WEBVTT

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The CBS Radio Mystery Theater presents... Come

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in. Welcome. I'm E .G. Marshall. Welcome to another

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hour with the Great Forces. of the unknown those

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majestic forces that move around above and beneath

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us pushing and pulling at our lives our bodies

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our brains forces no less powerful because we

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know them not and here's a thought how much of

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their power actually derives from their mystery

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were we to fathom them explode their secrets.

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Would they then become as comprehensible as,

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say, the centrifugal force in the spin dryer

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at the laundromat? Well, the day is far off when

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we can be that knowledgeable. So, in the meantime,

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listen. How will you do it? A gun. Do you have

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a gun? No. Well, then that's no good. A knife.

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Could you get near him, near enough to use a

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knife? Do you have the strength? No. Well, so

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that's no good. But he has to die so that I can

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live. He will die. He will die tomorrow morning.

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How do you know? He will die of the mass of...

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Our mystery drama, The Secret Doctrine, was written

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especially for the Mystery Theater by Elspeth

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Erich and stars Mercedes McCambridge. It is sponsored

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in part by The Kellogg Company, makers of Kellogg's

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Special K Cereal, and New Sugar -Free Diet 7

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Up. I'll be back shortly with act one. Be careful,

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they say, what you ask for, lest it be given

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to you. Who of us knows what to ask for? Who

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can see far enough into the future to know what

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gift will delight and which destroy? Better simply

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to accept whatever comes, with gratitude, whenever

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possible. Listen with me now to the somber story

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called The Secret Doctrine. You can begin now,

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Louise. Now, Father Giles. The others have gone.

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You said your confession would take some time,

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so let's begin. Bless me, Father, for I have

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sinned. Go on, Louise. And, uh, speak up. Don't

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mumble. In thoughtward indeed. Oh, Father, I

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can't find the words to tell you. Remember, I

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sit in the confessional box not only as your

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priest, but as God's own surrogate. Father, you

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know Peter Sorrell. Sorrell? Yes. The American

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movie star. Oh, I, uh... I don't know any American

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movie stars. Oh, you mean the actor who came

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here to make a film about the St. Vincent de

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Paul? Yes, yes, yes. It caused quite a stir in

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the village. And then something happened. What

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was it? Father, Pierre Sorrel died. Oh, did he

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die? I hadn't heard. This morning. Oh, God, take

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his soul. What was his illness? He was not ill,

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Father. He simply died. He slipped away. But

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he was not an old man. What did the doctor say?

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Just what I told you. That he was not ill. That

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he simply grew weaker and weaker until death

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took him. I know what he died of, Father Jarrett.

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You know? He died of the Mass of San Césaire.

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Do you know what you're saying? The Mass of San

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Césaire has not been said in Gascony for hundreds

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of years. Most priests have never heard it. No,

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no, no, good priest would even say it. I think...

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You'd best tell me all about it, Louise. Yes,

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Father. I was in love with Peter Sorrell. In

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love? You never knew him. He only came here a

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month ago. I've seen all his films, each one

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many times. When one of them came to Dax, I'd

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walk the 20 miles to see it. And if it was there

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for two days, I'd roam the streets all night

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to see it again and again. As many times as it

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was shown. You call this being in love? How old

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are you, Lewis? I'm 38, Father. Have you ever

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loved a boy, a man? No, Father. I've been in

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love with Peter Sorrell since I was 18. I've

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written to him in Hollywood every week for 20

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years. And once he answered me, and he sent me

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his picture. And when I heard that he was coming

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here, I saw the hand of God. Take care. You don't

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blaspheme, Louise. That is how it seemed to me,

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Father Charles. Go on. The company he worked

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for had rented the big house on the hill for

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him. And the first day he was here, I took him

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some of my onion soup. Well, well, well. What

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have we here? I brought you some onion soup,

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Mr. Sorrel. If you'd care to accept it. I'd care

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like crazy. I've seen all your films, Mr. Sorrel.

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I love them all. You've got a big heart. And

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the next day I took him a bottle of wine. It's

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called sand wine, Mr. Sorrel. A local product.

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Like you. You're a local product. It's very good.

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Really, it is. So are you. What's your name?

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And the next day, I took him a bottle of brandy.

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It's Armagnac, Mr. Sorrel. It's the best brandy

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in France. I'll just bet it is. There's a dish

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I know how to make with this brandy. Roast capone.

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Then you're going to make it for me, aren't you,

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Louise? That is your name, isn't it? Louise?

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The next day I went to his house. But this time

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he wasn't alone. There was a man with him. A

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young American gentleman. I shouldn't have let

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you talk me into this picture, Gabe. Me talking

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you into it? Who cares about saints anymore?

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Well, there's gotta be a reaction from all that

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demon stuff eventually. Pardon me, Mr. Sorrell.

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The capon is... Louise! Louise, meet my agent,

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Gabe Houser. How are you, Louise? Mr. Houser,

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I'll keep the capon warm until you're ready.

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Please. When you're ready, call me. Who is that?

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A fan. One of my millions of fans. What's for

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dinner tonight, Louise? Gascony, pork and cabbage.

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in a special sauce. Why can't we eat like that

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on the set, huh, Peter? Because Louise isn't

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on the set. Well, informally, I could be. Hey,

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hey, we could fix her up with a walk -on or something,

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couldn't we? You could. Hey, she could be one

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of the Sisters of Charity. Why not? Louise the

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Star has spoken. So then, Father, I could be

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with him during the day and not just in the evenings.

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I was in heaven. You have strange concepts of

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theological matters, Louise. But go on. The atmosphere

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of that place, all the fuss and the laughter

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and the excitement, it all went to my head. And

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I forgot that I only wanted to serve him. I wanted

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to love him, to belong to him. and to have him

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belong to me. You poor woman. I watched him every

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moment. My eyes were fastened on his face. My

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ears strained to catch every word that fell from

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his lips. There is nothing so grand as a good

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priest. It hurts me to see God's work in unloving

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hands. Cut. That's a print. Okay, let's pray.

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I didn't think anyone noticed how I stared at

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him, followed him about. I waited for him after

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the day's work. But one day as I watched him...

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And the city hospital. Two to a bed. Some lying

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on the floor. You're crying, Louise. He's doing

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the scene with the cardinal. Oh, it's not a sad

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scene. It's not even a good scene. Oh, it's a

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very good scene. It's a wonderful scene. Everything

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he does is wonderful. It was Noemi, Father. You

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know her? The woman who came here from the Basque

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Country last year. She got herself a job, an

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extra like me. And so I saw a lot of her after

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that. My father! I degraded my father! I scorched

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my father! Why, you want him for your very own?

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Not the way you mean, Noemi. Oh, yes. Precisely

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the way I mean. What other way is there? Oh,

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my savior, I need to confess! Cut! Print it!

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Right for lunch! Noemi was always there, Father.

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I couldn't send her away. She belonged there

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as much as I did, after all. Why in the world

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should I lie down when those poor people are

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calling for me? Why, you want him, Louise? It

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shows on your face. It's hopeless. Tell me, can

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you get your hands on some rocks of his hair,

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cuttings from his fingernails, his toenails?

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Why? Why should I? Why? They will give you power

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over him. Oh, I can't believe it. Oh, believe.

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Believe it's true. His hair, his fingernails,

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his toenails. If you want him, get them and bring

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them to me. Need me? Cut. Break that. Incisions

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on the set, please. I didn't believe her father,

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not really. But my desire had become so great,

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I thought I should go mad. I had no trouble finding

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bits of his hair. I picked up all I needed from

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the floor of the makeup room. But the cuttings

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of his fingernails and his toenails, that was

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more difficult than one evening at his house.

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DePaul was the first social worker in history.

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You know that, Gabe? I mean, he organized social

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services. Would you like some more amaniac, Mr.

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Sorrell? Oh, you're still here, Louise? You can

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go home whenever you feel like it. You don't

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have to stick around. I've been listening and

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watching. A great dinner, Louise. I noticed you

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bite your nails, Mr. Sorrell, when you talk.

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Yeah, a childhood habit. You shouldn't do that.

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Yeah, that's what my mother always said. If you'd

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let me cut your nails properly. My mother always

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said that, too. I have a scissors right here

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with me. My mother also always had the scissors

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right there with her. So while they talked, I

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cut his fingernails and I saved them all, even

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the little bits of cuticle in my kerchief. And

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when I had finished... Louise? You're a saint.

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Oh, if I'm a saint, Mr. Sorrell, I should wash

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your feet. Wash my feet? Say, now... They get

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awfully dirty walking around the set in those

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old sandals. And all the saints, even the pope,

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he washes the feet of a sinner once a year to

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show humility. I'm your sinner, is that it? Let

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her, Peter, if she wants to. You really want

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to? And to cut your toenails. Well, what can

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I say? It's the best offer I've had since I came

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to France. And so I did, Father. And when I left

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that night, I had all the cuttings in my kerchief,

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and I took them to Noemi, who waited for me in

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the woods. Take this, Louise. What is that? It's

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a little bag made from the skin of a toad, which

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my own daughter impaled at midnight in the graveyard

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of the old abbey. Oh, we put all your precious

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cuttings into it. Now, Pull the drawstrings tight.

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That's it. And hang it around your neck, under

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your dress. Yes, yes, yes. Just like that. How

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do you know that it will work? I know. It seems

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so wrong. It's going against God, isn't it? Have

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you ever heard of Eliphaz Levi and the secret

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doctrine? No. Well, Eliphaz Levi was his pen

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name. He wrote many books on the subject of magic.

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Magic exists. Always has existed all over the

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world. But I'm afraid of it, Noemi. Oh, give

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in to your fear and you'll lose the thing you

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most desire. Conquer your fear and the secret

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doctrine will bring you Peter Sorrell. How do

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I know? Magic is everywhere. unseen, unheard,

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but it is working all the time. You need only

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the spiritual energy to make it work for you.

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But do I have energy like that? I don't think

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I do. Oh, never mind. I do. Now, kneel down.

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No, no, no, do not bow your head. Raise your

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face to the sky. Send up a prayer from your loins

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to Aether. God of chaos and the dark! Well, the

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secret doctrine has been kept from me, I must

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say. All my life I have struggled from problem

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to problem, quandary to quandary, with only my

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limited intelligence to assist me. And all the

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time, was there a secret doctrine that might

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have solved things magically? If so, I'm a little

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late finding it out. We'll be back shortly for

00:16:19.240 --> 00:16:23.179
Act Two. The Canton Civil Defense in Illinois

00:16:23.179 --> 00:16:25.759
reports they are watching a tornado to the southwest

00:16:25.759 --> 00:16:28.259
of the city of Canton. They say it's headed southward

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in the general direction of Lewistown in Fulton

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County, Illinois. The only magic I have ever

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known was long long ago when I expelled a loud

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and angry scream and food instantly appeared

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Talk about rubbing a lamp Talk about wearing

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a bag of discarded nails and hair about your

00:16:57.529 --> 00:17:02.090
neck Well, we shall see if they can match my

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infant cry Some sort of magic was working father

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Charles Because when I got to my feet after that

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strange prayer to the God of Chaos, there in

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the woods with the toadskin bag still hanging

00:17:18.589 --> 00:17:23.650
around my neck, I felt that I was a beautiful

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woman. Can you imagine that, Father? Yes. The

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next day was my last, so far as the film was

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concerned. I hated to step out of the Sister

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of Charity habit and get back into my own clothes.

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But my spirits rose to the sky when Peter stopped

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me and said... This was your last day, wasn't

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it, Louise? Yes, my last day. Well, it won't

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be the same around here without you. We'll miss

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you. Will you? I mean, will you miss me? I'll

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miss you the most. But I'll see you at the house,

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won't I? You're not going to desert me now, are

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you? Never, never. I'd never do that. Well, you'd

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better not, Louise. I met Noemi late that night

00:18:09.650 --> 00:18:12.789
in the woods, and I told her what Peter had said,

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and what I had said. You see? The magic is beginning

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to take hold! I couldn't go to the set the next

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day. What reason would I have? So I spent the

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day in his house, cooking a shoulder of lamb

00:18:29.670 --> 00:18:32.670
for him, in the Gascon style. You know how long

00:18:32.670 --> 00:18:36.359
that takes, Father. Please! In the kitchen! That

00:18:36.359 --> 00:18:39.240
smells so good. It's something special I'm cooking

00:18:39.240 --> 00:18:43.039
for you. Louise, Louise, what have I done to

00:18:43.039 --> 00:18:45.440
deserve you? You're the greatest thing that's

00:18:45.440 --> 00:18:48.559
happened to me since... Well, you're the greatest

00:18:48.559 --> 00:18:50.220
thing that's ever happened to me. Let's put it

00:18:50.220 --> 00:18:59.400
that way. I told Noemi that night that time was

00:18:59.400 --> 00:19:02.240
growing short, that in two days Peter surely

00:19:02.240 --> 00:19:06.710
would be leaving France. And I told her I must

00:19:06.710 --> 00:19:11.069
go with him. No. Listen, Louise, this is what

00:19:11.069 --> 00:19:15.910
you must do. When he comes home, you must be

00:19:15.910 --> 00:19:23.210
waiting for him on his bed, all naked and perfumed,

00:19:23.869 --> 00:19:30.329
and he will love you. I had loved him, Father,

00:19:30.750 --> 00:19:35.039
for so many years. And now every dream, every

00:19:35.039 --> 00:19:39.859
desire would come true. I was lying on his bed,

00:19:40.140 --> 00:19:43.240
as Noemi had told me I should be, with my hair

00:19:43.240 --> 00:19:47.660
all freshly washed and perfumed as my body was.

00:19:48.880 --> 00:19:53.039
And I heard the front door close. And I heard

00:19:53.039 --> 00:19:57.839
his feet on the stairs. Louise? I couldn't answer

00:19:57.839 --> 00:20:01.950
it. I waited for the bedroom door to open. And

00:20:01.950 --> 00:20:11.369
it did. Who's... What a... Louise. Is that you?

00:20:11.410 --> 00:20:15.130
What in the name of... I've... I've... been waiting

00:20:15.130 --> 00:20:18.990
for you. Are you crazy? Peter, listen to me.

00:20:20.130 --> 00:20:23.890
I want you to love me. You do love me. I've seen

00:20:23.890 --> 00:20:26.349
the love growing in your eyes. I've heard it

00:20:26.349 --> 00:20:31.119
in your voice. Take me now. and tell me that

00:20:31.119 --> 00:20:35.000
you love me and that we will go to America together

00:20:35.000 --> 00:20:39.180
to your home where I will love you and look after

00:20:39.180 --> 00:20:41.779
you. Louise, now listen to me. See, look over

00:20:41.779 --> 00:20:44.539
there. I brought all my clothes. I feel that

00:20:44.539 --> 00:20:46.980
I'm reaching the end of a long, long journey.

00:20:47.980 --> 00:20:52.319
I've loved you so long. Louise, let me talk to

00:20:52.319 --> 00:21:00.140
you. Oh, yes. Louise if I I've made you think

00:21:00.140 --> 00:21:04.880
that that I'm anything more than Just very fond

00:21:04.880 --> 00:21:08.980
of you. I'm sorry Louise. I'm very very sorry

00:21:08.980 --> 00:21:12.259
if I've Made you think I love you. Well, I'm

00:21:12.259 --> 00:21:15.880
sorry. What more can I say? But you do love me

00:21:15.880 --> 00:21:20.799
You've loved me for three whole days Three days

00:21:20.799 --> 00:21:24.150
and I've loved you for years and years But you've

00:21:24.150 --> 00:21:26.529
only loved me for three days, so of course it

00:21:26.529 --> 00:21:28.750
seems new to you. I understand that. Now, Louise,

00:21:28.869 --> 00:21:31.230
what three days are you talking about? The last

00:21:31.230 --> 00:21:36.150
three days, of course. Ever since I started wearing

00:21:36.150 --> 00:21:42.869
this. What's that? It's a bag made from the skin

00:21:42.869 --> 00:21:47.730
of a toad. A toad impaled at midnight in the

00:21:47.730 --> 00:21:50.109
graveyard of the abbey. What's in that bag, Louise?

00:21:51.490 --> 00:21:55.480
Quite part of you. Bits of your hair, bits of

00:21:55.480 --> 00:21:59.640
your fingernails, your toenails, little particles

00:21:59.640 --> 00:22:01.940
of you. What kind of a game are you running on

00:22:01.940 --> 00:22:06.779
me, Louise? It's toe game. It's real. Real hell!

00:22:07.640 --> 00:22:09.700
All the time you were hanging around here. You

00:22:09.700 --> 00:22:12.220
were cooking and cleaning and washing and all

00:22:12.220 --> 00:22:14.180
that. You were hanging around the set, waiting

00:22:14.180 --> 00:22:16.660
on me, telling me I'm such a great actor, begging

00:22:16.660 --> 00:22:20.359
to cut my fingernails. My toenails! You were

00:22:20.359 --> 00:22:22.900
conning me! You were running some kind of a tricky,

00:22:23.200 --> 00:22:25.680
sneaky game on me. It was no game. Now look,

00:22:25.799 --> 00:22:27.359
lady, you got your clothes on fast, you hear

00:22:27.359 --> 00:22:29.700
me? You get out of here. You want some money?

00:22:30.200 --> 00:22:33.000
No. No. I'll give you money. I'll give you money.

00:22:33.059 --> 00:22:35.680
You've earned it. But if you ever try to play

00:22:35.680 --> 00:22:38.200
any of these crazy tricks on me again, I'm going

00:22:38.200 --> 00:22:39.559
to track you down. I'm going to have you put

00:22:39.559 --> 00:22:46.859
away. Now you get out of here. I did get out,

00:22:46.980 --> 00:22:50.519
Father Giles, but I can't remember how. The next

00:22:50.519 --> 00:22:52.200
thing I remember is running through the woods

00:22:52.200 --> 00:22:55.420
calling for Noemi. And then I remember falling

00:22:55.420 --> 00:22:58.380
down on the ground and the blackness coming down

00:22:58.380 --> 00:23:03.220
over me. My poor Louise. Noemi found me a little

00:23:03.220 --> 00:23:08.400
later. I don't know how much later. What happened,

00:23:08.519 --> 00:23:14.819
Louise? Nothing happened, Noemi. He doesn't love

00:23:14.819 --> 00:23:18.779
me. He never did. I think you'd better take back

00:23:18.779 --> 00:23:21.880
the little toadskin bag knowingly. It didn't

00:23:21.880 --> 00:23:25.400
work. But did you do everything I told you? Yes,

00:23:25.400 --> 00:23:29.579
I did. I washed my hair and perfumed my body,

00:23:29.940 --> 00:23:33.259
and I lay on his bed. But when he came home,

00:23:34.140 --> 00:23:37.619
he didn't want me. I tried to tell him about

00:23:37.619 --> 00:23:40.759
the secret doctrine, but he didn't want to listen.

00:23:41.119 --> 00:23:45.359
You told him? I tried to. After all, I don't

00:23:45.359 --> 00:23:46.980
know much about it, only what you've told me,

00:23:46.980 --> 00:23:50.599
and I didn't understand all of that. But he didn't

00:23:50.599 --> 00:23:55.640
want to hear about it. Oh, the man is a monster!

00:23:57.079 --> 00:24:06.500
Yes, he is a monster. You poor woman. No, don't

00:24:06.500 --> 00:24:08.700
you feel sorry for me either, Father Giles. I

00:24:08.700 --> 00:24:10.819
don't want anybody to feel sorry for me. But

00:24:10.819 --> 00:24:14.769
don't you see... You let your desires take hold

00:24:14.769 --> 00:24:18.029
of you, Louise. You let them dictate your actions.

00:24:18.210 --> 00:24:21.089
You lost control. Oh, yes, I did that. You became

00:24:21.089 --> 00:24:23.630
blind to the realities of the matter. Yes, I

00:24:23.630 --> 00:24:27.130
did that, too. I fell in love with a man when

00:24:27.130 --> 00:24:30.910
he was only a walking shadow on a screen. I hurt

00:24:30.910 --> 00:24:34.849
no one. I would never have hurt him if he hadn't

00:24:34.849 --> 00:24:37.150
come to France to make another of his foolish

00:24:37.150 --> 00:24:41.880
motion pictures. Louise. Would it make you feel

00:24:41.880 --> 00:24:44.740
better my child if I were to tell you that you

00:24:44.740 --> 00:24:47.480
are not the first to give your heart to an unknown

00:24:47.480 --> 00:24:50.539
man Who's only making his living by performing

00:24:50.539 --> 00:24:54.299
in public? I suppose that is true father. Does

00:24:54.299 --> 00:24:58.160
it make you feel a little better? But I don't

00:24:58.160 --> 00:25:03.779
feel badly father You don't not about him Not

00:25:03.779 --> 00:25:06.759
about trying to give myself to him and he's telling

00:25:06.759 --> 00:25:09.380
me he didn't want me. I felt badly about it at

00:25:09.380 --> 00:25:13.099
the time Very badly, I suppose. Of course you

00:25:13.099 --> 00:25:17.359
did. But by the time Noemi found me in the woods,

00:25:17.599 --> 00:25:24.400
I felt quite differently. Just how did you feel?

00:25:25.380 --> 00:25:33.819
Very calm, very clear, very right. Right? About

00:25:33.819 --> 00:25:38.440
what? Clear about what? About what I must do.

00:25:39.299 --> 00:25:44.859
And what was that? I killed him, of course. But

00:25:44.859 --> 00:25:47.680
you have said that it was all your own doing.

00:25:48.380 --> 00:25:50.740
That no one else should be blamed. Quite so.

00:25:51.680 --> 00:25:56.140
But I had to kill him in me. Don't you see what

00:25:56.140 --> 00:26:01.319
I mean? I'm not sure that I do. Father, he was

00:26:01.319 --> 00:26:04.539
part of me. He'd been part of me for many, many

00:26:04.539 --> 00:26:06.660
years. There was more of him in me than there

00:26:06.660 --> 00:26:10.970
was of myself. Oh, you must understand. I...

00:26:10.970 --> 00:26:14.529
I'm trying to wish... I knew how wrong I'd been

00:26:14.529 --> 00:26:19.289
to love him. Yes, to lust after him. To have

00:26:19.289 --> 00:26:21.230
obscene thoughts about him there in the dark

00:26:21.230 --> 00:26:24.109
of the theater. I knew these were sins. They

00:26:24.109 --> 00:26:28.009
were bad sins. And now I was willing to take

00:26:28.009 --> 00:26:33.390
upon myself the last sin of all. To kill him.

00:26:34.730 --> 00:26:38.740
Don't you understand? I... I... Don't believe

00:26:38.740 --> 00:26:45.099
I do. How strange. Noemi understood. You say

00:26:45.099 --> 00:26:49.200
Noemi understood? What you have just told me?

00:26:49.299 --> 00:26:52.299
Yes, Father. There, that night in the forest,

00:26:52.299 --> 00:26:56.880
I told her how I must commit this most grievous

00:26:56.880 --> 00:27:06.319
sin. How will you do it? A gun? Do you have a

00:27:06.319 --> 00:27:11.700
gun? No. Well then that's no good. A knife. Could

00:27:11.700 --> 00:27:15.799
you get near enough to him to use a knife? Are

00:27:15.799 --> 00:27:19.960
you strong enough? No. Well then that's no good.

00:27:20.559 --> 00:27:25.779
But he must die so that I may live. He will die.

00:27:26.359 --> 00:27:31.759
He will die tomorrow morning. How do you know?

00:27:32.619 --> 00:27:44.799
He will die of the mass of... Hell hath no fury

00:27:44.799 --> 00:27:49.220
like a woman scorned. And all the scorned women

00:27:49.220 --> 00:27:52.319
from the beginning of time must have at least

00:27:52.319 --> 00:27:54.859
looked around to see if there was a gun or a

00:27:54.859 --> 00:27:58.680
knife nearby. Sometimes there was and the story

00:27:58.680 --> 00:28:02.660
had an unhappy ending and a messy one. But what

00:28:02.660 --> 00:28:05.809
if those poor scorned women had known of The

00:28:05.809 --> 00:28:10.190
Mass of St. Césaire, a black and malevolent ritual

00:28:10.190 --> 00:28:13.230
of which you will learn more shortly when I bring

00:28:13.230 --> 00:28:28.910
you Act 3. This is WBBM Chicago. We promised

00:28:28.910 --> 00:28:31.970
you further details of the Mass of St. Césaire,

00:28:32.609 --> 00:28:35.740
that horrid leftover from the Dark Ages. And

00:28:35.740 --> 00:28:40.039
so we shall. We always keep our word. Let us

00:28:40.039 --> 00:28:43.619
pick up our story while we left off. With Louise

00:28:43.619 --> 00:28:46.740
and Noémie talking in hushed tones beneath the

00:28:46.740 --> 00:28:50.160
moon in the dark woods of Gascony. He has to

00:28:50.160 --> 00:28:54.599
die so that I can live. He will die tomorrow

00:28:54.599 --> 00:28:59.980
morning. He will die of the mass of sassy sails.

00:29:00.170 --> 00:29:04.069
How can anyone die of a mass? Oh, the mass of

00:29:04.069 --> 00:29:08.329
Salcisaia is the mass of revenge. The peasants

00:29:08.329 --> 00:29:11.769
of Gascony have known this for centuries. I must

00:29:11.769 --> 00:29:14.150
ask Father Giles. Oh, no. You will not breathe

00:29:14.150 --> 00:29:16.670
a word of this to Father Giles. But if he would

00:29:16.670 --> 00:29:19.349
perform the mass... He wouldn't dream of it.

00:29:19.670 --> 00:29:23.210
He probably doesn't even know it. Ah, but I know

00:29:23.210 --> 00:29:26.390
a priest who knows it and who will perform it.

00:29:26.950 --> 00:29:33.470
My daughter lives with him. Come, look. We went

00:29:33.470 --> 00:29:36.049
to the deserted abbey where the priest lived.

00:29:36.769 --> 00:29:42.089
No one told me his name. I never asked. You are

00:29:42.089 --> 00:29:47.069
the one who orders this mass? Yes. For whom shall

00:29:47.069 --> 00:29:53.470
I say the mass? For Peter Sorel. Who will be

00:29:53.470 --> 00:29:56.529
my clerk? My daughter will be your clerk, father.

00:29:57.510 --> 00:30:02.170
Who will bring the water for the mass? I shall

00:30:02.170 --> 00:30:06.269
bring it, Father. Do you know a place where the

00:30:06.269 --> 00:30:10.670
mass can be held? By the ruins of the church,

00:30:11.049 --> 00:30:16.529
where the gypsies live, Father. I listened as

00:30:16.529 --> 00:30:18.730
though nothing they said had anything to do with

00:30:18.730 --> 00:30:21.809
me, Father Giles. I scarcely knew when they finished

00:30:21.809 --> 00:30:26.079
speaking. I only knew that after a while... Nourimi

00:30:26.079 --> 00:30:30.400
took me by the hand and led me away. Come, Louise,

00:30:30.480 --> 00:30:34.119
come. We must get the water for the Mass. Shouldn't

00:30:34.119 --> 00:30:38.240
there be wine, Nourimi? For the Mass of St. Césaire,

00:30:38.559 --> 00:30:42.940
there is no wine. There is only water. And the

00:30:42.940 --> 00:30:46.799
priest does not consecrate it. He drinks it.

00:30:47.079 --> 00:30:50.720
And it must be water from a well into which the

00:30:50.720 --> 00:30:54.160
body of an unbaptized infant has been thrown.

00:30:54.509 --> 00:31:00.970
Come now, Louise, come. Before 11 o 'clock we

00:31:00.970 --> 00:31:03.549
were at the ruined church, a dreadful place,

00:31:03.970 --> 00:31:08.210
Father, where bats lived and toads and owls.

00:31:08.930 --> 00:31:12.609
And through the darkness came the priest, the

00:31:12.609 --> 00:31:15.490
weenie's daughter by his side, and he stood by

00:31:15.490 --> 00:31:20.289
the ruins of the old altar. Ever and ever for

00:31:20.289 --> 00:31:28.000
reign and live you. Noemi, what does he say?

00:31:28.420 --> 00:31:32.039
Shh! It is the mass of Sansa's hail. But I don't

00:31:32.039 --> 00:31:35.359
understand it. It is the mass for the dead. He

00:31:35.359 --> 00:31:41.019
is reciting it backwards. I watched in horrid

00:31:41.019 --> 00:31:43.680
fascination, Father. I confess that I was fascinated

00:31:43.680 --> 00:31:48.259
by it. I was like a bird watching a snake. What

00:31:48.259 --> 00:31:51.579
is he doing now, Noemi? He is making the sign

00:31:51.579 --> 00:31:55.000
of the cross. No, he's not. He's not making...

00:31:55.000 --> 00:31:59.259
He is making the sign of the cross with his left

00:31:59.259 --> 00:32:04.599
foot. His foot? In the dirt. This is the mass

00:32:04.599 --> 00:32:09.400
of San Césaire. I couldn't bear to look, Father

00:32:09.400 --> 00:32:13.539
Giles. I couldn't. And yet I couldn't bear not

00:32:13.539 --> 00:32:18.440
to look. The walking mass had started at 11,

00:32:19.039 --> 00:32:20.960
and now it was drawing to a close as the hour

00:32:20.960 --> 00:32:35.039
of midnight struck. And then the mass was suddenly

00:32:35.039 --> 00:32:39.380
over, and the priest and his clerk, Noemi's daughter,

00:32:40.480 --> 00:32:44.240
stole away into the darkness without a word to

00:32:44.240 --> 00:32:54.980
us. It is over, Louise, and Peter Sorel has begun

00:32:54.980 --> 00:33:03.559
to die. I'm not sure I believed her, Father Joust.

00:33:04.279 --> 00:33:08.079
I wasn't capable of belief, or disbelief, or

00:33:08.079 --> 00:33:10.839
of any thought at all, or of any feeling whatsoever.

00:33:11.980 --> 00:33:15.670
I only felt tired. So tired, I doubted I could

00:33:15.670 --> 00:33:20.410
move. But I pulled myself to my feet. And I said,

00:33:21.289 --> 00:33:24.450
I must go to him, Noemi. I must go to Peter Sorrell.

00:33:25.450 --> 00:33:28.150
And I went, Father. I went into Tom, to the house

00:33:28.150 --> 00:33:30.450
on the hill. And I waited there till the sun

00:33:30.450 --> 00:33:32.970
had been up for an hour. And when I went to the

00:33:32.970 --> 00:33:42.740
door, I knocked. Oh, Louise. I suppose you want

00:33:42.740 --> 00:33:48.759
to see Peter. Is he here? Yes, he's here. But

00:33:48.759 --> 00:33:53.440
he's very ill. The doctor's with him. And no

00:33:53.440 --> 00:34:00.079
one knows what's the matter with him. But I knew,

00:34:00.279 --> 00:34:04.660
Father Giles, he was dying of the massive sensation.

00:34:05.200 --> 00:34:08.980
Oh, Louise, Louise. I went to the door every

00:34:08.980 --> 00:34:12.449
hour, Father. Once, I was told that they'd sent

00:34:12.449 --> 00:34:15.730
for his doctor from the States. But if that doctor

00:34:15.730 --> 00:34:19.489
arrived, he came too late. For at 10 o 'clock,

00:34:19.949 --> 00:34:28.030
when I knocked at the door. Louise. He's dead,

00:34:28.030 --> 00:34:34.010
Louise. He died a few minutes ago. No one knows

00:34:34.010 --> 00:34:39.969
why or how or what it was he died of. I see.

00:34:40.909 --> 00:34:45.969
I know you were very fond of him. I was. Very

00:34:45.969 --> 00:34:56.250
fond. Very fond. I went home. I took off my clothes.

00:34:57.050 --> 00:35:00.769
And I lay down on my bed. A little toadskin bag

00:35:00.769 --> 00:35:05.250
was still around my neck. I took it off. I kissed

00:35:05.250 --> 00:35:08.869
it. I put it under the pillow. And then I put

00:35:08.869 --> 00:35:11.690
my head on the pillow. And when fast asleep,

00:35:11.869 --> 00:35:16.170
I slept soundly, with no dreams at all of any

00:35:16.170 --> 00:35:21.530
kind. And when I awoke, it was noon. Such a beautiful

00:35:21.530 --> 00:35:26.869
day. And I started to come here to make my confession.

00:35:28.369 --> 00:35:30.750
On the way, I met Peter Sorrell's friend once

00:35:30.750 --> 00:35:37.670
more. He died, Louise, of nothing at all. Nothing

00:35:37.670 --> 00:35:43.500
at all? He was perfectly well. Talking of going

00:35:43.500 --> 00:35:48.300
home in the morning. Then, about midnight, he

00:35:48.300 --> 00:35:51.500
said he was tired. He thought he'd go to bed.

00:35:53.039 --> 00:35:55.420
But he could hardly climb the stairs to his room.

00:35:56.159 --> 00:36:02.280
I had to help him. He lay on the bed and closed

00:36:02.280 --> 00:36:08.159
his eyes. He said he felt as though he was slipping

00:36:08.159 --> 00:36:12.840
away. Wasn't that a strange thing for him to

00:36:12.840 --> 00:36:21.920
say? That he was slipping away? I remembered

00:36:21.920 --> 00:36:25.280
something. That it was strange indeed. Though

00:36:25.280 --> 00:36:28.840
of course I knew it wasn't. He died of the mass

00:36:28.840 --> 00:36:32.840
of Sansa Serefather. And now I've told you everything.

00:36:35.039 --> 00:36:38.900
And what do you expect me to do, Louise? Would

00:36:38.900 --> 00:36:42.239
it give me my penance, Father? I know it will

00:36:42.239 --> 00:36:45.960
be severe, I expect that. I want it to be severe.

00:36:46.719 --> 00:36:50.599
I know what a grave sin I have committed. Do

00:36:50.599 --> 00:36:53.920
you, Louise? To wish for a man's death, Father,

00:36:54.119 --> 00:36:57.599
to bring it about. What greater sin could there

00:36:57.599 --> 00:37:02.480
be? To wish for a man's death. It is a sin in

00:37:02.480 --> 00:37:06.400
thought, but it can be forgiven. And you are

00:37:06.400 --> 00:37:10.099
not the first to have committed it. Your wish

00:37:10.099 --> 00:37:14.920
did not kill him. Men do not die so easily. It

00:37:14.920 --> 00:37:17.739
was the mass of Saint Césaire that killed him.

00:37:18.059 --> 00:37:22.980
God knows, and he alone. But you conspired in

00:37:22.980 --> 00:37:26.019
the performance of a gruesome mass, a relic from

00:37:26.019 --> 00:37:29.980
the Dark Ages. You took part in it. And what

00:37:29.980 --> 00:37:35.860
is most awful, you ordered it. And for this desecration

00:37:35.860 --> 00:37:39.570
of a holy ritual, There is no penance that would

00:37:39.570 --> 00:37:44.329
suffice. But without a penance, how can I obtain

00:37:44.329 --> 00:37:48.989
absolution? How can I obtain pardon? I cannot

00:37:48.989 --> 00:37:52.849
pardon you, Louise. I do not know a curate who

00:37:52.849 --> 00:37:57.489
can, nor a bishop, nor an archbishop. Father,

00:37:57.610 --> 00:38:04.230
what am I to do? My child, it is possible. I

00:38:04.230 --> 00:38:07.599
promise you nothing you understand. But it is

00:38:07.599 --> 00:38:12.260
possible were you to go to Rome if the Pope would

00:38:12.260 --> 00:38:18.559
deceive it to Rome To the Holy Father only he

00:38:18.559 --> 00:38:21.760
has the right to grant pardon for the mass of

00:38:21.760 --> 00:38:36.889
San Césaire Sir Can you tell me, sir? May I ask

00:38:36.889 --> 00:38:42.710
you? Yes, senora. Can I help you? Please. Is

00:38:42.710 --> 00:38:46.630
this the Vatican? This is Vatican City, yes.

00:38:48.630 --> 00:38:54.750
Is this the square of St. Peter? Yes. Straight

00:38:54.750 --> 00:39:00.730
ahead is St. Peter's Gate. I am here. You've

00:39:00.730 --> 00:39:07.010
never been here before? I have come to see the

00:39:07.010 --> 00:39:13.150
Pope. His Holiness is quite busy, Senora. I come

00:39:13.150 --> 00:39:18.090
here to make my confession. Let me take you to

00:39:18.090 --> 00:39:22.989
a priest. No. It must be His Holiness, no one

00:39:22.989 --> 00:39:32.260
else. Are your sins so great? My... Sin is so

00:39:32.260 --> 00:39:37.400
great. Yes. Well, I'm only a student here, Signora,

00:39:37.920 --> 00:39:41.179
but I'll be glad to take you to a priest. No

00:39:41.179 --> 00:39:45.760
priest can help me. No bishop. No archbishop.

00:39:46.340 --> 00:39:48.760
But a priest might be able to arrange things

00:39:48.760 --> 00:39:51.539
so that you could see His Holiness and not right

00:39:51.539 --> 00:39:55.340
away, of course, it would take time. I have time.

00:39:56.110 --> 00:40:00.590
It has already taken me a long time just to come

00:40:00.590 --> 00:40:06.090
this far. How long has it taken you? A thousand

00:40:06.090 --> 00:40:12.949
days. A thousand? Where did you come from? France.

00:40:14.250 --> 00:40:18.030
A little town in Gascony. But that could take

00:40:18.030 --> 00:40:23.300
you almost three years? Oh, you must have stocked

00:40:23.300 --> 00:40:28.260
off at different places each night to sleep and

00:40:28.260 --> 00:40:34.380
pray. You mean you walked all the way? An old

00:40:34.380 --> 00:40:38.179
woman like you? Do I look like an old woman?

00:40:39.139 --> 00:40:47.460
I have just turned 40. Forgive me, but you look

00:40:47.460 --> 00:40:51.690
much older than that. It doesn't really matter

00:40:51.690 --> 00:40:55.250
now. Come, come. Let me help you to your feet.

00:40:55.389 --> 00:41:00.530
No. I shall stay on my knees until I see the

00:41:00.530 --> 00:41:07.550
Pope. I shall end my journey as I began it. Are

00:41:07.550 --> 00:41:11.489
you telling me that you have come a thousand

00:41:11.489 --> 00:41:21.619
miles on your knees? But why? It is my penance

00:41:21.619 --> 00:41:35.400
for the mass of Saint Césaire. A thousand miles,

00:41:36.340 --> 00:41:42.579
a thousand days on her knees. What awful retribution

00:41:42.579 --> 00:41:47.489
we expect of ourselves. What? Endurance we can

00:41:47.489 --> 00:41:51.889
find within us to carry out our goal. And what

00:41:51.889 --> 00:41:54.690
is the priceless goal we seek? The goal that

00:41:54.690 --> 00:41:57.469
so obstinately eludes us after thousands upon

00:41:57.469 --> 00:42:02.510
thousands of miles and as many days. Why, I think

00:42:02.510 --> 00:42:05.969
it is nothing more and nothing less than peace

00:42:05.969 --> 00:42:20.880
of mind. I'll be back shortly. I told you it

00:42:20.880 --> 00:42:24.099
would be a somber story, did I not? And so it

00:42:24.099 --> 00:42:28.880
was. Well, exploring the unknown is not all fun

00:42:28.880 --> 00:42:32.500
and frolic, but the unknown must be explored

00:42:32.500 --> 00:42:36.059
in the wild hope that one day it will become

00:42:36.059 --> 00:42:40.760
known. I wonder though, when it is as familiar

00:42:40.760 --> 00:42:44.679
to us as say the combustion engine, will it stop

00:42:44.679 --> 00:42:49.679
being fascinating and become boring? What then

00:42:49.679 --> 00:42:52.760
will we do for fun? What will happen to this

00:42:52.760 --> 00:42:56.719
program? Merciful heavens, what will I do for

00:42:56.719 --> 00:43:01.000
a job? Our cast included Mercedes McCambridge,

00:43:01.400 --> 00:43:04.420
Mildred Clinton, Bill Johnston, Robert Dryden,

00:43:04.800 --> 00:43:07.820
and Nick Pryor. The entire production was under

00:43:07.820 --> 00:43:11.639
the direction of Hyman Brown. Radio Mystery Theatre

00:43:11.639 --> 00:43:16.119
was sponsored in part by Sinov, the Sinus Medicines,

00:43:16.500 --> 00:43:19.800
Buick Motor Division, and Anheuser -Busch Incorporated,

00:43:20.079 --> 00:43:23.000
Brewers of Budweiser. This is E .G. Marshall

00:43:23.000 --> 00:43:25.420
inviting you to return to our Mystery Theater

00:43:25.420 --> 00:43:30.239
for another adventure in the macabre. Until next

00:43:30.239 --> 00:44:02.719
time, pleasant dreams. Bye!
