --> 00:33:00.700
know. It's because you're a man and I'm a woman.

00:33:01.140 --> 00:33:03.700
Why should that make a difference? If they both

00:33:03.700 --> 00:33:06.099
were the same woman, it would make all the difference

00:33:06.099 --> 00:33:08.980
in the world, wouldn't it? Do you know what you're

00:33:08.980 --> 00:33:12.900
saying? Yes! Where in the world did you ever

00:33:12.900 --> 00:33:15.140
get a nutty idea like that? From these books.

00:33:15.299 --> 00:33:17.279
Then I suggest you stop reading them. Stick with

00:33:17.279 --> 00:33:19.380
the comics. They make more sense. You see, the

00:33:19.380 --> 00:33:22.180
succubi are really frighteningly ugly. But to

00:33:22.180 --> 00:33:24.259
young men, they appear beautiful and desirable.

00:33:24.480 --> 00:33:26.519
I can't believe you'd take all this witch and

00:33:26.519 --> 00:33:29.079
succubi stuff seriously. Two men who lived in

00:33:29.079 --> 00:33:31.759
this house before us disappeared. The only thing

00:33:31.759 --> 00:33:33.519
about that that bothers me is that it bothers

00:33:33.519 --> 00:33:37.160
you. If you're really concerned about me, there

00:33:37.160 --> 00:33:39.319
is something you can do. What do you mean, move

00:33:39.319 --> 00:33:43.079
out? I mean, put my theory to the test. How are

00:33:43.079 --> 00:33:45.599
we going to do that? You make one last date with

00:33:45.599 --> 00:33:49.599
Clarissa. Hear me out. Just for lunch, or cocktail,

00:33:49.680 --> 00:33:53.680
or coffee. You tell me when and where. I'll happen

00:33:53.680 --> 00:33:57.119
along, and you'll introduce me. After I meet

00:33:57.119 --> 00:33:59.559
her, I'll give you my word I'll never mention

00:33:59.559 --> 00:34:08.260
witches are moving again. Sorry, Clarissa, but

00:34:08.260 --> 00:34:10.920
I... I don't think I'm late. You're right on

00:34:10.920 --> 00:34:13.940
the dot. Honestly, Ray, I was so excited when

00:34:13.940 --> 00:34:16.699
you called. I just couldn't wait to see you.

00:34:16.860 --> 00:34:20.159
My wife asked me to call you. Well, I find that

00:34:20.159 --> 00:34:21.980
fascinating. She's really bugged about never

00:34:21.980 --> 00:34:24.320
having met you, and she's getting all kinds of

00:34:24.320 --> 00:34:26.519
crazy ideas about you and your mother, and I'm

00:34:26.519 --> 00:34:29.900
really worried. Well, of course you are. I will

00:34:29.900 --> 00:34:34.300
have you and your wife at my house for cocktails

00:34:34.300 --> 00:34:38.539
tomorrow around 5 .30. Great. But only on the

00:34:38.539 --> 00:34:41.360
condition... that you come alone on the following

00:34:41.360 --> 00:34:44.760
day. Put tea. I hate tea. Oh, but you haven't

00:34:44.760 --> 00:34:48.659
tasted my brew. But I... And, uh, you also promised

00:34:48.659 --> 00:34:52.760
to look deeply into my eyes when you drink. You're

00:34:52.760 --> 00:34:56.199
putting me on. I was never more serious in my

00:34:56.199 --> 00:35:00.639
life. And, uh, now, if you'll excuse me... Oh,

00:35:00.639 --> 00:35:02.300
but I wanted to tell you about this... Are you

00:35:02.300 --> 00:35:05.159
talking to yourself, darling? Oh, Lisa, no, no,

00:35:05.159 --> 00:35:07.719
no. I was just trying to tell Clarissa about

00:35:07.719 --> 00:35:11.730
your coming today. Where is she? She just this

00:35:11.730 --> 00:35:14.469
minute went to the ladies room. Mm -hmm. Oh,

00:35:14.469 --> 00:35:17.809
come on, Lisa. She asked us over for cocktails

00:35:17.809 --> 00:35:26.389
tomorrow. She did? I've never seen you so excited.

00:35:26.530 --> 00:35:28.809
When we ring the bell and Clarissa, the whole

00:35:28.809 --> 00:35:31.329
Clarice, opens the door and asks us in, it's

00:35:31.329 --> 00:35:33.409
going to be like the end of a bad dream for me.

00:35:33.469 --> 00:35:36.090
For me too, but only because of you. I've never

00:35:36.090 --> 00:35:38.769
seen you so uptight before. After I meet her,

00:35:38.929 --> 00:35:40.949
I'll make it up to you. Just go back to being

00:35:40.949 --> 00:35:43.889
your old self. I promise. What's the matter?

00:35:45.190 --> 00:35:50.590
I don't know. I suddenly feel dizzy, as if I'm

00:35:50.590 --> 00:35:52.909
going to faint. Maybe we shouldn't go any further.

00:35:53.349 --> 00:35:55.329
We can call and make it for somebody. No way.

00:35:55.969 --> 00:35:59.190
I'm not going to break this appointment. Let's

00:35:59.190 --> 00:36:12.050
go. Oh. What? Help me. I'm falling. not to hurt

00:36:12.050 --> 00:36:14.929
her. The doctor's car drove into the highway

00:36:14.929 --> 00:36:17.090
a few minutes ago. We should be hearing from

00:36:17.090 --> 00:36:22.809
him any minute. There! Answer it. Answer it!

00:36:23.690 --> 00:36:25.429
I don't want him to think we've been sitting

00:36:25.429 --> 00:36:33.570
right on the phone. Now. Hello? Clarissa? Yes,

00:36:33.630 --> 00:36:49.840
Ray. We're... I hope it wasn't serious. The doctor

00:36:49.840 --> 00:36:52.820
says she'll be okay in a day or so, but... Well,

00:36:52.860 --> 00:36:55.679
meanwhile, we have to postpone our date. Oh,

00:36:55.719 --> 00:36:59.199
what a shame. I was so looking forward to meeting

00:36:59.199 --> 00:37:02.260
Lisa. I'd have as much as she was. Remember?

00:37:03.139 --> 00:37:07.340
You're having tea with me. Well, that'll depend

00:37:07.340 --> 00:37:13.659
on how Lisa feels. I'm so glad Lisa's feeling

00:37:13.659 --> 00:37:16.400
better. And I'm equally glad you came over for

00:37:16.400 --> 00:37:20.010
tea. Would you be very upset if I drank something

00:37:20.010 --> 00:37:23.429
else? I'm just not much of a tea lover. Well,

00:37:23.429 --> 00:37:26.449
you haven't tasted the tea I brew. I promise

00:37:26.449 --> 00:37:32.349
you, an unforgettable experience. Oh. Well, if

00:37:32.349 --> 00:37:38.210
you put it that way. I do indeed. Oh, here. Needs

00:37:38.210 --> 00:37:42.090
just a little sugar, but no cream. Looks awfully

00:37:42.090 --> 00:37:47.360
strong. Taste. It doesn't smell like any tea

00:37:47.360 --> 00:37:49.659
I ever drank. Well, I told you it's not like

00:37:49.659 --> 00:37:55.599
any tea you ever drank. Come on now, Ray. Take

00:37:55.599 --> 00:38:02.119
a swallow and look at me. I see you. I mean in

00:38:02.119 --> 00:38:18.219
my eyes. Look deeply and drink deeply. Yes, Ray.

00:38:18.960 --> 00:38:25.280
What am I? Oh, you're truly beautiful. Beautiful.

00:38:25.519 --> 00:38:30.300
Oh, thank you, Ray. Your eyes have a radiance

00:38:30.300 --> 00:38:36.619
and a shine that I've never seen before. And

00:38:36.619 --> 00:38:41.739
your lips. Yes. Yes, my lips. Would you like

00:38:41.739 --> 00:38:51.750
to kiss my lips? Oh, yes. I would. This is what

00:38:51.750 --> 00:38:56.670
I wanted since we first met, Ray, to hold you

00:38:56.670 --> 00:39:05.909
in my arms and hold you forever and ever and

00:39:05.909 --> 00:39:10.510
hold your youth and your vitality and feel it

00:39:10.510 --> 00:39:16.920
make me young again and do you still. Find me

00:39:16.920 --> 00:39:25.119
beautiful Ray You've changed But I can still

00:39:25.119 --> 00:39:31.380
see your beauty Drink some more tea Ray And hold

00:39:31.380 --> 00:39:37.659
me Hold me tight and close that's it Squeeze

00:39:37.659 --> 00:39:42.340
me Ray and I'll squeeze you Squeeze the life

00:39:42.340 --> 00:39:47.719
out of you and into me And... You're not Clarissa.

00:39:48.199 --> 00:39:54.719
Of course I am. I'm your Clarissa. And Lisa's

00:39:54.719 --> 00:40:01.219
Clarice. And your true love. No. No, you're...

00:40:01.219 --> 00:40:05.599
You're old. You were the old lady, Lisa, so...

00:40:05.599 --> 00:40:09.880
Hold me. Hold me, Ray. Hold me tight. The tighter

00:40:09.880 --> 00:40:42.449
you hold me, the more I... of a charming little

00:40:42.449 --> 00:40:46.389
house for sale it's a great bargain the only

00:40:46.389 --> 00:40:49.570
qualification that's absolutely necessary is

00:40:49.570 --> 00:40:53.829
that the husband be a young and virile man however

00:40:53.829 --> 00:40:57.150
if you purchase it you don't have to worry because

00:40:57.150 --> 00:40:59.690
all of you are strong -minded enough to know

00:40:59.690 --> 00:41:02.409
that there really aren't any such things as witches

00:41:02.409 --> 00:41:17.460
I'll be back shortly Speaking of witches, as

00:41:17.460 --> 00:41:20.699
we were, it's of course true that people have

00:41:20.699 --> 00:41:23.760
always had an ambiguous attitude towards them.

00:41:24.340 --> 00:41:27.239
In some literature, they're portrayed as fascinating,

00:41:27.380 --> 00:41:29.880
lovely women with quick silver qualities who

00:41:29.880 --> 00:41:33.239
bewitch the males with their charms. In other

00:41:33.239 --> 00:41:36.460
stories, they appear ugly old bags spreading

00:41:36.460 --> 00:41:39.780
evil and polluting everything they touch. Which

00:41:39.780 --> 00:41:44.900
is the true picture? Could it be, perhaps, that

00:41:44.900 --> 00:41:50.030
both are true, think about it. Our cast included

00:41:50.030 --> 00:41:53.550
Patricia Elliott, Carol Tytel, Ira Lewis, and

00:41:53.550 --> 00:41:56.610
Dan Ako. The entire production was under the

00:41:56.610 --> 00:42:00.650
direction of Hyman Brown. This is E .G. Marshall

00:42:00.650 --> 00:42:03.030
inviting you to return to our mystery theater

00:42:03.030 --> 00:42:07.829
for another adventure in the macabre. Until next

00:42:07.829 --> 00:42:11.130
time, pleasant dreams.
