WEBVTT

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Come in. Welcome. I'm E .G. Marshall. Welcome

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to the exciting world of your own imagination.

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The live body, muscles rippling, seems suspended

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in air, twisted in its last agony. The goat legs

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flexed in their last spring. The beautiful boy's

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face transformed by a snarl of agony as the arrow

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bites through the back flesh to bury itself deep

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in the heart. This is a legendary bronze statue

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called the Dying Fawn. Legendary in more ways

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than one. Jameson? Miss Harpett. Not any longer.

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This is my husband, David Kidnelli. How do you

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do, sir? I've heard so much about you. It's my

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pleasure, James. Congratulations, Miss Abbott.

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I mean, Mrs. Time for that afterwards. Are the

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others here? Mrs. Abbott and Mr. Pierce arrived

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this afternoon. Are they with my... Are they

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with him now? No, Miss Sarah. Like you, they...

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They were too late. Oh, no. You mean he's...

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Dad? It was to be expected. When? The statue

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started to bleed the night before last. Our mystery

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drama, The Bleeding Statue, was written especially

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for the Mystery Theater by Ian Martin and stars

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Patricia Elliott, and Tony Roberts. I'll be back

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shortly with act one. What is more mystical than

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a statue? The wounded fawn. No one is sure that

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it was not originally chiseled in marble. That

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the bronze we know today was not taken from a

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long -lost original. Where it comes from, no

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one knows. Where it was perhaps best known to

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the public at large was in its last appearance,

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or disappearance, on the stage of the Palace

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Theatre as the climax of the farewell tour of

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prior Abbott, the Merlin of the Magicians. And

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now a few ladies and gentlemen will permit my

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greatest illusion, the death of the wounded pawn.

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Park the curtains, please. There he is for the

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last time on any stage. I beg your pardon, dear

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audience, the second last time. For if I'm to

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make him disappear, I would have to make him

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reappear. and both in front of your very eyes.

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Observe the dying fawn. One thousand four hundred

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and forty pounds of cast bronze. I invite any

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member of the audience who questions this assessment

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of weight to join me on the stage. I only wish

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to know that all of you are ready to believe

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that this statue does have a life and volition

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of its own. For it is about to disappear before

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your very eyes. Concentrate. Observe. Be aware.

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And beware. That was back in 1936, David. Fifteen

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years before I was born. 18 for you. How do you

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know about that final performance? You weren't

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there. No, there was my mother. She was about

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five then. Strange. What? I can't connect to

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your grandfather. Now what do I call him? Not

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what you do. A wizard. That's kind of corny.

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Not for me. It was my mother's second marriage.

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I was five years old. Mother was about 28. He

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was 57. Much as I loved him and as full his life

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as he was, I never could call him Dad, and Grandpa

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would have been an insult. So because of all

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the marvelous tricks he did, he became the wizard.

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Oh, David, you never saw anyone so young as the

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wizard, in body as well as in mind. That's why

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I can't believe... Easy, easy does it, baby.

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You've done your crying for him. It's awful to

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think of him lying in that coffin, dead. I can't

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believe it isn't just another illusion. When

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we go down to dinner that he won't have escaped

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like Houdini and be sitting waiting for us with

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a big smile. I'm afraid even the wizard can't

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spring himself loose from this one. I'd better

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get my best bib and tie on to greet your relatives.

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I wouldn't worry about them. Well, I don't want

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to make too bad an impression. Your stepbrother's

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a pretty important man in my life. Because he's

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president of Abbott's Tool and Machine. Piers

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is just a figurehead. There's only one man who

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could... Come on now, Sarah. I just can't believe

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he's dead. He was... Oh, David. You just had

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to have known him to understand. He was... He

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was indestructible. Darling, he was going on

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76. But he didn't look or act more than 50. Well,

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you hadn't seen him in more than two years. Well,

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yes. You're right, of course. But even then,

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even with a heart attack and my mother dying...

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You don't have to tell me, Sarah. God knows he

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was a giant to me. But not as a magician. As

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an industrialist, an enhancer, an innovator.

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I never knew all that came from being a... Well,

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it sounds crazy to put it this way, but a plain

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magician. Oh, he was no plain magician. I've

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seen blueprints of some of his illusions, and

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they're more complicated than splitting the atom.

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Hey, hey, hey, it's almost 7 .30. Now look, I've

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got to have at least a clean shirt. Yes? Excuse

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me, madam, but dinner will be served in half

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an hour. We'll be right down, Jamie. He's always

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so formal. Well, he kind of gives me the shivers.

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What was that bit about the statue starting to

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bleed? Oh, that's a silly old legend. You want

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to tell your silly young husband what? I think

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the wizard probably made it up for the act. Well,

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I'm persistent if nothing else. Made up what?

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Well, it's a very old statue, you know. Quite

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priceless. Well, since it happens to be my hobby,

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I know as much about it as you. It's either fired

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from a mold of a Greek original and marble, or

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else it was commissioned by Cosmo de Medici in

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the early 1600s and is possibly by Benevenuto

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Cellini himself. Right? Right. But impossible

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to authenticate? That's right. But it did belong

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at one time or another to the Domenici's and

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to some later kings of France, they say. Whoever

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they are. And what exactly do they say? Whenever

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the head of a household to whom it belongs is

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marked for death, the statue starts to bleed.

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I don't want to be late for dinner. No, we won't

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be. I just had to see this fabulous statue. Well,

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there he is. Wow. What a setting. He's magnificent,

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whoever the sculptor was. He's sad. Poor wounded

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God. God? Come closer. Look at him. He's not

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just a fawn. He has to be panned himself. Without

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the horn. Ageless. Deathless. The spirit of youth

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and life. Just like the wizard. I never thought

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he could really die. Hush, hush, baby. It's the

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only thing none of us can sidestep. Hey, where's

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this blood supposed to come from? From the air

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wound, of course. Right here? It's between the

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shoulders? Oh, I suppose. I've never seen it.

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It's... It's just the story, David. What is it?

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It's nothing. Let me see your hand. You touched

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the statue. Look, it's just rust, darling. That's

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all. Bronze doesn't rust, David. That's blood.

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Are you sure this is Sherry Pierce? As advertised,

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and as always, nothing but the best. It doesn't

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taste right, somehow. I doubt if anything will

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until we all find out just where we stand. It's

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upsetting that he died so suddenly and unexpectedly.

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You don't suppose he could have left everything

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to Sarah? He couldn't do that to us. Suppose

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he has. I'll fight it to the nail. I'm his daughter.

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Daughter -in -law, to be exact. I'm the last

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best hope. At least my father, your husband,

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was his son. I hope he's recognized that in the

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will. And how do we handle this new husband Sarah

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has sprung upon us? I've no idea. It's too bad

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the wizard didn't know about him before he kicked

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off. I doubt if he'd have reacted too well to

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some European opportunist who wanted to pick

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up a nice American girl with a lot of money in

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the family. Well, he isn't here to react. It's

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up to us. Pardon me, madam. Yes, Jefferson, what

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is it? Mr. and Mrs. Cavalli have returned from

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the garden. Dinner is set. Thank you, Jefferson.

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We'll be right in. Well, shall we start reacting?

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Kiss the bride and meet the groom? Well, since

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we all seem to have finished dinner, shall we

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retire to the drawing room for coffee? And the

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moment of truth. You can clear if you wish, Jameson.

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Yes, Mrs. Abbott. Oh, thank you, Jameson. I can

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pour the coffee and Pierce will serve the liqueurs.

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And Jameson, you can make your arrangements about

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the tape, whatever they are. Very good, madam.

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Will we have to come to the study to hear it?

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No, madam. There are speakers in every room in

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the house. And I was instructed by the late Mr.

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Abbott that the tape would activate itself at

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exactly nine o 'clock this evening. Activate

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itself? Aye, Mr. Cabelli. You see, I don't know

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where it is. You never knew my father, Signor

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Cavalli. In his later years, he was somewhat

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eccentric. Will you escort me to the drawing

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room? Of course, Mrs. Hanna. Nutty as a fruitcake,

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she means. Don't talk about the wizard like that.

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You know, Sarah, you weren't around in the past

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few years. I saw him two years ago. Well... Well...

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Well, that was right after his heart attack,

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and Mother's death right on top of that naturally

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was knocked out. But nothing could ever keep

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him down for long. That's what you think. He

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buried himself alive here with Jameson. None

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of us saw him since the day you went back. But

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he wrote me in Italy. That's more contact than

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Mother and I had with him. It's a pity you went

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back to the art school. Don't. Don't make me

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feel any worse than I already do. He made me

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go. I thought you were the apple of his eye.

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I also happened to be a carbon copy of my mother.

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And the reminder was too poignant. You think

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I'd have gone back to Italy otherwise? There

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seemed to have been other attractions. You mean

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David? I hadn't even met him then. I wish you

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never had. I'd always hoped, I think the wizard

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hoped too, that you and I... Why, Pierce! For

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my older brother? Not quite. Not by blood, just

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by accident of the wizard's many marriages. Older?

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Yes, guilty as charged. Is 16 years or whatever

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it is all that important? Oh, come on, Pete.

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Oh, it didn't matter a hoot to the wizard, and

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your mother was damn near double that with them.

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It hadn't anything to do with age or family.

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Just choice. Well, all right. Oh, well, let's

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go in and... On our way, why don't you tell me

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more of the man you did choose? I suppose we

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really should have had espresso for you, Signor

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Cavelli. No, no, no. Plain American coffee, Mrs.

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Abbott. Really? I thought all Italians like...

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Mrs. Abbott, I'm not Italian. Oh? Sarah met you

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in Rome? Florence. Well, Florence. And your name

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is Cavelli? Well, that's right, but Italian -American.

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My father and I were both born in this country.

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How nice, but you lived in Italy. Well, my father

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was an engineer with United States Motors two

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years ago while I was studying to be an engineer

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at MIT in Boston. The company moved him to their

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plant in Torino. When I graduated, I went over

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to join them and met Sarah. You said in Florence?

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Yes, at the Piazza della Signorina looking at

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the statues. You knew of course who Sarah's father

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was Well, I knew who prior Abbott was but I never

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guessed that Sarah was his daughter stepdaughter

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The wizard actually only had one child Your husband

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which makes you prior Abbott's daughter -in -law

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What time is it David? It's just about nine.

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Well people the moment of truth is almost upon

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us I don't know about the rest of you, but I

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think I could do with something to calm the nerves.

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Brandy for anyone? I have my coffee. I don't

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know. Why don't you, darling? I might join you.

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Why not? Oh, Senior Cavalli, would you help?

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Since we are family, may we make a David? Very

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well, David. I'll help Pierce get the brandies.

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I'll pour the coffee. As you wish. Tell me, Sarah,

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did the wizard know about this hasty marriage

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of yours? It wasn't. All that hasty. Except at

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the last moment. You haven't answered my question.

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No. The answer is no. But let me explain exactly

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what... Art is the witching hour. Well the whole

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thing is a bit spooky, mother. And in seconds

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all of us are going to face our futures. Just

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where each of us is going. And all manipulated

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like puppets from beyond the grave. I wonder

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what particular trick the wizard has up his sleeve

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this time. We're about to find out. Pierce Abbott

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termed it the moment of truth. Are we to hear

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it from a disembodied voice speaking out of the

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past? And what will the truth mean for the four

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people sitting, awaiting that voice? I'll return

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shortly with Act Two. Built in the late 20s,

00:16:59.490 --> 00:17:02.649
Abbott House is a Gothic castle perched on a

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promontory that juts out into the mouth of the

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Connecticut River. Now bathed in fitful moonlight,

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Its flying buttresses and ornamental gables seem

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almost as much of an illusion as any of the great

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ones that made the immortal PJ Abbott the beginnings

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of his fabulous fortune on the stage. An illusion

00:17:24.579 --> 00:17:28.180
of immortality fostered at this moment as his

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voice speaks from the grave. seems like the good

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old days when I stepped out behind the footlights.

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Of course, in those days, I never dreamed that

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I would one day exercise my powers from beyond

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the grave. When you hear this, I shall be dead,

00:17:51.690 --> 00:17:54.849
my will signed, sealed, attested, and delivered

00:17:54.849 --> 00:17:58.089
to the hands of my attorney. It leaves everything

00:17:58.089 --> 00:18:04.049
I have completely and totally to my beloved Sarah.

00:18:04.839 --> 00:18:09.140
without let nor hindrance, now that she is 21

00:18:09.140 --> 00:18:13.660
years of age. Everything! How dare he! God, what

00:18:13.660 --> 00:18:16.240
am I going to do? Oh no, I don't want it all!

00:18:16.500 --> 00:18:20.940
Subject to these provisions, in the event that

00:18:20.940 --> 00:18:24.599
my daughter -in -law and her son will sign papers

00:18:24.599 --> 00:18:28.319
prepared by my attorneys waiving all right or

00:18:28.319 --> 00:18:31.819
claim to my estate, or legal moves to contest

00:18:31.819 --> 00:18:35.039
it, They will receive jointly an income yearly

00:18:35.039 --> 00:18:39.339
till their deaths of what I shall call 30 pieces

00:18:39.339 --> 00:18:45.039
of silver, the equivalent of $30 ,000. I further

00:18:45.039 --> 00:18:48.640
make it a condition that until the will is probated,

00:18:49.099 --> 00:18:52.380
that all three of you shall stay here at Abbott's

00:18:52.380 --> 00:18:55.700
house, nor shall any of you leave the grounds

00:18:55.700 --> 00:18:59.680
for any reason whatsoever. He's crazy! Don't

00:18:59.680 --> 00:19:03.509
ever say that about the wizard! And just in case

00:19:03.509 --> 00:19:07.769
any of you question my sanity, my will is attested

00:19:07.769 --> 00:19:10.769
to by three objective psychiatrists who have

00:19:10.769 --> 00:19:15.609
found me sound of mind. And now for a few personal

00:19:15.609 --> 00:19:17.769
messages. Can someone turn that off? I don't

00:19:17.769 --> 00:19:21.170
want to hear anymore. I've arranged there's no

00:19:21.170 --> 00:19:24.390
way for you to turn this recording off. I want

00:19:24.390 --> 00:19:28.890
you all to hear. Sarah, you and your mother were

00:19:28.890 --> 00:19:32.000
the two bright spots in my life. Your mother

00:19:32.000 --> 00:19:35.960
was taken from me. I don't think it was an accident.

00:19:36.559 --> 00:19:39.640
But I can't prove otherwise. So the best I can

00:19:39.640 --> 00:19:43.700
do is what I have done. But please, Sarah, whatever

00:19:43.700 --> 00:19:48.160
the others do, you stay here. For here, I promise

00:19:48.160 --> 00:19:52.279
you, you are safe. If ever you need help, run

00:19:52.279 --> 00:19:56.000
to the statue and ask for it. You will find it.

00:19:56.740 --> 00:20:07.930
A last good night. salute the mad as a hatter

00:20:07.930 --> 00:20:10.650
what was all that about sarah's mother he's trying

00:20:10.650 --> 00:20:12.670
to suggest that we had something to do with her

00:20:12.670 --> 00:20:17.029
death oh sarah i hope you don't think yes i don't

00:20:17.029 --> 00:20:19.450
want to think at all at the moment i've been

00:20:19.450 --> 00:20:21.670
traveling for something like 16 hours and my

00:20:21.670 --> 00:20:24.410
head is splitting i'm a bit cross -eyed myself

00:20:24.410 --> 00:20:27.009
if you'll excuse us i think we'll turn in yes

00:20:27.009 --> 00:20:31.250
we're all a bit rocky come on sarah yes david

00:20:31.250 --> 00:20:34.670
will you excuse us mrs habbit of course we're

00:20:34.670 --> 00:20:37.640
both really bushed Good night, Uncle. Good night.

00:20:40.579 --> 00:20:42.940
I'm not going to let him get away with it, Pierce.

00:20:42.960 --> 00:20:45.400
Take it easy, Mother. Not in your life. For that

00:20:45.400 --> 00:20:47.660
matter, on both our lives. That's what we're

00:20:47.660 --> 00:20:49.559
going to have to fight for, baby boy. Oh, would

00:20:49.559 --> 00:20:51.880
you please stop that? I'm sorry, Pierce, silly

00:20:51.880 --> 00:20:54.720
habit, but you're all I've ever had. Well, let's

00:20:54.720 --> 00:20:58.380
not start down that road. No, no, you're quite

00:20:58.380 --> 00:21:02.200
right. That isn't what has to concern us at the

00:21:02.200 --> 00:21:07.700
moment. That little witch, that someone from

00:21:07.700 --> 00:21:11.619
nowhere, just like her mother. She's not going

00:21:11.619 --> 00:21:14.160
to take away Abbott's house and the business

00:21:14.160 --> 00:21:16.940
and everything else from us without a fight.

00:21:17.940 --> 00:21:20.440
It's ours. Not if the wizard left the will, he

00:21:20.440 --> 00:21:23.220
said he did. Wills can be voided. I wouldn't

00:21:23.220 --> 00:21:26.839
count on it. I'll take odds his can't be overturned.

00:21:27.019 --> 00:21:30.339
He sure to have covered every angle. Except one.

00:21:30.720 --> 00:21:35.500
What's that? The air. has got to be alive to

00:21:35.500 --> 00:21:44.420
succeed to the estate. I think I'm too tired

00:21:44.420 --> 00:21:51.539
to get ready for bed. David? What? What are you

00:21:51.539 --> 00:21:55.319
staring at out the window? That damn statue.

00:21:56.599 --> 00:22:02.839
It haunts me. Why? Oh, a lot of reasons. Sarah,

00:22:02.839 --> 00:22:05.740
I don't like this. I don't like any part of it.

00:22:06.099 --> 00:22:10.420
What, David? It's all so crazy. Statues that

00:22:10.420 --> 00:22:15.319
bleed and disembodied voices on hidden tape recorders.

00:22:15.700 --> 00:22:18.140
Your stepsister, whatever relation she is to

00:22:18.140 --> 00:22:21.160
you, and Pierce. The suggestion that your mother's

00:22:21.160 --> 00:22:25.799
death was... How did she die, darling? Well,

00:22:26.240 --> 00:22:33.369
I was away. So I only know what I was told. The

00:22:33.369 --> 00:22:36.170
wizard has had a heart attack and she'd been

00:22:36.170 --> 00:22:40.069
nursing him She came downstairs and told them

00:22:40.069 --> 00:22:42.730
that she wanted a breath of air and she went

00:22:42.730 --> 00:22:47.230
wait a minute. Wait a minute. Who is them? then

00:22:47.230 --> 00:22:51.690
Pierce and Rose and Jamison Where were they?

00:22:52.450 --> 00:22:55.849
Rose and Pierce were in the drawing room Jamison

00:22:55.849 --> 00:22:59.269
was in the pantry and none of them followed your

00:22:59.269 --> 00:23:07.500
mother followed her How did she die? She... I

00:23:07.500 --> 00:23:11.039
guess she had a sort of fainting spell. And she

00:23:11.039 --> 00:23:13.500
fell and hit her head somewhere on the statue.

00:23:14.480 --> 00:23:18.940
And while she was unconscious, she drowned in

00:23:18.940 --> 00:23:21.680
that little pool behind the statue. You're sure

00:23:21.680 --> 00:23:24.039
of that? Well, what else could have happened?

00:23:24.880 --> 00:23:27.640
There was a coroner's inquest, a lot of newspaper

00:23:27.640 --> 00:23:30.599
stories, of course. Then what do you make of

00:23:30.599 --> 00:23:35.410
your... father's obvious accusation that they

00:23:35.410 --> 00:23:40.950
were responsible I don't know maybe they're right

00:23:40.950 --> 00:23:44.569
that the wizard was was never really himself

00:23:44.569 --> 00:23:49.309
again oh David I wish you could have known him

00:23:49.309 --> 00:23:53.150
he was marvelous the most marvelous person I

00:23:53.150 --> 00:24:02.410
ever knew before you holy smoke The statue, it's...

00:24:02.410 --> 00:24:08.549
it isn't there anymore. It's... gone. What do

00:24:08.549 --> 00:24:13.710
you mean? Where? Wait a minute. Cloud just drifted

00:24:13.710 --> 00:24:17.950
across the moon. As soon as it clears, you'll

00:24:17.950 --> 00:24:22.529
see. But it couldn't just disappear. But it did.

00:24:23.809 --> 00:24:26.750
There's nothing there but the empty pedestal.

00:24:27.470 --> 00:24:29.710
And the grotto and that little pool rippling

00:24:29.710 --> 00:24:33.789
in the moonlight. Wait a minute. That cloud's

00:24:33.789 --> 00:24:37.750
just about to clear and we'll... I don't believe

00:24:37.750 --> 00:24:43.089
it. Well, you have to. There it is. Largest life.

00:24:43.529 --> 00:24:46.750
But it wasn't there a moment ago. Darling, there

00:24:46.750 --> 00:24:49.049
must have been a tree branch in the way. How

00:24:49.049 --> 00:24:53.410
could it disappear? David, David, I'm just wrung

00:24:53.410 --> 00:24:56.920
out. I've got to go to bed. I... I just want

00:24:56.920 --> 00:25:00.420
to sleep away today. Do you mind if I use the

00:25:00.420 --> 00:25:03.279
bathroom first, dear? Of course, darling. I want

00:25:03.279 --> 00:25:05.440
to run downstairs for a moment anyway. Where

00:25:05.440 --> 00:25:07.859
are you going? I won't be a minute. I just left

00:25:07.859 --> 00:25:16.740
something in the car. I want to get it. Oh, thank

00:25:16.740 --> 00:25:18.480
you for bringing me upstairs, Pierce. That's

00:25:18.480 --> 00:25:21.700
all right. What are we going to do about Sarah?

00:25:22.059 --> 00:25:24.440
What do you mean? Oh, now, don't play games with

00:25:24.440 --> 00:25:27.730
me. Are we just going to sit still for her taking

00:25:27.730 --> 00:25:30.109
over everything? What else can we do? We didn't

00:25:30.109 --> 00:25:31.390
when we thought it was going to be her mother.

00:25:31.569 --> 00:25:34.130
Look, we got away with it once. We're not going

00:25:34.130 --> 00:25:36.210
to get away with it again. We're going to have

00:25:36.210 --> 00:25:38.890
to. And within the next few days if we're going

00:25:38.890 --> 00:25:41.470
to. Not here. We don't have any chance anywhere

00:25:41.470 --> 00:25:45.750
else. The girl has got to die. What good would

00:25:45.750 --> 00:25:48.650
that do us? The estate would go to her husband.

00:25:49.009 --> 00:25:52.809
Her husband? That's very interesting, Pierce.

00:25:53.809 --> 00:25:56.609
This young upstart. ambitious carefully marrying

00:25:56.609 --> 00:25:59.269
a young girl without her family's knowledge obviously

00:25:59.269 --> 00:26:01.529
anxious to make profit out of it what do you

00:26:01.529 --> 00:26:04.569
have in mind mother why wouldn't he be just as

00:26:04.569 --> 00:26:07.269
anxious to get rid of Sarah as we are I would

00:26:07.269 --> 00:26:09.170
never be able to get away with convincing anyone

00:26:09.170 --> 00:26:17.029
of that now there's only one way how now that

00:26:17.029 --> 00:26:20.329
grandfather's dead and we know the secret of

00:26:20.329 --> 00:26:25.259
the statue I can fix it so it will seem to kill

00:26:25.259 --> 00:26:31.779
them. Both of them? Was that necessary? It's

00:26:31.779 --> 00:26:44.480
the only way. There's nothing there now. Heaven

00:26:44.480 --> 00:26:48.960
knows it seems solid enough. I wonder... Who

00:26:48.960 --> 00:26:53.170
is that? It's Jameson, sir. Miss Sarah was asking

00:26:53.170 --> 00:26:56.529
for you. Oh, yeah, sure. I'll be right in. Jameson.

00:26:56.990 --> 00:27:00.089
Yes, sir? You've been with the family a long

00:27:00.089 --> 00:27:05.069
time. With Mr. Abbott, I was, sir. Nearly 55

00:27:05.069 --> 00:27:08.369
years. I started out with him as an assistant

00:27:08.369 --> 00:27:13.150
in his magic days. He was about the grand illusionist

00:27:13.150 --> 00:27:17.109
of all time, I guess. No one better, sir. He

00:27:17.109 --> 00:27:20.700
was beyond peer. And this statue was one of his

00:27:20.700 --> 00:27:24.279
better ones, huh? Before it got cemented into

00:27:24.279 --> 00:27:27.599
place here at Abbot House, I thought that's nearly

00:27:27.599 --> 00:27:30.940
40 years ago. But he used to make it disappear

00:27:30.940 --> 00:27:34.759
right on stage, didn't he? Well, in a manner

00:27:34.759 --> 00:27:37.920
of speaking. What does that mean? An illusion,

00:27:38.460 --> 00:27:42.660
don't you see? It never moved. It took 11 tons

00:27:42.660 --> 00:27:46.740
of mirrors and 14 helpers to make it happen.

00:27:47.480 --> 00:27:52.079
That was the oldies. They won't come again. Magic's

00:27:52.079 --> 00:27:56.140
all gone. What about the rigamarole of the statue

00:27:56.140 --> 00:28:00.599
bleeding? That's something else again, sir. That's

00:28:00.599 --> 00:28:03.619
way out of the past. I don't know. I thought

00:28:03.619 --> 00:28:07.259
I found blood by the arrow wound earlier tonight.

00:28:07.660 --> 00:28:10.819
It's dry now. It's been wiped off. I don't know

00:28:10.819 --> 00:28:14.119
by whom, sir. What shall I tell Miss Sarah, sir?

00:28:14.740 --> 00:28:17.039
You don't have to tell her anything. I'll...

00:28:17.130 --> 00:28:32.130
I'll go in with you. When you're tired, fancy

00:28:32.130 --> 00:28:36.450
play strange tricks, Mr. Cabelli. I was thinking

00:28:36.450 --> 00:28:38.710
of making a toddy for Miss Salah if she'd like

00:28:38.710 --> 00:28:41.609
it. There's nothing better for putting you off

00:28:41.609 --> 00:28:44.170
to sleep. I'm sure I don't have to ask her. She'd

00:28:44.170 --> 00:28:48.480
love it. And yourself, sir? No. Oh, I'll skip

00:28:48.480 --> 00:28:51.079
the hot drink. Maybe you'd like to join me in

00:28:51.079 --> 00:28:54.579
a nightcap, David. Where did you spring from?

00:28:54.579 --> 00:28:57.599
The wall? No, as a matter of fact, I was headed

00:28:57.599 --> 00:28:59.799
for the pantry here to ask Jameson to make one

00:28:59.799 --> 00:29:02.400
of his famous tardies for Mother. And for you,

00:29:02.400 --> 00:29:05.039
Mr. Habit. Oh, no, thank you. I'm a cigar freak.

00:29:05.500 --> 00:29:09.059
Oh, Jameson, when you've made the drinks, I'll

00:29:09.059 --> 00:29:11.880
take them up. Oh, that's all right, sir. I'm

00:29:11.880 --> 00:29:14.279
happy to be of service. I'll bring them up when

00:29:14.279 --> 00:29:16.819
they're ready. Want to join me in the nightcap

00:29:16.819 --> 00:29:20.279
while we're waiting, David? Okay. Just a quickie,

00:29:20.380 --> 00:29:29.619
though. Then I'll walk you upstairs. Come on,

00:29:29.700 --> 00:29:32.000
Mother. I took the rest of the powder out of

00:29:32.000 --> 00:29:35.279
the sleeping pills for Jane. It's right here,

00:29:35.480 --> 00:29:37.500
Pierce, but how are you going... Sheer luck.

00:29:37.710 --> 00:29:40.009
Jamison is making a hot toddy for both of you

00:29:40.009 --> 00:29:42.650
girls. With this, I can fix Sarah's so she'll

00:29:42.650 --> 00:29:45.089
never wake up. We can't get away with it. Leave

00:29:45.089 --> 00:29:48.109
it to me. David and I just had a good night drink.

00:29:48.490 --> 00:29:50.950
I only had some chloral hydrate to slip in that.

00:29:51.329 --> 00:29:53.130
But he's going to wake up with a large headache

00:29:53.130 --> 00:29:56.049
tomorrow. Dare we risk it. We have no choice,

00:29:56.049 --> 00:29:59.509
mother. We've got to go for broke. If we don't,

00:29:59.529 --> 00:30:02.509
I'm dead. And as you well know, I'm just selfish

00:30:02.509 --> 00:30:05.269
enough to make sure that everyone else goes before

00:30:05.269 --> 00:30:18.190
me. David? Oh, thank the Lord, it's you. Come

00:30:18.190 --> 00:30:22.970
here, darling. Quickly. Sorry. I don't know.

00:30:23.190 --> 00:30:26.569
I gotta get to bed. What is it? I just looked

00:30:26.569 --> 00:30:30.109
out the window again, and you're right. The statue

00:30:30.109 --> 00:30:33.609
just isn't there. It's completely disappeared.

00:30:34.509 --> 00:30:38.569
Statue? Statue? Something about a statue. Darling,

00:30:38.730 --> 00:30:41.819
I'm sorry. What's the matter, David? I'm down

00:30:41.819 --> 00:30:44.319
on one drink. I guess I've undrinked too many.

00:30:44.539 --> 00:30:48.559
I've just, um... I'm blind drunk. That was the

00:30:48.559 --> 00:30:51.220
one who was sleeping before. Now I'm wide awake

00:30:51.220 --> 00:30:56.359
and you're... Jameson, bring you a nice hot toddy.

00:30:56.400 --> 00:31:01.220
Put you to sleep, like me. David? No, David.

00:31:02.319 --> 00:31:07.509
Don't leave me alone. I'm scared. David! David,

00:31:07.509 --> 00:31:10.130
I don't know what I'm scared of, but I'm scared.

00:31:15.970 --> 00:31:19.490
And well, she should be scared. For with David's

00:31:19.490 --> 00:31:22.829
collapse, the forces of evil, real and unreal,

00:31:23.529 --> 00:31:26.490
swarm about Sarah, threatening her very life.

00:31:27.069 --> 00:31:30.009
Perhaps most terrifying of all is the absence

00:31:30.009 --> 00:31:34.349
of the statue. For with it gone, and David drugged

00:31:34.349 --> 00:31:37.880
in sleep, Where can she run to for sanctuary?

00:31:38.900 --> 00:31:53.779
I'll return shortly with act 3. Those scudding

00:31:53.779 --> 00:31:57.380
clouds that alternately mask and unmask the moon

00:31:57.380 --> 00:32:00.940
play a ghostly light across the long curving

00:32:00.940 --> 00:32:05.079
staircase as Pierce Abbott descends it. The file

00:32:05.079 --> 00:32:08.500
of lethal powder spilled from the sleeping pills

00:32:08.500 --> 00:32:12.619
hidden in his hand. Silently, he crosses to the

00:32:12.619 --> 00:32:16.240
swinging door of the pantry, edging it open slowly,

00:32:16.980 --> 00:32:20.440
disappointed to find Jamie facing him. Yes, Mr.

00:32:20.640 --> 00:32:22.460
Rabbit. Oh, just wondering if the drinks were

00:32:22.460 --> 00:32:25.059
ready to take, huh? You'll just have to add the

00:32:25.059 --> 00:32:27.960
hot water. Anything I can do for you, sir? Oh,

00:32:27.960 --> 00:32:31.660
uh, yes, um... Excuse my back, sir. Oh, that's

00:32:31.660 --> 00:32:34.170
quite all right. Just getting the kettle? That's

00:32:34.170 --> 00:32:38.809
fine, that's fine. What did you say before? I

00:32:38.809 --> 00:32:42.170
wondered what brought you down again, sir. Anything

00:32:42.170 --> 00:32:45.490
I can help you with? I thought perhaps I might

00:32:45.490 --> 00:32:48.750
have left my lighter down there. Indeed you did.

00:32:49.190 --> 00:32:51.190
I put it right here on the tray with the glass

00:32:51.190 --> 00:32:55.650
for your mother. Yes, thanks. Jameson, it's all

00:32:55.650 --> 00:32:58.190
right. I might as well take this tray up with

00:32:58.190 --> 00:33:08.759
me. If you wish, sir. All set, mother. Here you

00:33:08.759 --> 00:33:12.440
are. What is it? One of Jameson's nice, uncomplicated

00:33:12.440 --> 00:33:15.740
toddies mixed by his own hand. As of this moment,

00:33:15.779 --> 00:33:18.460
he's delivering the same to Sarah. The same?

00:33:18.619 --> 00:33:21.359
He couldn't testify, otherwise his back was turned

00:33:21.359 --> 00:33:24.380
when I sorted it. Is Margo Vittre? Enough to

00:33:24.380 --> 00:33:26.640
kill a gorilla. We can't get away with drowning

00:33:26.640 --> 00:33:28.740
them the way we did her mother. We won't even

00:33:28.740 --> 00:33:32.460
try to. No, they'll die quite differently. How?

00:33:33.309 --> 00:33:36.150
I've been experimenting with a statue and I've

00:33:36.150 --> 00:33:39.890
made a discovery. It moves on hinges and counterweights

00:33:39.890 --> 00:33:42.789
and escapes into the pool. Take those hinge pins

00:33:42.789 --> 00:33:45.730
out, reduce the counterweights, and it will collapse

00:33:45.730 --> 00:33:48.990
and crush anything in the way of its fall. The

00:33:48.990 --> 00:33:50.890
secret room would be exposed. Oh, no. There's

00:33:50.890 --> 00:33:53.470
a false base which slides into place. The whole

00:33:53.470 --> 00:33:56.009
thing will seem nothing but a tragic accident.

00:33:56.490 --> 00:33:59.430
Another chapter to add to its legend. When will

00:33:59.430 --> 00:34:01.349
you get them there? Tonight, when everyone's

00:34:01.349 --> 00:34:04.750
asleep. Sarah may be dead already. David is dead

00:34:04.750 --> 00:34:07.190
weight, but I can drag them through the secret

00:34:07.190 --> 00:34:10.329
tunnel. It's mostly downhill. Come on, drink

00:34:10.329 --> 00:34:13.590
your toddy, go to sleep, and leave this to me.

00:34:14.110 --> 00:34:16.989
I won't draw an easy breath all night. By tomorrow,

00:34:17.030 --> 00:34:31.130
you'll be able to. We both will. Oh, it's you,

00:34:31.429 --> 00:34:33.909
Jamie. I thought you might like a little toddy

00:34:33.909 --> 00:34:36.949
before you turn in, Miss Sarah. The Scottish

00:34:36.949 --> 00:34:40.949
panacea? Not exactly, but it does make for a

00:34:40.949 --> 00:34:43.610
long, peaceful sleep. I could use that tonight.

00:34:44.469 --> 00:34:48.130
Your new husband didn't want any. No, he's sound

00:34:48.130 --> 00:34:51.389
asleep already. Well, see you tomorrow, Jamie.

00:34:51.949 --> 00:34:55.570
You'd better, or the old wizard would never forgive

00:34:55.570 --> 00:34:59.909
me. I only wish you were here. So do I, Miss

00:34:59.909 --> 00:35:04.429
Sarah. But don't you worry. Wherever he is, he's

00:35:04.429 --> 00:35:07.690
looking out for you. Turn the key in the door

00:35:07.690 --> 00:35:11.190
after I leave. You'll sleep sounder. Maybe I'll

00:35:11.190 --> 00:35:14.570
do that. Good night, Jamie. Good night, Miss

00:35:14.570 --> 00:35:24.610
Sarah. All locked up, Jamie. Aye, Mr. Rabbit.

00:35:25.349 --> 00:35:30.860
And off to bed then. Are you off yourself? Hardly

00:35:30.860 --> 00:35:34.059
keep my eyes open. You've given Miss Abbott her

00:35:34.059 --> 00:35:38.659
drink, all right? Oh, yes. Did... As did I once.

00:35:38.920 --> 00:35:42.039
Did you get your mother's to her? Oh, yes, yes,

00:35:42.039 --> 00:35:46.639
indeed. Well, this is where I leave you. Up the

00:35:46.639 --> 00:35:50.820
wooden staircase? My nightly climb. Sleep sound,

00:35:51.300 --> 00:35:57.760
Jamie! Sorry, Jamie, old boy. I just have to

00:35:57.760 --> 00:36:10.079
make sure. What? Who is it? Don't turn on that

00:36:10.079 --> 00:36:12.940
- Pierce! What are you doing with that bell?

00:36:13.059 --> 00:36:16.519
You're going awake! Keep away from me! Pierce,

00:36:16.639 --> 00:36:19.480
keep away! I'll scream! Don't do you any good.

00:36:19.719 --> 00:37:15.789
There's no one to hear. use the gun and don't

00:38:01.000 --> 00:38:04.019
Did you get the police? Aye, Miss Sarah. They're

00:38:04.019 --> 00:38:08.019
on their way. On an ambulance. How is Mrs. Abbott?

00:38:08.340 --> 00:38:13.099
I'm afraid she's... she's... Oh, poor Rose. I

00:38:13.099 --> 00:38:15.639
wouldn't spare her much sympathy. She only got

00:38:15.639 --> 00:38:19.260
the drink that was meant for you. Thanks to Jamie.

00:38:19.739 --> 00:38:23.559
Aye, I switched them. Is Mr. Abbott? He's alive.

00:38:24.380 --> 00:38:34.880
Pierce is dead. Oh, Sarah. Yes, Wissett? I have

00:38:34.880 --> 00:38:39.659
a lot of apologies to make. Don't worry about

00:38:39.659 --> 00:38:45.460
that now. Police, doctors, they're coming. To

00:38:45.460 --> 00:38:50.800
raid? No, no. Look, David, Jamie, if all three

00:38:50.800 --> 00:38:55.039
of us try, we can... You couldn't move it an

00:38:55.039 --> 00:40:20.280
inch. But why would they want to? them responsible

00:40:20.280 --> 00:40:24.739
for Sarah's mother's death? None. And you dreamed

00:40:24.739 --> 00:40:28.659
up this this this crazy masquerade just to bring

00:40:28.659 --> 00:40:33.960
them out in the open? No. I tell them, Jamie.

00:40:35.840 --> 00:40:39.460
A few months ago Mr. Abbott discovered he had

00:40:39.460 --> 00:40:47.519
a carcinoma. The prognosis was very bad. So since

00:40:47.519 --> 00:40:53.530
I was scheduled to die I decided to advance the

00:40:53.530 --> 00:40:58.090
date a little he was worried about you miss Sarah

00:40:58.090 --> 00:41:01.769
and he wanted to protect you he was afraid of

00:41:01.769 --> 00:41:05.030
mrs. Abbott and mr. Pierce after what happened

00:41:05.030 --> 00:41:09.530
to your mother in this house from his secret

00:41:09.530 --> 00:41:12.429
vault there's a system of reflecting mirrors

00:41:12.429 --> 00:41:15.190
that lets you see what's happening in any room

00:41:15.639 --> 00:41:20.159
A hand equipment to here. He knew he could protect

00:41:20.159 --> 00:41:23.639
you here and maybe unmask Mr. Pierce and his

00:41:23.639 --> 00:41:26.920
mother. Oh, Wizard. I didn't need your money.

00:41:27.699 --> 00:41:33.480
I couldn't have left it to them. Rest here. Please.

00:41:34.840 --> 00:41:38.619
The ambulance will be here soon. Great. For me,

00:41:39.059 --> 00:41:44.940
child. This is my real farewell appearance. Wizard.

00:41:45.670 --> 00:41:54.130
Please. Sing no sad songs for me. I had it all.

00:41:55.090 --> 00:42:02.750
I leave it all. And I'm glad that in the final

00:42:02.750 --> 00:42:10.510
grand illusion my old partner shares it for me.

00:42:11.329 --> 00:42:17.960
The day before you came. I cut my hand on this

00:42:17.960 --> 00:42:24.079
arrow buried in my chest. It was blood signaling

00:42:24.079 --> 00:42:30.380
the death of the head of the house. Now, Sarah,

00:42:31.320 --> 00:42:39.079
this statue will never bleed again. We die together,

00:42:39.780 --> 00:42:50.809
he and I. I am about to disappear before your

00:42:50.809 --> 00:43:15.210
very eyes. Concentrate! Observe! did not disappear.

00:43:15.989 --> 00:43:19.969
Restored, it still occupies the grotto. Abbott

00:43:19.969 --> 00:43:23.489
House is a curiosity. Its periscope mirror system,

00:43:23.750 --> 00:43:26.250
its intricate sound wiring, its secret passages

00:43:26.250 --> 00:43:29.429
in subterranean vault, a mecca for tourists.

00:43:30.250 --> 00:43:34.369
And the statue doesn't bleed. Enough blood has

00:43:34.369 --> 00:43:37.349
been let, one hopes, to still the legend forever.

00:43:38.250 --> 00:43:53.780
I'll be back shortly. A sober reflection. One

00:43:53.780 --> 00:43:57.159
can't be too sure, of course, that a legend will

00:43:57.159 --> 00:44:01.340
die. They tend to persist. But since the head

00:44:01.340 --> 00:44:04.300
of the Abbott household is now Sarah, and she

00:44:04.300 --> 00:44:08.239
has at least 50 years ahead of her, few of us

00:44:08.239 --> 00:44:13.619
will be around to find out. Still, circa 2025,

00:44:13.820 --> 00:44:17.800
if you have nothing better to do, you might visit

00:44:17.800 --> 00:44:21.880
Abbott House. Our cast included Patricia Elliott,

00:44:22.199 --> 00:44:25.400
Tony Roberts, Grace Matthews, Kurt Benson, and

00:44:25.400 --> 00:44:28.420
Paul Hecht. The entire production was under the

00:44:28.420 --> 00:44:31.639
direction of Hyman Brown. This is E .G. Marshall

00:44:31.639 --> 00:44:34.119
inviting you to return to our mystery theater

00:44:34.119 --> 00:44:39.099
for another adventure in the macabre. Until next

00:44:39.099 --> 00:44:42.539
time, pleasant dreams.
