WEBVTT

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The CBS Radio Mystery Theater presents... Come

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in. Welcome. I'm E .G. Marshall. Enter our mansion

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of mystery. And it's mystery we have in store

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for you today in a house nestled in the pleasant

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English countryside. The house we are to visit

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is not a brooding castle, nor is it set on one

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of those windy and cheerless moors that Britain

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is so famous for. It's a modest two -story cottage,

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high on a rise that overlooks the tiny hamlet

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of Salford below. The residents of the town give

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it a wide berth. Even though no one has lived

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in it for more than two years, and two young

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men who rented it discovered why. What the devil

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is that noise, Mark? It sounds as though it's

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coming from up there. Look! I see it, but I don't

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believe it! A rat! It's as big as a tabby cat!

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Look at the eyes, Brian. Look at the eyes. Our

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mystery drama, The Judge's House, is based on

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a story by Bram Stoker and was written especially

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for the radio mystery theater by Bob Juren. It

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stars Gordon Gould and Lloyd Batista. I'll return

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shortly with Act One. Picturesque English country

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houses have been immortalized in paintings and

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photographs, particularly in travel posters luring

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visitors to jolly old England. Often, though,

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a house that looks so quaint from the outside

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can harbor strange vibrations inside, particularly

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when they take on the characteristics of the

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owner. Such was the judge's house. But we'll

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arrive there shortly. Let Mark Mason, a young

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American in England, tell us what happened. I

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often wonder how things might have turned out

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if I hadn't gone to England that spring of 69.

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I wouldn't have these nightmares that have haunted

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me over the years. I went to England at the invitation

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of Brian Stokes, a fellow I met when we were

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both doing graduate work at Stanford University,

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California. We planned to write a monograph together

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on abnormal psychology, and he suggested I join

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him in England for the two months we thought

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it would take to write it. We were both filled

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with excitement the day I arrived at his tiny

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flat in Liverpool. Mark! It's great to see you

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again. What a time we'll have. Oh, I can't wait

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to see the Liverpool sights. Oh, we won't be

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working here, Mark. Too many distractions. I've

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rented a cottage at Salford. Complete privacy,

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the agent said. Hasn't been lived in for two

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years, but he said he'd clean it up a bit. Got

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it for a song. You look disappointed. Where is

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the Salford? About a hundred kilometers east

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of the city. Lovely village. Quiet and remote.

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Just what we need to work. When do we start?

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We'll motor up Saturday. So that leaves us two

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days here to make a tourist out of you. Freshen

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up and we'll take in some of the nightlife you've

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always been chasing after. There'll be precious

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little in Salford, I'm afraid. This is it. Charming

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little place, don't you think? Oh, it's like

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every picture of an English cottage I've ever

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seen. All it needs is the hollyhocks. A bit early

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for those yet. I'm dying to see inside. You mean

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you haven't seen inside? The front was enough

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to convince me. Besides, the agent assured me

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it was just what we'd want. Hello? I think that's

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him coming out the front door. Hello! I see you

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made it all right. Come on, Mark. Let's go in.

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Made good time from Liverpool. Didn't expect

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you till after four. Roads were good. This is

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my friend from the USA, Mark Mason. Mr. Sheffield.

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How'd you do? Nice to meet you. Place is all

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tight and tidy. I had a warning straightening

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up the past two days, and I lit a fire for you.

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Makes things a bit cheery. Very thoughtful. What

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is that on the roof? A bell tower? Oh, yes. Yes,

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the bell's still there, as a matter of fact.

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Here we go now. Furniture's a bit stodgy, but

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serviceable. Ooh, that's some fireplace. Must

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be eight feet across. Nine, to be exact. I had

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a good supply of wood put round back. You'll

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need it. It couldn't be better. And look, this

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must be the bell rope. That's what it is. It's

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attached through that hole in the ceiling and

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up to the tower. Well, let's give it a try. No,

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no, don't. Something the matter? It, uh, might

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startle the village. Oh, is that bad? They're

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a bit superstitious, you know. The villagers

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are afraid of this house. At one time, it belonged

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to a judge, Harrison Schelling. There he is,

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in that portrait over the fireplace. Have you

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heard of him? Schelling. Schelling. No. Was he

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famous? Infamous is the word. He was known as

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the Hanging Judge. He sent more people to the

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gallows than any other ten judges put together.

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Oh, nice guy. He was really hated and feared.

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The reason I asked you not to ring the bell is

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because the judge, so the story goes, would ring

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it on the day of every hanging he ordered. Ugh.

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He must have been a fiend to take such delight

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in such a macabre custom. Boy, he's not still

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around, is he? Oh, no, no, no. He died 30 years

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ago. His son was living here until he died, and

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now the grandson wants to be rid of the place.

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But why are the villagers still on edge? I think

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very few of them were around when the old boy

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was handing out his hanging orders. That's true,

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but in these small villages, Mr. Mason, legend

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dies hard. They all believe the judge's spirit

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is still here in Salford. If that bell were to

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ring, well... They might think someone was going

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to die. Precisely. We won't do anything to increase

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their fears by ringing the bell. He's a rather

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handsome man, don't you think? In a stern sort

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of way, yes. It's a good portrait. Done in his

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robes, seated in a high -backed chair. Ooh, every

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inch the judge. Those eyes. They pierce right

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through you. There's no phone, I'm afraid, but

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if you want one... Not on your life. There's

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no one we'd want to call. And we don't want to

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be disturbed. Oh, then I guess that's that. I

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have your check for the rent, and if there's

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anything you need, just pop round to my cottage.

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Yes, thanks very much. We'll freshen up, then

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walk into the village tonight for a bite. We

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passed a nice -looking pub on the way up. Oh,

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yes, Andy Maughan's place. Nothing better between

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Liverpool and Manchester. Decent -looking place.

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It's terrific. Looks exactly like my idea of

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an English pub. And so it should. That's precisely

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what it is. Ah, welcome, Gents. Ah, tight table

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for two right here. Thanks. Bit of a chill tonight.

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Indeed. Brandy for me? Hmm, the same. Ah, will

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you be wanting to eat? Yes, later. Traveling

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through, are you? No, no. We'll be staying here

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for a while. We've rented the judge's house.

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You what? My friend and I are working on a paper

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together. We'll be living in the judge's house.

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You are not serious. Oh, we know. The agent told

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us about... Oh, McKenna. What does he know? Judge,

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you mustn't stay up there. It's not on your life.

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Well, the place suits us just fine. What did

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McKenna tell you? That you all think the judge's

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spirit haunts the town. Aye, we don't think,

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we know. We'll be back with your brandy and a

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gif and a bit of advice along with it. Everyone's

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looking at us. Always that way when strangers

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come in. But I guarantee they'll be staring harder

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when old Andy tells them what we're up to. Makes

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it more of an adventure. Flaunting superstition

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right in their faces. There you are boys. Too

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great news. Now, if I might just sit down a moment.

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Listen, I know you don't want to hear this, but...

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On the contrary, it makes our position all the

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more exciting. I wouldn't make light of it, sir.

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Oh, go ahead. It's true. The old fiend's spirit

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still haunts the hills of Self, and we've got

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proof. Really? It's been no coincidence. that

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every time there's been a death in Salford for

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the past two years since the house was empty,

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the bell in the tower rang. Rang on the day the

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person died before they died. But who'd ring

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the bell? The judge, lad. The judge. He's still

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up there. Mock me? Suppose it was the wind. swinging

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the bell. Oh, come on now. What you take me for?

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There was no wind the first time and any other

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time. That first day, we all remember it. I'll

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tell you, one clear morning, the bell starts

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ringing and ringing. What makes you think it

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was the judge's ghost? We all ran up to see who

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was pulling the bell rope. Thought it might be

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kids on a prank, you know. And you saw the judge?

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No, no, no, no. We peered in the window and the

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rope was swinging like mad and the bell was ringing

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But there was nobody in the room Who else but

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the ghost of the judge could have been pulling

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that rope? I'll tell you there was no one there

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and then someone died. Oh Oh Tally Being sick

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with pneumonia for two days died that night It

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was mrs. Allen Next time the bell rang, she tripped

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over a cat. It had. And that was that. I guess

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you'd have no reason to lie about it. I suppose

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this did happen. Four times. Did anyone die without

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the bell ringing? Not in the past two years.

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Since the judge's son died and left the house

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empty? Right. Then the bell ringing doesn't really

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cause the deaths. Of course not. But how does

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the old monster know when to ring it? Always

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when someone is going to die. Have you thought

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about going up and dismantling the bell? That

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would put an end to it. If you could get a man

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to go near that place. We'll be living there.

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We'll have a look. You're still going to stay

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there? After what I just told you? Of course.

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I can't believe it. Well... I won't hang on my

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conscience whatever happens to you. You don't

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want to believe me? It's your business. Mark,

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do you think he was pulling our leg about the

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house? No, he seems serious enough. But it's

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so far -fetched. Ghosts don't pull bell ropes.

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I'd rather think your theory about the wind might

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have some substance. Perhaps, but there's a wind

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tonight and not a sound from the bell. Let's

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have a look at it from inside. Now? Why not?

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We have a flash. There must be a way out from

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the upper floor. All right, why not? There. That

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small ladder going up to the trap door. That's

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got to be it. You want to go first? Here goes.

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The thing's probably rusted shut by now. Hope

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I can budge it. Any luck? Yes. There it goes.

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Can you see it? The bell's enclosed in a housing.

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Wind couldn't get at it. Not a big one either.

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Looks like the dinner bell they used to ring

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at prep school. Want to take off the rope and

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give the villagers a break? Should I? Well, maybe

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not. We better not. Brian, what are you doing?

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Stop that thing! I didn't touch it! I didn't

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touch it, Mark. I'm coming down. The damn thing

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just started clanging. Then someone is down there

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in the living room, pulling that bell rope. Someone

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or something is pulling the bell rope. Certainly

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not one of the villagers who hear the judge's

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house. Certainly not the judge who sits in his

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high back chair staring out from his portrait.

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We'll go downstairs with Mark and Brian to learn

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just what's going on when I return shortly with

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Act Two. The bell the old judge used to ring

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on execution day of victims he had sentenced.

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begins to ring of its own accord, or so it seems,

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for Brian, who was inspecting it, never touched

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it. But two educated young men aren't taken in

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by myths, superstitions, or ghosts. There's a

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practical explanation for everything. Someone's

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down there pulling on that bell rope. Come on!

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How did anyone get in? We'll find out! This is

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as crazy as the story that innkeeper told us.

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The bell stopped. Look! The rope's still swinging.

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Well, someone did that, Brian. He's got to be

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in the house. But where could he go? It only

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took us moments to come down the stairs. There's

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no place for anyone to hide. Well, have you got

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any ideas? No. But the villagers must be having

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kittens down there. You said it. They're wondering

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who's next. What the devil is that noise? It

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sounds as though it's coming from up there. Mark!

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at the hole in the ceiling for the bell rope.

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I see it, but I don't believe it. A rat? As big

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as my grandmother's tabby cat. Look at the eyes,

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Brian. The eyes. It's the fire knight hitting

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them. Could the rat have run up the bell rope?

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Yes. That's what rang the bell. Wait till old

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Andy and the villagers learn their ghostly bell

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ringer is nothing but a rat. Well, I hate the

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thought of sharing a cottage with That we shot

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we'll get some poison or a trap in the village

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tomorrow. I need a beaver trap to catch that

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thing I Keep staring at us poison will do the

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trick. Oh Well back away from the hole But it's

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still up there in the eve somewhere Maybe we

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ought to drive down tonight for the poison the

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innkeeper probably has some we'll do it in the

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morning I'm not going to sleep too well with

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that thing scratching around in the walls. Tomorrow

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it'll be dead. That rat just rang its own death

00:16:57.730 --> 00:17:05.029
knell. Shall we get some work done first? No,

00:17:05.029 --> 00:17:08.190
let's get into town and get that poison. I'll

00:17:08.190 --> 00:17:10.910
work a lot better when we bury that rat. Another

00:17:10.910 --> 00:17:14.130
drizzly morning. I'll go for the poison. You

00:17:14.130 --> 00:17:16.730
stay here by the fire. No need for us both to

00:17:16.730 --> 00:17:19.609
ride down. Okay, if you don't mind. I'll put

00:17:19.609 --> 00:17:21.589
on another pot of coffee. I'll bring some fresh

00:17:21.589 --> 00:17:23.730
eggs from the village. We'll have ourselves a

00:17:23.730 --> 00:17:27.690
good breakfast and give Mr. Rat his last meal.

00:17:31.210 --> 00:17:33.990
I watched Brian get into his convertible and

00:17:33.990 --> 00:17:36.230
swing down the curving road toward the village.

00:17:37.769 --> 00:17:41.430
I threw another log in the fire. And as I headed

00:17:41.430 --> 00:17:45.059
for the kitchen to start the coffee... I had

00:17:45.059 --> 00:17:49.660
the feeling that I was being watched. And I was.

00:17:51.240 --> 00:17:55.359
I looked up into the eyes of the judge in the

00:17:55.359 --> 00:18:01.539
portrait. The sensation was incredible. Up to

00:18:01.539 --> 00:18:04.779
now, I'd only given the portrait a passing glance.

00:18:06.039 --> 00:18:09.240
But now, the eyes seemed to burn right through

00:18:09.240 --> 00:18:14.730
me. There was animation in them. They were watching

00:18:14.730 --> 00:18:20.190
every move I made. I moved closer to the mantle

00:18:20.190 --> 00:18:25.990
to study the canvas. Here was hate. Revenge and

00:18:25.990 --> 00:18:30.849
madness rolled into one face. But the eyes, those

00:18:30.849 --> 00:18:36.730
incredible eyes, I had to turn away. And when

00:18:36.730 --> 00:18:41.029
I did, it was only to meet another pair of eyes.

00:18:42.569 --> 00:18:46.430
The rat. was looking down at me from the hole

00:18:46.430 --> 00:18:54.829
in the ceiling. It sat there, unmoving. As unmoving

00:18:54.829 --> 00:18:58.470
as the judge in the portrait, I picked up a small

00:18:58.470 --> 00:19:01.410
log from the hearth and threw it up at the rat.

00:19:03.250 --> 00:19:07.349
Oh, I missed. But the rat disappeared into the

00:19:07.349 --> 00:19:11.339
eaves. And I busied myself in the kitchen until

00:19:11.339 --> 00:19:14.759
I heard Brian coming in the front door. Hello,

00:19:14.980 --> 00:19:18.799
Mark? I'm back. In the kitchen. Coffee's ready.

00:19:19.039 --> 00:19:22.839
I got the rat poison and a lecture to boot. A

00:19:22.839 --> 00:19:25.140
lecture? Seems the shopkeepers as queer about

00:19:25.140 --> 00:19:28.519
this house as Andy down at the pub. A rat, he

00:19:28.519 --> 00:19:31.640
says. Fat chance. It's the old judge ringing

00:19:31.640 --> 00:19:34.119
that bell. Did he say anything about the bell

00:19:34.119 --> 00:19:36.579
ringing last night? Of course. They're all in

00:19:36.579 --> 00:19:40.529
an uproar. Brian... I want to tell you something.

00:19:41.630 --> 00:19:46.450
While you were gone, I saw the rat again. It

00:19:46.450 --> 00:19:48.970
looked down at me from that hole up there. Well,

00:19:49.009 --> 00:19:51.210
this stuff will soon take care of him. As I looked

00:19:51.210 --> 00:19:56.250
back at it, I saw... I saw the eyes of the judge.

00:19:56.789 --> 00:19:59.430
What? The eyes of the judge in the portrait.

00:20:00.589 --> 00:20:03.009
They looked at me with the same intensity as

00:20:03.009 --> 00:20:06.049
the eyes of the rat. Well, we'll take the portrait

00:20:06.049 --> 00:20:09.759
down if it bothers you. And as for the rat, he's

00:20:09.759 --> 00:20:12.740
about to have his last meal. Maybe it was being

00:20:12.740 --> 00:20:17.160
here alone. My imagination worked overtime. We'll

00:20:17.160 --> 00:20:19.059
spread this poison around and get some work done

00:20:19.059 --> 00:20:21.799
today. May as well start laying out the structure.

00:20:22.180 --> 00:20:25.019
Where should we put that stuff? It always seems

00:20:25.019 --> 00:20:27.619
to appear up by the bell rope. Must have his

00:20:27.619 --> 00:20:30.680
nest there. We'll put some up there and some

00:20:30.680 --> 00:20:32.819
in the pantry just in case. I sure hope it works.

00:20:33.059 --> 00:20:35.480
The chap in the village guaranteed it. Get me

00:20:35.480 --> 00:20:37.319
that stuff out of the kitchen and I'll sprinkle

00:20:37.319 --> 00:20:39.500
these pellets in the rafters around the bell

00:20:39.500 --> 00:20:43.640
rope hole. You better be careful, Brian. Those

00:20:43.640 --> 00:20:46.720
rats can be vicious. I hope you've got enough

00:20:46.720 --> 00:20:50.039
of that stuff. We'll soon see. Better take the

00:20:50.039 --> 00:20:56.500
flash. Yes. Any sign of Brother Rat? Not so far.

00:20:57.779 --> 00:21:01.900
No. It's not up here now. What is up there? Just

00:21:01.900 --> 00:21:04.480
a cramped space between the ceiling and the bedroom

00:21:04.480 --> 00:21:10.359
floor. There. That does it. Hello. What's this?

00:21:11.279 --> 00:21:14.579
What did you find? A big book of some kind. Like

00:21:14.579 --> 00:21:18.619
a scrapbook. Bring it down. I intend to. Must

00:21:18.619 --> 00:21:21.619
have been up there for years. I'm surprised the

00:21:21.619 --> 00:21:23.599
rat hasn't chewed it to bits and made a nest

00:21:23.599 --> 00:21:25.960
out of it. It's almost falling apart. Look, we'll

00:21:25.960 --> 00:21:28.819
lay it out on a long table. Belong to the old

00:21:28.819 --> 00:21:33.170
judge, without a doubt. Looks like a lot of newspaper

00:21:33.170 --> 00:21:38.309
articles. The judge's press clippings? Yes. From

00:21:38.309 --> 00:21:43.589
papers 40 and 50 years old. Look at this. Hanging

00:21:43.589 --> 00:21:48.390
judge, sentences 200th to die. He was actually

00:21:48.390 --> 00:21:52.490
proud of it. So it seems. Here's a picture of

00:21:52.490 --> 00:21:58.450
him. Dated June 19th, 1920. Same face as the

00:21:58.450 --> 00:22:02.230
portrait. Only a lot younger. Hello. Here's an

00:22:02.230 --> 00:22:06.930
odd one. Look at this. The British Society of

00:22:06.930 --> 00:22:10.450
Sorcery will hold its monthly meeting at Society

00:22:10.450 --> 00:22:13.130
Headquarters, 31 Pembroke Place, on Thursday,

00:22:13.150 --> 00:22:16.769
October 1st at 8 p .m. Featured speaker of the

00:22:16.769 --> 00:22:19.869
evening will be the Honorable Judge Harrison

00:22:19.869 --> 00:22:24.910
Schelling of Salford, whose topic will be witchcraft

00:22:24.910 --> 00:22:29.630
and the changing form. The public is invited.

00:22:29.750 --> 00:22:32.329
Well, now we know his hobby. It gets more fascinating

00:22:32.329 --> 00:22:35.869
all the time. I might make a hobby of him. What

00:22:35.869 --> 00:22:39.009
about our monograph? It might tie in nicely.

00:22:39.609 --> 00:22:44.069
Perfectly. We're doing abnormal psychology. A

00:22:44.069 --> 00:22:55.049
judge into witchcraft. What a case history! Well,

00:22:55.210 --> 00:22:57.720
Mark... I think we've done enough work for one

00:22:57.720 --> 00:23:00.039
day. You want to go into the village for supper?

00:23:00.240 --> 00:23:03.019
I just as soon heat up some soup here. It's drizzly

00:23:03.019 --> 00:23:05.859
and cold out there. Suits me. It's almost dark,

00:23:06.460 --> 00:23:09.240
too. This fire's too good to leave. What was

00:23:09.240 --> 00:23:15.740
that? What? You didn't hear it? There. Something

00:23:15.740 --> 00:23:20.180
hit the floor. There it is. It's one of the poison

00:23:20.180 --> 00:23:24.839
pellets. He's pushing them down the hole. The

00:23:24.839 --> 00:23:27.180
devil! Some guarantee that guy in the village

00:23:27.180 --> 00:23:29.940
gave you. Look at the fiend. He's throwing the

00:23:29.940 --> 00:23:33.059
stuff back at us. That's one smart rat. He knows

00:23:33.059 --> 00:23:35.440
what's not good for him. Well, look at it this

00:23:35.440 --> 00:23:39.180
way. He was here before we were. Maybe we're

00:23:39.180 --> 00:23:42.500
intruding on him. Why don't we just leave him

00:23:42.500 --> 00:23:45.759
alone? Let him scrounge around as he pleases.

00:23:46.299 --> 00:23:48.779
It's been his home for we don't know how long.

00:23:49.099 --> 00:23:53.460
I don't like that idea at all. But at the moment...

00:23:54.039 --> 00:24:03.259
I don't have a better one. Brian and I had a

00:24:03.259 --> 00:24:07.119
light supper, did some work, let the fire go

00:24:07.119 --> 00:24:10.960
to Embers and went to bed. I don't know how long

00:24:10.960 --> 00:24:13.720
I'd been asleep when I heard Brian yelling at

00:24:13.720 --> 00:24:16.440
me and dragging me out of bed. Mark, the house

00:24:16.440 --> 00:24:18.920
is on fire. Hurry! Why aren't the downstairs

00:24:18.920 --> 00:24:24.930
a blaze? Look! I couldn't see flames, but fire

00:24:24.930 --> 00:24:27.069
like flickered around the stairwell. I grabbed

00:24:27.069 --> 00:24:31.069
my pants and we hurried downstairs. It's the

00:24:31.069 --> 00:24:35.349
fireplace. I thought the whole house was ablaze.

00:24:35.509 --> 00:24:38.789
Yes, it's the fireplace, but how come? There

00:24:38.789 --> 00:24:40.730
were just dying embers when we went up to bed.

00:24:41.650 --> 00:24:46.089
But how did this start up? I don't know. Fascinating,

00:24:46.109 --> 00:24:49.230
isn't it? It's downright weird. Someone started

00:24:49.230 --> 00:24:52.779
that fire up again. Sure is all right. But I'll

00:24:52.779 --> 00:24:55.920
be darned if I'll detach a supernatural significance

00:24:55.920 --> 00:24:59.339
to it. Some charcoal just flared up. I didn't

00:24:59.339 --> 00:25:02.180
say it was supernatural. I said someone started

00:25:02.180 --> 00:25:04.380
the fire up. Are you accusing me of playing tricks

00:25:04.380 --> 00:25:09.019
on you? Don't be ridiculous. But you picked a

00:25:09.019 --> 00:25:11.400
dilly of a house for us to try to concentrate

00:25:11.400 --> 00:25:20.019
in. Brian's upbeat nature kept me from taking

00:25:20.019 --> 00:25:23.299
things too seriously. But I should have realized

00:25:23.299 --> 00:25:25.680
we were in a danger far greater than Brian would

00:25:25.680 --> 00:25:29.099
admit. For the next two days we worked without

00:25:29.099 --> 00:25:31.980
incident. And no sign of the rat, thank heaven.

00:25:33.140 --> 00:25:35.680
We didn't go into the village at all. And we

00:25:35.680 --> 00:25:37.900
were surprised when we saw Andy, the tavern keeper,

00:25:37.960 --> 00:25:42.559
approach the house somewhat cautiously. Come

00:25:42.559 --> 00:25:48.779
in, Andy. And you know who is me? Our crystal

00:25:48.779 --> 00:25:54.029
ball. What? We saw you through the window. I

00:25:54.029 --> 00:25:57.009
hope I'm not intruding. No, of course not. Help

00:25:57.009 --> 00:25:59.450
yourself to Sherry. We never thought we'd see

00:25:59.450 --> 00:26:02.309
you set foot in here. No, I never thought I would

00:26:02.309 --> 00:26:05.789
either. We was getting concerned about you too.

00:26:06.289 --> 00:26:10.049
Haven't seen you in two days. I was elected to

00:26:10.049 --> 00:26:14.910
come see you. She was all right. Rather, I lost

00:26:14.910 --> 00:26:19.309
the draw. And you see, we're fine. Did you get

00:26:19.309 --> 00:26:21.890
rid of the rat? Well, we don't know. We haven't

00:26:21.890 --> 00:26:26.049
seen it for two days. I knew those pellets would

00:26:26.049 --> 00:26:28.529
do the trick. We're not sure it ate any of them.

00:26:28.670 --> 00:26:31.289
How? It kept pushing them down at us from its

00:26:31.289 --> 00:26:36.470
nests up there. You don't believe me? I believe

00:26:36.470 --> 00:26:41.589
anything that might happen in this house. So

00:26:41.589 --> 00:26:46.640
that's him staring down from the wall. The old

00:26:46.640 --> 00:26:52.140
hanging judge himself, eh? That's him. Evil as

00:26:52.140 --> 00:26:55.940
evil can be, he is. You can tell it to look at

00:26:55.940 --> 00:26:59.539
him. Curious you should put it that way. What

00:26:59.539 --> 00:27:06.480
way? You said, he is, not he was. Of course he

00:27:06.480 --> 00:27:10.779
is. He won't believe his spirit's hearing in

00:27:10.779 --> 00:27:15.779
that bell. But we know it. Mark me. You're in

00:27:15.779 --> 00:27:18.880
for a hard lesson, don't I know it? We appreciate

00:27:18.880 --> 00:27:21.559
your concern for our well -being. I mean that.

00:27:22.059 --> 00:27:25.559
Well, if you was about to come to harm, we wouldn't

00:27:25.559 --> 00:27:29.940
ignore you. Things are awfully tense in the village.

00:27:30.259 --> 00:27:36.420
About us? About you. About all of us. It blasted

00:27:36.420 --> 00:27:40.880
bell -ring three nights ago. We know. We're waiting.

00:27:42.200 --> 00:27:53.349
Wondering. Who's going to be next? Do not send

00:27:53.349 --> 00:27:56.930
to know for whom the bell tolls It tolls for

00:27:56.930 --> 00:28:00.210
the judge's next victim But it's merely a gutter

00:28:00.210 --> 00:28:02.589
rat that rings the bell when it occasionally

00:28:02.589 --> 00:28:05.109
runs up and down the bell rope to its nest in

00:28:05.109 --> 00:28:08.190
the ease That's what Brian would have the villagers

00:28:08.190 --> 00:28:12.069
believe and perhaps he's right, but that's a

00:28:12.069 --> 00:28:15.630
big perhaps and we'll find out what really goes

00:28:15.630 --> 00:28:18.589
on in the judge's house when I return shortly

00:28:18.589 --> 00:28:34.250
with Act 3. Iron bells in the silence of the

00:28:34.250 --> 00:28:37.390
night, how we shiver at the melancholy menace

00:28:37.390 --> 00:28:40.799
of their tone. The people of Salford certainly

00:28:40.799 --> 00:28:42.920
shiver every time the bell in the judge's house

00:28:42.920 --> 00:28:46.420
rings. According to them, it means someone is

00:28:46.420 --> 00:28:49.740
going to die. But it's been several days now

00:28:49.740 --> 00:28:53.119
since the bell rang last, and the village is

00:28:53.119 --> 00:28:57.640
still wondering... Who's going to be next? That's

00:28:57.640 --> 00:29:00.200
your trouble, Andy. You let superstition color

00:29:00.200 --> 00:29:03.819
your whole life. No one is going to be next,

00:29:03.980 --> 00:29:06.140
just because a rat happened to swing on a bell

00:29:06.140 --> 00:29:10.440
rope. Ah, you can talk, lad. You haven't lived

00:29:10.440 --> 00:29:17.000
in Salford. We know. Well, I better be getting

00:29:17.000 --> 00:29:19.140
back. Well, thanks for coming, Andy. We appreciate

00:29:19.140 --> 00:29:22.619
your concern. Like I said, we hadn't seen you

00:29:22.619 --> 00:29:25.359
in two days. Just wanted to make sure you was

00:29:25.359 --> 00:29:29.480
all right. We still think you're lonely. Perhaps.

00:29:29.799 --> 00:29:32.140
But it will take more than a rat and superstition

00:29:32.140 --> 00:29:35.400
to get us to leave. I hope for your sake there

00:29:35.400 --> 00:29:39.299
is nothing more. Good -bye now. So long, Andy.

00:29:39.460 --> 00:29:41.259
We'll be down for a beer. And thanks again for

00:29:41.259 --> 00:29:47.059
thinking of us. You be careful now. Decent chap.

00:29:47.720 --> 00:29:50.380
They all are, I suppose. Wanna get back to work?

00:29:50.759 --> 00:30:01.490
We'd better. and thus then the psyche is turned

00:30:01.490 --> 00:30:05.569
inward on itself with no other outlet something

00:30:05.569 --> 00:30:11.069
the matter mark i just can't concentrate i know

00:30:11.069 --> 00:30:15.190
i'm acting like one of the villagers but i can't

00:30:15.190 --> 00:30:18.190
stand that portrait staring down at us it really

00:30:18.190 --> 00:30:20.809
bothers you yes and i'm going to take it down

00:30:20.809 --> 00:30:24.519
all right if you feel better But he is sort of

00:30:24.519 --> 00:30:26.579
an inspiration now that we're ready to include

00:30:26.579 --> 00:30:29.200
him in the paper. Give me a hand, will you? Sure.

00:30:29.940 --> 00:30:34.359
Heavy, is it? It's not that. It seems to be nailed

00:30:34.359 --> 00:30:40.859
to something. It won't budge. So it is. Let's

00:30:40.859 --> 00:30:47.279
both lift from the bottom. No use. I'm afraid

00:30:47.279 --> 00:30:50.599
it's there to stay. Unless we destroy the thing.

00:30:50.740 --> 00:30:54.990
No, we can't do that. Well, let's get back to

00:30:54.990 --> 00:30:58.410
work. I want to go over the scrapbook, item by

00:30:58.410 --> 00:31:02.230
item. It'll give us a good start on... Hello?

00:31:03.490 --> 00:31:08.569
Did you move the book? No. It's gone. I mean,

00:31:08.750 --> 00:31:10.410
I distinctly remember leaving it on the corner

00:31:10.410 --> 00:31:12.250
table here. Well, it's got to be around here.

00:31:12.289 --> 00:31:15.329
I never touched it. Nor I. Not since we looked

00:31:15.329 --> 00:31:20.279
at it the first time. It's absolutely gone. Well,

00:31:20.279 --> 00:31:22.420
maybe the judge stepped down from the portrait

00:31:22.420 --> 00:31:26.880
and hid it somewhere to keep us from crying Now

00:31:26.880 --> 00:31:29.019
you're treating the whole situation the way you

00:31:29.019 --> 00:31:41.680
should But where could it have gone Let's call

00:31:41.680 --> 00:31:45.859
it a day it's getting dark want to pop down to

00:31:45.859 --> 00:31:54.049
Andes for a pint I'd like nothing better. Anything

00:31:54.049 --> 00:31:57.509
more, boys? Oh, no, thanks. I'm falling asleep

00:31:57.509 --> 00:31:59.950
from all that ale. I'll finish this and we'll

00:31:59.950 --> 00:32:04.910
go. You know, the people have been talking. Oh?

00:32:05.289 --> 00:32:09.670
Yeah. Yeah, thinking maybe you lads, lonely as

00:32:09.670 --> 00:32:13.670
you are, have maybe driven the old thing away.

00:32:14.970 --> 00:32:18.059
Nothing's happened in the village. You know what

00:32:18.059 --> 00:32:21.579
I mean? I think we do. You're going to be here

00:32:21.579 --> 00:32:26.299
for two months. That's good. Just your being

00:32:26.299 --> 00:32:30.119
there has done something. This is the first time

00:32:30.119 --> 00:32:32.859
nothing's happened after the bell rang. And we

00:32:32.859 --> 00:32:35.039
hope it stays that way. We'd better get back.

00:32:35.359 --> 00:32:38.960
Let's have the tab, Andy. Good night, boys. It's

00:32:38.960 --> 00:32:53.190
all on me. I wish we'd left the light on. Take

00:32:53.190 --> 00:32:56.490
the flash. I'll pop round back for some firewood.

00:32:56.950 --> 00:33:02.369
You go in and stir the embers. Okay. I went into

00:33:02.369 --> 00:33:05.609
the living room, and before I could turn on a

00:33:05.609 --> 00:33:10.549
light, I knew I was being watched. I flicked

00:33:10.549 --> 00:33:15.230
on the light and... a rat was back. It looked

00:33:15.230 --> 00:33:18.890
over the rim of the hole, its eyes aglow with

00:33:18.890 --> 00:33:22.430
reflected light. Oh, the chill that ran up the

00:33:22.430 --> 00:33:27.430
back of my neck was indescribable. The rat stared,

00:33:27.829 --> 00:33:32.609
unmoving, and then it leaped to the bell rope,

00:33:33.289 --> 00:33:37.069
swinging back and forth, setting off the clanging,

00:33:37.710 --> 00:33:40.970
twisting and riding on the rope as it chewed,

00:33:41.130 --> 00:33:45.329
chewed right through the rope. It fell to the

00:33:45.329 --> 00:33:50.500
floor with a thud. and turned toward me. I raced

00:33:50.500 --> 00:33:54.279
for the kitchen and slammed the door. I had to

00:33:54.279 --> 00:33:57.460
get out of the house. I ran through the kitchen's

00:33:57.460 --> 00:34:01.819
back door. Oh, but I couldn't budge it. Mark,

00:34:02.160 --> 00:34:04.680
what the devil's going on? Why was the bell ringing?

00:34:05.079 --> 00:34:07.960
I can't open the door, Brian. The rat's in the

00:34:07.960 --> 00:34:12.500
living room. It's crazed. Open the door! I'll

00:34:12.500 --> 00:34:18.440
push from this side. Now, what's happened? The

00:34:18.440 --> 00:34:22.320
rat's loose in the living room. It's gone mad

00:34:22.320 --> 00:34:25.000
or something. It attacked me. Now, calm down.

00:34:25.760 --> 00:34:28.059
Why did the bell ring? The rat chewed through

00:34:28.059 --> 00:34:31.500
the bell rope. Brian, we've got to leave here.

00:34:32.179 --> 00:34:34.619
The rat clawed at the door. Let's take a look.

00:34:34.659 --> 00:34:37.860
No! Don't open the door to the living room. It's

00:34:37.860 --> 00:34:43.920
there, waiting. I don't hear anything. Well,

00:34:44.460 --> 00:34:47.480
it's clever. It's waiting for us to come out.

00:34:48.019 --> 00:34:56.360
I'm going to see. Can you see him? No. Look,

00:34:56.559 --> 00:34:59.460
look at the bottom of the door. Scratch marks.

00:34:59.800 --> 00:35:03.179
Yes, you're right. I could almost put up with

00:35:03.179 --> 00:35:05.480
the supernatural aspects you find so exciting,

00:35:05.619 --> 00:35:08.880
but we can't stay with a crazed rat. There's

00:35:08.880 --> 00:35:11.820
no sign of it now. Come on, let's take a look.

00:35:15.440 --> 00:35:19.840
What's the matter? Am I dreaming? Look at the

00:35:19.840 --> 00:35:26.139
portrait. The portrait? The judge? He's gone.

00:35:26.940 --> 00:35:30.559
He's no longer in it. Everything else is there.

00:35:31.179 --> 00:35:36.579
The chair. The table his arm rested on. This

00:35:36.579 --> 00:35:40.860
is extraordinary. The painting's completely intact.

00:35:41.840 --> 00:35:47.519
No smudge. No tears. And no judge? We're getting

00:35:47.519 --> 00:35:51.340
out of here. I can't leave now. We're experiencing

00:35:51.340 --> 00:35:54.539
an unbelievable supernatural event. Have you

00:35:54.539 --> 00:35:57.119
lost your mind? We have both seen with our own

00:35:57.119 --> 00:36:01.039
eyes a figure disappear from a painting. We both

00:36:01.039 --> 00:36:04.760
know it's impossible, but it's happened. There's

00:36:04.760 --> 00:36:08.179
an incredible supernatural force at work in this

00:36:08.179 --> 00:36:11.059
house. Do you mean the judge is roaming around

00:36:11.059 --> 00:36:16.969
the house? The image of the judge. the lecture

00:36:16.969 --> 00:36:20.369
in the newspaper advertisement witchcraft and

00:36:20.369 --> 00:36:25.090
the changing form mark this adds up the spirit

00:36:25.090 --> 00:36:28.809
of the judge never left the house it stayed here

00:36:28.809 --> 00:36:32.170
in the form of the rat probably several rats

00:36:32.170 --> 00:36:35.989
over the years and the body of the judge was

00:36:35.989 --> 00:36:39.550
preserved in the portrait it was there for him

00:36:39.550 --> 00:36:44.250
to claim whenever he wanted dressed in his robes

00:36:44.250 --> 00:36:49.280
remember The eyes of the rat looked like the

00:36:49.280 --> 00:36:52.019
eyes of the judge in the painting. What an experience

00:36:52.019 --> 00:36:54.420
we've stumbled on. You mean you're going to stay

00:36:54.420 --> 00:36:58.119
here with that crazy judge on the loose? We can't

00:36:58.119 --> 00:37:00.820
miss out on this. I want to see what he does

00:37:00.820 --> 00:37:02.659
next. Do you actually think we're going to meet

00:37:02.659 --> 00:37:06.119
up with him? He's gone from the portrait. He's

00:37:06.119 --> 00:37:09.179
got to turn up somewhere. Brian, listen to me.

00:37:09.619 --> 00:37:12.960
That rat attacked me. That means the Judge has

00:37:12.960 --> 00:37:15.579
murder in mind, too. Look, we have got to get

00:37:15.579 --> 00:37:22.460
out of here! Look. There he is. At the top of

00:37:22.460 --> 00:37:32.320
the stairs. Blooming above us, like some colossus,

00:37:32.760 --> 00:37:37.039
stood the Judge. His black robes swirled around

00:37:37.039 --> 00:37:40.619
him. His long white hair had a luminous glow.

00:37:41.900 --> 00:37:49.800
and his eyes, those eyes. Over his arm hung the

00:37:49.800 --> 00:37:55.780
bell rope, and in his hand a black cap. As we

00:37:55.780 --> 00:38:01.179
stood transfixed, slowly he placed a black cap

00:38:01.179 --> 00:38:06.579
on his head. A cap British judges always put

00:38:06.579 --> 00:38:14.619
on when passing a sentence of death. the death

00:38:14.619 --> 00:38:20.079
cap incredible what a manifestation he's beckoning

00:38:20.079 --> 00:38:23.820
to us i'm going up no brian you can't it's only

00:38:23.820 --> 00:38:27.440
an ectoplasmic manifestation a spirit i want

00:38:27.440 --> 00:38:30.420
to see what it does it can't hurt us let's just

00:38:30.420 --> 00:38:35.579
leave never see it's motioning us to follow i'm

00:38:35.579 --> 00:38:38.340
going to follow it don't i'm going to see this

00:38:38.340 --> 00:38:44.650
through it's moving away down the hall I must

00:38:44.650 --> 00:38:49.429
see where it goes and what it does. Brian, please

00:38:49.429 --> 00:38:52.269
don't go up there. Heading for the bell tower.

00:38:53.190 --> 00:39:00.769
I'm close enough to touch it. Brian. Brian. Answer

00:39:00.769 --> 00:39:06.869
me, Brian. I raced up the stairs. There was no

00:39:06.869 --> 00:39:11.550
sign of Brian. I searched every room, every corner

00:39:11.550 --> 00:39:16.769
of the second floor. Brian and the judge had

00:39:16.769 --> 00:39:24.190
vanished. I ran back outside, jumped into Brian's

00:39:24.190 --> 00:39:27.670
car and headed for help in the village. What

00:39:27.670 --> 00:39:31.429
is he doing? The judge. He's... The judge? He's

00:39:31.429 --> 00:39:34.809
up at the house. Brian followed him. Followed

00:39:34.809 --> 00:39:38.349
him? Up where? Stairs. But they both disappeared.

00:39:38.679 --> 00:39:40.599
Can you get some of the men to come back with

00:39:40.599 --> 00:39:44.699
me? We have got to find Brian. I don't know.

00:39:45.199 --> 00:39:47.199
There's none but me who dares set foot within

00:39:47.199 --> 00:39:53.500
that place. Listen. The bell. Why? It couldn't

00:39:53.500 --> 00:39:57.000
ring. The rat chewed the rope clear through.

00:39:57.599 --> 00:40:02.099
I'm crazy to do it. But I can't leave you alone

00:40:02.099 --> 00:40:05.760
to face it. Come on. I'll go back up there with

00:40:05.760 --> 00:40:10.880
you. Roy! Alex! Come with us and don't ask questions.

00:40:17.940 --> 00:40:20.960
They say you saw the judge. He disappeared from

00:40:20.960 --> 00:40:23.659
the portrait. And then we saw him standing at

00:40:23.659 --> 00:40:27.480
the top of the stairs. That's when Brian went

00:40:27.480 --> 00:40:31.480
up to follow him. We'd better approach cautiously.

00:40:32.400 --> 00:40:34.699
Peering the windows first to see what's going

00:40:34.699 --> 00:40:39.199
on. I'm going in to find Brian. My leg! Through

00:40:39.199 --> 00:40:43.599
the window! I can see it! Brian! Hurry up, man!

00:40:44.420 --> 00:40:55.860
Quick! Brian! Brian! I looked with horror and

00:40:55.860 --> 00:41:01.199
then covered my eyes. Brian was hanging by the

00:41:01.199 --> 00:41:07.650
neck from the bell robe. swinging in slow rhythm

00:41:07.650 --> 00:41:12.869
to the tolling of the bell. Before I passed out

00:41:12.869 --> 00:41:17.230
and everything went black, I caught a glimpse

00:41:17.230 --> 00:41:23.789
of the portrait. The judge was back, seated in

00:41:23.789 --> 00:41:29.150
the high back chair, as though he had never moved.

00:41:38.179 --> 00:41:42.039
He came to on the lawn with Andy standing over

00:41:42.039 --> 00:41:48.239
me. Are you all right, Len? Yes, but... Brian.

00:41:49.619 --> 00:41:53.480
Oh, Brian. He'll be all right, too. We got him

00:41:53.480 --> 00:41:56.360
down in time. The men have taken him to the pub.

00:41:57.219 --> 00:42:01.579
He's... He's alive? Indeed. A nasty scar he'll

00:42:01.579 --> 00:42:04.119
have on his neck, but he'll be all right. The

00:42:04.119 --> 00:42:08.130
doctor's with him now. What are the men doing

00:42:08.130 --> 00:42:13.730
over there? Ending this once and for all. We're

00:42:13.730 --> 00:42:16.869
burning the place to the ground. It'll go up

00:42:16.869 --> 00:42:22.710
like a tinderbox. Aye. Judge, rat and all. And

00:42:22.710 --> 00:42:25.269
if the grandson complains we burned down his

00:42:25.269 --> 00:42:29.610
house, so be it. We have to protect ourselves

00:42:29.610 --> 00:42:40.699
from the judge's house. That was the end of it

00:42:40.699 --> 00:42:45.519
for us Brian recovered and we finished our work

00:42:45.519 --> 00:42:49.519
back at his flat in Liverpool But I can still

00:42:49.519 --> 00:42:52.159
remember watching the judge's house collapse

00:42:52.159 --> 00:42:57.159
into fiery ashes And the small furry figure that

00:42:57.159 --> 00:43:02.019
emerged from the inferno Its eyes glistening

00:43:02.019 --> 00:43:06.309
in the light of the flames before it scampered

00:43:06.309 --> 00:43:15.670
off into the woods beyond. The bell will toll

00:43:15.670 --> 00:43:18.889
no more over the judge's house. No longer will

00:43:18.889 --> 00:43:21.389
the villagers of Salford have to live in fear

00:43:21.389 --> 00:43:24.670
and dread. We know the rat deserted the sinking

00:43:24.670 --> 00:43:28.949
ship, or fiery house to be exact, but without

00:43:28.949 --> 00:43:32.750
the portrait and the bell and the house. he'll

00:43:32.750 --> 00:43:35.989
probably end up as just another homeless gutter

00:43:35.989 --> 00:43:51.349
rat. I'll be back shortly. Believers in witchcraft

00:43:51.349 --> 00:43:54.769
staunchly maintain that certain evil spirits,

00:43:55.289 --> 00:43:59.349
the devil most notably, can survive for years,

00:43:59.789 --> 00:44:03.280
sometimes centuries, by taking on various other

00:44:03.280 --> 00:44:07.440
life forms. One way of living forever, I suppose.

00:44:07.960 --> 00:44:10.679
But I don't think I'd like it. I mean, what's

00:44:10.679 --> 00:44:14.079
the good of living forever if your friends can

00:44:14.079 --> 00:44:17.599
never recognize you? Our cast included Gordon

00:44:17.599 --> 00:44:20.820
Gould, Lloyd Batista, and Robert Dryden. The

00:44:20.820 --> 00:44:22.960
entire production was under the direction of

00:44:22.960 --> 00:44:26.840
Hyman Brown. This is E .G. Marshall, inviting

00:44:26.840 --> 00:44:29.849
you to return to our mystery theater. for another

00:44:29.849 --> 00:44:34.969
adventure in the macabre. Until next time, pleasant

00:44:34.969 --> 00:44:35.829
dreams.
