WEBVTT

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I'm E .G. Marshall. Come in. Settle down and

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listen. For we're about to tell you a very important

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story. Have you ever looked at your children

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and wondered what in the world are they thinking?

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What goes on in those tiny minds? You don't know,

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do you? Admit it. You haven't the faintest idea.

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Yet, you were once a child. So why don't you

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know? I'll tell you why. You have forgotten,

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and try as you will, you simply cannot remember

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what it was like to be a child. I don't know

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the reason for this, but perhaps it's because

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being a child is not always the happy thing we

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think it is. Didn't you mind being shut up in

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that dark room, Bobby? All by yourself for such

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a long time? Was it a long time? Three weeks.

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Is that a long time? What did you do, Bobby,

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all alone there? Oh, listen to the silence. Talk

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to the dark. Our mystery drama, The Secret Life

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of Bobby Deland, was written especially for the

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Mystery Theater by Elspeth Erick. and stars Michael

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Tolan. It is sponsored in part by CONTAC, the

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12 -hour allergy capsule, and Anheuser -Busch

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Incorporated, Brewers of Budweiser. I'll be back

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shortly with Act One. We said earlier that this

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story is an important one. Not because our small

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hero is an important figure a boy of ten How

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much time has he had to achieve importance in

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our world? No We call our story important because

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it is our attempt to explore the inner life of

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one small child An attempt which we admit may

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be awkward and incomplete Because we have grown

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up and in growing up grown stupid Everybody inside.

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Go with Miss Hamill and Mr. Garth. Now we can

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talk better. Well, Mr. Carlin, have you finally

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made up your mind about adoption? I don't know

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that we want to go that far, Mrs. Appleton. Not

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just yet. You see, I thought if my wife and I

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could take one of the children home for a month,

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two months, see how it worked out. You see, our

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son died in an automobile accident a year ago.

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And Mrs. Carlin hasn't been really right since.

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Depressed, migraine, headaches. Spends a good

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deal of time in bed. And I thought if there were

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a boy around the house, it might help her. Help

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me too. You've been here several times. You've

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met all our children. There's one. I believe

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his name is Bobby. About ten years old. Bobby

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Deland, that's the one I looked for him today

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when I was walking around the playground. I didn't

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see him He's he's still here isn't he Bobby's

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still here. Thank goodness He's such an unusual

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boy. I'm surprised. He wasn't asked for before

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this he was Last year It didn't work out Can

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you tell me why I? Can do better than that. I

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have a tape of the interview with the lady who?

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Tried to give him a home. It's a practice here

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to make tapes of the conversations with prospective

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parents. It saves confusion, possible embarrassment

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later. If there's trouble. Oh, you're being taped

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right this minute, Mr. Carlin. I hope you don't

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mind. No, not at all. Look, I won't play it all

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for you. Just the part that concerns us now.

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to think of to make Bobby happy, Mrs. Appleton.

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He seemed happy. There wasn't any way we could

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guess that he didn't like it with us. And then,

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then to wake up one morning and, and he was gone.

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Simply gone. I'm sure you did everything you

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could. Oh, we did. And he seemed to like us.

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Of course he's naturally so sweet, so good. Except

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for the stealing. The what? We shouldn't call

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it stealing. We'd find little things missing.

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Little nothings. Once it was a frying pan. A

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wooden spoon one time. Oh, we found them later.

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In his room. Once he took the belt from one of

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my dresses. A leather belt. Not that I cared.

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That's enough of that. But I should tell you,

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Barbie's been guilty of petty pilferage like

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that here at the orphanage. A hair brush belonging

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to one of the teachers. Where did he go when

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he ran away? Well, the police found him that

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same night, wandering along a country road. There

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was a full moon. They had no trouble. And when

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the woman came to pick him up, he wouldn't talk

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to her. Wouldn't even see her. Didn't seem to

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hold anything against her. He just said it was

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no use. No use? It's what he always says. You

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mean this has happened before? Several times

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during the last couple of years. Look, I'm telling

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you all this to let you know that if you take

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Bobby into your home, you're not getting the...

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well, the usual child. No child is the usual

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child, Mrs. Appleton. Well, shall we go and have

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a talk with him? See how he feels about all this?

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By all means. Oh. Oh, I should tell you, Bobby's

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in confinement. You don't mean... solitary confinement?

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He's confined to one room without lights or windows.

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I know that sounds severe, but we've tried everything

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else. Even corporal punishment, though that's

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prohibited by law. It didn't do any good. He

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doesn't seem to feel it. How long has he been

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confined? Oh, nearly three weeks now. Mrs. Appleton,

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24 days is supposed to be the limit before the

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victim goes mad. That's been established in prisons

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with grown men. Bobby's a boy. A most unusual

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boy. Shall we go talk to him? Please. This way.

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Mrs. Appleton, may I ask you, what is Bobby being

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punished for? What did he do? Oh, didn't I tell

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you? He ran away from the orphanage. That's the

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only thing he ever needs to be punished for,

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running away. Mrs. Appleton, when Bobby ran away

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from here, was it at night? Middle of the night,

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as near as we could tell. Oh, here we are. Was

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there a full moon that night? I don't recall.

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Does it matter? It might. Oh, here's my key.

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Bobby? It's Mrs. Appleton, Bobby. Yes, Mrs. Appleton.

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He's all right. You can come out now, Bobby.

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The door's open. Can you see? Yes, I can see

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Mrs. Appleton. Does the light bother your eyes?

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Not very much. You remember Mr. Colin, Bobby.

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It's nice to see you. I'm very well, Bobby. Thank

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you. I'm going back to the office now, and you

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two can have a nice talk. Thank you. You can

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join me there later, Mr. Colin. Well, Bobby,

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I'm pleased you remember me. Didn't you mind

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being shut up in that dark room all by yourself

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for such a long time? Was it a long time? Three

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weeks. Is that a long time? What did you do all

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alone in there? Oh, I listened to the silence.

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Talked to the dark. I see. Would you like to

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come and stay with me and my wife for a while?

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See if you like it. We have a big house. A very

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big house? Well, pretty big. With servants? We

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have servants, yes. And beautiful gardens and

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a big green lawn. What does it matter if it's

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a big house with a lawn? A big white house. And

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servants, does that matter? I don't know. I thought

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it did. I could sort of see it. Well, what do

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you say? Would you like to visit with us for

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a while? I think I would. There's a good school

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nearby if you'd like to go. I'm tired of memorizing

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things. Whatever you say. Now why don't you go

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pack some clothes and I'll go see Mrs. Appleton

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in her office and make the arrangements. Come

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in. Mrs. Appleton, that's a remarkable child.

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Oh, well, close the door, will you, Mr. Collin?

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Oh, yes. You've persuaded him. I'm convinced

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the reason Bobby can endure, even enjoy, three

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weeks of confinement is because he's able to

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hypnotize himself. And not only hypnotize himself,

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but put himself into a deep trance. Almost anyone

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can be hypnotized. But only one in 20 can hypnotize

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himself. And I've never heard of anyone who could

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put himself into a deep trance state. Well, supposing

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he can. What's the advantage of it? Why, it means

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that he can reach his unconscious mind and perhaps

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unite it with his consciousness. A terribly difficult

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thing to do. And to do it alone, without any

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outside help. I... I never thought it was possible.

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Well, supposing he can do whatever it is you

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say he can. What of it? Mrs. Appleton, do you

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know what powers are locked in the unconscious?

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What forces, what instinctive knowledge, primitive

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memories? I've always thought of the subconscious

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as an untidy mass of very unpleasant emotions.

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It is untidy, but we've been taught the emotions

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are unpleasant because they lack morality and

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purpose, as indeed they do. Their only purpose

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being to express themselves. Most of us manage

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to live without expressing ourselves, Mr. Cobb?

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Yes, but supposing you find one solitary human

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being who refuses to live that way? You mean

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Bobby? Well, mr. Carlin if he's willing to go

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with you and you want him I've checked you out

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and everything's in order. Oh One thing mr. Carlin.

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I hope you're not going to talk to Bobby about

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his mother. Why not? Why shouldn't he talk about

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his mother if he wants to well, it's not really

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healthy in his case He makes up outrageous stories

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about her such as what? Oh, but she was fantastically

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beautiful that she married into royalty A prince

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or a duke? Oh, children often fantasize that

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way. Last year he told us that she was a movie

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star, imagine. Who was she really? Oh, just a

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poor pathetic woman on relief. I found that out

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from our records. I wasn't here when she brought

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him. That was six years ago. He was only four.

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The records say she simply couldn't afford to

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keep him. She's never been back? Never been back.

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Never called to see how he was getting along.

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Never sent him a present or even written him

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a note. Don't come in. Oh, Bobby. All packed

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to go home with Mr. Carlin. He has a big white

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house, Mrs. Appleton, with a big lawn and flowers

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and lots of servants. Haven't you, Mr. Carlin?

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Yes. I'm sorry about your wife. What? What about

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my wife? I'm sorry she's so unhappy. Didn't you

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tell me she's unhappy and sick sometimes? I...

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I don't think I did. You must have. Or how would

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I know? Do we really know only what we've been

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told? Or what we've read? Or heard? I hate to

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believe that because then each of us is only

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a jumbled mass of information. And very often

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we go about spreading this jumbled information

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for others to pick up and repeat. No wonder the

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world isn't such a turmoil if all we know is

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what we've been told by people who only know

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What they've been told who only know what oh

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no no no there must be more. We can't go on this

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way however Having no solution at hand. I shall

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return shortly with act two When one adopts a

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boy ten years old, it is not only the ten -year

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-old boy who has been taken into the new home,

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it is also the boy who was once nine, once eight,

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once seven, and so on. Clear back to the day

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an infant was born. And these early years are

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unknown, utterly unknown, to the new parents.

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Just how unknown they are to the child is the

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subject of our story. We're almost there Bobby.

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I know. You know? Well, I figure. You mean you

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felt it, that we were almost there? Something

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like that, I guess. Mental telepathy, maybe?

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What's that? Well, thought transference. I was

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thinking to myself, we're almost home, and the

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thought transferred itself to your mind. Is that

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what happened? I wasn't thinking about anything

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at all. It's when we're not thinking about anything

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at all that the thoughts of other people enter

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our minds. I'd like to think about that. Well?

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I think that's very true, what you said, Mr.

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Carlin. It's when you're not thinking about anything

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at all. That's when the good things happen. What

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good things, Bobby? Oh, all the good things.

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Mr. Carlin, you should have turned right there.

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No, no, that's Birch Tree Road. We live on a

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tree... You should have turned there. Go back!

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Hey Bobby, Bobby, take it easy. Go back! Bobby,

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I know where I live and I know how to get there.

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Your telepathy wasn't in good working order that

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time. Now, here is where we turn. To the left.

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We go about a quarter of a mile up this road

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and then we're there. It's pretty. Is it what

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you expected? Kind of. It smells nice. You smell

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something? It smells sweet. Very, very sweet.

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I don't smell anything. Oh, we're coming to the

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privet hedge. That's the sweet smell. Imagine

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you picking it up way back there. Now we're coming

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to the house. It is white. I told you it was.

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And there's a lawn in front, with flowers. I

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told you there would be. Well, here we are. But

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it's not a very big house. It has 16 rooms. And

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where are all the servants? Did you sleep well

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in your new room, Bobby? Yes, I did. It's a very

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nice room. Nicer than the orphanage? That was

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nice, but this is nicer. This morning, Bobby,

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I want to take you to meet my wife. Her name

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is Anita, if you want to call her that. I think

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I should tell you, she gets migraine headaches

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from time to time. I know. I knew she was sick

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sometimes. I think she's sick now. No, she's

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not. I saw her this morning. She was fine. Come

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on. Let's go upstairs. Okay. It's not very nice

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to be sick like that, is it? No, it certainly

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is not. I used to have asthma. That was terrible.

00:16:44.779 --> 00:16:48.440
What did you used to do about it? Oh, I made

00:16:48.440 --> 00:16:53.100
it stop. Made it stop just like that? Sort of.

00:16:53.460 --> 00:16:58.860
It was a long time ago. Here we are. Anita, may

00:16:58.860 --> 00:17:10.349
we come in, dear? Anita, this is Bobby. Go away,

00:17:10.529 --> 00:17:13.670
please. She's sick. My dear, is it another migraine?

00:17:14.029 --> 00:17:17.349
Please, I can't... Bobby, Bobby, we'd better

00:17:17.349 --> 00:17:19.509
come back later. She's sick. You'll meet her

00:17:19.509 --> 00:17:24.289
tomorrow. Come on. Mrs. Carlin, I'm here. I know

00:17:24.289 --> 00:17:27.250
how much it hurts, but I want you to know I'm

00:17:27.250 --> 00:17:31.029
here. And I want it to stop hurting. Please.

00:17:31.180 --> 00:17:33.859
Try to look at me, Mrs. Carlin. Bobby, don't.

00:17:33.859 --> 00:17:36.240
When she's like this, it's no use. I want you

00:17:36.240 --> 00:17:39.380
to give me your headache, Mrs. Carlin. I want

00:17:39.380 --> 00:17:44.440
you to give it to me. Look, Mrs. Carlin. Anita,

00:17:44.460 --> 00:17:48.920
look. Give me your headache. I want to take it

00:17:48.920 --> 00:17:52.799
away from you. I'm going to take it away from

00:17:52.799 --> 00:17:57.839
you. Do you hear me? I'm going to take it. You're

00:17:57.839 --> 00:18:01.910
going to give it to me. I'm going to take it.

00:18:02.269 --> 00:18:06.750
Yes, I'm taking it. You're giving it to me. You're

00:18:06.750 --> 00:18:10.049
giving me your headache, aren't you? Yes, you

00:18:10.049 --> 00:18:14.869
are. I know you are. Please give it to me. All

00:18:14.869 --> 00:18:20.190
of it. Yes. Oh, please. Oh. Oh, yes. Yes. Yes.

00:18:20.470 --> 00:18:32.529
Yes. Yes. Bobby? Bobby, where are you going?

00:18:33.089 --> 00:18:36.869
It's all right. All right. Bobby? I couldn't

00:18:36.869 --> 00:18:41.650
help. Mr. Carlin, I had to throw up. Well, that's

00:18:41.650 --> 00:18:44.529
all right, son. That's all right. How is Mrs.

00:18:44.789 --> 00:18:49.549
Carlin? She says her headache is gone. Yes. Of

00:18:49.549 --> 00:18:53.769
course it's gone. She gave it to me. And how

00:18:53.769 --> 00:18:57.809
are you? I think I'm going to be all right pretty

00:18:57.809 --> 00:19:01.829
soon. I never knew before what a migraine headache

00:19:01.829 --> 00:19:14.150
was like. Now I know. Mrs. Appleton speaking.

00:19:14.509 --> 00:19:17.069
This is George Carlin, Mrs. Appleton. I've got

00:19:17.069 --> 00:19:19.349
great news for you. Everything's working out?

00:19:19.490 --> 00:19:21.609
Three weeks now and everything's going wonderfully.

00:19:22.049 --> 00:19:24.109
He seems very happy here and heaven knows he's

00:19:24.109 --> 00:19:26.990
made us happy. My wife hasn't had another headache

00:19:26.990 --> 00:19:28.769
since that time I wrote you about when Bobby

00:19:28.769 --> 00:19:33.170
cured her Well, he did something to mrs. Carlin,

00:19:33.210 --> 00:19:35.589
perhaps he hypnotized her I don't know but her

00:19:35.589 --> 00:19:38.490
headache stopped. I was there I saw it happen

00:19:38.490 --> 00:19:48.930
No, I don't think so. Well, you better check

00:19:48.930 --> 00:19:51.250
there's a belt of mine missing, but I'm sure

00:19:51.250 --> 00:19:54.119
I must have mislaid it his room. No, I wouldn't

00:19:54.119 --> 00:19:56.900
dream of doing that. The boy is happy here and

00:19:56.900 --> 00:19:59.299
we're happy having him here. Has he talked about

00:19:59.299 --> 00:20:01.740
his mother? No, he hasn't mentioned her. Well,

00:20:01.759 --> 00:20:04.440
my advice is to keep it that way. I don't think

00:20:04.440 --> 00:20:06.559
I agree with that, Mrs. Appleton. You know what

00:20:06.559 --> 00:20:08.980
I told you? All you'll get from him is a lot

00:20:08.980 --> 00:20:11.779
of wild fantasy. At this point, I feel I'd like

00:20:11.779 --> 00:20:14.299
to hear anything Bobby cares to tell me. Well,

00:20:14.460 --> 00:20:16.220
if you don't want to take my advice... No, it's

00:20:16.220 --> 00:20:18.259
not that, Mrs. Appleton. It's that for the time

00:20:18.259 --> 00:20:20.359
being, I'd sort of like to follow my own instincts.

00:20:20.819 --> 00:20:24.259
You understand? I suppose so. I'll keep in touch

00:20:24.259 --> 00:20:27.000
with you. Please do. Good luck to you. Thank

00:20:27.000 --> 00:20:32.880
you. Oh, Bobby, I didn't hear you come in. That

00:20:32.880 --> 00:20:34.779
was Mrs. Appleton I was talking to on the phone.

00:20:35.259 --> 00:20:39.420
How is she? She's fine. Do you miss her? Not

00:20:39.420 --> 00:20:44.200
too much. Bobby, you know that black tooled leather

00:20:44.200 --> 00:20:48.160
belt of mine? Yes, I know that belt. I can't

00:20:48.160 --> 00:20:52.599
find it. Have you seen it? It's in my room. Well,

00:20:52.619 --> 00:20:55.200
did I leave it there do you think I don't know

00:20:55.200 --> 00:21:00.779
I? Don't think so by any chance Bobby Did you

00:21:00.779 --> 00:21:05.700
take it out of my room? I think I? Guess I did

00:21:05.700 --> 00:21:09.700
I'm pretty sure I did You want me to go get it

00:21:09.700 --> 00:21:12.140
or you can have it if you really want it Only

00:21:12.140 --> 00:21:14.180
I'd rather you'd ask me instead of just taking

00:21:14.180 --> 00:21:17.519
it, but I don't want it. No It's too big for

00:21:17.519 --> 00:21:20.119
me. Why would I want it? I don't know. I just

00:21:20.119 --> 00:21:23.180
saw it and it reminded me of something. Reminded

00:21:23.180 --> 00:21:25.920
you of what? I was going to give it back to you.

00:21:26.440 --> 00:21:29.640
I didn't mean to keep it. I didn't even want

00:21:29.640 --> 00:21:31.440
it. All right, all right now. It's all right.

00:21:32.220 --> 00:21:34.440
Just put it back in my room when you get a chance,

00:21:34.460 --> 00:21:36.720
will you? I'll put it right back now. No, in

00:21:36.720 --> 00:21:41.720
the morning will be all right. Bobby, do you

00:21:41.720 --> 00:21:43.900
ever feel you want to talk to me about your mother?

00:21:44.680 --> 00:21:48.250
My mother? Do you remember her at all? I know

00:21:48.250 --> 00:21:50.490
you were only four when she left you at the orphanage.

00:21:50.990 --> 00:21:56.329
She was very, very beautiful. What else? I'm

00:21:56.329 --> 00:21:59.589
not supposed to talk about my mother. Well, don't

00:21:59.589 --> 00:22:03.750
you want to? Not now, Mr. Carlin. All right.

00:22:04.490 --> 00:22:07.369
But if you ever want to, I'm here, you know.

00:22:08.109 --> 00:22:24.490
I know. George? Oh, what are you doing up? Can't

00:22:24.490 --> 00:22:29.470
you sleep? Not for hours. Oh, the moon is so

00:22:29.470 --> 00:22:31.809
bright, I don't wonder. No, it's not just the

00:22:31.809 --> 00:22:35.769
moon. I was thinking about Bobby. Oh, funny.

00:22:37.390 --> 00:22:39.750
I was thinking about him too. I talked to Mrs.

00:22:39.970 --> 00:22:41.910
Appleton this afternoon. She asked me, did Bobby

00:22:41.910 --> 00:22:45.210
ever talk about his mother? He never does. That's

00:22:45.210 --> 00:22:47.509
what I told her. And she said, fine, keep it

00:22:47.509 --> 00:22:50.170
that way. But I said I didn't agree that I thought

00:22:50.170 --> 00:22:52.089
he should talk about whatever he felt like talking

00:22:52.089 --> 00:22:54.690
about. Oh, you're absolutely right Bobby came

00:22:54.690 --> 00:22:57.569
into the room about that time and I brought up

00:22:57.569 --> 00:23:00.710
the subject of his mother and all he'd say was

00:23:00.710 --> 00:23:04.710
She was very very very beautiful. That's all

00:23:04.710 --> 00:23:07.289
I tried to get him to go on but he just clammed

00:23:07.289 --> 00:23:10.349
up said I'm not supposed to talk about it Mrs.

00:23:10.529 --> 00:23:13.210
Appleton probably told him not to she has a point

00:23:13.210 --> 00:23:16.660
in a way She says Bobby makes up wild stories

00:23:16.660 --> 00:23:18.319
about his mother whom he hasn't seen or even

00:23:18.319 --> 00:23:21.119
heard from in six years You mean since he was

00:23:21.119 --> 00:23:24.640
four? That's right, but he tells people or used

00:23:24.640 --> 00:23:27.359
to that she had dozens of admirers finally married

00:23:27.359 --> 00:23:31.220
some title -gen became a movie star Oh George,

00:23:32.400 --> 00:23:35.359
my children often do that Another thing Mrs.

00:23:35.660 --> 00:23:37.680
Appleton asked me if Bobby had snitched anything

00:23:37.680 --> 00:23:40.559
and I told her about my black tooled leather

00:23:40.559 --> 00:23:43.359
belt Then when Bobby came in I asked me had he

00:23:43.359 --> 00:23:45.140
seen it and right away. He said yes, it was in

00:23:45.140 --> 00:23:48.059
his room I asked me if he'd taken it and he said

00:23:48.059 --> 00:23:50.339
he guessed he must have did I want it back? It

00:23:50.339 --> 00:23:52.799
was too big for him. Anyway, isn't that peculiar?

00:23:53.779 --> 00:23:55.740
You know, I told you the woman who took him last

00:23:55.740 --> 00:23:59.539
year said he snitched silly things a Frying pan

00:23:59.539 --> 00:24:01.779
a wooden spoon a pelt off one of her dresses.

00:24:02.880 --> 00:24:05.680
Oh I wonder if that's where our little frying

00:24:05.680 --> 00:24:08.079
pan disappeared to they were asking me in the

00:24:08.079 --> 00:24:10.400
kitchen if I'd seen it What? There's a frying

00:24:10.400 --> 00:24:13.180
pan missing? Heavens, George. We have about 12

00:24:13.180 --> 00:24:16.039
frying pans of assorted sizes. Is there anything

00:24:16.039 --> 00:24:20.819
else missing? No, nothing else. Oh. Well, unless

00:24:20.819 --> 00:24:23.240
you want to say one of my shoes is missing. One

00:24:23.240 --> 00:24:26.140
of your shoes? Those high -heeled things. I'd

00:24:26.140 --> 00:24:28.619
given up high heels, and I put those out to give

00:24:28.619 --> 00:24:31.000
away. And next time I looked, there was only

00:24:31.000 --> 00:24:34.500
one. Must have gotten thrown out. Goodness, it

00:24:34.500 --> 00:24:37.099
would take one shoe. Who would throw away one

00:24:37.099 --> 00:24:40.900
shoe? Oh, George. Look, come on back to bed.

00:24:41.539 --> 00:24:45.119
Maybe you can get to sleep. Yeah, maybe. That

00:24:45.119 --> 00:24:48.500
damn moon wasn't so bright. Shines right across

00:24:48.500 --> 00:24:52.099
the bed. Why don't you pull the curtains? You

00:24:52.099 --> 00:24:57.039
know what? It's a full moon. Well, pull the curtains

00:24:57.039 --> 00:25:02.140
and come to bed. Can you see or do you want a

00:25:02.140 --> 00:25:06.039
light on? Oh, I can see. What was that? What

00:25:06.039 --> 00:25:08.779
was what? Did you hear a door close? What door?

00:25:08.900 --> 00:25:13.480
It sounded like downstairs. There he goes. Bobby?

00:25:13.680 --> 00:25:16.440
Yes, and there's a full moon. George. Like before.

00:25:16.599 --> 00:25:19.759
Call him back. Go after him, George. No. No,

00:25:19.759 --> 00:25:21.440
I don't think I'm going to do that. Well, for

00:25:21.440 --> 00:25:23.559
heaven's sakes, why not? You can't just let him

00:25:23.559 --> 00:25:25.359
go wandering around all by himself. No, I don't

00:25:25.359 --> 00:25:27.500
think he's going to be just wandering around.

00:25:27.619 --> 00:25:29.259
You think he's going someplace in particular?

00:25:29.319 --> 00:25:32.180
Yes. Where? I don't know. And I don't think he

00:25:32.180 --> 00:25:48.640
knows either. But someplace As we are all going

00:25:48.640 --> 00:25:52.839
some place We don't know where and there is no

00:25:52.839 --> 00:25:56.839
one who knows to tell us where Yet very deep

00:25:56.839 --> 00:26:01.799
in our minds or our hearts or our tormented souls

00:26:02.190 --> 00:26:07.230
We know we are going someplace. We can't see

00:26:07.230 --> 00:26:10.650
ahead and it does no good to look back. We can

00:26:10.650 --> 00:26:16.309
only trudge on down the road to someplace. I'll

00:26:16.309 --> 00:26:37.579
be back shortly with Act 3. with which act two

00:26:37.579 --> 00:26:41.599
ended, has been wiped out now by the exploratory

00:26:41.599 --> 00:26:45.339
colors of the rising sun, and steadily down a

00:26:45.339 --> 00:26:48.519
winding road trudges a small boy, ten years of

00:26:48.519 --> 00:26:52.420
age, steadily, purposefully, toward a destination

00:26:52.420 --> 00:26:55.779
he could not name were you to ask him. It is

00:26:55.779 --> 00:27:00.660
Bobby Deland. The thin little boy's arms start

00:27:00.660 --> 00:27:14.190
to wave wildly as a truck approaches. How far

00:27:14.190 --> 00:27:17.410
are you going? I don't know exactly. Down the

00:27:17.410 --> 00:27:20.410
road away. Come on, get in. Here, let me give

00:27:20.410 --> 00:27:23.490
you a hand. That's a pretty big step up. I can

00:27:23.490 --> 00:27:28.630
do it. What you doing out at this hour? It's

00:27:28.630 --> 00:27:32.009
hardly daylight. I have to go see somebody. You

00:27:32.009 --> 00:27:37.289
expected? Yes, I'm expected. I didn't say when,

00:27:37.710 --> 00:27:41.460
though. Going to see your folks? My mother. Oh,

00:27:41.519 --> 00:27:44.119
your mother. Then I guess you know where she's

00:27:44.119 --> 00:27:48.119
at. Somewhere along this road. No number? No

00:27:48.119 --> 00:27:51.000
name? Like on a mailbox? I'll know when we get

00:27:51.000 --> 00:27:53.960
there. You've been there before, I guess. It's

00:27:53.960 --> 00:27:57.140
a great big white house with a big green lawn

00:27:57.140 --> 00:28:00.839
and flowers. I think I know what a place she

00:28:00.839 --> 00:28:04.000
means. And lots and lots of servants. Yeah. There

00:28:04.000 --> 00:28:22.009
it is! You hadn't ought to go in there. Hey,

00:28:22.009 --> 00:28:23.890
you know what you're doing? You hadn't ought

00:28:23.890 --> 00:28:39.529
to... Oh, what a douche. That's it. That's the

00:28:39.529 --> 00:28:42.730
house. This is the lawn. There are the flowers.

00:28:43.309 --> 00:28:46.549
But where are the servants? Where's my mother?

00:28:50.960 --> 00:28:54.099
You want to sit here, Baroness, under this tree?

00:28:54.359 --> 00:28:57.480
Is that all right? I'll fetch you some coffee,

00:28:57.500 --> 00:29:02.140
and I'll be right back. Excuse me? Are you my

00:29:02.140 --> 00:29:08.160
mother's maid? Yes, yes, I am. Will you tell

00:29:08.160 --> 00:29:11.980
her I've come to see her, please? If she... If

00:29:11.980 --> 00:29:14.700
she feels well enough to see me. And what's your

00:29:14.700 --> 00:29:18.400
name? Bobby Dieland. Would you tell my mother?

00:29:18.960 --> 00:29:21.609
And how did you get in here, Bobby? Somebody

00:29:21.609 --> 00:29:25.549
dropped me off... before. I've been waiting till

00:29:25.549 --> 00:29:28.529
I saw the servants come out of the house. Now,

00:29:28.809 --> 00:29:31.950
please, I'd like to see my mother. You mean that

00:29:31.950 --> 00:29:35.269
lady over there? Yes, my mother. Oh, I'm afraid

00:29:35.269 --> 00:29:37.910
that's not your mother, dear. That's the Baroness

00:29:37.910 --> 00:29:42.049
Hortha. Well, her name before was Mrs. Dieland.

00:29:42.690 --> 00:29:45.109
Please tell her I want to see her. Oh, never

00:29:45.109 --> 00:29:47.450
mind. I'll hold on, Nana, just a minute. Let

00:29:47.450 --> 00:29:49.809
go! Let me go! Not so fast, young man. Let go

00:29:49.809 --> 00:29:52.869
of me! Miss Copeland, what's going on? This boy,

00:29:52.869 --> 00:29:55.029
he wandered in here. He wants to talk to the

00:29:55.029 --> 00:29:59.009
Baroness. He's her son, he says. Well, then let

00:29:59.009 --> 00:30:03.569
him. Should I, Doctor? Why not? He may succeed

00:30:03.569 --> 00:30:07.410
where we failed. Go ahead, my boy. Thank you.

00:30:08.509 --> 00:30:18.500
Hello, Mother. I'm here. Hello, Mrs. Appleton?

00:30:19.660 --> 00:30:22.339
George Carlin. I wanted to tell you Bobby's been

00:30:22.339 --> 00:30:24.200
found. Thank you for not calling the police.

00:30:25.359 --> 00:30:27.079
Well, you know, I told you I saw him leave the

00:30:27.079 --> 00:30:29.140
house. I simply followed him in my car. It wasn't

00:30:29.140 --> 00:30:33.880
hard, so don't worry. What's that? Well, I don't

00:30:33.880 --> 00:30:37.019
think that's necessary, but if you want to...

00:30:37.019 --> 00:30:40.180
Look, can't you tell me over the phone? Well,

00:30:40.819 --> 00:30:43.099
all right. No, no, I'm not at home. I'm at the

00:30:43.099 --> 00:30:45.579
place where I found Bobby. It's on Birch Tree

00:30:45.579 --> 00:30:48.279
Road, not too far from where I live. A big white

00:30:48.279 --> 00:30:51.920
house, very big, big lawn out in front. It's

00:30:51.920 --> 00:30:55.700
the Wesley Sanitarium. You know it? Well, I'm

00:30:55.700 --> 00:30:59.220
with Dr. Wesley right now. All right, we'll expect

00:30:59.220 --> 00:31:02.880
you. Mrs. Appleton's coming over, if that's all

00:31:02.880 --> 00:31:05.200
right, doctor. Perfectly all right. She wants

00:31:05.200 --> 00:31:07.920
to tell me something, show me something. I don't

00:31:07.920 --> 00:31:11.220
know what. Tell me, Mr. Carlin, what made you

00:31:11.220 --> 00:31:14.079
think Bobby might come here? It was just a guess.

00:31:14.720 --> 00:31:16.380
But when I brought him home from the orphanage,

00:31:16.400 --> 00:31:18.839
he wanted to turn onto Birch Tree Road. Did he

00:31:18.839 --> 00:31:21.640
say why? He thought it was the road my house

00:31:21.640 --> 00:31:23.920
is on. Not that he'd ever been at my house. All

00:31:23.920 --> 00:31:26.240
he knew about my house was that it was big and

00:31:26.240 --> 00:31:28.339
white, had a lawn with flowers and servants.

00:31:29.099 --> 00:31:31.720
He knew that because I told him. And I told him

00:31:31.720 --> 00:31:34.880
because he specifically asked. It seemed important

00:31:34.880 --> 00:31:38.420
to him, did it? Very. I was puzzled at that because

00:31:38.420 --> 00:31:40.680
he's not a snobbish sort of boy, quite the contrary.

00:31:41.470 --> 00:31:45.950
That insistence on a lot of servants Now I begin

00:31:45.950 --> 00:31:49.890
to understand your sanitarium does have a lot

00:31:49.890 --> 00:31:52.970
of servants as well as a lawn and flowers But

00:31:52.970 --> 00:31:56.029
the boys never seen the sanitarium has he he

00:31:56.029 --> 00:31:57.849
hasn't even seen his mother since the age of

00:31:57.849 --> 00:32:01.809
four then how would he know I suppose it when

00:32:01.809 --> 00:32:04.950
you think about Dream about a certain person

00:32:04.950 --> 00:32:07.329
for such a long time and fantasize about that

00:32:07.329 --> 00:32:10.420
person the way he did about his mother what sort

00:32:10.420 --> 00:32:13.920
of fantasies. Oh, wild ones. That she was much

00:32:13.920 --> 00:32:16.119
admired, much sought after, that she married

00:32:16.119 --> 00:32:19.160
into royalty, became a movie star. Hold on there.

00:32:19.819 --> 00:32:24.240
She did marry into royalty. You don't mean she's

00:32:24.240 --> 00:32:27.680
really a Baroness. Yes, indeed. The Baroness

00:32:27.680 --> 00:32:31.660
Hortha. I thought that Baroness stuff was, you

00:32:31.660 --> 00:32:34.859
know, part of her dementia. The Baron brought

00:32:34.859 --> 00:32:38.859
her here. The Baron pays her bills. He's not

00:32:38.859 --> 00:32:41.480
very high up in the royal lists, but he's a baron,

00:32:41.700 --> 00:32:44.220
nevertheless. The boy couldn't have known that.

00:32:44.920 --> 00:32:46.819
No more than he could have known Birch Tree Road.

00:32:47.079 --> 00:32:50.660
Now, about her becoming a movie star. The baron

00:32:50.660 --> 00:32:53.119
told us that she made a motion picture a few

00:32:53.119 --> 00:32:55.960
years ago. Actually, that's where he met her.

00:32:56.380 --> 00:32:59.839
He put up the money. She starred in it. Well,

00:32:59.839 --> 00:33:02.490
that's impossible, isn't it? Someone would would

00:33:02.490 --> 00:33:05.470
have known seen the picture recognized sir. I

00:33:05.470 --> 00:33:08.950
don't know who saw the picture mr. Carlin. It

00:33:08.950 --> 00:33:12.809
was a pornographic film No, the Baron has made

00:33:12.809 --> 00:33:14.869
a good bit of money on pornographic films. I'm

00:33:14.869 --> 00:33:19.509
told She made the film starred in it She married

00:33:19.509 --> 00:33:22.930
the Baron. He's devoted to her Well, then what

00:33:22.930 --> 00:33:27.069
happened or about a year ago. She became severely

00:33:27.069 --> 00:33:31.650
depressed it went further into melancholia Finally,

00:33:32.289 --> 00:33:34.630
she became very nearly catatonic, and he brought

00:33:34.630 --> 00:33:37.109
her here. She won't talk to him when he comes

00:33:37.109 --> 00:33:39.869
to see her, as she's never spoken to any of us.

00:33:40.369 --> 00:33:42.269
It was about a year ago, as I understand it,

00:33:42.269 --> 00:33:44.390
that Bobby began to talk about a big White House

00:33:44.390 --> 00:33:46.890
with a lawn and gardens, and a lot of servants.

00:33:48.049 --> 00:33:50.029
Could he have known that she'd been brought here?

00:33:50.650 --> 00:33:52.529
To a place he'd never seen, didn't even know

00:33:52.529 --> 00:33:55.569
existed? It's a rare person who has a faculty

00:33:55.569 --> 00:33:59.630
to sense what is going on. But... If there is

00:33:59.630 --> 00:34:02.529
a great affinity between two people, I suppose

00:34:02.529 --> 00:34:06.190
a telepathic communication is... Well, it's possible.

00:34:06.789 --> 00:34:09.230
Was there such an affinity between Bobby and

00:34:09.230 --> 00:34:11.670
his mother? After all, she abandoned him when

00:34:11.670 --> 00:34:13.610
he was four and never communicated with him after

00:34:13.610 --> 00:34:17.110
that. Communicated with him? I'd say by all the

00:34:17.110 --> 00:34:19.329
evidence, she communicated with him the whole

00:34:19.329 --> 00:34:22.070
time they were apart. She may not have known

00:34:22.070 --> 00:34:24.610
she was communicating, but her son was on the

00:34:24.610 --> 00:34:28.050
face of it. so sensitively attuned to her and

00:34:28.050 --> 00:34:31.949
her existence, he could pick up waves that emanated

00:34:31.949 --> 00:34:36.289
from her that she knew nothing about. Come in.

00:34:37.909 --> 00:34:41.570
Dr. Wesley, I hope I did the right thing. What's

00:34:41.570 --> 00:34:45.070
that? Well, I left the little boy with the Baroness.

00:34:45.110 --> 00:34:49.239
Is that all right? I think so. The Baroness has

00:34:49.239 --> 00:34:51.980
never shown the slightest sign of being violent.

00:34:52.199 --> 00:34:55.000
Quite the contrary. Well, she does seem interested

00:34:55.000 --> 00:34:58.800
in him. I mean, she looks at him. Sounds like

00:34:58.800 --> 00:35:01.659
progress to me. So then I should just leave them

00:35:01.659 --> 00:35:05.639
together. Where are they? In her room. I'd say

00:35:05.639 --> 00:35:08.860
leave them together. But leave the door open.

00:35:09.260 --> 00:35:15.420
Yes, Doctor. It will be astounding if she recognizes

00:35:15.420 --> 00:35:19.139
him, accepts him. It could mean she's on her

00:35:19.139 --> 00:35:23.539
way back. Dr. Wesley, this faculty you talk about,

00:35:24.179 --> 00:35:27.699
this rare ability to sense things. What is it?

00:35:28.119 --> 00:35:31.940
It doesn't have a name. Anyway, not a name that

00:35:31.940 --> 00:35:35.599
appears in scientific journals, but some clairvoyants

00:35:35.599 --> 00:35:39.900
have it. Some mystics have it. Some saints, I

00:35:39.900 --> 00:35:43.900
suppose. Many poets have it. It's an ability

00:35:43.900 --> 00:35:49.019
to reach far into oneself. To make contact, do

00:35:49.019 --> 00:35:52.559
you know the poem called The Labyrinth? W. H.

00:35:52.719 --> 00:35:55.800
Auden wrote it. There are four lines from it

00:35:55.800 --> 00:36:00.860
that I quote to myself all the time. The center

00:36:00.860 --> 00:36:05.059
that I cannot find is known to my unconscious

00:36:05.059 --> 00:36:10.239
mind. I have no reason to despair because I am

00:36:10.239 --> 00:36:15.369
already there. Nice, isn't it? What? What does

00:36:15.369 --> 00:36:18.309
it mean? Come, come, Mr. Carlin. You know very

00:36:18.309 --> 00:36:22.690
well what it means. That if we only go deep enough

00:36:22.690 --> 00:36:25.550
into ourselves, we will find the center that

00:36:25.550 --> 00:36:30.369
will... that will stabilize us? Is that it? Give

00:36:30.369 --> 00:36:34.750
us peace? Is that it? The peace that passeth

00:36:34.750 --> 00:36:38.989
all understanding. Because I'm afraid understanding

00:36:38.989 --> 00:36:42.039
has very little to do with it. To think that

00:36:42.039 --> 00:36:44.380
a four -year -old boy could hold fast to the

00:36:44.380 --> 00:36:47.280
image of his mother through all those years.

00:36:47.440 --> 00:36:50.139
What else had he to hold fast to? And then find

00:36:50.139 --> 00:36:53.219
her by his own effort. Which only proves a game,

00:36:53.340 --> 00:36:57.880
Mr. Carlin. We get what we want if we want it

00:36:57.880 --> 00:37:03.880
enough. Come in. Mrs. Appleton. I got here as

00:37:03.880 --> 00:37:07.480
soon as I could. Mrs. Appleton, Dr. Wesley. Please

00:37:07.480 --> 00:37:10.769
sit down, Mrs. Appleton. Thank you, doctor. Now,

00:37:10.869 --> 00:37:13.570
the boy's all right, Mrs. Appleton. You're not

00:37:13.570 --> 00:37:17.610
to worry. He's with his mother. His mother? He

00:37:17.610 --> 00:37:20.269
found her here, Mrs. Appleton. She's the reason

00:37:20.269 --> 00:37:25.090
for his running away all those times. Mr. Colin,

00:37:25.530 --> 00:37:28.769
Dr. Wesley, I've brought something to show you.

00:37:29.130 --> 00:37:31.750
Something for you to hear. And what is that?

00:37:32.650 --> 00:37:34.610
Well, when you called me last night, Mr. Colin,

00:37:34.789 --> 00:37:38.250
I was so upset. Everything had been going so

00:37:38.250 --> 00:37:40.719
well, and then... to have him run away again.

00:37:41.960 --> 00:37:44.739
Anyway, I couldn't get back to sleep. So I went

00:37:44.739 --> 00:37:46.980
down to the basement and I rummaged around among

00:37:46.980 --> 00:37:52.800
the old files and I found this. A tape? Yes.

00:37:53.179 --> 00:37:55.639
We keep tapes at the orphanage of all the interviews

00:37:55.639 --> 00:37:58.559
we have with prospective parents and with the

00:37:58.559 --> 00:38:00.699
people who leave their children for adoption.

00:38:01.739 --> 00:38:05.840
Well, this tape, this one goes back six years

00:38:05.840 --> 00:38:08.699
before I came to the orphanage. And it's a tape

00:38:08.699 --> 00:38:12.039
of... Oh, is it all right if I use this machine,

00:38:12.340 --> 00:38:15.860
Doctor? Yes, go right ahead. All right. Now,

00:38:16.039 --> 00:38:18.119
I'll just play you the part towards the end.

00:38:19.360 --> 00:38:22.199
It's the tape they had running when Mrs. Deland

00:38:22.199 --> 00:38:28.400
came to leave Bobby. You gotta take him or I'll

00:38:28.400 --> 00:38:34.079
kill him. Look, I am a cheap prostitute. I live

00:38:34.079 --> 00:38:38.000
in one room. to send the kid out to play on the

00:38:38.000 --> 00:38:42.219
street, Mom, conducting my business. Now, how

00:38:42.219 --> 00:38:44.199
long did I go on telling him? It says, Uncle

00:38:44.199 --> 00:38:47.960
Charlie, I got up in my room. And another thing,

00:38:48.360 --> 00:38:51.239
I haven't got the greatest disposition in the

00:38:51.239 --> 00:38:54.400
world. And when I'm hungover, when my head hurts,

00:38:54.559 --> 00:39:00.460
I go crazy, and I'm unable to hit him. I can't

00:39:00.460 --> 00:39:02.639
just hit him. I'll hit him with anything that's

00:39:02.639 --> 00:39:31.269
handy. Yesterday, I hit him with my shoe. You

00:39:31.269 --> 00:39:34.130
said that Bobby had taken a belt at your house,

00:39:34.769 --> 00:39:37.489
and the woman last year said he took a frying

00:39:37.489 --> 00:39:41.090
pan. He took a shoe of my wife's. I think we'd

00:39:41.090 --> 00:39:44.670
better go see if everything's all right. Come

00:39:44.670 --> 00:39:50.869
with me. He's right down the hall. How in the

00:39:50.869 --> 00:39:53.889
world did his mother come to be here? It's a

00:39:53.889 --> 00:39:58.599
long story, Mrs. Appleton. How did he know she

00:39:58.599 --> 00:40:02.380
was here? That's an even longer story. Here we

00:40:02.380 --> 00:40:10.460
are. Is he in there? With her? Yes. Be quiet.

00:40:12.880 --> 00:40:19.059
I brought you some presents, Mother. Look. Here's

00:40:19.059 --> 00:40:25.800
a belt. And here's a frying pan. And here's a

00:40:25.800 --> 00:40:49.630
shoe. See mother there for you with my love Mothers

00:40:49.630 --> 00:40:54.409
of the world rejoice for you are loved Of course

00:40:54.409 --> 00:40:56.889
in the human nature of things you are simultaneously

00:40:56.889 --> 00:41:01.230
hated and by the same person. For no emotion

00:41:01.230 --> 00:41:05.150
as powerful as love can flourish unadulterated.

00:41:05.949 --> 00:41:10.750
Side by side with love goes hate. It is you might

00:41:10.750 --> 00:41:32.840
say a package deal. I'll be back shortly. lived

00:41:32.840 --> 00:41:36.760
within ourselves, the posturing we do in full

00:41:36.760 --> 00:41:39.239
view of others. What is that but the antique

00:41:39.239 --> 00:41:42.840
behavior of a poor clown who needs to be applauded?

00:41:43.579 --> 00:41:46.699
The exterior life is really only incidental,

00:41:46.900 --> 00:41:50.679
yet we expend all our energy on it, while the

00:41:50.679 --> 00:41:54.579
interior life is left to its own devices as though

00:41:54.579 --> 00:41:58.980
deeply ashamed of it. We wish to disown it. Our

00:41:58.980 --> 00:42:02.000
cast included Michael Tolan, Marion Seldes, Martha

00:42:02.000 --> 00:42:05.500
Greenhouse, Hetty Galen, and Gilbert Mack. The

00:42:05.500 --> 00:42:07.940
entire production was under the direction of

00:42:07.940 --> 00:42:11.440
Hyman Brown. This is E .G. Marshall inviting

00:42:11.440 --> 00:42:14.380
you to return to our mystery theater for another

00:42:14.380 --> 00:42:20.360
adventure in the macabre. Until next time, pleasant

00:42:20.360 --> 00:42:21.400
dreams.
